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-Welcome to the genius world of... -BOTH: -Monster engineering! | 0:00:02 | 0:00:04 | |
-Argh! -Argh! -Argh! | 0:00:04 | 0:00:06 | |
'Each show, we're going to introduce you to three geniuses...' | 0:00:06 | 0:00:10 | |
-Wow! -Oh! | 0:00:10 | 0:00:12 | |
..whose ideas have quite literally built the world. | 0:00:12 | 0:00:15 | |
'We put all their epic brilliance...' | 0:00:16 | 0:00:18 | |
Yes! | 0:00:18 | 0:00:19 | |
-'..to the test...' -Hit it! Hit it! | 0:00:19 | 0:00:21 | |
'..when we tackle our own genius monster build.' | 0:00:21 | 0:00:24 | |
Don't you dare demolish this! | 0:00:24 | 0:00:26 | |
-'Going higher...' -Why is it swinging?! | 0:00:27 | 0:00:30 | |
'..faster...' | 0:00:30 | 0:00:31 | |
'..and scarier...' | 0:00:33 | 0:00:34 | |
Oh, no! No! | 0:00:34 | 0:00:36 | |
'..all in the name of science.' | 0:00:36 | 0:00:37 | |
That is a massive piece of construction. | 0:00:37 | 0:00:40 | |
What could possibly go wrong? | 0:00:40 | 0:00:42 | |
-On this show... -HE SCREAMS | 0:00:47 | 0:00:49 | |
..we're dodging... | 0:00:49 | 0:00:51 | |
All right, you fighter. | 0:00:51 | 0:00:53 | |
..ducking... | 0:00:53 | 0:00:55 | |
Oh, I got the camera! | 0:00:55 | 0:00:56 | |
..and defending. | 0:00:56 | 0:00:58 | |
'Help!' HE SCREAMS | 0:00:58 | 0:01:00 | |
-'Cos we're under attack!' -Yeah! | 0:01:00 | 0:01:03 | |
-This is... -Absolute Genius. | 0:01:03 | 0:01:05 | |
Throughout history, | 0:01:41 | 0:01:42 | |
we've needed to defend ourselves against attack, | 0:01:42 | 0:01:45 | |
and what better way than through the work | 0:01:45 | 0:01:47 | |
of our three engineering geniuses who've helped keep us out of danger? | 0:01:47 | 0:01:51 | |
For as long as we've walked the earth, | 0:01:58 | 0:02:00 | |
people have found things to fight about. | 0:02:00 | 0:02:02 | |
Mine! Mine! | 0:02:02 | 0:02:03 | |
Arguments over land, water and even ideas can all end up in, | 0:02:03 | 0:02:08 | |
well, a punch-up, basically. | 0:02:08 | 0:02:10 | |
And as we got better at launching attacks, | 0:02:10 | 0:02:12 | |
engineers have had to come up with smarter and smarter ways | 0:02:12 | 0:02:15 | |
of keeping the baddies at bay. | 0:02:15 | 0:02:17 | |
THEY LAUGH MOCKINGLY | 0:02:17 | 0:02:19 | |
Let's start back in a time when knights were bold | 0:02:23 | 0:02:26 | |
and damsels always seemed to be in distress. | 0:02:26 | 0:02:29 | |
Life in the Middle Ages was a pretty dodgy affair. | 0:02:29 | 0:02:32 | |
Yeah, it was. There were loads of warring armies and bandits, | 0:02:32 | 0:02:34 | |
which meant that staying out of danger was top of the list. | 0:02:34 | 0:02:37 | |
So, what better way to stay safe | 0:02:37 | 0:02:39 | |
than through the work of our first genius? | 0:02:39 | 0:02:41 | |
Please welcome castle builder extraordinaire, | 0:02:41 | 0:02:43 | |
James of Saint George. | 0:02:43 | 0:02:46 | |
-FRENCH ACCENT: -Keep out of my beautiful castle, you naughty men! | 0:02:46 | 0:02:49 | |
THEY BLOW RASPBERRIES | 0:02:50 | 0:02:52 | |
Euryn Roberts is a medieval history expert. | 0:02:54 | 0:02:57 | |
What he doesn't know about Beaumaris Castle | 0:02:57 | 0:02:59 | |
and the man who built it isn't worth knowing. | 0:02:59 | 0:03:03 | |
Why is this castle so significant to James of Saint George? | 0:03:03 | 0:03:06 | |
Well, this is his last castle in Wales. | 0:03:06 | 0:03:08 | |
He built a number in Wales and a few in Scotland, | 0:03:08 | 0:03:10 | |
as well, but this is the last one, the greatest in terms of its scale. | 0:03:10 | 0:03:14 | |
When the warring armies came along, | 0:03:14 | 0:03:15 | |
how difficult would it have been for them to storm this castle? | 0:03:15 | 0:03:18 | |
Well, as you can see, | 0:03:18 | 0:03:19 | |
we've got two massive curtain walls in front of us. | 0:03:19 | 0:03:21 | |
We've got a moat surrounding the castle, as well. | 0:03:21 | 0:03:24 | |
It's designed to keep people out. | 0:03:24 | 0:03:26 | |
This incredible castle is fortified to the max. | 0:03:26 | 0:03:31 | |
Anyone who wanted to storm this place would've faced no fewer | 0:03:31 | 0:03:34 | |
than 14 separate obstacles. | 0:03:34 | 0:03:37 | |
But it's never been put to the test by a besieging army until now. | 0:03:37 | 0:03:42 | |
There's only one way to find out | 0:03:42 | 0:03:43 | |
whether James of Saint George's genius defences were the real deal. | 0:03:43 | 0:03:46 | |
It's time for a Dick versus Dom castle concrete challenge. | 0:03:46 | 0:03:50 | |
