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We are halfway through way through our search for Britain's best amateur sewers. | 0:00:02 | 0:00:05 | |
So far, we've had dresses that wrap, leggings that sag | 0:00:05 | 0:00:08 | |
and leotards for tap dancing babies - | 0:00:08 | 0:00:11 | |
you can't say we haven't covered everything. | 0:00:11 | 0:00:13 | |
'In the last Sewing Bee...' | 0:00:13 | 0:00:16 | |
Do I wear leggings? No, will I ever wear leggings? No. | 0:00:16 | 0:00:21 | |
'Chinelo won garment of the week for the first time.' | 0:00:21 | 0:00:24 | |
I'm very shocked. | 0:00:24 | 0:00:26 | |
'Jennie struggled with stretch...' | 0:00:26 | 0:00:28 | |
SHE STIFLES A SCREAM | 0:00:28 | 0:00:29 | |
'But it was Julie who had to leave the sewing room.' | 0:00:29 | 0:00:33 | |
THEY LAUGH | 0:00:33 | 0:00:34 | |
'This week, the sewers tackle kids' clothes.' | 0:00:36 | 0:00:38 | |
-So how does this work then? -That's it. | 0:00:38 | 0:00:40 | |
This is why I need kids now. | 0:00:40 | 0:00:42 | |
'It's the fiddliest pattern yet.' | 0:00:42 | 0:00:44 | |
It's tiny. | 0:00:44 | 0:00:45 | |
'The alterations get more fancy...' | 0:00:45 | 0:00:47 | |
-What have you got? -Never you mind. | 0:00:47 | 0:00:49 | |
'And whilst the sewers know what prom dresses they're making...' | 0:00:49 | 0:00:52 | |
That's not an easy sew. | 0:00:52 | 0:00:54 | |
'The biggest surprise...' | 0:00:54 | 0:00:55 | |
Let's bring them in | 0:00:55 | 0:00:56 | |
-'..is their models.' -LAUGHTER AND GIGGLES | 0:00:56 | 0:01:00 | |
-Gin? -I need a Valium. | 0:01:00 | 0:01:02 | |
The sewers have reached the halfway point in the Sewing Bee. | 0:01:27 | 0:01:31 | |
# Every morning, every evening | 0:01:31 | 0:01:33 | |
# Ain't we got fun? | 0:01:33 | 0:01:35 | |
I am excited to get back to my sewing table. | 0:01:35 | 0:01:37 | |
I never leave my table, actually. SHE GIGGLES | 0:01:37 | 0:01:39 | |
I'm sewing here or at home so I'm excited to get back here. | 0:01:39 | 0:01:42 | |
I think you're only as good as your last garment | 0:01:42 | 0:01:44 | |
and last week I had a particularly poor week. | 0:01:44 | 0:01:47 | |
I have no idea what Patrick and May have in store for us this week. | 0:01:47 | 0:01:50 | |
Hopefully it will be cowboy-themed. I'm already halfway there. | 0:01:50 | 0:01:53 | |
-Oh, wow. -Uh-oh. | 0:01:53 | 0:01:55 | |
Every week they introduce something else, | 0:01:55 | 0:01:57 | |
I've come to the limits of my knowledge. | 0:01:57 | 0:01:59 | |
I don't like the small child. | 0:01:59 | 0:02:01 | |
I'm going to be much stricter with myself, pay attention more | 0:02:01 | 0:02:04 | |
and stop talking. SHE LAUGHS | 0:02:04 | 0:02:07 | |
-I'm nervously confident or confidentially nervous - either or. -SHE LAUGHS | 0:02:07 | 0:02:11 | |
-Hello. -ALL: Hello. | 0:02:11 | 0:02:13 | |
Now, as you'll have noticed, there are quite eerie children's | 0:02:13 | 0:02:17 | |
-mannequins on your sewing stations. -Very creepy. | 0:02:17 | 0:02:21 | |
That's because this week the judges want to see how you cope | 0:02:21 | 0:02:25 | |
making children's clothes. | 0:02:25 | 0:02:27 | |
The first challenge, as always, is about following a pattern. | 0:02:27 | 0:02:30 | |
What have you got for them, May? | 0:02:30 | 0:02:32 | |
This week, we'd like you to make some dungarees for a toddler. | 0:02:32 | 0:02:37 | |
You have three hours, your time starts now. | 0:02:37 | 0:02:41 | |
We're going. | 0:02:41 | 0:02:43 | |
To make successful dungarees, the sewers should chose a hardwearing, | 0:02:43 | 0:02:47 | |
firm fabric like a cotton drill or corduroy from the haberdashery. | 0:02:47 | 0:02:51 | |
That's lovely. Jenni, I want to share that with you. | 0:02:51 | 0:02:53 | |
-You sharing the blue corduroy? -Yeah. It's beautiful. | 0:02:53 | 0:02:56 | |
# Corduroy. # | 0:02:56 | 0:02:57 | |
OK, Patrick and May, why children's clothes? | 0:02:57 | 0:02:59 | |
Fundamentally, children's clothes need to be robust - | 0:02:59 | 0:03:02 | |
heavy fabrics, hefty seams. | 0:03:02 | 0:03:03 | |
These clothes have to go through the rough and tumble | 0:03:03 | 0:03:06 | |
of kid's lives and go through the washing machine 20 times a week. | 0:03:06 | 0:03:09 | |
Talk me through these dungarees, what you want to see. | 0:03:09 | 0:03:12 | |
We've got lots of surface stitching, we've got double rows of | 0:03:12 | 0:03:15 | |
top stitching here. And that has to be beautifully straight. | 0:03:15 | 0:03:18 | |
You've got more top stitching here. | 0:03:18 | 0:03:20 | |
Much more stitching in this garment, simply because you need | 0:03:20 | 0:03:22 | |
the strength in the rows of stitching. | 0:03:22 | 0:03:24 | |
The other thing they need to do on this garment are | 0:03:24 | 0:03:27 | |
some different fastening, so we've got snap-fastenings on the side, | 0:03:27 | 0:03:30 | |
which they'll have to insert correctly and align properly. | 0:03:30 | 0:03:32 | |
And dungaree clips, which they may not have had experience of working with before. | 0:03:32 | 0:03:36 | |
Thank you very much. Thank you. | 0:03:36 | 0:03:38 | |
I've gone for a needle cord and it's got little piggies on, | 0:03:39 | 0:03:41 | |
which I thought was rather cute. | 0:03:41 | 0:03:43 | |
Their first task is to carefully pin the small pattern pieces. | 0:03:43 | 0:03:47 | |
It's tiny. | 0:03:47 | 0:03:49 | |
The pattern requires nine pieces of fabric, four for the legs, | 0:03:49 | 0:03:53 | |
two for the bib, two more for the straps | 0:03:53 | 0:03:55 | |
and one more for the waistband. | 0:03:55 | 0:03:57 | |
The front of the legs, waistband and bib are sewn together. | 0:03:57 | 0:04:01 | |
The back of the legs are sewn to the straps and then the front | 0:04:01 | 0:04:04 | |
and back sections are sewn together. Dungaree clips are then added to the | 0:04:04 | 0:04:08 | |
straps and bib and snap fasteners to the side seams. | 0:04:08 | 0:04:11 | |
Now, you've got twin boys who are four, | 0:04:11 | 0:04:13 | |
you must be constantly making dungarees for them. | 0:04:13 | 0:04:16 | |
No, just repairing. | 0:04:16 | 0:04:18 | |
David is not the only sewer in the family. | 0:04:18 | 0:04:20 | |
I love sewing with my daughter, we make those little bags together | 0:04:20 | 0:04:24 | |
that go with her dresses. And my boys, there's no so sort of, | 0:04:24 | 0:04:27 | |
"That's a girly thing, you shouldn't be doing that." | 0:04:27 | 0:04:29 | |
It's just, "Oh, it's what my dad does." | 0:04:29 | 0:04:31 | |
I don't make clothes for them cos I spend | 0:04:31 | 0:04:32 | |
so much time looking after them, stopping them from killing | 0:04:32 | 0:04:35 | |
each other and the local wildlife, you don't have time to make clothes. | 0:04:35 | 0:04:41 | |
Me and Kurt are really looking forward to having kids just | 0:04:41 | 0:04:44 | |
so I can make them dungarees, so I'm getting some practice in. | 0:04:44 | 0:04:48 | |
Jenni doesn't have kids yet, | 0:04:48 | 0:04:49 | |
but she does have someone special she sews for. | 0:04:49 | 0:04:53 | |
I've made a dog coat for my dog, Renton. | 0:04:53 | 0:04:55 | |
He's got a bald belly so you've got to keep him warm in the winter. | 0:04:55 | 0:04:58 | |
He's my number one fan, obviously. | 0:04:58 | 0:05:00 | |
I've made sure that I'm pinning my fabric all in the same direction, | 0:05:00 | 0:05:04 | |
otherwise you're going to get shadows and things you don't want. | 0:05:04 | 0:05:07 | |
It's really important to get the nap right. | 0:05:07 | 0:05:10 | |
-Me and Jenni are using the same one. -Oh, yeah. | 0:05:10 | 0:05:13 | |
CHINELO LAUGHS She stopped it first though. | 0:05:13 | 0:05:15 | |
You've got good taste. | 0:05:15 | 0:05:16 | |
One sewer has decided to cut out two different fabrics. | 0:05:17 | 0:05:21 | |
So this is your base fabric, a really good sturdy bit of corduroy, | 0:05:21 | 0:05:25 | |
-what is this? -I quite like to decorate dungarees | 0:05:25 | 0:05:29 | |
so I'm making strips for my bias binding. | 0:05:29 | 0:05:32 | |
Given that we've under time pressure, why would you do | 0:05:32 | 0:05:34 | |
this at the beginning and not at the end? | 0:05:34 | 0:05:36 | |
It's better to do the fiddly bits first | 0:05:36 | 0:05:39 | |
cos by the end of the challenge, my hands are shaking so badly. | 0:05:39 | 0:05:43 | |
Tamara is mum to nine-year-old Lily and six-year-old Charlie. | 0:05:43 | 0:05:48 | |
At the moment, he's quite into his Ninja Turtles so he wants me | 0:05:48 | 0:05:51 | |
to make him a little shell for his back. And with Lilly, she's | 0:05:51 | 0:05:56 | |
often asked me to help her make dresses for her Sindy dolls. | 0:05:56 | 0:05:59 | |
And we'd literally be wrapping fabric around it and tying it with a bow. | 0:05:59 | 0:06:03 | |
Because I'm adding a little bit of colour to the seams, | 0:06:03 | 0:06:06 | |
I'm just re-reading the pattern | 0:06:06 | 0:06:08 | |
and making sure that what I want to do is actually physically possible. | 0:06:08 | 0:06:12 | |
I've sewn the front trousers together and I'm just going to top stitch now. | 0:06:13 | 0:06:18 | |
This is the first time the sewers have been required | 0:06:18 | 0:06:22 | |
to topstitch every single seam. | 0:06:22 | 0:06:24 | |
Err, OK. | 0:06:24 | 0:06:26 | |
It's a visible stitch, so it needs to be perfectly straight. | 0:06:26 | 0:06:30 | |
I'm just putting the bib onto the bottom parts, | 0:06:30 | 0:06:33 | |
so there you have the front of the trousers and this will be the bib. | 0:06:33 | 0:06:36 | |
I'd like to do all my top stitching in this slightly thicker thread so | 0:06:36 | 0:06:39 | |
it's a construction question. I'll give it a go, going down. | 0:06:39 | 0:06:45 | |
I think the first thing I sewed for my younger daughter was, | 0:06:46 | 0:06:50 | |
I was going to my sister's wedding and I cut up my own wedding dress | 0:06:50 | 0:06:54 | |
and made a little suit for her and she was only six months old. | 0:06:54 | 0:06:57 | |
