Browse content similar to 27/01/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show, with me, Angela Scanlon, | :00:16. | :00:19. | |
and my co-host for the night, Michael Ball! | :00:20. | :00:22. | |
Later in the show, we'll be crossing live | :00:23. | :00:36. | |
to a packed theatre where Mel Giedroyc will be | :00:37. | :00:39. | |
introducing us to the six contenders hoping to bring the Eurovision crown | :00:40. | :00:42. | |
It's something even Michael didn't manage to do, back in 1992. | :00:43. | :00:54. | |
Where did I go wrong?! I did my own choreography, the wiggles! Still got | :00:55. | :01:02. | |
it! I never lost it. I think you will find you actually did! Came | :01:03. | :01:10. | |
second to the Irish, to Linda Martin! | :01:11. | :01:14. | |
And our guest in the studio tonight is a comedian who's never been | :01:15. | :01:17. | |
afraid of raising hell - although his life now | :01:18. | :01:20. | |
is more about raising his three-month-old baby daughter. | :01:21. | :01:22. | |
And it's certainly brought out his softer side - | :01:23. | :01:26. | |
# What will I do when you are far away? | :01:27. | :01:41. | |
# And I am blue, what will I do? I think THAT could win the | :01:42. | :01:58. | |
Eurovision! It wasn't bad, was it? And that's you and your dog? It is. | :01:59. | :02:04. | |
I may not have had the pelvic thrust... I think could be that | :02:05. | :02:12. | |
which cost you first place. Do you reckon? Now you tell me! It's not | :02:13. | :02:18. | |
too late, Michael. I could do it again! You have a three-month-old | :02:19. | :02:25. | |
baby daughter, is that what is bringing out this softer side of | :02:26. | :02:29. | |
you? It is, you've got no choice, now that this baby has arrived. She | :02:30. | :02:33. | |
is a very dominating force. She's only three months old, but she's | :02:34. | :02:38. | |
already learning quite powerful communication skills. She | :02:39. | :02:44. | |
aggressively coughs at me. Yes. What is an aggressive. Like?! It is like | :02:45. | :02:52. | |
this... Breast-feed... That's what it seems like, anyway! I was going | :02:53. | :02:58. | |
on the one Show, talking about my daughter and stuff. But last night, | :02:59. | :03:03. | |
she really played up. Four interventions. Because of the lack | :03:04. | :03:09. | |
of lactation, my girlfriend primarily deals with it. I just do | :03:10. | :03:14. | |
kind of nodding and sympathetic looks. What was the movie where they | :03:15. | :03:20. | |
had the fake ones? Robert De Niro. I think my daughter Jo is going to | :03:21. | :03:24. | |
face enough challenges in life without the sight of me with fake | :03:25. | :03:34. | |
bosoms! Alex is still trying to figure out names. She had a little | :03:35. | :03:37. | |
boy, as we announced yesterday. Do you have a list of boys' names? You | :03:38. | :03:42. | |
might want to consider some of these, Alex. Knife rack! Cage | :03:43. | :03:47. | |
fighter! I don't know, it depends what kind of thing she's going for. | :03:48. | :03:51. | |
We will work on that throughout the show. Cage fighter Thomson! The | :03:52. | :04:01. | |
opposite of a boy named Sue. You have made another big announcement | :04:02. | :04:04. | |
today, which we will talk about later. | :04:05. | :04:06. | |
It's estimated that a million selfies | :04:07. | :04:07. | |
are taken every single day - and while nearly half | :04:08. | :04:10. | |
of us admit to doing it, a third find the whole | :04:11. | :04:13. | |
But is there a darker side to our obsession? | :04:14. | :04:16. | |
This is a film about me. Actually, it's about selfies. It has become | :04:17. | :04:30. | |
the new craze, and started by celebrities, it has now filtered | :04:31. | :04:34. | |
down to us, the masses. You see it everywhere on social media, but what | :04:35. | :04:38. | |
is it all about? Isn't that why people do it? I think they make you | :04:39. | :04:45. | |
look better than in real-life. I see absolutely no harm in it. So it is | :04:46. | :04:51. | |
mostly harmless, isn't it? Not always. I am OK with how I look, and | :04:52. | :04:56. | |
