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'Want to see me really give it some welly? Then keep watching!' | 0:00:02 | 0:00:04 | |
Oh, no! | 0:00:04 | 0:00:05 | |
That was really welly bad, Ed. | 0:00:06 | 0:00:09 | |
But this bunch are welly good! | 0:00:09 | 0:00:11 | |
Michelle learns some chocolaty table-manners... | 0:00:11 | 0:00:14 | |
-Whoa! -Oh, yeah. | 0:00:14 | 0:00:16 | |
Iain finally tells a funny joke... | 0:00:16 | 0:00:19 | |
I'm only human. | 0:00:19 | 0:00:20 | |
Naomi leaves Ed speechless... | 0:00:20 | 0:00:22 | |
Johny's all in a spin! | 0:00:24 | 0:00:26 | |
And Sam tells it like it is... | 0:00:26 | 0:00:28 | |
GIBBERISH | 0:00:28 | 0:00:30 | |
# All over the place | 0:00:31 | 0:00:33 | |
# All over the place | 0:00:33 | 0:00:36 | |
# North, South, East, West | 0:00:36 | 0:00:38 | |
# On a bizarre quest | 0:00:38 | 0:00:39 | |
# Me and my mates all over the place | 0:00:39 | 0:00:42 | |
# It's true what you've heard Everything is absurd | 0:00:42 | 0:00:44 | |
# Whatever we do is strange but true | 0:00:44 | 0:00:46 | |
# All over the place | 0:00:46 | 0:00:48 | |
# All over the place | 0:00:49 | 0:00:51 | |
# There's stuff to do in Europe | 0:00:51 | 0:00:53 | |
# And it's totally ace | 0:00:53 | 0:00:54 | |
# And it turns up... | 0:00:54 | 0:00:56 | |
# All over the place! # | 0:00:56 | 0:00:58 | |
Switzerland, Interlaken. | 0:01:00 | 0:01:02 | |
The largest clock face in the whole of Europe | 0:01:02 | 0:01:05 | |
can be found in Switzerland. | 0:01:05 | 0:01:08 | |
# Come with me | 0:01:08 | 0:01:09 | |
# And you'll see | 0:01:09 | 0:01:11 | |
# A chocolate shoe | 0:01:11 | 0:01:12 | |
# Or maybe even two! # | 0:01:12 | 0:01:14 | |
# Ooh-er, ooh-er, chocolate footwear | 0:01:14 | 0:01:17 | |
# Walking in those seems like a nightmare... # | 0:01:17 | 0:01:20 | |
Hang on, who wrote those lyrics? | 0:01:20 | 0:01:21 | |
Hee-hee! It was me. Nice costume, Oompa Loompa Ed! | 0:01:21 | 0:01:25 | |
Grr! That's it, Voiceover Man. We're not doing as you tell us any more. | 0:01:25 | 0:01:29 | |
We're going to sit around eating Swiss chocolate all day, | 0:01:29 | 0:01:31 | |
and there's nothing you can do about it. | 0:01:31 | 0:01:33 | |
I'm fed up of being made to look stupid! | 0:01:33 | 0:01:35 | |
Fine, I've had my fun. Go get changed. | 0:01:35 | 0:01:38 | |
Milk chocolate was invented right here in Switzerland | 0:01:38 | 0:01:41 | |
and the Schuh claims to be the oldest chocolate factory | 0:01:41 | 0:01:44 | |
in the world! | 0:01:44 | 0:01:46 | |
-Thomas, this is my kind of place. -Hello. Welcome to Schuh. | 0:01:46 | 0:01:49 | |
What a great job you've got. | 0:01:49 | 0:01:50 | |
So why is this place called the Schuh Factory? | 0:01:50 | 0:01:52 | |
You make chocolate, not shoes. | 0:01:52 | 0:01:54 | |
This place was established in 1818 and in 1885 a person came here | 0:01:54 | 0:01:59 | |
and bought that place. He was named Christian Schuh. | 0:01:59 | 0:02:01 | |
-His last name was Schuh. -Oh, and you do have shoes as well. | 0:02:01 | 0:02:04 | |
And we do shoes from chocolate. | 0:02:04 | 0:02:05 | |
We really want to learn how to become chocolate masters, Thomas. | 0:02:05 | 0:02:08 | |
-Can you teach us? -No problem. -Ooh, thanks, Thomas. | 0:02:08 | 0:02:10 | |
We start here, with the cocoa fruits. | 0:02:14 | 0:02:16 | |
Ah, right. So this is the base ingredients, is it? | 0:02:16 | 0:02:19 | |
-Yes, that's the cocoa beans. -So how do we go from this to this? | 0:02:19 | 0:02:23 | |
-We have the beans... -Actually, I don't care. | 0:02:23 | 0:02:25 | |
-I just want to eat the stuff. -How very rude! | 0:02:25 | 0:02:27 | |
Step one... | 0:02:27 | 0:02:29 | |
-Oh, lovely. -Then you take a big spoon. | 0:02:31 | 0:02:35 | |
-Then you fill in the high heel. -Oh, yeah. OK. | 0:02:35 | 0:02:40 | |
-Great. -Stop it. | 0:02:40 | 0:02:42 | |
-Then you take this one. -What is this? | 0:02:42 | 0:02:45 | |
We make all air bubbles in the chocolate out. | 0:02:45 | 0:02:48 | |
-Now you put it here. -OK. -Yes. | 0:02:48 | 0:02:51 | |
-Oh, right. -Then you can make more chocolate inside, with the spoon. | 0:02:51 | 0:02:55 | |
Step two... | 0:02:55 | 0:02:56 | |
-Ooh! -Look at that. It's magical. | 0:02:59 | 0:03:02 | |
Can I just do this last bit? | 0:03:02 | 0:03:04 | |
Ta-dah! | 0:03:04 | 0:03:06 | |
