Browse content similar to 27/01/2016. Check below for episodes and series from the same categories and more!
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Matt! Allo, allo. Come on, the show is being great. There will be lots | :00:07. | :00:16. | |
of great characters, good catchphrases, come on! It's going to | :00:17. | :00:22. | |
be great this, isn't it! Stupid boy! Hello and welcome to the One Show | :00:23. | :00:43. | |
with Matt Baker And Alex Jones. Yes, tonight we have gone all out to | :00:44. | :00:47. | |
celebrate a certain classic sitcom. Everyone is getting into the Dad's | :00:48. | :00:51. | |
Army spirit. Look at the crew. They look absolutely wonderful, don't | :00:52. | :00:54. | |
they? There is Rob, the floor manager. Very good, sir. Even Dave. | :00:55. | :01:00. | |
And our editor. The boss. It doesn't stop there. Let's look in the | :01:01. | :01:05. | |
gallery. There is the director HMRC private Smith - don't panic. The | :01:06. | :01:08. | |
audience are in the spirit of things. They have dressed up. Which | :01:09. | :01:12. | |
is lovely. We have room for a few more, haven't we? They are a bit | :01:13. | :01:16. | |
quiet. Let's have a drum roll, please. | :01:17. | :01:24. | |
Tonight, we vn an incredible number of guests from acting royalty to | :01:25. | :01:31. | |
sitcom stars they are in the Dad's Army film. 1, 2, 3, 4! Please | :01:32. | :01:47. | |
welcome Blake Harrison. Mr Daniel Mays. Bill Paterson. It's Sir Tom | :01:48. | :02:04. | |
Courtenay. Another Sir, it's Michael Gambon. And we also have Catherine | :02:05. | :02:13. | |
Zeta-Jones. # Who do you think you are kidding, | :02:14. | :02:23. | |
Mr Hitler... # Military | :02:24. | :02:24. | |
APPLAUSE Welcome. Have a seat. Thank you very | :02:25. | :02:31. | |
much to The Bevin Boys, they are our house band for the evening. | :02:32. | :02:36. | |
Fantastic. More from them later on. Lovely to have you here. The film is | :02:37. | :02:41. | |
finally out on the 5th February. Everybody is very excited, aren't | :02:42. | :02:44. | |
we. Very much so. We have seen it. How was the premier? It was | :02:45. | :02:49. | |
brilliant. Brilliant. Had you seen it before last night before the | :02:50. | :02:53. | |
premier? I saw a cutting of it somewhere. I can't remember where. | :02:54. | :02:58. | |
It was very good. Seeing it with an audience was my fist time, my mum, | :02:59. | :03:02. | |
dad and family were there. It was wonderful. The response was great. | :03:03. | :03:07. | |
There were things I had forgot about even while shooting it. Knowing the | :03:08. | :03:11. | |
gag I was laughing. It was great. We have a lovely picture of you all. | :03:12. | :03:17. | |
Love the dress, Catherine. Let's look at you at the premier. That is | :03:18. | :03:21. | |
you with the Chelsea Pensioners. There you are. You have only just | :03:22. | :03:27. | |
said goodbye to each other but you are on the One Show together. Lovely | :03:28. | :03:32. | |
to have you here tonight. We wanted to do the same tonight and recreate | :03:33. | :03:37. | |
the characters from Dad's Army. We have started. Let's put together our | :03:38. | :03:46. | |
own Dad's Army look a likes. Is your dad the spitting image of Captain | :03:47. | :03:55. | |
Mainwaring like our producer's dad. Please send us your pictures as long | :03:56. | :03:58. | |
as they look like characters from Dad's Army. It doesn't matter. | :03:59. | :04:06. | |
Britain is still being battered by the tail of storm Jonas which has | :04:07. | :04:09. | |
already brought flooding and gale force winds to many, many areas. In | :04:10. | :04:12. | |
Scotland, for example, two lorries were blown over on the busy A1. That | :04:13. | :04:15. | |
wasn't the windiest moment in British history. For that, you need | :04:16. | :04:19. | |
to go back in time 27 years. Marty did. In February 1989, Britain was | :04:20. | :04:29. | |
battered by storms that left a trail of destruction across the UK. As | :04:30. | :04:36. | |
high as 83 miles per hour in Lancashire and Leeds, destroyed | :04:37. | :04:40. | |
buildings and overturned buses and lorries, leaving Britain in chaos. | :04:41. | :04:44. | |
It was a Scottish fishing town that was hit the hardest. On the 13th | :04:45. | :04:55. | |
February 1989 the Aberdeenshire town of Frazerborough experienced a gust | :04:56. | :05:00. | |
of wind at 142 miles per hour. That's twice as fast as the winds | :05:01. | :05:04. | |
that were causing havoc across the rest of the country. . It remains in | :05:05. | :05:09. | |
the record books as the strongest ever low-level wind recorded in the | :05:10. | :05:15. | |
United Kingdom. To get a sense of how violent this storm was I'm | :05:16. | :05:22. | |
stepping into the wind tunnel at Glasgow University. Here comes the | :05:23. | :05:30. | |
wind. Right. How's that? That's only 30! That's a really blowy day on the | :05:31. | :05:38. | |
High Street. Brollies - no use. Wind it up, come on. 50 miles an hour. | :05:39. | :05:54. | |
70 miles an hour. 0! At this speed I'm struggling to keep my balance. | :05:55. | :06:04. | |
This is Force 11 and caused trees and roofs to topple in 89. | :06:05. | :06:15. | |
That was 100 mile an hour wind. At 100 miles per hour I can't take any | :06:16. | :06:25. | |
more. Such hard work. That's far less than the record of 142, but | :06:26. | :06:30. | |
clearly still capable of causing chaos. Can I come out now? So, what | :06:31. | :06:37. | |
happened that night in Frazerborough to create such extreme winds? Pete | :06:38. | :06:46. | |
Buchanan is a meteorologist in nearby Aberdeen. It was a depression | :06:47. | :06:52. | |
that formed not north-west of the UK. The wind came down from the | :06:53. | :06:56. | |
north-west a straight into this area. The wind reached 78mph average | :06:57. | :07:02. | |
speed. Technically, for a land station, that represents hurricane | :07:03. | :07:07. | |
force. The wind speed they recorded is nearly twice that. How could that | :07:08. | :07:12. | |
possibly be? What we have here is essentially gustiness. A gust is | :07:13. | :07:17. | |
basically a short increase in wind speed, lasts just a very few | :07:18. | :07:21. | |
seconds. To show why we get this sudden increase in wind speed I'm | :07:22. | :07:26. | |
getting back into the wind tunnel. Imagine that this stream of smoke is | :07:27. | :07:30. | |
