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We've reached the quarterfinal of our sewing marathon | 0:00:02 | 0:00:04 | |
and our sewers are about to work up a sweat as they take on active wear. | 0:00:04 | 0:00:07 | |
So, who is playing the long game and who is going to run out of puff? | 0:00:07 | 0:00:11 | |
I'm quite tired just thinking about it. | 0:00:11 | 0:00:13 | |
Welcome to the Great British Sewing Bee. | 0:00:13 | 0:00:17 | |
-Last time... -Sex, drugs and rock and roll. -..'60s girl Joyce... | 0:00:17 | 0:00:22 | |
-I used a machine like that when I was younger. -..came top... | 0:00:22 | 0:00:26 | |
-These bands are absolutely spot-on. -..twice. | 0:00:26 | 0:00:29 | |
It's like a Liquorice Allsort, it's almost edible. | 0:00:29 | 0:00:32 | |
Jade's attention to detail... | 0:00:32 | 0:00:34 | |
-Even the sleeves were pattern-matched. -..won her garment of the week. | 0:00:34 | 0:00:39 | |
-I'm so happy. -And after mistakes in the made-to-measure... | 0:00:40 | 0:00:43 | |
Oh, God, look at that, the lining is too small. | 0:00:43 | 0:00:46 | |
..we said goodbye to Angeline. | 0:00:46 | 0:00:48 | |
This time - the sewers get active. | 0:00:48 | 0:00:51 | |
They work. | 0:00:51 | 0:00:52 | |
-Oh, my God. -The alterations go downhill. -This is nuts. | 0:00:52 | 0:00:57 | |
-Do you find this quite fun? -No. Why would I find it fun? | 0:00:57 | 0:01:00 | |
They grapple with stretch fabrics. | 0:01:00 | 0:01:02 | |
-It's like it's designed to upset you. -Like weird boyfriends. | 0:01:02 | 0:01:06 | |
And figure-hugging sportswear. | 0:01:06 | 0:01:08 | |
This fits like a glove! | 0:01:08 | 0:01:09 | |
It's supposed to be a top, not a glove. | 0:01:09 | 0:01:11 | |
But which of these quarterfinalists... | 0:01:11 | 0:01:13 | |
Will people stop running? It's really nerve-racking. | 0:01:13 | 0:01:16 | |
..will become a semifinalist? | 0:01:16 | 0:01:18 | |
Just a total nightmare. | 0:01:18 | 0:01:20 | |
Get ready for the most unpredictable Sewing Bee yet. | 0:01:20 | 0:01:24 | |
It's from one thing to the next. Like this...whoo! | 0:01:24 | 0:01:27 | |
-Is anyone happy with theirs? -No. -No. -No. | 0:01:27 | 0:01:30 | |
So what the hell is going to happen? | 0:01:30 | 0:01:33 | |
If they complain that there are puckers in my sleeve insertions... | 0:01:33 | 0:01:35 | |
You may tell them to pucker off! | 0:01:35 | 0:01:37 | |
SHE LAUGHS | 0:01:37 | 0:01:39 | |
Can't believe we're down to the last five. | 0:02:01 | 0:02:04 | |
Absolutely delighted to be here. | 0:02:04 | 0:02:06 | |
Did you say quarterfinals? | 0:02:06 | 0:02:07 | |
I'm just going to go in there and do absolutely everything | 0:02:07 | 0:02:11 | |
that I can to stay. | 0:02:11 | 0:02:13 | |
All the way up? | 0:02:13 | 0:02:14 | |
That means we have to go all the way down. | 0:02:14 | 0:02:16 | |
It absolutely feels like it's anybody's game at the moment. | 0:02:16 | 0:02:20 | |
There is no clear winner. | 0:02:20 | 0:02:22 | |
I'm going to stay calm, read the pattern, | 0:02:23 | 0:02:26 | |
that's probably a good idea, we didn't do that last week. | 0:02:26 | 0:02:28 | |
And just try and get that perfect sew. | 0:02:28 | 0:02:31 | |
Everyone else has managed it and I really want to do that for myself more than anything. | 0:02:31 | 0:02:35 | |
Huge congratulations for making it through to the quarterfinal! | 0:02:35 | 0:02:39 | |
This week, the judges would like to test you on how you make activewear | 0:02:39 | 0:02:44 | |
using very technical fabrics. | 0:02:44 | 0:02:47 | |
-Patrick, why don't you share with the group the pattern? -Oh, God. | 0:02:47 | 0:02:50 | |
OK, here you are. | 0:02:50 | 0:02:53 | |
Hand those round. | 0:02:53 | 0:02:54 | |
ALL GROAN AND CHATTER | 0:02:54 | 0:02:56 | |
We'd like you to make a men's cycling top in Lycra. | 0:02:56 | 0:03:00 | |
It's designed to be aerodynamic, | 0:03:00 | 0:03:02 | |
so we don't want to see any puckered seams. | 0:03:02 | 0:03:05 | |
It's got to be beautifully sewn. | 0:03:05 | 0:03:07 | |
-How do you feel about that? -Terrified. | 0:03:07 | 0:03:10 | |
You have two hours, 45 minutes. Your time starts now. | 0:03:10 | 0:03:14 | |
A cycling top requires a highly mobile fabric as it needs to | 0:03:16 | 0:03:19 | |
move with the body, | 0:03:19 | 0:03:20 | |
so the haberdashery has been stocked with rolls of Lycra. | 0:03:20 | 0:03:24 | |
I'll go for block colour but contrast it. | 0:03:24 | 0:03:26 | |
I think I'm going to go for that. | 0:03:26 | 0:03:28 | |
It's a men's cycle top, let's remember that. | 0:03:28 | 0:03:31 | |
Yeah, I'm not going pink, then. | 0:03:31 | 0:03:32 | |
I've never sewn with Lycra. | 0:03:32 | 0:03:34 | |
-I have felt it before. -I like the purple. | 0:03:34 | 0:03:37 | |
Purple is men's as well, isn't it? | 0:03:37 | 0:03:39 | |
I don't wear activewear generally, | 0:03:39 | 0:03:40 | |
unless you count activity as lying around on the sofa and knitting. | 0:03:40 | 0:03:44 | |
Why activewear? | 0:03:44 | 0:03:45 | |
Specific active apparel is expensive | 0:03:45 | 0:03:49 | |
and to be able to do it requires a great deal of skill. | 0:03:49 | 0:03:52 | |
This is an incredibly difficult fabric to sew. | 0:03:52 | 0:03:55 | |
It's got a four-way stretch, | 0:03:55 | 0:03:56 | |
so it stretches down and across the fabric. | 0:03:56 | 0:03:59 | |
One side can stretch more than the other, so you will get puckering. | 0:03:59 | 0:04:03 | |
It's really important it is well pinned, | 0:04:03 | 0:04:06 | |
particularly around this area. | 0:04:06 | 0:04:08 | |
The zip is difficult. | 0:04:08 | 0:04:10 | |
It's very important that the collar is lined up properly. | 0:04:10 | 0:04:13 | |
It's going to be very hard to achieve this level of finish | 0:04:13 | 0:04:16 | |
with this fabric. | 0:04:16 | 0:04:17 | |
It's, I think, one of the toughest challenges we've ever set. | 0:04:17 | 0:04:20 | |
Yes, I would agree with you there. | 0:04:20 | 0:04:22 | |
I am really nervous about this. | 0:04:22 | 0:04:23 | |
I really hate stretch fabric. | 0:04:23 | 0:04:25 | |
I mean, there's more and more need for activewear these days. | 0:04:25 | 0:04:28 | |
More and more people wearing it. | 0:04:28 | 0:04:30 | |
Whether or not they're actually being active | 0:04:30 | 0:04:32 | |
is a whole other ball game. | 0:04:32 | 0:04:34 | |
There's an arrow marked on this pattern piece...here... | 0:04:34 | 0:04:38 | |
that you have to line up with the grain line | 0:04:38 | 0:04:40 | |
so that your stretch is going straight down... | 0:04:40 | 0:04:43 | |
If it is slightly skew then you'll get twist, | 0:04:43 | 0:04:45 | |
which would obviously not be ideal. | 0:04:45 | 0:04:47 | |
You want everything to lie properly and nice and flat. | 0:04:47 | 0:04:50 | |
The front of the cycling top is made up of three pieces - | 0:04:50 | 0:04:53 | |
one on the lower half and two on the top, | 0:04:53 | 0:04:56 | |
which are attached to the back piece at the shoulder seams. | 0:04:56 | 0:04:59 | |
Next, a collar and zip are attached at the neckline. | 0:04:59 | 0:05:02 | |
And the lower half stitched at the centre seam. | 0:05:02 | 0:05:05 | |
Finally, the sleeves are inserted. | 0:05:05 | 0:05:07 | |
-Tracey. -Hiya. | 0:05:09 | 0:05:11 | |
Look at these colours, you clever human being. | 0:05:11 | 0:05:14 | |
I like a bit of red and blue. | 0:05:14 | 0:05:16 | |
When you heard, "It is activewear week", inside... | 0:05:16 | 0:05:19 | |
-I died a small death inside. -I mean, by the way, so did I. | 0:05:19 | 0:05:22 | |
But apparently it is very important. Have you worked with Lycra before? | 0:05:22 | 0:05:26 | |
I've made some kids' things with Lycra, beach-short type things. | 0:05:26 | 0:05:30 | |
Are you worried about time? | 0:05:30 | 0:05:32 | |
Normally, I'm not bothered about times because normally I sew very quickly. | 0:05:32 | 0:05:35 | |
But I can't sew this quickly because it won't be accurate, | 0:05:35 | 0:05:38 | |
so I'm more worried about accuracy today. | 0:05:38 | 0:05:41 | |
-I've got to get that right today. -All right. Darling, good luck. | 0:05:41 | 0:05:44 | |
Thank you. | 0:05:44 | 0:05:45 | |
I'm being very careful when I'm cutting that I'm cutting accurately. | 0:05:46 | 0:05:49 | |
-Using a rotary cutter really helps with that. -I always use scissors. | 0:05:49 | 0:05:53 | |
I've tried a rotary cutter and I'm not so good at it. | 0:05:53 | 0:05:56 | |
It may be an age thing, I don't know. | 0:05:57 | 0:06:01 | |
With all eight pieces cut... | 0:06:01 | 0:06:03 | |
So it says right sides together, | 0:06:03 | 0:06:05 | |
sew the upper front to the back at the shoulders. | 0:06:05 | 0:06:07 | |
-..sewing can begin. -Let's do it. | 0:06:07 | 0:06:09 | |
Overlockers are very important when working with stretch. | 0:06:12 | 0:06:15 | |
The stitch it does itself is inherently stretchy, | 0:06:15 | 0:06:18 | |
it has all of these extra threads in it. | 0:06:18 | 0:06:20 | |
Normally a sewing machine has two threads | 0:06:20 | 0:06:22 | |
and if you pull on the stitch on a sewing machine, it'll pop. | 0:06:22 | 0:06:25 | |
This, you can stretch. | 0:06:25 | 0:06:27 | |
-Hi, Rumana. -Hello. | 0:06:27 | 0:06:28 | |
-Morning. -How are you getting on? | 0:06:28 | 0:06:31 | |
Trying not to have a panic | 0:06:31 | 0:06:33 | |
-because this is the only the second time I have used an overlocker. -OK. | 0:06:33 | 0:06:36 | |
-Oh, really? -Yeah, the first time being the babygro. -Oh, right. | 0:06:36 | 0:06:40 | |
So I'm not used to these at all. | 0:06:40 | 0:06:42 | |
They scare me more than anything. | 0:06:42 | 0:06:44 | |
A little bit panicked. | 0:06:44 | 0:06:46 | |
