Browse content similar to 28/10/2013. Check below for episodes and series from the same categories and more!
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Piers Morgan. Not pretty, but that Now we can join the news | :00:19. | :00:31. | |
You are quite posh. Did you hope it would develop from the phrase, | :00:32. | :01:19. | |
fiver, darling? It was one of my first jobs out of drama school. I | :01:20. | :01:26. | |
think I was called Carmen. I faxed a note to the producer saying, my | :01:27. | :01:38. | |
surname should be Rollers. Talking of Eastenders, we have got some big | :01:39. | :01:44. | |
news. Team rickshaw will be riding into Albert Square at the end of | :01:45. | :01:48. | |
their 700 mile journey from Larne in Northern Ireland. In fact, the whole | :01:49. | :01:51. | |
of Children in Need night will be coming from the home of Eastenders | :01:52. | :01:57. | |
on November the 15th, including the One Show. We will be live from the | :01:58. | :02:01. | |
Queen Vic. Can you imagine how you will feel at the finish line? As | :02:02. | :02:12. | |
well as talking to Amanda tonight, we will be finding out what happened | :02:13. | :02:22. | |
to this lard. I set the room on fire. I went upstairs and set the | :02:23. | :02:30. | |
beds on fire. There was a person in the house. It was your dad that | :02:31. | :02:36. | |
time, was it? Back then he was an 11-year-old arsonist locked up in a | :02:37. | :02:39. | |
secure unit. He is here tonight to tell us how he turned his life | :02:40. | :02:43. | |
around, with the help of the man who made the original BBC documentary. | :02:44. | :02:48. | |
First, the storms overnight cost for macrolides, left over 600,000 homes | :02:49. | :02:52. | |
without power and played havoc with travel plans. Our storm Hunter, | :02:53. | :02:58. | |
Lucy, spent the day in the West Country. Overnight in Somerset, | :02:59. | :03:06. | |
hurricane force winds have been recorded and there's been a | :03:07. | :03:08. | |
significant amount of rain. But it's not just here that has taken a | :03:09. | :03:12. | |
battering. There's been widespread power cuts, disruption to travel. | :03:13. | :03:17. | |
This morning, the Isle of White recorded a wind speed of 99 mph. | :03:18. | :03:22. | |
Meanwhile, over 200,000 homes were left without electricity. During | :03:23. | :03:29. | |
1987's storm, 15 million trees were blown down. We don't yet know how | :03:30. | :03:35. | |
many this storm has claimed, but in storm affected areas there are teams | :03:36. | :03:39. | |
working around the clock to clear the debris. Somerset highways agency | :03:40. | :03:43. | |
is just one team that has had a long night. Simon White is in charge of | :03:44. | :03:47. | |
keeping the roads clear in this area. What is the extent of the | :03:48. | :03:53. | |
damage in Somerset? We've had about 75 trees down across the county in | :03:54. | :03:57. | |
the space of the last 12 hours. Tell me about the history of this brewer | :03:58. | :04:03. | |
fella. You'll a-macro this came down at around 5:30am. It has not rested | :04:04. | :04:07. | |
very well, so this is one of our most challenging trees to get down. | :04:08. | :04:13. | |
It shows the power of the wind we had last night. 65 of those 75 trees | :04:14. | :04:17. | |
are gone and the roads are opened. Once like this which are more | :04:18. | :04:21. | |
complex, we've got to bring specialists in an deal with things | :04:22. | :04:26. | |
like this. Something this big, once you cut it, give got to get it off | :04:27. | :04:30. | |
site, so you've got to have a digger. These guys are not just | :04:31. | :04:38. | |
moving the trees from across the highway. There are branches that | :04:39. | :04:42. | |
have been dislodged in the storm. They have to get up with a tree with | :04:43. | :04:47. | |
a chainsaw right at the top and they have to cut them all off to make | :04:48. | :04:50. | |
sure they are safe. It is incredible. As today has shown, | :04:51. | :04:54. | |
fallen trees and branches can have fatal consequences. We knew it was | :04:55. | :05:00. | |
coming and seemingly we were better prepared than in 1987. But when it | :05:01. | :05:07. | |
hits, the St Jude storm was highly localised, creating pockets of | :05:08. | :05:10. | |
destruction in certain parts of the country. Where the effects will be | :05:11. | :05:15. | |