I'm really experienced at making children's clothes, | 0:06:57 | 0:07:00 | |
that's how I got back into sewing after I'd done sewing at school. | 0:07:00 | 0:07:03 | |
So I'm definitely in my comfort zone. | 0:07:03 | 0:07:05 | |
Once the front of the dungarees is constructed... | 0:07:05 | 0:07:09 | |
It says press the seams open at the front. | 0:07:09 | 0:07:11 | |
The sewers need to complete the finish on the waistband. | 0:07:11 | 0:07:14 | |
I'm just making sure that all my pieces are sorted out | 0:07:14 | 0:07:18 | |
because when I turn this over, I want to make sure that | 0:07:18 | 0:07:21 | |
everything is going to be tucked in to the waist band nice and neat. | 0:07:21 | 0:07:25 | |
I've gone for camouflage. | 0:07:25 | 0:07:26 | |
I see quite a lot of this at home - familiar territory. | 0:07:26 | 0:07:30 | |
Heather's husband is a lieutenant colonel in the Royal Medical Corps. | 0:07:30 | 0:07:33 | |
He keeps asking me to make stuff for him. | 0:07:33 | 0:07:36 | |
I haven't got round to it yet, but I will do. | 0:07:36 | 0:07:38 | |
He's quite tall and the shirts are so big you could hang-glide in them. | 0:07:38 | 0:07:42 | |
I mean, it's like masses of fabric. | 0:07:42 | 0:07:44 | |
Does he sleep in camo? | 0:07:46 | 0:07:47 | |
No, but he brings me a cup of tea when he's fully dressed. | 0:07:47 | 0:07:50 | |
-Does he, does he? -In camo. Yeah. | 0:07:50 | 0:07:52 | |
Does he? Does he stand straight and everything? | 0:07:52 | 0:07:55 | |
No, he goes, "I'm really tired. | 0:07:55 | 0:07:56 | |
"I'd really like to get back into bed, actually." | 0:07:56 | 0:07:59 | |
But he's wearing camo and he's brought you tea, | 0:07:59 | 0:08:01 | |
so quite frankly, it's win-win. | 0:08:01 | 0:08:02 | |
-It's win-win. -It's better than what I'm getting. | 0:08:02 | 0:08:05 | |
# Love me in the day time | 0:08:05 | 0:08:07 | |
# Love me in the night-time... # | 0:08:07 | 0:08:09 | |
One hour has gone, sewers, you have two hours left. | 0:08:09 | 0:08:12 | |
The time is worrying me. | 0:08:12 | 0:08:15 | |
Lynda, read your pattern. | 0:08:15 | 0:08:16 | |
I'm reading my pattern, don't worry. | 0:08:16 | 0:08:19 | |
The next stage requires a technique that is unfamiliar to some. | 0:08:19 | 0:08:22 | |
Snap felt seams are the only way forward | 0:08:22 | 0:08:25 | |
because they don't tear, which is what it's about. | 0:08:25 | 0:08:27 | |
The dungaree straps must be attached to the back leg sections | 0:08:27 | 0:08:31 | |
using a flat-fell seam. | 0:08:31 | 0:08:33 | |
These are what you usually have on jeans. I've never done one before. | 0:08:33 | 0:08:37 | |
What we've done is, I've joined these two pieces of fabric together | 0:08:37 | 0:08:40 | |
so that the wrong side is on the back and I've got the right side here. | 0:08:40 | 0:08:44 | |
-OK. -I've ironed them | 0:08:44 | 0:08:46 | |
so that they are both pressed in the same direction. | 0:08:46 | 0:08:48 | |
And then you take the top layer back | 0:08:48 | 0:08:50 | |
and you trim the underneath layer away. | 0:08:50 | 0:08:53 | |
It feels so weird cos this is the right side. Normally... | 0:08:53 | 0:08:56 | |
It is. Absolutely. And then we turn under the edge | 0:08:56 | 0:09:01 | |
so it's beautifully flat. | 0:09:01 | 0:09:03 | |
-So we now put it underneath the sewing machine. -Right at the edge. | 0:09:04 | 0:09:09 | |
So you get this beautiful double stitch seam. | 0:09:09 | 0:09:12 | |
And that's a flat-felled seam, that is dead flat. | 0:09:12 | 0:09:15 | |
I've finished the one, which I'm really pleased with. | 0:09:17 | 0:09:19 | |
I'm just about to do the second. | 0:09:19 | 0:09:21 | |
It's a bit tricky with the thicker material, | 0:09:21 | 0:09:23 | |
cos it gets a bit bulky. | 0:09:23 | 0:09:25 | |
You don't want a massive about of bulk in the seams cos | 0:09:25 | 0:09:28 | |
they're only little, tiny people. | 0:09:28 | 0:09:30 | |
And what feels like a like a little bit of a stiff seam to us | 0:09:30 | 0:09:33 | |
is probably going to rub and be quite uncomfortable. | 0:09:33 | 0:09:36 | |
I'm just adding a little bit of colour to the seams. | 0:09:36 | 0:09:39 | |
They are looking all right. | 0:09:41 | 0:09:43 | |
All right. I'm hoping all right's going to be good enough. | 0:09:43 | 0:09:46 | |
Lynda's halfway through, her first ever flat-felled seam. | 0:09:46 | 0:09:49 | |
I thought the flat-fell seam went that way. | 0:09:49 | 0:09:52 | |
But looking, it comes down. | 0:09:52 | 0:09:53 | |
But she's sewn it pointing upwards | 0:09:53 | 0:09:55 | |
rather than downwards as the pattern demands. | 0:09:55 | 0:09:58 | |
So I'm going to undo the whole seam because that's something | 0:09:58 | 0:10:00 | |
the judges will definitely pick up on. | 0:10:00 | 0:10:03 | |
-Pink and purple, was it? -Yeah. -OK. | 0:10:03 | 0:10:05 | |
I think it's really important to teach my grandchildren to sew. | 0:10:05 | 0:10:09 | |
It's a very important life-skill. | 0:10:09 | 0:10:11 | |
And everything is so much better when you've put love into something | 0:10:11 | 0:10:15 | |
you've made than buying it, in my opinion. | 0:10:15 | 0:10:17 | |
I made dungarees for my girls, years and years ago. | 0:10:17 | 0:10:21 | |
I didn't have much money | 0:10:21 | 0:10:23 | |
so sewing was a great way of clothing the children. | 0:10:23 | 0:10:25 | |
The seam I've just done is ever so slightly bigger than it should be, | 0:10:27 | 0:10:30 | |
so I've just done it again. | 0:10:30 | 0:10:32 | |
If this goes wrong, it could mess up the fit of the clothes. | 0:10:32 | 0:10:35 | |
So I'm just making sure that it's all perfect. | 0:10:35 | 0:10:37 | |
Oh, that's nice. | 0:10:37 | 0:10:39 | |
Yeah, but I've made a couple of mistakes | 0:10:39 | 0:10:41 | |
so I need to take out some stitches now. | 0:10:41 | 0:10:43 | |
Chinelo lives with very own quality controller - her husband Tunde. | 0:10:43 | 0:10:46 | |
Careful, careful. | 0:10:48 | 0:10:49 | |
He is like my biggest fan. | 0:10:49 | 0:10:51 | |
He is my biggest critic as well, cos he picks at everything I make. | 0:10:51 | 0:10:54 | |
But it's not symmetrical, if you look at this bit... | 0:10:54 | 0:10:57 | |
But he is my biggest supporter. | 0:10:57 | 0:10:59 | |
I couldn't ask for better, to be honest. | 0:10:59 | 0:11:01 | |
Do you want me to do it for you whilst you do something else? | 0:11:01 | 0:11:04 | |
No, thanks. | 0:11:04 | 0:11:05 | |
I think it's such a simple garment. | 0:11:05 | 0:11:07 | |
The beauty of it is in those little details. | 0:11:07 | 0:11:09 | |
And I think the judges will be looking at those little details. | 0:11:09 | 0:11:12 | |
Sewers, you have one hour and 20 minutes left. | 0:11:12 | 0:11:17 | |
I'm just doing the rolled hems on my straps. | 0:11:17 | 0:11:21 | |
I've just slightly cut those | 0:11:21 | 0:11:23 | |
so it falls a little bit neater on the back. | 0:11:23 | 0:11:25 | |
How fiddly is this? Right, next step. | 0:11:25 | 0:11:27 | |
Each dungaree strap should be finished with | 0:11:27 | 0:11:30 | |
two parallel rows of topstitching. | 0:11:30 | 0:11:32 | |
It's very difficult to keep it straight when you go over the bumps. | 0:11:32 | 0:11:36 | |
These are horrend...er, not nice. | 0:11:37 | 0:11:39 | |
These are horrendous, you were about to say. | 0:11:39 | 0:11:41 | |
Well I didn't want to be too dramatic. | 0:11:41 | 0:11:42 | |
The danger of a contrasting top stitch is that everything shows. | 0:11:42 | 0:11:46 | |
Yeah. | 0:11:47 | 0:11:48 | |
I need to sew this part of the pattern up, | 0:11:48 | 0:11:51 | |
so I need right sides together like so. | 0:11:51 | 0:11:55 | |
I need all of this to match up. I'm just going to be sewing there. | 0:11:55 | 0:11:59 | |
When joining the back pieces together, the curved top edge | 0:12:01 | 0:12:04 | |
must line up exactly. As should the two flat felled seams. | 0:12:04 | 0:12:07 | |
I'm just taking it slowly. | 0:12:09 | 0:12:11 | |
Because they've been double topstitched | 0:12:11 | 0:12:13 | |
any errors will be twice as obvious. | 0:12:13 | 0:12:16 | |
Bob's your uncle. No. | 0:12:16 | 0:12:18 | |
It's only slightly out by a couple of mm, | 0:12:20 | 0:12:22 | |
but it's really lovely matched here. | 0:12:22 | 0:12:24 | |
This is ever so slightly off, but it's done and | 0:12:24 | 0:12:27 | |
I can't do about it now, so I'll just stick with it like that. | 0:12:27 | 0:12:29 | |
What I'm going to do is unpick that section and re-stitch it. | 0:12:29 | 0:12:32 | |
I want to come first today. | 0:12:32 | 0:12:34 | |
I really, really, really am enjoying this challenge. | 0:12:34 | 0:12:37 | |
The seams aren't perfectly lined up. | 0:12:37 | 0:12:40 | |
May and Patrick would pick up on that straightaway so it's coming out. | 0:12:40 | 0:12:44 | |
-Go on. -Do you want a go? -Yes! | 0:12:44 | 0:12:47 | |
If you break the material, Claudia, I'm going to find it very | 0:12:47 | 0:12:50 | |
difficult to forgive you. | 0:12:50 | 0:12:52 | |
CLAUDIA LAUGHS | 0:12:52 | 0:12:53 | |
Dungarees for children became popular in the 1970s - | 0:12:56 | 0:12:59 | |
but children's fashion is a relatively new phenomenon. | 0:12:59 | 0:13:03 | |
One of the first big trends was kick-started nearly 170 years ago | 0:13:03 | 0:13:08 | |
when a young prince stepped out onto the deck of the Royal Yacht. | 0:13:08 | 0:13:11 | |
During a family holiday, all eyes were on Queen Victoria's | 0:13:11 | 0:13:15 | |
four-year-old son Prince Albert who was dressed | 0:13:15 | 0:13:18 | |
head to toe in a scaled-down version of a low ranking sailor's uniform. | 0:13:18 | 0:13:23 | |
The original suit is kept in storage | 0:13:23 | 0:13:25 | |
at the National Maritime Museum in Greenwich. | 0:13:25 | 0:13:28 | |
This is it - this is Prince Albert's outfit. | 0:13:30 | 0:13:33 | |
This is the sailor suit | 0:13:33 | 0:13:35 | |
that launched the fashion for children wearing them. | 0:13:35 | 0:13:38 | |
It was made by the man who made the sailor uniforms for sailors | 0:13:38 | 0:13:42 | |