I take a lot of selfies. But for some people, they are not always | :04:57. | :05:01. | |
fun. This cafe in London helps people address issues like body | :05:02. | :05:05. | |
confidence. It is where I am meeting Danny. He became obsessed with it | :05:06. | :05:10. | |
five years ago. It was not because he loved it, it was because he hated | :05:11. | :05:14. | |
it. It was because of the rise of social media at that particular | :05:15. | :05:19. | |
time. And I wanted to fit in and be popular and I felt the only way to | :05:20. | :05:23. | |
do that was to be good-looking. And if I wasn't good-looking, I simply | :05:24. | :05:27. | |
was not good enough. I tried to impress by posting them online. That | :05:28. | :05:30. | |
backfired immensely. People thought I was being weird. It seems odd to | :05:31. | :05:36. | |
me that someone so concerned about their appearance would post so many | :05:37. | :05:40. | |
selfies online? All I wanted was somebody to say, you look fine. It | :05:41. | :05:43. | |
had the opposite effect. In the end, I couldn't stop. Eventually, Danny | :05:44. | :05:50. | |
found that selfies consumed his life. Six months continuously waking | :05:51. | :05:55. | |
up early, going to bed really late, literally taking hundreds of | :05:56. | :05:58. | |
selfies, I got so tired. I felt so depressed about it all. I felt the | :05:59. | :06:03. | |
only way out of it was to take my own life. Danny went on to get the | :06:04. | :06:12. | |
help he needed. He was diagnosed with PDD, a condition where people | :06:13. | :06:16. | |
have a distorted idea of their appearance Robert Works With People | :06:17. | :06:24. | |
With The Disorder. Is There A Line Between Being Vain And Having Bdd? | :06:25. | :06:31. | |
There Is An Enormous Gap Between The Two. People With Bdd Are Afraid Of | :06:32. | :06:36. | |
Being Ridiculed Or Humiliated. Vanity,, it is staring in the | :06:37. | :06:41. | |
mirror, and looking at photographs. How serious can BDD become? It can | :06:42. | :06:46. | |
become very severe. It has one of the highest rates of suicide of any | :06:47. | :06:51. | |
emotional problem. And so, unfortunately, sadly, people really | :06:52. | :06:55. | |
do kill themselves because they worry about being ugly. When I hear | :06:56. | :06:59. | |
things like that, it makes me feel quite sad. Danny, with treatment, | :07:00. | :07:05. | |
was able to find his way through his selfie obsession. I think putting a | :07:06. | :07:10. | |
label on it for me made everything seem better. I remember them saying | :07:11. | :07:16. | |
to me, this is not a life sentence, you CAN get better from, you can | :07:17. | :07:20. | |
recover. And they were right. So, is the increasing presence of selfies | :07:21. | :07:29. | |
likely to mean more cases of BDD? I don't think the rise in selfies is | :07:30. | :07:34. | |
causing BDD. It may be a tipping point for some individuals. But I | :07:35. | :07:39. | |
think for most people with BDD, we have other factors, such as genetic | :07:40. | :07:44. | |
factors and childhood bullying. But Danny is convinced, in his case, the | :07:45. | :07:49. | |
selfie culture was to blame. If it was not for selfies, in my | :07:50. | :07:52. | |
situation, none of this would have happened. It would not have got to | :07:53. | :07:56. | |
the point it did. But is it selfies or self-worth this is really all | :07:57. | :08:02. | |
about? Here is my mate and comedian, challenging our views. I am really | :08:03. | :08:08. | |
full of confidence, actually. It is a perfect time to take a selfie! I | :08:09. | :08:13. | |
used to take selfies on days when I was feeling very negative about | :08:14. | :08:17. | |
myself, and maybe manipulate those images and put different filters on. | :08:18. | :08:21. | |
We are all marketing ourselves in a certain way. But I have now got a | :08:22. | :08:26. | |
way of using them in a way which will be positive. So it's me owning | :08:27. | :08:31. | |
selfies, rather than selfies owning me. So, selfies themselves are | :08:32. | :08:37. | |
