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The CBBC presenter gang travel all over the place in the UK! | 0:00:02 | 0:00:05 | |
Get ready to rock! Holly and Ed play invisible guitars, | 0:00:05 | 0:00:09 | |
while London time travels. | 0:00:09 | 0:00:11 | |
Joe drives a Bond car and Barney is attacked by a giant triffid! | 0:00:11 | 0:00:16 | |
# All over the place | 0:00:19 | 0:00:21 | |
# All over the place | 0:00:21 | 0:00:22 | |
# North, south, east, west On a bizarre quest | 0:00:23 | 0:00:26 | |
# Me and my mates All over the place! | 0:00:26 | 0:00:28 | |
# It's true what you've heard Everything is absurd | 0:00:28 | 0:00:31 | |
# Whatever we do is strange but true! | 0:00:31 | 0:00:34 | |
# All over the place | 0:00:34 | 0:00:35 | |
# All over the place | 0:00:36 | 0:00:38 | |
# Bet you didn't know this stuff was in the UK | 0:00:39 | 0:00:41 | |
-# But it turns up... -..all over the place! # | 0:00:41 | 0:00:45 | |
If you like views and hills and things that go up and down, | 0:00:49 | 0:00:53 | |
then I have got something you might be interested in. | 0:00:53 | 0:00:56 | |
-Is it a rollercoaster? -It's even more exciting! | 0:00:56 | 0:00:59 | |
SCREECH! | 0:00:59 | 0:01:01 | |
This is the freakiest hill in the UK - The Electric Brae. | 0:01:02 | 0:01:05 | |
Freaky, indeed! | 0:01:07 | 0:01:08 | |
-It looks like a pretty normal hill. -This is million times better. | 0:01:11 | 0:01:15 | |
-Where do you think the bottom is? -It's there. | 0:01:15 | 0:01:17 | |
I can see it. The top will be behind us. That's how it works. | 0:01:17 | 0:01:20 | |
Top...bottom. | 0:01:20 | 0:01:23 | |
If I took the handbrake off, which direction would it roll? | 0:01:23 | 0:01:26 | |
Ed, I've been on a hill before. You roll downwards. | 0:01:26 | 0:01:29 | |
-That's gravity. You just roll downhill. -OK, let's find out. | 0:01:29 | 0:01:33 | |
-Ooh! -Oh, that is weird. We're going backwards. | 0:01:34 | 0:01:37 | |
How does this work? That's against gravity. | 0:01:37 | 0:01:39 | |
Is it some sort of fairy road, where they use their magical powers | 0:01:39 | 0:01:42 | |
to pull cars uphill? | 0:01:42 | 0:01:43 | |
-What do you think? -I don't know, anymore. | 0:01:43 | 0:01:45 | |
The Victorians thought it might have been magic, | 0:01:45 | 0:01:48 | |
but the road is normal. Everything else is weird. | 0:01:48 | 0:01:50 | |
It slopes in such a way that it tricks your eye into thinking that | 0:01:57 | 0:02:00 | |
-the top of the hill is the bottom. -That is one freaky road. | 0:02:00 | 0:02:02 | |
It's the freakiest hill in the UK! | 0:02:02 | 0:02:04 | |
CRASH! | 0:02:04 | 0:02:07 | |
Ed, you did put the handbrake on, didn't you? | 0:02:07 | 0:02:09 | |
Erm... Oops! | 0:02:09 | 0:02:10 | |
So let's see what they really thought in the Victorian days... | 0:02:10 | 0:02:14 | |
HE CLEARS HIS THROAT | 0:02:14 | 0:02:16 | |
Ladies and gentlemenly, lovely type fellas-ah! | 0:02:16 | 0:02:21 | |
It is my great pleasure to introduce to you, | 0:02:21 | 0:02:24 | |
truly the most amazing phenomena in all of the United Kingdom-ah - | 0:02:24 | 0:02:30 | |
The mesmeric Electric Brae! | 0:02:30 | 0:02:35 | |
Oi! | 0:02:36 | 0:02:37 | |
What's all this blither-blethering and flibber-flabbering about? | 0:02:37 | 0:02:41 | |
It's only a poxy hill! | 0:02:41 | 0:02:42 | |
Victorian scientists believe that beneath this road | 0:02:42 | 0:02:46 | |
there lies a strange and yet powerful electromagnetic current | 0:02:46 | 0:02:52 | |
which can pull carts and carriages | 0:02:52 | 0:02:55 | |
UP THE HILL! | 0:02:55 | 0:02:58 | |
Therefore defying the very laws of gravity! | 0:02:58 | 0:03:02 | |
-That's why it's called Electric Brae. -Or it could be the sides of the hill | 0:03:02 | 0:03:07 | |
that give it a trick of the eye. | 0:03:07 | 0:03:08 | |
HE LAUGHS | 0:03:08 | 0:03:10 | |
Get a load of her! | 0:03:10 | 0:03:11 | |
Next she'll be saying that in the future, | 0:03:11 | 0:03:13 | |