felt for some time to come. John Hammond is here to talk a bit more | :05:16. | :05:20. | |
about this. It was predicted as the biggest storm since 19... Oh, my | :05:21. | :05:27. | |
poppy has blown off! The wind is still going! The biggest since 1987. | :05:28. | :05:34. | |
Was it what you expected, was it not as strong? Pretty much as we | :05:35. | :05:39. | |
expected. The Midlands and Wales got off lightly. But through that zone | :05:40. | :05:44. | |
from south-west England, southern England towards the London area, | :05:45. | :05:49. | |
East Anglia, we saw gusts that we were expecting. You've got all this | :05:50. | :05:53. | |
new technology now that helps you to be a lot more on the button and you | :05:54. | :05:58. | |
would have been back in 96 dashed back 1987. Does that mean there will | :05:59. | :06:04. | |
be no surprises from now on? Afraid not. The atmosphere is inherently | :06:05. | :06:10. | |
chaotic. Despite advances in understanding the atmosphere, we | :06:11. | :06:14. | |
occasionally are not going to get it right. But we've gone a quantum leap | :06:15. | :06:18. | |
since 1987 to how we are now in terms of the technology, the | :06:19. | :06:22. | |
computing power and knowledge of the atmosphere and how we get the | :06:23. | :06:27. | |
warnings out as well. We do a lot of liaising with emergency responders | :06:28. | :06:30. | |
to get those warnings out early. We had them out at the back end of last | :06:31. | :06:34. | |
week. Even though the storm hadn't formed, we were confident it was | :06:35. | :06:47. | |
going to. Nailing down exactly where the path of the worst destruction | :06:48. | :06:49. | |
was going to be is a more difficult job. It's remarkable when you look | :06:50. | :06:52. | |
at what the computers do. Tell us about the sting jet. One of the | :06:53. | :06:55. | |
advances in our understanding of the atmosphere is the sting jet, a | :06:56. | :06:57. | |
phenomenon. We got the storm forming, the torrential rain. At the | :06:58. | :07:02. | |
back-end of the storm we have this sting jet, air rushing down from the | :07:03. | :07:07. | |
stratosphere. It spreads out in the form of big gusts. Although the | :07:08. | :07:10. | |
coasts normally get hit by strong winds, inland the sting really | :07:11. | :07:15. | |
ploughs a path across southern England, including your patch at | :07:16. | :07:19. | |
home, and the London area and into East Anglia. Those sorts of speeds, | :07:20. | :07:26. | |
with trees fully laden with leaves, bound to cause problems. Amanda, you | :07:27. | :07:31. | |
were saying your friend's trampoline was there but now it's gone. Yes, | :07:32. | :07:38. | |
she woke up and it was gone. Someone has either nixed it for Christmas or | :07:39. | :07:43. | |
it has flown somewhere and done probably horrible damage. This storm | :07:44. | :07:47. | |
has whistled across the North Sea, gone through Scandinavia, it's | :07:48. | :07:51. | |
moving that fast. The gusts in Scandinavia were worse than here. | :07:52. | :07:56. | |
You were in a hotel last night right near to the weather studios so you | :07:57. | :08:02. | |
could get to work. We were. We had to be there for when it hit this | :08:03. | :08:06. | |
morning. But I've got to go home tonight. I don't know what the | :08:07. | :08:12. | |
damage will be like. You've got no electricity, have you? No, the power | :08:13. | :08:18. | |
is out at home. Fittingly, Mary Poppins said that she would stay | :08:19. | :08:25. | |
with the Banks family until the wind changed. A new story starring Emma | :08:26. | :08:29. | |
Thompson tells the story of the woman who created the world's host | :08:30. | :08:31. | |
famous nanny. # A spoonful of sugar helps the | :08:32. | :08:39. | |
medicine go down. Walt Disney's Mary Poppins has | :08:40. | :08:51. | |
charmed audiences for decades. Julie Andrews plays the most famous nanny | :08:52. | :08:56. | |
in cinema history. Disney gave her big-screen break in 1964. But you | :08:57. | :09:00. | |
might be surprised to know that a childminder with magical powers had | :09:01. | :09:04. | |
a lifelong before Hollywood came calling. Mary Poppins first appeared | :09:05. | :09:10. | |
in book form in 1934 a fictional creation of author PL Travers, who | :09:11. | :09:14. | |
