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This is Alesha's Street Dance Stars, | 0:00:03 | 0:00:06 | |
the UK's most ambitious talent search, | 0:00:06 | 0:00:08 | |
dedicated to uncovering the finest young street dance crews. | 0:00:08 | 0:00:12 | |
You guys look so cute but...rarr...even more. | 0:00:12 | 0:00:15 | |
I'm a person who says it how it is. | 0:00:15 | 0:00:17 | |
You are feeling it. You're, like, "Yeah! Aah!" | 0:00:17 | 0:00:21 | |
Last time, Nu Flow, Lil Diamonds | 0:00:21 | 0:00:25 | |
and KLIC all celebrated success and checked into the semis. | 0:00:25 | 0:00:30 | |
The five crews hoping to taste victory today are the Ninjas, | 0:00:30 | 0:00:34 | |
Masters Of Motion, Ffres, G25 | 0:00:34 | 0:00:39 | |
and D*Fy. With only three places left in the semifinals, | 0:00:39 | 0:00:43 | |
the pressure is on. | 0:00:43 | 0:00:44 | |
CHEERING | 0:01:07 | 0:01:09 | |
Hello and welcome to Alesha's Street Dance Stars. | 0:01:09 | 0:01:13 | |
The pressure is on as this is the last of our heats which means | 0:01:13 | 0:01:16 | |
there is only three places up for grabs in the semifinals. | 0:01:16 | 0:01:19 | |
As in previous heats, we will say goodbye to two of our crews, | 0:01:19 | 0:01:22 | |
so they'll need to make sure every move counts | 0:01:22 | 0:01:25 | |
if they're going to become Alesha's Street Dance Stars 2011. | 0:01:25 | 0:01:28 | |
Our panel of expert judges have the power to decide | 0:01:33 | 0:01:36 | |
who will go through to the next round. | 0:01:36 | 0:01:38 | |
This is what they said about the crews last time. | 0:01:38 | 0:01:41 | |
You guys have so much attitude | 0:01:41 | 0:01:44 | |
and you kept it all through. | 0:01:44 | 0:01:46 | |
Your shape at the beginning... Like, your body logo. | 0:01:48 | 0:01:52 | |
You were physical, fierce, strong... | 0:01:56 | 0:02:00 | |
CHEERING | 0:02:00 | 0:02:03 | |
Welcome back, Kenrick. | 0:02:03 | 0:02:04 | |
SCREAMING | 0:02:04 | 0:02:06 | |
And Lizzie. | 0:02:07 | 0:02:10 | |
And Turbo. | 0:02:11 | 0:02:12 | |
As a chorographer yourself, what do you look for in a routine? | 0:02:17 | 0:02:21 | |
Creativity, dynamics and I look for the dance. | 0:02:21 | 0:02:25 | |
I like that. Lizzie, we've only three places left in the semis. | 0:02:25 | 0:02:28 | |
-You must feel the pressure to make a decision. -I'm excited. | 0:02:28 | 0:02:31 | |
I think the teams will do amazing. They've done amazing to get this far. | 0:02:31 | 0:02:35 | |
-As long as they do their best, that's all we want. -Cool. | 0:02:35 | 0:02:38 | |
Turbo, how important is the crews' character in their performance? | 0:02:38 | 0:02:42 | |
It's very important cos it connects with the audience | 0:02:42 | 0:02:45 | |
and we get to see their personalities on stage. | 0:02:45 | 0:02:47 | |
This is important, our judges score crews after each performance. | 0:02:47 | 0:02:51 | |
They're looking for technique, choreography and showmanship. | 0:02:51 | 0:02:54 | |
Only the three crews with the highest combined scores | 0:02:54 | 0:02:57 | |
will go to the semifinals. | 0:02:57 | 0:02:58 | |
As before, in the unlikely event of a tie, | 0:02:58 | 0:03:01 | |
head judge Kenrick will judge who goes through. | 0:03:01 | 0:03:03 | |
So, after weeks of rehearsals, | 0:03:03 | 0:03:05 | |
this is it. First up, they're full of energy and raring to go. | 0:03:05 | 0:03:10 | |
It's the Ninjas. | 0:03:10 | 0:03:11 | |
CHEERING | 0:03:11 | 0:03:13 | |