politically harmless. Just don't let the lens take over. Go out, seize | :08:38. | :08:40. | |
the day, enjoy your life. Selfie! Thanks to Danny for | :08:41. | :08:46. | |
sharing his story there. Do you take selfies? Under the right | :08:47. | :08:56. | |
circumstances, Michael, I can be persuaded. What are they? Well, if I | :08:57. | :09:02. | |
found myself perched on your ample fire, I reckon I... You're not | :09:03. | :09:06. | |
alone! You look like a man who is very double with your image, you | :09:07. | :09:12. | |
have a very strong image, have you always been like that? No. When I | :09:13. | :09:16. | |
was the age of that lad in that film, I also felt, I had issues with | :09:17. | :09:21. | |
eating, making myself sick, and subsequently went on to have | :09:22. | :09:25. | |
addiction issues. Whether or not it is particularly related to selfies, | :09:26. | :09:29. | |
as in the film, is debatable, but certainly, there is a lot of onus on | :09:30. | :09:33. | |
what you look like. I know that I felt like I was overweight and I did | :09:34. | :09:37. | |
not like my body and I did not like myself when I was a teenager. I | :09:38. | :09:41. | |
guess selfies are now the new mirrors. People will be doing it to | :09:42. | :09:45. | |
see how they look like. We cannot be living in a world where we smash all | :09:46. | :09:50. | |
reflective surfaces. Firstly, it's the bad luck. Secondly, you cannot | :09:51. | :09:54. | |
see behind you when you're driving! But we need to prioritise the way we | :09:55. | :09:59. | |
feel. You look great! Thank you very much I was in make up for five | :10:00. | :10:02. | |
hours! But you have got a very definite image. Thanks. Will it ever | :10:03. | :10:09. | |
change? What do you mean? Would you ever get your hair cut, would you | :10:10. | :10:13. | |
ever dressed differently and later as soon as I get indoors, I put on | :10:14. | :10:18. | |
slippers and pyjamas, and go, hello, darling, to my baby! I am turning | :10:19. | :10:25. | |
into Dot Cotton man! So, this is your armour, when you go out? That | :10:26. | :10:29. | |
is a good way of looking at it. You put on display. Sometimes, in world | :10:30. | :10:33. | |
with that kind of pressure, it is nice to feel that your real self is | :10:34. | :10:35. | |
protected, I suppose. If there's one thing | :10:36. | :10:38. | |
us Brits like to talk about, it's the weather - | :10:39. | :10:40. | |
especially when the A woman rang the BBC and said she | :10:41. | :10:50. | |
had heard that there was a hurricane on the way. Well, if you're | :10:51. | :10:53. | |
watching, don't worry, there isn't. I so remember this, 1987! | :10:54. | :10:58. | |
But it's hoped a new satellite, built right here in the UK, | :10:59. | :11:01. | |
will help avoid any Michael Fish moments in the future. | :11:02. | :11:03. | |
And weather forecaster Tomasz Schafernaker is pretty | :11:04. | :11:05. | |
Weather is looking a bit mixed today. We have got showers in | :11:06. | :11:15. | |
Scotland, sunshine in Wales. But you know what? Behind me, a | :11:16. | :11:21. | |
state-of-the-art satellite is being built here in Stevenage. And that | :11:22. | :11:26. | |
little gem might make my forecasts more accurate. The Aeolus satellite | :11:27. | :11:32. | |
is the first in the world which will be able to monitor wind speeds | :11:33. | :11:37. | |
globally, given the potential to change the way we predict the | :11:38. | :11:41. | |
weather for ever. Richard is the senior Project manager behind the | :11:42. | :11:44. | |
satellite, and the man with the plan. This is a ground-breaking | :11:45. | :11:48. | |
mission for the European Space Agency. It will measure wind speed | :11:49. | :11:52. | |
around the earth, globally, and for the first time we will gather data | :11:53. | :11:55. | |
from the whole global. The accuracy of that extra information will be | :11:56. | :11:59. | |
used to improve the weather forecasting. What is happening with | :12:00. | :12:03. | |
the satellite today? The team are busy getting ready to pack it up and | :12:04. | :12:07. | |