the powerful wind storm blowing over the North Sea that night. It has | :07:31. | :07:35. | |
nothing to get in the way until that is it gets to somewhere like Frazer | :07:36. | :07:41. | |
borough. Imagine I'm Frazerborough, the wind has to move around each | :07:42. | :07:46. | |
tree and building, every obstacle in its way. This creates turbulence. | :07:47. | :07:53. | |
Within the turbulence we see fast and unpredictable whirls of air. | :07:54. | :08:00. | |
These energetic whirls are gusts. Gusts are usually around | :08:01. | :08:03. | |
one-and-a-half times the average wind speed, but that night saw so | :08:04. | :08:09. | |
much turbulence that the gust was almost twice the speed. As you can | :08:10. | :08:15. | |
see it sticks out a little bit. It was also in the zone of strongest | :08:16. | :08:19. | |
winds making it even more gusty than normal. So the area, vulnerable and | :08:20. | :08:28. | |
exposed headline, lying in the path of the hurricane force winds, was | :08:29. | :08:32. | |
perfectly placed for a record-breaking gust. 8mph became | :08:33. | :08:39. | |
142mph. The speed of the gust of wind that night has never been | :08:40. | :08:44. | |
equaled. -- 78. They hold the United Kingdom record for the fastest ever | :08:45. | :08:53. | |
low-level wind. You feel more cosy. It is. That happened is what we were | :08:54. | :08:59. | |
saying. Not cosy in New York. Lots and lots of snow. No. We saw it | :09:00. | :09:05. | |
coming. I actually got a flight earlier in anticipation of me being | :09:06. | :09:09. | |
stuck and missing seeing my friends, missing the premier last night. We | :09:10. | :09:12. | |
got on a flight and spent the weekend with my family and my niece. | :09:13. | :09:17. | |
It was wonderful. Nice to be back home. You are more Welsh than we | :09:18. | :09:24. | |
were expecting? I had time with my family. Meeting Alex. We haven't met | :09:25. | :09:31. | |
I know. Before. Anyway, lovely to meet you now. You too. Keeping the | :09:32. | :09:35. | |
Welsh flag flying, my darling. Very happy. We are slowly taking over the | :09:36. | :09:41. | |
world! Slowly, but surely. If we talk about your character in the new | :09:42. | :09:45. | |
Dad's Army film you play Rose Winters. She is the only main | :09:46. | :09:48. | |
character isn't in the series from the past. What are your memories of | :09:49. | :09:53. | |
Dad's Army of old? It's like my memories of my great childhood of a | :09:54. | :10:01. | |
cup of oval teen and watching Dad's Army with my grandparents, my | :10:02. | :10:06. | |
grandfather was in the war, some of my family members with recite | :10:07. | :10:09. | |
remember bay tum the lines of some of the scenes. We were Avid - They | :10:10. | :10:13. | |
must have been beside themselves when you told them When my agent in | :10:14. | :10:18. | |
America called me - honey, they're doing Dad's Army! Sorry? They want | :10:19. | :10:22. | |
you to be in Dad's Army, it's really big over there. I was like - yeah, | :10:23. | :10:28. | |
give me Oliver Parker's number, I should deal with this personally. | :10:29. | :10:33. | |
It's way too rooted in my being to not do this. When they said that | :10:34. | :10:37. | |
then and you explained to Michael, your husband, did you have to tell | :10:38. | :10:41. | |
him what the series was or did he know what Dad's Army? No, not at | :10:42. | :10:46. | |
all. I tried to explain it to him. He got it, but when I told him the | :10:47. | :10:51. | |
kind of actors I was going to be working with - He got it. Sir | :10:52. | :10:55. | |
Michael, the wonderful cast we have on this chair. He said - whatever it | :10:56. | :11:00. | |
is, you've got to do it, you know that, right? That was his, you know, | :11:01. | :11:04. | |
it was just great. It was everything that I wanted it to be. Great | :11:05. | :11:09. | |
experience coming home, working with great, great actors. The journalist | :11:10. | :11:14. | |
that you play in the film then, how would you entice our viewers into | :11:15. | :11:19. | |
her character? Well, she's very enticing kind of character. I | :11:20. | :11:22. | |
wouldn't know - it was method acting! No idea where I got it from. | :11:23. | :11:34. | |
But she does use your womanly charms to manipulate and nurture what | :11:35. | :11:39. | |
everyone believes is she's doing a story for the lady magazine. She | :11:40. | :11:45. | |
gets thrown into Walmington-on-Sea wearing Chanel suits, fabulous 40s | :11:46. | :11:49. | |
attire, shakes it up, not only with the men, but with the ladies. Not in | :11:50. | :11:57. | |
that way! It's the 40s, we hadn't got there then, come on! She has got | :11:58. | :12:00. | |
the Home Guard wrapped around her little finger. Let's look at Rose in | :12:01. | :12:08. | |
action. Morning Miss Winters. Corps rat Jones. A-butcher by trade. A | :12:09. | :12:14. | |
soldier by night, more notches on my rifle than you've had hot dinners. | :12:15. | :12:19. | |
No the that you've had too many hot dinners you have a fine figure, if I | :12:20. | :12:24. | |
may say. Welcome to Walmington. Thank you, Mr Jones. Good day. I saw | :12:25. | :12:31. | |
that Jack Jones, just slipped her a sausage! | :12:32. | :12:40. | |
APPLAUSE That's a line! Sir Michael, you play Godfrey then who was | :12:41. | :12:45. | |
originally played by Arnold Ridley. Did you find yourself, you are an | :12:46. | :12:50. | |
actor in your own right, you can't help but have that image of the way | :12:51. | :12:54. | |
he did it The way he stands and walks and talks all sticks to you. | :12:55. | :12:59. | |
When you go on you just feel that or try and make it inside you, turn | :13:00. | :13:03. | |
yourself into that. It's not copying him, it's being part of him. Right. | :13:04. | :13:07. | |
What was the direction then that you were given? Was it to immiate a | :13:08. | :13:11. | |
little bit or bring yourself to it? Not immiate at all. You just sort of | :13:12. | :13:17. | |
- you make it feel as though you - he belongs - it's difficult to | :13:18. | :13:23. | |
explain, isn't it, about acting? It's not copying, is it? Why No. | :13:24. | :13:28. | |
Pretending, working yourself into it. You play Dumbledore as well in | :13:29. | :13:33. | |
Harry Potter. If you are being yourself as Dumbledore and being | :13:34. | :13:38. | |