Amazing. So, Sandra, how do we go about customising the shoe? | 0:03:06 | 0:03:09 | |
We've got some lovely decorations here. | 0:03:09 | 0:03:11 | |
Yes, you can make all on top when you want. | 0:03:11 | 0:03:13 | |
Ed, pass us the shoe... | 0:03:13 | 0:03:15 | |
-What?! -(Sorry.) | 0:03:15 | 0:03:17 | |
Awkward! | 0:03:17 | 0:03:18 | |
Maybe Ed will be better at the chocolate fondue for two at Schuh. | 0:03:18 | 0:03:22 | |
Fondue is most commonly a melted cheese dish. | 0:03:22 | 0:03:25 | |
Three, two, one, fondue! | 0:03:29 | 0:03:31 | |
Chocolate fondue includes fresh fruit for dipping. Mmm! | 0:03:31 | 0:03:35 | |
There are a few cardinal sins you can commit | 0:03:35 | 0:03:37 | |
when you're having a fondue, and one of them... | 0:03:37 | 0:03:39 | |
..is what I just did there - double dipping. | 0:03:40 | 0:03:42 | |
Putting it in your mouth and then back in again. Very bad. | 0:03:42 | 0:03:45 | |
-Don't do that. -Oh, Ed is so sophisticated. | 0:03:45 | 0:03:47 | |
One should also twirl one's fork to avoid any excess messiness. | 0:03:47 | 0:03:52 | |
And Michelle's table manners are so refined. | 0:03:52 | 0:03:55 | |
And should your food fall into the fondue... | 0:03:55 | 0:03:57 | |
you have to buy everyone round the table a drink, or offer them a kiss. | 0:03:57 | 0:04:00 | |
I think I'll pass on that offer, Ed. | 0:04:01 | 0:04:03 | |
-Whoa! -Oh, yeah. | 0:04:05 | 0:04:07 | |
Oh, I feel sick... | 0:04:08 | 0:04:10 | |
This fondue really is death by chocolate. | 0:04:10 | 0:04:13 | |
-Morning, slave. -Good morning, Emperor Montezuma. | 0:04:15 | 0:04:18 | |
Leader of the Aztecs. | 0:04:18 | 0:04:19 | |
Mighty Aztecs. Get it right. Now, can I have a... | 0:04:19 | 0:04:23 | |
Amazing. | 0:04:24 | 0:04:26 | |
How did you know that I wanted a choccy drink? | 0:04:26 | 0:04:28 | |
Well, you do drink 50 cups a day. | 0:04:28 | 0:04:31 | |
-Mmm! And that's why. -I wouldn't know, Emperor. | 0:04:31 | 0:04:36 | |
Lowly souls like myself aren't allowed to drink it. | 0:04:36 | 0:04:39 | |
Oh, but it does smell and look yummy. | 0:04:39 | 0:04:41 | |
Tastes even better. Don't get any ideas, though. | 0:04:42 | 0:04:45 | |
Otherwise... | 0:04:45 | 0:04:46 | |
-IMITATES SLICING, HEART BEATING -Argh! | 0:04:46 | 0:04:50 | |
Forgive me, great emperor. I am a priest and a visionary. | 0:04:50 | 0:04:54 | |
I can see into the future, future, future... | 0:04:54 | 0:04:57 | |
I have run many miles to tell you that last night I foresaw... | 0:04:57 | 0:04:59 | |
Wow-wee, what is that smell? | 0:04:59 | 0:05:01 | |
It's my choccy drink. You can't have any. | 0:05:02 | 0:05:05 | |
-Otherwise I'll have to kill you. Right? -Right. | 0:05:05 | 0:05:08 | |
IMITATES SLICING, HEART BEATING Argh! | 0:05:08 | 0:05:10 | |
You can smell my breath if you like. | 0:05:11 | 0:05:13 | |
Not you! | 0:05:15 | 0:05:16 | |
Right. This vision. What's it all about? | 0:05:16 | 0:05:19 | |
400 years hence, man will be eating millions of chocolate fingers. | 0:05:19 | 0:05:22 | |
Not chocolate thumbs or chocolate toes, just fingers. | 0:05:22 | 0:05:26 | |
That is weird. | 0:05:26 | 0:05:28 | |
Why won't future generations just be normal about chocolate | 0:05:28 | 0:05:31 | |
and do what we do? | 0:05:31 | 0:05:32 | |
Use it as a currency and pray to the god of chocolate. | 0:05:32 | 0:05:35 | |
And offer it to people as a treat before they're sacrificed. | 0:05:35 | 0:05:39 | |
Oi, you two! Stop looking at my choccy drink. | 0:05:39 | 0:05:42 | |
Sire, if I was prepared to be sacrificed, | 0:05:42 | 0:05:44 | |
could I at least have a sip? | 0:05:44 | 0:05:47 | |
Oh, yes. I'd give you a whole cup then. | 0:05:47 | 0:05:49 | |
-Kill me! -No! Me, sire, kill me. Please kill me. -No! -Kill me, sire. | 0:05:49 | 0:05:53 | |
-Please, kill me. -No, please. Me! -No, I want death by chocolate! | 0:05:53 | 0:05:57 | |
-Two more choccy drinks over here... -Sire, please. Please, sire! -..to go. | 0:05:57 | 0:06:03 | |
Spain, Valencia. | 0:06:09 | 0:06:11 | |
Valencia football club's logo features a flying bat. | 0:06:11 | 0:06:15 | |
Ed, why are you dressed like a pirate? | 0:06:17 | 0:06:20 | |
I'm not dressed as a pirate, you buffoon. | 0:06:20 | 0:06:22 | |
I'm dressed as Napoleon Bonaparte. | 0:06:22 | 0:06:24 | |
Ze commander of ze French armies at ze Battle of Waterloo. | 0:06:24 | 0:06:28 | |