I'm sticking with Euryn, who's giving me the inside track | 0:03:52 | 0:03:55 | |
on James of Saint George's finest creation. | 0:03:55 | 0:03:57 | |
While I'm on the attack. | 0:03:57 | 0:03:59 | |
Right, that castle is under siege. | 0:03:59 | 0:04:03 | |
Just have to remember how to row. | 0:04:03 | 0:04:05 | |
What was it about the moat that made it so difficult to cross? | 0:04:05 | 0:04:08 | |
So, the moat is the first line of defence. | 0:04:08 | 0:04:10 | |
As you can see, it's pretty wide. | 0:04:10 | 0:04:12 | |
It would've been up to a man's chest. | 0:04:12 | 0:04:14 | |
And if you've got people throwing things down at you, | 0:04:14 | 0:04:16 | |
shooting at you, it's going to be pretty difficult to get over. | 0:04:16 | 0:04:19 | |
OK. Right, what's the next one? | 0:04:19 | 0:04:21 | |
Don't go! I'm about to siege! | 0:04:22 | 0:04:25 | |
I'm going to attack you! Oh! | 0:04:25 | 0:04:27 | |
If Dom does eventually make it across that moat, | 0:04:27 | 0:04:30 | |
he'll come face-to-face with these huge, 12m-high stone walls. | 0:04:30 | 0:04:35 | |
Right, I'm hot on your heels, | 0:04:35 | 0:04:37 | |
but not before I've slipped into something a little, well, | 0:04:37 | 0:04:40 | |
less comfortable. | 0:04:40 | 0:04:41 | |
He's going to be terrified when he sees me. | 0:04:41 | 0:04:43 | |
We're pretty high up. Why is this a good defence? | 0:04:43 | 0:04:45 | |
So, we're on top of the inner ward. | 0:04:45 | 0:04:49 | |
If you remember, there was the moat, then there's the outer ward. | 0:04:49 | 0:04:52 | |
But in between the inner and outer ward, | 0:04:52 | 0:04:56 | |
we've got this area of grass here. | 0:04:56 | 0:04:58 | |
People would've been throwing things down at you, | 0:04:58 | 0:05:00 | |
firing arrows at you. | 0:05:00 | 0:05:02 | |
It wouldn't have been a nice place to be. | 0:05:02 | 0:05:03 | |
King Dickie, I'm coming for you! Argh! | 0:05:03 | 0:05:06 | |
We've got just the thing to dampen the enthusiasm of troublemakers - | 0:05:07 | 0:05:12 | |
water bombs. | 0:05:12 | 0:05:14 | |
Oh! Close! | 0:05:14 | 0:05:16 | |
-Argh! -All right, you fighter. -Hey-ah! | 0:05:16 | 0:05:18 | |
-Oh, missed again. -Have some of that. -Missed. | 0:05:18 | 0:05:20 | |
Oh! Cheeky. | 0:05:20 | 0:05:22 | |
You, sir, are French toast. | 0:05:22 | 0:05:24 | |
Come on! I'm invading your castle! | 0:05:24 | 0:05:26 | |
Missed. | 0:05:29 | 0:05:31 | |
We're getting the range. We're getting the range. | 0:05:31 | 0:05:33 | |
Oh, cheeky. | 0:05:33 | 0:05:35 | |
All right! | 0:05:35 | 0:05:38 | |
He's getting off really lightly, | 0:05:38 | 0:05:39 | |
but of course, in the medieval period, | 0:05:39 | 0:05:41 | |
we'd be shooting arrows at him, throwing boiling water on him. | 0:05:41 | 0:05:45 | |
Your chain mail is all soggy now, monsieur. | 0:05:46 | 0:05:49 | |
Argh! | 0:05:49 | 0:05:51 | |
'Right, that's it. I'm trying another way in. | 0:05:51 | 0:05:53 | |
'Whatever.' | 0:05:55 | 0:05:56 | |
Around the other side of the inner ward | 0:05:56 | 0:05:58 | |
is the South Gate passage. | 0:05:58 | 0:06:01 | |
It's one of only two routes into the heart of the castle, | 0:06:01 | 0:06:04 | |
and there's certainly no welcome mat here. | 0:06:04 | 0:06:07 | |
You'd have had to get through a big wooden door | 0:06:07 | 0:06:09 | |
to get into this area. | 0:06:09 | 0:06:10 | |
-You would've had to get past a portcullis. -What's a portcullis? | 0:06:10 | 0:06:14 | |
A portcullis is a big iron gate, and there's two in here. | 0:06:14 | 0:06:17 | |
One on the front and one towards the back. | 0:06:17 | 0:06:20 | |
You can see this is the groove where it would've fallen down. | 0:06:20 | 0:06:22 | |
And then, above us, there were murder holes. | 0:06:22 | 0:06:26 | |
Oh, don't like the sound of them. | 0:06:26 | 0:06:27 | |
So, murder holes were kind of spaces | 0:06:27 | 0:06:29 | |
where people would throw down boiling water, stones. | 0:06:29 | 0:06:33 | |
And then, just behind you, we have arrow slits. | 0:06:33 | 0:06:37 | |
They're quite narrow in the front, | 0:06:37 | 0:06:38 | |
but they're wider inside and there would've been room there | 0:06:38 | 0:06:41 | |
for people to fire arrows at you. | 0:06:41 | 0:06:43 | |
So, not only you get melted, you get an arrow in the head, as well. | 0:06:43 | 0:06:45 | |
-Yeah. And you're trapped, as well. -Oh. | 0:06:45 | 0:06:47 | |
You're not getting any further. | 0:06:47 | 0:06:48 | |
Don't like this place. Let's move on. | 0:06:48 | 0:06:50 | |