was quite surprised to find her story being published at all. It | :09:15. | :09:18. | |
never occurred to me that anyone would want to publish it. I was | :09:19. | :09:22. | |
writing it really for myself. I thought, well, a publisher won't | :09:23. | :09:27. | |
want this, but apparently he did. A fiercely private woman, her | :09:28. | :09:30. | |
background was long shrouded in mystery, with the writer Brian | :09:31. | :09:35. | |
sibling knowing her well. He knew her secrets. She was born in new | :09:36. | :09:41. | |
south wales Australia. She grew up very much caught up in the world of | :09:42. | :09:46. | |
storytelling. How did she end up in England? She wanted to escape from | :09:47. | :09:51. | |
Australia. Her father died when she was seven, her mother tried to | :09:52. | :09:55. | |
commit suicide when she was ten. It was in London that she wrote the | :09:56. | :10:00. | |
first of the stories. The books were very successful, successful not just | :10:01. | :10:04. | |
in Britain but America. It captured the imagination of the daughter of a | :10:05. | :10:08. | |
Hollywood producer, none other than the king of animation, Walt Disney. | :10:09. | :10:12. | |
He became convinced a film version of the story would make a fortune. | :10:13. | :10:22. | |
Disney was used to getting his own way, but Pamela Travers was no | :10:23. | :10:24. | |
pushover when it came to negotiating the film rights. It took nearly 20 | :10:25. | :10:27. | |
years to get those rights. She didn't like the idea of Mary Poppins | :10:28. | :10:30. | |
becoming an animated character. At that time, Disney only made animated | :10:31. | :10:35. | |
films. It was only when he persuaded her he could make a movie of Mary | :10:36. | :10:40. | |
Poppins that wasn't a cartoon. Was it the money that persuaded her? | :10:41. | :10:45. | |
That was part of the equation, and was away re-establishing the fact | :10:46. | :10:49. | |
you was the author of this well-known character. People knew | :10:50. | :10:51. | |
the character but didn't know who the author was anymore. Production | :10:52. | :10:57. | |
began in 1963. While the characters were having fun on screen, tensions | :10:58. | :11:01. | |
on the set were brewing right from the start between Travers and | :11:02. | :11:21. | |
Disney. The didn't really get on. It was very stormy. It really was a | :11:22. | :11:23. | |
head-on collision between two very charismatic, very powerful, very | :11:24. | :11:25. | |
independent people. She was somebody that wasn't going to be brushed | :11:26. | :11:27. | |
aside. She had long and very difficult consultations. A lot of | :11:28. | :11:30. | |
what she said founded into the film. The film premiered in 1964 and | :11:31. | :11:32. | |
received a rapturous five-minute standing ovation. Disney felt | :11:33. | :11:34. | |
vindicated. He had a huge hit on his hands. But there was one woman in | :11:35. | :11:38. | |
the auditorium who was not clapping. Far from it, she was in floods of | :11:39. | :11:43. | |
tears. Pamela Travers. She hated the cartoon elements of the film. And a | :11:44. | :11:52. | |
lovely thing she is too! Travers was so appalled, she vowed never to work | :11:53. | :11:57. | |
with Hollywood again. 50 years on, her story has been turned into a | :11:58. | :12:01. | |
film starring Tom Hanks and Emma Thompson. Well, Pamela Travers. You | :12:02. | :12:08. | |
can't imagine how excited I am to finally meet you. My name is Mrs | :12:09. | :12:15. | |
Travers. What do you think that PL Travers union would have made of | :12:16. | :12:20. | |
this new film? She would have been appalled, outrage and horrified. But | :12:21. | :12:24. | |
somewhere underneath, I think she would have been secretly quite | :12:25. | :12:28. | |
pleased. But she would definitely have notes for everybody about how | :12:29. | :12:33. | |
it should have been done! Let us begin. She has a lot of ideas. What | :12:34. | :12:43. | |
kind of ideas? No, that is not a word. We made it up. PL Travers | :12:44. | :12:50. | |
wrote another seven Mary Poppins novels but none of them match the | :12:51. | :12:53. | |
success of the first. The film version made her a multimillionaire | :12:54. | :12:57. | |
race, but it was a high price to pay for such a very private person. You | :12:58. | :13:06. | |