France? This is Spain. They're different countries. | 0:06:28 | 0:06:31 | |
-Even I know that. -Yeah, I know that. | 0:06:31 | 0:06:33 | |
But I've been told that here in Valencia | 0:06:33 | 0:06:35 | |
I can find one of Napoleon's great armies. | 0:06:35 | 0:06:37 | |
Here, Ed. Where does Napoleon keep his armies? | 0:06:37 | 0:06:41 | |
Ooh, I don't know. | 0:06:41 | 0:06:43 | |
Napoleon keeps his armies... | 0:06:43 | 0:06:44 | |
..up his sleevies. | 0:06:46 | 0:06:48 | |
LAUGHTER AND APPLAUSE | 0:06:48 | 0:06:50 | |
-Bravo! -Thank you. | 0:06:50 | 0:06:51 | |
So what's the connection between Napoleon and toy soldiers? | 0:07:05 | 0:07:08 | |
Well, in fact, Napoleon started to use toy soldiers to hold his maps. | 0:07:08 | 0:07:14 | |
And then started to offer soldiers, toy soldiers, to his son | 0:07:14 | 0:07:18 | |
and that was why they were so popular at the period. | 0:07:18 | 0:07:22 | |
So, when you were a boy, what was your first toy? | 0:07:22 | 0:07:24 | |
Well, it wasn't a soldier. In fact, it was a dinosaur. | 0:07:24 | 0:07:28 | |
-A dinosaur? -That's going to look a bit funny on the Battle of Waterloo. | 0:07:28 | 0:07:31 | |
It'd be useful in battle, | 0:07:31 | 0:07:33 | |
apart from it wouldn't be able to hold any weapons. | 0:07:33 | 0:07:35 | |
So how do you go from one dinosaur to over a million figures? | 0:07:35 | 0:07:39 | |
We buy. We make them ourselves. We make other people make them for us. | 0:07:39 | 0:07:46 | |
We find them in flea market. | 0:07:46 | 0:07:48 | |
Alejandro must have had an army to help him find all these soldiers, | 0:07:48 | 0:07:52 | |
because this is the biggest collection on display in the world! | 0:07:52 | 0:07:57 | |
He has over 95,000 models on display, | 0:07:57 | 0:08:00 | |
but nearly a million more are kept in storage, | 0:08:00 | 0:08:03 | |
just waiting for a lick of paint | 0:08:03 | 0:08:05 | |
to be prepared for their next battle. | 0:08:05 | 0:08:07 | |
I wonder how Private Petrie and Sergeant Stirling are getting on? | 0:08:07 | 0:08:11 | |
Ah, regarde! Zer are over 2,000 figures here, | 0:08:11 | 0:08:15 | |
representing ze battle between Alexander ze Great and Darius III. | 0:08:15 | 0:08:20 | |
Here, Ed. | 0:08:22 | 0:08:23 | |
Do you know how led the armies at the Battle of Encyclopaedia? | 0:08:23 | 0:08:27 | |
No. No, I don't. | 0:08:27 | 0:08:28 | |
-General Knowledge! -LAUGHTER | 0:08:30 | 0:08:33 | |
Please, don't, don't. I'm only human. | 0:08:33 | 0:08:35 | |
Here's a test of your "General Knowledge", Iain. | 0:08:39 | 0:08:41 | |
How many soldiers were taken prisoner | 0:08:41 | 0:08:43 | |
at the Spanish battle of Almansa in 1707? | 0:08:43 | 0:08:47 | |
12,000! And there are almost as many toy soldiers | 0:08:47 | 0:08:51 | |
on show in this display. | 0:08:51 | 0:08:53 | |
That's because it's the biggest in the collection, | 0:08:53 | 0:08:55 | |
so big it even features peasants, farmers and some Spanish hens. | 0:08:55 | 0:09:00 | |
-CLUCKING -Look at this, Iain! | 0:09:00 | 0:09:02 | |
It's the biggest in the collection, with 10,000 pieces, | 0:09:02 | 0:09:05 | |
soil from the actual battlefield. Look at the military costumes. | 0:09:05 | 0:09:08 | |
They're as perfect as my Napoleon costume. | 0:09:08 | 0:09:11 | |
I don't know. Yours is a bit...dodgy. | 0:09:11 | 0:09:14 | |
What? I'll have you know this is an authentic bicorn hat. | 0:09:14 | 0:09:18 | |
Oh, he's bang on trend. | 0:09:20 | 0:09:22 | |
Hello and welcome to the fiercest fashion fiesta | 0:09:26 | 0:09:30 | |
since the Hundred Years War. | 0:09:30 | 0:09:32 | |
This is the search for Europe's Next Toy Model. | 0:09:32 | 0:09:36 | |
Can you sort your centurions from your Spartans? | 0:09:36 | 0:09:40 | |
Your pith helmets from your Prussian Pickelhaubes? | 0:09:40 | 0:09:43 | |
Can you find our first model? | 0:09:46 | 0:09:49 | |
His name's Marcus and he's sporting this season's must-have items. | 0:09:49 | 0:09:53 | |
One long sock... Bit odd. A metal sleeve... Very strange. | 0:09:53 | 0:09:58 | |
And a gold mask. Oh, he's a gladiator. | 0:09:58 | 0:10:01 | |
Find the lovely Marcus. Go! | 0:10:01 | 0:10:03 | |
Not that way! | 0:10:04 | 0:10:05 | |
It was that way. | 0:10:06 | 0:10:08 | |
One sock, gold mask. Found him! | 0:10:10 | 0:10:12 | |
What? Oh. Yeah, that's him. | 0:10:12 | 0:10:14 | |