yourself as this kind of bumbling soldier where do you sit the most | :13:39. | :13:44. | |
comfortable the wizard or soldier? I'm not being myself, I'm being | :13:45. | :13:48. | |
them. I'm being Dumbledore and I'm being this bloke. I don't really | :13:49. | :13:55. | |
know what I'm doing! I mean started off... I don't know nothing about | :13:56. | :14:00. | |
it, really. I just go on. How did it fit in as an experience? You have | :14:01. | :14:03. | |
done so much stuff, being on set doing this? I loved it. All my | :14:04. | :14:07. | |
friends play leading roles in it. I know everybody. I'm very happy. | :14:08. | :14:11. | |
Except it's very cold where we shot this. I bet. My God. Really pretty, | :14:12. | :14:17. | |
wasn't it? Beautiful. You are the eldest member of the platoon. You | :14:18. | :14:25. | |
spout beautiful nonsense during the film was it ad libs or heavily | :14:26. | :14:31. | |
scripted? No, you can't ad lib everything I said is Brit written | :14:32. | :14:36. | |
down. Proper. I'm proper, I don't muck around. Some of the actors - I | :14:37. | :14:41. | |
won't tell you their names. Go on. Name and shame. When we hire a new | :14:42. | :14:47. | |
One Show presenter we like to get them with an entertaining name. We | :14:48. | :14:51. | |
have a Michael Douglas, he is a hairdresser hechl cuts our hair. | :14:52. | :14:56. | |
That is Michael Douglas. He looks like Michael Douglas. Because we | :14:57. | :14:59. | |
knew at some point obviously we would have you on, well we have a | :15:00. | :15:05. | |
music man and he's called Richard Mainwaring much he says you | :15:06. | :15:18. | |
pronounced Main-War-Ing. Who better to present the film about the theme | :15:19. | :15:19. | |
tune. Let's have a look. # Pack uppior troubles - when it | :15:20. | :15:31. | |
comes to winning wars, songs are often a secret well for rally | :15:32. | :15:39. | |
troops... And poking fun at the enemy. Hitler has only got one... | :15:40. | :15:48. | |
Some do both # Two do you think you are kidding Mr Hitler? If you think | :15:49. | :15:57. | |
we are on the run? # We are the boys who will stop your little game # Who | :15:58. | :16:05. | |
do you think you're kidding Mr Hitler captures the 40s and it is | :16:06. | :16:10. | |
ideal as the Dad's Army theme. But it wasn't written during the war | :16:11. | :16:15. | |
years. It was actually created specifically for the series at the | :16:16. | :16:21. | |
height of the swinging 60s. Its aim to pastiche the sound, feel and tone | :16:22. | :16:30. | |
of 1940s popular music. Jimmy Perry was behind the song and used his own | :16:31. | :16:37. | |
experiences to get everything right. Tony Pritchard is head of the Dad's | :16:38. | :16:41. | |
Army appreciation society. He was in the home guard as a boy of 16 and | :16:42. | :16:47. | |
thought it was a game. Later on in the war he moved to Burma and was a | :16:48. | :16:53. | |
sergeant there. And saw action there and wept into the concert party and | :16:54. | :16:58. | |
started producing plays and things. When he came back, he began acting. | :16:59. | :17:05. | |
So it is based upon his experience? Yes absolutely. The sound he wanted | :17:06. | :17:12. | |
to evoke was a mixture of styles anyone who served during the war | :17:13. | :17:17. | |
would have been familiar with. Fundamentally it is a military | :17:18. | :17:25. | |
march. # Dah dah dah dah dah # But it is rooted in music hall. But we | :17:26. | :17:38. | |
can't forget 1940s big band style and tend of opening credits has a | :17:39. | :17:47. | |
jazz hands moment # If you think old England's done! # Genius. The | :17:48. | :17:54. | |
influence of music hall is found in the lyrics which in addressing Mr | :17:55. | :18:07. | |
Hitler directly are for comedy effect. The person who actually | :18:08. | :18:12. | |
performed the song was no fiction character. Bud Flanagan was a | :18:13. | :18:25. | |
war-time music hall legend. By the 60s he was retired but Jimmy Perry | :18:26. | :18:35. | |
got him to the microphone and it is said he nailed the performance in | :18:36. | :18:38. | |
one take in what was his last recording. The song was complete and | :18:39. | :18:46. | |
was the start of the first Dad's Army on 31st July 1968. I could have | :18:47. | :18:52. | |
you shot for this. That would be tricky since he is the only one with | :18:53. | :19:00. | |
a gun. Nearly 50 years I want to pay my tribute in the town it was film | :19:01. | :19:08. | |
with the band of the RAF and the people of Thetford, also known as | :19:09. | :19:13. | |
Walmington-on-Sea. Who do you think you're kidding Mr Hitler, if you | :19:14. | :19:19. | |
think we're on the run? We are the boys who will stop your little game | :19:20. | :19:26. | |
# We are the boys who will make you think again # Who do you think | :19:27. | :19:34. | |
you're kidding Mr Hitler f you think old England's done! CHEERING AND | :19:35. | :19:44. | |
APPLAUSE Cheers! It is a song you can't help joining in with. Thank | :19:45. | :19:48. | |
you to Richard the people of Thetford. That is not the last we | :19:49. | :19:54. | |
will see of the town. Joe will be there live soon meeting some of the | :19:55. | :20:05. | |
unknown stars of original. Bill Paterson and joins us. Catherine has | :20:06. | :20:13. | |
a cup of tea. Bill, you play private Frazer and the repeats of Dad's Army | :20:14. | :20:19. | |
still get two million. You had some reservations about doing the film. | :20:20. | :20:23. | |
Who wouldn't? All of us grew up with Dad's Army. It was part of my life | :20:24. | :20:30. | |
and I saw the first episode and my dad was Home Guard. He joined the | :20:31. | :20:39. | |
Royal Artillery later. I watched, it is one of the few things I bonded | :20:40. | :20:45. | |
with the 60s, you didn't bond much with your dad, we were hippies, it | :20:46. | :20:52. | |
was Dad's Army and sergeant bill Coe. It is engrained in the spirit | :20:53. | :20:57. | |
is the joy of Dad's Army. When you found out who was doing it, you | :20:58. | :21:02. | |
thought I had to be part of it. No, it only when I heard of the other | :21:03. | :21:10. | |
people doing it, if they think they can do it. They won't cancel it | :21:11. | :21:16. | |
because I can't do it. Did you have the same reservations or were you up | :21:17. | :21:21. | |