You do have to be careful that you don't stretch it. | 0:06:48 | 0:06:51 | |
You just have to take your time, | 0:06:51 | 0:06:53 | |
you can't really rush with anything like this | 0:06:53 | 0:06:55 | |
because it does cut the seam off. | 0:06:55 | 0:06:58 | |
I love using an overlocker. Foot down and go. | 0:06:58 | 0:07:02 | |
I drive a car a bit like that! | 0:07:04 | 0:07:06 | |
"With right sides together, sew the outer collar piece to the neckline." | 0:07:08 | 0:07:12 | |
It's a fine line between stretching and overstretching the fabric. | 0:07:13 | 0:07:17 | |
Because we need to make the collar fit, I'm using loads of pins. | 0:07:17 | 0:07:21 | |
-Charlotte. -Hello, darling. | 0:07:21 | 0:07:23 | |
You're used to this kind of fabric? | 0:07:23 | 0:07:25 | |
-Nobody has ever used this kind of fabric. -It's really hard, isn't it? | 0:07:25 | 0:07:28 | |
The judges keep on saying it's really hard. | 0:07:28 | 0:07:31 | |
It just wants to go all baggy and horrible | 0:07:31 | 0:07:33 | |
and wibbly on all your seams. That's what it wants to do. | 0:07:33 | 0:07:35 | |
-It's like it's designed to upset you. -Like weird boyfriends. | 0:07:35 | 0:07:39 | |
Exactly. | 0:07:39 | 0:07:40 | |
"Attach the under collar to the outer collar." | 0:07:44 | 0:07:47 | |
So if I can find my under collar, I would be delighted to do that. | 0:07:47 | 0:07:52 | |
A second layer of fabric, | 0:07:52 | 0:07:53 | |
the under collar, gives the garment structure around the neck. | 0:07:53 | 0:07:57 | |
It does just want to shift...everywhere. | 0:07:57 | 0:08:01 | |
But joining two layers of Lycra isn't easy. | 0:08:01 | 0:08:03 | |
I'm trying not to fiddle with it too much because that's | 0:08:03 | 0:08:06 | |
when it starts to stretch. | 0:08:06 | 0:08:07 | |
It's slipping all over the place. | 0:08:07 | 0:08:10 | |
Going to have to unpick that and do it again. Come out. | 0:08:10 | 0:08:14 | |
The judges definitely don't want any bumpiness around the neckline. | 0:08:14 | 0:08:17 | |
I've attached the collar | 0:08:17 | 0:08:19 | |
so the next stage is to do something called understitching, | 0:08:19 | 0:08:23 | |
which means attach this bit to this bit | 0:08:23 | 0:08:25 | |
so it won't roll over to the front. | 0:08:25 | 0:08:27 | |
-JADE: -How exciting. | 0:08:27 | 0:08:28 | |
Understitching is sewn to the inner part of the garment. | 0:08:28 | 0:08:32 | |
I think the thing to do with this is just get it done. | 0:08:32 | 0:08:35 | |
Once the under collar is folded back to the inside, | 0:08:35 | 0:08:38 | |
the stitches shouldn't be seen. | 0:08:38 | 0:08:40 | |
I think I've messed up my collar. | 0:08:43 | 0:08:44 | |
I don't really understand what is going on at all with the collar. | 0:08:44 | 0:08:48 | |
-OK. -I'm just sewing it. -And hoping for the best? -Yes. | 0:08:48 | 0:08:51 | |
I don't know why we don't just buy it. | 0:08:51 | 0:08:53 | |
I think I will be buying these things rather than making. | 0:08:53 | 0:08:56 | |
What if your lovely husband goes, "Guess what, sweetpea, I'm going to take up cycling." | 0:08:56 | 0:09:01 | |
You're going to say, | 0:09:01 | 0:09:02 | |
"Don't you worry, don't go and spend £100 on a cycle top, I'll whip you one up." | 0:09:02 | 0:09:07 | |
My husband has asked me to fix a button on his coat | 0:09:07 | 0:09:10 | |
for about three years and it's still not done. | 0:09:10 | 0:09:13 | |
And you haven't done it? Do want to make an official apology to him? | 0:09:13 | 0:09:17 | |
By the way, I have never knowingly done anything for my husband. | 0:09:17 | 0:09:20 | |
Sewers, you are halfway through. | 0:09:27 | 0:09:30 | |
Right, zip. | 0:09:30 | 0:09:32 | |
Esme and Patrick's pattern demands | 0:09:32 | 0:09:34 | |
an exposed zip in the centre front seam. | 0:09:34 | 0:09:37 | |
Last week we had a lot of wonky zips where one side was higher | 0:09:37 | 0:09:40 | |
than the other. What have I done there? | 0:09:40 | 0:09:44 | |
The problem with it is, this woven zipper tape is solid, | 0:09:44 | 0:09:47 | |
this stretches, so as you are trying to combine the two, | 0:09:47 | 0:09:51 | |
they don't want to play nicely together. | 0:09:51 | 0:09:53 | |
The zip-up collar is the most visible part of the garment. | 0:09:53 | 0:09:57 | |
Holy bloody cheese balls. | 0:09:57 | 0:09:59 | |
-TRACEY: -I'm trying to be really careful with this zip | 0:09:59 | 0:10:01 | |
because it will show on the outside if I'm not really careful. | 0:10:01 | 0:10:05 | |
Nobody likes sewing Lycra. | 0:10:11 | 0:10:14 | |
SHE EXHALES | 0:10:14 | 0:10:15 | |
I think this challenge is proving as difficult as we thought it | 0:10:18 | 0:10:21 | |
was going to be. | 0:10:21 | 0:10:22 | |
That thing of stretching one side more than the other, putting | 0:10:22 | 0:10:26 | |
stretch with non-stretch, sewing the zip on is really difficult. | 0:10:26 | 0:10:30 | |
Oh, mother almighty. | 0:10:31 | 0:10:34 | |
You guys are getting meaner and meaner each week. | 0:10:34 | 0:10:36 | |
I had to go to the dentist yesterday and have a tooth filled, | 0:10:36 | 0:10:40 | |
I think I'd rather go back there than do this again! | 0:10:40 | 0:10:43 | |
Joyce, are you unpicking? | 0:10:43 | 0:10:46 | |
I'm unpicking and can I show you why? | 0:10:46 | 0:10:48 | |
I wanted that seam to be together there and there and it wasn't. | 0:10:48 | 0:10:54 | |
Yellow and blue, almost denim-y. | 0:10:54 | 0:10:56 | |
-It's actually Tour de France. -Tour de France! | 0:10:56 | 0:11:00 | |
Exactly. Instead of the yellow jersey, he's just halfway there. | 0:11:00 | 0:11:04 | |
Fantastic. You know what he needs - drugs. | 0:11:04 | 0:11:08 | |
That'll get him there faster. | 0:11:08 | 0:11:10 | |
That's what they do, Joyce, I don't want to ruin it for you. | 0:11:10 | 0:11:13 | |
Sewers, one hour left. | 0:11:16 | 0:11:18 | |
Time is going too fast in Lycra world - I sense. | 0:11:18 | 0:11:22 | |
I am now turning the under collar to the inside | 0:11:22 | 0:11:27 | |
and then I'm going to cover stitch, | 0:11:27 | 0:11:29 | |
which means stitching it down with that weird machine there. | 0:11:29 | 0:11:34 | |
-What is this? -This is a cover-stitch machine. | 0:11:35 | 0:11:38 | |
How are you finding it? | 0:11:38 | 0:11:39 | |
-I thought I hated overlockers and then I met this. -Ah. | 0:11:39 | 0:11:42 | |
-The cover-stitch machine is new to everyone. -This is petrifying. | 0:11:43 | 0:11:49 | |
As far as I can tell, it's two needles on the top | 0:11:49 | 0:11:51 | |
so I'm getting a twin line of stitching on the top | 0:11:51 | 0:11:53 | |
and then underneath it's doing this loop which allows it to stretch, | 0:11:53 | 0:11:56 | |
which is what we need with this Lycra fabric. | 0:11:56 | 0:12:00 | |
The pattern requires two lines of visible | 0:12:00 | 0:12:02 | |
stitching along the neckline. | 0:12:02 | 0:12:05 | |
When these are finished, they look really professional. | 0:12:05 | 0:12:07 | |
They don't look home-made. | 0:12:07 | 0:12:09 | |
Going slow and steady cos I've never used this machine before. | 0:12:09 | 0:12:12 | |
They have to be really careful that they don't do what | 0:12:12 | 0:12:16 | |
I call wracking, which is make one layer get pushed round | 0:12:16 | 0:12:20 | |
further than the other so you get a wobbly edge. | 0:12:20 | 0:12:23 | |
It's not meant to be wonky. But I think I've done OK. | 0:12:23 | 0:12:28 | |
That looks really bad. | 0:12:28 | 0:12:30 | |
I think I've overstretched it couple of times already in the collar | 0:12:30 | 0:12:33 | |
because I wasn't sure what I was doing. I'm hating this challenge. | 0:12:33 | 0:12:37 | |
I'm hating everything about this challenge. | 0:12:37 | 0:12:39 | |
You've given me so many machines I don't really know how to use | 0:12:39 | 0:12:42 | |
and I'm back to the overlocker. | 0:12:42 | 0:12:43 | |
I just want to get to the end now. | 0:12:43 | 0:12:45 | |
Sewers, you only have half an hour left. | 0:12:49 | 0:12:51 | |
Well, it looks like half a top now. So that's a start. | 0:12:51 | 0:12:55 | |
-JADE: -This is one of the key seams, | 0:12:56 | 0:12:58 | |
this is where it actually attaches the tops to the bottoms. | 0:12:58 | 0:13:02 | |
It is an eye-catching seam. | 0:13:02 | 0:13:05 | |
It's got a slight curve on the seam where it goes across the chest, | 0:13:05 | 0:13:08 | |
so it's going to be really obvious if you've got one side slightly wonky. | 0:13:08 | 0:13:12 | |
This is driving me up the wall. | 0:13:14 | 0:13:16 | |
This is the kind of thing that would make you cry. | 0:13:19 | 0:13:22 | |
-Right, sleeves. -Just give me a second, I don't what I've done here. | 0:13:24 | 0:13:27 | |
I've no idea which pedal I'm supposed to be pressing | 0:13:27 | 0:13:30 | |
most of the time, with all these machines on my desk. | 0:13:30 | 0:13:33 | |
I've just... (It's just a total nightmare.) | 0:13:33 | 0:13:37 | |
-Is anyone happy with theirs? -No. -No. -No. -OK. | 0:13:37 | 0:13:41 | |
My thread's snapped halfway round my hem. | 0:13:41 | 0:13:44 | |
-I have not made friends with this machine at all. -Six minutes. | 0:13:44 | 0:13:49 | |
That is not helpful. | 0:13:49 | 0:13:50 | |
Scissors, scissors. Where are my scissors? | 0:13:50 | 0:13:54 | |
It's definitely not simple sowing. | 0:13:54 | 0:13:56 | |
I've got three sewing machines on my table. That's not relaxing. | 0:13:56 | 0:14:00 | |
-I just want it to end so the torture is over. -Oh, come on. | 0:14:03 | 0:14:07 | |
-That makes me want to get on a bike. -Does it? | 0:14:07 | 0:14:08 | |
"What are you doing this weekend?" "I'm just going cycling." | 0:14:08 | 0:14:11 | |