-You don't seem that bothered. -Model number two! His name is Drayton. | 0:10:14 | 0:10:18 | |
This 13th-century English knight looks simply stunning | 0:10:18 | 0:10:22 | |
in his long, elegant tunic, | 0:10:22 | 0:10:24 | |
red and yellow shield accessory, and a rather 1970s moustache. | 0:10:24 | 0:10:29 | |
'70s 'tache, got you. | 0:10:29 | 0:10:30 | |
No. Ah, found him! | 0:10:31 | 0:10:34 | |
-Think you've found it, do you? -I did, yeah. | 0:10:34 | 0:10:37 | |
You have found it, yes. | 0:10:37 | 0:10:39 | |
Model number three! | 0:10:39 | 0:10:41 | |
Can you find the handsome Harry? | 0:10:41 | 0:10:43 | |
He's a model from 1910, stationed in Africa and is blazing a trail | 0:10:43 | 0:10:48 | |
with his sky-blue pinstripe trouser suit and beige pith helmet. | 0:10:48 | 0:10:53 | |
Can you find our Harry? | 0:10:53 | 0:10:54 | |
Oh. | 0:10:56 | 0:10:57 | |
Pinstripe, pinstripe, pinstripe... Ah! Pith helmet. Found him. | 0:10:58 | 0:11:01 | |
Iain's found all three and wins nothing! | 0:11:04 | 0:11:07 | |
Congratulations, contestant! | 0:11:07 | 0:11:09 | |
You know more about military fashion than you do about personal hygiene. | 0:11:09 | 0:11:13 | |
This has been Europe's Next Toy Model. | 0:11:13 | 0:11:17 | |
Goodbye. | 0:11:18 | 0:11:19 | |
Belgium, Brussels. | 0:11:20 | 0:11:22 | |
In Ypres, Belgium, there's an annual cat toss. | 0:11:22 | 0:11:25 | |
It used to be done with real cats, but now they throw velvet ones. | 0:11:25 | 0:11:30 | |
# When painting a picture | 0:11:41 | 0:11:43 | |
# I would like to bet ya | 0:11:43 | 0:11:44 | |
# You tend to use paper | 0:11:44 | 0:11:46 | |
# Not local architecture | 0:11:46 | 0:11:48 | |
# But here in Brussels in Belgium | 0:11:48 | 0:11:52 | |
# Painting on buildings is exactly what they've done | 0:11:52 | 0:11:55 | |
# Each mural represents a Belgian comic hero | 0:11:55 | 0:11:59 | |
# From Tintin and his dog | 0:11:59 | 0:12:01 | |
# To bowtie-wearing Nero | 0:12:01 | 0:12:02 | |
# Comic strip art | 0:12:02 | 0:12:04 | |
# On a giant scale | 0:12:04 | 0:12:06 | |
# Follow me now | 0:12:06 | 0:12:08 | |
# On a comic book trail | 0:12:08 | 0:12:10 | |
# See the murals on the wall | 0:12:10 | 0:12:12 | |
# Murals on the wall | 0:12:12 | 0:12:14 | |
# They put them up all across the city | 0:12:14 | 0:12:17 | |
# See the murals on the wall | 0:12:17 | 0:12:19 | |
# Murals on the wall | 0:12:19 | 0:12:21 | |
# At last count there were about 53 | 0:12:21 | 0:12:24 | |
-# They did it for the art -Art, art, art, art | 0:12:24 | 0:12:28 | |
-# They did it for the art -Art, art, art, art | 0:12:28 | 0:12:31 | |
# In 1991, this mural of Broussaille | 0:12:31 | 0:12:35 | |
# Was first to appear | 0:12:35 | 0:12:37 | |
# An homage to Frank Pe | 0:12:37 | 0:12:39 | |
# Arm in arm | 0:12:39 | 0:12:40 | |
# This happy pair | 0:12:40 | 0:12:42 | |
# Stroll through Brussels as you stop and stare | 0:12:42 | 0:12:46 | |
# Who's this poorly chap? | 0:12:46 | 0:12:48 | |
# Perched up in a tree | 0:12:48 | 0:12:49 | |
# He doesn't look like | 0:12:49 | 0:12:51 | |
# A cartoon hero to me | 0:12:51 | 0:12:53 | |
# Nero's his name | 0:12:53 | 0:12:54 | |
# By Marc Sleen | 0:12:54 | 0:12:56 | |
# One of the most popular Belgian strips there's ever been | 0:12:56 | 0:13:00 | |
# See the murals on the wall | 0:13:00 | 0:13:02 | |
# Murals on the wall | 0:13:02 | 0:13:04 | |
# Amazing they're from such a small country | 0:13:04 | 0:13:07 | |
# See the murals on the wall | 0:13:07 | 0:13:10 | |
# Murals on the wall | 0:13:10 | 0:13:12 | |
# Comes so much comic creativity | 0:13:12 | 0:13:14 | |
# And here we have | 0:13:15 | 0:13:17 | |
# The famous Tintin | 0:13:17 | 0:13:19 | |
# Created by Herge | 0:13:19 | 0:13:20 | |
# Wow, where do I begin? | 0:13:20 | 0:13:22 | |
# One of the great comic authors of all time | 0:13:22 | 0:13:26 | |
# Famous for his streamlined drawing style | 0:13:26 | 0:13:29 | |
# These Belgian heroes look impressive | 0:13:29 | 0:13:31 | |
# At such a great height | 0:13:31 | 0:13:33 | |
# Somehow Spongebob Squarepants wouldn't quite look right | 0:13:33 | 0:13:37 | |
# Murals on the wall | 0:13:37 | 0:13:38 | |
# Murals on the wall | 0:13:38 | 0:13:40 | |
# If your interest in comics has been stirred | 0:13:40 | 0:13:43 | |
# See the murals on the wall | 0:13:43 | 0:13:45 | |
# Murals on the wall | 0:13:45 | 0:13:47 | |
# Come to Brussels - comic strip capital of the world | 0:13:47 | 0:13:50 | |
-# They did it for the art -Art, art, art, art | 0:13:50 | 0:13:54 | |