later on it will be moved into the transport container and it will go | :12:08. | :12:11. | |
off on the lorry to Toulouse for the test campaign. Arsene weather | :12:12. | :12:17. | |
forecasters measure the weather in so many different ways. We use | :12:18. | :12:21. | |
satellites, we use radar, all of this to make weather predictions to | :12:22. | :12:26. | |
a certain degree of accuracy. And yet sometimes we get it wrong. But | :12:27. | :12:31. | |
how much better will forecasts be using this new kit? Having a | :12:32. | :12:37. | |
satellite in space, we will be getting measurements from the whole | :12:38. | :12:41. | |
world in about three days. Rethink Aeolus will measure more data in the | :12:42. | :12:45. | |
first week of operations than we have ever measured in the history of | :12:46. | :12:49. | |
wind measurements tickle this satellite is pretty unique, it's | :12:50. | :12:54. | |
carrying something special? Yes. The instrument on board which will | :12:55. | :12:57. | |
measure the winds is a laser. And we have never had a space carried | :12:58. | :13:02. | |
version like this before. It will shine Malaysia through the | :13:03. | :13:08. | |
atmosphere. Into the clouds? Yes. And it picks up reflections from | :13:09. | :13:12. | |
dust particles in aerosols, and those will get picked up by the | :13:13. | :13:16. | |
telescope. And the movement of those is what gives us the data to | :13:17. | :13:19. | |
telescope wind speed. And that will go into the computers, and hopefully | :13:20. | :13:24. | |
more data will feed the weather forecasts? Exactly. This professor | :13:25. | :13:30. | |
is director of the National Centre For Earth Observation. He is | :13:31. | :13:35. | |
confident that this will improve weather prediction across the world. | :13:36. | :13:38. | |
How much further in advance do you think weather forecasts will be able | :13:39. | :13:43. | |
to do it? Hopefully by at least a day. But perhaps the biggest thing | :13:44. | :13:48. | |
to remember is, when we get an intense flood, often coming from | :13:49. | :13:51. | |
storms which originate in the tropics, and it is capturing those | :13:52. | :13:55. | |
better which will really help us. If we want to understand and predict | :13:56. | :14:00. | |
the motion of the stormy low pressures or the more stable | :14:01. | :14:02. | |
anticyclones, we need to understand the wind right from its birth, and | :14:03. | :14:07. | |
as the systems change. Do you think it will make my job easier? It will | :14:08. | :14:12. | |
do. Both in terms of measuring the wind and in terms of scientific | :14:13. | :14:16. | |
skill. But you might have to build another one in order to enjoy that | :14:17. | :14:24. | |
for the long-term! You see, I like it when they get it wrong. Also, | :14:25. | :14:29. | |
even when they predict rain, I never, ever have an umbrella. Why | :14:30. | :14:34. | |
would you?! It never rains in Ireland, anyway! Now, you have a | :14:35. | :14:43. | |
nationwide tour coming up, a 75-date, UK-wide tour, is it a | :14:44. | :14:46. | |
reference to your brand-new baby girl? | :14:47. | :14:56. | |
Cleverley, it is both! That is why I have become a comedian, I have the | :14:57. | :15:02. | |
ability to apply to terms to one outcome. But yes, my daughter has | :15:03. | :15:09. | |
made me re-evaluate the way I see the life. Each of us live several | :15:10. | :15:14. | |
lives, I was once obsessed with celebrity, then I was obsessed with | :15:15. | :15:19. | |
myself, primarily, and my daughter, that challenges that concept, I | :15:20. | :15:25. | |
suppose. It is an extraordinary life changing experience for you? From | :15:26. | :15:30. | |
the moment I watched her, we had her in this hospital in Oxford, and I | :15:31. | :15:34. | |
watched her come out into the water, and at first, it just looked like a | :15:35. | :15:38. | |
brilliant special effect, this little creature that wasn't doing | :15:39. | :15:42. | |
anything, just moving with the water, and then I saw the light go | :15:43. | :15:46. | |
