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Welcome to Animals At Work, the show about...animals at work. | 0:00:02 | 0:00:05 | |
'Around the world, there are millions of animals that have jobs.' | 0:00:05 | 0:00:10 | |
Argh! Arghh! 'This is the show that brings you the most extraordinary, | 0:00:10 | 0:00:14 | |
'bizarre and unusual animals at work.' | 0:00:14 | 0:00:18 | |
Coming up... Tuna and the Rock Cats | 0:00:18 | 0:00:21 | |
have some rehearsal nerves before their sold-out gig. | 0:00:21 | 0:00:24 | |
Hey, hey, hey, hey. | 0:00:24 | 0:00:27 | |
Stop. | 0:00:27 | 0:00:29 | |
It's another day helping patients for Murphy the nurse. | 0:00:29 | 0:00:32 | |
And will Buttercup defeat Daisy to stay unbeaten milking champion? | 0:00:35 | 0:00:39 | |
It's really squashy. | 0:00:39 | 0:00:42 | |
Ar, ar, ar. | 0:00:42 | 0:00:45 | |
So not impressed. | 0:00:45 | 0:00:46 | |
Oh, no, you gotta be kidding me. | 0:01:03 | 0:01:04 | |
I am not working with a beast. You want me to present with a lizard? | 0:01:04 | 0:01:07 | |
Do it yourself! | 0:01:07 | 0:01:11 | |
Actually, that was pretty good. | 0:01:14 | 0:01:17 | |
Welcome to Chicago, the heart of America's mid-west. | 0:01:20 | 0:01:24 | |
This is Tuna. She may look like an ordinary feline, | 0:01:31 | 0:01:34 | |
but she's an extraordinary cat of many talents. | 0:01:34 | 0:01:36 | |
This is the amazing Tuna. Tuna. | 0:01:36 | 0:01:40 | |
POP MUSIC PLAYS | 0:01:40 | 0:01:43 | |
-Samantha is six-year-old Tuna's manager. -Tuna? Give me five. | 0:01:47 | 0:01:52 | |
Tuna has many jobs. | 0:01:54 | 0:01:57 | |
Tuna's a model. Tuna's an actress. | 0:01:57 | 0:02:01 | |
Tuna is a rock star. | 0:02:01 | 0:02:03 | |
And it's the rock star route that this cat is doggedly pursuing. | 0:02:03 | 0:02:08 | |
Yes, that really is a cat playing a guitar. | 0:02:15 | 0:02:19 | |
Tuna is founding member and lead guitarist of the successful band | 0:02:21 | 0:02:26 | |
The Rock Cats. | 0:02:26 | 0:02:27 | |
It's a family affair. | 0:02:29 | 0:02:32 | |
The other band members are Tuna's talented daughters. | 0:02:32 | 0:02:35 | |
There's Pinky on guitar. | 0:02:35 | 0:02:37 | |
Dakota's on drums. | 0:02:40 | 0:02:42 | |
Nue's on keyboards. | 0:02:45 | 0:02:47 | |
And, of course, Tuna on lead guitar. | 0:02:49 | 0:02:52 | |
Tuna is a perfectionist. | 0:02:59 | 0:03:01 | |
A real J-Lo. | 0:03:01 | 0:03:03 | |
MUSIC: "Jenny From The Block" by J-Lo | 0:03:03 | 0:03:06 | |
Is that the end of the song? I think that's the end of the song. | 0:03:17 | 0:03:20 | |
She really puts her heart and soul into it. She's a great musician. | 0:03:20 | 0:03:24 | |
For a cat! | 0:03:24 | 0:03:26 | |
This troupe of rockin' kitties are all trained with cat treats. | 0:03:27 | 0:03:32 | |
She gets nothing but the best food. | 0:03:32 | 0:03:34 | |
Fresh tuna, fresh steak, fresh chicken. | 0:03:34 | 0:03:38 | |
Whatever Tuna wants, Tuna gets. | 0:03:38 | 0:03:41 | |
Tuna. | 0:03:41 | 0:03:43 | |
I don't hear it. | 0:03:43 | 0:03:45 | |
I don't know if I have her trained or she has me trained. | 0:03:47 | 0:03:50 | |
Samantha spotted Tuna's talents as a show-off early on. | 0:03:53 | 0:03:58 | |
Tuna's stage career got started as part of a group | 0:04:00 | 0:04:02 | |
of athletic felines called Acro-Cats. | 0:04:02 | 0:04:05 | |