It doesn't scare me. | 0:06:50 | 0:06:53 | |
-I'm going to get my castle back. WHISPERS: -Here he is coming. | 0:06:53 | 0:06:55 | |
Shh! | 0:06:58 | 0:06:59 | |
Oh! | 0:07:02 | 0:07:03 | |
Right, that's it. I admit, it's terrifying. | 0:07:03 | 0:07:05 | |
It's a naughty castle and I can't cope. | 0:07:05 | 0:07:08 | |
-HE SCREAMS -Ha-ha! He's legged it. | 0:07:08 | 0:07:10 | |
It's victory for engineering. | 0:07:10 | 0:07:12 | |
-Thank goodness that's all over. -Why, was it heavy? | 0:07:13 | 0:07:15 | |
No, it was just ridiculous, wasn't it? | 0:07:15 | 0:07:16 | |
But anyway, the point has been proved | 0:07:16 | 0:07:18 | |
-that I could not enter your castle. -No, I am the king of the castle. | 0:07:18 | 0:07:21 | |
No, no, no, c'est moi. I am the king of the castles! | 0:07:21 | 0:07:26 | |
Engineering against attack | 0:07:28 | 0:07:30 | |
isn't always about the design of the building. | 0:07:30 | 0:07:32 | |
No, it's also about the materials that you use to build it. | 0:07:32 | 0:07:35 | |
Yeah. Since the 19th century, | 0:07:35 | 0:07:37 | |
one genius material has withstood bombs, bullets and blasts | 0:07:37 | 0:07:40 | |
more than any other material. | 0:07:40 | 0:07:42 | |
Introducing reinforced concrete | 0:07:42 | 0:07:45 | |
and its inventor Monsieur Joseph Monier. | 0:07:45 | 0:07:48 | |
Come and have a go if you think you're 'ard enough. | 0:07:49 | 0:07:52 | |
-Concrete lover. -He's a concrete kisser. | 0:07:52 | 0:07:55 | |
We love concrete, we do. | 0:07:55 | 0:07:56 | |
Frenchman Joseph Monier was a keen gardener | 0:07:58 | 0:08:01 | |
with a big problem. | 0:08:01 | 0:08:03 | |
The clay pots that he used to hold his plants would often break. | 0:08:03 | 0:08:06 | |
Oh, no! | 0:08:06 | 0:08:07 | |
Needing something stronger, | 0:08:07 | 0:08:08 | |
he put a layer of iron mesh inside cement. | 0:08:08 | 0:08:11 | |
Monier's new material was much tougher to smash | 0:08:11 | 0:08:15 | |
and it wasn't long before he realised its potential | 0:08:15 | 0:08:17 | |
for building bigger things. | 0:08:17 | 0:08:19 | |
May the reinforced be with you. Ha! | 0:08:19 | 0:08:22 | |
But it was during World War II | 0:08:22 | 0:08:24 | |
that Monier's genius idea came into full force. | 0:08:24 | 0:08:27 | |
Yeah, the British and the Germans | 0:08:27 | 0:08:28 | |
were making massive use of reinforced concrete. | 0:08:28 | 0:08:31 | |
They were using it to build barriers, bunkers | 0:08:31 | 0:08:34 | |
and other defensive buildings. | 0:08:34 | 0:08:36 | |
The biggest and the best of the lot was this. | 0:08:36 | 0:08:38 | |
This huge dome is called La Coupole. | 0:08:40 | 0:08:43 | |
During the Second World War, this site in Northern France | 0:08:43 | 0:08:46 | |
was used by the German army to store and launch V-2 rockets. | 0:08:46 | 0:08:51 | |
This made it a massive target for Allied attacks. | 0:08:53 | 0:08:56 | |
But nowadays, it's kept as a museum. | 0:08:59 | 0:09:02 | |
And Genius helper Cyrille Delattre is going to show us around. | 0:09:03 | 0:09:08 | |
Right, we're in the top of the building, | 0:09:08 | 0:09:11 | |
but what was this dome used for? | 0:09:11 | 0:09:12 | |
Actually, this dome is very special. | 0:09:12 | 0:09:14 | |
What is very important is under our feet, actually - | 0:09:14 | 0:09:17 | |
the preparation room for the rockets. | 0:09:17 | 0:09:19 | |
It needed to be protected, | 0:09:19 | 0:09:21 | |
so they needed to build this kind of huge shield of concrete | 0:09:21 | 0:09:24 | |
to protect what is underground. | 0:09:24 | 0:09:26 | |
So, this is like basically a giant umbrella. | 0:09:26 | 0:09:28 | |
-It is a giant umbrella. -A big, concrete umbrella. | 0:09:28 | 0:09:31 | |
Definitely. | 0:09:31 | 0:09:32 | |
And it's, as you can see, very much reinforced. | 0:09:32 | 0:09:34 | |
-You can see up there... -Oh, yeah. | 0:09:34 | 0:09:35 | |
..these big bars of metal crisscross. | 0:09:35 | 0:09:38 | |
It's like a giant Shreddie. | 0:09:38 | 0:09:40 | |
This would go like this and then this and then this... | 0:09:40 | 0:09:43 | |
-Yes. -..all the way up. | 0:09:43 | 0:09:44 | |
In total, the Germans used about 55,000 tonnes of concrete here. | 0:09:44 | 0:09:49 | |
The reinforced dome is 5m thick, | 0:09:49 | 0:09:53 | |
which gave the builders a real headache when it came | 0:09:53 | 0:09:55 | |
to fitting the museum's fire exits. | 0:09:55 | 0:09:57 | |
It took almost ten months just to dig this small exit. | 0:10:00 | 0:10:05 | |
What?! But that's the same amount of time | 0:10:05 | 0:10:07 | |