for it? No I wasn't. It was going to be done in the summer and I was | :21:22. | :21:29. | |
offered it in the spring when I was doing 45 years and time past and it | :21:30. | :21:34. | |
came back in the autumn and I heard these boys were on board, that so I | :21:35. | :21:44. | |
thought it would give it a go. So it is somebody's wrong if it goes | :21:45. | :21:52. | |
wrong. Michael, how do you approach something that is so treasured and | :21:53. | :21:55. | |
something so important to the British? You just had to be careful | :21:56. | :22:00. | |
and try and get it right and make it become the man you watched on the | :22:01. | :22:04. | |
television in the series, trying to become him in some way, without | :22:05. | :22:10. | |
copying him. It is very difficult. It must be like Shakespeare play or | :22:11. | :22:14. | |
something, so many people have done it before, you do it... You just | :22:15. | :22:18. | |
have to jump in the water and try and get it right. I don't know how I | :22:19. | :22:24. | |
did it. It is magic, you just jump in the water and become him. We have | :22:25. | :22:30. | |
already seen you as corporal Jones trying to slip Catherine a pound of | :22:31. | :22:38. | |
sausages. Let's... Have Bill and Michael and Frazer and Godfrey. | :22:39. | :22:43. | |
Attention to detail, ladies. The sooner we get the wounded back on | :22:44. | :22:47. | |
their feet, the sooner we shall win this war. How that is George? Rather | :22:48. | :22:56. | |
painful dear. It is your own fault, you stood on a land mine. Been shot | :22:57. | :23:01. | |
in the leg. But it goes all the way up. You big baby. I can't take this. | :23:02. | :23:14. | |
Lift your arm Mr Godfrey, you have been shot in the chest. Have I? Oh | :23:15. | :23:22. | |
dear. Will I be all right? We had it on good authority you were a | :23:23. | :23:30. | |
trouble-maker. On set. The fun that was having was that the case. All | :23:31. | :23:38. | |
lies. 'S a wonderful actor bs but incapable speaking the truth. Don't | :23:39. | :23:44. | |
take notice of anything he said. I dropped my mobile phone in the | :23:45. | :23:49. | |
middle of a take. We have got to tell this. You have got to keep | :23:50. | :23:53. | |
watching to the end of the credits. There is an extra bit at the end. | :23:54. | :23:59. | |
Don't get up. Before we came on, he said, is my mobile phone working? I | :24:00. | :24:05. | |
told him, give it to somebody else or it will be... I haven't got it | :24:06. | :24:11. | |
now. Attention seeking. You might have been the trouble maker, Tom, | :24:12. | :24:18. | |
you were the stunt man. We saw dangling off the cliff. You did that | :24:19. | :24:25. | |
yourself. No double I had my own private bit of cardboard cliff. I | :24:26. | :24:29. | |
was about that high off the ground. I loved it, because all the others | :24:30. | :24:34. | |
were sent home while I dangled on the cliff. It made me feel very | :24:35. | :24:44. | |
important. It was very nice dangling. We understand at 78 you | :24:45. | :24:50. | |
had a career first, doing a recent... Sex scene? Some of us saw | :24:51. | :25:00. | |
it. It is a family show this. In my underpants. I thought that was | :25:01. | :25:05. | |
untruthful. I wanted to take them off and they wouldn't let me. It was | :25:06. | :25:12. | |
sensitively done with Charlotte Rampling. To change the subject, | :25:13. | :25:19. | |
David Cameron announced plans to re-develop around 100 of what called | :25:20. | :25:25. | |
the UK's worst sink estates, where he said poverty, gangs and | :25:26. | :25:32. | |
anti-social behaviour are rife. We sent our reporter to Falinge in | :25:33. | :25:36. | |
Rochdale to see if the residents agreed him. This is Lower Falinge, | :25:37. | :25:42. | |
it has been described as one of the most deprived estates in Britain. It | :25:43. | :25:46. | |
is a community of around a thousand people, but fewer than one in three | :25:47. | :25:52. | |
have a job. The Prime Minister wants the country's worst housing estates | :25:53. | :25:57. | |
to be blitzed and replaced with better homes. He has not said where | :25:58. | :26:01. | |
it will happen. But what do people think here. Do they love it or want | :26:02. | :26:06. | |
to demolish it? We are going to put to it the vote. Do you think it | :26:07. | :26:12. | |
should be knocked down Yes it needs improvement. Look at the state of | :26:13. | :26:16. | |
it. How do you feel about the possibility of this estate being | :26:17. | :26:20. | |
pulled don? Not happy. I have lived here nine and a half years and I | :26:21. | :26:25. | |
love it. I brought my children up here. They love it. People with kids | :26:26. | :26:31. | |
don't know. People don't want to live here, because it has a bad | :26:32. | :26:36. | |
reputation. It is sad, but I think they should just cut their losses | :26:37. | :26:43. | |
and raze it to the ground. Yes or no. Yes. No. Another no. Results | :26:44. | :26:54. | |
later. Scotland is leading the way with one in four high rise flats in | :26:55. | :26:59. | |
Glasgow demolished as part of a separate scheme and now a ?140 | :27:00. | :27:05. | |
million fund has been set aside to regenerate a hundred of England's | :27:06. | :27:12. | |
worst estates. What is this section? The new build. In Lower Falinge | :27:13. | :27:19. | |
there have been changes and Andy from the residents' association is | :27:20. | :27:24. | |
showing me around. Two blocks, more than 40 flats, have made way for new | :27:25. | :27:29. | |
homes. 25 new houses. How much did it cost? 3.7 million. He is | :27:30. | :27:37. | |
sceptical about what the 140 million can achieve. There is one estates, | :27:38. | :27:45. | |
that is 1.4 million each. These cost 3.7. The money isn't there. The | :27:46. | :27:50. | |
people moved out didn't automatically get first choice on | :27:51. | :27:56. | |
the new homes here. Tony speaks for more than hundred of the UK's | :27:57. | :28:03. | |
housing associations. ?140 million for one hundred estate is not | :28:04. | :28:07. | |
enough. We need resources from the housing associations and the private | :28:08. | :28:11. | |
sector to do a proper job in these areas. If you only tackle the | :28:12. | :28:15. | |
buildings, you will not successfully turn around that estate. You have to | :28:16. | :28:21. | |
tackle things like gang culture, poverty, unemployment. On the estate | :28:22. | :28:29. | |