on the Royal Yacht, so it's exactly what they were wearing in 1846. | 0:13:42 | 0:13:47 | |
There are a few little personal quirks to it, | 0:13:47 | 0:13:49 | |
which are really lovely. | 0:13:49 | 0:13:50 | |
If you see these little stripes here and here, | 0:13:50 | 0:13:53 | |
sailors on the Yacht would only have one stripe and that | 0:13:53 | 0:13:56 | |
would indicate that they were either on the port or starboard watch. | 0:13:56 | 0:14:00 | |
For Bertie, what they had done was to have both stripes put on | 0:14:00 | 0:14:03 | |
so he's not showing any favouritism. | 0:14:03 | 0:14:05 | |
And then if you open this up, you've got this little fob pocket. | 0:14:05 | 0:14:08 | |
He's not putting his pocket watch in, | 0:14:08 | 0:14:10 | |
but probably his sweets and his little bits and pieces. | 0:14:10 | 0:14:13 | |
What was the queen trying to show by putting him in this? | 0:14:13 | 0:14:15 | |
It's quite a humble association because she's going with the | 0:14:15 | 0:14:18 | |
common sailor and not with an officer, | 0:14:18 | 0:14:20 | |
which people found really charming. | 0:14:20 | 0:14:22 | |
That the Royal Family is associating themselves with Jack Tar | 0:14:22 | 0:14:25 | |
who's seen as this honest, loyal and patriotic character. | 0:14:25 | 0:14:30 | |
The trend did take a while to take off but it did become | 0:14:30 | 0:14:34 | |
one of the most popular children's outfits of the 19th century. | 0:14:34 | 0:14:37 | |
And, in fact, Bertie had his own five children photographed | 0:14:37 | 0:14:41 | |
wearing sailor suits in 1875. | 0:14:41 | 0:14:44 | |
And that's when the outfit's popularity soared. | 0:14:44 | 0:14:47 | |
Until then, children would wear miniature versions of what their | 0:14:47 | 0:14:50 | |
parents wore, which were dictated by class and status. | 0:14:50 | 0:14:54 | |
But the sailor suit was a democratic little outfit | 0:14:54 | 0:14:57 | |
that was worn by every class of child. | 0:14:57 | 0:14:59 | |
It was robust too - made from canvas or wool serge. | 0:14:59 | 0:15:03 | |
Seaside holidays were massively popular, | 0:15:03 | 0:15:06 | |
but saltwater and the wet sand is going to wreck your clothes. | 0:15:06 | 0:15:11 | |
So families wanted something that the kids could wear that | 0:15:11 | 0:15:16 | |
wouldn't get ruined. And sailor suits fitted that bill. | 0:15:16 | 0:15:21 | |
Sailor suits weren't just for the holidays - | 0:15:21 | 0:15:23 | |
soon they were being worn on a daily basis. | 0:15:23 | 0:15:26 | |
Tailors all made them, but by the 1870s | 0:15:26 | 0:15:29 | |
they were being mass-produced in factories. | 0:15:29 | 0:15:32 | |
The great thing about the sailor suit is it's really simple to make. | 0:15:32 | 0:15:36 | |
They'd cut out the basic garment pieces and then they'd make | 0:15:36 | 0:15:39 | |
it in different fabrics, they'd make it in different colours. | 0:15:39 | 0:15:42 | |
A catalogue like this from 1897... | 0:15:42 | 0:15:46 | |
You've got one with short trousers, | 0:15:46 | 0:15:48 | |
one with long trousers in dark blue wool. | 0:15:48 | 0:15:51 | |
This one in the middle, which is a bit more formal. | 0:15:51 | 0:15:54 | |
And then for Sunday best you've got velvet sailor suits. | 0:15:54 | 0:15:57 | |
And, of course, it does cost more. This one starts at five shillings | 0:15:57 | 0:16:02 | |
and the velvet one starts at ten shillings. | 0:16:02 | 0:16:07 | |
So, basically, the UK was wearing a sailor suit? | 0:16:07 | 0:16:10 | |
Absolutely. If you went to a primary school | 0:16:10 | 0:16:12 | |
anywhere in Britain, nine out of ten boys would be wearing a sailor suit. | 0:16:12 | 0:16:18 | |
I am pinning the back of my dungarees to the front of my | 0:16:25 | 0:16:30 | |
dungarees and I'm about to sew down the side seams. | 0:16:30 | 0:16:33 | |
Once the dungarees are fully constructed and hemmed... | 0:16:33 | 0:16:36 | |
Where have you got to, Dave? | 0:16:36 | 0:16:38 | |
The front and back have been sewn on. | 0:16:38 | 0:16:40 | |
-This is divine. -Thank you. -I'm coming off the pill. | 0:16:40 | 0:16:43 | |
TAMARA LAUGHS | 0:16:43 | 0:16:45 | |
The sewers need to add the fasteners. | 0:16:45 | 0:16:48 | |
So how does this work then? | 0:16:48 | 0:16:50 | |
-That's it. -This is why I need kids now. | 0:16:50 | 0:16:52 | |
'First, each strap must be fitted with a dungaree clip.' | 0:16:52 | 0:16:56 | |
I'm just trying to work out how it works. | 0:16:56 | 0:16:59 | |
So that button goes snap on top and then that hooks over. | 0:17:01 | 0:17:05 | |
The sewers need to be sure that as they position | 0:17:05 | 0:17:08 | |
the button and fastener. | 0:17:08 | 0:17:09 | |
That's how it's going to be. | 0:17:09 | 0:17:11 | |
The dungarees will fit the mannequin when the strap | 0:17:11 | 0:17:13 | |
and the bib are joined. | 0:17:13 | 0:17:15 | |
18 minutes. Dix-huit for those of you who have been to France. | 0:17:17 | 0:17:21 | |
He's lost his head. | 0:17:23 | 0:17:24 | |
Is that right? No, it's wrong. My God. | 0:17:24 | 0:17:27 | |
I'm no parenting expert... | 0:17:27 | 0:17:30 | |
CHINELO LAUGHS | 0:17:30 | 0:17:31 | |
That should not happen. | 0:17:31 | 0:17:33 | |
Hello...what? Yeah, OK. It wants its body back. | 0:17:33 | 0:17:36 | |
I'm just trying to make you laugh, | 0:17:36 | 0:17:38 | |
which is unfair cos you don't have long. | 0:17:38 | 0:17:40 | |
-I feel like crying now, actually. -Don't cry. What? | 0:17:40 | 0:17:43 | |
He doesn't want you to cry. | 0:17:43 | 0:17:45 | |
I just thought of something. | 0:17:47 | 0:17:49 | |
These are the top ones, they should be up there. | 0:17:49 | 0:17:51 | |
SHE SIGHS | 0:17:51 | 0:17:54 | |
I hope they come off. Silly me. | 0:17:54 | 0:17:58 | |
SHE GROANS | 0:17:58 | 0:17:59 | |
So, I've finished that. | 0:17:59 | 0:18:04 | |
My hands have started shaking again cos we're running out of time. | 0:18:04 | 0:18:08 | |
I can't get it off. | 0:18:08 | 0:18:09 | |
I'm going to go for my hero. | 0:18:11 | 0:18:13 | |
Uh-uh, don't do that. | 0:18:14 | 0:18:18 | |
HE SIGHS | 0:18:18 | 0:18:20 | |
Come on, Dave, you can do it. | 0:18:20 | 0:18:22 | |
-Yes! No. -No. | 0:18:22 | 0:18:25 | |
Oh! Do you know what, I love you. | 0:18:28 | 0:18:31 | |
Ten minutes left on the toddler dungaree challenge. | 0:18:33 | 0:18:37 | |
The side seams should be closed by using child-friendly snap fasteners. | 0:18:37 | 0:18:42 | |
-That must be B. -You sure? -No. | 0:18:42 | 0:18:45 | |
Interlocking the disks of metal are attached by using | 0:18:45 | 0:18:48 | |
a special pair of pliers. | 0:18:48 | 0:18:50 | |
This is probably where I lose a finger on telly. | 0:18:50 | 0:18:52 | |
-My reckoning... -Are you sure you've got this the right way? | 0:18:52 | 0:18:55 | |
No, but I'm willing to take a risk. | 0:18:55 | 0:18:57 | |
I'm still having trouble. I'm just really stupid. I can't do it. | 0:18:57 | 0:19:02 | |
SHE LAUGHS | 0:19:02 | 0:19:03 | |
I need somebody strong. Is Patrick strong? | 0:19:03 | 0:19:06 | |
-Get that bit on. -What way? | 0:19:06 | 0:19:08 | |
-One on these. -SHE GROANS | 0:19:08 | 0:19:11 | |
Don't worry, don't worry. | 0:19:11 | 0:19:12 | |
When I'm at home, I use a rubber glove to open a bottle cos | 0:19:12 | 0:19:16 | |
I can't even open a bottle. | 0:19:16 | 0:19:18 | |
Here you go, David, I'm absolutely thick as... | 0:19:18 | 0:19:20 | |
Here, take this. This bit goes in there. | 0:19:20 | 0:19:22 | |
This bit goes through your hole, then you line that up there. | 0:19:22 | 0:19:25 | |
And then it goes in there. | 0:19:25 | 0:19:27 | |
Give it a good squeeze and you end up with that. | 0:19:27 | 0:19:29 | |
-Cool. -OK? | 0:19:29 | 0:19:30 | |
-David, you're the hero of the room. -Oh, I don't know about that. | 0:19:30 | 0:19:33 | |
We're all going to cuddle you in a minute. | 0:19:33 | 0:19:35 | |
Well that's one done, because the other one is back to front. | 0:19:35 | 0:19:38 | |
Good team work. That's what I keep telling my kids, it's | 0:19:38 | 0:19:41 | |
all about the team work. You don't have to fight each other. Please. | 0:19:41 | 0:19:44 | |
SHE SIGHS | 0:19:45 | 0:19:48 | |
Everyone, that's five minutes. | 0:19:48 | 0:19:50 | |
Come here, Fred. | 0:19:50 | 0:19:51 | |
Thank you. His head just fell off. | 0:19:54 | 0:19:58 | |
As for this person... | 0:19:58 | 0:20:00 | |
Chinelo, I really don't want you to have children. | 0:20:01 | 0:20:05 | |
This is how I dress my kids, Heather. | 0:20:05 | 0:20:07 | |
Oh, my God. Nightmare. | 0:20:07 | 0:20:09 | |
HE CHUCKLES | 0:20:09 | 0:20:10 | |
Oh! | 0:20:12 | 0:20:14 | |
As you were, Chinelo. Don't panic. | 0:20:14 | 0:20:16 | |
How do I do this? | 0:20:16 | 0:20:18 | |
Right, 60 seconds left | 0:20:19 | 0:20:21 | |
and your dungarees have to be on your mannequins. | 0:20:21 | 0:20:23 | |
SHE LAUGHS | 0:20:23 | 0:20:26 | |
LAUGHTER | 0:20:26 | 0:20:29 | |
Don't come off. | 0:20:29 | 0:20:30 | |
OK, that's it, end of the challenge. | 0:20:31 | 0:20:33 | |
Let's get your mannequins and take them | 0:20:33 | 0:20:35 | |
through to the haberdashery. David, I'm coming to help you. | 0:20:35 | 0:20:38 | |
# 20 tiny fingers | 0:20:38 | 0:20:40 | |
# 20 tiny toes... # | 0:20:40 | 0:20:43 | |
Seven pairs of toddler's dungarees made in just three hours, | 0:20:43 | 0:20:46 | |
but which ones will impress the judges? | 0:20:46 | 0:20:50 | |
Jenni, please bring your little creature. | 0:20:50 | 0:20:52 | |
# ..exactly like his pop, pop, pop... # | 0:20:52 | 0:20:56 | |
I think, overall, I'd say they look very good. | 0:20:56 | 0:20:59 | |
I think they hang very well. The bottom hem sits nice and even. | 0:20:59 | 0:21:03 | |
I really like the double top stitching. | 0:21:03 | 0:21:05 | |
The same separation throughout, | 0:21:05 | 0:21:07 | |
all the way round and on the bottom hem. | 0:21:07 | 0:21:09 | |
I think it looks really effective, especially in this contrast red. | 0:21:09 | 0:21:12 | |