These stitches are not as good as they could be. | 0:14:11 | 0:14:13 | |
I'm going to bung it on the model and hope I never, ever | 0:14:13 | 0:14:16 | |
have to do anything like this again. | 0:14:16 | 0:14:19 | |
The only thing I'm not happy with is this little wonky bit there. | 0:14:19 | 0:14:23 | |
It looks like it's got three rows. | 0:14:23 | 0:14:25 | |
This fits like a glove! | 0:14:25 | 0:14:27 | |
-It's supposed to be a top, not a glove. -Gorgeous, isn't he, my man? | 0:14:27 | 0:14:32 | |
Have I understitched it on the wrong side? Have I got the wrong side? | 0:14:32 | 0:14:35 | |
Yeah, you've understitched it on the outside, | 0:14:35 | 0:14:37 | |
it should have been understitched on that side. | 0:14:37 | 0:14:40 | |
-Oh, God, why is it baggy? -I don't know. I don't think... | 0:14:41 | 0:14:45 | |
Nothing to see, go away. | 0:14:45 | 0:14:46 | |
Just put it on the flipping mannequin, you've got about ten seconds. | 0:14:46 | 0:14:49 | |
Jade, stop speaking, put it on the mannequin. | 0:14:49 | 0:14:52 | |
Time is up, Rumana, are you OK? Zip him up. | 0:14:52 | 0:14:55 | |
Guys let's take these puppies up. | 0:14:55 | 0:14:57 | |
MUSIC: Let Us Take You For A Ride by Cliff Richard | 0:14:57 | 0:14:59 | |
# Ride with us, come ride with us Better be allied with us... # | 0:14:59 | 0:15:02 | |
Five cycling tops made from scratch in just two hours and 45 minutes. | 0:15:02 | 0:15:07 | |
# We are pleading | 0:15:07 | 0:15:09 | |
# Please let us take you for a ride. # | 0:15:09 | 0:15:11 | |
You've chewed this neckline, unfortunately, just a little bit. | 0:15:14 | 0:15:18 | |
-There's signs of multiple goes at this. -Pickings? -Yeah. | 0:15:18 | 0:15:22 | |
It looks like you've stretched it. | 0:15:22 | 0:15:24 | |
Where the collar is, it's matching up pretty well, actually. | 0:15:24 | 0:15:28 | |
This has been pulled up slightly, here... | 0:15:28 | 0:15:31 | |
-..rather than a smooth line. -The bottom hem is even. | 0:15:32 | 0:15:35 | |
Not bad at all, just I think this detachment of the collar, | 0:15:35 | 0:15:39 | |
the stretching at the neck that's let it down fractionally. | 0:15:39 | 0:15:42 | |
Well, I really like these colours. They really pop. | 0:15:48 | 0:15:52 | |
It's also extremely well sewn. | 0:15:52 | 0:15:55 | |
-I would have to say you've got this near-on perfect. -Yep. | 0:15:55 | 0:15:59 | |
-The collar's sitting very nicely. -And here, this is not pulling here. | 0:15:59 | 0:16:03 | |
Your hem is very, very even around the bottom. | 0:16:03 | 0:16:09 | |
-This isn't bagging here. -No. | 0:16:09 | 0:16:11 | |
The only thing is the zip doesn't go right to the top. | 0:16:11 | 0:16:15 | |
The main thing is the collar, actually. Where it shows... | 0:16:21 | 0:16:25 | |
Where the collar lines up is slightly off. | 0:16:25 | 0:16:27 | |
What you've done is you've understitched | 0:16:27 | 0:16:30 | |
to the front of the collar and not the back of the collar. | 0:16:30 | 0:16:32 | |
Also, you've stretch it out while you've done it a little bit. | 0:16:32 | 0:16:35 | |
You've lost tension in just a couple of places... | 0:16:35 | 0:16:38 | |
around the bottom hem. | 0:16:38 | 0:16:40 | |
It's really not bad at all. | 0:16:47 | 0:16:49 | |
-It's pretty neat, isn't it, Patrick? -Yeah. | 0:16:49 | 0:16:51 | |
-Yeah. I mean, the collar does actually sit really nicely. -Yes. | 0:16:51 | 0:16:54 | |
-The collars don't... -I know. -..match there. -I know. | 0:16:54 | 0:16:58 | |
And the zip is pulling this up. | 0:16:59 | 0:17:02 | |
But one thing I would say that is really good | 0:17:02 | 0:17:04 | |
is how this meets at the top. | 0:17:04 | 0:17:06 | |
I think the colour combination actually works extremely well. | 0:17:06 | 0:17:09 | |
-Yeah, it does. -I think it really does look very smart indeed. | 0:17:09 | 0:17:13 | |
-The first thing is you've managed to stretch the... -The neck. -..the neck. | 0:17:20 | 0:17:24 | |
It's sitting pretty well at the back, but it is just... | 0:17:24 | 0:17:27 | |
It's gaping a bit at the front. | 0:17:27 | 0:17:29 | |
-The collar isn't matching. -No. | 0:17:29 | 0:17:31 | |
-And you've done your cover stitch... -Yeah. | 0:17:31 | 0:17:35 | |
..over the seam. You were asked to do it above the seam. | 0:17:35 | 0:17:39 | |
-Your hemming... I mean, we've got... -Yeah, I had a problem. | 0:17:39 | 0:17:42 | |
-How have we managed to get three rows of stitches? -I don't know! | 0:17:42 | 0:17:46 | |
The front seam is going up a little bit, | 0:17:46 | 0:17:48 | |
and it's to do with the zip being not stretch, | 0:17:48 | 0:17:51 | |
and this all being stretch. | 0:17:51 | 0:17:53 | |
Patrick and Esme will now rank the garments in order of success. | 0:17:57 | 0:18:01 | |
In fifth place, it's Rumana. | 0:18:01 | 0:18:04 | |
You've just not got that collar right. | 0:18:04 | 0:18:06 | |
Fourth place is Jade. | 0:18:06 | 0:18:08 | |
It didn't quite match here, and the collar was a bit wobbly. | 0:18:08 | 0:18:12 | |
Third place, Charlotte. | 0:18:12 | 0:18:14 | |
Again, collar stretched out. | 0:18:14 | 0:18:15 | |
Otherwise, spot-on. | 0:18:15 | 0:18:17 | |
In second place... | 0:18:17 | 0:18:19 | |
-..Joyce. -Yes! | 0:18:23 | 0:18:25 | |
-I'm really pleased with that. -It just didn't meet here. -Yeah. | 0:18:25 | 0:18:29 | |
-Which means, of course, in first place, it's Tracey. -Yay! -Thank you. | 0:18:29 | 0:18:32 | |
THEY ALL APPLAUD | 0:18:32 | 0:18:33 | |
-Well done. -Thank you. | 0:18:33 | 0:18:35 | |
In a near-perfect execution - beautiful choices of colours, | 0:18:35 | 0:18:38 | |
-neatly sewn, beautiful fit. Well done. -Thank you. | 0:18:38 | 0:18:42 | |
Huge congratulations. | 0:18:42 | 0:18:43 | |
All of you, go and have a relax, and then we come back in, | 0:18:43 | 0:18:47 | |
and the judges have chosen | 0:18:47 | 0:18:49 | |
a particularly exciting alteration challenge. | 0:18:49 | 0:18:52 | |
I can't wait for you to see it. | 0:18:52 | 0:18:53 | |
# We've got to stay... # | 0:18:53 | 0:18:56 | |
-Cheers. -Cheers, guys. -Cheers. -Another one done. | 0:18:56 | 0:18:59 | |
Absolutely chuffed with that. Really, really thrilled. | 0:19:01 | 0:19:04 | |
I think I've taken their advice on board, | 0:19:04 | 0:19:06 | |
slowed down, made sure it was neat, and it was brilliant. | 0:19:06 | 0:19:09 | |
So, yeah, really, really excited! | 0:19:09 | 0:19:12 | |
Compared to last week's...nightmare. | 0:19:12 | 0:19:15 | |
I enjoyed making it, to be honest, until I got to the collar, | 0:19:15 | 0:19:18 | |
and I could have thrown that sewing machine out the window. | 0:19:18 | 0:19:21 | |
I hate being in the middle. I want to be at the top. | 0:19:21 | 0:19:25 | |
Ideally, I would feel better if I was higher up. | 0:19:25 | 0:19:29 | |
I don't think I'll ever make a men's cycle top out of Lycra again. | 0:19:29 | 0:19:33 | |
Welcome back to your alteration challenge. | 0:19:36 | 0:19:38 | |
Your judges are giving you a classic piece of sportswear | 0:19:38 | 0:19:43 | |
that they would like you to totally transform. | 0:19:43 | 0:19:46 | |
Patrick? | 0:19:46 | 0:19:47 | |
-This week, we're giving you each... -Oh! | 0:19:48 | 0:19:52 | |
THEY LAUGH | 0:19:52 | 0:19:54 | |
Um... | 0:19:55 | 0:19:57 | |
It's a 1980s ski-suit. | 0:19:57 | 0:19:59 | |
This could be your chance to go really off-piste... | 0:19:59 | 0:20:02 | |
-THEY GROAN -Um, like what I did there? | 0:20:02 | 0:20:04 | |
So you've got three layers of fabric here - | 0:20:04 | 0:20:06 | |
you've got a synthetic outer, a layer of wadding and a lining. | 0:20:06 | 0:20:09 | |
We want you to take all of this | 0:20:09 | 0:20:10 | |
and to make us a piece of outerwear for a child. | 0:20:10 | 0:20:14 | |
We don't want you to use any other fabric. | 0:20:14 | 0:20:17 | |
You can use trimmings, but remember you've got zips, | 0:20:17 | 0:20:21 | |
you've got belts, you've got bits of elastic, you've got cuffs. | 0:20:21 | 0:20:25 | |
So we want you to try and incorporate those. | 0:20:25 | 0:20:28 | |
Look at their faces. They're very quiet. | 0:20:28 | 0:20:30 | |
They haven't been this quiet since week one. | 0:20:30 | 0:20:32 | |
-OK, we'll ask the judges to leave. Goodbye, judges. -Goodbye. | 0:20:32 | 0:20:36 | |
You have 90 minutes. | 0:20:36 | 0:20:38 | |
Your time starts now. | 0:20:38 | 0:20:40 | |
-God. -Let's have a look. | 0:20:40 | 0:20:41 | |
MUSIC: Ski Sunday Theme | 0:20:41 | 0:20:43 | |
-Oh! -Oh, my God. | 0:20:43 | 0:20:45 | |
I'll have that one. | 0:20:45 | 0:20:47 | |
Argh! | 0:20:47 | 0:20:49 | |
Just hideous. | 0:20:49 | 0:20:51 | |
Come on! What kid wouldn't want that? | 0:20:51 | 0:20:53 | |
I would not subject any child to having to wear that. | 0:20:53 | 0:20:56 | |
This comes from my own personal collection. | 0:20:56 | 0:20:59 | |
Blimey. | 0:20:59 | 0:21:01 | |
That is special. | 0:21:01 | 0:21:02 | |
This is a humorous challenge. | 0:21:02 | 0:21:04 | |
I've made children's coats before, | 0:21:04 | 0:21:06 | |
so I kind of know what kind of quantities of fabric I need. | 0:21:06 | 0:21:09 | |
We've got some zips. | 0:21:09 | 0:21:11 | |
This is nuts! | 0:21:11 | 0:21:13 | |
Haven't got a clue what to do. | 0:21:13 | 0:21:15 | |
If they're shrinking it down, firstly it has to fit the mannequin. | 0:21:15 | 0:21:18 | |
-But also it still needs to look the right shape and size. -Yes. | 0:21:18 | 0:21:22 | |
I mean, I'm hoping they might use, you know, | 0:21:22 | 0:21:24 | |
little details like this, the pocket flaps, this bit at the front. | 0:21:24 | 0:21:28 | |
-Yeah. -The collar. | 0:21:28 | 0:21:30 | |