-# They did it for the art -Art, art, art, art | 0:13:54 | 0:13:57 | |
-# They did it for the art -Art, art, art, art. -# | 0:13:57 | 0:14:01 | |
Where do I start? | 0:14:01 | 0:14:02 | |
Croatia, Zagreb. | 0:14:10 | 0:14:12 | |
Hum in Croatia claims to be the smallest town in the world | 0:14:12 | 0:14:16 | |
with a population of between 17 and 23! | 0:14:16 | 0:14:21 | |
Wish the Croatians would fix these streetlights. | 0:14:21 | 0:14:23 | |
I mean how are you suppose to read a guidebook in a dark alley like this? | 0:14:23 | 0:14:26 | |
I know. | 0:14:26 | 0:14:27 | |
"And usually the street lighting is powered by...cats." | 0:14:27 | 0:14:32 | |
-Wow! -Ah, that makes a lot of sense actually | 0:14:32 | 0:14:35 | |
cos cats have a great deal of spare energy | 0:14:35 | 0:14:37 | |
so it's just a case of harnessing it. | 0:14:37 | 0:14:39 | |
Yeah, yeah. Ooh, here comes an official now. | 0:14:39 | 0:14:41 | |
-He's probably come to get the cat running in this streetlight. -Hello! | 0:14:41 | 0:14:44 | |
We're here to see the cat lights. | 0:14:44 | 0:14:46 | |
Ah, he's probably going to give the cat a prod with that stick, | 0:14:46 | 0:14:49 | |
-wake it up. -Yeah. | 0:14:49 | 0:14:51 | |
Oh, that's better. | 0:14:51 | 0:14:53 | |
Oh, Ed, we've made a mistake. | 0:14:53 | 0:14:55 | |
-Says powered by GAS. -Gaslight. | 0:14:55 | 0:14:58 | |
It's probably a very common error. | 0:15:00 | 0:15:03 | |
Cat lights?! | 0:15:03 | 0:15:04 | |
Come on, guys, are you FELINE OK? | 0:15:04 | 0:15:07 | |
Here in the old town of Zagreb, they still use gas streetlights | 0:15:07 | 0:15:11 | |
and Zagreb is one of the last cities in Europe to do so. | 0:15:11 | 0:15:15 | |
Each evening, two lamp lighters set off and light them | 0:15:15 | 0:15:18 | |
and each morning they go round again, turning them all off. | 0:15:18 | 0:15:21 | |
In years gone by, | 0:15:21 | 0:15:22 | |
most cities had gas street lighting, | 0:15:22 | 0:15:24 | |
but they then changed to electricity. | 0:15:24 | 0:15:27 | |
However, Zagreb has kept its gas streetlights. | 0:15:27 | 0:15:30 | |
Ed and Naomi, you have 51 seconds to find out as much | 0:15:30 | 0:15:35 | |
as you can about Zagreb's old town and its gas lights. | 0:15:35 | 0:15:40 | |
Naomi, you have Tihana who knows all about the old town. | 0:15:40 | 0:15:45 | |
Ed, you have Sasa who knows all about the gaslights, | 0:15:45 | 0:15:49 | |
but doesn't speak English. | 0:15:49 | 0:15:52 | |
Whoever finds out the most facts is the winner... | 0:15:52 | 0:15:56 | |
HE COUNTS DOWN IN CROATIAN | 0:15:56 | 0:15:59 | |
THEY SPEAK CROATIAN | 0:16:01 | 0:16:04 | |
Are there lots of old people in old town? | 0:16:08 | 0:16:11 | |
-No. -No. -There are also young people. | 0:16:11 | 0:16:13 | |
THEY SPEAK CROATIAN | 0:16:13 | 0:16:17 | |
The pole's big enough! | 0:16:23 | 0:16:24 | |
How many people live in old town? | 0:16:24 | 0:16:26 | |
Let's say 2,000. | 0:16:26 | 0:16:28 | |
THEY SPEAK CROATIAN | 0:16:28 | 0:16:30 | |
No? | 0:16:32 | 0:16:33 | |
How many tourists visit old town every year? | 0:16:33 | 0:16:36 | |
-Every year, around 800,000 tourists. -Loads! | 0:16:36 | 0:16:39 | |
THEY SPEAK CROATIAN | 0:16:39 | 0:16:43 | |
-Do you have to wear old clothes when you visit old town? -Really? | 0:16:46 | 0:16:50 | |
-BOTH: -No. | 0:16:50 | 0:16:51 | |
OUT-OF-TIME BUZZER | 0:16:51 | 0:16:53 | |
-Shame cos that last question is a good one. -Yes. | 0:16:53 | 0:16:56 | |
And the person that found out the most facts is... | 0:16:56 | 0:17:00 | |
Naomi! | 0:17:00 | 0:17:03 | |
-It's not fair. -Why? -What language did you ask your questions in? | 0:17:03 | 0:17:07 | |
-English. -What language did I ask my questions in? | 0:17:07 | 0:17:09 | |
Well, by the sounds of it, not Croatian! | 0:17:09 | 0:17:12 | |
I... | 0:17:12 | 0:17:15 | |
Ed - speechless? Wow! | 0:17:15 | 0:17:16 | |
While he's stopped gassing, | 0:17:16 | 0:17:18 | |
let's see how we light these bad boys. | 0:17:18 | 0:17:21 | |
There's a small flame that's always lit in the gaslights, | 0:17:21 | 0:17:24 | |
and when the lever's turned, more gas comes in from the pipe | 0:17:24 | 0:17:27 | |