Then I discovered that not all cats are as brilliant as Tuna. | 0:04:07 | 0:04:13 | |
Really? You don't say! | 0:04:13 | 0:04:15 | |
Tuna is definitely top cat in all Samantha's live shows. | 0:04:19 | 0:04:24 | |
What's going on, Tuna? | 0:04:24 | 0:04:26 | |
And if Tuna doesn't like the way something is going, | 0:04:26 | 0:04:29 | |
-she soon lets everyone know about it. -You know how musicians are. | 0:04:29 | 0:04:33 | |
Cue the silent treatment. | 0:04:33 | 0:04:35 | |
It's tough being her manager. She controls the show. | 0:04:35 | 0:04:38 | |
If she's not in the mood, the show will fall apart. | 0:04:38 | 0:04:41 | |
Should we show them the rest of your lair? | 0:04:41 | 0:04:43 | |
Tuna shares her home with her kids and former fellow Acro-Cats. | 0:04:45 | 0:04:50 | |
POP MUSIC PLAYS | 0:04:50 | 0:04:52 | |
As leader of the band, Tuna always has her mind on the next gig. | 0:05:03 | 0:05:07 | |
Tuna's determined that The Rock Cats will be the best band on the road. | 0:05:07 | 0:05:12 | |
And that means a lot of hard graft from all the band members. | 0:05:17 | 0:05:21 | |
Tuna needs to get the band working together | 0:05:23 | 0:05:25 | |
as The Rock Cats are booked for a sold-out gig. | 0:05:25 | 0:05:28 | |
The band go on the road for their next tour in 24 hours. | 0:05:28 | 0:05:34 | |
Will Tuna and the rest of the Rock Cats | 0:05:34 | 0:05:37 | |
get their act together in time to please their army of adoring fans? | 0:05:37 | 0:05:40 | |
Now we're off to Wisconsin. | 0:05:49 | 0:05:51 | |
This is Murphy and she has a very special job. | 0:05:59 | 0:06:05 | |
She's a nurse and works with her owner, Lynn, at the local hospital. | 0:06:05 | 0:06:10 | |
-Good girl. -Labrador retrievers are intelligent, | 0:06:10 | 0:06:12 | |
gentle and good-natured. The perfect mix for this line of work. | 0:06:12 | 0:06:17 | |
-Hi, Carol. -Good morning, Lynn. Good morning, Murphy. | 0:06:17 | 0:06:19 | |
Today, Murphy has a packed schedule. | 0:06:19 | 0:06:22 | |
She's in such demand giving exercise sessions | 0:06:22 | 0:06:25 | |
that she even has her own appointment book. | 0:06:25 | 0:06:27 | |
Are you ready to go to work? | 0:06:27 | 0:06:29 | |
Go get your bag. Hurry up. Go get it. | 0:06:29 | 0:06:31 | |
Before her rounds, Murphy needs one thing from her nurse's bag. | 0:06:31 | 0:06:36 | |
Good girl. Bring it here. | 0:06:36 | 0:06:39 | |
Come on. Let's go to work. | 0:06:39 | 0:06:42 | |
Murphy doesn't just cheer the patients up. | 0:06:42 | 0:06:44 | |
Catch, Murphy. | 0:06:47 | 0:06:48 | |
She helps with physical recovery by encouraging them to stretch... | 0:06:48 | 0:06:53 | |
..walk... | 0:06:54 | 0:06:56 | |
..and even talk. | 0:06:58 | 0:07:01 | |
-Catch. -Catch. | 0:07:01 | 0:07:02 | |
And Murphy is especially good with people on her own level. | 0:07:02 | 0:07:06 | |
Hayley has an undiagnosed illness that makes her muscles weak, | 0:07:11 | 0:07:15 | |
so it's difficult for her to walk. | 0:07:15 | 0:07:17 | |
Where's Murphy? | 0:07:22 | 0:07:24 | |
Can you give...? Yes, that's Murphy. | 0:07:24 | 0:07:27 | |
Can you say kiss? | 0:07:27 | 0:07:30 | |
Hayley, you have to get up. | 0:07:30 | 0:07:33 | |
Hayley didn't want to go to physiotherapy. | 0:07:33 | 0:07:35 | |
That was, till she met Murphy. | 0:07:35 | 0:07:38 | |