If they use the colours and the patterns that might be in the suits wisely, | 0:21:30 | 0:21:34 | |
again, they could make something that has real impact. | 0:21:34 | 0:21:37 | |
Oh, look at that. How can I use that? | 0:21:37 | 0:21:41 | |
My initial thoughts... | 0:21:41 | 0:21:43 | |
..are maybe, like, a winter jacket. | 0:21:44 | 0:21:47 | |
I'll probably take the collar off. | 0:21:47 | 0:21:49 | |
I'm thinking quite a squarish jacket, not tight or anything, | 0:21:49 | 0:21:53 | |
but with fur around the bottom and wrists, | 0:21:53 | 0:21:56 | |
and I'm going to make a hood. | 0:21:56 | 0:21:58 | |
But I've flipped it, cos I prefer the blue to the purple. | 0:21:58 | 0:22:02 | |
-Joyce. -Hello, Claudia. | 0:22:02 | 0:22:04 | |
-You, rather bravely, went for orange world. -Yes. | 0:22:04 | 0:22:07 | |
I mean, I didn't even know what to say about this. What are you making? | 0:22:07 | 0:22:10 | |
-I am making a child's bomber jacket. -Oh, awesome. | 0:22:10 | 0:22:13 | |
I'm trying to utilise the fabric there, | 0:22:13 | 0:22:16 | |
-with these bits on, which I like. -Clever girl! | 0:22:16 | 0:22:18 | |
I'm going to make a little stand-up collar, | 0:22:18 | 0:22:21 | |
then I'm just going to put sleeves in, and I reckon that's my time. | 0:22:21 | 0:22:24 | |
You don't normally like alteration challenge, | 0:22:24 | 0:22:26 | |
-but do you find this quite fun? -No. Why would I find it fun? | 0:22:26 | 0:22:29 | |
No, OK. | 0:22:29 | 0:22:30 | |
-LAUGHING: -I'm performing open-heart surgery on this thing! | 0:22:30 | 0:22:35 | |
I'm hoping I've got enough fabric | 0:22:35 | 0:22:37 | |
for a front, a back, two sleeves, | 0:22:37 | 0:22:40 | |
and I'm hoping I can get | 0:22:40 | 0:22:42 | |
enough out of it for a hood. | 0:22:42 | 0:22:44 | |
It doesn't look like much yet. | 0:22:44 | 0:22:45 | |
It does! Oh, my God, I want...! | 0:22:45 | 0:22:48 | |
That's like a little Freddie Mercury baby, | 0:22:48 | 0:22:50 | |
which is all I've ever wanted! RUMANA LAUGHS | 0:22:50 | 0:22:52 | |
-I'm going to put these sleeves on... -Yeah? | 0:22:52 | 0:22:54 | |
..but I'm going to make it into, like, a flamingo - | 0:22:54 | 0:22:57 | |
I'm going to make a hood and then have a beak on it. | 0:22:57 | 0:22:59 | |
-Stop! -That's my plan. -Flamingo outerwear?! | 0:22:59 | 0:23:01 | |
-Why haven't they made that already? -I don't know, I don't know. -OK. | 0:23:01 | 0:23:04 | |
-There must be a reason, I feel. -OK. -But that's my plan. -I'm so excited! | 0:23:04 | 0:23:07 | |
Are you having difficulty cutting this stuff? 15 million layers! | 0:23:08 | 0:23:12 | |
There's that many layers - that's the problem, isn't it? | 0:23:12 | 0:23:14 | |
The thick layers the sewers are having to hack through | 0:23:14 | 0:23:17 | |
are all thanks to a trip to the bedroom | 0:23:17 | 0:23:19 | |
with a post-war ski instructor. | 0:23:19 | 0:23:21 | |
Skiing only became popular as a recreational sport in the 1930s, | 0:23:23 | 0:23:27 | |
with the invention of the chairlift. | 0:23:27 | 0:23:29 | |
But it left people with the dilemma of what to wear. | 0:23:29 | 0:23:32 | |
The first recreational skiers obviously had no clothing | 0:23:32 | 0:23:36 | |
that was specifically developed for skiing, | 0:23:36 | 0:23:38 | |
so people would just adapt the kind of sportswear | 0:23:38 | 0:23:41 | |
that they'd been wearing for sort of country pursuits. | 0:23:41 | 0:23:44 | |
The fabrics that these clothes were made of | 0:23:44 | 0:23:47 | |
were things like tweed and things like wool, | 0:23:47 | 0:23:50 | |
so they can be very, very warm. | 0:23:50 | 0:23:52 | |
But once wool gets wet, it really holds that water into it. | 0:23:52 | 0:23:56 | |
So if you're skiing and you fall over in the snow, | 0:23:56 | 0:23:59 | |
then you're likely to stay wet for a long time. | 0:23:59 | 0:24:02 | |
In 1947, Klaus Obermeyer, a German ski instructor, | 0:24:02 | 0:24:06 | |
arrived in America and began working at the Aspen Ski School in Colorado. | 0:24:06 | 0:24:10 | |
He quickly set about finding a solution | 0:24:10 | 0:24:13 | |
to keeping his students cosy, to extend their time on the slopes. | 0:24:13 | 0:24:17 | |
Klaus solved this problem by taking a duvet, | 0:24:17 | 0:24:20 | |
which was filled with down, and he turned this duvet into a jacket. | 0:24:20 | 0:24:24 | |
Down is very good for insulating, | 0:24:24 | 0:24:27 | |
because feathers trap air and keep things very warm. | 0:24:27 | 0:24:30 | |
It was also shorter as well, so it allowed a lot more movement, | 0:24:30 | 0:24:34 | |
so it was a much more practical item. | 0:24:34 | 0:24:37 | |
When Klaus's prototype jacket | 0:24:37 | 0:24:39 | |
was snapped up by one of his students for 250, | 0:24:39 | 0:24:42 | |
he realised he needed to make more. | 0:24:42 | 0:24:44 | |
The main issue with the first one | 0:24:45 | 0:24:47 | |
was the fact that the down would all fall to the bottom of the jacket, | 0:24:47 | 0:24:51 | |
so he used quilting, basically. | 0:24:51 | 0:24:53 | |
So you're creating little pockets on the jacket | 0:24:53 | 0:24:55 | |
that the feathers can all fit in, so it's evenly distributed. | 0:24:55 | 0:24:59 | |
And this kept it much, much warmer. | 0:24:59 | 0:25:01 | |
Klaus's ingenuity didn't stop there. | 0:25:01 | 0:25:03 | |
He helped develop plastic ski boots, and introduced suntan lotion, | 0:25:03 | 0:25:07 | |
the turtleneck, and even mirrored sunglasses. | 0:25:07 | 0:25:11 | |
But he'll always be best remembered | 0:25:11 | 0:25:13 | |
for creating THE jacket that propelled skiing into the future. | 0:25:13 | 0:25:16 | |
Well, the '80s, at least. | 0:25:16 | 0:25:18 | |
Oh, Claudia! | 0:25:22 | 0:25:23 | |
Sewers! You have one hour left! | 0:25:23 | 0:25:26 | |
-Blimey. -One hour. | 0:25:26 | 0:25:27 | |
It's going to be pathetic. | 0:25:28 | 0:25:30 | |
So I've cut off my sleeve, and I'm going to narrow it down a bit. | 0:25:30 | 0:25:34 | |
This fabric, to sew with, is absolutely awful. | 0:25:34 | 0:25:38 | |
There are a lot of layers. | 0:25:39 | 0:25:41 | |
There's wadding, there is an inner, there's an outer. Thick and bulky. | 0:25:41 | 0:25:44 | |
-MACHINE CRUNCHES AND STOPS -Oh. | 0:25:44 | 0:25:46 | |
Didn't like that. Stop. | 0:25:46 | 0:25:48 | |
It's like rubberised... | 0:25:48 | 0:25:49 | |
..stuff. Nylon, basically. | 0:25:51 | 0:25:52 | |
They wouldn't have had proper hi-tech waterproof things, | 0:25:52 | 0:25:55 | |
like we do these days. | 0:25:55 | 0:25:57 | |
The '80s were a terrible decade. | 0:25:57 | 0:25:59 | |
Tracey, did yours have a hood, or did you add a hood? | 0:25:59 | 0:26:01 | |
-I've done a hood, yeah. I've drawn it. -OK. -Here. | 0:26:01 | 0:26:04 | |
-Can I have a look at your drawing? -That one there. -OK. | 0:26:04 | 0:26:06 | |
-And you just measure? -I've made two. -Made two? -Yeah. -Super. | 0:26:06 | 0:26:10 | |
I'm using the hood that came with the jacket | 0:26:11 | 0:26:14 | |
-as a pattern to make a hood... -SHE LAUGHS | 0:26:14 | 0:26:17 | |
..out of the actual trouser fabric. | 0:26:17 | 0:26:20 | |
Right, let's do the collar. Mm. | 0:26:20 | 0:26:23 | |
I'm putting bias binding around this collar. | 0:26:23 | 0:26:26 | |
Gives it a nice little finish. | 0:26:26 | 0:26:28 | |
That looks adorable. | 0:26:28 | 0:26:30 | |
It will be quite cute. | 0:26:30 | 0:26:31 | |
-I need something to bind the front edge with. -So you want some trim? | 0:26:31 | 0:26:34 | |
-Mm... -Do you want me to lend you some yellow? | 0:26:34 | 0:26:37 | |
-I mean, I am wearing this out for a date. -I'm not that desperate! | 0:26:37 | 0:26:40 | |
Sewers! | 0:26:43 | 0:26:45 | |
It's not that I'm not taking this seriously, I am. | 0:26:47 | 0:26:49 | |
You have half an hour left to go for your ski-suit challenge. | 0:26:49 | 0:26:53 | |
-Can people stop running? It's really nerve-racking. -Sorry. | 0:26:53 | 0:26:56 | |
You'll be pleased to know that my legs are sweating. | 0:26:56 | 0:26:59 | |
-JADE: -Nice. | 0:26:59 | 0:27:00 | |
Oh, come on! Get up, you stupid thing. | 0:27:05 | 0:27:07 | |
These patches are decorative, they're not functional one iota. | 0:27:07 | 0:27:12 | |
I'm going to put elastic around the cuffs, | 0:27:12 | 0:27:15 | |
so I have a pulled-in bottom and a pulled-in top. | 0:27:15 | 0:27:18 | |
I'm wondering whether to do, like, wings. | 0:27:19 | 0:27:22 | |
I'm now putting the binding all down the front, all round the hem, | 0:27:22 | 0:27:25 | |
up the other side. | 0:27:25 | 0:27:27 | |
And then I'm going to attach the popper thing to close it. | 0:27:27 | 0:27:30 | |
-MACHINE CRUNCHES AND STOPS -Ow! | 0:27:30 | 0:27:32 | |
The zip is not going on, no. | 0:27:32 | 0:27:34 | |
It just doesn't like sewing through that many layers. | 0:27:35 | 0:27:38 | |
I'm not wasting any fabric here. | 0:27:38 | 0:27:40 | |
I'm using wadding from my ski-suit just to plump out the beak. | 0:27:40 | 0:27:43 | |
I hope the judges like the fact that I've utilised... | 0:27:43 | 0:27:47 | |
um, a lot of the fabric pieces, if you like. | 0:27:47 | 0:27:51 | |
If they complain that there are puckers in my sleeve insertion, | 0:27:51 | 0:27:54 | |
I might have something to say! | 0:27:54 | 0:27:56 | |
You may tell them to PUCKER OFF! | 0:27:56 | 0:27:58 | |
SHE LAUGHS | 0:27:58 | 0:27:59 | |
Sewers, you have ten minutes left. | 0:28:02 | 0:28:05 | |
-Will everyone be ready? -No! | 0:28:05 | 0:28:08 | |
-No? -OK. | 0:28:08 | 0:28:10 | |
Come on, come on. Haven't got time to mess about. | 0:28:10 | 0:28:14 | |
Somebody's making something for Jackie Collins. | 0:28:21 | 0:28:24 | |
Oh, hello! Who wants to go to the swings? | 0:28:24 | 0:28:27 | |