and the whole lamp lights up. Right, Ed, show us how it's done. | 0:17:27 | 0:17:31 | |
Here we go, I'm about to turn on my first streetlight. | 0:17:31 | 0:17:34 | |
Think he said be careful. | 0:17:34 | 0:17:35 | |
-You've got to pull it down, not up. -Oh. | 0:17:39 | 0:17:42 | |
I had one job to do - up. | 0:17:42 | 0:17:44 | |
-But you've done it. -What an idiot. -Ta-da! Well done. | 0:17:44 | 0:17:47 | |
Ed Petrie, lamplighter. | 0:17:47 | 0:17:50 | |
Yeah, I wonder what qualifications you need | 0:17:50 | 0:17:52 | |
to become a gas lamplighter. | 0:17:52 | 0:17:53 | |
So, what makes you feel you would be qualified | 0:17:55 | 0:17:58 | |
to light our city's gas lamps? | 0:17:58 | 0:18:01 | |
Well, apart from the obvious thing... | 0:18:01 | 0:18:03 | |
THEY LAUGH | 0:18:03 | 0:18:04 | |
Of course. | 0:18:04 | 0:18:06 | |
You couldn't be MORE obvious, could you? | 0:18:06 | 0:18:08 | |
Didn't you get my CV? I did send it to you. | 0:18:08 | 0:18:10 | |
Don't seem to have it. | 0:18:10 | 0:18:12 | |
-Don't worry, I brought a copy. -Oh. | 0:18:12 | 0:18:14 | |
Or I could just tell you. | 0:18:18 | 0:18:20 | |
Oh, no, here it is, here it is. | 0:18:20 | 0:18:22 | |
"Ceiling painter, | 0:18:22 | 0:18:24 | |
"giraffe groomer, | 0:18:24 | 0:18:25 | |
"laser eye surgeon for one day only"? | 0:18:25 | 0:18:28 | |
Yeah, didn't work out, that one. | 0:18:28 | 0:18:31 | |
-I was actually referring to that thing at the bottom. -Oh! | 0:18:31 | 0:18:36 | |
Three years as a streetlamp technician, that's wonderful. | 0:18:37 | 0:18:41 | |
Specialising in... | 0:18:41 | 0:18:42 | |
-How dare you! -Problem? | 0:18:44 | 0:18:46 | |
It says, "Specialising in electric lighting", | 0:18:46 | 0:18:49 | |
the most vulgar and common form of municipal illuminations | 0:18:49 | 0:18:53 | |
with their harsh, glaring beam | 0:18:53 | 0:18:54 | |
blinding us from 90% of the stars in the night sky. | 0:18:54 | 0:18:57 | |
You, sir, are the enemy. For me, it's gas lighting or no lighting. | 0:18:57 | 0:19:02 | |
Oh, come on, surely there's room for both. | 0:19:02 | 0:19:04 | |
Gas lighting adds character to historical locations like this, | 0:19:04 | 0:19:07 | |
but surely you don't think they're the future? | 0:19:07 | 0:19:10 | |
As it happens, I do! | 0:19:10 | 0:19:11 | |
And as you clearly do not, this interview is over. | 0:19:11 | 0:19:14 | |
-I don't think so. -Excuse me? | 0:19:14 | 0:19:17 | |
We may not see eye to eye about this | 0:19:17 | 0:19:19 | |
but you need someone who can light very tall gaslights | 0:19:19 | 0:19:22 | |
and I have something quite obviously | 0:19:22 | 0:19:25 | |
that makes me uniquely qualified for the job. | 0:19:25 | 0:19:27 | |
And what's that? | 0:19:27 | 0:19:28 | |
-I brought my own ladder. -Oh! | 0:19:28 | 0:19:31 | |
Oh, why didn't you say so? The job's yours. | 0:19:31 | 0:19:34 | |
I wonder what Sasa's doing now. | 0:19:34 | 0:19:36 | |
-Probably at home with his feet up watching telly. -Yeah. | 0:19:36 | 0:19:39 | |
-I don't know how we got roped into this, to be honest. -No. | 0:19:39 | 0:19:43 | |
I think this is number 63. | 0:19:43 | 0:19:45 | |
The novelty's starting to wear off a bit already. | 0:19:45 | 0:19:48 | |
Italy, Ascoli Piceno. | 0:19:50 | 0:19:53 | |
Italians are SO fashionable, | 0:19:53 | 0:19:56 | |
even the police uniforms are designer! | 0:19:56 | 0:19:58 | |
I love Italy. | 0:20:04 | 0:20:06 | |
The delicious food, the wonderful countryside. Smell that fresh air. | 0:20:06 | 0:20:11 | |
There's nothing I enjoy more than going for a countryside stroll | 0:20:11 | 0:20:13 | |
through Italy with my wellies keeping my feet nice and toasty. | 0:20:13 | 0:20:17 | |
Yep, they're a great invention, wellies. | 0:20:17 | 0:20:19 | |
Made popular by the first Duke of Wellington, don't you know? | 0:20:19 | 0:20:22 | |
Yeah, Wellington wore his wellies during the Battle of Waterloo. | 0:20:22 | 0:20:25 | |
He defeated Napoleon back in 1815 | 0:20:25 | 0:20:27 | |
which is why they became the British boot of choice during World War I. | 0:20:27 | 0:20:31 | |
I'm glad you know so much about wellies, Iain. | 0:20:31 | 0:20:33 | |
-I never trust a man who doesn't. -Ed, I love my... | 0:20:33 | 0:20:35 | |
Ed, where are our wellies? | 0:20:36 | 0:20:38 | |
Iain, I think we should cancel the country walk. | 0:20:41 | 0:20:44 | |
