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I'm Ricky, | 0:00:03 | 0:00:04 | |
I live in Bristol. | 0:00:04 | 0:00:05 | |
By day, I work as an animator, | 0:00:05 | 0:00:07 | |
which is lucky cos I love art. | 0:00:07 | 0:00:10 | |
I live for art. | 0:00:10 | 0:00:11 | |
I even dream of art. | 0:00:11 | 0:00:13 | |
I draw... | 0:00:13 | 0:00:15 | |
..I paint... | 0:00:15 | 0:00:16 | |
..I make things! | 0:00:18 | 0:00:19 | |
I hang out with my mates, | 0:00:20 | 0:00:23 | |
-Gavin, Michelle and Sarah. -SARAH SCREAMS | 0:00:23 | 0:00:26 | |
Most importantly, I make ninja moves. | 0:00:26 | 0:00:29 | |
-Some people call me the... -# Art Ninja. # | 0:00:29 | 0:00:33 | |
Today, I'll show you how to make | 0:00:33 | 0:00:35 | |
-an invisible dog collar... -INVISIBLE DOGS GROWL | 0:00:35 | 0:00:39 | |
..turn your pets into people, | 0:00:39 | 0:00:41 | |
and follow your nose on the streets | 0:00:41 | 0:00:43 | |
by making sat nav art. | 0:00:43 | 0:00:46 | |
Because today it's... | 0:00:46 | 0:00:48 | |
DOG BARKS | 0:00:52 | 0:00:56 | |
Who needs an alarm clock when you've got an alarm dog? | 0:00:56 | 0:00:59 | |
It's certainly a new day and time to get my ninja on. | 0:01:01 | 0:01:05 | |
And my clothes. | 0:01:07 | 0:01:08 | |
-DOG BARKS -I wish I could have my own pet. | 0:01:31 | 0:01:34 | |
I was never allowed animals as a kid. | 0:01:34 | 0:01:36 | |
I'm not allowed animals in the flat now. | 0:01:36 | 0:01:38 | |
Dad comes over and he's super allergic to everything. | 0:01:38 | 0:01:41 | |
-HE SNEEZES -Makes me sad. | 0:01:41 | 0:01:44 | |
I may not be allowed animals in the flat, | 0:01:44 | 0:01:46 | |
but I could make my own fake Fido. | 0:01:46 | 0:01:49 | |
# Art Ninja. # | 0:01:49 | 0:01:50 | |
The Art Ninja fake Fido invisible dog collar! | 0:01:50 | 0:01:54 | |
I've got some strips of cardboard down here. | 0:01:55 | 0:01:58 | |
I'm going to use these to make a collar. | 0:01:58 | 0:02:00 | |
So I need to roll them round a little bit. | 0:02:00 | 0:02:03 | |
Good thing about using corrugated cardboard, | 0:02:03 | 0:02:05 | |
is it makes a nice gradual curve. | 0:02:05 | 0:02:07 | |
Going to sticky tape the two ends together. | 0:02:09 | 0:02:11 | |
And now these strips, I'm going use to make the edges. | 0:02:14 | 0:02:16 | |
Now they're all sticky, I'm going to start wrapping them | 0:02:19 | 0:02:21 | |
around the top and the bottom of the collar. | 0:02:21 | 0:02:23 | |
Any excess, just snip it off. | 0:02:24 | 0:02:26 | |
This is the bare bones of the collar. | 0:02:32 | 0:02:35 | |
I'm now going to cover it in a layer of paper mache. | 0:02:35 | 0:02:37 | |
So I've got some PVA glue and water mix. | 0:02:38 | 0:02:40 | |
Two parts glue, one part water. | 0:02:40 | 0:02:42 | |
And I've got some white tissue paper here. | 0:02:42 | 0:02:44 | |
It's just what I had lying around. | 0:02:44 | 0:02:46 | |
It's quite light though and that'll come in handy later. | 0:02:46 | 0:02:48 | |
You can just use plain old newspaper or scraps of paper. | 0:02:48 | 0:02:51 | |
Now I'm using paper mache, | 0:02:54 | 0:02:55 | |
because it makes it easier to paint on afterwards, | 0:02:55 | 0:02:58 | |
and it gives it a nice smooth finish. | 0:02:58 | 0:03:00 | |
With all this glue and paper on it, | 0:03:03 | 0:03:04 | |
it does go quite floppy. | 0:03:04 | 0:03:06 | |
But when it dries, it'll be rigid. | 0:03:06 | 0:03:08 | |
So if you're doing this, | 0:03:08 | 0:03:09 | |
you have to make sure it dries perfectly round and flat. | 0:03:09 | 0:03:12 | |
But not me, I've got ninja skills! | 0:03:12 | 0:03:15 | |
Ah, yeah. | 0:03:15 | 0:03:17 | |
Nice and dry. | 0:03:17 | 0:03:18 | |
