Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Are you ready for another | 0:00:02 | 0:00:03 | |
adrenaline-fuelled American adventure? | 0:00:03 | 0:00:05 | |
Ed and Michelle | 0:00:05 | 0:00:06 | |
are away with the fairies. | 0:00:06 | 0:00:08 | |
Johny gets sweet and corny. | 0:00:08 | 0:00:10 | |
Sherlock Holmes Naomi | 0:00:10 | 0:00:11 | |
fails to solve a mystery. | 0:00:11 | 0:00:13 | |
That's well difficult. | 0:00:13 | 0:00:14 | |
And Iain falls behind! | 0:00:14 | 0:00:16 | |
IAIN LAUGHS | 0:00:16 | 0:00:17 | |
# All over the place | 0:00:20 | 0:00:22 | |
# All over the place | 0:00:22 | 0:00:24 | |
# North, south, east, west On a bizarre quest | 0:00:25 | 0:00:27 | |
# Me and my mates All over the place! | 0:00:27 | 0:00:29 | |
# It's true what you've heard Everything is absurd | 0:00:29 | 0:00:32 | |
# Whatever we do is strange but true! | 0:00:32 | 0:00:35 | |
# All over the place | 0:00:35 | 0:00:38 | |
# All over the place | 0:00:38 | 0:00:40 | |
# Bet you didn't know this stuff was all over the States | 0:00:40 | 0:00:43 | |
-# But it turns up -All over the place! # | 0:00:43 | 0:00:47 | |
First up is the lightning capital of the United States. It's Florida. | 0:00:47 | 0:00:51 | |
I am looking forward to our | 0:00:52 | 0:00:53 | |
fantastic Florida adventure at Coral Castle. | 0:00:53 | 0:00:56 | |
SHE LAUGHS | 0:00:56 | 0:00:57 | |
Yeah... Coral Castle's not under the sea, though, Naomi. | 0:00:57 | 0:01:01 | |
Isn't it made of coral? | 0:01:01 | 0:01:03 | |
Mmm... Well, yeah, no. Kind of. | 0:01:03 | 0:01:06 | |
It's a mystery. | 0:01:06 | 0:01:07 | |
-Is it a castle, though? -It's a mystery. | 0:01:08 | 0:01:11 | |
-Well, how do we get there? -I'm a bit mystified. | 0:01:11 | 0:01:14 | |
This is Coral Castle in Homestead, Florida | 0:01:15 | 0:01:18 | |
and, yes, it is made from real coral. | 0:01:18 | 0:01:21 | |
It was built by a real man called Ed who worked only at night. | 0:01:21 | 0:01:25 | |
Ed Leedskalnin was born in Latvia. | 0:01:25 | 0:01:28 | |
He and his family were stonemasons. | 0:01:28 | 0:01:30 | |
He started it 90 years ago | 0:01:30 | 0:01:32 | |
and it took 28 years to complete, | 0:01:32 | 0:01:34 | |
but he never did get around to adding that roof. | 0:01:34 | 0:01:37 | |
Ed and Naomi, you have 28 seconds to find out as much | 0:01:37 | 0:01:40 | |
as you can about Coral Castle. | 0:01:40 | 0:01:43 | |
Ed, you have Zulay, a guide who knows all about the castle. | 0:01:43 | 0:01:47 | |
Naomi, you have Ken, a guide who knows all about building. | 0:01:47 | 0:01:51 | |
Three, two, one, go! | 0:01:51 | 0:01:54 | |
-When was it built? -It was built in 1923. | 0:01:56 | 0:01:59 | |
-Why did he build it? -Because he lost his love | 0:01:59 | 0:02:02 | |
and he wanted to make a tribute to her. | 0:02:02 | 0:02:04 | |
-Did he have supernatural powers? -No. | 0:02:04 | 0:02:06 | |
-Who helped him? -No-one. | 0:02:06 | 0:02:08 | |
-Could he fly? -No, he couldn't fly. | 0:02:08 | 0:02:09 | |
-How do you think he built it? -Because he had all the scientific knowledge, | 0:02:09 | 0:02:13 | |
he read a lot, and he actually knew about pulleys. | 0:02:13 | 0:02:16 | |
-Is this good building material? -Absolutely. | 0:02:16 | 0:02:18 | |
-How heavy is that piece of stone over there? -This one right here? -Yes. | 0:02:18 | 0:02:21 | |
I don't know. | 0:02:21 | 0:02:22 | |
-How do you get in and out of the Coral Castle? -KLAXON | 0:02:22 | 0:02:25 | |
Do you know what, Ken? Thanks very much. Let's hope we nailed that one. | 0:02:25 | 0:02:29 | |
I was just about to ask a useful question | 0:02:29 | 0:02:31 | |
that I wanted to know the answer to, but I ran out of time. | 0:02:31 | 0:02:33 | |
It's no longer a mystery - | 0:02:33 | 0:02:35 | |
the person who found out the most facts is... | 0:02:35 | 0:02:38 | |
Naomi! | 0:02:38 | 0:02:40 | |
Me and Ken, just ask us anything you need to know about the castle. | 0:02:40 | 0:02:43 | |
It comes as no surprise, I was completely rubbish. | 0:02:43 | 0:02:46 | |
-But I still don't know how he made it. -Ah, well. | 0:02:47 | 0:02:50 | |
That's the mystery, isn't it, Naomi? The mystery of Coral Castle. | 0:02:50 | 0:02:54 | |
Many have tried to unravel the mystery, many have failed. | 0:02:54 | 0:02:58 | |
Edward Sherlock Petrie as Sherlock Holmes | 0:03:05 | 0:03:09 | |