ALL: We're the Ninjas and we're from Basildon. | 0:03:18 | 0:03:21 | |
When we qualified for the heats, we were so happy. | 0:03:23 | 0:03:26 | |
ALL: Yeah! | 0:03:26 | 0:03:28 | |
For your age group, with that kind of maturity on stage, | 0:03:28 | 0:03:32 | |
is amazing. | 0:03:32 | 0:03:33 | |
When they hit the hammer, it went right up, | 0:03:33 | 0:03:35 | |
my confidence boosted like that, ding! | 0:03:35 | 0:03:38 | |
All Turbo could say was it was sick. | 0:03:38 | 0:03:41 | |
It was sick. It actually was sick. | 0:03:41 | 0:03:45 | |
Right now, you're good. You're really good. | 0:03:45 | 0:03:47 | |
I want you to be amazing. | 0:03:47 | 0:03:50 | |
In the heats, we're going to up our game and make it harder | 0:03:50 | 0:03:53 | |
and make our mums and dads proud. | 0:03:53 | 0:03:56 | |
Good luck out there, but watch out cos the Ninjas are in town. | 0:03:56 | 0:04:00 | |
NINJAS: Yeah! | 0:04:00 | 0:04:02 | |
CHEERING | 0:04:02 | 0:04:05 | |
It's Ninjas. | 0:04:15 | 0:04:19 | |
HIGH ENERGY DANCE MUSIC | 0:04:25 | 0:04:28 | |
CHEERING AND APPLAUSE | 0:06:04 | 0:06:07 | |
Well done, guys. | 0:06:09 | 0:06:11 | |
Turbo, start us off with the Ninjas. | 0:06:11 | 0:06:13 | |
All I have to say is...haya-a-a! | 0:06:13 | 0:06:17 | |
You guys are just a ball of Ninja energy. | 0:06:20 | 0:06:24 | |
I tried to look at the whole stage but you're doing so much, | 0:06:24 | 0:06:27 | |
I don't want to miss nothing. | 0:06:27 | 0:06:29 | |
You really brought some fire. I'm very impressed. Well done. | 0:06:29 | 0:06:33 | |
Mr Kenrick? | 0:06:35 | 0:06:38 | |
Oh, my gosh... | 0:06:38 | 0:06:40 | |
Waa-a-a-a... | 0:06:40 | 0:06:42 | |
That was a really good performance. The fact that | 0:06:42 | 0:06:46 | |
you don't care... The way you coin dropped there | 0:06:46 | 0:06:49 | |
and windmilled there and throw yourself over there | 0:06:49 | 0:06:53 | |
and going crazy... I love it. | 0:06:53 | 0:06:56 | |
One thing, get the routines tighter. | 0:06:56 | 0:06:58 | |
Other than that, that was a really good performance. | 0:06:58 | 0:07:01 | |
Good comments there from Kenrick. All right, Lizzie, finish us off. | 0:07:01 | 0:07:07 | |
You guys mean business. You're here for the competition and I love that. | 0:07:07 | 0:07:12 | |
CHEERING Like Turbo said, | 0:07:12 | 0:07:14 | |
there's so much going on, you don't want to miss anything. | 0:07:14 | 0:07:17 | |
Let's hear it for the Ninjas. Whoo! | 0:07:17 | 0:07:22 | |
Next, it's one of the largest crews to get through the heats. | 0:07:24 | 0:07:28 | |
They call themselves Masters Of Motion. | 0:07:28 | 0:07:30 | |
MASTERS OF MOTION: We're in the heat! | 0:07:36 | 0:07:38 | |
Before we got through to the qualifiers, | 0:07:38 | 0:07:41 | |
we'd been practising five nights a week to make sure it was bang on. | 0:07:41 | 0:07:45 | |
The judge we'd like to impress most is Lizzie | 0:07:45 | 0:07:49 | |
cos she specialises in locking and that's the majority of our routine. | 0:07:49 | 0:07:54 | |
You had such a range of styles in that routine which is great. | 0:07:54 | 0:07:57 | |
You had locking, tutting, house. A bit of everything. | 0:07:57 | 0:08:00 | |
We're upping our game for the heats but only on the stage. | 0:08:00 | 0:08:03 | |
We're not throwing away our moves | 0:08:03 | 0:08:05 | |
and we'll make sure all our grooves are the same. | 0:08:05 | 0:08:08 | |
ALL: Good luck to all the other teams, but, remember... | 0:08:08 | 0:08:11 | |
..we're the Masters! | 0:08:14 | 0:08:15 | |