on, the light of consciousness, and something changed in me for ever. I | :15:47. | :15:52. | |
got in that bath, I kept my pants on, but something has altered in me. | :15:53. | :15:59. | |
There is some sort of connection. People say you never knew you had | :16:00. | :16:02. | |
such love in you, but I did know, I just didn't know where it would go, | :16:03. | :16:06. | |
and now it has gone into this family, and I enjoy it. And she was | :16:07. | :16:14. | |
a bit early, wasn't she? Not really, she had about for ages! But you | :16:15. | :16:21. | |
booked a gig... Yes, I was anticipating she would arrive on the | :16:22. | :16:24. | |
point that was predetermined, I took the doctor at his word! We can | :16:25. | :16:28. | |
calculate that the baby will be born at this moment, but she wasn't! That | :16:29. | :16:32. | |
is why I had to go to Nottingham later that day after I have just | :16:33. | :16:36. | |
held my little baby daughter, I had to go and do a show, and it didn't | :16:37. | :16:39. | |
seem relevant, all of the stuff I was saying, because this person had | :16:40. | :16:43. | |
just turned up in the world, they tried to label her in the hospital, | :16:44. | :16:49. | |
and I said, you can't label her, her name is Mabel, label label, put on | :16:50. | :16:56. | |
the table! So now you have to go on an 18 month tour. Where was your | :16:57. | :17:02. | |
mind at that point? Thinking about sleep! You might get through | :17:03. | :17:11. | |
teething, if it is 18 months! Does she need teeth? Can't she just live | :17:12. | :17:16. | |
her life on pulp and mulch? I think I will come back each night, and | :17:17. | :17:19. | |
then if I can't come back, my girlfriend and the baby will come | :17:20. | :17:24. | |
with me. The kid will have to learn some jokes! You will be putting her | :17:25. | :17:29. | |
to work early. And you have done some practice tour dates, so you | :17:30. | :17:35. | |
give out a questionnaire to the audience, which is quite Watt | :17:36. | :17:42. | |
because I am narcissistic, what I did was we give everyone in the | :17:43. | :17:46. | |
audience a survey so they can tell us staff, things I can help, | :17:47. | :17:49. | |
private, intimate, rude or revolting, and the things that | :17:50. | :17:54. | |
people tell you, they know I am going to mention it. So they won't | :17:55. | :17:59. | |
tell their friends mother they will tell an entire audience of | :18:00. | :18:03. | |
strangers. Well, I tell the entire audience of strangers! Everyone has | :18:04. | :18:07. | |
a lurking, filthy little secret. What's yours? ! I will tell you | :18:08. | :18:17. | |
later. I'm desperate to there! Are there any that you can share with | :18:18. | :18:22. | |
us, weird stories. A lot of them are not appropriate for this context, | :18:23. | :18:32. | |
and I don't go on the One Show talk about erotica, but also great | :18:33. | :18:36. | |
emotional depth, able woman who works in a prison and the things she | :18:37. | :18:40. | |
encounters in the cells, it is a little bit not for the One Show, | :18:41. | :18:44. | |
but... And it keeps it spontaneous for you? It does, and the key thing | :18:45. | :18:50. | |
is, this is a time when we are feeling so much division in our | :18:51. | :18:52. | |
country and across the world, but all of us are dealing with the same | :18:53. | :18:55. | |
emotions, the idea of shame and embarrassment and awkwardness, that | :18:56. | :19:00. | |
embarrassed kid that was on there in the selfie BT, or people you | :19:01. | :19:03. | |
wouldn't imagine, and when you know those things about one another, you | :19:04. | :19:08. | |
realise the possibility for change and unity. And also I get to do | :19:09. | :19:17. | |
jokes about people's bums. Tickets to Russell Brand Re:Birth go | :19:18. | :19:18. | |
on sale next Friday. In the films, the role | :19:19. | :19:24. | |
of James Bond's gadget expert Q has But that's not the case | :19:25. | :19:27. | |
in real life, as the head And it shouldn't surprise | :19:28. | :19:31. | |
you to hear that the inspiration behind the books themselves | :19:32. | :19:34. | |