as it took the Germans to build the whole building. | 0:10:07 | 0:10:10 | |
Definitely. | 0:10:10 | 0:10:11 | |
That gives you a good clue of the efficiency of the construction. | 0:10:11 | 0:10:15 | |
So, why did it take so long to dig through, what is it, 5m? | 0:10:15 | 0:10:18 | |
Well, yes, 5m. | 0:10:18 | 0:10:19 | |
But you must think of the resistance of the concrete in itself | 0:10:19 | 0:10:23 | |
and the reinforcements. | 0:10:23 | 0:10:24 | |
You can see it's everywhere. | 0:10:24 | 0:10:26 | |
Reinforced concrete is clearly no soft touch. | 0:10:26 | 0:10:30 | |
But why exactly is it so resistant to attack? | 0:10:30 | 0:10:34 | |
In case you haven't noticed, we're not engineers. | 0:10:37 | 0:10:40 | |
-THEY SCREAM -Oh, what?! | 0:10:40 | 0:10:43 | |
So it's a good job we have superstar engineer Yewande | 0:10:43 | 0:10:46 | |
to call on when structures get us scratching our heads. | 0:10:46 | 0:10:49 | |
Argh! | 0:10:49 | 0:10:51 | |
-Yewande, what have you got in there? -I've got cake mixture in here. | 0:10:51 | 0:10:54 | |
Of course you have. Why have you got cake mixture? | 0:10:54 | 0:10:56 | |
We're here to talk about reinforced concrete. | 0:10:56 | 0:10:58 | |
Yes, but you know what? | 0:10:58 | 0:10:59 | |
Cake and concrete actually have a lot in common. | 0:10:59 | 0:11:03 | |
-Is it rock cake? -HE CHUCKLES | 0:11:03 | 0:11:05 | |
-What is this? What is that? -This is plastic. | 0:11:05 | 0:11:08 | |
'It's baking mesh.' | 0:11:08 | 0:11:10 | |
Now, this is like the reinforcement - | 0:11:10 | 0:11:13 | |
the iron or the steel, right? | 0:11:13 | 0:11:15 | |
It is able to withstand bending forces, right? | 0:11:15 | 0:11:19 | |
It's got the right give. | 0:11:19 | 0:11:21 | |
And the concrete - our cake mixture - | 0:11:21 | 0:11:25 | |
is able to actually bear compressive stresses. | 0:11:25 | 0:11:29 | |
Concrete alone can shatter when hit. | 0:11:29 | 0:11:31 | |
Add in the flexible strength of steel, and voila, | 0:11:31 | 0:11:34 | |
you have one mega-strong material. | 0:11:34 | 0:11:37 | |
Joseph Monier, that was his genius. | 0:11:37 | 0:11:39 | |
He combined two different materials | 0:11:39 | 0:11:42 | |
with two different physical properties | 0:11:42 | 0:11:44 | |
to create one material that is stronger than either | 0:11:44 | 0:11:49 | |
of the two materials would've been on their own. | 0:11:49 | 0:11:52 | |
And Yewande has come up | 0:11:52 | 0:11:53 | |
with a little experiment to prove exactly that. | 0:11:53 | 0:11:56 | |
One of these cakes is reinforced with layers of plastic baking mesh, | 0:11:56 | 0:12:01 | |
and the other, well, it isn't. | 0:12:01 | 0:12:03 | |
Here's two we made earlier. | 0:12:03 | 0:12:06 | |
Now, which will survive this 6m drop? | 0:12:06 | 0:12:09 | |
One, two, three. | 0:12:09 | 0:12:13 | |
Right, let's have a look. | 0:12:20 | 0:12:22 | |
-OK. I'll and try and pick it up. -Oh, my God. -Oh. | 0:12:22 | 0:12:24 | |
-Oh, look at that. -How about we try that one? | 0:12:24 | 0:12:26 | |
That is intact thanks to the reinforcement. | 0:12:26 | 0:12:29 | |
-Point proven. -Definitely. | 0:12:29 | 0:12:31 | |
The bad news is my cake is in pieces. | 0:12:31 | 0:12:33 | |
The good news is it tastes blooming good. | 0:12:33 | 0:12:35 | |
Put the kettle on. We'll have a nice cup of tea. | 0:12:35 | 0:12:37 | |
Have a brew, yeah. Come on, let's go and have a brew. | 0:12:37 | 0:12:39 | |
The proof is in the pudding. | 0:12:39 | 0:12:41 | |
Back on the other side of the English Channel, | 0:12:42 | 0:12:44 | |
Cyrille has arranged a special treat. | 0:12:44 | 0:12:46 | |
A trip to the very top | 0:12:46 | 0:12:48 | |
of La Coupole's reinforced concrete dome. | 0:12:48 | 0:12:51 | |
-Wow, look at the view. -Yes, it is a beautiful view, | 0:12:51 | 0:12:54 | |
-although, around here, 3,000 tonnes of bombs fell... -Whoa. | 0:12:54 | 0:12:59 | |
..that was dropped by the Royal Air Force | 0:12:59 | 0:13:01 | |
during the Second World War. | 0:13:01 | 0:13:02 | |
One of the biggest bombs of the time, a Tallboy - | 0:13:02 | 0:13:05 | |
-five tonnes - just fell 20 yards from here. -Yeah. | 0:13:05 | 0:13:08 | |
It should have shaken everything off, | 0:13:08 | 0:13:11 | |
and the dome resisted because of the reinforcement. | 0:13:11 | 0:13:16 | |
Since the end of World War II, | 0:13:16 | 0:13:18 | |
Monier's genius idea has kept everything, | 0:13:18 | 0:13:20 | |
from the world's tallest buildings | 0:13:20 | 0:13:22 | |