CHEERS AND APPLAUSE | 0:08:15 | 0:08:18 | |
'Searching... | 0:08:18 | 0:08:20 | |
'Access denied.' | 0:08:20 | 0:08:22 | |
Doing it for Sian, it's Masters Of Motion. | 0:08:24 | 0:08:28 | |
You are now about to witness the strength of street knowledge. | 0:08:35 | 0:08:39 | |
Back on to the dance floor. | 0:08:54 | 0:08:56 | |
-Mann. -50. | 0:09:11 | 0:09:13 | |
B'day boy. | 0:09:16 | 0:09:17 | |
# Man I feel like... # | 0:09:18 | 0:09:19 | |
(RAP) I'm a magnet to money The paper where it's at | 0:09:19 | 0:09:21 | |
-They attracted to me They treat me like -... What? | 0:09:21 | 0:09:24 | |
I'm a ... your chick just chose me | 0:09:24 | 0:09:26 | |
I got so much swag Is that why you mad? | 0:09:26 | 0:09:28 | |
# You wanna be starting something? | 0:09:32 | 0:09:35 | |
# You got to be starting something | 0:09:35 | 0:09:37 | |
# I said you wanna be starting something? | 0:09:37 | 0:09:39 | |
# You got to be starting something | 0:09:39 | 0:09:41 | |
-# It's too high to get over -Yeah, yeah | 0:09:41 | 0:09:43 | |
-# It's too low to get under -Yeah, yeah | 0:09:43 | 0:09:45 | |
-# Cos you're stuck in the middle -Yeah, yeah | 0:09:45 | 0:09:47 | |
-# And the pain is thunder -Yeah, yeah | 0:09:47 | 0:09:49 | |
# Mama-say, mama-sah, mama-coo-sah | 0:09:49 | 0:09:51 | |
# Mama-say, mama-sah, mama-coosah | 0:09:51 | 0:09:53 | |
# Mama-say, mama-sah, mama-coo-sah | 0:09:53 | 0:09:54 | |
# Mama-say, mama-sah, mama-coosah | 0:09:54 | 0:09:56 | |
# Say you just wanna be startin' something | 0:09:56 | 0:09:59 | |
# I said you wanna be starting something? | 0:09:59 | 0:10:01 | |
# You got to be starting something | 0:10:01 | 0:10:03 | |
# I said you wanna be starting something? | 0:10:03 | 0:10:05 | |
# You got to be starting something... # | 0:10:05 | 0:10:07 | |
Masters Of Motion. | 0:10:07 | 0:10:08 | |
CHEERS AND APPLAUSE | 0:10:11 | 0:10:14 | |
Very good. OK. | 0:10:15 | 0:10:17 | |
Mr Kenrick, start us off, please. | 0:10:17 | 0:10:19 | |
Yous lot came to win, didn't yous lot? Wow! | 0:10:19 | 0:10:22 | |
CHEERS AND APPLAUSE | 0:10:22 | 0:10:26 | |
So, I know I asked from yous lot last time about your grooves | 0:10:26 | 0:10:29 | |
and your combo. | 0:10:29 | 0:10:30 | |
And you successfully did that - you came back with cleaner combos, | 0:10:30 | 0:10:34 | |
you came back with even better grooves than last time. | 0:10:34 | 0:10:37 | |
And, just from me, that was a really, really good performance. Well done. | 0:10:37 | 0:10:41 | |
CHEERS AND APPLAUSE | 0:10:41 | 0:10:43 | |
Good comments. | 0:10:43 | 0:10:45 | |
Lizzie. | 0:10:45 | 0:10:47 | |
I really enjoyed that and I can tell you guys enjoyed that. | 0:10:47 | 0:10:50 | |
It came across so well. | 0:10:50 | 0:10:52 | |
One of the things I said was to stick with your moves and you did. | 0:10:52 | 0:10:56 | |
That's what I wanted to see and I'm happy with that. | 0:10:56 | 0:10:59 | |
-Thank you. -Good comments there from Lizzie. | 0:10:59 | 0:11:01 | |
CHEERS AND APPLAUSE | 0:11:01 | 0:11:03 | |
Turbo. | 0:11:03 | 0:11:04 | |
Wow! | 0:11:05 | 0:11:07 | |
Like we said before, we wanted you guys to clean up certain sections. | 0:11:07 | 0:11:11 | |
You guys cleaned it up... | 0:11:11 | 0:11:12 | |
really well, like washing-up powder. It was clean. | 0:11:12 | 0:11:15 | |
It looked... | 0:11:15 | 0:11:16 | |
CHEERS AND APPLAUSE | 0:11:16 | 0:11:18 | |
It looked sick! | 0:11:18 | 0:11:20 | |
Even the assisted flip, as well, you went HIGH. | 0:11:20 | 0:11:24 | |