was a woman, too. This is the story of a spy you think | :19:35. | :19:43. | |
you know. Good looks, charm, public school background and a taste of | :19:44. | :19:48. | |
Alpine adventure. Men want to be him, women want to be with him. But | :19:49. | :19:52. | |
if you think I'm talking about James Bond, think again. | :19:53. | :19:58. | |
Today, I'm on the Trail of another fictional spy. The name is MarChums, | :19:59. | :20:13. | |
Mark Chums. He might just have provided here is bracing for the | :20:14. | :20:17. | |
most famous spy in history. Fleming biographer Andrew Lycett picks up | :20:18. | :20:24. | |
the story. Ian Fleming in the late 1920s was a slightly mixed up | :20:25. | :20:29. | |
teenager. He found himself training to be an army officer at Sandhurst. | :20:30. | :20:34. | |
He was forever playing truant. He would go up to London and meet young | :20:35. | :20:40. | |
women in nightclubs. This was a way of life that his mother objected to. | :20:41. | :20:45. | |
She decided that Ian Fleming was no longer suitable for being an army | :20:46. | :20:48. | |
officer. He leaves Sandhurst, and what happens? He finds himself in | :20:49. | :20:58. | |
Kitzbuhel in Austria, at this strange finishing school for | :20:59. | :21:03. | |
slightly wayward rich adolescent boys. It was run by an English | :21:04. | :21:12. | |
couple. Under the tutelage of this couple, he begins to blossom. By | :21:13. | :21:21. | |
day, Ernest instructed the young Fleming in his studies, while | :21:22. | :21:25. | |
Phyllis tucked away on her typewriter, working on novels and | :21:26. | :21:29. | |
helping to look after the boys. But this seemingly on assuming couple | :21:30. | :21:34. | |
were not quite what they appeared. Pam Hirsch has written extensively | :21:35. | :21:42. | |
about Phyllis and her husband. He had been passport control officer in | :21:43. | :21:45. | |
Vienna just after the First World War, and passport control officer is | :21:46. | :21:52. | |
a euphemism for intelligence. So he was a real-life spy? He is, he is | :21:53. | :21:58. | |
running intelligence there. Phyllis was a writer who was very | :21:59. | :22:04. | |
successful, she would start off a mad ghost story about skin to | :22:05. | :22:07. | |
continue it, so each boy would add more, and the story would go on like | :22:08. | :22:14. | |
a Gothic soap opera. And did she encourage Ian Fleming to write | :22:15. | :22:19. | |
resolution did, she encouraged him to carry on writing, she could see | :22:20. | :22:25. | |
there was a germ of a writer there. After Fleming left Kitzbuhel, | :22:26. | :22:30. | |
Phyllis continued to send him her novels, and her first spy novel, the | :22:31. | :22:41. | |
lifeline, had an impact. Mark charmers reluctantly becomes a spy. | :22:42. | :22:51. | |
The similarities between Mark Chalmers and James Bond are hard to | :22:52. | :22:56. | |
deny. They are both British, the same height and hair colour, talent | :22:57. | :23:05. | |
Halper -- a talent for Alpine sports and a love of good food. And here, | :23:06. | :23:19. | |
Casino Royale, are they connected? I think he is tipping his hat to both | :23:20. | :23:27. | |
Phyllis Bottome and Ernest, he sent them a letter saying, you were | :23:28. | :23:30. | |
father and mother to me when I needed them the most, and I always | :23:31. | :23:33. | |
treasure those memories of Kitzbuhel. Fleming's martinis | :23:34. | :23:37. | |
swilling hero would become the most famous spy in literary history, with | :23:38. | :23:45. | |
only -- over 100 million books sold, and many block buster movies. But | :23:46. | :23:49. | |
none of it would have happened without the kindness of Phyllis | :23:50. | :23:52. | |
Bottome and the double life of her literary creation. After all, you | :23:53. | :23:54. | |
only live twice. That is fascinating. Everyone puts | :23:55. | :24:05. | |
out a list when they say that the new James Bond will be picked. Your | :24:06. | :24:10. | |
name is on it. Will you do it? I think it is inevitable I will play | :24:11. | :24:14. | |