to the most famous bridges, standing. | 0:13:22 | 0:13:25 | |
Joseph Monier, you are one tough cookie. | 0:13:28 | 0:13:31 | |
-And of course an absolute genius. -Mwah! | 0:13:31 | 0:13:34 | |
Get off! | 0:13:34 | 0:13:36 | |
Tastes like concrete. | 0:13:36 | 0:13:37 | |
Still to come, we head to the seaside to build, | 0:13:40 | 0:13:45 | |
and then attempt to knock down... | 0:13:45 | 0:13:46 | |
No! My beautiful wall! | 0:13:46 | 0:13:48 | |
..a massive castle of our very own. | 0:13:48 | 0:13:51 | |
Stop! | 0:13:51 | 0:13:52 | |
But now prepare yourselves for a barrage of random genius-nesssss. | 0:13:52 | 0:13:56 | |
This is the Great Wall of China. | 0:13:58 | 0:14:00 | |
Originally believed to stretch to an incredible 13,000 miles, | 0:14:00 | 0:14:06 | |
this is easily the biggest defensive structure in the world. | 0:14:06 | 0:14:10 | |
Meet BigDog - | 0:14:10 | 0:14:12 | |
a prototype rough-terrain robot that walks, runs, | 0:14:12 | 0:14:15 | |
climbs and carries heavy loads. | 0:14:15 | 0:14:17 | |
The plan is that, one day, soldiers will use this robotic hound | 0:14:17 | 0:14:21 | |
to carry equipment on the battlefield. | 0:14:21 | 0:14:23 | |
Walkies! DOG BARKS | 0:14:23 | 0:14:27 | |
No, this isn't the set of Star Wars. | 0:14:27 | 0:14:29 | |
In fact, these fortified towers in the Thames Estuary off Kent | 0:14:29 | 0:14:33 | |
were used to defend Britain from attack during World War II. | 0:14:33 | 0:14:37 | |
Rusty. | 0:14:37 | 0:14:38 | |
-We're in California! -Is that in America? | 0:14:39 | 0:14:42 | |
You're very clever. And it's home to our final genius. | 0:14:42 | 0:14:45 | |
Medieval castles and reinforced concrete bunkers | 0:14:46 | 0:14:49 | |
were at the cutting edge of defensive engineering. | 0:14:49 | 0:14:52 | |
Our third genius has come up with a way to give protection | 0:14:52 | 0:14:55 | |
from things flying at us, which is what I need right now. | 0:14:55 | 0:14:58 | |
No, not baseballs. Asteroids. | 0:15:00 | 0:15:02 | |
Let's smash it out of the park for our next genius, | 0:15:02 | 0:15:05 | |
Megan Bruck Syal. | 0:15:05 | 0:15:06 | |
The one and only! | 0:15:06 | 0:15:08 | |
Oh, hang on. What's going on here? Is this supposed to be me? | 0:15:08 | 0:15:12 | |
And who the heck are you? | 0:15:12 | 0:15:14 | |
Sorry, Megan. She's very rude, you know. | 0:15:14 | 0:15:17 | |
Nice to meet you. A real-life genius! | 0:15:17 | 0:15:19 | |
Come in here. Come and meet the other one. | 0:15:19 | 0:15:21 | |
Oh, rubbish! | 0:15:21 | 0:15:22 | |
Absolutely useless. Right, I've got a friend for you. | 0:15:22 | 0:15:24 | |
-Oh, hi, Megan. -Hey. -Nice to meet you. -Nice to meet you. | 0:15:24 | 0:15:27 | |
What is it about playing baseball, then, | 0:15:27 | 0:15:29 | |
that ties in with your genius idea? | 0:15:29 | 0:15:30 | |
Baseball is a really useful way of understanding the threat | 0:15:30 | 0:15:33 | |
that we're under from asteroids. | 0:15:33 | 0:15:34 | |
So, in the future, an asteroid might be coming right at the earth, | 0:15:34 | 0:15:38 | |
just like the baseballs are coming right at you. | 0:15:38 | 0:15:40 | |
Ah, that's the asteroid. Right. | 0:15:40 | 0:15:41 | |
And we need a way to deflect the asteroid off course | 0:15:41 | 0:15:44 | |
-from the earth, just like you're using the bat. -Aha. | 0:15:44 | 0:15:46 | |
But that's not actually a real threat, is it - | 0:15:46 | 0:15:49 | |
an asteroid hitting planet earth? | 0:15:49 | 0:15:50 | |
Actually, there's many thousands of asteroids out there undiscovered, | 0:15:50 | 0:15:54 | |
and some of them will be likely to hit us in the future. | 0:15:54 | 0:15:57 | |
We just don't know when. | 0:15:57 | 0:15:59 | |
NASA estimate nearly 15,000 asteroids can be classified | 0:15:59 | 0:16:03 | |
as near-earth objects, but hardly any of those | 0:16:03 | 0:16:07 | |
will actually make it all the way to earth. | 0:16:07 | 0:16:09 | |
Most are small and burn up in the earth's upper atmosphere, | 0:16:09 | 0:16:13 | |
creating shooting stars. | 0:16:13 | 0:16:15 | |
But every once in a while, one comes a little too close for comfort. | 0:16:15 | 0:16:20 | |
In 2013, this 20m-wide meteor exploded in the skies above Russia. | 0:16:20 | 0:16:26 | |
This amazing footage from mobile phones and security cameras | 0:16:28 | 0:16:32 | |
shows just how powerful the blast was. | 0:16:32 | 0:16:35 | |
At this hi-tech US government facility, | 0:16:37 | 0:16:40 | |
Megan and her colleagues are working to defend our planet | 0:16:40 | 0:16:44 | |