You nearly kicked a couple of clouds and a few pigeons! | 0:11:24 | 0:11:26 | |
And your grooves, as well. You had me up - I was getting down. | 0:11:26 | 0:11:29 | |
My jacket might look a bit tight | 0:11:29 | 0:11:31 | |
but I can still move in it, cos you guys made me want to move. | 0:11:31 | 0:11:34 | |
You guys were really, really, really sick! | 0:11:34 | 0:11:37 | |
-Lovely. Thank you, Turbo. -CHEERS AND APPLAUSE | 0:11:37 | 0:11:39 | |
Put your hands together for Masters Of Motion! | 0:11:39 | 0:11:43 | |
Well done, guys. | 0:11:43 | 0:11:44 | |
Now, next up is our only Welsh crew, something they're very proud of. | 0:11:44 | 0:11:48 | |
We went to Port Talbot to meet up with Ffres. | 0:11:48 | 0:11:50 | |
ALL: We're Ffres and we're from Port Talbot. | 0:11:57 | 0:12:01 | |
The thing that sets us apart | 0:12:02 | 0:12:04 | |
is the fact that we're the only Welsh crew in the competition. | 0:12:04 | 0:12:07 | |
I think the performance for the qualifier went pretty well. | 0:12:10 | 0:12:14 | |
We all did our best and that's pretty much all you can do. | 0:12:14 | 0:12:17 | |
We focused on our routine and didn't look at the competition - | 0:12:17 | 0:12:20 | |
we ARE our biggest competition. | 0:12:20 | 0:12:22 | |
Being part of Ffres is really good because we all know different styles. | 0:12:22 | 0:12:25 | |
We learn those styles off each other to make us better dancers. | 0:12:25 | 0:12:29 | |
What I like about your performance is, as Kenrick said, | 0:12:29 | 0:12:31 | |
your shape at the beginning - like your body logo. | 0:12:31 | 0:12:34 | |
If we got through to the semifinal, | 0:12:37 | 0:12:39 | |
we've got bigger and better tricks up our sleeve. | 0:12:39 | 0:12:43 | |
CHEERS AND APPLAUSE | 0:12:43 | 0:12:45 | |
Doing it for the boys, it's Ffres. | 0:12:49 | 0:12:53 | |
Action! | 0:12:53 | 0:12:55 | |
Your little boyfriends... | 0:13:20 | 0:13:22 | |
# I see you driving round town | 0:13:22 | 0:13:23 | |
# With the girl I love | 0:13:23 | 0:13:25 | |
# And I'm like | 0:13:25 | 0:13:26 | |
-# Forget you -Ooh-ooh-ooh | 0:13:26 | 0:13:29 | |
# I guess the change in my pocket | 0:13:29 | 0:13:31 | |
# Wasn't enough, I'm like | 0:13:31 | 0:13:34 | |
# Forget you and forget her too | 0:13:34 | 0:13:36 | |
# Said if I was richer | 0:13:36 | 0:13:38 | |
# I'd still be with ya | 0:13:38 | 0:13:40 | |
# Oh, ain't that some ssh? | 0:13:40 | 0:13:42 | |
# Ain't that some ssh? | 0:13:42 | 0:13:44 | |
# Although there's pain in my chest | 0:13:44 | 0:13:46 | |
# I still wish you the best with a | 0:13:46 | 0:13:49 | |
-# Forget you -Ooh-ooh-ooh... # | 0:13:49 | 0:13:52 | |
Wow. | 0:14:03 | 0:14:04 | |
Wow. | 0:14:06 | 0:14:07 | |
Wow. | 0:14:11 | 0:14:12 | |
Wow. | 0:14:14 | 0:14:15 | |
Wow. | 0:14:18 | 0:14:19 | |
Wow. | 0:14:21 | 0:14:22 | |
Wow. | 0:14:25 | 0:14:27 | |
# You know how we do it-it-it-it | 0:14:30 | 0:14:32 | |
CHEERS AND APPLAUSE | 0:14:38 | 0:14:43 | |
Ffres! Well done, guys. That was brilliant! | 0:14:43 | 0:14:46 | |
-Lizzie. -Um... | 0:14:46 | 0:14:47 | |
Wow! That's all I can say. | 0:14:47 | 0:14:50 | |
CHEERS AND APPLAUSE | 0:14:50 | 0:14:53 | |
Your transitions were on point - it was just one, big, whole routine. | 0:14:55 | 0:15:00 | |
I didn't notice that the tracks changed. Brilliant, guys. | 0:15:00 | 0:15:03 | |
Thank you, Lizzie. | 0:15:03 | 0:15:04 | |
That's good. | 0:15:04 | 0:15:06 | |
See what Turbo has to say. | 0:15:06 | 0:15:09 | |