Really beautifully flat well-executed flat felled seams. | 0:21:12 | 0:21:15 | |
And also, you've actually matched your seams at the back. | 0:21:15 | 0:21:19 | |
-Ignoring that fastening... -That's unfortunate. | 0:21:19 | 0:21:22 | |
-..then I think, overall, that's a pretty good job. -Thank you. | 0:21:22 | 0:21:26 | |
-First thing I have to say is that you haven't finished. -Yeah. | 0:21:26 | 0:21:29 | |
One trouser leg not at all hemmed and the other one looks | 0:21:29 | 0:21:32 | |
-a little bit like you've sewn it with your feet. -I know... | 0:21:32 | 0:21:37 | |
You've put this popper on back to front. | 0:21:37 | 0:21:39 | |
We have a flat felled seam that is really beautifully flat | 0:21:39 | 0:21:43 | |
and matching on the back. | 0:21:43 | 0:21:45 | |
Oh, your seam is escaping. | 0:21:51 | 0:21:52 | |
I undid it once because I wasn't happy. | 0:21:52 | 0:21:55 | |
Your seam isn't trapped, so your turning isn't turned under enough, so | 0:21:55 | 0:21:59 | |
you haven't caught it in. So, at the back, you've got seams escaping. | 0:21:59 | 0:22:03 | |
-Right, right. -You've got no stitching here. | 0:22:03 | 0:22:05 | |
I didn't realise that was supposed to be done. | 0:22:05 | 0:22:07 | |
I must not have read the pattern properly. I'm sorry. | 0:22:07 | 0:22:11 | |
Oops! | 0:22:11 | 0:22:13 | |
Whoops! | 0:22:13 | 0:22:15 | |
I had a bit of drama with my poppers. | 0:22:15 | 0:22:18 | |
Some of your topstitching is good. | 0:22:23 | 0:22:25 | |
-I improved as I went on. -And some of it is a bit wayward. | 0:22:25 | 0:22:28 | |
The early stuff is wayward. | 0:22:28 | 0:22:30 | |
I'm a little concerned, I've just found a little hole or | 0:22:30 | 0:22:33 | |
something in the back of your fell seam. | 0:22:33 | 0:22:34 | |
You've had neater sews in this competition, I think. | 0:22:34 | 0:22:37 | |
I think with this challenge, it was all about precision. | 0:22:37 | 0:22:40 | |
And I don't think you've shown us enough of that on this one. | 0:22:40 | 0:22:43 | |
We've got two pairs of dungarees both in the same fabric. | 0:22:46 | 0:22:49 | |
The fabric has been used in a different way - | 0:22:49 | 0:22:51 | |
the nap goes up one garment and down the other. | 0:22:51 | 0:22:54 | |
Either is absolutely fine | 0:22:54 | 0:22:56 | |
-providing the whole garment goes in the same direction. -Yeah. | 0:22:56 | 0:23:00 | |
They are sitting nicely, they're nice and even. | 0:23:00 | 0:23:02 | |
Your poppers appear to be well-secured. | 0:23:02 | 0:23:06 | |
Well-executed flat felled seams, but they don't quite match | 0:23:06 | 0:23:08 | |
at the bottom of the V at the back, which is a shame. | 0:23:08 | 0:23:11 | |
-The bottom one was just a bit... -Yeah. | 0:23:11 | 0:23:13 | |
Also...your stitching here has slipped off the edge of the seam. | 0:23:13 | 0:23:17 | |
Your seams at the back, your V matches. | 0:23:23 | 0:23:26 | |
Well done. They are beautifully aligned. | 0:23:26 | 0:23:28 | |
-The sides are even on this one, aren't they? -Yep. | 0:23:28 | 0:23:31 | |
The poppers are well positioned, well-anchored. It's very solid. | 0:23:31 | 0:23:35 | |
Good finishing on the inside as well. | 0:23:35 | 0:23:38 | |
Your turning under on your machine, on all your hems. | 0:23:38 | 0:23:41 | |
Good top stitching around the crutch. | 0:23:41 | 0:23:43 | |
I mean, that looks like a good, solid, robust sew, | 0:23:43 | 0:23:46 | |
-which is exactly what we were looking for. -Thank you. | 0:23:46 | 0:23:48 | |
I think it's a nice combination, I'm just not sure the machine's got | 0:23:55 | 0:23:59 | |
enough guts to go through what's going to be one, two, three, four, | 0:23:59 | 0:24:02 | |
five layers of fabric. And you've just lost a few stitches there. | 0:24:02 | 0:24:06 | |
-We've just sadly lost a popper. -Naughty popper. -Naughty popper! | 0:24:06 | 0:24:10 | |
Your dungaree clips are on back to front. | 0:24:10 | 0:24:13 | |
It may have been that, | 0:24:13 | 0:24:14 | |
because you're trying to control this piping, | 0:24:14 | 0:24:17 | |
your stitching's just run off the edge in the back here. | 0:24:17 | 0:24:20 | |
I really like the idea of putting this piece of trim in here, | 0:24:20 | 0:24:23 | |
but I think it's given you a problem that you didn't need to have. | 0:24:23 | 0:24:27 | |
And the time that it took you to do all of this | 0:24:27 | 0:24:29 | |
could have been spent ensuring | 0:24:29 | 0:24:31 | |
that everything else was just that fraction neater. | 0:24:31 | 0:24:34 | |
Patrick and May will now rank the dungarees from worst to best. | 0:24:36 | 0:24:40 | |
In seventh place was Cerina. | 0:24:40 | 0:24:43 | |
The overall tidiness of those seams just wasn't up to standard. | 0:24:43 | 0:24:47 | |
Sixth place is Lynda. A lot of finishing off didn't happen. | 0:24:47 | 0:24:51 | |
Tamara is fifth, Heather is fourth. | 0:24:51 | 0:24:54 | |
In third place... | 0:24:54 | 0:24:56 | |
Chinelo. It's very difficult to judge between yourself | 0:24:59 | 0:25:03 | |
and the next one up. | 0:25:03 | 0:25:04 | |
In second place is...Jenni. | 0:25:04 | 0:25:09 | |
Some well-executed stitching, a really good effort. | 0:25:09 | 0:25:13 | |
Thank you so much, I'm really pleased with that. | 0:25:13 | 0:25:15 | |
And that means that this week's winner is David. | 0:25:15 | 0:25:19 | |
CHEERING AND APPLAUSE | 0:25:19 | 0:25:21 | |
-LYNDA: -Good man! | 0:25:22 | 0:25:24 | |
Who knew? One for Team Gentleman. Really solid, robust - | 0:25:25 | 0:25:30 | |
exactly what we were looking for in a pair of kid's dungarees. | 0:25:30 | 0:25:33 | |
Thank you . | 0:25:33 | 0:25:35 | |
# Talk about a moon | 0:25:35 | 0:25:37 | |
# Floating in the sky... # | 0:25:37 | 0:25:40 | |
Definitely looking forward to telling my wife. | 0:25:40 | 0:25:42 | |
She's going to go, "Really?!" | 0:25:42 | 0:25:45 | |
16 stone of hairy-bottomed copper | 0:25:45 | 0:25:48 | |
and I'm winning a sewing competition. | 0:25:48 | 0:25:51 | |
Or at least that bit of it anyway. | 0:25:51 | 0:25:53 | |
I am so pleased! I knew I'd really enjoy that challenge anyway. | 0:25:53 | 0:25:58 | |
I was completely brooding through the whole of it. | 0:25:58 | 0:26:01 | |
I am never - for the record - | 0:26:01 | 0:26:03 | |
ever going to make dungarees for anybody ever again - | 0:26:03 | 0:26:06 | |
child, adult, whatever. | 0:26:06 | 0:26:07 | |
Oh, the result was sad, I came last. | 0:26:07 | 0:26:11 | |
I don't get a gold, silver or bronze medal today. | 0:26:11 | 0:26:15 | |
So that's how they cope with instructions, | 0:26:17 | 0:26:20 | |
and now it's time for challenge two - when they don't have any. | 0:26:20 | 0:26:23 | |
The judges would like you to make a children's outfit | 0:26:25 | 0:26:28 | |
from the following... | 0:26:28 | 0:26:30 | |
I have a pillow case. | 0:26:30 | 0:26:31 | |
GROANS | 0:26:31 | 0:26:34 | |
You'll be pleased to hear that's not all. | 0:26:34 | 0:26:38 | |
You also have these two items. | 0:26:38 | 0:26:41 | |
And what we'd like you to do is make a child's fancy dress outfit. | 0:26:41 | 0:26:45 | |
-Chinelo, you look horrified. -I am horrified. | 0:26:45 | 0:26:48 | |
You have an hour and a half. Off you go. Good luck. | 0:26:48 | 0:26:51 | |
The sewers can use anything they find in the haberdashery, | 0:26:53 | 0:26:56 | |
but their finished outfit must feature the three items | 0:26:56 | 0:27:00 | |
they've been given. | 0:27:00 | 0:27:01 | |
-I haven't got a clue. -Oh, come on, you've got three kids. | 0:27:01 | 0:27:04 | |
-And they love dressing up. -Come on then. | 0:27:04 | 0:27:06 | |
You're kidding me, it's red and blue! | 0:27:06 | 0:27:08 | |
And it must fit their mannequin. | 0:27:08 | 0:27:10 | |
What have you got? | 0:27:10 | 0:27:12 | |
-Never you mind! -I love this challenge. | 0:27:12 | 0:27:15 | |
I think I'm going to do Super Girl. | 0:27:15 | 0:27:17 | |
So I need some cape material. | 0:27:17 | 0:27:19 | |
I think I'm going to make a little girl's dress. | 0:27:19 | 0:27:22 | |
I can't quite recall whatever her name is. | 0:27:22 | 0:27:26 | |
Over The Rainbow job. | 0:27:26 | 0:27:28 | |
This might seems like a fairly frivolous challenge, | 0:27:28 | 0:27:31 | |
but it's actually going to be quite testing for them. | 0:27:31 | 0:27:33 | |
And it's something that a lot of home sewers will do. | 0:27:33 | 0:27:36 | |
Everybody has things in their cupboards that they do not use, | 0:27:36 | 0:27:39 | |
that they could chop up and reinvent. | 0:27:39 | 0:27:40 | |
They are going to have to come up with a good idea, | 0:27:40 | 0:27:43 | |
create a pattern, dissemble, reassemble - different materials. | 0:27:43 | 0:27:46 | |
So actually, it's going to test their technical skills as well. | 0:27:46 | 0:27:50 | |
Lynda is hoping to transform the old tracksuit | 0:27:50 | 0:27:53 | |
and pillowcase into the Queen of Hearts. | 0:27:53 | 0:27:55 | |
I've never made one for my daughter or granddaughter. | 0:27:55 | 0:27:59 | |
I did tell a lie! | 0:27:59 | 0:28:01 | |
I made Princess Jasmine for Tash when she was little. | 0:28:01 | 0:28:06 | |
She's 26 now, so that was quite a while ago. | 0:28:06 | 0:28:09 | |
I used to be involved with school plays, making costumes, | 0:28:09 | 0:28:13 | |
-painting scenery. -What are you going to make? | 0:28:13 | 0:28:15 | |
I'm going to make a pirate outfit. | 0:28:15 | 0:28:16 | |
Look, there you are. The trousers sorted already. | 0:28:16 | 0:28:19 | |
And this will become a waistcoat. | 0:28:19 | 0:28:21 | |
How adorable! | 0:28:21 | 0:28:23 | |
-And this, I'll make this into a little kind of flouncy shirt. -Yeah. | 0:28:23 | 0:28:26 | |
I'm making a big meringue-y something. | 0:28:26 | 0:28:29 | |
Something big and meringue-y, that's what I'm making. | 0:28:29 | 0:28:32 | |
So it could be either a princess or a ballerina. Or something like that. | 0:28:32 | 0:28:37 | |
Lots of people, when we announced that that challenge, were like that. | 0:28:37 | 0:28:40 | |