against future threats from space. | 0:16:44 | 0:16:47 | |
-Looks like a spaceship. -Yeah. | 0:16:47 | 0:16:49 | |
Megan, we've been in some labs before, | 0:16:52 | 0:16:54 | |
but this looks like the daddy of all labs. | 0:16:54 | 0:16:56 | |
What goes on in here? | 0:16:56 | 0:16:57 | |
We're hoping to learn more about how these asteroids will respond | 0:16:57 | 0:17:01 | |
to the ways in which we're likely to try to deflect them. | 0:17:01 | 0:17:04 | |
So, in here, we're using a laser. | 0:17:04 | 0:17:06 | |
We fire that laser at the meteorite samples. | 0:17:06 | 0:17:09 | |
We have some really sophisticated cameras and mirrors... | 0:17:09 | 0:17:12 | |
-Yes. -..lenses. | 0:17:12 | 0:17:13 | |
They'll be looking in at the target as it's being zapped. | 0:17:13 | 0:17:16 | |
We'll watch how that meteorite responds to the laser. | 0:17:16 | 0:17:18 | |
So, let's say, in hundreds of thousands of years' time, | 0:17:18 | 0:17:21 | |
a meteorite is coming towards earth, what would you do? | 0:17:21 | 0:17:24 | |
So, if an asteroid really were going to threaten the earth, | 0:17:24 | 0:17:26 | |
there's two main techniques we'd use. | 0:17:26 | 0:17:28 | |
The first is called a kinetic impactor. | 0:17:28 | 0:17:30 | |
It's very straightforward. | 0:17:30 | 0:17:31 | |
-A spacecraft would just crash into it at high speeds... -What?! | 0:17:31 | 0:17:34 | |
..dump all of its momentum into the asteroid | 0:17:34 | 0:17:36 | |
so it would just be nudged off course with earth. | 0:17:36 | 0:17:39 | |
Plan A - fire an unmanned rocket and knock the meteor off course. | 0:17:39 | 0:17:44 | |
Second option - | 0:17:46 | 0:17:48 | |
and we need to use this for somewhat larger asteroids | 0:17:48 | 0:17:50 | |
or asteroids where we don't have a lot of warning time - | 0:17:50 | 0:17:53 | |
we could use a nuclear explosion | 0:17:53 | 0:17:55 | |
that would be deployed some distance from the surface of the asteroid, | 0:17:55 | 0:17:59 | |
so we'd hopefully deflect it. | 0:17:59 | 0:18:00 | |
Plan B - blow up a massive bomb and send the meteor flying. | 0:18:00 | 0:18:06 | |
That's it. Get out of it! | 0:18:06 | 0:18:08 | |
For your genius idea to protect planet earth | 0:18:08 | 0:18:11 | |
from an asteroid attack... | 0:18:11 | 0:18:12 | |
Megan Bruck Syal, you are an absolute genius. | 0:18:12 | 0:18:15 | |
-You don't look like me. -YOU don't look like ME! | 0:18:15 | 0:18:18 | |
-Oh. -Now, get out of my lab! | 0:18:18 | 0:18:20 | |
From the medieval castle | 0:18:22 | 0:18:24 | |
to the very latest in planet-saving technology... | 0:18:24 | 0:18:28 | |
We've seen how some truly genius engineering | 0:18:28 | 0:18:31 | |
has kept people safe from the threat of attack. | 0:18:31 | 0:18:34 | |
Now then, we're going to have a go at building... | 0:18:37 | 0:18:40 | |
And attempting to demolish. | 0:18:40 | 0:18:41 | |
-..our very own castle. -Cas-tle. -Caw-stle. | 0:18:41 | 0:18:43 | |
And where better place to build a castle... | 0:18:43 | 0:18:45 | |
-Caw-stle. -Cas-tle. ..than here at the seaside?! | 0:18:45 | 0:18:48 | |
But if we're going to build a castle out of sand, | 0:18:53 | 0:18:55 | |
then it needs to be big. | 0:18:55 | 0:18:57 | |
REALLY big. | 0:18:57 | 0:18:59 | |
And for that, we need the help of an expert. | 0:18:59 | 0:19:02 | |
Not you. | 0:19:02 | 0:19:03 | |
Ah, that's better. | 0:19:03 | 0:19:04 | |
Meet professional sand sculptor Mark Anderson. | 0:19:04 | 0:19:08 | |
He's built everything you can possibly imagine, | 0:19:08 | 0:19:10 | |
and all out of sand taken straight from the local beach. | 0:19:10 | 0:19:14 | |
Boo! | 0:19:14 | 0:19:16 | |
I've got a monster build Genius challenge, | 0:19:16 | 0:19:18 | |
which is to build a humongous sandcastle. | 0:19:18 | 0:19:20 | |
-I'm going to flatten it. -Are you? -Squash it to the ground. | 0:19:20 | 0:19:22 | |
You're not, cos I'm going to reinforce it. | 0:19:22 | 0:19:24 | |
Nice and strong so you can't flatten it. | 0:19:24 | 0:19:26 | |
-That's what you think. -Look, we need... I need some inspiration. | 0:19:26 | 0:19:29 | |
-OK, well, let's go and have a look around. -Yeah. | 0:19:29 | 0:19:31 | |
See if there's anything we can inspire you with. | 0:19:31 | 0:19:33 | |
Then we'll go into the sandpit, | 0:19:33 | 0:19:34 | |
make a mock-up and then see how we're going. | 0:19:34 | 0:19:37 | |
Get to play sand castles! Amazing. | 0:19:37 | 0:19:39 | |
'So, while I'm busy planning my castle...' | 0:19:41 | 0:19:45 | |
-Is this the tallest one here? -It is, yeah. 5m. | 0:19:45 | 0:19:48 | |