can find out more about PL Travers and Mary Poppins in a special on | :13:07. | :13:14. | |
November the 30th on BBC Two. I was never a fan of those cartoon bits. | :13:15. | :13:19. | |
We were a massive fan of Mary Poppins. Lexie, my daughter, is | :13:20. | :13:26. | |
learning a song from it as we speak. She's watching at home. You | :13:27. | :13:33. | |
dedicated your autobiography, No Holding Back, to Lexie and Holly. | :13:34. | :13:37. | |
It's interesting how things started for you. Your mum had a very | :13:38. | :13:41. | |
different experience to you, bringing up your daughters. It was | :13:42. | :13:46. | |
pretty tough for her. It was heroic. She was on her own a lot of the | :13:47. | :13:50. | |
time. She had to cope with so much. She gave us the most amazing | :13:51. | :13:54. | |
childhood. I always remember being happy. She used to let me and my | :13:55. | :13:59. | |
sister, Debbie, very cutlery and crockery in the garden to keep us | :14:00. | :14:04. | |
happy! Weeks later we would dig things up. I remember digging up a | :14:05. | :14:08. | |
stainless steel teapot and giving it to my grandad for his birthday. He | :14:09. | :14:19. | |
must have been thrilled! You say in the book that you wouldn't allow | :14:20. | :14:22. | |
your daughters to do that. My mum said, I did it to keep you quiet. | :14:23. | :14:25. | |
She had three jobs at one time. I don't blame her. There's no way my | :14:26. | :14:29. | |
daughters are allowed out of the house with crockery, no! What is | :14:30. | :14:33. | |
really obvious from the first chapter is you were surrounded by | :14:34. | :14:38. | |
lots of strong women. The one I Love is your gram. She's amazing. Tell us | :14:39. | :14:47. | |
about her. She is 93. She lives in Gloucestershire. She is completely | :14:48. | :14:51. | |
independent, she's at home is still on her own, stubborn to the point of | :14:52. | :14:57. | |
annoyance. But that generation don't want any help, they don't want to | :14:58. | :15:02. | |
make a fuss. My mum is fantastic with her and my mum's sister, always | :15:03. | :15:08. | |
visiting. She sends them away all the time and says, you've got your | :15:09. | :15:12. | |
own lives, dear. Is that the grandparent whose cat you named? My | :15:13. | :15:18. | |
mum keeps telling me off because she says it's not true. My Nan had a cat | :15:19. | :15:24. | |
called Mandy. Towards the end of its life it was just this mattered, | :15:25. | :15:29. | |
mangled creature. It was very sad. But I was due to be borne any minute | :15:30. | :15:36. | |
and my mum called me Amanda. Mandy and Amanda. My mum says it was from | :15:37. | :15:41. | |
a sitcom, which is probably true. But the fact is Chris calls me | :15:42. | :15:45. | |
Mandy, everyone does, just to annoy me. There are lots of funny bits in | :15:46. | :15:52. | |
the book, but there is a serious side as well because at the | :15:53. | :15:57. | |
beginning it tells us about the difficult childhood you had. Did | :15:58. | :16:01. | |
that play a part in how driven you were? I honestly think it did. Even | :16:02. | :16:07. | |
though we were so happy and had a great upbringing, I think it was | :16:08. | :16:13. | |
that matriarchal line that me and my sister had. We had a feistiness | :16:14. | :16:22. | |
installed in us to survive and keep moving forward, and I think that | :16:23. | :16:26. | |
came from my mother and her work ethic. She was incredible and did a | :16:27. | :16:31. | |
great job. When you got on stage it was not because you wanted any fame | :16:32. | :16:38. | |
celebrity. Yes, every celebrity says that but we did not have those | :16:39. | :16:41. | |
celebrity magazines when we were growing up. We did not have the same | :16:42. | :16:46. | |
culture as we had now where everybody wants to be famous. All I | :16:47. | :16:51. | |
wanted to do was be on stage so I would sing in the back garden and | :16:52. | :16:57. | |
annoyed the neighbours. I would charge people 5p to come and watch | :16:58. | :17:03. | |
my production! It was the production of Aladdin when you got turned down, | :17:04. | :17:10. | |
was it not? Angie, who has been on the show before, you threw her out, | :17:11. | :17:16. | |
I wanted the lead, and she did not give it to me. I was absolutely | :17:17. | :17:22. | |