The only thing that's missing from you guys is me. | 0:15:10 | 0:15:13 | |
-LAUGHTER -OK? | 0:15:13 | 0:15:15 | |
In a polka-dot tie and polka-dot pants, OK? | 0:15:16 | 0:15:19 | |
You know what? Clap for them again, please, cos that was brilliant. | 0:15:19 | 0:15:22 | |
CHEERS AND APPLAUSE | 0:15:22 | 0:15:24 | |
What I like about you guys is even if someone's doing a freestyle... | 0:15:24 | 0:15:28 | |
there's still a routine, | 0:15:28 | 0:15:29 | |
you guys don't stop, let that person freestyle. | 0:15:29 | 0:15:32 | |
There's always something happening. That. Was. A. Per. Formance. | 0:15:32 | 0:15:36 | |
Wicked! Very good comments from Turbo. | 0:15:36 | 0:15:40 | |
Right, Kenrick. Sum us up. | 0:15:40 | 0:15:42 | |
Fresh. Slick. On the ball. | 0:15:42 | 0:15:46 | |
On the ball. CHEERS AND APPLAUSE | 0:15:46 | 0:15:48 | |
Thank you. | 0:15:48 | 0:15:49 | |
You made sure that your routines were tight, | 0:15:51 | 0:15:54 | |
you finished your routines well, transitions were good. | 0:15:54 | 0:15:57 | |
I mean, guys, yous lot came to win. And you made a statement today. | 0:15:57 | 0:16:00 | |
Well done. | 0:16:00 | 0:16:02 | |
Thank you, judges. Very good comments there. | 0:16:02 | 0:16:05 | |
Make some noise for Ffres! Well done, boys. | 0:16:05 | 0:16:08 | |
Next up, it's a crew from Manchester. | 0:16:08 | 0:16:11 | |
At the qualifiers, the judges said this crew had timing, | 0:16:11 | 0:16:14 | |
charisma and swagger. | 0:16:14 | 0:16:15 | |
They've certainly got attitude. It's G25. | 0:16:15 | 0:16:18 | |
ALL: We're G25 and we're from Manchester. | 0:16:23 | 0:16:26 | |
Woo! | 0:16:26 | 0:16:27 | |
We've known each other for quite a while, | 0:16:29 | 0:16:31 | |
but we've only been together in G25 for about a month. | 0:16:31 | 0:16:35 | |
We've really gelled together and we're more like a family now. | 0:16:35 | 0:16:38 | |
We really like showing our passion for dance. | 0:16:38 | 0:16:41 | |
We love entertaining people. | 0:16:41 | 0:16:42 | |
And we love getting good feedback from the judges and the audience. | 0:16:42 | 0:16:46 | |
We all thought that we had a really good chance of getting through, | 0:16:46 | 0:16:50 | |
because of Turbo's comments. | 0:16:50 | 0:16:51 | |
That was SICK! | 0:16:51 | 0:16:54 | |
I'm sorry, it was too much for me right now. | 0:16:54 | 0:16:57 | |
In our next performance, we'd love to impress Kenrick a bit more. | 0:16:57 | 0:17:01 | |
We'd like to leave him speechless. | 0:17:01 | 0:17:03 | |
ALL: Good luck but watch out, cos G25 are about! | 0:17:03 | 0:17:07 | |
# Oh-whoa oh-oh... # | 0:17:10 | 0:17:13 | |
Doing it for the next generation, it's G25. | 0:17:13 | 0:17:17 | |
# Just shout whenever | 0:17:18 | 0:17:20 | |
# And I'll be there | 0:17:20 | 0:17:21 | |
# You want my love | 0:17:21 | 0:17:24 | |
# You want my heart | 0:17:24 | 0:17:25 | |
# And we will never ever ever | 0:17:25 | 0:17:27 | |
# Be apart | 0:17:27 | 0:17:29 | |
# Are we an item? | 0:17:29 | 0:17:31 | |
# Girl, quit playing | 0:17:31 | 0:17:33 | |
# We're just friends | 0:17:33 | 0:17:35 | |
# What are you saying? | 0:17:35 | 0:17:36 | |
# Said there's another | 0:17:36 | 0:17:37 | |
# And looked right in my eyes | 0:17:37 | 0:17:40 | |
# My first love broke my heart | 0:17:40 | 0:17:42 | |
# For the first time and... # | 0:17:42 | 0:17:44 | |
Major Lazer. | 0:17:44 | 0:17:46 | |