people will be walking around with music players in their pockets | 0:03:13 | 0:03:17 | |
or getting curries delivered to their front door. | 0:03:17 | 0:03:19 | |
If this is not a wonder of nature | 0:03:19 | 0:03:21 | |
then why do crowds of Victorian tourists | 0:03:21 | 0:03:24 | |
flock to buy Electric Brae merchandise | 0:03:24 | 0:03:27 | |
from my beautiful cart? | 0:03:27 | 0:03:29 | |
What cart? | 0:03:29 | 0:03:30 | |
D'oh! I forgot to put the brakes on! | 0:03:31 | 0:03:34 | |
My amazing spy senses tell me that this is where the Bond cars are. | 0:03:56 | 0:03:59 | |
Yeah, I think you might be right. | 0:03:59 | 0:04:01 | |
-Yeah, I think I am right. -Probably because of this massive sign. -What? | 0:04:01 | 0:04:05 | |
There have been 22 Bond films so far | 0:04:09 | 0:04:12 | |
and six actors have played James Bond. | 0:04:12 | 0:04:14 | |
-What do you think of the colour? -Yeah, I mean, it's nice. | 0:04:18 | 0:04:21 | |
I don't think I'd choose the bogey colour, myself. | 0:04:21 | 0:04:24 | |
He's got no class! That paint's got real gold in it | 0:04:24 | 0:04:27 | |
and the car featured in Die Another Day. | 0:04:27 | 0:04:29 | |
This one just looks like... | 0:04:33 | 0:04:34 | |
-This is the coolest one of the lot. -Are you sure? -Yeah, yeah. | 0:04:34 | 0:04:37 | |
It turns into a submarine. | 0:04:37 | 0:04:39 | |
Joe, you just don't have a SCUBA! | 0:04:39 | 0:04:41 | |
They built a prop for it and they thought it was lost forever. | 0:04:45 | 0:04:48 | |
They found it in a scrap yard in the Bahamas. | 0:04:48 | 0:04:51 | |
That's the submarine version. Good job they found it. | 0:04:51 | 0:04:53 | |
Of course, James could've found it using his veeblefetzer. | 0:04:55 | 0:04:58 | |
But what would happen if he invented rubbish gadgets?! | 0:05:01 | 0:05:04 | |
Oh, do come in. | 0:05:04 | 0:05:06 | |
Wow! A space station. | 0:05:06 | 0:05:09 | |
I know your gadgets are top secret but is this really necessary? | 0:05:09 | 0:05:12 | |
Well, maybe I was hiding from someone? | 0:05:12 | 0:05:14 | |
Anyway, what amazing gadgets have you got? | 0:05:14 | 0:05:17 | |
I'm sure a genius such as yourself can conjure up a lethal toy or two, | 0:05:17 | 0:05:20 | |
even with the tightest of budgets. | 0:05:20 | 0:05:22 | |
Well, I do have a remote control car. | 0:05:22 | 0:05:25 | |
Ah! | 0:05:25 | 0:05:27 | |
That'll fox the enemies. | 0:05:27 | 0:05:29 | |
Whilst I'm stealing their secret plans | 0:05:29 | 0:05:31 | |
and kissing their beautiful foreign girlfriends, | 0:05:31 | 0:05:34 | |
they'll be chasing an empty car around town. | 0:05:34 | 0:05:36 | |
Here it is.... | 0:05:36 | 0:05:38 | |
It's eco-friendly. | 0:05:39 | 0:05:41 | |
Well, I suppose that's important. | 0:05:42 | 0:05:45 | |
Tell me this is a remote-controlled drone, | 0:05:46 | 0:05:49 | |
for recording information or defusing a bomb? | 0:05:49 | 0:05:51 | |
It's a remote-controlled drone | 0:05:51 | 0:05:53 | |
for recording information or defusing a bomb. | 0:05:53 | 0:05:55 | |
-Is it though? -No. | 0:05:55 | 0:05:56 | |
Look, this is outrageous! | 0:05:57 | 0:05:59 | |
You say you haven't got any money, | 0:05:59 | 0:06:01 | |
but you've built a space station and teleported me here! | 0:06:01 | 0:06:04 | |
OK, OK. Wait. | 0:06:04 | 0:06:05 | |
What about a tiny hand-communicating device | 0:06:05 | 0:06:08 | |
with a torch, video camera, sat nav, built-in GPS | 0:06:08 | 0:06:12 | |
and full wireless internet. | 0:06:12 | 0:06:13 | |
Well, now you're talking! | 0:06:13 | 0:06:15 | |
Pay as you go. | 0:06:16 | 0:06:18 | |
PHONE BLEEPS Why didn't I see that coming? | 0:06:18 | 0:06:20 | |
Wait, wait! | 0:06:21 | 0:06:22 | |
If you call this phone, from this phone | 0:06:22 | 0:06:25 | |
the person receiving it will get a powerful electric shock! | 0:06:25 | 0:06:28 | |
Wow. | 0:06:28 | 0:06:30 | |
That was really impressive. | 0:06:30 | 0:06:32 | |
What's the number? | 0:06:32 | 0:06:33 | |