Last spring, we had a really hard time motivating her | 0:07:43 | 0:07:48 | |
and that's when we introduced Murphy, | 0:07:48 | 0:07:51 | |
and then Hayley's just made progress by leaps and bounds since then. | 0:07:51 | 0:07:55 | |
He's really been a great motivator for her. | 0:07:55 | 0:07:58 | |
Hayley used to need someone's hand when she walked, | 0:07:58 | 0:08:01 | |
but now she can do it on her own. | 0:08:01 | 0:08:03 | |
Whoopsie. Good job! | 0:08:11 | 0:08:14 | |
But Murphy doesn't just work at the hospital. | 0:08:14 | 0:08:16 | |
She also makes house calls. | 0:08:16 | 0:08:19 | |
She's been working with Megan who's seven for three years. | 0:08:19 | 0:08:23 | |
I think that Megan wouldn't be where she is today | 0:08:23 | 0:08:26 | |
without having Murphy around, because I don't think I could have been able | 0:08:26 | 0:08:29 | |
to convince her to work this hard. | 0:08:29 | 0:08:32 | |
Megan and Murphy have become firm friends. | 0:08:32 | 0:08:36 | |
She even took her first steps with Murphy by her side. | 0:08:36 | 0:08:40 | |
My hopes were that Murphy would be able to | 0:08:40 | 0:08:43 | |
just help Megan participate in therapy | 0:08:43 | 0:08:46 | |
and as it turns out she's done so much more than that. | 0:08:46 | 0:08:49 | |
Murphy, sit! | 0:08:53 | 0:08:55 | |
-Watch her first. -You're gonna have to do what she does, | 0:08:55 | 0:08:59 | |
so you're gonna have to put your hands over your head and stand up. | 0:08:59 | 0:09:05 | |
Megan has cerebral palsy. | 0:09:05 | 0:09:07 | |
Throwing the ball to Murphy | 0:09:07 | 0:09:09 | |
-helps her practice using her muscles. -One, two. | 0:09:09 | 0:09:13 | |
Up, two. | 0:09:13 | 0:09:14 | |
Up! | 0:09:14 | 0:09:16 | |
Again, Murphy's mission is to get her patient to use | 0:09:16 | 0:09:20 | |
as many muscles as possible so that moving around gets a little easier. | 0:09:20 | 0:09:24 | |
-Real tall. There you go. -Good job. | 0:09:24 | 0:09:27 | |
Megan and Murphy have a special connection. | 0:09:28 | 0:09:31 | |
It took him about all of three seconds to bond. | 0:09:31 | 0:09:34 | |
-Was that ever hard work? -Yeah. -Yeah, I thought so. | 0:09:34 | 0:09:37 | |
I thought so. | 0:09:37 | 0:09:40 | |
The motivation that Murphy can provide is one that humans can't. | 0:09:40 | 0:09:45 | |
POP MUSIC PLAYS | 0:09:45 | 0:09:47 | |
Nurse Murphy makes exercise fun. | 0:09:54 | 0:09:58 | |
Thank you! Good girl. Right here. Sit. | 0:10:02 | 0:10:06 | |
Sorry, Murphy, I have to go back to school, but I'll see you next time. | 0:10:08 | 0:10:14 | |
-OK. -All it takes is patience, and someone to encourage you. | 0:10:14 | 0:10:20 | |
We've been on the net to find out what animals get up to on days off. | 0:10:28 | 0:10:33 | |
Take Orson, the bulldog from Arkansas. | 0:10:33 | 0:10:36 | |
For him, meal times are more like playtime, cos when you stack it up, | 0:10:36 | 0:10:40 | |
what's life without a challenge? | 0:10:40 | 0:10:43 | |
Good job, Orson! | 0:10:49 | 0:10:51 | |
Next time, how about some bones? | 0:10:51 | 0:10:53 | |
Now let's head to Chicago. | 0:10:59 | 0:11:01 | |
Tuna is founder and lead guitarist of an incredible band of felines, | 0:11:04 | 0:11:09 | |
The Rock Cats. | 0:11:09 | 0:11:11 | |
And Tuna's determined the band are going to be the best on the road, | 0:11:14 | 0:11:18 | |