and Naomi Sherlock Wilkinson as Sherlock Holmes Two. | 0:03:09 | 0:03:14 | |
It's a complicated tale full of complications. | 0:03:14 | 0:03:17 | |
So, what does our initial inspection of the site tell us, | 0:03:19 | 0:03:22 | |
Naomi Sherlock Holmes Wilkinson? | 0:03:22 | 0:03:24 | |
That our man, Ed, was a bit of a mystery, Ed Sherlock Holmes Petrie. | 0:03:24 | 0:03:28 | |
-Well, if anyone can solve this mystery, it'll be me! -And me! | 0:03:28 | 0:03:32 | |
It's a mystery how these tools were used to build Coral Castle. | 0:03:32 | 0:03:36 | |
Let me have a look. I'm sure, with my superlative powers | 0:03:36 | 0:03:38 | |
of deduction and superior sense of intuition, I can solve this problem. | 0:03:38 | 0:03:42 | |
No. That's well difficult. | 0:03:50 | 0:03:53 | |
Not as difficult as coming up with the idea to build it | 0:03:54 | 0:03:57 | |
in the first place. | 0:03:57 | 0:03:58 | |
# Oh, Latvia, you're the place for me | 0:03:58 | 0:04:01 | |
# And this song tells you what this accent's meant to be. # | 0:04:01 | 0:04:04 | |
-You seem very happy today, darling. -Well, life is good, my sweet 16. | 0:04:04 | 0:04:09 | |
With my stonemasonry skills taught to me by my grandfather, | 0:04:09 | 0:04:12 | |
I have a bright career ahead of me. | 0:04:12 | 0:04:15 | |
And tomorrow, I marry the girl of my dreams. My beautiful Agnes. | 0:04:15 | 0:04:19 | |
Life is "briniskigs". | 0:04:19 | 0:04:22 | |
That's Latvian for "wonderful" - we looked it up. | 0:04:22 | 0:04:24 | |
Perhaps there is more to life than stonemasonry. | 0:04:24 | 0:04:27 | |
I mean, it's 1912, there is a whole world out there. | 0:04:27 | 0:04:30 | |
What do you wish for, Agnes? I give you anything. | 0:04:30 | 0:04:33 | |
Well, look here, they have just built world's largest ship, | 0:04:33 | 0:04:38 | |
the Titanic. | 0:04:38 | 0:04:40 | |
They can cross Atlantic Ocean in the height of luxury in just | 0:04:40 | 0:04:44 | |
-a matter of days. -CREAKING AND THUMPING | 0:04:44 | 0:04:46 | |
Just imagine a wonderful ship like that. | 0:04:46 | 0:04:49 | |
Oh, apparently it sunk. What a horrible, tragic vessel. | 0:04:51 | 0:04:55 | |
SHE GASPS | 0:04:58 | 0:04:59 | |
Look here, a woman has just flown across the English Channel. | 0:04:59 | 0:05:03 | |
Oh, the romance of flight. | 0:05:03 | 0:05:06 | |
This Harriet Quimby is dancing around the sky in beautiful, | 0:05:06 | 0:05:10 | |
beautiful biplane. | 0:05:10 | 0:05:13 | |
Oh, apparently she died in plane crash. | 0:05:15 | 0:05:19 | |
I do not trust those machines. | 0:05:19 | 0:05:21 | |
Well, maybe if you want to see the world, | 0:05:24 | 0:05:27 | |
we could move somewhere new. America, maybe. Start a new life. | 0:05:27 | 0:05:31 | |
-Really? -If you wish for it, of course. I make a NEW plan. | 0:05:31 | 0:05:35 | |
You mean, we can travel, see the sights, | 0:05:35 | 0:05:38 | |
-the Great Lakes, New York City, Statue of Liberty? -No, no, no. | 0:05:38 | 0:05:43 | |
I was thinking I could buy a plot of land in Florida | 0:05:43 | 0:05:45 | |
and spend the next 30 years working single-handedly through | 0:05:45 | 0:05:48 | |
the night to build you a castle made from coral - | 0:05:48 | 0:05:50 | |
using the techniques of the ancient Egyptians | 0:05:50 | 0:05:53 | |
and of course my own special, supernatural powers. | 0:05:53 | 0:05:56 | |
Actually, I don't think I want to marry you any more. See ya! | 0:05:57 | 0:06:00 | |
If it's the accent, I can try harder! | 0:06:01 | 0:06:04 | |
-Ed, Ed, save some for...me. -Oh, I really needed that. | 0:06:12 | 0:06:16 | |
-I was really thirsty. -Yeah, I can tell. | 0:06:16 | 0:06:19 | |
Oh, now I need something else, if you know what I mean. | 0:06:19 | 0:06:22 | |
Oh, it's a good job that we're here, isn't it? At the Toilet Seat Museum. | 0:06:22 | 0:06:25 | |
Yes. I'm so relieved. | 0:06:25 | 0:06:27 | |
No boring old paper or canvas for Barney, no siree. | 0:06:40 | 0:06:44 | |
It's toilet seats that he likes to use to show off HIS artwork. | 0:06:44 | 0:06:48 | |
-And, no, I'm not pulling your chain. -Hi, Barney. -Hello, Barney. -Hey! | 0:06:48 | 0:06:52 | |
-Come in and join me. -How you doing? -I'm doing fine, thank you. | 0:06:52 | 0:06:55 | |
So, how many film crews have you had coming to see you | 0:06:55 | 0:06:57 | |