I can feel a Main Event coming on. | 0:20:44 | 0:20:47 | |
That's right, Ed! | 0:20:47 | 0:20:48 | |
This is the 22nd world cup for boot throwing | 0:20:48 | 0:20:53 | |
which takes place all over the world | 0:20:53 | 0:20:55 | |
and this year, it's right here in Italy. | 0:20:55 | 0:20:57 | |
Welly boot throwing is basically like javelin | 0:20:57 | 0:21:00 | |
or shot put in athletics - you take a run up | 0:21:00 | 0:21:03 | |
and throw as far as possible from the edge of the gravel. | 0:21:03 | 0:21:06 | |
Except here, you throw a rubber boot, obviously. | 0:21:06 | 0:21:10 | |
I think Ed and Iain need some advice from Pierlugi, | 0:21:10 | 0:21:14 | |
the Italian Stallion of welly boot throwing. | 0:21:14 | 0:21:17 | |
-Not good. -What's wrong with them? -Not good. | 0:21:17 | 0:21:19 | |
-What's wrong with those ones? -They're good wellies! | 0:21:19 | 0:21:21 | |
-You have to use this one, OK? -They're the exact same. | 0:21:21 | 0:21:25 | |
No, no, it is not the same because you have to use for men | 0:21:25 | 0:21:29 | |
-size 43, nine in UK... -OK. -..and with a specific weights, OK? | 0:21:29 | 0:21:33 | |
1kg for men and 880g for women. | 0:21:33 | 0:21:39 | |
I think it's time for a little bit of training, | 0:21:39 | 0:21:42 | |
so let's have a Boot Camp! | 0:21:42 | 0:21:44 | |
Iain, you're going to be trained by Eeva | 0:21:44 | 0:21:47 | |
who's a world champion at throwing wellies. | 0:21:47 | 0:21:50 | |
Ed, you're going to be trained by Aki | 0:21:50 | 0:21:52 | |
who's a welly boot throwing professional. | 0:21:52 | 0:21:55 | |
Guys, did you think I meant army boot camp? | 0:21:56 | 0:21:58 | |
It's a welly boot camp! | 0:21:58 | 0:22:00 | |
Will you get rid of those stupid outfits? | 0:22:00 | 0:22:02 | |
Sir, yes, sir! | 0:22:02 | 0:22:05 | |
So, let's find out what Eeva has in store for Iain. | 0:22:05 | 0:22:08 | |
-Put your thumb inside here. -Yeah. | 0:22:08 | 0:22:10 | |
And then your other fingers like this. | 0:22:10 | 0:22:14 | |
So like a bowling ball? | 0:22:14 | 0:22:17 | |
-A little bit? -Not really, but... -I'm not very good at this at all. | 0:22:17 | 0:22:20 | |
What do you think of this one? | 0:22:20 | 0:22:22 | |
Any good? | 0:22:25 | 0:22:26 | |
Not really. | 0:22:26 | 0:22:27 | |
The longest throws that there have been are... | 0:22:27 | 0:22:31 | |
They are the boots that had been squeezed, OK? | 0:22:31 | 0:22:34 | |
So the maximum aerodynamic takes them to 75 metres. | 0:22:34 | 0:22:38 | |
-So if I squeeze my boot, I can go further with it? -Yeah. | 0:22:38 | 0:22:41 | |
But you have to put a traction... | 0:22:41 | 0:22:43 | |
-If you see a Scottish guy called Iain, don't tell him that. -No. | 0:22:43 | 0:22:46 | |
-Very good. -Well, I definitely won't squeeze the boot... -OK. | 0:22:50 | 0:22:52 | |
..cos that's cheating. | 0:22:52 | 0:22:54 | |
Ed, no cheating! | 0:22:54 | 0:22:56 | |
Yeah! | 0:22:56 | 0:22:58 | |
That's already 12 metres. | 0:22:58 | 0:23:01 | |
-Nearly knocked his cap off. -Great. | 0:23:01 | 0:23:03 | |
He doesn't seem too bothered. | 0:23:03 | 0:23:05 | |
I'm pretty sure knocking hats off isn't in the rules. | 0:23:05 | 0:23:08 | |
But let's go over them again, just in case. | 0:23:08 | 0:23:10 | |
When you throw the welly, | 0:23:10 | 0:23:12 | |
it has to land between these two lines in this green area. | 0:23:12 | 0:23:15 | |
If it lands outside the lines in this red area here | 0:23:15 | 0:23:18 | |
or if your foot crosses the throwing line, | 0:23:18 | 0:23:21 | |
your throw doesn't count, | 0:23:21 | 0:23:23 | |
that's called a "nullo". | 0:23:23 | 0:23:24 | |
Not good! | 0:23:24 | 0:23:26 | |
The world record for a welly throw stands at over 68 metres | 0:23:26 | 0:23:30 | |
which is a long way to fetch your boot back, unless, of course, | 0:23:30 | 0:23:34 | |
you have a hi-tech automated retrieval system like we have. | 0:23:34 | 0:23:38 | |
OK, it's a dog. | 0:23:38 | 0:23:40 | |
Let's do this! | 0:23:40 | 0:23:41 | |
It's Ed v Iain in the Welly Boot Throwing World Cup! | 0:23:41 | 0:23:47 | |
First up, it's Private Petrie. | 0:23:47 | 0:23:49 | |
Come on then, Ed, | 0:23:49 | 0:23:50 | |
let's see what you have got with the first of three throws. | 0:23:50 | 0:23:54 | |
Oh, no! | 0:23:56 | 0:23:58 | |
That guy over there's holding his chest! | 0:24:01 | 0:24:03 | |