-It's all a bit sort of rough and ready at the moment. -That's fine. | 0:28:27 | 0:28:30 | |
And I still need to put some fur around the sleeves. | 0:28:30 | 0:28:35 | |
I'm using buttons for eyes. | 0:28:35 | 0:28:37 | |
Sewers, you now have two minutes left. | 0:28:37 | 0:28:40 | |
I've never done anything this fast in my life. | 0:28:40 | 0:28:43 | |
And I've just noticed a bit where it's not caught, | 0:28:45 | 0:28:47 | |
so I'm just going to go over that. | 0:28:47 | 0:28:48 | |
I have just noticed that my zip doesn't do up straight, | 0:28:48 | 0:28:51 | |
but nothing I can do about that. | 0:28:51 | 0:28:52 | |
-How are you? -I'm just adding a couple more poppers. | 0:28:52 | 0:28:55 | |
Have you got time? | 0:28:55 | 0:28:56 | |
Oh, it's so CUTE! | 0:28:59 | 0:29:00 | |
It's very tight, very snug. | 0:29:00 | 0:29:02 | |
She has wings! | 0:29:02 | 0:29:04 | |
I've got wings on! | 0:29:04 | 0:29:06 | |
I'm very happy. | 0:29:06 | 0:29:07 | |
I mean, that garment alone makes me want to have a baby. | 0:29:07 | 0:29:12 | |
OK, guys, that's it. Time's up. | 0:29:12 | 0:29:16 | |
Let's take your adorable coats | 0:29:16 | 0:29:18 | |
and put them at the front of the room, jumble them up, please. | 0:29:18 | 0:29:21 | |
Good girl. Come on! | 0:29:21 | 0:29:23 | |
Come on, leopard. Come on, flamingo. | 0:29:23 | 0:29:25 | |
MUSIC: Cold As Ice by Foreigner | 0:29:25 | 0:29:27 | |
# You're as cold as ice | 0:29:27 | 0:29:29 | |
# You're willing to sacrifice our love... # | 0:29:29 | 0:29:34 | |
There's some fantastic work. | 0:29:34 | 0:29:36 | |
They look quite exciting. | 0:29:36 | 0:29:37 | |
# You're as cold as ice | 0:29:39 | 0:29:41 | |
# You're willing to sacrifice our love. # | 0:29:42 | 0:29:45 | |
Got a little bomber jacket... | 0:29:45 | 0:29:48 | |
with embroideries on. | 0:29:48 | 0:29:49 | |
-Look at the back! -I know. | 0:29:49 | 0:29:52 | |
-Isn't that cute? -This has been taken off and reapplied. -Yes. | 0:29:52 | 0:29:55 | |
Taken off, reapplied. | 0:29:55 | 0:29:56 | |
I love the embroidery. It looks great. | 0:29:56 | 0:29:59 | |
-Obviously, this is a part of the original fastening. -Yes. | 0:29:59 | 0:30:02 | |
And yes, it's not as neat and tidy as it could be, | 0:30:02 | 0:30:05 | |
-but I think it's terrific. -Yeah, it looks great. | 0:30:05 | 0:30:07 | |
(Blimey.) | 0:30:07 | 0:30:09 | |
-So we have a little duffle coat. -With a little hood. | 0:30:15 | 0:30:19 | |
-That hood is a good shape. -Yeah, it looks pretty good. | 0:30:19 | 0:30:22 | |
Oh, and I like how they've put the stripes on the back... | 0:30:22 | 0:30:26 | |
..echoing the sleeves. | 0:30:27 | 0:30:29 | |
And look, they've put binding down the front, round the bottom | 0:30:29 | 0:30:32 | |
and round the hood. | 0:30:32 | 0:30:34 | |
-It's a bit snug. -Yes. | 0:30:34 | 0:30:36 | |
We've got a very sort of '80s looking... | 0:30:43 | 0:30:45 | |
-Bomber. -..kind of flight jacket, yeah. I love the shape of this. | 0:30:45 | 0:30:49 | |
I mean, look at that. | 0:30:49 | 0:30:50 | |
The scale of it works absolutely perfectly. | 0:30:50 | 0:30:53 | |
The sleeves have been re-sewn. | 0:30:53 | 0:30:56 | |
The fact that we've got the sleeves | 0:30:56 | 0:30:58 | |
coming almost right out of the waistline... | 0:30:58 | 0:31:00 | |
I think works really well. I think it's... | 0:31:00 | 0:31:03 | |
Very, very '80s. | 0:31:03 | 0:31:05 | |
We've got binding round the neck, black binding. | 0:31:05 | 0:31:08 | |
Binding round the bottom. | 0:31:08 | 0:31:09 | |
We've got the V at the front, and the V at the back. | 0:31:09 | 0:31:13 | |
I think it looks really fun. | 0:31:13 | 0:31:14 | |
It's a little bird! | 0:31:22 | 0:31:24 | |
I think some child would really like to wear this. | 0:31:24 | 0:31:28 | |
Yeah, it's really fun. | 0:31:28 | 0:31:29 | |
-It's actually very nicely executed. -Yep. | 0:31:29 | 0:31:31 | |
The original neck and the top of the front are the original... | 0:31:31 | 0:31:35 | |
-And they put the hood on. -Yeah. | 0:31:35 | 0:31:37 | |
So they've chopped up other parts of the ski-suit | 0:31:37 | 0:31:40 | |
to make these feathery shapes. | 0:31:40 | 0:31:42 | |
They got a bit of felt, they've used buttons for eyes. | 0:31:42 | 0:31:46 | |
-I like it, it's completely different to the others. -I think it's great. | 0:31:46 | 0:31:50 | |
This has been turned inside out. Has it? | 0:31:58 | 0:32:01 | |
This is for a little girl, I'd say. | 0:32:01 | 0:32:03 | |
A little hood with leopardskin on. | 0:32:03 | 0:32:05 | |
-They've had to put this zip in. -It's a new zip, is it? Yeah. -Yeah. | 0:32:05 | 0:32:09 | |
Doesn't quite meet at the top, but... | 0:32:09 | 0:32:11 | |
The fit is right, so it's a functioning piece of clothing. | 0:32:11 | 0:32:15 | |
I really like the leopardskin trim. | 0:32:15 | 0:32:17 | |
I-I don't love the leopardskin. | 0:32:17 | 0:32:19 | |
But who's made the most successful child's jacket from a ski-suit? | 0:32:20 | 0:32:24 | |
In fifth place, it's the green one. | 0:32:24 | 0:32:27 | |
-It doesn't really fit. -A bit snug! | 0:32:27 | 0:32:29 | |
It's a little bit snug. | 0:32:29 | 0:32:31 | |
In fourth place, it is our fur-trimmed duffle. | 0:32:31 | 0:32:36 | |
Esme particularly loved it - I'm not a huge fur fan. | 0:32:36 | 0:32:39 | |
Third place is the orange one. | 0:32:39 | 0:32:44 | |
We loved how the embroidery had been placed on this, | 0:32:44 | 0:32:46 | |
and it's really cute. | 0:32:46 | 0:32:49 | |
In second place... | 0:32:49 | 0:32:51 | |
..it's our pink bird. | 0:32:54 | 0:32:56 | |
-Rumana. -I love it! -What?! | 0:32:57 | 0:32:59 | |
It's a very, very fun alteration, and really nicely done. | 0:32:59 | 0:33:03 | |
There's lots of great elements to it, so well done. | 0:33:03 | 0:33:06 | |
-Well done. -Thank you. | 0:33:06 | 0:33:07 | |
And in first place is our '80s bomber jacket. | 0:33:07 | 0:33:12 | |
APPLAUSE | 0:33:12 | 0:33:14 | |
Finally! | 0:33:14 | 0:33:16 | |
-Oh, my God. -I love the shape of it. | 0:33:18 | 0:33:19 | |
-We both loved the shape of it, actually. -Thank you. | 0:33:19 | 0:33:22 | |
It just has a kind of great feel to it. It works. | 0:33:22 | 0:33:25 | |
Well, it's cool. It's a really good alteration. | 0:33:25 | 0:33:28 | |
-Are you happy? -I'm over the moon! | 0:33:28 | 0:33:30 | |
-This is really not my speciality. -Very well done. | 0:33:30 | 0:33:32 | |
Well done to all of you. | 0:33:32 | 0:33:34 | |
Go home, sleep, relax. | 0:33:34 | 0:33:36 | |
When you come in tomorrow, | 0:33:36 | 0:33:39 | |
it is the activewear made-to-measure challenge. | 0:33:39 | 0:33:42 | |
Goodnight. | 0:33:42 | 0:33:44 | |
That was my first number one, and it's an alteration challenge. | 0:33:46 | 0:33:51 | |
That's absolutely nuts. | 0:33:51 | 0:33:53 | |
I'm just finally happy that I've finally got one. | 0:33:53 | 0:33:55 | |
I'm really disappointed that I didn't get that first place. | 0:33:55 | 0:33:58 | |
I think this was the one challenge | 0:33:58 | 0:33:59 | |
where I could expect to get first place. | 0:33:59 | 0:34:01 | |
Activewear not normally my thing, | 0:34:01 | 0:34:03 | |
so this is the week I needed to survive, really. | 0:34:03 | 0:34:05 | |
I'm going to dream I am in that ski-suit! | 0:34:05 | 0:34:08 | |
SHE LAUGHS | 0:34:08 | 0:34:09 | |
There's one final activewear garment to make | 0:34:17 | 0:34:19 | |
before we discover who's going to make it through to the semifinal. | 0:34:19 | 0:34:23 | |
Let's be honest, in the quarterfinal, | 0:34:23 | 0:34:25 | |
it feels like there's often a frontrunner. | 0:34:25 | 0:34:28 | |
But it sort of feels that it could be anybody's. | 0:34:28 | 0:34:30 | |
It must be quite confusing for you two. | 0:34:30 | 0:34:32 | |
Er, more confusing than it usually is, I think. | 0:34:32 | 0:34:35 | |
It really does feel like absolutely anybody could go this week. | 0:34:35 | 0:34:39 | |
They're all great, and each week and each day, | 0:34:39 | 0:34:43 | |
it's from one thing to the next, like this. Whoo! | 0:34:43 | 0:34:46 | |
So what the hell is going to happen? | 0:34:46 | 0:34:48 | |
-Morning. -Morning. | 0:34:48 | 0:34:50 | |
'The last item of activewear will have to be fitted to a real person.' | 0:34:50 | 0:34:54 | |
It's been a week since I've seen you! | 0:34:54 | 0:34:58 | |
Welcome back to our models. Thank you so much for being with us today. | 0:34:58 | 0:35:01 | |
For your made-to-measure, the judges would love you to make a yoga outfit | 0:35:01 | 0:35:06 | |
and there has to be freedom of movement. | 0:35:06 | 0:35:09 | |
I don't know if that's yoga, but I did it anyway. Enormous luck! | 0:35:09 | 0:35:13 | |
You have five and a half hours to make beautiful yoga outfits. | 0:35:13 | 0:35:17 | |
Your time starts now. | 0:35:17 | 0:35:19 | |
Right, I want to check the measurements. | 0:35:20 | 0:35:22 | |
'This is the one challenge the sewers have had a chance | 0:35:22 | 0:35:25 | |
'to plan and practise.' | 0:35:25 | 0:35:26 | |
I'm not looking forward to this challenge. | 0:35:26 | 0:35:28 | |
Again, it's fabrics I'm not very used to. | 0:35:28 | 0:35:30 | |
'And, as yoga outfits need to move, | 0:35:30 | 0:35:32 | |
'they're all using fabrics with a four-way stretch.' | 0:35:32 | 0:35:35 | |
My favourite yoga position is where you lie down at the end and relax. | 0:35:35 | 0:35:39 | |
Why a yoga outfit? | 0:35:39 | 0:35:41 | |
Yesterday, we asked them to make a cycle top. | 0:35:41 | 0:35:44 | |
Some tough techniques, but, actually, | 0:35:44 | 0:35:45 | |
it was just fitting round a male torso. | 0:35:45 | 0:35:47 | |
Today, we're asking them to fit a female form which has, | 0:35:47 | 0:35:50 | |