since you started your toilet museum? | 0:06:57 | 0:06:59 | |
I guess that I've had at least 50 film crews that have come here. | 0:06:59 | 0:07:02 | |
50 film crews! | 0:07:02 | 0:07:03 | |
I've got 70 foreign countries that have come in here | 0:07:03 | 0:07:06 | |
and signed my guestbook. | 0:07:06 | 0:07:08 | |
Barney, you know more about TV than us! | 0:07:08 | 0:07:11 | |
Barney rescues brand-new toilet seats that have been slightly | 0:07:12 | 0:07:15 | |
soiled - I mean scratched - | 0:07:15 | 0:07:17 | |
and turns them into unique works of toilet seat art. | 0:07:17 | 0:07:19 | |
All hung here in his Toilet Seat Museum! | 0:07:19 | 0:07:22 | |
Which is also his garage. | 0:07:22 | 0:07:24 | |
Barney, would you be able to design a toilet seat for us? | 0:07:24 | 0:07:26 | |
I'd be glad to, if I had something to put on it. | 0:07:26 | 0:07:29 | |
While Barney decides what his exclusive All Over The Place | 0:07:29 | 0:07:33 | |
artwork will be, he asks Ed and Johny | 0:07:33 | 0:07:35 | |
to leave THEIR mark on the toilet seat. | 0:07:35 | 0:07:38 | |
No, not that type of mark. | 0:07:38 | 0:07:40 | |
I think this was made with a bit of inspiration | 0:07:41 | 0:07:44 | |
from the Renaissance period. | 0:07:44 | 0:07:45 | |
I can definitely see France, definitely Michelangelo. | 0:07:45 | 0:07:48 | |
What do you think? | 0:07:48 | 0:07:50 | |
I think it's a toilet seat, mate. | 0:07:50 | 0:07:52 | |
The average person goes to the toilet six to eight times a day | 0:07:53 | 0:07:57 | |
and spends three whole years of their life sitting on the loo, | 0:07:57 | 0:08:00 | |
which is why I've got a TV and a games console in there. | 0:08:00 | 0:08:03 | |
You see that cowboy hat up there? | 0:08:03 | 0:08:05 | |
-Yeah. -That's from the legend of El U-Bend. He went to the toilet, | 0:08:05 | 0:08:09 | |
-he didn't come out of hours. -Really? | 0:08:09 | 0:08:11 | |
And everyone was wondering where he was. | 0:08:11 | 0:08:13 | |
When they kicked the door down, there was nothing there except his hat. | 0:08:13 | 0:08:17 | |
-Really? -No, just made it up. | 0:08:17 | 0:08:19 | |
Actually, I wonder how cowboys DID go to the toilet. | 0:08:20 | 0:08:23 | |
What do you have there, son? | 0:08:25 | 0:08:27 | |
Well, while you was minding camp, I bought me | 0:08:27 | 0:08:29 | |
some pretty darn nice things from that there travelling salesman. | 0:08:29 | 0:08:33 | |
Whoo-ee! Woo-hoo! | 0:08:35 | 0:08:37 | |
-What's it for? -Go on, have a guess. | 0:08:38 | 0:08:41 | |
It's a comfy, camping pillow | 0:08:43 | 0:08:45 | |
with space for a toothbrush. | 0:08:45 | 0:08:47 | |
-If only I had a toothbrush. -No, it ain't for that, dummy. | 0:08:47 | 0:08:52 | |
It's when you go to the privy - you know, the toilet. | 0:08:52 | 0:08:56 | |
You mean, I don't need to wipe my behind on a dry corncob, no more? | 0:08:56 | 0:08:59 | |
-Nuh-uh. -Dang. -Feel how soft that is. -Well, I guess I could give it a go. | 0:08:59 | 0:09:05 | |
-Go on, cowboy. Warm it up for me. -Why, thanks, partner. | 0:09:05 | 0:09:10 | |
Hang on, you never let me go to the toilet before you, on account of my | 0:09:10 | 0:09:14 | |
movement smelling worse than the dead mule's backside in the midday sun. | 0:09:14 | 0:09:18 | |
Uh-huh. Well, that there travelling salesman sold me something | 0:09:18 | 0:09:22 | |
for the smell as well. | 0:09:22 | 0:09:23 | |
Woo-ee! | 0:09:24 | 0:09:25 | |
Dang, this toilet paper's too soft for me. | 0:09:31 | 0:09:33 | |
-Could you pass me that old corncob? -Sure thang. | 0:09:33 | 0:09:36 | |
Just when you thought you'd heard enough toilet humour, | 0:09:40 | 0:09:43 | |
let's play A Number One Or A Number Two. | 0:09:43 | 0:09:46 | |
Those cowboys sure did have some strange toilet habits. | 0:09:46 | 0:09:49 | |
-HE BREAKS WIND -I wonder if they blamed the horses in them there days. | 0:09:49 | 0:09:52 | |
Buddy, it's your lucky day. This is what's going to happen - | 0:09:52 | 0:09:56 | |
you're going for a big grand prize, | 0:09:56 | 0:09:58 | |
and that prize is to go to the restroom | 0:09:58 | 0:10:00 | |
or what you guys in the United Britain call the toilet. | 0:10:00 | 0:10:03 | |
OK, your first question. | 0:10:03 | 0:10:05 | |
Which celebrity has Barney dedicated a toilet seat to | 0:10:05 | 0:10:08 | |
in his collection? Is that number one, Michael Jackson, | 0:10:08 | 0:10:13 | |