I'm working out how to reduce it to rubble. | 0:19:48 | 0:19:51 | |
HE GRUNTS | 0:19:51 | 0:19:54 | |
-So, just mix the sand with some water. -Yes. | 0:19:54 | 0:19:55 | |
-Get a nice, big handful of that. -Dream job, this. | 0:19:55 | 0:19:57 | |
So, you and your team are going to construct the real thing now. | 0:20:01 | 0:20:03 | |
-We are. -And I'll come back later | 0:20:03 | 0:20:05 | |
when you're nearly done and add the finishing touches. | 0:20:05 | 0:20:07 | |
Many, many, many hours later, | 0:20:13 | 0:20:16 | |
and at our beach building site, Mark and I are almost done. | 0:20:16 | 0:20:20 | |
It's great round the front, but round the back, | 0:20:23 | 0:20:25 | |
there's some tissue sticking out. What's this? | 0:20:25 | 0:20:27 | |
Well, this is one of the ways of reinforcing concrete, | 0:20:27 | 0:20:30 | |
so we thought we'd give it a go with the sand. | 0:20:30 | 0:20:32 | |
So, we've learned all about reinforced concrete. | 0:20:32 | 0:20:34 | |
This is reinforced sand, folks, right here. OK. | 0:20:34 | 0:20:37 | |
I don't care how reinforced it's going to be | 0:20:37 | 0:20:39 | |
cos I've got watermelons. | 0:20:39 | 0:20:41 | |
I reckon it's going to take more than melons | 0:20:43 | 0:20:45 | |
to knock this beauty down. | 0:20:45 | 0:20:47 | |
James of Saint George would be proud. | 0:20:47 | 0:20:51 | |
The castle wall is 2m tall and almost a metre thick, | 0:20:51 | 0:20:55 | |
and safely behind it, my magnificent Trojan pig. | 0:20:55 | 0:21:00 | |
In total, this truly monster build weighs more than 20 tonnes. | 0:21:00 | 0:21:05 | |
Dick, you may take my castle, but you'll never take my pig! | 0:21:07 | 0:21:12 | |
Here's how it's going to work. | 0:21:14 | 0:21:16 | |
Mark and I - well, just Mark, really - | 0:21:16 | 0:21:19 | |
has lovingly sculpted my Trojan sand pig. | 0:21:19 | 0:21:22 | |
It's reinforced with layers of tissue paper | 0:21:22 | 0:21:26 | |
and protected from frontal assault by a supersized sand wall, | 0:21:26 | 0:21:30 | |
just like castles of old. | 0:21:30 | 0:21:32 | |
Dickie has no chance. | 0:21:32 | 0:21:34 | |
I wouldn't be so sure. | 0:21:34 | 0:21:36 | |
Just wait till you see the awesome selection of weapons | 0:21:36 | 0:21:38 | |
-I've got to choose from. -HE LAUGHS | 0:21:38 | 0:21:41 | |
Let battle commence. | 0:21:42 | 0:21:44 | |
Come on. Come and get my pig. | 0:21:44 | 0:21:47 | |
'Anyone for tennis?' | 0:21:47 | 0:21:48 | |
Speed up. | 0:21:49 | 0:21:50 | |
Oh! | 0:21:56 | 0:21:58 | |
Making a bit of damage. It's a good start. | 0:21:58 | 0:22:00 | |
My castle's rock-solid. | 0:22:00 | 0:22:02 | |
Ooh! I got the camera! | 0:22:04 | 0:22:06 | |
It's advantage Dick. | 0:22:08 | 0:22:10 | |
Rock-solid. | 0:22:13 | 0:22:15 | |
Here he comes. Here he comes. | 0:22:15 | 0:22:17 | |
Come on, then. | 0:22:17 | 0:22:19 | |
70mph tennis balls - | 0:22:19 | 0:22:21 | |
scary for me, but no problem for the wall. | 0:22:21 | 0:22:24 | |
-I'm running out of balls! -Deuce. | 0:22:24 | 0:22:27 | |
My castle is still intact, but what about my prized porker? | 0:22:27 | 0:22:31 | |
My beautiful pig! | 0:22:31 | 0:22:33 | |
It hit the swine on the backside, | 0:22:33 | 0:22:34 | |
but the only other damage concerned - nothing. | 0:22:34 | 0:22:38 | |
My pig is in place. | 0:22:38 | 0:22:40 | |
Yes, I may have lost the battle, but I haven't lost the war. | 0:22:41 | 0:22:44 | |
Slice of melon, Dom? | 0:22:44 | 0:22:46 | |
It's melon time! | 0:22:46 | 0:22:47 | |
This honeydew is coming to you. | 0:22:47 | 0:22:50 | |
Oi! | 0:22:50 | 0:22:52 | |
-That's my turret! -Yes! | 0:22:52 | 0:22:54 | |
Oi, you put that honeydew away. | 0:22:54 | 0:22:56 | |
-Yes! -Right in the window. | 0:22:58 | 0:23:00 | |
These beauties are doing way more damage. | 0:23:00 | 0:23:03 | |
Back of the net. Now for the pig. | 0:23:05 | 0:23:08 | |
-Pig hitter! -No! | 0:23:08 | 0:23:10 | |
Ooh! | 0:23:10 | 0:23:12 | |
-Did that hit my pig? -It's a honeydew blitz. | 0:23:12 | 0:23:15 | |
It's actually really tough to damage. Look. See? | 0:23:17 | 0:23:21 | |
Did that hit my pig? | 0:23:21 | 0:23:23 | |
No, it's not hit my pig. | 0:23:25 | 0:23:26 | |
No more Mr Nice Guy. | 0:23:26 | 0:23:28 | |
Right, time for a big one. | 0:23:28 | 0:23:30 | |
Yes, yes... | 0:23:31 | 0:23:32 | |
These watermelons are more than twice the weight of the honeydews. | 0:23:32 | 0:23:36 | |
No. | 0:23:36 | 0:23:37 | |
But my oinker has yet to take a direct hit. | 0:23:37 | 0:23:41 | |