-And you were like, let me go! -I want to go now! | 0:28:40 | 0:28:42 | |
What are you making? | 0:28:42 | 0:28:43 | |
I'm going to make a dinosaur. I'm going to do zigzags, | 0:28:43 | 0:28:45 | |
-so he has scales on his back, and stuff it. -Nice! | 0:28:45 | 0:28:48 | |
And I'm going to make a tail. | 0:28:48 | 0:28:50 | |
I haven't got any thoughts at the moment. | 0:28:52 | 0:28:55 | |
How do you start with that? Come up with a children's thing...? | 0:28:58 | 0:29:01 | |
It's the wrong colour for anything. | 0:29:04 | 0:29:06 | |
Have we got any big black spots on red fabric or anything like that? | 0:29:07 | 0:29:11 | |
Spots. Spots. Anything for spots? Where's the spots? | 0:29:11 | 0:29:14 | |
Right, let's make a ladybird. | 0:29:18 | 0:29:20 | |
Sewers, you have an hour left on this challenge. | 0:29:20 | 0:29:23 | |
I feel like I'm in work and they've said to me, | 0:29:23 | 0:29:26 | |
"We're doing a play, can you quickly make something to wear?" | 0:29:26 | 0:29:29 | |
I just have in my mind that a pirate's waistcoat has little | 0:29:29 | 0:29:32 | |
black straps across it with gold buttons. | 0:29:32 | 0:29:35 | |
So I think I'm going to resort to the felt. | 0:29:35 | 0:29:37 | |
I'm going to use the pillow case to cut out two big D-shapes, | 0:29:37 | 0:29:40 | |
fill them with a bit of wadding and make wings. | 0:29:40 | 0:29:43 | |
So that's the spikes. They'll be stuffed, and nice and pointy. | 0:29:43 | 0:29:47 | |
I'm going to make a little ruffle to go round the neck. | 0:29:47 | 0:29:50 | |
So once I've done the neck here, I'll line it a little bit with gold | 0:29:50 | 0:29:54 | |
and then I'm going to do a little orange tutu. | 0:29:54 | 0:29:56 | |
Any child would want to wear this. Good luck. You'll be fine. | 0:29:56 | 0:29:59 | |
-Do you need tea? -Oh, God. | 0:29:59 | 0:30:01 | |
-Gin? -I need a Valium. | 0:30:01 | 0:30:02 | |
THEY LAUGH | 0:30:02 | 0:30:03 | |
You're halfway through - you have 45 minutes left on your outfit. | 0:30:05 | 0:30:09 | |
David, you may begin. | 0:30:09 | 0:30:11 | |
It's a good job I came first this morning, because | 0:30:11 | 0:30:14 | |
I'm going to come last in this! | 0:30:14 | 0:30:15 | |
I've never rushed this much before really, apart from the time when | 0:30:15 | 0:30:18 | |
my husband asked me to make two canoe suits for him to take | 0:30:18 | 0:30:21 | |
on his canoeing expedition, and I needed to do them in half an hour. | 0:30:21 | 0:30:25 | |
-Jenni, have you made fancy dress before? -For myself, yeah! | 0:30:25 | 0:30:28 | |
-What did you make? -I think the last one was | 0:30:28 | 0:30:31 | |
a zombie? What about you? | 0:30:31 | 0:30:33 | |
-Never, ever, ever. -You've not succumbed | 0:30:33 | 0:30:35 | |
-to a fancy dress night out? -Never. | 0:30:35 | 0:30:37 | |
Right, I'm taking you out, girl. | 0:30:37 | 0:30:39 | |
I did go down the pub one New Year's Eve for a fancy dress, but I did | 0:30:39 | 0:30:43 | |
go as Jane, so I wore three chamois leathers | 0:30:43 | 0:30:45 | |
and carried a stuffed monkey. | 0:30:45 | 0:30:47 | |
Not much of a costume. Certainly wasn't when it got wet. | 0:30:48 | 0:30:51 | |
Ha-ha. That's what I'm after. | 0:30:51 | 0:30:54 | |
I'm making the pillow case... | 0:30:54 | 0:30:55 | |
a little sort of flamboyant little shirt | 0:30:55 | 0:30:58 | |
to go underneath the waistcoat. | 0:30:58 | 0:31:00 | |
So, with slightly puffy sleeves. | 0:31:00 | 0:31:02 | |
This is going to be the key. | 0:31:02 | 0:31:03 | |
Then I'm putting hearts on it. | 0:31:03 | 0:31:06 | |
Nearly all of the alterations will feature applique... | 0:31:06 | 0:31:09 | |
Just doing my scales on the front of the jersey. | 0:31:09 | 0:31:12 | |
..a technique where shapes are cut out of fabric | 0:31:12 | 0:31:15 | |
and then sewn on to the front of the garment. | 0:31:15 | 0:31:17 | |
I'm making it for my goddaughter. Her name's Alice. | 0:31:17 | 0:31:20 | |
The bodice of the dress is the pillow case. | 0:31:20 | 0:31:23 | |
And I've used the tracksuit to make like a little heart. | 0:31:23 | 0:31:25 | |
Do ladybugs have eyes? | 0:31:25 | 0:31:27 | |
Ha! | 0:31:27 | 0:31:29 | |
They must have eyes, mustn't they? My daughter would say, | 0:31:29 | 0:31:31 | |
"Just chuck it in the bin, Dad. Not wearing that." | 0:31:31 | 0:31:34 | |
I'm using some blue binding with my red sleeves. | 0:31:35 | 0:31:38 | |
If this stitching is not straight, then it's going to look awful. | 0:31:38 | 0:31:41 | |
I don't like kids' clothes - I don't like kids! | 0:31:41 | 0:31:44 | |
Ah...! | 0:31:47 | 0:31:48 | |
Sewers, you have five minutes. | 0:31:48 | 0:31:51 | |
And those outfits HAVE to be on the mannequins. | 0:31:51 | 0:31:53 | |
Oh. Oh, OK. | 0:32:01 | 0:32:03 | |
But I can't get the dress onto the mannequin. | 0:32:03 | 0:32:07 | |
Actually, I've just let the zip down a bit more. That might help. | 0:32:09 | 0:32:12 | |
Oh, g...! | 0:32:13 | 0:32:15 | |
-Nope. -Ha-ha-ha-ha! | 0:32:15 | 0:32:17 | |
Pity she hasn't got a head. | 0:32:20 | 0:32:23 | |
I could make a crown! | 0:32:23 | 0:32:24 | |
It can't go on. | 0:32:28 | 0:32:31 | |
OK, three, two, one... | 0:32:31 | 0:32:34 | |
That is it. | 0:32:34 | 0:32:36 | |
Please bring your mannequins forward, we'll jumble them up, | 0:32:37 | 0:32:40 | |
and then I'll invite the judges in. | 0:32:40 | 0:32:42 | |
# Tweedlee, tweedlee, tweedlee dee | 0:32:42 | 0:32:45 | |
# I'm as happy as can be... # | 0:32:46 | 0:32:50 | |
Patrick and May will have no idea who's made each fancy dress outfit. | 0:32:50 | 0:32:54 | |
Bravo, sewers. | 0:32:54 | 0:32:56 | |
-Wow! -Yep, that is pretty genius. | 0:32:56 | 0:32:59 | |
I think this one's the Queen of Hearts. | 0:33:02 | 0:33:04 | |
A lovely little collar here, | 0:33:04 | 0:33:05 | |
and there's a bit of trim that's holding the collar on. | 0:33:05 | 0:33:08 | |
The skirt's been gathered onto the bodice. | 0:33:08 | 0:33:10 | |
-A little net petticoat underneath. -A petticoat! | 0:33:10 | 0:33:13 | |
-Just to give it a bit more... -Oomph. -..fullness. | 0:33:13 | 0:33:16 | |
There's an awful lot going on there. | 0:33:16 | 0:33:18 | |
So, this is a... | 0:33:21 | 0:33:23 | |
-Oh, my goodness, on the back... -Ladybird! | 0:33:23 | 0:33:25 | |
Ah! It feels like there's a bit of padding in there as well. | 0:33:25 | 0:33:28 | |
Has that been sewn together? No, it's just sitting on the top. | 0:33:28 | 0:33:32 | |
Some rough applique where the circles have been applied. | 0:33:32 | 0:33:35 | |
-So, this is a superhero. -So... | 0:33:40 | 0:33:42 | |
-Who's A? -Don't know. I'm not up-to-date with my superheroes. | 0:33:42 | 0:33:46 | |
Layers of applique on the front, big net skirt... | 0:33:46 | 0:33:50 | |
Oh, we've got trim round the arm holes, and some binding. | 0:33:50 | 0:33:53 | |
So we've got rickrack round the back and a bit a lace round the front. | 0:33:53 | 0:33:56 | |
-Ha-ha! -Did we run out of rickrack? | 0:33:56 | 0:33:59 | |
-Again... -Applique. -Applique on the front... | 0:34:03 | 0:34:07 | |
I mean, this is brilliant. | 0:34:07 | 0:34:09 | |
Just a wadded row of scales down his back, | 0:34:09 | 0:34:12 | |
and this brilliant little tail. | 0:34:12 | 0:34:14 | |
-And we've got some scales on the sleeves as well. -Yeah. | 0:34:14 | 0:34:16 | |
I mean, it's quite simple, but it's really, really effective, isn't it? | 0:34:16 | 0:34:20 | |
Our little pirate. So, he's got a waistcoat, | 0:34:24 | 0:34:28 | |
with little appliques to look like braid. | 0:34:28 | 0:34:31 | |
-Oh, look! -And a strap-and-button at the back. | 0:34:31 | 0:34:35 | |
-Yeah! -Is the sash pleated, or is it just...? -Well, I think... | 0:34:35 | 0:34:37 | |
-Yes, look! -Yeah, it is, yep. | 0:34:37 | 0:34:39 | |
The pillow case has become a little tunic top, | 0:34:39 | 0:34:42 | |
-with gathered, elasticated sleeves. -..sleeves. -This is quite brilliant. | 0:34:42 | 0:34:45 | |
We've got our Sugar Plum Fairy - | 0:34:50 | 0:34:53 | |
not quite on the mannequin. | 0:34:53 | 0:34:55 | |
A little cat sleeve with a bound edge. | 0:34:55 | 0:34:57 | |
That one is absolutely beautiful, but it doesn't fit | 0:34:57 | 0:35:00 | |
the little chap, or... the little girl! | 0:35:00 | 0:35:02 | |
-Could be a little chap. -It could be a little chap, yes! | 0:35:02 | 0:35:05 | |
I'm not really sure what we call this little creation. | 0:35:10 | 0:35:14 | |
-I think it's a princess. -Some sort of princess. Do you have insight | 0:35:14 | 0:35:17 | |
-into this, Winkleman? -I do. | 0:35:17 | 0:35:18 | |
-I think it's an autumnal flower fairy. -Oh, OK! -Oh, right! | 0:35:18 | 0:35:21 | |
Meets princess. | 0:35:21 | 0:35:22 | |
I think this is probably an autumnal flower fairy meets princess. | 0:35:22 | 0:35:26 | |
Oh! | 0:35:26 | 0:35:27 | |
We've got our pillow case, which has been gathered in with a piece of gold | 0:35:27 | 0:35:30 | |
-and a bit of... -What have we done on the edge here? | 0:35:30 | 0:35:32 | |
Just a bit of zigzagging. And we've got a bit of binding round the neck, | 0:35:32 | 0:35:36 | |
and this wonderful gold layer to the cape. | 0:35:36 | 0:35:38 | |
No autumnal flower fairy/princess should go out | 0:35:38 | 0:35:41 | |
-without a gold cape. -Absolutely! | 0:35:41 | 0:35:43 | |
May and Patrick will now attempt to rank the outfits | 0:35:45 | 0:35:48 | |
in order of creativity and technical execution. | 0:35:48 | 0:35:51 | |
-There we are. -I think we'll stop there. | 0:35:53 | 0:35:56 | |
Would the creator of number seven come and take | 0:35:57 | 0:36:00 | |
this beautiful swan...ballerina... heart...princess? | 0:36:00 | 0:36:04 | |
-Chinelo! -Chinelo! -Ha-ha! | 0:36:04 | 0:36:06 | |
Simply, at the end of the day, yours didn't fit the mannequin... | 0:36:06 | 0:36:10 | |
OK, the creator of the autumnal flower-fairy-meets-princess...? | 0:36:10 | 0:36:14 | |
-Heather! You're up against stiff competition... -Yes. | 0:36:14 | 0:36:17 | |
-..and, you know, you were beaten by a ladybird. -Ha-ha! | 0:36:17 | 0:36:20 | |