mortified, and she gave me a sherry to calm my nerves. I will not say | :17:23. | :17:27. | |
how old I was! My grandma used to make me very weak martinis! My | :17:28. | :17:32. | |
mother did not even know, she was appalled. What have your friends and | :17:33. | :17:40. | |
family made the book, then? What did they say, what with their reaction? | :17:41. | :17:45. | |
Overall, it is OK. My family found it difficult because I am in the | :17:46. | :17:51. | |
public eye and they are in my life so they have to be dragged into it. | :17:52. | :17:55. | |
Overall, they are quite happy about it. They are a massive part of the | :17:56. | :18:01. | |
story, and I would not have survived if it had not been thanks to them. | :18:02. | :18:07. | |
There is a sense that you have written it all down to... It is | :18:08. | :18:11. | |
there for my daughters to read when they are older. I have not held back | :18:12. | :18:20. | |
and I have been very honest. No Holding Back is out in the shops | :18:21. | :18:27. | |
now. In 1975 the BBC aired a fly on the wall documentary featuring an | :18:28. | :18:31. | |
11-year-old arsonist whose future was being decided by psychologists | :18:32. | :18:35. | |
and social workers at the secure assessment centre in County Durham. | :18:36. | :18:39. | |
Mini and Me was directed by Franc Roddam and had an impact on the | :18:40. | :18:43. | |
public. It is being shown on BBC for tomorrow and in a moment we will | :18:44. | :18:46. | |
catch up with Franc Roddam and Mini. First a flavour of the | :18:47. | :18:51. | |
original documentary starting with an explanation of why he was locked | :18:52. | :19:05. | |
up. You are here following two offences of arson. It is a school | :19:06. | :19:11. | |
for maladjusted children. Michael set fire to his home while his | :19:12. | :19:17. | |
father was asleep upstairs. Two months later he returned to the | :19:18. | :19:23. | |
house and set fire to what remained. Michael and squandered 18 times. He | :19:24. | :19:28. | |
received regular psychiatric treatment through this period. There | :19:29. | :19:38. | |
was a box of matches their and I said, I will have them! There was | :19:39. | :19:51. | |
too much time to burn the down. It was lucky there was not a person in | :19:52. | :19:57. | |
the house. What do you think about it? You think it is a good thing to | :19:58. | :20:03. | |
do? To me, it is. To others, it is not. Do you understand what you are | :20:04. | :20:15. | |
saying? Yes. What if you set a fire to somebody's house? You think you | :20:16. | :20:27. | |
should be allowed to do that? No. Well, I can tell you what has not | :20:28. | :20:32. | |
happened. You are not going back home. We are not sending you to an | :20:33. | :20:39. | |
ordinary school. What is going to happen is that you going to be here | :20:40. | :20:47. | |
for the next three or four weeks. We will find out who is going to have | :20:48. | :20:52. | |
you. I will let you know myself, all right? I promise I will tell you | :20:53. | :21:00. | |
where you are going. I will tell you who is going to work with you, OK? | :21:01. | :21:11. | |
Yes. Well... As I said before, I do not think it would be right for you | :21:12. | :21:19. | |
to go back to an ordinary school. It would not be good for you, it would | :21:20. | :21:28. | |
not be good for other people. In view of the history of | :21:29. | :21:37. | |
anti-social behaviour and the serious risk that Michael presents | :21:38. | :21:42. | |
to himself and the community, he would require long-term treatments | :21:43. | :21:46. | |
under conditions of physical security. | :21:47. | :21:53. | |
Well, Mini and Franc Roddam are here. It is a powerful documentary. | :21:54. | :21:59. | |
The fact that it was about your life, it is quite upsetting. There | :22:00. | :22:04. | |
was a real public reaction after that, was there not? There was a | :22:05. | :22:12. | |
strong reaction towards him. I do not think much has happened since | :22:13. | :22:16. | |
then. The documentary had a big impact and I think it is because | :22:17. | :22:24. | |
Mini has a strong personality. You were thinking that this kid should | :22:25. | :22:31. | |
not be locked up. All of the letters that came in for Mini, he had no | :22:32. | :22:39. | |
idea, did he? No, it was Franc some years later who told me that there | :22:40. | :22:43. | |