whatever it takes. | 0:11:18 | 0:11:20 | |
She takes her job very seriously. | 0:11:20 | 0:11:23 | |
She's a very serious cat. How about a high five? | 0:11:23 | 0:11:26 | |
Tuna's hard work seems to be paying off. | 0:11:30 | 0:11:32 | |
Tuna actually has gotten more famous. | 0:11:32 | 0:11:35 | |
Tuna has more friends on her MySpace than I do. | 0:11:35 | 0:11:40 | |
People call and leave messages for Tuna. | 0:11:40 | 0:11:43 | |
With so much riding on the tour, manager Samantha does all she can | 0:11:43 | 0:11:47 | |
to make sure Rock Cats have everything they need. | 0:11:47 | 0:11:51 | |
Dolphin-safe tuna, | 0:11:51 | 0:11:53 | |
some chicken, some steak, | 0:11:53 | 0:11:56 | |
a room to rest, the green room. You have a green room set up for them? | 0:11:56 | 0:12:00 | |
This is their last rehearsal before the tour gets underway tomorrow. | 0:12:00 | 0:12:04 | |
There we go. Let's get up there. | 0:12:09 | 0:12:12 | |
We have to work together as a band. | 0:12:13 | 0:12:16 | |
Take your spot, Nue. | 0:12:17 | 0:12:19 | |
I'll lift you up, Nue. You're so spoiled. | 0:12:19 | 0:12:22 | |
You're getting just as spoiled as Tuna. Very nice. Come on, guys. | 0:12:22 | 0:12:25 | |
Now it's just gonna be piano. Some drums, please. | 0:12:25 | 0:12:28 | |
As mum and bandleader, Tuna's got to set an example | 0:12:28 | 0:12:31 | |
to the other members of the band. | 0:12:31 | 0:12:33 | |
Otherwise rehearsals just don't get off the ground. | 0:12:33 | 0:12:37 | |
But no-one wants to play. | 0:12:37 | 0:12:38 | |
There's just a lot of hanging around. | 0:12:38 | 0:12:41 | |
Nice. Some drums, please. | 0:12:46 | 0:12:50 | |
Nue, you're slacking on the keyboards. Nue, what's going on? | 0:12:50 | 0:12:55 | |
The Rock Cats can't even settle on | 0:12:55 | 0:12:57 | |
what instruments they want to play, let alone rehearse their set. | 0:12:57 | 0:13:00 | |
No glaring. | 0:13:00 | 0:13:02 | |
With a sold-out gig tomorrow, their fans expect a great performance. | 0:13:02 | 0:13:07 | |
-But the rehearsal isn't going to plan. -I seriously... | 0:13:09 | 0:13:12 | |
I can't move another table in here so you have your own stage. | 0:13:12 | 0:13:16 | |
There's enough space for you there. | 0:13:18 | 0:13:20 | |
You're gonna be like this? | 0:13:20 | 0:13:22 | |
They've barely rehearsed one track. | 0:13:22 | 0:13:25 | |
It's all a bit of a shambles. | 0:13:25 | 0:13:27 | |
Hey, hey, hey, hey. Stop. | 0:13:27 | 0:13:29 | |
Stop, guys, seriously. | 0:13:29 | 0:13:31 | |
This show actually has sold out, | 0:13:31 | 0:13:34 | |
with a waiting list, | 0:13:34 | 0:13:35 | |
so a lot of people are anxious to see the Acro-Cats and mainly Tuna. | 0:13:35 | 0:13:40 | |
Sometimes they'll cheer, "Tuna! Tuna! Tuna! Tuna!" | 0:13:40 | 0:13:44 | |
Pre-gig nerves seem to be getting to everyone. | 0:13:44 | 0:13:48 | |
All right. Rest up. | 0:13:50 | 0:13:52 | |
Big show tomorrow. | 0:13:52 | 0:13:55 | |
Will The Rock Cats get over their last-minute nerves | 0:13:55 | 0:13:57 | |
and put on a storming performance? | 0:13:57 | 0:14:00 | |
Or are their devoted fans set to be disappointed? | 0:14:00 | 0:14:04 | |
BLEATING | 0:14:07 | 0:14:09 | |
Hey, sheep, I've got some questions for you. Here we go. | 0:14:10 | 0:14:13 | |
When sweaters get wet, they shrink, so why don't you? | 0:14:13 | 0:14:18 | |