obviously, far more curves | 0:35:50 | 0:35:51 | |
so there's a lot more engineering in this challenge today. | 0:35:51 | 0:35:55 | |
I'm hoping to see panels, ruching and really good fit. | 0:35:55 | 0:35:59 | |
Yoga clothes have to withstand an enormous amount of stretching | 0:35:59 | 0:36:04 | |
and all of those seams have to move. | 0:36:04 | 0:36:06 | |
They have to be incredibly robust. | 0:36:06 | 0:36:08 | |
Five... | 0:36:09 | 0:36:10 | |
'As well as measuring their model...' | 0:36:10 | 0:36:12 | |
Cos I don't want it to be too tight... | 0:36:12 | 0:36:15 | |
'..the sewers will need to carefully gauge | 0:36:15 | 0:36:17 | |
'the amount of stretch in the fabric | 0:36:17 | 0:36:18 | |
'so that the outfit is neither baggy nor constricting.' | 0:36:18 | 0:36:21 | |
I've got a 25" waist, so I'm going to cut it as a small | 0:36:21 | 0:36:25 | |
and then adjust as I go once I've got the pieces out. | 0:36:25 | 0:36:27 | |
So I want them to come to about there, I reckon. | 0:36:27 | 0:36:31 | |
I can always shorten it once it's on you. | 0:36:31 | 0:36:34 | |
So, my leggings are actually only made out of two pieces. | 0:36:34 | 0:36:36 | |
Very, very simple. I think I'll have to play it a little bit safe. | 0:36:36 | 0:36:40 | |
Rumana's simple two-piece leggings | 0:36:40 | 0:36:42 | |
will accompany a vest top | 0:36:42 | 0:36:43 | |
with an added power mesh bra for support. | 0:36:43 | 0:36:46 | |
It'll have a Y-shaped back | 0:36:46 | 0:36:47 | |
and contrast trim. | 0:36:47 | 0:36:48 | |
-Is it binding? -Yes, so that's going to be red Lycra. | 0:36:49 | 0:36:53 | |
And how are you going to attach that? | 0:36:53 | 0:36:55 | |
I think I might do it hand-basted first, | 0:36:55 | 0:36:57 | |
cos that's the thing that I think will look the worst if it goes wrong | 0:36:57 | 0:37:01 | |
so I'm going to be really careful with that | 0:37:01 | 0:37:03 | |
-and give myself the most time for that. -OK. | 0:37:03 | 0:37:05 | |
-But I thought it gave a pop of colour. -No, I like it. | 0:37:05 | 0:37:07 | |
A good yoga outfit is meant to feel nice and snug. | 0:37:09 | 0:37:14 | |
You want to make sure you don't fall out of it, | 0:37:14 | 0:37:18 | |
which is why my top is two layers of this and then a layer of the black | 0:37:18 | 0:37:22 | |
so it's going to be really nice and thick. | 0:37:22 | 0:37:24 | |
Jade's making leggings with a contrasting waist band | 0:37:24 | 0:37:27 | |
and side panels and a crop top | 0:37:27 | 0:37:29 | |
with six crossover rouleau loop straps. | 0:37:29 | 0:37:32 | |
Yesterday, my top was slightly stretched out, so that means | 0:37:32 | 0:37:36 | |
I'm just going to work even harder today to make sure that it isn't. | 0:37:36 | 0:37:42 | |
-Good morning. -Good morning! -Hello! | 0:37:42 | 0:37:46 | |
What are you making today? | 0:37:46 | 0:37:49 | |
OK, I'm making a yoga outfit with tight leggings | 0:37:49 | 0:37:53 | |
and I'm going to do the top there with just a round neck. | 0:37:53 | 0:37:57 | |
How are you seaming all of these? | 0:37:57 | 0:37:58 | |
I'm going to do it on the overlocker. | 0:37:58 | 0:38:01 | |
-You are? -Yes. -Very wise, I would say. -Yes. | 0:38:01 | 0:38:05 | |
The contrasting panels in Joyce's full-length leggings | 0:38:05 | 0:38:08 | |
will be echoed in her raglan sleeve T-shirt, | 0:38:08 | 0:38:10 | |
shaped with princess seams. | 0:38:10 | 0:38:12 | |
I'm overlocking the panels in the leggings. | 0:38:12 | 0:38:16 | |
The overlocker is great for these seams because you don't need | 0:38:16 | 0:38:22 | |
to finish them with a zigzag stitch and they're stretchy. | 0:38:22 | 0:38:25 | |
Let's have a go. | 0:38:25 | 0:38:27 | |
I've used the overlocker and I've made it slightly bigger first | 0:38:27 | 0:38:31 | |
cos it trims away the seam allowance so if you make it too small, | 0:38:31 | 0:38:34 | |
there's nothing you can do about it. | 0:38:34 | 0:38:36 | |
But for her leggings, | 0:38:36 | 0:38:37 | |
Tracey is planning to overlock using a different kind of stitch. | 0:38:37 | 0:38:41 | |
I'm just doing a practice piece using the overlocker... | 0:38:41 | 0:38:46 | |
..to make a flatlock seam, sewn together like that | 0:38:48 | 0:38:51 | |
and when you pull it, the whole seam flattens out | 0:38:51 | 0:38:54 | |
so you get a ridge on the outside of your sportswear | 0:38:54 | 0:38:57 | |
and on the inside, it's visible and it's a decorative element. | 0:38:57 | 0:39:00 | |
Tracey's decorative flatlock seam | 0:39:00 | 0:39:02 | |
will be used to join the contrast panel | 0:39:02 | 0:39:04 | |
down the front and back of her leggings, | 0:39:04 | 0:39:07 | |
to which she's adding a crisscross detail at the cuff. | 0:39:07 | 0:39:10 | |
Her matching bra will also be crisscrossed at the back. | 0:39:10 | 0:39:13 | |
There's about six pieces in these leggings. | 0:39:15 | 0:39:17 | |
I just thought the ones with the panels were more interesting | 0:39:17 | 0:39:20 | |
and I need to do something to prove myself today | 0:39:20 | 0:39:23 | |
after an up and down day yesterday. | 0:39:23 | 0:39:25 | |
With their leggings loosely constructed... | 0:39:27 | 0:39:30 | |
Are you ready to try these on? | 0:39:30 | 0:39:32 | |
Let's sort you out. | 0:39:32 | 0:39:33 | |
..the sewers can begin gradually | 0:39:33 | 0:39:34 | |
taking the stretch fabric in. | 0:39:34 | 0:39:36 | |
I think it's probably a bit baggy. | 0:39:36 | 0:39:38 | |
This challenge all boils down to how well these garments | 0:39:38 | 0:39:41 | |
-fit on the body and how well they move on the body. -Yes. | 0:39:41 | 0:39:45 | |
I'd rather do it too loose and take it in. | 0:39:45 | 0:39:49 | |
It fits nicely around here so far. | 0:39:49 | 0:39:51 | |
They need to come in at the ankles about an inch. | 0:39:51 | 0:39:54 | |
I've got quite a few pins in, but the more pins, the better the fit. | 0:39:54 | 0:39:59 | |
That's not bad, actually, is it? | 0:39:59 | 0:40:02 | |
I've turned it up and I'm not doing that too tight. | 0:40:02 | 0:40:06 | |
I'm going to do that one a bit longer. | 0:40:06 | 0:40:08 | |
It's not sticking out anywhere on the waist, is it? Brilliant. | 0:40:08 | 0:40:12 | |
I'm being controversial with my yoga outfit. | 0:40:13 | 0:40:15 | |
I think I'm the only person who's not making a pair of tight leggings | 0:40:15 | 0:40:18 | |
for the bottom half, which is slightly worrying. | 0:40:18 | 0:40:20 | |
Charlotte's loose-fitting leggings | 0:40:20 | 0:40:22 | |
accompany a drape top with cross straps | 0:40:22 | 0:40:25 | |
and an integrated sports bra. | 0:40:25 | 0:40:27 | |
Personally, I wouldn't want to wear tight leggings to do yoga in. | 0:40:27 | 0:40:30 | |
I would want something that would sort of stop people | 0:40:30 | 0:40:33 | |
from examining my bottom in any great detail | 0:40:33 | 0:40:35 | |
so there's just a bit more space in them than other people have got. | 0:40:35 | 0:40:38 | |
OK, it's going to be a bitch cos of all the pins, | 0:40:38 | 0:40:42 | |
but we'll take it off really carefully. | 0:40:42 | 0:40:44 | |
If the sewers think they have a perfect fit... | 0:40:44 | 0:40:47 | |
I'm just going to shave it off from the inside seam. | 0:40:47 | 0:40:50 | |
..there's no turning back. | 0:40:50 | 0:40:52 | |
As it finishes their seams, | 0:40:52 | 0:40:54 | |
the overlocker will cut away any excess fabric. | 0:40:54 | 0:40:58 | |
Look! All of that! That's how much has been taken in. | 0:40:58 | 0:41:03 | |
They work! | 0:41:03 | 0:41:04 | |
-Oh, my God! -SHE LAUGHS | 0:41:04 | 0:41:07 | |
They look all right, don't they? | 0:41:07 | 0:41:10 | |
Yeah, OK. Happy, happy. | 0:41:10 | 0:41:12 | |
(Oh, I'm so happy.) | 0:41:13 | 0:41:15 | |
They FIT! | 0:41:16 | 0:41:18 | |
But for Tracey, there's more to worry about than just fit. | 0:41:18 | 0:41:21 | |
This exciting thing is the cuff on the bottom of my yoga pants | 0:41:21 | 0:41:28 | |
so it starts life like this and ends up like that | 0:41:28 | 0:41:32 | |
so I've got to sew these down and then you cross them over | 0:41:32 | 0:41:36 | |
and sew them to the other side | 0:41:36 | 0:41:38 | |
and then you kind of bag it out, really, so you end up with a cuff. | 0:41:38 | 0:41:42 | |
But then when the leg's in it, it will stretch. | 0:41:42 | 0:41:45 | |
-Sewers, we're halfway through in yoga world. -Er, bra next? | 0:41:45 | 0:41:51 | |
This is the bra that goes under the drapey top, so it needs to be | 0:41:51 | 0:41:55 | |
nice and tight against the body to hold everything...in position. | 0:41:55 | 0:41:59 | |
When you're doing downward-facing dog, | 0:41:59 | 0:42:01 | |
you don't want your bosoms falling out of your top. | 0:42:01 | 0:42:03 | |
Sports bra needs to be tight. | 0:42:03 | 0:42:05 | |
It needs to fit round the side seams and round her boobies. | 0:42:05 | 0:42:08 | |
To get a tight fit under the bust, the top needs additional support. | 0:42:08 | 0:42:13 | |
The bust section has to gather to fit the band section, | 0:42:13 | 0:42:16 | |
which has to stretch. | 0:42:16 | 0:42:17 | |
So you're kind of fighting | 0:42:17 | 0:42:19 | |
to get all that fabric into just that space. | 0:42:19 | 0:42:22 | |
I'm looking for it to fit a lot better | 0:42:22 | 0:42:24 | |
than anything I normally make does! | 0:42:24 | 0:42:26 | |
-Hello, Rumana. -Hello! -Where have you got to? | 0:42:26 | 0:42:30 | |
So I'm just doing the folded elastic of my power mesh bra. | 0:42:30 | 0:42:33 | |
And you've pinned that elastic evenly, I presume? | 0:42:33 | 0:42:36 | |
-Yes. -You're zigzagging it. | 0:42:36 | 0:42:38 | |