Speed dial number two. | 0:06:33 | 0:06:35 | |
Aaaaahhh! | 0:06:36 | 0:06:38 | |
Yeah, you're right... | 0:06:40 | 0:06:42 | |
works really well. | 0:06:42 | 0:06:43 | |
Let's face it, | 0:06:43 | 0:06:44 | |
Bond wouldn't be impressive if his gadgets didn't work. | 0:06:44 | 0:06:47 | |
Am I allowed to get in and have a fiddle about? | 0:06:51 | 0:06:53 | |
Yeah, have a look. | 0:06:53 | 0:06:54 | |
-Yeah, yeah. -I wanted to do that! -Sorry, Ed. | 0:06:54 | 0:06:57 | |
Tell me what moves, Ed. | 0:06:58 | 0:06:59 | |
What's this one? | 0:06:59 | 0:07:00 | |
-That's the bumper that bumps the other car. -The bumper, yeah? | 0:07:02 | 0:07:05 | |
What about this one here, ready? | 0:07:05 | 0:07:07 | |
That's the guns at the front. | 0:07:07 | 0:07:09 | |
Don't shoot me in the shins! | 0:07:09 | 0:07:10 | |
What about this one? Keep your eyes one. Ready? | 0:07:10 | 0:07:13 | |
Is that doing anything? | 0:07:13 | 0:07:15 | |
-I can't see anything. -Look! Behind me! | 0:07:15 | 0:07:17 | |
It's the bulletproof shield at the back! | 0:07:17 | 0:07:19 | |
Oh, look at it! | 0:07:19 | 0:07:21 | |
This is the coolest car I have seen in my life. I love it! | 0:07:21 | 0:07:24 | |
If I wanted to buy one how much would it set me back? | 0:07:24 | 0:07:27 | |
-It would be in the millions to buy one. -Millions! | 0:07:27 | 0:07:30 | |
-Millions? -Millions. | 0:07:30 | 0:07:31 | |
Get me out of this car before I break it! | 0:07:31 | 0:07:33 | |
That's a good idea. Get him out! | 0:07:33 | 0:07:35 | |
He's right! Get him out, get him out! | 0:07:35 | 0:07:37 | |
-Looks like we did a good job tracking down the 007 cars. -You're right. | 0:07:37 | 0:07:40 | |
Wait till you tell M, she's going to be so happy with us. | 0:07:40 | 0:07:43 | |
-I'm going to head off and see her now, file the report. -Hold up! | 0:07:43 | 0:07:46 | |
I wanted to do that, I've done more work than you today. | 0:07:46 | 0:07:49 | |
-I think I should tell her. -All right. -Oi! | 0:07:49 | 0:07:52 | |
You're not going to catch me, Ed! | 0:07:54 | 0:07:56 | |
I'm going to get to M before you do, mate! | 0:07:56 | 0:07:59 | |
Do you expect me to give up, Edward? | 0:08:00 | 0:08:03 | |
No, Mr Swash. I expect you to die! Ha-ha! | 0:08:03 | 0:08:06 | |
Not many people have a favourite traffic light... | 0:08:21 | 0:08:25 | |
but I do! | 0:08:25 | 0:08:26 | |
It's this one. | 0:08:26 | 0:08:28 | |
This is what happens if you water a traffic light too much. | 0:08:28 | 0:08:31 | |
Actually, that's a lie. | 0:08:33 | 0:08:35 | |
This is the Traffic Light Tree, | 0:08:35 | 0:08:37 | |
designed by a French bloke about ten years ago. | 0:08:37 | 0:08:40 | |
It's eight metres tall | 0:08:40 | 0:08:42 | |
and it's got 75 sets of lights. | 0:08:42 | 0:08:45 | |
He won a competition to replace the real tree that used to be here - | 0:08:49 | 0:08:52 | |
it died of pollution. | 0:08:52 | 0:08:54 | |
HE COUGHS AND SPLUTTERS | 0:08:55 | 0:08:58 | |
Frankly, I'm not surprised. | 0:08:58 | 0:09:00 | |
I wonder if there's every been any... | 0:09:05 | 0:09:07 | |
CLANGING | 0:09:07 | 0:09:09 | |
Oh, well. I suppose too many traffic lights are better than none. | 0:09:09 | 0:09:12 | |
Imagine if there weren't any at all... | 0:09:12 | 0:09:15 | |
If you didn't have traffic lights, you'd have to have lollipop ladies. | 0:09:15 | 0:09:19 | |
But what happens if you're on a cross-junction and bees came along | 0:09:19 | 0:09:23 | |
and the lollipop lady was trying to hit all the bees? | 0:09:23 | 0:09:26 | |
So she was going, "Stop! Go! Stop!" | 0:09:26 | 0:09:31 | |
Chameleons could change colour, like red and yellow and green | 0:09:31 | 0:09:38 | |
So you would know when to go. | 0:09:38 | 0:09:39 | |
If the chameleon turned blue there would be crashes from every angle. | 0:09:39 | 0:09:45 | |
Think you've got a big collection? Well, look at this! | 0:09:50 | 0:09:53 | |
Well, this isn't much good, is it? | 0:10:09 | 0:10:11 | |