# What it is, what it is, what it is | 0:18:02 | 0:18:04 | |
# Cos, what it is, vogue, vogue | 0:18:04 | 0:18:07 | |
# I've been watching you from over here | 0:18:07 | 0:18:09 | |
# On the inside of the club looking at you all through that | 0:18:09 | 0:18:12 | |
# Hi, how do you feel, feel? | 0:18:12 | 0:18:15 | |
# Butterflies runnin' all up and down my chest | 0:18:15 | 0:18:18 | |
# But he's so hot to death and I'm Sophia Fresh and that's... | 0:18:18 | 0:18:21 | |
# What am I supposed to do? | 0:18:21 | 0:18:22 | |
# Get up and walk to thizzug and act like I'm innocent and cute? | 0:18:22 | 0:18:26 | |
# Nah, I gonna step like...# | 0:18:26 | 0:18:27 | |
What it is. | 0:18:34 | 0:18:35 | |
CHEERS AND APPLAUSE | 0:18:35 | 0:18:38 | |
Turbo. | 0:18:40 | 0:18:42 | |
Gaaaargh! | 0:18:42 | 0:18:44 | |
That is what I'm feeling right now when I'm watching you guys. | 0:18:44 | 0:18:47 | |
You guys just make me grit my teeth. | 0:18:47 | 0:18:49 | |
Oh, man. You guys are SSSSSSSSSSSERIOUS! | 0:18:49 | 0:18:53 | |
CHEERS AND APPLAUSE | 0:18:53 | 0:18:56 | |
Yep. | 0:18:56 | 0:18:58 | |
You took on board what we said when we said to you, "Add another style." | 0:18:58 | 0:19:02 | |
I can see you guys added the breaking in the corner | 0:19:02 | 0:19:04 | |
at the beginning of your set. | 0:19:04 | 0:19:06 | |
Ooh, some of yous lot have got some serious fire in you! | 0:19:06 | 0:19:09 | |
That's amazing, right? | 0:19:09 | 0:19:11 | |
Brilliant! | 0:19:11 | 0:19:12 | |
I hear him. | 0:19:13 | 0:19:14 | |
-Kenrick. -Um... | 0:19:15 | 0:19:17 | |
Once again, I'm just totally impressed with the level of swagger, | 0:19:17 | 0:19:24 | |
the level of tightness with regards to you young ladies. | 0:19:24 | 0:19:27 | |
It's amazing, the capacity of what yous lot are bringing right now. | 0:19:27 | 0:19:31 | |
Yes. Heavy, heavy, heavy. | 0:19:31 | 0:19:34 | |
CHEERS AND APPLAUSE | 0:19:34 | 0:19:35 | |
Kenrick says heavy. | 0:19:35 | 0:19:37 | |
-What? -"Heavy"? -Heavy. | 0:19:38 | 0:19:41 | |
Lizzie. | 0:19:41 | 0:19:42 | |
You're so mature for your age and your swagger is so relaxed, | 0:19:42 | 0:19:47 | |
which is so hard to find. | 0:19:47 | 0:19:50 | |
I agree with what these two say - you guys are fantastic. Just... | 0:19:50 | 0:19:54 | |
-Yeah. There you go. -LAUGHTER | 0:19:54 | 0:19:56 | |
I think you left the judges speechless, girls! | 0:19:56 | 0:20:00 | |
-Give it up for G25! -APPLAUSE | 0:20:00 | 0:20:03 | |
All right. | 0:20:03 | 0:20:04 | |
The last crew to take to the stage are an all-girl group | 0:20:04 | 0:20:08 | |
who, according to Lizzie, look very sweet | 0:20:08 | 0:20:11 | |
but mean business. | 0:20:11 | 0:20:12 | |
Here to wow once again, it's D*Fy. | 0:20:12 | 0:20:15 | |
We're D*Fy and we're from Telford. | 0:20:15 | 0:20:18 | |
When we arrived at the qualifiers, we saw Lil Diamonds | 0:20:20 | 0:20:24 | |
and we knew Shockarellas were going to be there, | 0:20:24 | 0:20:26 | |
so we knew it was going to be tough. | 0:20:26 | 0:20:28 | |
Just before we performed we were really nervous, but excited. | 0:20:28 | 0:20:34 | |
When we got there, we just gave it our all. | 0:20:34 | 0:20:37 | |
You look like nice girls | 0:20:37 | 0:20:39 | |
-but you mean business. I enjoyed that. GIRLS: -Thank you. | 0:20:39 | 0:20:43 | |
Every time I come to rehearsal, I'm really happy | 0:20:43 | 0:20:46 | |
because these are my girls and they're like sisters to me. | 0:20:46 | 0:20:49 | |
Fingers crossed we get through to the semis. | 0:20:49 | 0:20:52 | |
If we do, we'll have to work really hard. | 0:20:52 | 0:20:55 | |