I am meeting a lady who have lived here all her life and thinks | :28:30. | :28:33. | |
starting over could solve a lot of the social problems. If we have | :28:34. | :28:39. | |
better houses and fa till sis it would be -- facilities it would be | :28:40. | :28:43. | |
happier. We don't feel safe with our children going out. You don't know | :28:44. | :28:46. | |
who is about and we have nothing on the estate for them to do. Time to | :28:47. | :28:55. | |
vote. I'm torn with it. My heart has always been with this estate. And if | :28:56. | :29:00. | |
we do get new houses, then I think it could be a good place. I'm going | :29:01. | :29:09. | |
to say yes. How is Andy going to vote in here and others have been | :29:10. | :29:14. | |
upset by negative reports about life here. It annoys me when people slate | :29:15. | :29:21. | |
the area. When they don't know the area. People are saying this is a | :29:22. | :29:28. | |
bad estate. Come down and have a look. The flats are nice. You have a | :29:29. | :29:32. | |
good community spirit here. People watch out for each other. I'm proud | :29:33. | :29:39. | |
to live here. You want to demolish or not? No way are we demolishing. | :29:40. | :29:45. | |
I'm not going anywhere. How has it gone? All right, there was a real | :29:46. | :29:49. | |
affection for the place and even the people who say tear it down, they do | :29:50. | :29:56. | |
say with a heavy heart. Much of the nitty-gritty that could affect | :29:57. | :29:59. | |
voting like what happens to those who have bought their own homes and | :30:00. | :30:04. | |
whether people moved out would get to move back is yet to be thrashed | :30:05. | :30:09. | |
out. But the poll is in. Their evenly split. Mine is a mixed bag. | :30:10. | :30:19. | |
In our poll we questioned 50 people. 14 said demolish it, 16 said no and | :30:20. | :30:26. | |
20 refused to answer. With opinions split, the battle to re-develop | :30:27. | :30:28. | |
these estates could be a bitter one. I think it's about time that we met | :30:29. | :30:41. | |
some genuine Home Front heroes. Let us introduce our very own Captain | :30:42. | :30:46. | |
Mainwaring. It's John Sergeant. APPLAUSE A little theme tune as | :30:47. | :30:50. | |
well, John. Looking superb. Thank you. Sit down. You are loaded with | :30:51. | :30:55. | |
facts here. I am. As always. Too many. Let us find out where the Home | :30:56. | :31:03. | |
Guard came from then? May 1940, it may seem funny looking back it | :31:04. | :31:06. | |
wasn't funny at the time. It really looked as though there was a danger | :31:07. | :31:11. | |
of innovation. The call went out for a local volunteer force and within | :31:12. | :31:16. | |
seven days 250,000 men had volunteered. Really? As Dunkirk came | :31:17. | :31:24. | |
it then really - getting more serious leading up to the Battle of | :31:25. | :31:30. | |
of Britain they had volunteers, not much equipment. A shambles. By the | :31:31. | :31:37. | |
end of the war 1.7 million people in the Home Guard. They have been doing | :31:38. | :31:42. | |
serious things such as bomb disposal. 1,200 had been killed. | :31:43. | :31:47. | |
This is, sort of, you see the context of the joke. It's wonderful. | :31:48. | :31:54. | |
If you look back, as you all know - This is the thing. Breath taking You | :31:55. | :32:00. | |
were in series. The Home Guard, how old you were you then? 13. What did | :32:01. | :32:09. | |
you do as a 13? I was drafted in as it were because I was in the School | :32:10. | :32:15. | |
Cadet force and had a uniform. I was the only one much our crew who had a | :32:16. | :32:23. | |
uniform. We had Reg the barber, Jack the Gardiner, Fred the groccer, Tom | :32:24. | :32:27. | |
the ringer the of the bells. Quite true? Absolutely true. We were all | :32:28. | :32:33. | |
different. Anyway, I remember we drilled with my weapon in fact was a | :32:34. | :32:39. | |
broomstick. A broom handle. It was a great piece of equipment. How did | :32:40. | :32:44. | |
you use that then? What was your technique then? I beg your pardon! | :32:45. | :32:50. | |
It's like Dad's Army all over again. You told me this was a financialily | :32:51. | :32:56. | |
show! We stood at ease, all that sort of stuff. I was the drill man, | :32:57. | :33:02. | |
you see. I was the only one, the rest were either 400 years old or | :33:03. | :33:06. | |
whatever. I was the only one who knew anything about drilling at all | :33:07. | :33:13. | |
through my experience, as it were. We filled sandbags. No sand, but we | :33:14. | :33:19. | |
filled it with earth from our local allotment. We built gun placements. | :33:20. | :33:25. | |
I had to get a spade. I didn't have one. My mother bought one and it's | :33:26. | :33:30. | |
in my shed to this very day. It's never been used since! Let us talk | :33:31. | :33:37. | |
about the Auxillery Territorial Service, you were part of it then. | :33:38. | :33:47. | |
What was your job When the aircraft came in you have to go and get your | :33:48. | :33:55. | |
instrument ready and you look and get on target. You saw what the | :33:56. | :33:59. | |
height of the plane that goes over to the guns so the guns can elevate | :34:00. | :34:03. | |
to have a. It was matter-of-fact? Yes. It must have been daunting when | :34:04. | :34:11. | |
the news came in? We got used to it and worked in different shifts. | :34:12. | :34:15. | |
Everybody took their turn. Anne, what about yourself? I had a good | :34:16. | :34:25. | |
job, really. Go on. Officers looking after the officers mess. I had the | :34:26. | :34:29. | |
good things. How did you get that job then? Well... You promised not | :34:30. | :34:47. | |
to ask those questions! Alex! The Dad's Army aren't the only | :34:48. | :34:50. | |
characters currently being revitalised for a new generation to | :34:51. | :34:54. | |
enjoy. Here's Gyles with a monster of a renovation project. Deep in the | :34:55. | :35:02. | |
heart of South London something is lurking in the undergrowth. A | :35:03. | :35:07. | |
mysterious group of creatures that has been striking fear into the | :35:08. | :35:14. | |
hearts of local residents. For decades they have been lying dormant | :35:15. | :35:21. | |
- until now! These fearsome beasts have finally woken from their | :35:22. | :35:25. | |
slumbers and, by the look of it, they're hungry. Well, not really. | :35:26. | :35:33. | |