-No shame in that whatsoever. -No. | 0:36:20 | 0:36:23 | |
David is fifth, | 0:36:24 | 0:36:26 | |
Tamara fourth, and Jenni is third. | 0:36:26 | 0:36:28 | |
Now, you're flummoxed! | 0:36:29 | 0:36:31 | |
-No idea! -Completely. Cerina or Lynda...? | 0:36:31 | 0:36:34 | |
Let's find out. Could the creator | 0:36:34 | 0:36:36 | |
of the Queen of Hearts costume please come forward? | 0:36:36 | 0:36:39 | |
-Yeah! -Oh! -Oh! | 0:36:39 | 0:36:41 | |
Seeing the Queen of Hearts | 0:36:41 | 0:36:43 | |
out of a pillow case, a pair of tracksuit bottoms and a sweatshirt - | 0:36:43 | 0:36:47 | |
-amazing. -Thank you very much. | 0:36:47 | 0:36:50 | |
So, the winner...is Cerina! | 0:36:50 | 0:36:52 | |
APPLAUSE | 0:36:52 | 0:36:55 | |
It's really, really lovely, your pirate. | 0:36:55 | 0:36:57 | |
Just brilliant attention to detail, the little buckle, | 0:36:57 | 0:37:00 | |
the gold buttons, the imitation braid, the gathered sleeve, | 0:37:00 | 0:37:03 | |
the sash - there's so much going on. | 0:37:03 | 0:37:05 | |
And all of that in an hour-and- a-half is swashbucklingly good. | 0:37:05 | 0:37:09 | |
Thank you. | 0:37:09 | 0:37:10 | |
A huge well done. Thank you so much for today. | 0:37:10 | 0:37:12 | |
Go home, have a nice rest, we'll see you tomorrow | 0:37:12 | 0:37:15 | |
for the next bit challenge. Thank you very much. | 0:37:15 | 0:37:18 | |
Night-night. | 0:37:18 | 0:37:19 | |
I came first - again - for a small person's outfit! | 0:37:19 | 0:37:23 | |
And I just... I'd like to win a big person's outfit, | 0:37:23 | 0:37:26 | |
but hey, never mind! | 0:37:26 | 0:37:28 | |
I'm delighted to have come second, because the afternoon challenge | 0:37:28 | 0:37:31 | |
is the one I absolutely dread the most. | 0:37:31 | 0:37:34 | |
My day has been pretty rubbish. | 0:37:34 | 0:37:36 | |
I just feel like I'm coming up average. | 0:37:36 | 0:37:39 | |
I'm just not on the same wavelength as the judges, | 0:37:39 | 0:37:41 | |
so I'm really dreading tomorrow. | 0:37:41 | 0:37:43 | |
Tomorrow's going to be a big day for me, | 0:37:43 | 0:37:45 | |
now that I've come last in this challenge. I have to really | 0:37:45 | 0:37:48 | |
pull out all the stops tomorrow, make sure that... | 0:37:48 | 0:37:50 | |
fitting is perfect, it looks beautiful... | 0:37:50 | 0:37:52 | |
That challenge was horrible! | 0:37:52 | 0:37:54 | |
Horrible!! | 0:37:54 | 0:37:56 | |
'The sewers have one more garment to make.' | 0:38:06 | 0:38:09 | |
What's extraordinary is that at the end of today, | 0:38:09 | 0:38:11 | |
somebody's going to have to leave the sewing room. | 0:38:11 | 0:38:13 | |
Sometimes you have an inkling about two or three people, | 0:38:13 | 0:38:16 | |
-but you have no idea... -Absolutely no idea. | 0:38:16 | 0:38:17 | |
Tamara has hovered in the middle ground, we've seen David | 0:38:17 | 0:38:21 | |
winning a challenge for the first time, | 0:38:21 | 0:38:22 | |
we've had Cerina going from the bottom all the way to the very top. | 0:38:22 | 0:38:25 | |
It's completely mixed-up, and it's absolutely wide open. | 0:38:25 | 0:38:28 | |
For their final challenge, something's missing... | 0:38:29 | 0:38:32 | |
Right, it's time for the next challenge, you know the one - | 0:38:35 | 0:38:37 | |
where they have to fit something perfectly to a model's body. | 0:38:37 | 0:38:40 | |
It's Children's Week so they're going to make prom dresses. | 0:38:40 | 0:38:43 | |
Here's the thing - the models | 0:38:43 | 0:38:45 | |
aren't the usual models. | 0:38:45 | 0:38:47 | |
Instead, let me introduce you to... | 0:38:47 | 0:38:49 | |
their daughters, nieces, best friends, neighbours. | 0:38:49 | 0:38:52 | |
They have no idea you're here! | 0:38:52 | 0:38:54 | |
Girls, thank you for being here. Be very quiet, | 0:38:54 | 0:38:56 | |
because they don't know you're here. I'm about to send you in. | 0:38:56 | 0:38:59 | |
Stay where you are, OK? | 0:38:59 | 0:39:01 | |
Hello, everybody, how are we? | 0:39:03 | 0:39:05 | |
Let us start the next challenge. | 0:39:05 | 0:39:08 | |
The judges would love you to make a prom dress | 0:39:08 | 0:39:11 | |
for a teenager. You're probably wondering where your models are, | 0:39:11 | 0:39:15 | |
so let's bring them in. | 0:39:15 | 0:39:17 | |
# For once in my life... # | 0:39:17 | 0:39:19 | |
-Ah! -Agh! GASPS | 0:39:19 | 0:39:21 | |
# ..someone who needs me... # SHOCKED LAUGHS AND GASPS | 0:39:21 | 0:39:24 | |
# Someone I've needed so long | 0:39:24 | 0:39:27 | |
# For once, I'm afraid | 0:39:28 | 0:39:31 | |
# I can go where life leads me | 0:39:31 | 0:39:34 | |
# And somehow I know I'll be strong | 0:39:34 | 0:39:38 | |
# For once I can touch... # | 0:39:40 | 0:39:42 | |
Excited? Going to make you a prom dress! | 0:39:42 | 0:39:45 | |
Good! You can help me! | 0:39:45 | 0:39:47 | |
-You didn't know? -No, I didn't have a clue! | 0:39:48 | 0:39:51 | |
So, I hope you're happy... | 0:39:53 | 0:39:55 | |
-Yes! -Very, very happy. -..with your models. | 0:39:55 | 0:39:58 | |
You have seven hours. Your time starts... | 0:39:58 | 0:40:01 | |
now. | 0:40:01 | 0:40:03 | |
The sewers have been allowed to practise this challenge at home. | 0:40:03 | 0:40:07 | |
Well, why don't you do it a 30 and then you can take it in? | 0:40:07 | 0:40:09 | |
Yeah, good idea. | 0:40:09 | 0:40:10 | |
But until now they have had no idea who | 0:40:10 | 0:40:12 | |
they were making the dresses for. | 0:40:12 | 0:40:14 | |
-Are you going to wear heels? -Yeah. -Is it that long though? That high? | 0:40:15 | 0:40:18 | |
There are just so many elements in a prom dress - | 0:40:18 | 0:40:21 | |
the fit, layering. | 0:40:21 | 0:40:23 | |
So, if we've got a full skirt we'll be seeing some net petticoats. | 0:40:23 | 0:40:27 | |
Also, with prom dresses, very often you take away the straps, | 0:40:27 | 0:40:30 | |
so therefore how do you support those bodices? | 0:40:30 | 0:40:33 | |
Do you want simple or do you want complex, high impact? | 0:40:33 | 0:40:37 | |
I don't mind whether we see a simple or a complicated dress, | 0:40:37 | 0:40:40 | |
as long as it's well-handled and well fitted. | 0:40:40 | 0:40:42 | |
They just need to give themselves not too much to do. | 0:40:42 | 0:40:44 | |
It's a very big challenge and we need to see them finished. | 0:40:44 | 0:40:48 | |
And the best one Patrick will wear. | 0:40:48 | 0:40:50 | |
Totally pleased that we OK'd that in the meeting. Well done, May. | 0:40:50 | 0:40:53 | |
BOTH LAUGH | 0:40:53 | 0:40:56 | |
Jenni, who's your model? | 0:40:56 | 0:40:58 | |
My second cousin. | 0:40:58 | 0:41:00 | |
Oh, wow! That's lovely. | 0:41:00 | 0:41:02 | |
-This is my daughter's best friend. -Oh, no way! | 0:41:02 | 0:41:06 | |
When I read the measurements of the model, | 0:41:06 | 0:41:08 | |
I thought, "She sounds like she's like Emma. She's tall and slim." | 0:41:08 | 0:41:12 | |
Honestly, I didn't for one second imagine | 0:41:12 | 0:41:16 | |
that it would actually be Emma! | 0:41:16 | 0:41:17 | |
Linda's making Emma a dress with a short, circular flared skirt, | 0:41:17 | 0:41:21 | |
fitted sweetheart bodice and a sheer overlay. | 0:41:21 | 0:41:25 | |
I'm using two fabrics, the Georgette on top of the silk, | 0:41:25 | 0:41:29 | |
because I think this is beautiful material. | 0:41:29 | 0:41:31 | |
But obviously you can't have a top like that, | 0:41:31 | 0:41:34 | |
so I'm putting the fabric underneath. | 0:41:34 | 0:41:37 | |
This is the worst idea ever. I can't concentrate. | 0:41:37 | 0:41:40 | |
My second cousin's just sat right there and this is just mental. | 0:41:40 | 0:41:44 | |
Jenni's vintage inspired prom dress for Becky has a gathered | 0:41:44 | 0:41:47 | |
halter neck bodice and gathered skirt. | 0:41:47 | 0:41:50 | |
I have a tremendous amount of fabric, six metres in total. | 0:41:50 | 0:41:55 | |
Even when I was making my wedding dress, | 0:41:55 | 0:41:57 | |
I didn't have this much material. | 0:41:57 | 0:41:59 | |
Heather's model Annie is one of her dressage students. | 0:41:59 | 0:42:02 | |
-She's responsible for the pin dog. -No! -Yeah! | 0:42:02 | 0:42:06 | |
The pin dog has developed quite his own character. | 0:42:07 | 0:42:11 | |
Heather's making Annie a shot silk strapless dress with | 0:42:11 | 0:42:15 | |
a layered organza overskirt. | 0:42:15 | 0:42:17 | |
Having Annie here is just a joy. | 0:42:17 | 0:42:19 | |
I can...put her to work, like I normally do. | 0:42:19 | 0:42:23 | |
SHE LAUGHS | 0:42:23 | 0:42:25 | |
They don't call me Cruella for nothing. | 0:42:26 | 0:42:28 | |
This is Ellie, my neighbour, and we've been very close. | 0:42:28 | 0:42:32 | |
She used to babysit the kids. It brought a tear to my eye. | 0:42:32 | 0:42:35 | |
Tamara's prom dress for Ellie features a strapless satin bodice | 0:42:35 | 0:42:39 | |
to which a pleated paper bag-style skirt made in neoprene is | 0:42:39 | 0:42:43 | |
attached over a net petticoat. | 0:42:43 | 0:42:45 | |
I just like the mixture of a really modern and unusual fabric | 0:42:45 | 0:42:49 | |
alongside a traditional fabric. | 0:42:49 | 0:42:51 | |
It's nice cos you get a very clean edge, | 0:42:51 | 0:42:53 | |
but it's really hard to put a crease into. | 0:42:53 | 0:42:55 | |
Once again, you've given yourself a different and unusual challenge. | 0:42:55 | 0:42:58 | |
-I hope you do it tremendous justice. -No pressure(!) | 0:42:58 | 0:43:01 | |
The sewer's first concern should be constructing the bodice. | 0:43:02 | 0:43:06 | |
Where is my upper bodice. | 0:43:06 | 0:43:08 | |
It's the section of the prom dress where fit will be most visible. | 0:43:08 | 0:43:11 | |
I think it's going to have to go in a bit. | 0:43:11 | 0:43:14 | |
I made it slightly larger so I could reduce it. | 0:43:14 | 0:43:16 | |
Cerina's making a strapless shift dress with a double layered | 0:43:17 | 0:43:21 | |
bustled overskirt for her youngest daughter Katty. | 0:43:21 | 0:43:23 | |
Your reaction, by the way, might have been my favourite because... | 0:43:24 | 0:43:28 | |