And also how do you know when the wool's being pulled over your eyes? | 0:14:19 | 0:14:23 | |
And, listen, when a shepherd counts sheep, why doesn't he fall asleep? | 0:14:23 | 0:14:28 | |
And do you count people to go to sleep? | 0:14:28 | 0:14:32 | |
All these questions | 0:14:32 | 0:14:34 | |
and no answers. | 0:14:34 | 0:14:36 | |
We're off to Essex in England. | 0:14:40 | 0:14:43 | |
This is Boydells Dairy Farm, home to 300 sheep. | 0:14:54 | 0:14:57 | |
Cream of the flock is six-year-old Buttercup. | 0:14:57 | 0:15:01 | |
She's the farm's biggest milk producer. | 0:15:04 | 0:15:07 | |
But she's about to be challenged for the top spot by rival Daisy. | 0:15:07 | 0:15:12 | |
They're both mum to seven kids and both have unusually large udders. | 0:15:12 | 0:15:17 | |
That's a lot of milk. | 0:15:17 | 0:15:18 | |
Farmer Kiley is their boss. | 0:15:20 | 0:15:22 | |
I'm a dairy sheep farmer, one of only about 30 farms | 0:15:22 | 0:15:26 | |
in this country milking sheep. | 0:15:26 | 0:15:27 | |
I've got just over 300 sheep. | 0:15:27 | 0:15:30 | |
Milking just over 200 of them at the minute. | 0:15:30 | 0:15:35 | |
We produce about 60,000 litres of sheep's milk a year. | 0:15:35 | 0:15:38 | |
This is Buttercup, | 0:15:38 | 0:15:42 | |
my favourite sheep last year. | 0:15:42 | 0:15:44 | |
Milked really well. | 0:15:44 | 0:15:46 | |
And this here is Daisy. | 0:15:46 | 0:15:48 | |
She's a bit fidgety. | 0:15:48 | 0:15:50 | |
But Daisy's rivalling Buttercup. | 0:15:50 | 0:15:53 | |
This year, she's doing really well, | 0:15:53 | 0:15:56 | |
so I think it's a good bit of competition. | 0:15:56 | 0:15:59 | |
40 years ago, there was only one or two people doing it as a hobby. | 0:16:03 | 0:16:06 | |
700 years ago, lots of people milked sheep | 0:16:06 | 0:16:09 | |
and not many people milked cows. | 0:16:09 | 0:16:12 | |
Once a month, we measure how much milk each sheep gives | 0:16:13 | 0:16:16 | |
and that way I can calculate which ones are giving the most milk | 0:16:16 | 0:16:20 | |
and I know who to breed my replacement sheep from. | 0:16:20 | 0:16:23 | |
This here is a tank that could hold just over 600 litres. | 0:16:23 | 0:16:27 | |
The average sheep will give around 300 litres of milk, | 0:16:27 | 0:16:30 | |
so around here somewhere. | 0:16:30 | 0:16:32 | |
Last year, Buttercup gave up here, Daisy, down here. | 0:16:32 | 0:16:37 | |
So I'm wondering, by the end of the year, | 0:16:37 | 0:16:40 | |
which one will have filled it to the top. | 0:16:40 | 0:16:43 | |
The milk is used to make cheese, yoghurt and ice cream. | 0:16:43 | 0:16:47 | |
Daisy has never produced as much milk as Buttercup, | 0:16:47 | 0:16:49 | |
but lately she's been catching up. | 0:16:49 | 0:16:52 | |
And what's the best way to find out who's the farm's champion milker? | 0:16:52 | 0:16:56 | |
A milking contest! | 0:16:56 | 0:16:58 | |
Kiley has asked some volunteers to lend a hand, and it's the first time | 0:16:58 | 0:17:02 | |
any of them have milked a sheep. | 0:17:02 | 0:17:04 | |
I'm quite nervous, but I'm not terribly nervous. | 0:17:04 | 0:17:08 | |
No! That's my hair. | 0:17:10 | 0:17:12 | |
We're milking Buttercup. | 0:17:12 | 0:17:14 | |
We think we're gonna win, but we've never done it before. | 0:17:14 | 0:17:18 | |