Steven Spielberg may have sparked dino fever with his series of | :35:34. | :35:36. | |
blockbusters but the original Jurassic Park was here in the London | :35:37. | :35:38. | |
suburb of Sid nap. The models stunned Vick tore yoen | :35:39. | :35:51. | |
society and represented the latest in scientific thinking. The -- | :35:52. | :36:05. | |
Victorian. They were built in 18 54 The crystal Palace Company wanted to | :36:06. | :36:09. | |
build a theme park. They wanted to make it about education. Dinosaurs | :36:10. | :36:13. | |
were big news at the time. They had quite recently been discovered and | :36:14. | :36:17. | |
named and there was a lot of popular interest in them. Designed by | :36:18. | :36:37. | |
Benjamin Waterhouse they were the first of their kind. If you think of | :36:38. | :36:44. | |
Jurassic Park, Jurassic Park all starts here. The theme park was an | :36:45. | :36:49. | |
instant success. A scientific thinking moved on these poor | :36:50. | :36:56. | |
creatures began to look outdated. For one thing this should be upright | :36:57. | :37:06. | |
and this spike spike should be on his thumb. A plan has been hatched | :37:07. | :37:15. | |
to save them. How much are you trying to raise? ?2 million. ?1 | :37:16. | :37:21. | |
million for the work on the sculptures themselves. ?1 million | :37:22. | :37:30. | |
for education and outreach maintenance. Our ideas have changed | :37:31. | :37:36. | |
throughout. Science is a process of changing. That is what these | :37:37. | :37:40. | |
sculptures tell us. So far enough money has been raised to restore the | :37:41. | :37:48. | |
patient most in need of attention. Lewis is leading the conservation | :37:49. | :37:51. | |
effort. This is an odd-job. It's not every day you are asked to conserve | :37:52. | :37:57. | |
a Victorian dinosaur. What is it made of? Concrete, casting sections | :37:58. | :38:02. | |
and built around a metal frame. Hollow inside? They look solid? You | :38:03. | :38:10. | |
can poke your head in there. Really? Here is the torch. Where do I go? | :38:11. | :38:21. | |
Watch your head. It's personal, never mind, there's a hole here. | :38:22. | :38:26. | |
It's amazing. Lewis and his team are securing the foundations and fixing | :38:27. | :38:31. | |
the tailback into place. Today's job is a little more delicate. Wow, this | :38:32. | :38:38. | |
is as close as I've been to a dinosaur's jaw. A lead tooth. Brand | :38:39. | :38:44. | |
new. Based on the original. I put it into this hole you drilled? Just | :38:45. | :38:49. | |
there. In it goes nicely. Perfectly done. There I am, the original | :38:50. | :38:59. | |
Jurassic toothfairy. Finally, these neglected creatures can be given a | :39:00. | :39:04. | |
new lease of life and this original Jurassic Park restored to its former | :39:05. | :39:13. | |
glory. What can possibly go wrong? Oh. Anything when Gyles is there. | :39:14. | :39:18. | |
That's so true. Thank you. Catherine is back. The tea was good. Lovely. | :39:19. | :39:26. | |
You have brought with you the young turks. Welcome to you both. You | :39:27. | :39:38. | |
play, Pike, Blake. The actor who played him originally is still | :39:39. | :39:42. | |
alive, Ian Lavender. He was in a scene with you, how was that? | :39:43. | :39:46. | |
Nerve-wracking. He did a great job with it. He was just really lovely. | :39:47. | :39:52. | |
I mean, he was respectful and let me do my thing with it. He didn't come | :39:53. | :39:56. | |
up and say - you're doing it wrong, do it like this! He was really, | :39:57. | :40:01. | |
really lovely. After the premier last night he came up and was really | :40:02. | :40:06. | |
complimentary and said some lovely things about me in it and the film | :40:07. | :40:12. | |
in general. No higher He didn't like praise. The football scarf? I don't | :40:13. | :40:15. | |
know how much of that is true from what he said much my opinion on that | :40:16. | :40:19. | |
was - as a Millwall fan it was too claret and blue! Sticking a bit of | :40:20. | :40:24. | |
something in there, yellow, something like that, to make it less | :40:25. | :40:33. | |
West Hammy. You made Walker more likeable really in the film than he | :40:34. | :40:36. | |
was in the series was that deliberate? Really. That's kind of | :40:37. | :40:42. | |
you. I didn't do anything drastically different I think from | :40:43. | :40:46. | |
James Beck who played him in the original. I loved playing him he is | :40:47. | :40:52. | |
the cheeky cockney charmer, loveable rogue. I wanted to make him as fun | :40:53. | :40:57. | |
to watch as it was watching the guys back in the day. A lot of fun with | :40:58. | :41:01. | |
it. You have done quite a few gritty roles. How did this role sit as far | :41:02. | :41:08. | |
as your career is concerned? It was a great departure. I have done | :41:09. | :41:19. | |
hard-hitting stuff. Look, to be in -- with these actors. I've admired | :41:20. | :41:26. | |
them for years - Thanks mate. He's a will havely lad. I will pay you | :41:27. | :41:31. | |
later. It was an honour really and great company to be part of it. We | :41:32. | :41:35. | |
have met the whole platoon shall we see you together in action. You have | :41:36. | :41:39. | |
brought with us an exclusive clip. You won't have seen this anywhere | :41:40. | :41:43. | |
else. Here we go. You're not taking this seriously, are you Walker? How | :41:44. | :41:53. | |
did you know it was me? Pike. Put thought into this, Jones. Thank you, | :41:54. | :42:01. | |
captain. It was lent to me from last year's production of Robin Hood. I'm | :42:02. | :42:08. | |
a tiny bit of Sherwood Forest. Godfrey, you look like you are on a | :42:09. | :42:12. | |
cruise to the South Seas. Thank you so much, sir. Very kind of you. I | :42:13. | :42:17. | |
got the idea from a picture I saw last week. I thought it looked | :42:18. | :42:23. | |
rather open-air. Take it off. Captain, might I be excused. | :42:24. | :42:27. | |
Certainly not! APPLAUSE | :42:28. | :42:35. | |
You of course Blake, as Pike got to kiss Catherine here. Yes, the kiss | :42:36. | :42:44. | |
again! Is this an awkward moment for you? We were all very jealous, yeah. | :42:45. | :42:49. | |
I bet you were. How was it for you then, this is awkward. We have to | :42:50. | :42:55. | |