You don't feel comfortable doing that on the overlocker? | 0:42:38 | 0:42:41 | |
I know it's probably better, | 0:42:41 | 0:42:42 | |
but I'm doing a lot of things I've never done before | 0:42:42 | 0:42:45 | |
-and I'd like to do something I can do. -OK. | 0:42:45 | 0:42:48 | |
Joyce has chosen to make this final challenge even harder. | 0:42:51 | 0:42:54 | |
I'm doing a raglan sleeve where it comes from the neck. | 0:42:54 | 0:42:58 | |
She's the only sewer attempting a top with sleeves. | 0:42:58 | 0:43:02 | |
I need it a bit closer there. We don't want a gappy neck, do we? | 0:43:02 | 0:43:07 | |
It's quite a straightforward outfit, | 0:43:07 | 0:43:09 | |
which is why I want to get the fit just right. | 0:43:09 | 0:43:13 | |
I need a coverstitch machine for the hem parts. Oh! | 0:43:13 | 0:43:19 | |
All the sewers have decided to use the coverstitch machine | 0:43:19 | 0:43:22 | |
to neaten the edges and hems of their garments. | 0:43:22 | 0:43:24 | |
I am coverstitching basically round the arm holes of the top | 0:43:24 | 0:43:29 | |
and round the neck edge just to keep it all where it's meant to be. | 0:43:29 | 0:43:35 | |
I've only used the coverstitch yesterday so I feel a bit brave. | 0:43:35 | 0:43:40 | |
-Hello. -Hello. -Right, what's happening with you? | 0:43:40 | 0:43:43 | |
You're just in time | 0:43:43 | 0:43:44 | |
-to catch me swearing at a coverstitch machine. -Right. | 0:43:44 | 0:43:47 | |
-So, what are you coverstitching? -I'm coverstitching... | 0:43:47 | 0:43:49 | |
-This is the arm opening, it's not really... -OK, well, that looks good. | 0:43:49 | 0:43:54 | |
Yes, it's sort of a second attempt. | 0:43:54 | 0:43:56 | |
And then I've got the neckline and the other arm hole | 0:43:56 | 0:43:59 | |
-and the hem and then on the back as well. -It will look nice. | 0:43:59 | 0:44:01 | |
I know, I know. Well, the alternative | 0:44:01 | 0:44:03 | |
was to turn it over and zigzag it | 0:44:03 | 0:44:05 | |
and that would have looked a bit amateur hour. | 0:44:05 | 0:44:07 | |
I agree. | 0:44:07 | 0:44:09 | |
Sewers, one hour left. I'm going to throw this word in - Ashtanga. | 0:44:11 | 0:44:16 | |
I don't know what it means. | 0:44:16 | 0:44:19 | |
I don't think I'll ever be a fan of stretching, I'm afraid. | 0:44:21 | 0:44:24 | |
-There's a band that comes underneath. -Oh, OK. | 0:44:27 | 0:44:29 | |
You'll not be hanging out the bottom, don't worry. | 0:44:29 | 0:44:31 | |
-Joyce. -Claudia! -How are you finding this? -Well, I've finished this. | 0:44:31 | 0:44:37 | |
-Let me see. -That's the top. -Oh, now, that looks lovely. That looks... | 0:44:37 | 0:44:42 | |
-Like, suddenly, I want to lunge. -Is that what you do in yoga? | 0:44:42 | 0:44:46 | |
And that's the trousers. | 0:44:46 | 0:44:48 | |
That's nice. So, what are you doing now? | 0:44:48 | 0:44:50 | |
-Well, I'm just trying to fashion... -Are you making a headscarf? | 0:44:50 | 0:44:53 | |
Well, yes. No, I'm trying to fashion some sort of cardigan. | 0:44:53 | 0:44:56 | |
-You've already done two pieces. -I know, but... | 0:44:56 | 0:44:58 | |
-I'll give you a head massage. -Would you? -Relax! -Ooh! | 0:44:58 | 0:45:01 | |
I'm going to finish off the edges of my top with a binding strip | 0:45:06 | 0:45:10 | |
that I've made myself. | 0:45:10 | 0:45:11 | |
My binding is a little bit tricky to sew around the curve, | 0:45:11 | 0:45:14 | |
but I have to be really careful of not overdoing it | 0:45:14 | 0:45:17 | |
and stretching out the neckline. | 0:45:17 | 0:45:19 | |
I'm just pinning the straps on at the moment to get the fit right | 0:45:19 | 0:45:22 | |
and then I'll zigzag them when I've got them in the right place. | 0:45:22 | 0:45:26 | |
Jade's straps require more work than anyone else's. | 0:45:29 | 0:45:33 | |
This is a very technical process. | 0:45:33 | 0:45:35 | |
She needs to make six rouleau loops. | 0:45:35 | 0:45:38 | |
Cut a long bit of fabric, fold it in half, | 0:45:38 | 0:45:41 | |
then you overlock it and then just pull it through. | 0:45:41 | 0:45:45 | |
-What are you doing now, Joyce? -I am making a cardigan. -A cardigan?! | 0:45:45 | 0:45:51 | |
Do not be impressed because when you'll see it, you just won't be. | 0:45:51 | 0:45:56 | |
I wish I'd had time to make a cardigan! | 0:45:56 | 0:45:58 | |
Sewers, you have 15 minutes left. | 0:45:59 | 0:46:02 | |
SHE GASPS | 0:46:02 | 0:46:04 | |
15 minutes to make your beautiful yoga outfits | 0:46:04 | 0:46:06 | |
and then there will be a catwalk show. | 0:46:06 | 0:46:09 | |
Right! Calm down, calm down. | 0:46:09 | 0:46:12 | |
I'm trying to get them in the right place. | 0:46:12 | 0:46:15 | |
Yep, that'll do. | 0:46:16 | 0:46:18 | |
It's really not going very well. | 0:46:18 | 0:46:20 | |
See, it's not even catching it on the other side. | 0:46:21 | 0:46:25 | |
SHE EXHALES | 0:46:25 | 0:46:27 | |
Having to unpick my stitching. | 0:46:27 | 0:46:30 | |
Nearly there, don't rush and cock it up now. | 0:46:31 | 0:46:34 | |
It's not very good, but who cares at this stage? | 0:46:38 | 0:46:42 | |
Lift it slightly... | 0:46:42 | 0:46:45 | |
That is exactly what I do under pressure - I just talk to myself. | 0:46:45 | 0:46:48 | |
It's just not working out well. What can you do? | 0:46:48 | 0:46:52 | |
I am thinking about where I'm placing the straps | 0:46:52 | 0:46:54 | |
because they want to be in the exact same place. | 0:46:54 | 0:46:58 | |
It's not the best of bindings... Oh, that's come off there. Fantastic(!) | 0:46:58 | 0:47:02 | |
That's exactly what I needed. | 0:47:02 | 0:47:04 | |
Two minutes, sewers, two minutes. You're going to be all right? | 0:47:04 | 0:47:09 | |
-Jade, what are you doing? -Sewing up a little hole. | 0:47:09 | 0:47:12 | |
Turn around. | 0:47:16 | 0:47:17 | |
That needs to be flipped down. | 0:47:17 | 0:47:20 | |
-Spin. Look at the back. -Oh, look at the back! | 0:47:20 | 0:47:24 | |
It's a waterfall front, so... | 0:47:24 | 0:47:27 | |
Yeah, it's completely overstretched. | 0:47:27 | 0:47:30 | |
Sewers, well done! That is it - time is up. | 0:47:30 | 0:47:34 | |
-Please stop fiddling. -There we go - perfect. | 0:47:34 | 0:47:39 | |
I'm really proud of the fact | 0:47:41 | 0:47:43 | |
that I've managed to use all the weird machines. | 0:47:43 | 0:47:46 | |
Oh, I'm so happy it's over! | 0:47:46 | 0:47:48 | |
I hope this wins me a place in the semifinal. | 0:47:48 | 0:47:50 | |
Everybody wants to go through. I really want to go through. | 0:47:50 | 0:47:53 | |
We'll see, won't we? | 0:47:53 | 0:47:54 | |
# Bend me, shape me | 0:47:56 | 0:47:58 | |
# Anyway you want me | 0:47:58 | 0:48:00 | |
# Long as you love me, it's all right... # | 0:48:00 | 0:48:04 | |
Five fitted yoga outfits made in just five and a half hours. | 0:48:04 | 0:48:08 | |
# You've got the power to turn on the light... # | 0:48:08 | 0:48:13 | |
Well, Charlotte, you're the only one who hasn't done | 0:48:15 | 0:48:20 | |
a completely tight-fitting outfit | 0:48:20 | 0:48:23 | |
and, actually, I think it's pretty successful. | 0:48:23 | 0:48:26 | |
I agree. I think it works really nicely, actually. | 0:48:26 | 0:48:28 | |
Let's have a little look. So that feels like a good fit. | 0:48:28 | 0:48:33 | |
-Now, I think these straps are very effective. -They're very effective. | 0:48:33 | 0:48:36 | |
If you look here, can you see how it's bagging here? | 0:48:36 | 0:48:41 | |
If you'd done that, it would have got rid of that. | 0:48:41 | 0:48:45 | |
OK, let's look at the fit of the bra. | 0:48:45 | 0:48:47 | |
So I'm afraid I'm going to lift this up. Oh, it fits really well. | 0:48:47 | 0:48:51 | |
Yeah, that seems like a good fit there. | 0:48:52 | 0:48:56 | |
It's a great-looking outfit, it moves very nicely, | 0:48:56 | 0:48:58 | |
the fit's good. | 0:48:58 | 0:49:00 | |
There's a lot of positives in this. | 0:49:00 | 0:49:02 | |
# Hey, Mama's doing the twist | 0:49:02 | 0:49:05 | |
# Everything's different in our house | 0:49:05 | 0:49:08 | |
# Now that Mama's doing the twist... # | 0:49:08 | 0:49:11 | |
It's very well sewn, very neatly sewn, but, to me, | 0:49:11 | 0:49:14 | |
it's neither very form-fitting nor loose-fitting. | 0:49:14 | 0:49:18 | |
It just sort of feels somewhere lost in the middle. | 0:49:18 | 0:49:21 | |
It's loose on the ankles. | 0:49:21 | 0:49:23 | |
I mean, that's a lot of extra there and also I think it's too long. | 0:49:23 | 0:49:29 | |
It sort of looks a bit like a trouser. | 0:49:29 | 0:49:32 | |
Yes, I'm not convinced about the proportion of this top. | 0:49:32 | 0:49:36 | |
-I don't know if it'll be nicer shorter or longer. -I agree with you. | 0:49:36 | 0:49:42 | |
Also, you haven't quite made the binding tight enough | 0:49:42 | 0:49:46 | |
and also you've got your wrap. | 0:49:46 | 0:49:49 | |
Yes. | 0:49:49 | 0:49:51 | |
Again, I think the proportion of it... | 0:49:53 | 0:49:55 | |
-You've told me you were doing this sort of waterfall front. -Yes. | 0:49:55 | 0:49:58 | |
It's a pretty good piece. | 0:49:58 | 0:50:00 | |
I mean, it's a very bouncy fabric | 0:50:00 | 0:50:03 | |
and you've managed it extremely well. | 0:50:03 | 0:50:05 | |
It's just the fit for me. | 0:50:05 | 0:50:07 | |
-OK. -Yep. | 0:50:07 | 0:50:09 | |
# Bend it, bend it just a little bit | 0:50:09 | 0:50:13 | |
# Take it easy, show you're liking it... # | 0:50:13 | 0:50:18 | |
The overall impression is that it's a very good fit, wouldn't you say? | 0:50:19 | 0:50:23 | |
-I think it's an exceptional fit. -Yeah. -I mean, those leggings are... | 0:50:23 | 0:50:28 | |
They are tight, but there is still movement | 0:50:28 | 0:50:31 | |
and they are absolutely bang on at the ankles. | 0:50:31 | 0:50:36 | |