Put this down here. What you need to do, you can go one on each side. | 0:17:18 | 0:17:21 | |
You take hold of the teat, | 0:17:21 | 0:17:23 | |
squeeze at the top and just slide your fingers down. | 0:17:23 | 0:17:27 | |
It's Buttercup to start. | 0:17:27 | 0:17:30 | |
It's really warm. | 0:17:33 | 0:17:35 | |
Squeeze at the top and just slide your finger down. | 0:17:35 | 0:17:38 | |
It's really difficult. | 0:17:38 | 0:17:41 | |
Looks as if she's doing well. | 0:17:41 | 0:17:44 | |
Last year, she produced 548 litres of milk. | 0:17:44 | 0:17:47 | |
That's almost twice the average. | 0:17:47 | 0:17:50 | |
It's a little bit difficult. | 0:17:50 | 0:17:52 | |
We can do that. | 0:17:52 | 0:17:55 | |
Sheep don't mind being milked. | 0:17:55 | 0:17:57 | |
We can do better. | 0:17:57 | 0:17:59 | |
And it only takes a couple of minutes. | 0:17:59 | 0:18:01 | |
-When we get the hang of it, we should be OK. -Yeah. | 0:18:01 | 0:18:05 | |
But it's not all technique. | 0:18:05 | 0:18:07 | |
If the milk's not there, then it can't come out! | 0:18:07 | 0:18:10 | |
Not much more and I think Buttercup might be finished. | 0:18:12 | 0:18:15 | |
Now it's Daisy's turn. Can she take the milking crown from Buttercup? | 0:18:19 | 0:18:23 | |
OK, Daisy, up we go. | 0:18:23 | 0:18:26 | |
She's looking a bit sheepish about it. | 0:18:26 | 0:18:28 | |
You've got some food up here, Daisy. | 0:18:28 | 0:18:32 | |
Away you go. | 0:18:32 | 0:18:33 | |
It's really squashy and it's pretty hard. | 0:18:39 | 0:18:43 | |
It's quite difficult. | 0:18:43 | 0:18:46 | |
Different from milking a cow. | 0:18:51 | 0:18:53 | |
And a goat. It's different from milking cows and goats. | 0:18:53 | 0:18:56 | |
I'm a little bit concerned that the jug's not gonna be big enough. | 0:18:56 | 0:18:58 | |
-OK, girls, are you about there? -Yeah. | 0:18:58 | 0:19:02 | |
It's all over. | 0:19:03 | 0:19:05 | |
But who's the farm's champion milk producer? | 0:19:07 | 0:19:09 | |
Buttercup or rival Daisy? | 0:19:09 | 0:19:12 | |
Results time. Let's measure the milk. | 0:19:12 | 0:19:16 | |
I reckon she has given us, oh, 500 millilitres of milk. | 0:19:16 | 0:19:23 | |
Now it's Daisy's turn. | 0:19:23 | 0:19:26 | |
What a full jug and you spilled some as well. | 0:19:26 | 0:19:30 | |
550! | 0:19:32 | 0:19:35 | |
Well done. Daisy is the winner. | 0:19:35 | 0:19:39 | |
Poor Buttercup. She's lost her title! But she's not too bothered. | 0:19:41 | 0:19:46 | |
There's always the next milk-off. | 0:19:46 | 0:19:48 | |
We've been looking out for your home videos of what animals get up to. | 0:19:51 | 0:19:56 | |
Check out these chinchillas and their daily sand bath. | 0:19:56 | 0:20:01 | |
But some of these cheeky chappies will do anything to avoid bath time! | 0:20:05 | 0:20:09 | |
It's much more fun with two chinchillas squashed in the tub! | 0:20:15 | 0:20:18 | |
Now it's time to go to the west coast of Canada. | 0:20:26 | 0:20:30 | |
This is Barkley the golden retriever. | 0:20:35 | 0:20:38 | |
He's a very special dog, with an amazing job. | 0:20:38 | 0:20:41 | |
He's a search and rescue dog with the Vancouver Fire Department. | 0:20:41 | 0:20:45 | |
As a crucial member of Canada's first urban search and rescue team, | 0:20:48 | 0:20:52 | |
Barkley's job is to save the lives | 0:20:52 | 0:20:55 | |
of people trapped in rubble and collapsed buildings. | 0:20:55 | 0:20:57 | |