Good luck to all the crews, but D*Fy are going to smash it! | 0:20:55 | 0:20:59 | |
# Is Brooklyn in here tonight?! | 0:20:59 | 0:21:03 | |
# Brooklyn, Brooklyn Brooklyn, Brooklyn... | 0:21:03 | 0:21:05 | |
'Doing it for girl power, it's D*Fy.' | 0:21:06 | 0:21:09 | |
# ..Brooklyn, yeah Brooklyn Brooklyn | 0:21:09 | 0:21:12 | |
# Yeah Brooklyn | 0:21:12 | 0:21:13 | |
# Brooklyn, yeah Brooklyn Brooklyn, yeah Brooklyn | 0:21:13 | 0:21:18 | |
# Brooklyn, Brooklyn Brooklyn, Brooklyn | 0:21:18 | 0:21:21 | |
# Brook, Brook, Brooklyn... | 0:21:21 | 0:21:23 | |
# Yeah, YMCMB call me Tunechi Li | 0:21:24 | 0:21:29 | |
# All them girls they think they fly | 0:21:29 | 0:21:31 | |
# And all them girls flew to me | 0:21:31 | 0:21:32 | |
# Hi-hit the lights so you can see | 0:21:32 | 0:21:34 | |
# My drink is strong, my hooka sweet | 0:21:34 | 0:21:36 | |
# Understand the time is now | 0:21:36 | 0:21:38 | |
# The time is up, the future's bleak | 0:21:38 | 0:21:39 | |
# Th-this beat is stupid cupid | 0:21:39 | 0:21:42 | |
# Love me, leave me in the morning If you like | 0:21:42 | 0:21:44 | |
# Your friend can join in Wildest flower in the garden | 0:21:44 | 0:21:48 | |
# Coolest coolest in the party Shades on | 0:21:48 | 0:21:50 | |
# Dreads long Blood gang, red zone | 0:21:50 | 0:21:53 | |
# And I'm with Jay Sean | 0:21:53 | 0:21:55 | |
# Put your lighters in the air | 0:21:55 | 0:21:57 | |
# Let 'em burn into the sky | 0:21:58 | 0:22:02 | |
# And let everybody know | 0:22:02 | 0:22:06 | |
# That you're willing and you're ready to go | 0:22:06 | 0:22:09 | |
# So hit the lights, hit the lights | 0:22:09 | 0:22:12 | |
# Hit the lights | 0:22:13 | 0:22:15 | |
# Tonight, tonight So hit the lights | 0:22:15 | 0:22:19 | |
# Hit the lights oh oh oh | 0:22:19 | 0:22:21 | |
# Hit the lights Hit the lights, hit the lights | 0:22:21 | 0:22:24 | |
# Come out of the dark and let the DJ lead the way way way | 0:22:24 | 0:22:31 | |
# Cos it's hot in the club now so don't let it stop now | 0:22:31 | 0:22:36 | |
# So hit the lights Hit the lights, hit the lights | 0:22:36 | 0:22:39 | |
# Everybody say uh-oh-oh | 0:22:39 | 0:22:43 | |
# So hit the lights | 0:22:43 | 0:22:45 | |
# Everybody say | 0:22:50 | 0:22:51 | |
# So hit the lights. # | 0:22:58 | 0:23:00 | |
APPLAUSE | 0:23:00 | 0:23:03 | |
Love it, the hair whipping, it's wicked! Wicked! Kenrick? | 0:23:04 | 0:23:07 | |
I'm actually quite scared. | 0:23:10 | 0:23:12 | |
LAUGHTER | 0:23:12 | 0:23:13 | |
On the level of fierceness and physicality that you ladies have. | 0:23:13 | 0:23:18 | |
It is amazing. | 0:23:18 | 0:23:19 | |
APPLAUSE | 0:23:19 | 0:23:24 | |
I said it the last time, I'll say it again, | 0:23:26 | 0:23:28 | |
you girls seriously defy gravity sometimes. | 0:23:28 | 0:23:31 | |
They throw themselves on the floor and get back up. | 0:23:31 | 0:23:34 | |
Girls, it was really, really good. I have nothing else to say. | 0:23:34 | 0:23:38 | |
It's a good start. Lizzie? | 0:23:38 | 0:23:41 | |
CHEERING | 0:23:41 | 0:23:43 | |
You guys, you girls, should I say, are so feminine - | 0:23:43 | 0:23:47 | |
it's brilliant to see. You're a really strong unit. | 0:23:47 | 0:23:50 | |
You've got the head whips down. | 0:23:50 | 0:23:52 | |
-the performance was brilliant. I enjoyed it thoroughly. -Thank you. | 0:23:52 | 0:23:57 | |
CHEERING AND APPLAUSE | 0:23:57 | 0:23:59 | |
Right, Mr Turbo, finish us off. | 0:23:59 | 0:24:01 | |
I'm going to start with a bit of critique. Just with your house. | 0:24:01 | 0:24:06 | |