ask? I'm a professional. I'm sure it was nerve-wracking for you. Yeah. | :42:56. | :43:00. | |
You wanted to rehearse a lot. I've been in this business long enough I | :43:01. | :43:04. | |
don't needed to rehearse the kiss. I was like, no, we do need to rehearse | :43:05. | :43:08. | |
it a little bit. I think Catherine kept getting it wrong on purse so we | :43:09. | :43:11. | |
had to keep doing it over and over again. We heard as well to make the | :43:12. | :43:16. | |
lipstick look authentic in other scenes you got involved off camera | :43:17. | :43:20. | |
there as well, was that right Pray tell? Um, we're not getting paid | :43:21. | :43:26. | |
enough in this movie to be talking about this! It's interesting because | :43:27. | :43:31. | |
your life in America is obviously very different to the life that | :43:32. | :43:35. | |
you've got back at home how does it feel when you are back here and | :43:36. | :43:39. | |
doing British films. It's been a while since you've done it, does it | :43:40. | :43:44. | |
feel right for you? Yeah. It kind of woke me up and reminded me how much | :43:45. | :43:49. | |
I love coming back. Really. Working with British crews. Working with - I | :43:50. | :43:56. | |
mean, it was a slam dunk. If they asked me to read the film book I | :43:57. | :44:01. | |
would have come over over with these guys and the ladies too. It was a | :44:02. | :44:05. | |
real treat for me. It reminded me of my Darling Buds of May. I used to | :44:06. | :44:13. | |
love it that. Nostalgic and peace of Dad's Army. Working with real | :44:14. | :44:18. | |
actors, all of us come from a theatre background or done some | :44:19. | :44:22. | |
theatre. We all knew our lines and on time. Everything else was a | :44:23. | :44:26. | |
bonus. I could have been there all day long lis tong their stories and | :44:27. | :44:33. | |
watching these guys the young turks following their careers and proud of | :44:34. | :44:36. | |
what they are doing and happy to be one of the platoon. I suppose the | :44:37. | :44:41. | |
other opposite to Catherine is your dream to go over to America and to | :44:42. | :44:48. | |
be in films there? Are you happy? We live in hope! | :44:49. | :44:53. | |
Start of bigger things to come. We wait and see. Who knows. The | :44:54. | :45:02. | |
Inbetweens was massive. Thats with a sitcom that win to the big screen. | :45:03. | :45:07. | |
Hopefully that was the same? It's a completely different thing, | :45:08. | :45:10. | |
obviously. You could take your gran or someone under 18 to watch this | :45:11. | :45:16. | |
one. Yeah, fingers crossed that it does as well, even better. You never | :45:17. | :45:20. | |
know with these things. OK. As promised Joe has now hot footed it | :45:21. | :45:30. | |
to the town that became Walmington-on-Sea once year from | :45:31. | :45:33. | |
1968 while the original series was being filmed. We hear you found a | :45:34. | :45:35. | |
pub. Good boy? It is The Bell Inn and every year | :45:36. | :45:45. | |
when the crew came here to film for two weeks, they stayed here. This | :45:46. | :45:51. | |
was the epicentre of Dad's Army. They're mad about Dad's Army and | :45:52. | :45:57. | |
they have rooms named after and even Pike's Bar. This is my best effort | :45:58. | :46:04. | |
at a Pike scarf. Back then you might find some of the actors. I'm joined | :46:05. | :46:11. | |
by some of the original extras. Tim, this is you back then, you were 14, | :46:12. | :46:17. | |
playing a scout and you had to play the bugle. It was going to be the | :46:18. | :46:23. | |
biggest moment of my life playing the bugle, before the take, they | :46:24. | :46:28. | |
said would you play it out of tune. I said I couldn't, because I have | :46:29. | :46:33. | |
been practicing perfect. They said play anything. All that practicing | :46:34. | :46:38. | |
and you had to do it out of tune. It has been a few years but give us a | :46:39. | :46:50. | |
blast. It has been 40 years... PLAYS OUT OF TUNE Derek, I love the tie, | :46:51. | :47:09. | |
what was you role? The resident tramp. You were there to get | :47:10. | :47:16. | |
everyone rounded up. You must have been popular. Yes, although the job | :47:17. | :47:21. | |
was voluntary, everyone was happy to be an extra in Dad's Army and after | :47:22. | :47:28. | |
a couple of years, Equity said we had to be paid, so I became more | :47:29. | :47:35. | |
popular. You were also an extra. Did Keith get everyone around to my | :47:36. | :47:41. | |
house. Yes without any warning, ewe found out the gin and beer we could | :47:42. | :47:52. | |
find and plied them with drink. John Le Mesurier complained the piano was | :47:53. | :47:57. | |
flat. I was about to get the cooking sherry out and the home made slow | :47:58. | :48:03. | |
gin when they left. Don't panic we still have gin. I have a collection | :48:04. | :48:14. | |
of their autographs. Arthur Lowe and Jimmy Perry. Food and drink was | :48:15. | :48:19. | |
important and I'm told what they did was scheduled in lots of time for | :48:20. | :48:27. | |
dinners and drinks, because if they get get that right, it would | :48:28. | :48:40. | |
translate and Arthur Lowe had his own drink, the am scone. Not bad. -- | :48:41. | :48:49. | |
the Amazon. It is not bad. Hello captain Mainwaring. I should salute | :48:50. | :48:56. | |
you. These are all volunteers at the Dad's Army museum and form the | :48:57. | :49:02. | |
Walmington-on-Sea platoon and here I'm joined by Stewart, Stewart here | :49:03. | :49:06. | |
is the curator of the museum. Because of the film, you must have | :49:07. | :49:13. | |
got a few new exhibits? Yes we have some props of the new film including | :49:14. | :49:22. | |
this tree and we have a helmet from the original series, made of fibre | :49:23. | :49:30. | |
glass, because they complained about the tin helmets. You're down here in | :49:31. | :49:36. | |
the 70s, you were one of the few who were not only in the original | :49:37. | :49:43. | |
series, but have been an extra in t new film. I have been in both. So | :49:44. | :49:52. | |
hand on heart, which was better? Sorry, folks, but Thetford, will | :49:53. | :49:57. | |
always be Walmington-on-Sea! There we go. Popular with the Thetford | :49:58. | :50:03. | |
crowd. I think if you would be upstanding, because from Thetford | :50:04. | :50:07. | |
the spiritual home of Dad's Army, we raise a toast, we raise you an | :50:08. | :50:15. | |