or is it number two, Justin Bieber? Nice boy, I know him personally. | 0:10:13 | 0:10:17 | |
-I'm going to go for a number two. -That answer was incorrect, boy. | 0:10:17 | 0:10:21 | |
You ain't going to the toilet just yet. | 0:10:21 | 0:10:23 | |
It's time for your second question. You want to go to the toilet, right? | 0:10:23 | 0:10:26 | |
I can tell you want to go to the toilet. | 0:10:26 | 0:10:27 | |
You're going to have to get this question right. | 0:10:27 | 0:10:30 | |
OK, which of these toilet seats has Barney's grandson's toys | 0:10:30 | 0:10:33 | |
attached to it? Is it number one or number two? | 0:10:33 | 0:10:37 | |
Yeah, I'm going to go for number one. | 0:10:37 | 0:10:39 | |
That is the correct answer. Well done, son. | 0:10:39 | 0:10:41 | |
-Well, I've just got to go... -Not so fast, boy. | 0:10:41 | 0:10:44 | |
It's time for your third and final question. | 0:10:44 | 0:10:46 | |
Which toilet seat best represents Toilet Seat Man's | 0:10:46 | 0:10:50 | |
favourite holiday destination? | 0:10:50 | 0:10:52 | |
Is it number one, Hawaii in the old US of A? | 0:10:52 | 0:10:57 | |
Or are you going to go for number two, | 0:10:57 | 0:10:59 | |
Bognor Regis in the United Kingdom? | 0:10:59 | 0:11:02 | |
Oh, I'm going to go with number two. | 0:11:02 | 0:11:05 | |
You got it wrong, boy. It's number one. | 0:11:07 | 0:11:10 | |
We ain't going to let you go home empty-handed, oh, no. | 0:11:10 | 0:11:13 | |
You get to win some diapers, | 0:11:13 | 0:11:15 | |
or for our UK audience watching at home, | 0:11:15 | 0:11:16 | |
we talking about some nappies. | 0:11:16 | 0:11:18 | |
Oh, bog off! | 0:11:18 | 0:11:20 | |
Join us next time. | 0:11:22 | 0:11:23 | |
Barney, this is so good. Thank you. | 0:11:24 | 0:11:27 | |
We're honoured to be part of your museum. | 0:11:27 | 0:11:29 | |
Well, I'm so glad that you wanted to be a part of it. | 0:11:29 | 0:11:31 | |
-Come back and see me again. -Will do. -We definitely will. | 0:11:31 | 0:11:35 | |
Now, Ed, it is time to go. Is there anything that you need to do? | 0:11:35 | 0:11:38 | |
-It's a long journey we've got ahead of us. -Nope. | 0:11:38 | 0:11:40 | |
-Are you sure you don't need to go to the bathroom? -Absolutely sure. | 0:11:40 | 0:11:43 | |
Yeah, are you sure? Because we're not going to stop along the way. | 0:11:43 | 0:11:46 | |
Johny, I will not be going to the toilet for this entire journey. | 0:11:46 | 0:11:49 | |
Trust me. | 0:11:49 | 0:11:51 | |
ED BREAKS WIND | 0:11:51 | 0:11:53 | |
So, why have we been made to dress like this? | 0:12:01 | 0:12:03 | |
It seems that here in Ann Arbor, Michigan, there is | 0:12:03 | 0:12:05 | |
something that you're not going to find anywhere else. | 0:12:05 | 0:12:08 | |
Two presenters walking down the road dressed as fairies? | 0:12:08 | 0:12:10 | |
Apart from that, Ed. I've heard that there's loads of tiny, | 0:12:10 | 0:12:13 | |
little doors hidden around the city. | 0:12:13 | 0:12:15 | |
Doors that fairies might use. | 0:12:15 | 0:12:18 | |
No, can't see any fairy doors. | 0:12:19 | 0:12:21 | |
Oh, there is THAT thing, though. I guess it's some sort of car? | 0:12:22 | 0:12:26 | |
Oh, for crying out loud. | 0:12:27 | 0:12:28 | |
They parked on the sidewalk again, they're going to get towed away. | 0:12:28 | 0:12:32 | |
-Excuse me? -Yes. -Hi, is this anything to do with the fairy doors? | 0:12:32 | 0:12:35 | |
As a matter of fact, it is. That's a fairy car | 0:12:35 | 0:12:38 | |
and the fairies must be home. | 0:12:38 | 0:12:39 | |
-Right, I don't see any door there. -Oh, no. | 0:12:39 | 0:12:43 | |
-The door here is on the inside. Would you like to see it? -Yeah. | 0:12:43 | 0:12:47 | |
All right, come on. | 0:12:47 | 0:12:48 | |
-Am I still asleep? -No. -Is this a dream? | 0:12:48 | 0:12:51 | |
No! Aren't you listening to me? | 0:12:51 | 0:12:53 | |
Oh, and your wings are wonky. | 0:12:53 | 0:12:54 | |
So, I take it you're responsible for these doors, then? | 0:12:54 | 0:12:56 | |
No, I'm not responsible at all. | 0:12:56 | 0:12:58 | |
-So, who's responsible for them, then? -The fairies. | 0:12:58 | 0:13:00 | |
-The fairies built these doors? -Urban fairies. -Right, course they did. | 0:13:00 | 0:13:05 | |
How long did they take to build? | 0:13:05 | 0:13:06 | |
Well, some just appear overnight and then others, | 0:13:06 | 0:13:09 | |