We come all the way to Torquay to see Shane and he's not here. | 0:10:11 | 0:10:14 | |
PHONE RINGS | 0:10:14 | 0:10:16 | |
Ah! Ha-ha! | 0:10:16 | 0:10:19 | |
Quick, go on before it rings off. | 0:10:19 | 0:10:21 | |
Mysterious! | 0:10:21 | 0:10:22 | |
Hello? | 0:10:26 | 0:10:27 | |
'Hello. Welcome to my collection of telephones. | 0:10:27 | 0:10:30 | |
'I've got one of the largest collections in the UK. | 0:10:30 | 0:10:33 | |
'Sorry I can't be there now | 0:10:33 | 0:10:35 | |
'but have a look and I'll catch up with you soon.' | 0:10:35 | 0:10:37 | |
-Cool! -Oh, great! | 0:10:37 | 0:10:39 | |
Let's have a look around. | 0:10:39 | 0:10:41 | |
-# Call me -Call me! | 0:10:41 | 0:10:43 | |
# On the line Call me, call me...# | 0:10:43 | 0:10:45 | |
PHONE RINGS | 0:10:58 | 0:11:00 | |
It actually frightened me! | 0:11:00 | 0:11:03 | |
-Which one is it? -I don't know - there's so many! | 0:11:03 | 0:11:05 | |
We'll be here all day! | 0:11:08 | 0:11:10 | |
-That one, that one! -This one? -Yeah. | 0:11:10 | 0:11:11 | |
-Ah! -Hello? | 0:11:11 | 0:11:14 | |
-Hello, Ed. -'Hello, Shane.' | 0:11:14 | 0:11:15 | |
We're in this room at the moment with em...buttons everywhere. | 0:11:15 | 0:11:19 | |
-We were just wondering what it is. -That is a telephone switchboard. | 0:11:19 | 0:11:23 | |
You can be put through to all over the world from that switchboard. | 0:11:23 | 0:11:27 | |
Each of the holes represents someone's phone number. | 0:11:30 | 0:11:33 | |
All right, Ed and Gemma, get ready to connect the calls! | 0:11:42 | 0:11:47 | |
Four is calling 37. | 0:11:47 | 0:11:51 | |
Ten is calling 44. | 0:11:51 | 0:11:54 | |
Hang on, hang on! | 0:11:54 | 0:11:55 | |
Six is calling 18. | 0:11:55 | 0:11:58 | |
-Six... -No, wait. Stop! | 0:11:58 | 0:12:00 | |
What was the first one? | 0:12:00 | 0:12:01 | |
-Two is calling 22. -You snooze, you lose! | 0:12:01 | 0:12:04 | |
13 is calling 11. | 0:12:04 | 0:12:08 | |
13, 13, 13... | 0:12:08 | 0:12:09 | |
I can't find any of them! | 0:12:09 | 0:12:11 | |
-Ye-es! -KLAXON SOUNDS | 0:12:13 | 0:12:15 | |
I'd just like to apologise to men everywhere. | 0:12:15 | 0:12:18 | |
-(Loser!) -I've really let the side down. | 0:12:18 | 0:12:20 | |
I'm a bit gutted that we didn't get to meet Shane. | 0:12:21 | 0:12:24 | |
Yeah. I'm sure he doesn't mind really. I got him a present. | 0:12:24 | 0:12:27 | |
-Oh, cool! What is it? -Have a guess. | 0:12:27 | 0:12:29 | |
-Uh, a CD? -No. | 0:12:29 | 0:12:31 | |
-Book? -No. -Bicycle? -No. | 0:12:31 | 0:12:33 | |
-It's a phone. It's a mobile one from the 1980s. -Brilliant! | 0:12:33 | 0:12:37 | |
It's the size of a brick. | 0:12:37 | 0:12:38 | |
I wonder what someone from the 80s would make of mobiles now. | 0:12:38 | 0:12:41 | |
-All right, Ed. -All right. -Who you phoning? -The 1980s. | 0:12:41 | 0:12:44 | |
Oh, it's ringing. | 0:12:46 | 0:12:47 | |
-Yo! -Hello, 1980s London? | 0:12:47 | 0:12:50 | |
It's Ed from the future here. | 0:12:50 | 0:12:52 | |
Hey, future Ed! | 0:12:52 | 0:12:54 | |
I'm just talking to you on my new hand portable. | 0:12:54 | 0:12:57 | |
What am I saying? | 0:12:57 | 0:12:58 | |
-Don't you mean mobile? -What? | 0:12:58 | 0:13:00 | |
RINGTONE PLAYS | 0:13:00 | 0:13:03 | |
What was that? | 0:13:03 | 0:13:04 | |
Oh, it was just London's phone. | 0:13:04 | 0:13:06 | |
Phones don't make that noise. | 0:13:06 | 0:13:07 | |
They either go "ring-ring", "beep-beep" | 0:13:07 | 0:13:10 | |
or nothing at all because their battery's dead. | 0:13:10 | 0:13:12 | |
Oh. Does your battery die a lot then? | 0:13:12 | 0:13:14 | |
No! Not this phone - it's a new model, the deluxe package. | 0:13:14 | 0:13:19 | |
I can make ten three-minute phone calls in a single charge. Beat that! | 0:13:19 | 0:13:22 | |
It's easy. The battery on my phones last for days, | 0:13:22 | 0:13:25 | |
unless I've been playing too much music. | 0:13:25 | 0:13:27 | |
You've got music on your phone?! | 0:13:27 | 0:13:30 | |