Three years ago, Barkley's skills were put to the ultimate test | 0:21:00 | 0:21:04 | |
when Hurricane Katrina devastated New Orleans. | 0:21:04 | 0:21:07 | |
He was one of the thousands who did their best in the rescue efforts | 0:21:07 | 0:21:11 | |
to save the lives of the survivors. | 0:21:11 | 0:21:13 | |
Today, the team are getting ready for one of their training exercises. | 0:21:15 | 0:21:21 | |
Search for him. | 0:21:21 | 0:21:22 | |
These are vital to make sure everyone's skills, | 0:21:22 | 0:21:25 | |
including Barkley's, stay sharp. | 0:21:25 | 0:21:27 | |
Flynn is his boss. | 0:21:27 | 0:21:29 | |
His major function is the location of people that are trapped. | 0:21:29 | 0:21:33 | |
He just tells me where those people are. | 0:21:33 | 0:21:35 | |
Part of the training ground has been designed as an earthquake zone. | 0:21:35 | 0:21:39 | |
BARKING | 0:21:39 | 0:21:41 | |
The first exercise for Barkley | 0:21:41 | 0:21:44 | |
is finding survivors amongst the rubble of a collapsed building. | 0:21:44 | 0:21:47 | |
The next exercise is searching for survivors trapped in pipes. | 0:21:49 | 0:21:54 | |
Barkley's nose for the job is what separates him from human colleagues. | 0:21:56 | 0:22:01 | |
As humans shed millions of skin cells every day, | 0:22:01 | 0:22:04 | |
they leave a trail of air scent that Barkley can follow. | 0:22:04 | 0:22:08 | |
His nose is one million times more sensitive than a human's. | 0:22:08 | 0:22:12 | |
Another survivor found! | 0:22:17 | 0:22:20 | |
Not all Barkley's rescue work is underground. | 0:22:24 | 0:22:28 | |
Sometimes he has to go into damaged buildings. Any way he can. | 0:22:28 | 0:22:32 | |
Being strapped into a harness is another part of Barkley's training. | 0:22:34 | 0:22:40 | |
This part of the exercise does not come naturally to dogs, | 0:22:40 | 0:22:44 | |
as they have no sense of height and depth. | 0:22:44 | 0:22:47 | |
But Barkley is no ordinary dog and he takes it all in his stride. | 0:22:47 | 0:22:51 | |
The practicality of being able to raise and lower a dog | 0:22:51 | 0:22:55 | |
would be valuable if we were dealing with structural collapse. | 0:22:55 | 0:22:58 | |
To actually raise and lower him in a controlled situation | 0:22:58 | 0:23:02 | |
is a valuable exercise for everybody. | 0:23:02 | 0:23:05 | |
Should the situation ever present itself, | 0:23:05 | 0:23:08 | |
we've now prepared for that eventual day. Good boy! | 0:23:08 | 0:23:13 | |
We have a great bond. | 0:23:13 | 0:23:15 | |
That's one of the things that you get with a dog like this. | 0:23:15 | 0:23:18 | |
You get a really good working bond, a really good buddy bond. | 0:23:18 | 0:23:21 | |
I trust him, he trusts me. | 0:23:21 | 0:23:23 | |
At the end of the day's training, Barkley's back to the stationhouse | 0:23:28 | 0:23:32 | |
and he's just one of the guys. | 0:23:32 | 0:23:35 | |
Attaboy. | 0:23:35 | 0:23:37 | |
Barkley's confident he can do anything the other firemen can do. | 0:23:37 | 0:23:40 | |
Well, except drive the truck! | 0:23:43 | 0:23:45 | |
It's back to Chicago with The Rock Cats. | 0:23:50 | 0:23:53 | |
It's the morning of The Rock Cat gig. | 0:23:55 | 0:23:58 | |
Rehearsals have been going badly thanks to pre-gig nerves. | 0:23:59 | 0:24:04 | |
Nue, you're slacking on the keyboards. Nue! | 0:24:04 | 0:24:07 | |