over a course of time. | 0:13:09 | 0:13:10 | |
Do you want to race me to find them? | 0:13:10 | 0:13:12 | |
Yeah, why not? | 0:13:12 | 0:13:15 | |
Oh, come on. Get with the programme, Tinkerbell Petrie. | 0:13:15 | 0:13:18 | |
Well, that's the ones people know about. | 0:13:21 | 0:13:24 | |
I wonder what happens when someone loses a tooth? | 0:13:24 | 0:13:26 | |
Do they all come fluttering out for it? | 0:13:26 | 0:13:29 | |
Come on, Michelle, you can find another. | 0:13:29 | 0:13:31 | |
Look, here's one. This is amazing. It's like a tiny little shop. | 0:13:33 | 0:13:38 | |
Everything is so diddy. | 0:13:38 | 0:13:40 | |
It's got, like, little tables and chairs, little cakes. | 0:13:40 | 0:13:43 | |
It's so detailed. You know what? | 0:13:43 | 0:13:45 | |
I really wish I was a fairy now, | 0:13:45 | 0:13:47 | |
There's no way I'm going to be able to get in there. | 0:13:47 | 0:13:50 | |
Oh, here's one. Oh, wow. | 0:13:53 | 0:13:56 | |
Look at that, that's brilliant. | 0:13:56 | 0:13:58 | |
That's like a direct copy of the real door. | 0:13:58 | 0:14:00 | |
Jonathan - I mean the fairies - have done a really good job of this one. | 0:14:02 | 0:14:06 | |
Oh, there's an interior door as well. | 0:14:07 | 0:14:09 | |
And it opens! That's brilliant. | 0:14:10 | 0:14:13 | |
You can get arrested for this sort of thing - | 0:14:14 | 0:14:16 | |
staring into people's houses. | 0:14:16 | 0:14:18 | |
I should leave before they set the fairy police on me. | 0:14:18 | 0:14:20 | |
Oh, don't be silly, Ed. | 0:14:20 | 0:14:22 | |
We all know fairies don't exist. | 0:14:22 | 0:14:23 | |
Tell you what, I've had it up to here with being a tooth fairy. | 0:14:27 | 0:14:30 | |
Look at the size of this lad's tooth. Nearly did me back in. | 0:14:30 | 0:14:34 | |
Oh, I don't know why we bother any more, mate. I really don't. | 0:14:34 | 0:14:37 | |
Apparently, humans don't believe in us any more. | 0:14:37 | 0:14:39 | |
-Look. -How dare they? | 0:14:39 | 0:14:42 | |
What about all the famous fairies, like Tinkerbell, | 0:14:42 | 0:14:44 | |
the Sugar Plum Fairy, them ones on top of Christmas trees. | 0:14:44 | 0:14:48 | |
-They think it's all made up. -Made up? | 0:14:48 | 0:14:50 | |
I saw Tinkerbell down the shops earlier, nothing made up about her. | 0:14:50 | 0:14:54 | |
What about Fairy Liquid? They'll be saying THAT don't exist next. | 0:14:54 | 0:14:57 | |
-No, they use it to do the washing-up. -What? | 0:14:57 | 0:14:59 | |
Do they know how hard that stuff is to produce? | 0:14:59 | 0:15:02 | |
Well, if that's their attitude, | 0:15:02 | 0:15:04 | |
I'm not fetching their teeth from under pillows no more. | 0:15:04 | 0:15:06 | |
Well, what're you going to do instead? | 0:15:06 | 0:15:08 | |
I'll be a different sort of fairy. A fairy godmother. | 0:15:08 | 0:15:11 | |
Ha! You can't be a fairy godmother. You don't know how to use a wand. | 0:15:11 | 0:15:16 | |
Yeah, I do. It's easy. Got one in here somewhere. | 0:15:16 | 0:15:19 | |
-Here we are. Right. Make your wish. -All right, then. | 0:15:21 | 0:15:26 | |
I wish I was human. | 0:15:28 | 0:15:29 | |
Ow! | 0:15:32 | 0:15:34 | |
Oh, I'm boiling. | 0:15:34 | 0:15:37 | |
-What you done now? -I've turned you into a human. -Really? | 0:15:39 | 0:15:43 | |
I feel funny. | 0:15:43 | 0:15:45 | |
-Are you sure I'm a human? -Yeah, yeah, yeah, definitely a human. | 0:15:45 | 0:15:49 | |
-Because I feel a lot like a hot dog with wings. -No, no, no. | 0:15:49 | 0:15:53 | |
-Definitely not a hot dog. -You sure? -Yeah, yeah, yeah. | 0:15:53 | 0:15:57 | |
-What you doing? -I'm giving you a bath. | 0:15:59 | 0:16:02 | |
Oh, well, that's just great. | 0:16:06 | 0:16:08 | |
'Can you believe it? We come all the way to Chicago and it's raining. | 0:16:25 | 0:16:29 | |
'Hey, Ed, look! Someone with a bigger head than you! | 0:16:29 | 0:16:33 | |
'Cel, Cel, you know I have to look my best for my adoring public. | 0:16:33 | 0:16:36 | |
'That's you, dear viewer. | 0:16:37 | 0:16:40 | |
'It's a work of art, slap bang in the middle of Chicago. | 0:16:40 | 0:16:43 | |
'It was designed by a man called Jaume Plensa | 0:16:43 | 0:16:45 | |
'and it's called Crown Fountain. | 0:16:45 | 0:16:47 | |
'Looks like the biggest smartphone in the world. | 0:16:49 | 0:16:52 | |