Yeah. Haven't you? | 0:13:30 | 0:13:31 | |
Well, yeah, sort of. | 0:13:31 | 0:13:33 | |
I can play a few tunes like Frere Jacques. | 0:13:33 | 0:13:36 | |
SHE PLAYS FRERE JACQUES USING TOUCH-TONE | 0:13:36 | 0:13:39 | |
Face it, London from the past, phones back then were rubbish! | 0:13:39 | 0:13:42 | |
Hey, Ed from the future, they might be pretty basic | 0:13:42 | 0:13:46 | |
but phones like this will be lasting longer | 0:13:46 | 0:13:48 | |
than silly mobiles especially.... | 0:13:48 | 0:13:50 | |
-DIAL TONE -Hello? Hello? | 0:13:50 | 0:13:52 | |
Battery's died. | 0:13:53 | 0:13:54 | |
PHONE CLATTERS AND GOES SILENT | 0:13:54 | 0:13:56 | |
-# I'm Bernard Ward -I'm Lady Anne Bligh | 0:14:09 | 0:14:12 | |
# Together we were man and wife | 0:14:12 | 0:14:15 | |
# But when we built our country pile | 0:14:15 | 0:14:17 | |
# We simply could agree on the style | 0:14:17 | 0:14:20 | |
# We can't agree, so what's to be done? | 0:14:20 | 0:14:23 | |
# Only a fool would build two houses in one | 0:14:23 | 0:14:26 | |
# So, Mr Builder, is it hard | 0:14:26 | 0:14:29 | |
# To build a house with two facades? | 0:14:29 | 0:14:32 | |
# You seem to have adopted a thoughtful posture. # | 0:14:32 | 0:14:34 | |
Two houses in one? It's going to cost you. | 0:14:34 | 0:14:37 | |
40 grand. | 0:14:37 | 0:14:39 | |
Which in today's money is... Well, it's a lot. | 0:14:39 | 0:14:43 | |
# We're made for each other, you and me | 0:14:43 | 0:14:48 | |
# Cos we always agree to disagree | 0:14:48 | 0:14:54 | |
# One side classic, I'm more traditional | 0:14:58 | 0:15:01 | |
# One side Gothic, I'm more whimsical | 0:15:01 | 0:15:04 | |
# Wandering about the rooms inside | 0:15:04 | 0:15:07 | |
# We continued the theme that had a divide | 0:15:07 | 0:15:09 | |
# One half for him | 0:15:09 | 0:15:11 | |
# One half for her | 0:15:11 | 0:15:12 | |
# And we stayed in the half that we preferred | 0:15:12 | 0:15:15 | |
# We're made for each other, you and me | 0:15:18 | 0:15:23 | |
# Cos we always agree to disagree | 0:15:23 | 0:15:31 | |
# And though our two-faced house was completed | 0:15:31 | 0:15:33 | |
# Our disagreements were still quite heated | 0:15:33 | 0:15:36 | |
# Meal times were always particularly thrilling | 0:15:36 | 0:15:39 | |
# Try making a sandwich with two different fillings | 0:15:39 | 0:15:42 | |
# There's only one way to solve this, my dear | 0:15:42 | 0:15:45 | |
# And this collection of squirrels have given me an idea | 0:15:45 | 0:15:49 | |
MUSIC: "Eye Of The Tiger" by Survivor | 0:15:50 | 0:15:52 | |
# We're made | 0:15:53 | 0:15:54 | |
# For each oth-er | 0:15:54 | 0:15:57 | |
# You and me | 0:15:57 | 0:16:00 | |
# Cos we al-ways agree | 0:16:00 | 0:16:04 | |
# To dis-agree | 0:16:04 | 0:16:08 | |
MUSIC RETURNS TO ORIGINAL MELODY # There is one other solution of course | 0:16:11 | 0:16:15 | |
# We could always try and get a divorce. # | 0:16:15 | 0:16:19 | |
Ugh. | 0:16:19 | 0:16:21 | |
You know what, dear? For once, I agree with you. | 0:16:21 | 0:16:25 | |
-A funny thing's happening to me at the moment. -Oh, yeah? | 0:16:36 | 0:16:39 | |
-What's that? -Every time I read a book, | 0:16:39 | 0:16:41 | |
the next day I feel like I'm living out the title. | 0:16:41 | 0:16:44 | |
Eh? Like what? | 0:16:44 | 0:16:45 | |
Well, the other week I read Harry Potter | 0:16:45 | 0:16:47 | |
and the next day I found myself in a pottery class. | 0:16:47 | 0:16:50 | |
-Huh! Random. -Yeah. | 0:16:50 | 0:16:52 | |
And then I read the Tales Of Narnia and I got locked in a wardrobe. | 0:16:52 | 0:16:55 | |
What did you read last night? It wasn't Winnie The Pooh, was it? | 0:16:55 | 0:16:59 | |
No. No, it was The Day Of The Triffids. | 0:16:59 | 0:17:01 | |
-BARNEY CHUCKLES -Yeah, right. | 0:17:01 | 0:17:03 | |
Like we're going to bump in to a giant man-eating plant | 0:17:03 | 0:17:06 | |
running around the Scottish countryside! | 0:17:06 | 0:17:08 | |