Can I just do a full Cerina? Stand up for me, darling. | 0:43:28 | 0:43:31 | |
You stood here and you watched everybody walk in, | 0:43:31 | 0:43:35 | |
and you went, "They know these people - how marvellous." | 0:43:35 | 0:43:38 | |
And your daughter literally stood like that, and you went, "Arg!" | 0:43:38 | 0:43:43 | |
Holly is my niece. The daughter of a big, burly soldier, | 0:43:43 | 0:43:47 | |
so this better be good, otherwise he might be having words with me! | 0:43:47 | 0:43:51 | |
David's strapless panelled princess seemed dress for Holly is | 0:43:52 | 0:43:56 | |
fitted at the waist, all constructed in a fine satin. | 0:43:56 | 0:43:59 | |
Goodness me, it's a slippery bit of old stuff, isn't it? | 0:44:00 | 0:44:03 | |
It's a pain in the bum, it really is. | 0:44:03 | 0:44:05 | |
I'm trying to use as many pins... | 0:44:05 | 0:44:07 | |
These long visible seems all the way through the front, I mean, | 0:44:07 | 0:44:10 | |
that's not an easy sew. | 0:44:10 | 0:44:11 | |
Er... Yes, now I feel like I've worried you, but I'm going to.... | 0:44:12 | 0:44:16 | |
-You have. -..leave you to crack on. | 0:44:16 | 0:44:19 | |
Chinelo is using two fabrics in her bodice... | 0:44:19 | 0:44:22 | |
It's got to go over. | 0:44:22 | 0:44:24 | |
A duchess satin and organza, which will be attached to the | 0:44:24 | 0:44:27 | |
bottom of the bodice and tied in a bow at the shoulder. | 0:44:27 | 0:44:30 | |
Lizzie, we've been going to the same church for about seven years? | 0:44:30 | 0:44:34 | |
So I've known her since she was quite young. | 0:44:34 | 0:44:36 | |
I taught her how to sew. She's like my little baby girl, really. | 0:44:36 | 0:44:39 | |
Chinelo's freehand cutting the dress for Lizzie, | 0:44:39 | 0:44:41 | |
which will be fitted in at the waist and hips with a | 0:44:41 | 0:44:44 | |
flared fishtail skirt. | 0:44:44 | 0:44:46 | |
My system usually, when I'm going to do my fitting, | 0:44:46 | 0:44:48 | |
is just put her in the dress and it fits. | 0:44:48 | 0:44:50 | |
If it doesn't fit then I should really just need to take | 0:44:50 | 0:44:53 | |
it in a little bit in the side seems, | 0:44:53 | 0:44:55 | |
so not having to fidget with anything else in the middle. | 0:44:55 | 0:44:58 | |
When it comes to fitting the bodice... | 0:44:58 | 0:44:59 | |
SHE MUMBLES | 0:44:59 | 0:45:01 | |
..some sewers are being a little more cautious. | 0:45:01 | 0:45:04 | |
With it being vintage the pattern size is always a bit tricky, | 0:45:04 | 0:45:07 | |
so when you are normally a size 12, for instance, | 0:45:07 | 0:45:09 | |
you'll probably be more like a 16 in a vintage pattern. | 0:45:09 | 0:45:12 | |
Not that you're big or anything. | 0:45:12 | 0:45:14 | |
What you can see here is that I've created all the suedes of fabric, | 0:45:14 | 0:45:19 | |
and all these pieces of red cotton are called 'tailor tags' | 0:45:19 | 0:45:22 | |
and they get transposed from the pattern onto the fabric, | 0:45:22 | 0:45:26 | |
and they guide me as to where the pleats need to go. | 0:45:26 | 0:45:29 | |
No fittings have taken place just yet | 0:45:29 | 0:45:32 | |
because my model is the perfect size for this pattern. | 0:45:32 | 0:45:36 | |
SEWING MACHINE HUMS | 0:45:39 | 0:45:43 | |
Sewers, you have three and a half hours left. | 0:45:43 | 0:45:46 | |
You are halfway through. | 0:45:46 | 0:45:49 | |
It's a shame you haven't got a sewing oven you can just put things in | 0:45:49 | 0:45:52 | |
and...come back 25 minutes later and it's done. | 0:45:52 | 0:45:55 | |
-As prom dresses are traditionally strapless... -OK. | 0:45:55 | 0:46:00 | |
..they need to be supported using a technique called boning. | 0:46:00 | 0:46:03 | |
This is my first time boning, yes. | 0:46:03 | 0:46:05 | |
Never used boning before, but I have watched this on YouTube, | 0:46:05 | 0:46:08 | |
like, a million times to make sure I get it right! | 0:46:08 | 0:46:11 | |
I've worked with boning once before when I made a ball | 0:46:11 | 0:46:14 | |
dress for a work's Christmas do, | 0:46:14 | 0:46:15 | |
but this is a long time ago... | 0:46:15 | 0:46:17 | |
and it wasn't very good. | 0:46:17 | 0:46:20 | |
The strips of plastic are sewn into the seems around the bust. | 0:46:20 | 0:46:23 | |
You've got to get it in the right place, | 0:46:23 | 0:46:25 | |
otherwise it makes everything look wonky. | 0:46:25 | 0:46:27 | |
They give it structure and help to create shape within the dress. | 0:46:27 | 0:46:30 | |
Cos the boning's got a curve already, I'm making sure I layer it | 0:46:30 | 0:46:34 | |
so that it's curling around the body it's going to lay. | 0:46:34 | 0:46:37 | |
With the boning in, everything sort of... | 0:46:37 | 0:46:39 | |
It's like having straight arms on everything. | 0:46:39 | 0:46:41 | |
So you go to move something round and you can't get at it cos it's... | 0:46:41 | 0:46:45 | |
It's like a child who won't be put in its pram, | 0:46:45 | 0:46:48 | |
you know, it goes rigid. | 0:46:48 | 0:46:50 | |
With their bodice completed... | 0:46:50 | 0:46:52 | |
-Ah! Job done. -So, out tonight. | 0:46:52 | 0:46:54 | |
-Cocktail. You with me? -Why not? -Why wouldn't we? | 0:46:54 | 0:46:57 | |
..the sewers should move on to constructing their skirts. | 0:46:58 | 0:47:01 | |
I'm slightly concerned about when I get started on the skirt. | 0:47:01 | 0:47:05 | |
These are skirt overlays. | 0:47:05 | 0:47:07 | |
I'm going to do an orange layer and a magenta layer. | 0:47:07 | 0:47:10 | |
Tamara is the only sewer creating pleats | 0:47:10 | 0:47:12 | |
where the skirt meets the waistband. | 0:47:12 | 0:47:14 | |
Can I have your tape measure? | 0:47:14 | 0:47:16 | |
That's at least a quarter of an inch less deep than that one. | 0:47:18 | 0:47:21 | |
Fair enough, yes. | 0:47:21 | 0:47:22 | |
Sewers, you have one hour left. | 0:47:23 | 0:47:26 | |
-Is anyone going to finish early? -SHE LAUGHS | 0:47:26 | 0:47:29 | |
With skirts attached, the sewers needs to insert a zip. | 0:47:29 | 0:47:32 | |
I'm using an invisible zip because I don't want to see it. | 0:47:32 | 0:47:35 | |
Here it is! Look, it's invisible. | 0:47:37 | 0:47:41 | |
Having a concealed zip, it's almost like | 0:47:41 | 0:47:43 | |
it's just one flowing piece of fabric. | 0:47:43 | 0:47:45 | |
Definitely gets more Brownie points. | 0:47:45 | 0:47:47 | |
I've got my zip seems folded in already, | 0:47:47 | 0:47:49 | |
so it makes life a lot easier for me already. | 0:47:49 | 0:47:52 | |
I've made a decision. | 0:47:53 | 0:47:55 | |
If it was a zip down the back of the dress, | 0:47:55 | 0:47:57 | |
it would be really important for it to be an invisible zip. | 0:47:57 | 0:48:00 | |
But this is down the side of the dress, | 0:48:00 | 0:48:02 | |
so it's tucked underneath the arm. | 0:48:02 | 0:48:05 | |
So because it's a little easier than an invisible zip, I'm going | 0:48:05 | 0:48:08 | |
to go with the dress zip. | 0:48:08 | 0:48:10 | |
Oh, gosh. What's going on? | 0:48:12 | 0:48:14 | |
My zipper's not going up. It's getting caught in the lining. | 0:48:14 | 0:48:17 | |
I've done it far too close to the teeth of the zipper. | 0:48:17 | 0:48:20 | |
I'm going to have to redo that. | 0:48:21 | 0:48:23 | |
If I can pull of a concealed zip, it will be my first one ever | 0:48:23 | 0:48:25 | |
and I'll be really chuffed. | 0:48:25 | 0:48:27 | |
It's better that I checked this now than when I had finished the dress. | 0:48:27 | 0:48:30 | |
That would have been a real disaster. | 0:48:30 | 0:48:32 | |
That's not bad for a first ever concealed zip. | 0:48:33 | 0:48:37 | |
Oh, Lord. This zip... | 0:48:37 | 0:48:39 | |
SHE SIGHS | 0:48:39 | 0:48:41 | |
Oh... | 0:48:41 | 0:48:43 | |
Jesus, please help me. | 0:48:43 | 0:48:45 | |
SHE SIGHS | 0:48:45 | 0:48:47 | |
Oh, thank God for that. | 0:48:47 | 0:48:49 | |
Five minutes remaining. | 0:48:49 | 0:48:51 | |
I've made a decision that it's better just to have a dress... | 0:48:51 | 0:48:54 | |
-and no skirt. -What?! -Yeah. -So...overlay gone. | 0:48:54 | 0:48:59 | |
-SHE LAUGHS -Linda's finished. | 0:48:59 | 0:49:01 | |
Seriously? | 0:49:01 | 0:49:03 | |
Really? | 0:49:03 | 0:49:05 | |
-On the table. -That's not safe! | 0:49:05 | 0:49:06 | |
-Don't worry about safety. -You're a policeman! | 0:49:06 | 0:49:10 | |
-I can't believe this is young uncle and a policeman. -Turn around! | 0:49:10 | 0:49:13 | |
Stop shouting at a teenager! | 0:49:13 | 0:49:15 | |
It's not illegal. When they make it illegal, I'll stop. | 0:49:15 | 0:49:19 | |
Oh, my God. What am I doing? | 0:49:19 | 0:49:21 | |
Come on... | 0:49:26 | 0:49:29 | |
We've got a flower. | 0:49:29 | 0:49:30 | |
DAVID: Oh, this is terrible. | 0:49:30 | 0:49:33 | |
Sewers, you have one minute left. | 0:49:35 | 0:49:37 | |
Put your dresses on your models. | 0:49:37 | 0:49:39 | |
-That's it. -Arg! | 0:49:39 | 0:49:42 | |
This is definitely not a conventional way of ironing. | 0:49:46 | 0:49:49 | |
OK, that's it. Time's up. Step away from your models. | 0:49:54 | 0:49:59 | |
I'm just so upset. I've really done a bad job. | 0:49:59 | 0:50:02 | |
# Mama, teach me to dance | 0:50:06 | 0:50:10 | |
# Mama, teach me to dance.. # | 0:50:10 | 0:50:14 | |
Seven made-to-measure prom dresses in just seven hours, | 0:50:14 | 0:50:18 | |
but whose will impress the judges? | 0:50:18 | 0:50:20 | |
# Mama show me the way... # | 0:50:23 | 0:50:26 | |
Initial impression, really effective. | 0:50:26 | 0:50:28 | |
All those layers work really well together and the shape's lovely. | 0:50:28 | 0:50:32 | |
This sharp silk has two colours, and to pick both of them out | 0:50:32 | 0:50:35 | |
and use them in the overskirts is a really nice touch. | 0:50:35 | 0:50:37 | |
Yes, it's not brilliantly fitted across the front of the bodice, | 0:50:37 | 0:50:40 | |
but there's quite a lot of work in here. | 0:50:40 | 0:50:42 | |
There's a lot of tucks and pleats. | 0:50:42 | 0:50:44 | |
Whereas the back of the bodice is a really good fit. | 0:50:44 | 0:50:46 | |