He's got a new technique, folks. | 0:23:43 | 0:23:45 | |
Argh! | 0:23:45 | 0:23:47 | |
Yeah! | 0:23:50 | 0:23:52 | |
Get in! | 0:23:52 | 0:23:54 | |
At last, I've found my range. | 0:23:54 | 0:23:56 | |
That castle is firmly in my sights. | 0:23:57 | 0:23:59 | |
Argh! Argh! | 0:24:00 | 0:24:02 | |
Oh! | 0:24:04 | 0:24:05 | |
But, alas, my watermelons can't weasel their way | 0:24:05 | 0:24:08 | |
through Dom's defences. Time for a change of tack. | 0:24:08 | 0:24:11 | |
ENGINE STARTS | 0:24:11 | 0:24:14 | |
He's melting my castle. It's melting like it's made of wax. | 0:24:19 | 0:24:22 | |
This high-pressure washer could strip paint off a shed... | 0:24:22 | 0:24:25 | |
Pig next. | 0:24:25 | 0:24:26 | |
..and it's really doing the trick. | 0:24:26 | 0:24:28 | |
That wall is my first line of defence. | 0:24:28 | 0:24:30 | |
As long as he doesn't get through it and attack my pig, | 0:24:30 | 0:24:32 | |
I don't care what he does to the outside. | 0:24:32 | 0:24:34 | |
Don't be so cocky. I'm going in. | 0:24:34 | 0:24:36 | |
It's popped out the other side! My oinker's getting wet! | 0:24:45 | 0:24:49 | |
Pig. I'm nearly at the pig. | 0:24:49 | 0:24:50 | |
This is hogwash! | 0:24:50 | 0:24:52 | |
I'm defending it! You can't get my pig wet! | 0:24:52 | 0:24:55 | |
Argh! Right, I've had enough. It's not working. | 0:24:57 | 0:25:00 | |
There's more on me than I'm destroying the castle. | 0:25:00 | 0:25:03 | |
There's only one thing for it. | 0:25:03 | 0:25:05 | |
Is he finished? | 0:25:05 | 0:25:06 | |
That's it. Look at that! My pig's still intact. | 0:25:06 | 0:25:09 | |
A little bit damp around the edges, but it doesn't matter. | 0:25:09 | 0:25:11 | |
I have got an indestructible hog! | 0:25:11 | 0:25:15 | |
You have left me no option. | 0:25:15 | 0:25:17 | |
You, sir, and your pig have brought this on yourselves. | 0:25:17 | 0:25:21 | |
It's a thing of beauty. ENGINE APPROACHES | 0:25:21 | 0:25:24 | |
Pig, we're coming to get you. | 0:25:29 | 0:25:32 | |
This is a British Scorpion tank - eight tonnes of tracked fury. | 0:25:32 | 0:25:36 | |
You don't need melons. You don't need tennis balls. | 0:25:36 | 0:25:39 | |
You just need a tank. | 0:25:39 | 0:25:42 | |
It's designed to move across virtually any terrain, | 0:25:42 | 0:25:45 | |
sand included. | 0:25:45 | 0:25:47 | |
You leave my castle alone! Don't you... | 0:25:47 | 0:25:49 | |
-Don't. Don't. -Here we go. | 0:25:49 | 0:25:52 | |
Don't you dare demolish this! | 0:25:52 | 0:25:55 | |
Whoa! | 0:25:57 | 0:25:58 | |
Get in! | 0:25:59 | 0:26:01 | |
Stop! | 0:26:01 | 0:26:02 | |
What have you done to my castle? | 0:26:05 | 0:26:07 | |
That's one corner gone. | 0:26:07 | 0:26:08 | |
It's smashed to pieces! | 0:26:08 | 0:26:11 | |
That's how you demolish a castle. | 0:26:11 | 0:26:13 | |
Ruined! Ruined! | 0:26:15 | 0:26:17 | |
Well, that's the castle accounted for. | 0:26:17 | 0:26:19 | |
Don't you worry. Everything's fine. You'll be fine. | 0:26:19 | 0:26:22 | |
Now your porker's for the chop. | 0:26:23 | 0:26:25 | |
Here we go. Come on, pig. | 0:26:27 | 0:26:30 | |
Leave our tank alone. | 0:26:30 | 0:26:32 | |
Not the pig. Not the pig. Don't you dare. | 0:26:32 | 0:26:35 | |
-Goodbye, pig. -Leave my pig alone. -Goodbye, pig. | 0:26:35 | 0:26:38 | |
Bye, pig. Yeah! | 0:26:38 | 0:26:41 | |
Hey-hey! Whay! | 0:26:41 | 0:26:44 | |
You've knocked his head off! | 0:26:44 | 0:26:45 | |
He's got no head. | 0:26:47 | 0:26:49 | |
-No! -Yeah! | 0:26:50 | 0:26:52 | |
That's the pig down, ladies and gentlemen. | 0:26:56 | 0:26:58 | |
Mission complete. | 0:26:58 | 0:27:00 | |
'Victory.' | 0:27:01 | 0:27:02 | |
Even my super-strong swine is no match for a tank. | 0:27:02 | 0:27:06 | |
He's made a right pig's ear of that one, eh? | 0:27:07 | 0:27:09 | |
Well, better go and get a bucket and spade and start again. | 0:27:10 | 0:27:14 | |
We've seen how some nifty engineering has come up | 0:27:19 | 0:27:21 | |
with brilliant defensive ideas. | 0:27:21 | 0:27:23 | |
Thanks to these three geniuses, | 0:27:23 | 0:27:25 | |
we are now relatively safe from the threat of attack. | 0:27:25 | 0:27:27 | |
Unless your house is built out of sand | 0:27:27 | 0:27:29 | |
and it's being driven over by a tank. | 0:27:29 | 0:27:31 | |
James of Saint George, Monier and Bruck Syal, | 0:27:31 | 0:27:34 | |
you are all absolute genius. | 0:27:34 | 0:27:36 | |
Smashing work, fellas. Now then, let's have a paddle. | 0:27:36 | 0:27:39 | |
He's loving it. | 0:27:55 | 0:27:56 | |
I hate it! | 0:27:56 | 0:27:58 |