-'Ah, the TWO biggest smartphones in the world. -Wow! | 0:16:52 | 0:16:56 | |
-'Is this the only time it's good to be two-faced? -Oh!' | 0:16:56 | 0:16:59 | |
CEL LAUGHS | 0:17:01 | 0:17:03 | |
'Each tower is made up of 148 video screens and they're 15 metres tall - | 0:17:03 | 0:17:08 | |
'which is eight times taller than you. | 0:17:08 | 0:17:11 | |
'Hang on, that's a different face. | 0:17:11 | 0:17:13 | |
-'And that's changed too. -Yup, the face changes every few minutes | 0:17:13 | 0:17:17 | |
'and there are 1,000 different faces, all local people. | 0:17:17 | 0:17:20 | |
'You know, all this water is making me need the loo! Oh! | 0:17:22 | 0:17:25 | |
'Where would YOU want your giant face to appear?' | 0:17:25 | 0:17:28 | |
I would like my giant face to appear on the sun, | 0:17:28 | 0:17:33 | |
because my grandma says, "I'm always shining." | 0:17:33 | 0:17:36 | |
And I'd be pulling a face with my tongue sticking out | 0:17:36 | 0:17:40 | |
and my eyes like big bubbles. | 0:17:40 | 0:17:43 | |
I'd like my giant face to appear on a hotel, because they'd have | 0:17:43 | 0:17:46 | |
to walk into my mouth and then come out from my nose. | 0:17:46 | 0:17:50 | |
SHE LAUGHS | 0:17:50 | 0:17:52 | |
And they'd all be covered in slimy snot. | 0:17:52 | 0:17:55 | |
SHE LAUGHS | 0:17:55 | 0:17:57 | |
# If strange wooden creatures are something you're craving | 0:18:13 | 0:18:17 | |
# Then Mount Horeb is for you | 0:18:17 | 0:18:20 | |
# Because, thanks to close links with things Scandinavian | 0:18:21 | 0:18:24 | |
# Your hand-carved dreams will come true | 0:18:24 | 0:18:28 | |
# For lining the streets in this Wisconsin town | 0:18:28 | 0:18:32 | |
# Are strange ugly wooden souls | 0:18:32 | 0:18:35 | |
# They draw tourists in from miles around | 0:18:35 | 0:18:39 | |
# Cos these are the Mount Horeb trolls | 0:18:39 | 0:18:42 | |
-# -Trolls -Trolls -Trolls -Trolls | 0:18:42 | 0:18:46 | |
# Tro-o-o-o-oll | 0:18:46 | 0:18:47 | |
# Tro-o-o-o-oll | 0:18:47 | 0:18:49 | |
# Oh, haven't you heard? | 0:18:49 | 0:18:51 | |
# Tro-o-o-o-oll | 0:18:53 | 0:18:55 | |
# Tro-o-o-o-oll | 0:18:55 | 0:18:56 | |
# It's the troll capital of the world | 0:18:56 | 0:19:00 | |
# But when did they first appear? | 0:19:00 | 0:19:04 | |
# Why on earth are they here? | 0:19:04 | 0:19:08 | |
# Years ago a shop owner thought it would be funny | 0:19:08 | 0:19:11 | |
# To put trolls outside his shop | 0:19:11 | 0:19:15 | |
# He though it would entice people | 0:19:15 | 0:19:17 | |
# In to spend money | 0:19:17 | 0:19:19 | |
# And sure enough they began to stop | 0:19:19 | 0:19:22 | |
# But when a bypass took traffic away | 0:19:23 | 0:19:27 | |
# Locals worried business would fail | 0:19:27 | 0:19:30 | |
# So more and more trolls have appeared since that day | 0:19:30 | 0:19:34 | |
# And now Horeb's on the tourist trail | 0:19:34 | 0:19:36 | |
# Tro-o-o-o-oll | 0:19:38 | 0:19:40 | |
# Tro-o-o-o-oll | 0:19:40 | 0:19:42 | |
# All along the main street | 0:19:42 | 0:19:46 | |
# Tro-o-o-o-oll | 0:19:46 | 0:19:47 | |
# Tro-o-o-o-oll | 0:19:47 | 0:19:49 | |
# Different trolls you can meet | 0:19:49 | 0:19:53 | |
# Each carved from wood by hand | 0:19:53 | 0:19:56 | |
# And Michael Feeney's your man... # | 0:19:56 | 0:20:00 | |
-He's made Tub Troll. -Tricycle Troll. | 0:20:00 | 0:20:02 | |
Chicken Thief Troll. | 0:20:02 | 0:20:04 | |
One called The Accordion Player. | 0:20:04 | 0:20:06 | |
-Helga. -And Tootsie, the Tooth Fairy Troll. | 0:20:08 | 0:20:11 | |
And most importantly, The Mayor. | 0:20:11 | 0:20:14 | |
# They're shabby, unattractive and ugly too | 0:20:15 | 0:20:18 | |
# Ooh, shall I do the joke about how one looks like you? # | 0:20:18 | 0:20:22 | |
No, it's a cheap gag, we're better than that. | 0:20:22 | 0:20:25 | |
-But it really does. -Leave it. | 0:20:25 | 0:20:27 | |
# Tro-o-o-o-oll | 0:20:27 | 0:20:29 | |
# Tro-o-o-o-oll | 0:20:29 | 0:20:31 | |
# From Norse legends of old | 0:20:31 | 0:20:34 | |
# Tro-o-o-o-oll | 0:20:34 | 0:20:36 | |
# Tro-o-o-o-oll | 0:20:36 | 0:20:38 | |
# There's 15 or so here all told | 0:20:38 | 0:20:41 | |
# And despite what he said... # | 0:20:42 | 0:20:45 | |
There is one that looks exactly like Ed. | 0:20:45 | 0:20:48 | |
-What? -Nothing. | 0:20:48 | 0:20:51 | |
-What you doing? -I'm just trying to read an American classic. -Which one? | 0:21:03 | 0:21:07 | |