Amazon - cheers! They don't like it up 'em! Lovely. From the old pub to | :50:16. | :50:22. | |
the new pub. You were taken with the new location with Bridlington and | :50:23. | :50:29. | |
Scarborough where you stayed. I'm biased I'm from Wales and there is | :50:30. | :50:34. | |
nothing like that. But it is pretty spectacular up there. Scarborough is | :50:35. | :50:39. | |
a fantastic town and that beautiful architecture and that... We | :50:40. | :50:43. | |
commented on it. We were wondering where it was, it looked so great. | :50:44. | :50:50. | |
The only place where you are happy to wearchesy clothes -- wear itchy | :50:51. | :50:56. | |
clothes, because it was cold. We had long Johns on. I didn't! It was | :50:57. | :51:02. | |
worth it for the gorgeous outfit. As we have seen from the trailer the | :51:03. | :51:07. | |
platoon are not exactly the best at catching... Well anything. But | :51:08. | :51:14. | |
Miranda has been on the trail of sea eagle. A bird that could give this | :51:15. | :51:21. | |
lot a run for their money. The isle of Skye, a place of incredible | :51:22. | :51:29. | |
beauty and avian action. This is a battle of eagles versus gulls. Two | :51:30. | :51:35. | |
white-tailed sea eagles have developed a way of getting the | :51:36. | :51:39. | |
seagulls to do their hunting for them. Sea 'ings are a conservation | :51:40. | :51:51. | |
success story have been reintroduced to Scotland. A unique tidal flow | :51:52. | :51:58. | |
creates a great food supply. While Victor can catch his own fish, he is | :51:59. | :52:06. | |
not adverse to bullying other birds for food. Alison knows the birds | :52:07. | :52:11. | |
better than most. They have been around since the autumn of 2009 and | :52:12. | :52:17. | |
The Had some successful breeding attempts. This year we have one | :52:18. | :52:23. | |
chick in the chest. This is a period of intense feeding activity. We are | :52:24. | :52:29. | |
lucky with the unique situation, everything comes together so there | :52:30. | :52:34. | |
is a plentiful food supply. An ideal place to be? Yes perfect. With a | :52:35. | :52:40. | |
hungry chick, Victor and Orla have to up their game. Fishing comes as | :52:41. | :52:45. | |
second nature, but they have been known to adopt more unusual | :52:46. | :52:50. | |
techniques. To get the best view I need to get on board the local | :52:51. | :52:56. | |
ferry. I'm not the only one keen to spot the birds. This channel is | :52:57. | :53:08. | |
called the Kyle narrows. It is near the eagles do most hunting. The tide | :53:09. | :53:13. | |
had just turned and the water will start flooding through gap and the | :53:14. | :53:19. | |
eagles show starts. As the water is squeezed through the gap, so too are | :53:20. | :53:25. | |
huge numbers of fish, mainly mackerel, which triggers a feeding | :53:26. | :53:32. | |
frenzy. There is heads popping up. There is seals and gulls. There | :53:33. | :53:38. | |
is... Energy and anticipation here. There is no guarantee of seeing the | :53:39. | :53:44. | |
sea eagles fishing or harassing the other birds, but this is their | :53:45. | :53:50. | |
favourite spot. They were perch on the rocks, or perhaps up on the | :53:51. | :53:56. | |
trees behind. On the larch tree up there. Just the front tree. He is | :53:57. | :54:01. | |
enormous. He is off and swooping down! He has got something. Has he | :54:02. | :54:10. | |
got a fish? He is going... Yes he is going for one himself. I thought he | :54:11. | :54:15. | |
was going to clays the gulls. -- chase the gulls. Victor is more than | :54:16. | :54:21. | |
capable of catching his own lunch today. Ironically it is the eagles | :54:22. | :54:27. | |
getting harassed by the gulls and crows, rather than the other way | :54:28. | :54:31. | |
around. But there no chance of Victor giving up his fish. He has | :54:32. | :54:35. | |
disappeared in that direction. Is that where the nest is? Yes heading | :54:36. | :54:40. | |
home to the nest and that fish will go straight to the chicks. They | :54:41. | :54:47. | |
always take fish to the chick before they feed themselves. They can feed | :54:48. | :54:53. | |
their chicks 11 times in one day. Sometimes bullying the gulls for | :54:54. | :54:57. | |
food, other times picking off mackerel for himself, but it is | :54:58. | :55:03. | |
clear that in these parts it is the sea eagles who rule the roost. There | :55:04. | :55:08. | |
we are. We were trying to make you feel at home. That is pretty. We | :55:09. | :55:16. | |
have to say thank you f sending in your Dad's Army pictures. Shall we | :55:17. | :55:20. | |
have a look at some. I will save that one for the end. Graham played | :55:21. | :55:27. | |
corporal Jones in a stage show and raised money for holidays for | :55:28. | :55:32. | |
heroes. This is Gary, dressed up as... The old private Walker. This | :55:33. | :55:46. | |
is Sheryl's dad, he was in the home guard in World War two, captain | :55:47. | :55:53. | |
Mainwaring? Godfrey. He is 93, Jimmy and we are going to put that there. | :55:54. | :55:57. | |
With the new member. Just have a look at that. Cheeky! He was | :55:58. | :56:09. | |
impressed by your head gear. I love the headscarf. You're so cheeky. | :56:10. | :56:16. | |
Carry on. Hopefully, we think it is a fantastic film. If there is a | :56:17. | :56:26. | |
Dad's Army two, are we all in? Yes. We are definitely in. Pike should go | :56:27. | :56:34. | |
to Jamaica. That is my idea. I couldn't agree more. And is it right | :56:35. | :56:40. | |
you're going to be playing Churchill? Yes I have finished it | :56:41. | :56:46. | |
now. It is on ITV soon. I don't know when. Some time soon. Don't talk | :56:47. | :56:51. | |
about it. Don't say you're nervous about that. I'm nervous about | :56:52. | :56:57. | |
everything. As you say, just be yourself. Just you know, you have | :56:58. | :57:00. | |
already done it. Don't worry about it. Listen, that is almost that we | :57:01. | :57:04. | |
have got time for for tonight. Thank you so much to Catherine, so Michael | :57:05. | :57:12. | |
and so Tom. And Bill, Blake and Daniel. Dad's Army is in cinemas | :57:13. | :57:22. | |
from 5th February. And now playing us out it is The Begin Boys. -- The | :57:23. | :57:36. | |
Bevin Boys. # Every time it rains, it rains pennies from heaven! | :57:37. | :57:43. |