-Turn around. -Can we turn you round? -They look great over the bottom. | 0:50:37 | 0:50:41 | |
Yep. The fit across the chest is really pretty good. | 0:50:41 | 0:50:45 | |
It's sitting very neatly over the bust. | 0:50:45 | 0:50:47 | |
-The straps, they're not 100% evenly spaced. -No, they're not. | 0:50:47 | 0:50:52 | |
They're not evenly spaced, actually. | 0:50:52 | 0:50:54 | |
But the effect of them is really vivid and very strong. | 0:50:54 | 0:50:58 | |
-You know, I think you've done a brilliant job. -Yes. | 0:50:58 | 0:51:00 | |
I think it absolutely nails the brief. | 0:51:00 | 0:51:03 | |
-Well done. -Thank you. -Well done. | 0:51:03 | 0:51:05 | |
The fit on the trousers looks pretty good. | 0:51:18 | 0:51:21 | |
There's a little bit here on the front. | 0:51:21 | 0:51:24 | |
You've done this technique with the overlocker. | 0:51:24 | 0:51:27 | |
I would have preferred it if you'd reversed it and done it | 0:51:27 | 0:51:32 | |
so that the underneath of this stitch was on the top. | 0:51:32 | 0:51:35 | |
I think it makes a stronger statement about it. | 0:51:35 | 0:51:38 | |
-This is not quite tight enough. -Slightly too big at the front. | 0:51:39 | 0:51:43 | |
And it's shooting up as well. | 0:51:43 | 0:51:45 | |
I think it's a little small, actually, across the bust. | 0:51:45 | 0:51:49 | |
They're quite tight, these loops. | 0:51:50 | 0:51:52 | |
-I would have preferred if the loops had been in this colour. -Yep. | 0:51:52 | 0:51:56 | |
-And the cuff had been in that colour. -Right. | 0:51:56 | 0:51:59 | |
It sits really nicely across the shoulder blades. | 0:51:59 | 0:52:03 | |
It's going around the shoulder blades, | 0:52:03 | 0:52:05 | |
which is exactly what we want from a cross strap. | 0:52:05 | 0:52:07 | |
I really like it. I think it's very effective. | 0:52:07 | 0:52:11 | |
# Hey-hey, little girl | 0:52:11 | 0:52:14 | |
# Do you wanna twist? | 0:52:14 | 0:52:17 | |
# Hey, little girl... # | 0:52:17 | 0:52:20 | |
I really like your choice of fabrics - | 0:52:20 | 0:52:22 | |
the black and white print | 0:52:22 | 0:52:24 | |
and the black top with the highlights of red. | 0:52:24 | 0:52:26 | |
If we start with the leggings, | 0:52:26 | 0:52:28 | |
they look like a pretty good fit. | 0:52:28 | 0:52:33 | |
Sorry! | 0:52:33 | 0:52:35 | |
And slightly loose at the ankle. | 0:52:35 | 0:52:39 | |
My big issue is with the binding, just the armholes. | 0:52:40 | 0:52:45 | |
Either you've pulled it out of shape | 0:52:45 | 0:52:47 | |
or you just haven't made it short enough and drawn it in enough. | 0:52:47 | 0:52:50 | |
Yes, you need to make the binding smaller than the arm hole | 0:52:50 | 0:52:53 | |
and that will pull it in so if I go like this, | 0:52:53 | 0:52:58 | |
if the binding had been that much shorter, | 0:52:58 | 0:53:00 | |
-it would have laid flat. -OK. | 0:53:00 | 0:53:02 | |
And because it's in a contrast colour, | 0:53:02 | 0:53:04 | |
it really, really shouts at you. | 0:53:04 | 0:53:06 | |
Yeah. | 0:53:06 | 0:53:08 | |
Well done to all of you - five brilliant outfits. Go, have a snack. | 0:53:12 | 0:53:17 | |
When you come back in, | 0:53:17 | 0:53:18 | |
the judges will announce the garment of the week | 0:53:18 | 0:53:20 | |
and they'll also announce, which I think actually is impossible, | 0:53:20 | 0:53:24 | |
who will be leaving the Sewing Bee. Thanks very much. | 0:53:24 | 0:53:28 | |
Well done, off you go. | 0:53:28 | 0:53:29 | |
INDISTINCT CONVERSATION | 0:53:33 | 0:53:35 | |
It's always very tense at this time | 0:53:36 | 0:53:38 | |
when you're about to find out who's going home, | 0:53:38 | 0:53:40 | |
but now there's only five of us left, it's even more noticeable. | 0:53:40 | 0:53:44 | |
They always love the colours or the style that I put together. | 0:53:45 | 0:53:50 | |
I think maybe I should stick to designing rather than sewing. | 0:53:50 | 0:53:53 | |
I did think I had a good fit, | 0:53:55 | 0:53:57 | |
but my good fit obviously is not what they were looking for. | 0:53:57 | 0:54:01 | |
They were looking for skin-tight. I don't do skin-tight. | 0:54:01 | 0:54:04 | |
This week was really, really difficult. | 0:54:06 | 0:54:09 | |
Lots of people had never sewn this fabric. | 0:54:09 | 0:54:12 | |
Lots of people hadn't used these machines | 0:54:12 | 0:54:15 | |
so it was really, really difficult. | 0:54:15 | 0:54:17 | |
Let's talk about who is going to leave. | 0:54:17 | 0:54:21 | |
If we start at the beginning, | 0:54:21 | 0:54:23 | |
I think Joyce did a good job on this, | 0:54:23 | 0:54:25 | |
but we put Rumana's at the bottom, | 0:54:25 | 0:54:27 | |
-but we both really like Rumana's pink flamingo outfit. -I loved it. | 0:54:27 | 0:54:31 | |
Actually, Rumana's yoga outfit was a pretty good fit | 0:54:31 | 0:54:34 | |
and a really nice choice and very well executed. | 0:54:34 | 0:54:37 | |
It's just this binding that let it down. | 0:54:37 | 0:54:39 | |
Joyce's yoga outfit, it was well sewn, but it really didn't fit. | 0:54:39 | 0:54:43 | |
It looked sort of... It looked like nothing, really. | 0:54:43 | 0:54:47 | |
It didn't look like sportswear. I think it could be Joyce. | 0:54:47 | 0:54:50 | |
-I think it could be Rumana. -Yeah. -I just think we need a bit of time. | 0:54:50 | 0:54:54 | |
It's really close, really, really close. We need to conflab. | 0:54:54 | 0:54:59 | |
A huge well done to all of you. | 0:55:05 | 0:55:07 | |
First bits first, the lovely news - garment of the week is... | 0:55:07 | 0:55:11 | |
This week, our favourite garment or garments... | 0:55:12 | 0:55:16 | |
-..is this one. -APPLAUSE | 0:55:17 | 0:55:19 | |
Well done, Jade! | 0:55:19 | 0:55:21 | |
-That's lovely. -Twice in a row, Jade. | 0:55:21 | 0:55:25 | |
The fit was brilliant, | 0:55:25 | 0:55:27 | |
the overall impression was just absolutely spot-on. | 0:55:27 | 0:55:30 | |
It was just a very, very professional piece of sewing | 0:55:30 | 0:55:32 | |
so well done. | 0:55:32 | 0:55:33 | |
-Are you happy? -I'm over the moon, I can't believe it. | 0:55:33 | 0:55:36 | |
Good girl. | 0:55:36 | 0:55:39 | |
Now, the really much less pleasant situation, | 0:55:39 | 0:55:43 | |
which is somebody has to leave the Sewing Bee and that person is... | 0:55:43 | 0:55:50 | |
-It's Rumana. I'm sorry! -It's all right. | 0:55:54 | 0:55:58 | |
-I thought that was me, Rumana. -No! -Oh, I'm really sorry, darling. | 0:55:58 | 0:56:03 | |
-I mean, I was expecting to go in week one. -At least you got this far! | 0:56:03 | 0:56:07 | |
Exactly. | 0:56:07 | 0:56:09 | |
Rumana has great personal style. | 0:56:09 | 0:56:11 | |
She creates beautiful-looking clothes, | 0:56:11 | 0:56:13 | |
but this week was about the ability | 0:56:13 | 0:56:16 | |
to handle probably the most difficult fabric | 0:56:16 | 0:56:18 | |
we've ever given them on the Sewing Bee. | 0:56:18 | 0:56:20 | |
-Can I give you a hug? -Of course! | 0:56:20 | 0:56:22 | |
Thank you so much, I've enjoyed it so much. | 0:56:22 | 0:56:24 | |
I definitely think the stretch fabrics got the better of Rumana. | 0:56:24 | 0:56:28 | |
She's got a style about her which I really liked. | 0:56:28 | 0:56:31 | |
I started sewing because I kind of got fed up of people | 0:56:33 | 0:56:37 | |
telling me how I should dress. | 0:56:37 | 0:56:39 | |
There was a time when I started wearing a scarf | 0:56:39 | 0:56:42 | |
that I was ashamed of the way I looked. | 0:56:42 | 0:56:44 | |
I'm going to start crying now! | 0:56:44 | 0:56:46 | |
I've actually Superglued you to me! | 0:56:50 | 0:56:53 | |
I think people see me as someone quite confident | 0:56:53 | 0:56:57 | |
and quite comfortable in their skin and I wasn't always | 0:56:57 | 0:57:00 | |
and I think sewing let me be that person. | 0:57:00 | 0:57:02 | |
It let me have my own style | 0:57:02 | 0:57:04 | |
and I think, with that, my confidence has grown | 0:57:04 | 0:57:07 | |
and so, for people who don't know if they want to sew, | 0:57:07 | 0:57:11 | |
I would encourage you to sew, because it lets you feel beautiful, | 0:57:11 | 0:57:15 | |
it lets you look beautiful cos everyone is beautiful | 0:57:15 | 0:57:19 | |
and I think I've got that confidence from sewing. | 0:57:19 | 0:57:22 | |
Being in the semifinal is amazing, | 0:57:29 | 0:57:32 | |
but it's horrible that it comes at the price of other people leaving. | 0:57:32 | 0:57:35 | |
I really, genuinely just deal with one thing at a time | 0:57:35 | 0:57:38 | |
and this is why, when you're saying you're a semifinalist, | 0:57:38 | 0:57:42 | |
I'm thinking, "What?" | 0:57:42 | 0:57:43 | |
I'm looking around, you know, "Who's a semifinalist?" | 0:57:43 | 0:57:46 | |
When I started this, I didn't think I'd get this far, so, you know, | 0:57:46 | 0:57:51 | |
to achieve this has been an absolutely brilliant experience. | 0:57:51 | 0:57:56 | |
(Gosh!) | 0:57:57 | 0:57:58 | |
That's bonkers, isn't it? | 0:58:00 | 0:58:02 | |
-Next time... -Gordon Bennett! | 0:58:02 | 0:58:04 | |
..the four remaining sewers... | 0:58:04 | 0:58:06 | |
Pressure's on, hands are shaking. | 0:58:06 | 0:58:08 | |
..face three of the most technically demanding challenges... | 0:58:08 | 0:58:11 | |
-Seriously? -..Esme and Patrick have ever set. -It looks like a map. | 0:58:11 | 0:58:15 | |
What is that? | 0:58:15 | 0:58:16 | |
But who will book their place in the grand final? | 0:58:16 | 0:58:20 | |
Taxi for Tracey, I think! | 0:58:20 | 0:58:21 | |
'And who will fall...' | 0:58:21 | 0:58:22 | |
We're so upset about it. | 0:58:22 | 0:58:24 | |
'..at the final hurdle?' | 0:58:24 | 0:58:26 | |
This is the most ridiculous thing...EVER. | 0:58:26 | 0:58:30 |