Fantastic Four? Batman? Spider-Man? That's a good one. | 0:21:07 | 0:21:10 | |
No, Iain, has no-one told you? | 0:21:10 | 0:21:12 | |
We're here at Victorville to celebrate one of the greatest | 0:21:12 | 0:21:15 | |
characters in American literature. | 0:21:15 | 0:21:16 | |
Oh, I thought we were in Smallville, celebrating Superman. | 0:21:16 | 0:21:20 | |
No, we're here at the Huck Finn Fest. He's the main character in this book. | 0:21:20 | 0:21:23 | |
So, when you said main character, I thought you meant | 0:21:23 | 0:21:25 | |
like Wolverine or something - "I got claws! | 0:21:25 | 0:21:28 | |
-"I got claws." -All I wanted was some peace and quiet to read my book. | 0:21:28 | 0:21:32 | |
Oh, what a tizzy he gets himself in sometimes! | 0:21:32 | 0:21:34 | |
Welcome to the Huckleberry Finn Festival. | 0:21:34 | 0:21:37 | |
It's been celebrating the fictional character, | 0:21:37 | 0:21:40 | |
Huck Finn, for over 36 years. | 0:21:40 | 0:21:43 | |
Huck was as famous as Harry Potter in his day. | 0:21:43 | 0:21:45 | |
But obviously without the flying car, the cloak of invisibility, | 0:21:45 | 0:21:49 | |
the scar down his forehead, the glasses or Voldemort. | 0:21:49 | 0:21:52 | |
There are loads of events today, | 0:21:54 | 0:21:56 | |
including the Liars Competition, horseshoe throwing and this, | 0:21:56 | 0:22:00 | |
the ever-popular "who can climb the highest up a greasy pole?" event. | 0:22:00 | 0:22:04 | |
-Come on! -The trick seems to be to hug the poll. | 0:22:04 | 0:22:07 | |
No-one's got further than that so far. | 0:22:07 | 0:22:10 | |
-All right, your turn. -Go, Ed! -OK, here we go. | 0:22:11 | 0:22:15 | |
-And he's making his way up the pole. -Go, Ed! | 0:22:17 | 0:22:20 | |
-Oh, it's not as easy as he thought it was. -This is really difficult. | 0:22:20 | 0:22:24 | |
-Every time I take one step up, I go one step down. -You got it! | 0:22:24 | 0:22:29 | |
IAIN LAUGHS | 0:22:31 | 0:22:33 | |
Oh, that was not a comfortable landing. IAIN LAUGHS | 0:22:33 | 0:22:37 | |
Oh, Ed, let's look at that again. Ow! | 0:22:37 | 0:22:40 | |
I'm glad I've recorded this - I'm going to watch this all day. | 0:22:40 | 0:22:42 | |
My tactics will be, "not fall like an idiot, like Ed did." | 0:22:42 | 0:22:45 | |
Iain's going to have to work pretty hard... | 0:22:45 | 0:22:48 | |
to be even worse than me at this. | 0:22:48 | 0:22:50 | |
Oh, dear. | 0:22:55 | 0:22:56 | |
-Aaargh! -Oh, no, that's lame. | 0:22:56 | 0:22:59 | |
That's so lame. | 0:22:59 | 0:23:00 | |
ED LAUGHS | 0:23:05 | 0:23:07 | |
Argh! | 0:23:07 | 0:23:08 | |
I got about that far. | 0:23:09 | 0:23:12 | |
Pathetic and appalling. | 0:23:13 | 0:23:15 | |
It's not as easy as it looks, people at home... | 0:23:15 | 0:23:18 | |
-Yeah. -..and voice-over man. | 0:23:18 | 0:23:19 | |
Yeah, well, that's what you say, | 0:23:19 | 0:23:21 | |
but this guy's just taken his nappy off and look how high HE'S going. | 0:23:21 | 0:23:24 | |
Oh! | 0:23:24 | 0:23:25 | |
-Oh, he did it! -Someone got to the top, it is possible! | 0:23:25 | 0:23:29 | |
So Lyle showed these two how it's really done. | 0:23:29 | 0:23:31 | |
Ed marginally won that event | 0:23:31 | 0:23:33 | |
and Iain has quite literally slipped behind. | 0:23:33 | 0:23:36 | |
Hey! Don't get too smug, mate. Cos what are my two strengths? | 0:23:36 | 0:23:39 | |
Talking in a Scottish accent | 0:23:39 | 0:23:40 | |
and presenting television in a mediocre fashion? | 0:23:40 | 0:23:43 | |
No, horseshoes and throwing. | 0:23:43 | 0:23:45 | |
And it's the horseshoe-throwing competition next. | 0:23:45 | 0:23:48 | |
The rules are simple. You have two throws. | 0:23:48 | 0:23:50 | |
Both throws are measured and added together, and the person with | 0:23:50 | 0:23:53 | |
the shortest combined distance from the peg is the winner. | 0:23:53 | 0:23:57 | |
Don't embarrass yourself in front of all these people, now. | 0:24:00 | 0:24:03 | |
THEY GROAN | 0:24:03 | 0:24:04 | |
Aw, come on. It bounced. It's landed there and ended up miles away. | 0:24:08 | 0:24:14 | |
Rules are rules, Iain. | 0:24:14 | 0:24:15 | |
The distance is measured from where the horseshoe ends up, | 0:24:15 | 0:24:18 | |
-not where it first hits the ground. -That's not good at all. | 0:24:18 | 0:24:21 | |
-18 foot 7 inches. -That's taller than me. | 0:24:21 | 0:24:26 | |