I want you guys to relax a bit more in your house. | 0:24:06 | 0:24:08 | |
Other than that, you guys defy gravity at the same height. | 0:24:08 | 0:24:12 | |
You actually all jump up at the exact same height. | 0:24:12 | 0:24:15 | |
Which is like 6.2 metres, boom, you're all there. Bang, all down. | 0:24:15 | 0:24:19 | |
-Ba-da! -Yes! -APPLAUSE AND CHEERING | 0:24:20 | 0:24:22 | |
Well done, girls. That's it. The final crew has danced. | 0:24:22 | 0:24:26 | |
Nothing more can be done. The judges have awarded points | 0:24:26 | 0:24:29 | |
for technique, choreography and showmanship. | 0:24:29 | 0:24:32 | |
While we add up the scores and find out who's going through, | 0:24:32 | 0:24:36 | |
here's a reminder of all today's performances. | 0:24:36 | 0:24:38 | |
CHEERING | 0:24:38 | 0:24:40 | |
'Ninjas. | 0:24:43 | 0:24:45 | |
'Masters Of Motion. | 0:24:47 | 0:24:49 | |
'Ffres. | 0:24:51 | 0:24:52 | |
'G25. | 0:24:54 | 0:24:56 | |
'And D*Fy.' | 0:24:58 | 0:24:59 | |
Lizzie, we've seen some amazing performances in the heats, | 0:25:07 | 0:25:13 | |
how can the crews up their game in the semis? | 0:25:13 | 0:25:16 | |
They've all been fantastic. Whatever they did this time, | 0:25:16 | 0:25:19 | |
they need to do it again as everyone stepped their game up. | 0:25:19 | 0:25:23 | |
The scores have been checked and I have the results. | 0:25:23 | 0:25:26 | |
There are just three places up for grabs in the third semifinal, | 0:25:26 | 0:25:30 | |
which means we have to say goodbye to two of our crews today. | 0:25:30 | 0:25:34 | |
The first crew going through to the semifinal is... | 0:25:34 | 0:25:38 | |
..G25! | 0:25:44 | 0:25:45 | |
APPLAUSE AND CHEERING | 0:25:45 | 0:25:50 | |
The second crew going through to the semi-final is... | 0:25:56 | 0:25:59 | |
..Ffres! | 0:26:04 | 0:26:05 | |
CHEERING AND APPLAUSE | 0:26:05 | 0:26:09 | |
The third and final place in the semi-final is going to... | 0:26:12 | 0:26:17 | |
..D*Fy! | 0:26:21 | 0:26:22 | |
CHEERING AND APPLAUSE | 0:26:22 | 0:26:26 | |
D*FY: D-F-Y what?! | 0:26:26 | 0:26:29 | |
Our crews have all given a performance to be proud of, | 0:26:29 | 0:26:32 | |
but we have to say goodbye to two, | 0:26:32 | 0:26:35 | |
so put your hands together for Masters Of Motion and Ninjas. | 0:26:35 | 0:26:39 | |
APPLAUSE AND CHEERING | 0:26:39 | 0:26:43 | |
Not only do you have to come back and perform a new street dance, | 0:26:48 | 0:26:53 | |
we've also got a challenge for you. Look at this. | 0:26:53 | 0:26:56 | |
'Until now, it's been street dance. | 0:26:56 | 0:26:59 | |
'But you're going to have to change your style. | 0:26:59 | 0:27:04 | |
'Three different dance disciplines. | 0:27:05 | 0:27:10 | |
'One chosen at random. | 0:27:10 | 0:27:13 | |
'Master the techniques and perform them in your next routine. | 0:27:15 | 0:27:21 | |
'Are you ready?' | 0:27:21 | 0:27:24 | |
CHEERING | 0:27:24 | 0:27:26 | |
Are you ready? | 0:27:26 | 0:27:27 | |
The dance style you need to work on for the semifinals is... | 0:27:27 | 0:27:30 | |
ballet! | 0:27:31 | 0:27:32 | |
APPLAUSE AND CHEERING | 0:27:32 | 0:27:37 | |
Good luck with that one, boys. So, 15 have now become 9. | 0:27:37 | 0:27:41 | |
Tune in next time and we'll be joined by some special guests | 0:27:41 | 0:27:45 | |
and to see who will make the final of Alesha's Street Dance Star 2011! | 0:27:45 | 0:27:49 | |
See you later! | 0:27:49 | 0:27:51 | |
Subtitles by Red Bee Media Ltd | 0:28:01 | 0:28:05 |