Your boning has been really well used | 0:50:46 | 0:50:49 | |
and it's a really structural supported bodice. | 0:50:49 | 0:50:52 | |
You've got an invisible zip in there. | 0:50:52 | 0:50:54 | |
It's not completely level, but it was a very difficult thing to do | 0:50:54 | 0:50:56 | |
with all those different layers of fabric. | 0:50:56 | 0:50:59 | |
There's a thin line between well-fitted | 0:51:03 | 0:51:06 | |
and just a little bit too tight. | 0:51:06 | 0:51:09 | |
Some of those seems are just stretching a little bit. | 0:51:09 | 0:51:12 | |
That hem on that underskirt is certainly not your finest work. | 0:51:12 | 0:51:16 | |
I'm fairly certain the manual for sewing that does not include | 0:51:16 | 0:51:20 | |
the technique that we saw you demonstrating | 0:51:20 | 0:51:22 | |
-just a few moments ago. -And one last point. | 0:51:22 | 0:51:24 | |
It is a prom dress, and therefore Holly should be able to | 0:51:24 | 0:51:27 | |
-dance in it without bursting out of it. -Hopefully not like that. | 0:51:27 | 0:51:30 | |
SHE LAUGHS | 0:51:30 | 0:51:33 | |
Well, the first thing I'm noticing... | 0:51:38 | 0:51:40 | |
I can see a row of stitching showing around the hem, which spoils it. | 0:51:40 | 0:51:44 | |
You got the zip in, not quite as neat as it ought to be. | 0:51:44 | 0:51:48 | |
It isn't quite sitting flat. | 0:51:48 | 0:51:50 | |
The sad thing for me is I didn't make the overskirt, | 0:51:50 | 0:51:52 | |
which was going to be the spectacular bit. | 0:51:52 | 0:51:54 | |
I cut my losses and thought, | 0:51:54 | 0:51:55 | |
"I better concentrate just on the dress." | 0:51:55 | 0:51:57 | |
It's sitting really nicely round the waist, | 0:52:03 | 0:52:06 | |
and this band fits her well. | 0:52:06 | 0:52:07 | |
You've got a lovely effect down the back | 0:52:07 | 0:52:09 | |
with these rouleau loops and buttons. | 0:52:09 | 0:52:11 | |
To me, it just looks slightly overpowering. | 0:52:11 | 0:52:14 | |
-Fabric or...? -Just the amount of it. | 0:52:14 | 0:52:17 | |
It looks a little bit clumsy. | 0:52:17 | 0:52:20 | |
The first thing I notice is the fit - it's a really lovely shape on her - | 0:52:28 | 0:52:32 | |
and the skirt flutes beautifully | 0:52:32 | 0:52:34 | |
For me...the bow's just a bit overpowering, | 0:52:34 | 0:52:37 | |
and I think what it's doing is actually twisting the whole | 0:52:37 | 0:52:41 | |
dress a little bit. | 0:52:41 | 0:52:42 | |
This back seem is being thrown just out of kilter by it. | 0:52:42 | 0:52:47 | |
You've put in an invisible zip - | 0:52:47 | 0:52:48 | |
quite difficult to do on such a slippery fabric - | 0:52:48 | 0:52:51 | |
you've done it really well. | 0:52:51 | 0:52:53 | |
It's a really lovely fit. It's a very effective dress. | 0:52:53 | 0:52:55 | |
I think you've done very well. | 0:52:55 | 0:52:57 | |
I think we might need to get a box for May to adjudicate this one. | 0:53:09 | 0:53:13 | |
-Imagine how I feel. -Yes, exactly. | 0:53:13 | 0:53:16 | |
I think there's a really nice balance to it. | 0:53:16 | 0:53:18 | |
The waist is nice. The shape in the skirt is good. | 0:53:18 | 0:53:21 | |
This bodice fits beautifully. It really does hug the figure. | 0:53:21 | 0:53:24 | |
And you've got boning in here, haven't you? | 0:53:24 | 0:53:26 | |
-I have got boning in all the seems. -It's really well-supported. | 0:53:26 | 0:53:29 | |
This is a really nice finish on this bottom | 0:53:29 | 0:53:32 | |
because it brings out a little bit of the black | 0:53:32 | 0:53:35 | |
and a bit of the red in that shot silk. | 0:53:35 | 0:53:37 | |
And you've had a little bit of time left over | 0:53:37 | 0:53:39 | |
and you've done a little corsage for the wrist. | 0:53:39 | 0:53:41 | |
I think you should be very pleased with it. | 0:53:41 | 0:53:43 | |
Those colours look fabulous - really lovely combination. | 0:53:55 | 0:53:59 | |
The back fits beautifully, | 0:53:59 | 0:54:01 | |
but the front could do with being a bit snugger. | 0:54:01 | 0:54:04 | |
The way you've put the zip in, if those had just been tucked in... | 0:54:04 | 0:54:07 | |
That just looks a lot neater, doesn't it? | 0:54:07 | 0:54:09 | |
I love all this binding all the way round the hem. | 0:54:09 | 0:54:12 | |
Not caught in every place. | 0:54:12 | 0:54:14 | |
I think it's really effective. You look really worried. | 0:54:14 | 0:54:17 | |
I think it's really good. | 0:54:17 | 0:54:18 | |
You took those pleats out and put them back in again. | 0:54:18 | 0:54:21 | |
They now sit really evenly. | 0:54:21 | 0:54:22 | |
It's got a really nice shape to it. | 0:54:22 | 0:54:24 | |
I'd have done without the belt. | 0:54:24 | 0:54:25 | |
I think it's a strong-looking garment. | 0:54:25 | 0:54:27 | |
I don't think it needs the additional embellishment. | 0:54:27 | 0:54:30 | |
I think it looks great. | 0:54:30 | 0:54:31 | |
Having not completed the task, | 0:54:42 | 0:54:44 | |
and not to the quality it should have been, | 0:54:44 | 0:54:46 | |
could well be my downfall. | 0:54:46 | 0:54:47 | |
I wouldn't be the least bit surprise if I was the one to go tonight. | 0:54:47 | 0:54:51 | |
I'm gobsmacked to be here in week four, | 0:54:51 | 0:54:53 | |
but I don't want to go. I don't want to go. | 0:54:53 | 0:54:55 | |
I've done everything I can, | 0:54:58 | 0:55:01 | |
and I think there's a line in the sand and it's coming up... | 0:55:01 | 0:55:03 | |
very shortly. | 0:55:03 | 0:55:05 | |
Now we get to the horrible decision about who's going to be | 0:55:10 | 0:55:14 | |
leaving the sewing room. | 0:55:14 | 0:55:16 | |
Cerina gave us a fantastic little pirate suit, | 0:55:16 | 0:55:20 | |
but then really let us down with dungarees and, unfortunately, | 0:55:20 | 0:55:24 | |
not a terrific prom dress. | 0:55:24 | 0:55:26 | |
So she went from bottom to top to bottom again. | 0:55:26 | 0:55:29 | |
Fairly near the bottom again. | 0:55:29 | 0:55:31 | |
David's dress, there was various issues with this. | 0:55:31 | 0:55:34 | |
But his dungarees...were pretty faultless. | 0:55:34 | 0:55:37 | |
Anybody else? | 0:55:37 | 0:55:38 | |
No. I think it was really just those two that I think | 0:55:38 | 0:55:40 | |
we need to make a decision from, | 0:55:40 | 0:55:42 | |
and I don't know that it's easy to separate them. | 0:55:42 | 0:55:44 | |
First, the good news. | 0:55:53 | 0:55:55 | |
Our favourite piece this week is... | 0:55:55 | 0:55:58 | |
..that one. | 0:56:00 | 0:56:01 | |
APPLAUSE | 0:56:01 | 0:56:04 | |
It was a really, really close run thing, actually, | 0:56:04 | 0:56:07 | |
-between about four of you, so congratulations. -Thank you. | 0:56:07 | 0:56:11 | |
Well, I tell you, the next bit hasn't made anyone happy | 0:56:11 | 0:56:14 | |
because it was not an easy decision. | 0:56:14 | 0:56:17 | |
The person leaving the Sewing Bee is... | 0:56:17 | 0:56:21 | |
..Cerina. | 0:56:30 | 0:56:32 | |
I'm sorry! | 0:56:32 | 0:56:34 | |
-I'm sorry! -It's all right. I can stay cheerful. | 0:56:34 | 0:56:37 | |
You don't have to stay cheerful. | 0:56:37 | 0:56:39 | |
No. You can't be too nice to me cos I'll cry then. | 0:56:39 | 0:56:42 | |
-ALL: Aw... -Oh, dear. | 0:56:42 | 0:56:44 | |
Really, really well done. | 0:56:44 | 0:56:45 | |
It really was, honestly, just a horrible decision. | 0:56:45 | 0:56:49 | |
It's been such an experience. | 0:56:49 | 0:56:52 | |
It's such a tough decision this week. | 0:56:52 | 0:56:54 | |
We really, really didn't want to lose anybody, and it really came | 0:56:54 | 0:56:58 | |
down to a kind of forensic unpicking of everything that they'd done. | 0:56:58 | 0:57:02 | |
-I'm so sorry. -Not at all. Not at all. | 0:57:02 | 0:57:06 | |
Sadly, the dress making skills that she demonstrated in both | 0:57:06 | 0:57:09 | |
the first challenge and the third challenge were not particularly good. | 0:57:09 | 0:57:13 | |
She will be a great loss to the sewing room. | 0:57:13 | 0:57:15 | |
We just loved having her around. | 0:57:15 | 0:57:17 | |
I really had a lovely time and I've met a great bunch of people. | 0:57:17 | 0:57:21 | |
Once of the best aspects of being in Sewing Bee | 0:57:21 | 0:57:24 | |
has been meeting other sewers. | 0:57:24 | 0:57:26 | |
I don't have any other sewing friends, | 0:57:26 | 0:57:28 | |
so to meet a whole bunch of people, | 0:57:28 | 0:57:29 | |
who all know what they're talking about, it's been really good. | 0:57:29 | 0:57:33 | |
Delighted to win amateur of the week, but I still feel really sad. | 0:57:33 | 0:57:37 | |
I was really shocked when my name wasn't called out. | 0:57:37 | 0:57:39 | |
I've got some long and hard thinking to do, | 0:57:39 | 0:57:42 | |
have a good chat with myself, | 0:57:42 | 0:57:43 | |
and hopefully a hug from Kirk will make it all better. | 0:57:43 | 0:57:46 | |
-I will miss you all. -We'll miss you. | 0:57:46 | 0:57:49 | |
I did think it was going to be me and I think I could have handled that. | 0:57:49 | 0:57:52 | |
I feel really, really, really gutted. Every week... | 0:57:52 | 0:57:55 | |
you take one of my friends away. | 0:57:55 | 0:57:57 | |
At the next Sewing Bee... | 0:58:04 | 0:58:06 | |
HE SIGHS | 0:58:06 | 0:58:08 | |
..the most challenging fabrics yet. | 0:58:08 | 0:58:10 | |
Oh, are you serious? | 0:58:12 | 0:58:14 | |
They tackle leather for the first time. | 0:58:14 | 0:58:16 | |
I love a bit of leather. | 0:58:16 | 0:58:17 | |
And in a brand-new twist... | 0:58:19 | 0:58:21 | |
I'm not going to go right underneath. | 0:58:21 | 0:58:23 | |
..make trousers for themselves. | 0:58:23 | 0:58:26 | |
Oh.... Careful! | 0:58:26 | 0:58:27 | |
SHE WOLF WHISTLES | 0:58:27 | 0:58:29 | |
Control yourself, Heather. | 0:58:29 | 0:58:31 | |
Applications for the next series of Sewing Bee will be closing soon. | 0:58:32 | 0:58:35 | |
So if you, or someone you know, would like to apply, please go to... | 0:58:35 | 0:58:39 | |
You'll also find ideas there for sewing projects | 0:58:41 | 0:58:44 | |
inspired by the series. | 0:58:44 | 0:58:45 |