We're European. We're metric - that means nothing to me. | 0:24:26 | 0:24:29 | |
Well, 18 feet and 7 inches | 0:24:29 | 0:24:31 | |
is 5½ metres - | 0:24:31 | 0:24:33 | |
or the length of two large horses. | 0:24:33 | 0:24:35 | |
So that's what Ed's got to beat. | 0:24:35 | 0:24:36 | |
What?! | 0:24:41 | 0:24:43 | |
I can make up for it now. Here we go. | 0:24:43 | 0:24:45 | |
IAIN LAUGHS | 0:24:46 | 0:24:47 | |
He didn't even throw it anywhere near far enough. | 0:24:47 | 0:24:51 | |
It's not much worse than yours, is it? Oh, that is quite bad, actually. | 0:24:51 | 0:24:55 | |
-What are we looking at, Kevin? -We're looking at 12 foot 8. | 0:24:55 | 0:24:58 | |
12 foot 8. | 0:24:58 | 0:24:59 | |
That's nearly four metres, | 0:24:59 | 0:25:01 | |
which is about a horse-and-a-half. | 0:25:01 | 0:25:04 | |
-He never beat me! -12 foot 8, 18' -7". Look, he's the judge, Iain! | 0:25:04 | 0:25:08 | |
-You're the winner. -I'm not standing for this. -He's the winner. | 0:25:08 | 0:25:11 | |
I'm the winner! | 0:25:11 | 0:25:13 | |
Don't get too cocky, Ed. | 0:25:13 | 0:25:15 | |
Iain could still snatch the trophy from you in the final event. | 0:25:15 | 0:25:18 | |
Which is the big one, it's the Liars Contest. | 0:25:18 | 0:25:21 | |
Nine people are taking part in the Liars Contest today, | 0:25:21 | 0:25:24 | |
and the rules are simple. | 0:25:24 | 0:25:26 | |
The person who can tell the tallest tale | 0:25:26 | 0:25:28 | |
and gets the biggest round of applause is the winner. | 0:25:28 | 0:25:32 | |
Hello there. Hello. You see this here on my leg, you see that? | 0:25:33 | 0:25:38 | |
That's my birthmark. | 0:25:38 | 0:25:40 | |
Now, I was watching the Highland Games in Scotland, | 0:25:40 | 0:25:44 | |
in a place called Inverness, and the Royal Family were there. | 0:25:44 | 0:25:47 | |
And they were wearing kilts, | 0:25:47 | 0:25:49 | |
which is like a skirt. And I noticed that all the Royal Family | 0:25:49 | 0:25:52 | |
had the same birthmark as me on their leg. | 0:25:52 | 0:25:56 | |
And I suddenly realised that I was a member of the British Royal Family. | 0:25:58 | 0:26:02 | |
That was the only explanation. So I rang up Buckingham Palace... | 0:26:02 | 0:26:06 | |
As soon as he crosses the water, the girls can't get him. | 0:26:08 | 0:26:11 | |
And he gets halfway over the bridge, one of the girls reaches out, | 0:26:11 | 0:26:15 | |
grabs the tail of his horse and pulls the tail off. | 0:26:15 | 0:26:19 | |
He gets such a fright, he does a massive accident | 0:26:19 | 0:26:22 | |
all in his trousers. | 0:26:22 | 0:26:24 | |
And that's why we all wear kilts. Thank you very much. Cheers. | 0:26:24 | 0:26:28 | |
APPLAUSE | 0:26:28 | 0:26:30 | |
-Ed and the Queen! -Boo. | 0:26:30 | 0:26:32 | |
-God bless America! God bless America! -Boo! | 0:26:32 | 0:26:36 | |
-Iain and the kilt. -Yeah! | 0:26:38 | 0:26:40 | |
That's a huge American roar for Iain's Scottish fib. | 0:26:40 | 0:26:45 | |
But has he done enough to win a prize in the overall competition? | 0:26:47 | 0:26:50 | |
First prize goes to... | 0:26:51 | 0:26:55 | |
Donna! | 0:26:55 | 0:26:57 | |
APPLAUSE AND CHEERING | 0:26:57 | 0:26:59 | |
Second prize goes to... | 0:26:59 | 0:27:03 | |
Daryl! | 0:27:03 | 0:27:04 | |
APPLAUSE AND CHEERING | 0:27:04 | 0:27:06 | |
-Third prize goes to... -Come on! | 0:27:06 | 0:27:10 | |
-..Iain! -Amazing! | 0:27:10 | 0:27:12 | |
Iain has come third in the whole competition. | 0:27:12 | 0:27:15 | |
It's official, Iain is one of the world's best liars. | 0:27:15 | 0:27:18 | |
This is... It's quite heavy, this rosette, isn't it? | 0:27:18 | 0:27:21 | |
I expect you'll be wanting a trophy now, will you? | 0:27:21 | 0:27:23 | |
-Let's find out who won. -We know who won. | 0:27:23 | 0:27:25 | |
Would you like to announce the winner? | 0:27:25 | 0:27:27 | |
-Who could it be? -Well, gee, I couldn't imagine, | 0:27:27 | 0:27:29 | |
but it seems Iain has pulled it off. | 0:27:29 | 0:27:33 | |
Yeah. Huck Finn Fest trophy. | 0:27:33 | 0:27:35 | |
Congratulations! Hands across the sea, and all that. | 0:27:35 | 0:27:37 | |
-Thank you very much. Any final words, Ed? -Oh, yeah. | 0:27:37 | 0:27:40 | |
-God bless America. -God bless it. | 0:27:40 | 0:27:43 | |
You've been watching All Over The Place USA. | 0:27:43 | 0:27:46 | |
Subtitles by Red Bee Media Ltd | 0:27:48 | 0:27:51 |