As if that's going to happen! | 0:17:08 | 0:17:10 | |
THEY SHOUT AND SCREAM | 0:17:11 | 0:17:13 | |
Don't panic, Ed and Barney! | 0:17:13 | 0:17:15 | |
This is a giant sculpture in Jupiter Artland | 0:17:15 | 0:17:18 | |
which is a garden full of art. | 0:17:18 | 0:17:20 | |
So, there's loads of different sculptures round this park. | 0:17:29 | 0:17:32 | |
I think you'll find it is an Artland, not a park. | 0:17:32 | 0:17:35 | |
-OK, I'd like to find out a bit more about this Artland. -So would I. | 0:17:35 | 0:17:38 | |
-How do you get back again? -I've no idea! | 0:17:45 | 0:17:48 | |
This place gets weirder and weirder. | 0:17:48 | 0:17:50 | |
But this is where we get our information from. | 0:17:50 | 0:17:52 | |
It's the Web! | 0:17:52 | 0:17:54 | |
Ed and Barney, you have one minute to find more information | 0:17:54 | 0:17:59 | |
about Jupiter Artland. | 0:17:59 | 0:18:02 | |
Barney, you've got Richard. | 0:18:02 | 0:18:04 | |
Ed, you've got Diana. | 0:18:04 | 0:18:08 | |
Whoever finds out the most facts is the winner. | 0:18:08 | 0:18:11 | |
Three, two, one, go! | 0:18:11 | 0:18:15 | |
Hello, I'm here to ask you lots of questions. Don't be scared! | 0:18:16 | 0:18:20 | |
-Why is it called Jupiter Artland? -It's named after the planet Jupiter. | 0:18:20 | 0:18:23 | |
-How big are the parks? -Big. Huge! | 0:18:23 | 0:18:27 | |
-What's the tallest sculpture? -It's a 12-metre orchid. | 0:18:27 | 0:18:30 | |
-How long have you been open for? -Two years. | 0:18:30 | 0:18:32 | |
-Uh, have you ever been to the planet Jupiter?! -No. | 0:18:32 | 0:18:35 | |
-How much water is in there? -A massive amount. | 0:18:35 | 0:18:37 | |
I've been practising as a human statue, what do you think of this? | 0:18:37 | 0:18:41 | |
It's average. | 0:18:41 | 0:18:42 | |
-How many of these mounds do you have? -Nine. | 0:18:42 | 0:18:44 | |
How much money would you give me for it? | 0:18:44 | 0:18:46 | |
Uh...a penny? | 0:18:46 | 0:18:47 | |
-How many sculptures are there? -About 12. | 0:18:47 | 0:18:49 | |
Has an artist ever come here and gone, | 0:18:49 | 0:18:51 | |
-"Oh, I'm not putting my stuff here." -Not yet. | 0:18:51 | 0:18:53 | |
-How much concrete is in here? -Concrete? There is no concrete. | 0:18:53 | 0:18:57 | |
-How many visitors do you get a year? -Uh, about 10,000. | 0:18:57 | 0:19:00 | |
-How many trees? -Oh, thousands! | 0:19:00 | 0:19:03 | |
-What's people's favourite sculpture here? -Weeping Girls. | 0:19:03 | 0:19:06 | |
-What's the tallest tree? -Tallest tree - 80 feet. | 0:19:06 | 0:19:09 | |
-What's the most expensive sculpture? -I'm not answering. | 0:19:09 | 0:19:12 | |
If you were to open a zoo, where would you put the giraffes? | 0:19:12 | 0:19:15 | |
-Stop! Time's up! -KLAXON SOUNDS | 0:19:15 | 0:19:16 | |
Out of time! Well done, brilliant. | 0:19:16 | 0:19:19 | |
And the person who found out the most facts is... | 0:19:19 | 0:19:22 | |
-..Barney! -Yes! -Oh, no! CHEERING AND APPLAUSE | 0:19:23 | 0:19:26 | |
I wasted too much time on my human statue. | 0:19:26 | 0:19:28 | |
-That'll teach you! -What do you think of this? | 0:19:28 | 0:19:31 | |
-It's rubbish. -Oh, that's what she said. | 0:19:32 | 0:19:34 | |
I'll show you, I'll show you all! | 0:19:34 | 0:19:37 | |
-I wonder if there's any honey. -What are you doing?! | 0:19:37 | 0:19:39 | |
It's full of bees! Run, Barney! | 0:19:39 | 0:19:41 | |
No, I've checked, they're empty. Look. | 0:19:41 | 0:19:43 | |
It's just a sculpture. | 0:19:43 | 0:19:44 | |
"Beehives in the wild flower meadow by Ian Hamilton Finlay." Very nice. | 0:19:44 | 0:19:49 | |
Ah, what a piece, Barney! | 0:19:49 | 0:19:50 | |
It speaks to me of repression - caging in what wants to be set free, | 0:19:50 | 0:19:55 | |
the soul, one's desires. Beautiful! | 0:19:55 | 0:19:59 | |
What are you looking at the cage for? | 0:19:59 | 0:20:01 | |
That's just to stop things falling in it. That's the art down there. | 0:20:01 | 0:20:04 | |