I think the welly boot landed in Spain, mate. | 0:24:03 | 0:24:05 | |
I can't work out whether he was scared the boot was going to hit him | 0:24:05 | 0:24:08 | |
or just absolutely appalled at how badly I threw it. | 0:24:08 | 0:24:10 | |
I'm going to go with both there, Ed. | 0:24:10 | 0:24:12 | |
It was actually miles over the line, | 0:24:12 | 0:24:15 | |
and you did really scare the boots off that poor guy. | 0:24:15 | 0:24:17 | |
Right, Sergeant Stirling, show us what you've got. | 0:24:17 | 0:24:20 | |
OK, here we go. As long as it's not a foul, I'm winning. Here we go. OK. | 0:24:20 | 0:24:25 | |
Aw, no! | 0:24:29 | 0:24:31 | |
It was in, but it was pretty bad. | 0:24:31 | 0:24:34 | |
-Nullo! -Nullo? -What? -What? | 0:24:34 | 0:24:37 | |
-Why? -Why? Nullo?! | 0:24:37 | 0:24:40 | |
Nullo, what, why, what? Well, let's see why. | 0:24:40 | 0:24:43 | |
Looks like the judges have ruled that your foot was over the line, | 0:24:43 | 0:24:46 | |
Iain, bad luck! | 0:24:46 | 0:24:48 | |
The throw won't count, so nullo it is. | 0:24:48 | 0:24:50 | |
After the first throw, it's a red mark for Ed, | 0:24:52 | 0:24:56 | |
and a red mark for Iain! | 0:24:56 | 0:24:58 | |
OK, second time lucky. Here we go. | 0:24:58 | 0:25:00 | |
Well, it's a good throw, Ed, | 0:25:04 | 0:25:05 | |
but I think you're just over the line there. | 0:25:05 | 0:25:09 | |
If you're watching at home you might be thinking | 0:25:09 | 0:25:11 | |
-that I faked that for comedic effect. -He didn't. | 0:25:11 | 0:25:15 | |
This is a man that can't walk up a pair of stairs without falling down. | 0:25:15 | 0:25:18 | |
OK, let's take a look at that one again. | 0:25:18 | 0:25:20 | |
It was a good enough throw, | 0:25:20 | 0:25:22 | |
but, yes, Ed landed in a heap well over the line. It won't count. | 0:25:22 | 0:25:26 | |
OK, watch and learn, guys. Iain Stirling, 80 metres. Here we go. OK. | 0:25:26 | 0:25:31 | |
No! | 0:25:33 | 0:25:36 | |
It's so hard! | 0:25:37 | 0:25:39 | |
So hard and yet so funny. | 0:25:39 | 0:25:41 | |
When you said 80 metres, Iain, | 0:25:41 | 0:25:42 | |
I didn't think you meant 80 metres wide of the line! | 0:25:42 | 0:25:45 | |
That was a mile out! | 0:25:45 | 0:25:46 | |
At the end of round two, it's a big fat nullo for both boys, | 0:25:48 | 0:25:51 | |
so it's all on round three! | 0:25:51 | 0:25:53 | |
Can we have some tense music, please? | 0:25:53 | 0:25:56 | |
-Here we go. Going to do it this time. -Whoa, whoa, whoa. -What? | 0:25:56 | 0:25:58 | |
-What size is that? -It's just a boot. -That's a girl's one. | 0:25:58 | 0:26:01 | |
-It's not a girl's one. -Give me the girl's boot. | 0:26:01 | 0:26:03 | |
-It's not a girl's one, it's just further away! -Take this. -Look. | 0:26:03 | 0:26:06 | |
Take the proper boot, they're clapping. Here we go. | 0:26:06 | 0:26:10 | |
It was a girl's one. | 0:26:10 | 0:26:12 | |
CHEERING | 0:26:14 | 0:26:18 | |
-Yes! -He's done it! -Yes! | 0:26:18 | 0:26:22 | |
Was that nullo? Was that nullo? | 0:26:24 | 0:26:25 | |
-Not nullo! -Not nullo! | 0:26:25 | 0:26:28 | |
HE SPEAKS ITALIAN | 0:26:31 | 0:26:33 | |
19.10. I'll take that. | 0:26:33 | 0:26:35 | |
So, Ed finally gets on the scoreboard with a whopping... | 0:26:35 | 0:26:38 | |
Can Iain match it? | 0:26:42 | 0:26:44 | |
-Here we go. -Hang on, hang on, let's check your boots. | 0:26:44 | 0:26:46 | |
Size nine, here we go. I'm going to do this. | 0:26:46 | 0:26:49 | |
-Is it? -Yes. -Oh, it is, yeah. | 0:26:49 | 0:26:51 | |
Right, here we go. Here we go. OK. | 0:26:51 | 0:26:54 | |
CHEERING | 0:26:58 | 0:27:01 | |
Oh, no! | 0:27:01 | 0:27:03 | |
Not nullo! | 0:27:05 | 0:27:07 | |
Oh, that was a nullo if ever there was one. | 0:27:09 | 0:27:12 | |
Absolutely right, Ed, | 0:27:12 | 0:27:14 | |
in fact possibly the biggest nullo this event has ever seen! | 0:27:14 | 0:27:18 | |
Bad luck, Iain! | 0:27:18 | 0:27:19 | |
-How do you feel? -I hate nullo. | 0:27:19 | 0:27:22 | |
So, the winner is Ed, and Iain gets a big fat... | 0:27:24 | 0:27:28 | |
-Nullo. -Nullo, yeah. -Nullo. -Nullo, yeah, I've heard that a lot today. | 0:27:28 | 0:27:32 | |
Which I guess means that I'm the winner! | 0:27:32 | 0:27:35 | |
Don't worry, I will only gloat for the entire plane ride home. | 0:27:35 | 0:27:39 | |
You've been watching All Over The Place: Europe! | 0:27:39 | 0:27:42 |