were lots of letters at the BBC. My understanding was that the | :22:44. | :22:46. | |
authorities got rid of them. Were you not allowed to watch the | :22:47. | :22:49. | |
documentary interview 21? How did you feel the first time you saw the | :22:50. | :22:55. | |
documentary, especially the end bits that we saw there? It had an impact | :22:56. | :23:03. | |
on me. I was watching it as a 21-year-old man. Part of me wondered | :23:04. | :23:09. | |
where that boy had gone too. By that time, I felt like my psyche had been | :23:10. | :23:17. | |
fractured slightly. I was watching this young boy the speak with such | :23:18. | :23:26. | |
confidence. I was struggling myself at that time. What did happen to | :23:27. | :23:33. | |
you? You did not go down south, did you? No, the authorities did a | :23:34. | :23:39. | |
U-turn. There is that finale to the documentary where, unanimously, they | :23:40. | :23:45. | |
are saying that I need to be locked up. They did the complete opposite | :23:46. | :23:52. | |
and sent me to the other side of the campus with no bars on the windows | :23:53. | :23:58. | |
or locked doors. Franc, Mini spent his life in and out of prisons and | :23:59. | :24:03. | |
hospitals but you believed that it could have been so different. It is | :24:04. | :24:10. | |
interesting. If he had come from a middle-class family, he would not | :24:11. | :24:13. | |
have been locked away. I remember the psychiatrist in the film had | :24:14. | :24:18. | |
said that I should get rid of the romantic notion that people can be | :24:19. | :24:21. | |
cured. He said that some people should be managed and he put Mini in | :24:22. | :24:25. | |
that category. I disagreed with him and I think that is why we formed a | :24:26. | :24:32. | |
friendship. We finished the film and Mini said that this was a great | :24:33. | :24:39. | |
moment. He started jumping on trains and coming to London. In 18 months, | :24:40. | :24:48. | |
he ran away 18 times, I think. My wife and I gave him some supper and | :24:49. | :24:54. | |
we took him back. We formed a long friendship and the authorities told | :24:55. | :24:57. | |
me that I cannot see him any more because I am disrupting his | :24:58. | :25:02. | |
treatment. I said, OK. They did not tell Mini. He thought that I had | :25:03. | :25:07. | |
abandoned him. We got together ten years later, I think. They actually | :25:08. | :25:14. | |
told me that it was Franc's idea that we did not meet. You have | :25:15. | :25:18. | |
written it down in an autobiography. How cathartic was it for you to | :25:19. | :25:27. | |
write that? Hugely. It was an opportunity to have an expression, | :25:28. | :25:35. | |
vent some anger in a positive way. Obviously, as a child setting fires, | :25:36. | :25:42. | |
that was my expression. Franc came along and gave me a voice. He told | :25:43. | :25:52. | |
me to be myself. It was an invitation to good to refuse. It | :25:53. | :25:57. | |
reconnects you with what you were thinking of as a boy, I guess? Yes. | :25:58. | :26:03. | |
When I had written the book, I felt like I had got the strength back | :26:04. | :26:09. | |
that I had when I was ten years old. You talk to Fire Services and all | :26:10. | :26:15. | |
sorts now? Yes. Well, listen, we wish you the very best. The book, | :26:16. | :26:26. | |
Mini and Me by Michael Cooper is out now and you can see Alan Yentob's | :26:27. | :26:30. | |
Mini: A Life Revisited tomorrow night on BBC Four at 10pm. Thank you | :26:31. | :26:36. | |
to M No Holding Back is out now. We mentioned a trampoline that had | :26:37. | :26:43. | |
flown away. We have found the! No way! Somebody has contacted us. We | :26:44. | :26:51. | |
are a public service! Before we go, David Bowie has been paying tribute | :26:52. | :26:58. | |
to Lou Reed who died yesterday, aged 71. In 1997, the BBC elaborated with | :26:59. | :27:04. | |
the singer on a special version of the song, Perfect Day. It went to | :27:05. | :27:12. | |
number one. He said that he had never been more impressed with the | :27:13. | :27:24. | |
performance of one of his songs. # Just a perfect day. MUSIC: "Perfect | :27:25. | :28:17. | |
Day". # It's such a perfect day, I'm glad I spend it with you. | :28:18. | :28:27. | |
# Such a perfect day you just keep me hanging on. # You just keep me | :28:28. | :28:33. |