The hole! It's not called The Hole though, | 0:20:04 | 0:20:06 | |
it's called Suck. | 0:20:06 | 0:20:07 | |
It's supposed to make you think | 0:20:07 | 0:20:09 | |
about things being sucked into the earth. | 0:20:09 | 0:20:12 | |
Climbing frame, Barney, climbing frame! | 0:20:12 | 0:20:14 | |
-Ed, it's not! -It's a climbing frame! -No, it's not. Look. | 0:20:14 | 0:20:17 | |
-It's called the Firmament, it's another sculpture. -Oh. | 0:20:17 | 0:20:21 | |
-It looks like a bloke kneeling down. -It's supposed to be. | 0:20:21 | 0:20:24 | |
It's made out of steel. Wow, that's cool. | 0:20:24 | 0:20:26 | |
These are the Weeping Girls, Ed. Pretty cool. | 0:20:26 | 0:20:29 | |
They bring a bit of a tear to my eye. Look, she's really sad. | 0:20:29 | 0:20:32 | |
I'm not surprised - she's got to hold a tree up! | 0:20:32 | 0:20:35 | |
What about this one? She hasn't got MUSHROOM to stand! | 0:20:35 | 0:20:38 | |
Ha-ha! Much room! | 0:20:38 | 0:20:39 | |
Cos there's some mush... All right. | 0:20:39 | 0:20:42 | |
-Do you want to go homeward? -OK. | 0:20:42 | 0:20:43 | |
It's just as well you weren't reading Man On The Moon. | 0:20:43 | 0:20:46 | |
-Well, we have been to Jupiter and back. -Yeah, that's true. | 0:20:46 | 0:20:49 | |
It would have been good if I'd read Charlie And The Chocolate Factory! | 0:20:50 | 0:20:54 | |
-Yeah, but bad if you were reading Wind In the Willows. -Oh! Yeah. | 0:20:54 | 0:20:58 | |
-# De-de...# -Holly, what are you doing?! -What? | 0:21:06 | 0:21:09 | |
-Where's your guitar? -What are you talking about? | 0:21:09 | 0:21:11 | |
We're hearing for the UK Air...Guitar...Championships. | 0:21:11 | 0:21:14 | |
-You didn't bring a guitar, did you? -Ugh! I'm going to look so stupid! | 0:21:14 | 0:21:18 | |
I brought a spare one | 0:21:18 | 0:21:19 | |
cos I've got a feeling I'm going to trash this baby later so... | 0:21:19 | 0:21:23 | |
-It's just there. -You're a life saver. | 0:21:23 | 0:21:25 | |
-It's good cos I can't play the guitar. Is it here? -No, to the right. | 0:21:25 | 0:21:28 | |
-Here? -No, Ed, it's there on the right. | 0:21:28 | 0:21:30 | |
Oh, right, Yeah. | 0:21:30 | 0:21:32 | |
DISTORTED GUITAR STRUM Oh. It's a bit out of tune. | 0:21:32 | 0:21:34 | |
I think your eyes are a bit out of focus, Ed because... | 0:21:34 | 0:21:37 | |
ROCK MUSIC | 0:21:41 | 0:21:42 | |
Here's Ed Banger! | 0:22:02 | 0:22:04 | |
Just heading up to the stage now. | 0:22:06 | 0:22:08 | |
I look the part but I'm a bit worried I'm lacking air-ness. | 0:22:08 | 0:22:12 | |
It's starting to get a bit busy now! | 0:22:17 | 0:22:19 | |
Where's Holly gone? | 0:22:19 | 0:22:20 | |
Hey, don't you mean Wah Wah Walsh? | 0:22:20 | 0:22:24 | |
Wah Wah Walsh! | 0:22:25 | 0:22:27 | |
It's - # Wah Wah Walsh! # | 0:22:27 | 0:22:29 | |
Sorry - # Wah Wah Walsh. # | 0:22:29 | 0:22:31 | |
Welcome. This is, of course, the UK Air Guitar Championships. Come on! | 0:22:31 | 0:22:35 | |
CHEERING AND APPLAUSE | 0:22:35 | 0:22:37 | |
-Do you feel nervous? -Stupidly, I do feel quite nervous. | 0:22:37 | 0:22:41 | |
Why do I feel nervous about this? It's so stupid! I'm not even playing! | 0:22:41 | 0:22:44 | |
Do you know what though? | 0:22:44 | 0:22:46 | |
It's knowing that they're watching your every move. | 0:22:46 | 0:22:49 | |
I've never played the guitar, so I'm a bit worried. | 0:22:49 | 0:22:51 | |
I can't remember this - high notes, down, low notes, up. | 0:22:51 | 0:22:55 | |
It's so simple yet I can't get it right. | 0:22:55 | 0:22:57 | |
If they asked me to play the air recorder, I would own that stage. | 0:22:57 | 0:23:00 | |
-Hey! -May the best man lose. -Yeah, may the best man lose. | 0:23:00 | 0:23:04 | |
-We're going on in five. Wargh! -I can't do an interview. | 0:23:04 | 0:23:08 | |
I'm getting nervous. | 0:23:08 | 0:23:10 | |
-Right, next contestant time. -Oh, no, it's me! | 0:23:10 | 0:23:13 | |
Influences - Guns N' Roses, Sweet Child O' Mine. | 0:23:13 | 0:23:16 | |