-Yesterday, things pretty much ground to a standstill. -Stop, stop, guys. | 0:24:07 | 0:24:11 | |
The bandleader Tuna is doing her best to get The Rock Cats | 0:24:13 | 0:24:16 | |
to pull off a great performance tonight. | 0:24:16 | 0:24:19 | |
But, right now, | 0:24:19 | 0:24:21 | |
manager Samantha's priority is to get The Rock Cats on the road. | 0:24:21 | 0:24:26 | |
The Rock Cats have their own touring bus. | 0:24:26 | 0:24:29 | |
They travel in style. | 0:24:29 | 0:24:31 | |
At the venue, The Rock Cat fans are out in force. | 0:24:31 | 0:24:35 | |
I'm here tonight to see cats. | 0:24:35 | 0:24:38 | |
EXCITED SHOUTING | 0:24:38 | 0:24:41 | |
Everyone's working hard to get the stage set. | 0:24:41 | 0:24:46 | |
To calm her nerves, Tuna's gone for a walk. | 0:24:46 | 0:24:50 | |
You can't make a cat do anything that they don't want to do. | 0:24:50 | 0:24:53 | |
But with not much rehearsal, | 0:24:53 | 0:24:55 | |
no-one's really sure if the gig will be a success. | 0:24:55 | 0:24:59 | |
Unaware of the problems, The Rock Cat fans start piling in. | 0:24:59 | 0:25:04 | |
First up on stage are the support act, the Acro-Cats. | 0:25:07 | 0:25:13 | |
Meanwhile, backstage, Tuna is saving herself for her big performance. | 0:25:15 | 0:25:21 | |
-Here's Nue. -The Rock Cats are up next. | 0:25:21 | 0:25:24 | |
Pinky's doing a solo as a warm-up act. | 0:25:24 | 0:25:26 | |
All right, take it away, Pinky! | 0:25:28 | 0:25:30 | |
PINKY PLUCKS GUITAR | 0:25:30 | 0:25:32 | |
Keep going. | 0:25:34 | 0:25:36 | |
-Keep going. -It's so good, Dakota can't resist joining in! -Keep going! | 0:25:38 | 0:25:44 | |
Is that the end of the song? | 0:25:48 | 0:25:51 | |
All right, excellent first song! | 0:25:51 | 0:25:53 | |
The audience laps up Pinky's performance! | 0:25:53 | 0:25:57 | |
OK, I am gonna try to get Tuna to play her guitar. | 0:25:57 | 0:25:59 | |
It's the band's big moment. | 0:26:01 | 0:26:03 | |
Will they all pull together to give a great performance, | 0:26:03 | 0:26:06 | |
or will the bad rehearsal come back to haunt them? | 0:26:06 | 0:26:10 | |
THE CATS PLAY THE INSTRUMENTS | 0:26:18 | 0:26:20 | |
ROCK MUSIC PLAYS OVER CATS | 0:26:20 | 0:26:23 | |
Tuna and the band play like they've never played before. | 0:26:35 | 0:26:38 | |
They give it their all and it goes down a storm! | 0:26:38 | 0:26:42 | |
Good job, Tuna! | 0:26:46 | 0:26:47 | |
I was blown away with Tuna's performance tonight. | 0:26:49 | 0:26:51 | |
Tuna never fails. She comes through like the rock star she is. | 0:26:51 | 0:26:57 | |
Because Tuna is such a trooper, The Rock Cats are a wow. | 0:26:58 | 0:27:03 | |
Hey, I just got a new dog with a talent for sniffing flowers. | 0:27:06 | 0:27:10 | |
He's a bud hound. Bud hound! | 0:27:10 | 0:27:14 | |
Hey, come on, I thought you'd be roaring with laughter. | 0:27:14 | 0:27:17 | |
Nothing? I'm trying to tell you some jokes here. | 0:27:17 | 0:27:19 | |
Look, look. Simba, I'm your father. | 0:27:19 | 0:27:23 | |
Nothing? What does it take to get a rise out of a tiger? | 0:27:23 | 0:27:27 | |
You know what? You stay here and guard, OK? | 0:27:27 | 0:27:30 | |
Ar, ar, ar. | 0:27:30 | 0:27:33 | |
So not impressed. | 0:27:33 | 0:27:35 | |
Listen, you stay and guard Pride Rock. I'm out of here. | 0:27:35 | 0:27:38 |