James Bond. You will have to do it after me! Would you do it? I would! | :24:15. | :24:22. | |
But how would that work? Could I be camp enough? And emerging out of the | :24:23. | :24:30. | |
ocean in those trunks? Well, we may have voted to leave the EU, but when | :24:31. | :24:34. | |
it comes to your revision, we are not ready to Brexit stage left just | :24:35. | :24:40. | |
yes. Beautiful! Tonight is the night you get to pick who will fly the | :24:41. | :24:45. | |
flag for the UK at the world's biggest music contest, and Mel | :24:46. | :24:49. | |
Giedroyc is in charge of proceedings. Less than ten minutes, | :24:50. | :24:50. | |
Mel! # One step out of time... Michael | :24:51. | :25:16. | |
Ball, 1992, you were robbed! 1992, use the microphone, note to self! | :25:17. | :25:21. | |
We are all here at the Hammersmith Apollo, we have an incredible party | :25:22. | :25:28. | |
atmosphere going on here. CHEERING | :25:29. | :25:35. | |
tonight we are here to find out who will represent the UK in Kiev. | :25:36. | :25:44. | |
We have an amazing panel, one of whom is by my side, Bruno Tonioli. | :25:45. | :25:56. | |
Hello, my darling, how are you? Bruno, I have to ask you, what are | :25:57. | :26:02. | |
you hoping for from tonight's acts? Obviously they have to hit all the | :26:03. | :26:07. | |
right notes, and tickle my fancy, you know. You have more than one | :26:08. | :26:17. | |
fancy? I have plenty! Plenty of fancies going on there. Here are the | :26:18. | :26:22. | |
six Eurovision hopefuls. They are each in turn going to tell you | :26:23. | :26:25. | |
something quite extraordinary about themselves. Let's start with Daniel | :26:26. | :26:35. | |
Fells. I am an under nines football coach, so I have to go this for | :26:36. | :26:39. | |
them. Can you give us a line from your song tonight. Light up the | :26:40. | :26:46. | |
world. Light of the world, that sounds very Eurovision. Lucy, tell | :26:47. | :26:52. | |
us something extraordinary. I love Harry Potter! That might not be | :26:53. | :26:58. | |
extra every. We have gorgeous Nade here, give us a line from your song. | :26:59. | :27:05. | |
What are we made of? Olivia, a line from your song. Listen to the | :27:06. | :27:12. | |
freedom of hearts. I know that is strong! And Holly, a line from your | :27:13. | :27:19. | |
song. I wish I loved you more. I wish I lived you more! You are | :27:20. | :27:24. | |
looking amazing, and last but not least, Celina, can you tell us | :27:25. | :27:30. | |
something about yourself? I used to play tennis for my county. She is a | :27:31. | :27:36. | |
tennis player to boot! Eurovision hopefuls, I will run through very | :27:37. | :27:40. | |
quickly now a Eurovision quiz. We start with you, Celina. Which | :27:41. | :27:49. | |
previous winner's Flag is this? It's not Finland, it's Ukraine. Katrina | :27:50. | :27:56. | |
and the Waves, the last UK when in 1997, Love Shine A Light, what | :27:57. | :28:02. | |
nationality is she? She's American! How many times did the UK finished | :28:03. | :28:10. | |
second? 16? 15, it is a record. This is not going well, gang. The | :28:11. | :28:14. | |
daughter of which British comedian audition to represent the UK 1979? | :28:15. | :28:18. | |
It was Bruce Forsyth's daughter Julie. We haven't got enough time | :28:19. | :28:24. | |
for the other questions. Join us on BBC Two at 7:30pm straight after the | :28:25. | :28:35. | |
One Show. Goodbye! That is the best quiz I have ever | :28:36. | :28:43. | |
seen! And who does he look like? Conchita! Separated at birth. Is | :28:44. | :28:51. | |
that the high note you are going to end on? Sorry! Thank you to Russell, | :28:52. | :28:57. | |
tickets for his tour on sale next Friday, if you are not into | :28:58. | :29:02. | |
football, switch to BBC Two now and help take this year's entry for the | :29:03. | :29:09. | |
UK. We will see you next week, have a lovely weekend, goodbye! | :29:10. | :29:20. | |
I want to be entertained. Entertain me. | :29:21. | :29:25. | |
It's the last chance to impress the judges. | :29:26. | :29:28. |