MUSIC: "Sweet Child O' Mine" by Guns N' Roses | 0:23:16 | 0:23:18 | |
Style - Guns N' Roses, Sweet Child O' Mine. | 0:23:18 | 0:23:21 | |
MUSIC: "Sweet Child O' Mine" by Guns N' Roses | 0:23:21 | 0:23:23 | |
Please welcome to the stage, Ed Banger! | 0:23:23 | 0:23:27 | |
Here we go! Wish me luck. CHEERING AND APPLAUSE | 0:23:27 | 0:23:30 | |
Give me a nod, yeah? | 0:23:30 | 0:23:31 | |
AUDIENCE MEMBERS SCREAM | 0:23:35 | 0:23:37 | |
# Oh, oh, oh, oh | 0:23:38 | 0:23:40 | |
# Sweet child o' mine | 0:23:40 | 0:23:44 | |
# Ooh, yeah, yeah | 0:23:44 | 0:23:46 | |
# Ooh-ooh-ooh, sweet love of mine | 0:23:46 | 0:23:52 | |
GUITAR SOLO | 0:23:54 | 0:23:56 | |
# Where do we go now? | 0:24:24 | 0:24:26 | |
# Now, now, now, now, now, now, now | 0:24:26 | 0:24:29 | |
# Sweet child | 0:24:29 | 0:24:31 | |
# Sweet child-ild-ild of mine. # | 0:24:31 | 0:24:40 | |
Ed Banger, come on! | 0:24:43 | 0:24:45 | |
SOME BOOS AND APPLAUSE | 0:24:45 | 0:24:48 | |
-I think they're booing me! -Ed Banger! | 0:24:48 | 0:24:50 | |
Yes, my public! | 0:24:52 | 0:24:54 | |
How'd it go? | 0:24:55 | 0:24:57 | |
I'm genuinely nervous. This is scary! | 0:25:00 | 0:25:04 | |
I saw how badly you went down and I don't want the same. | 0:25:04 | 0:25:06 | |
It's like gladiators. You go out there and like, "No!" | 0:25:06 | 0:25:10 | |
If you see my hat out there, can you pick it up? | 0:25:10 | 0:25:12 | |
That hat has been taken out the back and burnt | 0:25:12 | 0:25:15 | |
because they are so disgusted by your performance. | 0:25:15 | 0:25:17 | |
CHEERING AND APPLAUSE | 0:25:17 | 0:25:20 | |
Bri-ian! | 0:25:20 | 0:25:24 | |
This is our next contestant. | 0:25:24 | 0:25:27 | |
This is Wah Wah Walsh. | 0:25:27 | 0:25:30 | |
Did he pronounce your name right? | 0:25:30 | 0:25:32 | |
It's - # Wah Wah Walsh! # | 0:25:32 | 0:25:34 | |
Welcome to the stage Wah Wah Walsh! | 0:25:34 | 0:25:38 | |
CHEERING AND APPLAUSE | 0:25:38 | 0:25:40 | |
MUSIC: "Don't Stop Believin'" by Journey | 0:25:48 | 0:25:51 | |
# Don't stop believin' | 0:26:04 | 0:26:08 | |
# Hold on to that feeling | 0:26:09 | 0:26:12 | |
# Streetlights, people | 0:26:12 | 0:26:15 | |
# Ohh-hhhh | 0:26:15 | 0:26:20 | |
# Don't stop believin' | 0:26:20 | 0:26:24 | |
# Hold o-on | 0:26:24 | 0:26:28 | |
# Streetlights, people | 0:26:28 | 0:26:31 | |
# Ohh-hhhh | 0:26:31 | 0:26:36 | |
# Don't stop believin' | 0:26:36 | 0:26:40 | |
# Hold on to that feeling. # | 0:26:40 | 0:26:44 | |
CHEERING AND APPLAUSE | 0:26:44 | 0:26:46 | |
Let's give it up for Wah Wah Walsh! | 0:26:46 | 0:26:49 | |
Wah Wah Walsh! | 0:26:49 | 0:26:50 | |
The judges have voted and the scores are in. | 0:26:53 | 0:26:56 | |
Time now to reveal the winner. | 0:26:56 | 0:26:58 | |
Will it be Ed Banger, | 0:26:58 | 0:27:00 | |
who cranked up his back-stroking, Guns N' Roses toking | 0:27:00 | 0:27:03 | |
to a smoking 11? | 0:27:03 | 0:27:05 | |
Or will it be Wah Wah Walsh who wow-wow-wowed the crowd | 0:27:05 | 0:27:09 | |
with her knee-trembling, | 0:27:09 | 0:27:11 | |
sunglass-wearing, awesome rock chick antics? | 0:27:11 | 0:27:13 | |
Here to reveal the scores is His Royal Air-ness of Rock, | 0:27:13 | 0:27:16 | |
judge and former air guitar champion Zac Monro. | 0:27:16 | 0:27:20 | |
One of you did very well. | 0:27:20 | 0:27:22 | |
One of you got 13.1 and one you got 15.5 which is a very good score. | 0:27:22 | 0:27:27 | |
So, I can award this trophy... | 0:27:27 | 0:27:31 | |
to Holly. | 0:27:31 | 0:27:32 | |
-Yes! -Well done. -Wow! | 0:27:32 | 0:27:34 | |
Thank you! | 0:27:34 | 0:27:35 | |
Yeah, more importantly, where's my hat?! | 0:27:35 | 0:27:38 | |
I've not seen your hat. | 0:27:38 | 0:27:39 | |
Where's my hat?! | 0:27:39 | 0:27:41 | |
Ed is such a bad loser. | 0:27:41 | 0:27:42 | |
Holly is now officially my rock guitar hero. | 0:27:42 | 0:27:45 | |
See, we've been all over the place! | 0:27:45 | 0:27:49 | |
Subtitles by Red Bee Media Ltd | 0:27:57 | 0:28:00 | |
E-mail [email protected] | 0:28:00 | 0:28:03 |