Good bit of ninja-ing. | 0:03:18 | 0:03:19 | |
Now I've got to paint it. | 0:03:19 | 0:03:21 | |
I've got some pre-mixed purple paint here. | 0:03:21 | 0:03:23 | |
If you're painting yours at home, | 0:03:28 | 0:03:30 | |
make sure you put some newspaper down. | 0:03:30 | 0:03:31 | |
A bit here and there. | 0:03:33 | 0:03:35 | |
Right, well, do you want to watch paint dry? | 0:03:35 | 0:03:38 | |
Ninja's don't. | 0:03:38 | 0:03:39 | |
There we are. | 0:03:40 | 0:03:42 | |
Perfect. | 0:03:42 | 0:03:43 | |
Now I'm going to poke a couple of holes through it, | 0:03:43 | 0:03:45 | |
cos we need to attach our lead later. | 0:03:45 | 0:03:47 | |
And I'm going to do that with a bit of modelling clay behind it, | 0:03:47 | 0:03:50 | |
and a sharp pencil. | 0:03:50 | 0:03:51 | |
One hole... | 0:03:51 | 0:03:53 | |
two holes. | 0:03:53 | 0:03:54 | |
Now I'm going to give it a little bit of bling... | 0:03:55 | 0:03:58 | |
..with some gold paint. | 0:03:58 | 0:03:59 | |
Just taking my time here, | 0:04:03 | 0:04:05 | |
cos I don't want to get any gold on this purple band here. | 0:04:05 | 0:04:09 | |
My fake dog better like this! | 0:04:09 | 0:04:11 | |
There we are. | 0:04:14 | 0:04:15 | |
But what's a collar without a lead? | 0:04:15 | 0:04:18 | |
I've got myself a length of garden wire. | 0:04:18 | 0:04:20 | |
That's this thick green stuff. | 0:04:22 | 0:04:24 | |
And this is good because it's quite malleable, | 0:04:24 | 0:04:26 | |
you can bend it around, but it can hold some weight. | 0:04:26 | 0:04:28 | |
And it needs to be able to hold the weight of the collar. | 0:04:28 | 0:04:30 | |
Now we're going to slot it through those holes. | 0:04:30 | 0:04:33 | |
And then go back through the other one. | 0:04:34 | 0:04:36 | |
On the other side there, so twist them round one another. | 0:04:39 | 0:04:42 | |
And be careful here, just to make | 0:04:43 | 0:04:45 | |
sure you don't hurt your hands. | 0:04:45 | 0:04:47 | |
OK, that's looking good. | 0:04:47 | 0:04:49 | |
Now you need a handle, | 0:04:49 | 0:04:50 | |
so I'm just going to loop over the end | 0:04:50 | 0:04:52 | |
and twist that against itself as well. | 0:04:52 | 0:04:54 | |
So that's the handle. | 0:04:56 | 0:04:58 | |
But it could do with a couple of finishing touches. | 0:04:58 | 0:05:00 | |
-Whoa, Fido! -INVISIBLE DOG BARKS AND GROWLS | 0:05:00 | 0:05:03 | |
Must be a ninja dog. | 0:05:03 | 0:05:05 | |
Look at those finishing touches. | 0:05:05 | 0:05:07 | |
We've got these nice studs going round the band. | 0:05:07 | 0:05:10 | |
We've got a little name badge there. | 0:05:10 | 0:05:11 | |
'Mine's called Fido, but how about Petunia, Sausage...' | 0:05:11 | 0:05:14 | |
Or any other lovely name. | 0:05:14 | 0:05:17 | |
And then I've put some material around the wire, | 0:05:17 | 0:05:20 | |
and that's just so it looks more like a lead. | 0:05:20 | 0:05:22 | |
If you want a smaller, imaginary dog | 0:05:22 | 0:05:24 | |
you can make one, like this. | 0:05:24 | 0:05:25 | |
The fake Fido dog collar. | 0:05:30 | 0:05:32 | |
Fetch the right materials and make one today. | 0:05:32 | 0:05:34 | |
-INVISIBLE DOG BREAKS WIND -Eurgh! | 0:05:36 | 0:05:39 | |
HE SNIFFS | 0:05:39 | 0:05:40 | |
Left an imaginary present on the desk. Eurgh! | 0:05:40 | 0:05:43 | |
I can always pretend it's not there. | 0:05:43 | 0:05:45 | |
Come on, guys, walkies! | 0:05:45 | 0:05:47 | |
Whoa! | 0:05:47 | 0:05:48 | |
-Whoa. -INVISBLE DOG PANTS | 0:05:50 | 0:05:53 | |
KNOCK AT DOOR | 0:05:53 | 0:05:56 | |
-Oh, hey, Gavin, what's up? -Hey, dude! | 0:05:56 | 0:05:59 | |
This is my dog. | 0:05:59 | 0:06:00 | |
What's his name? | 0:06:02 | 0:06:04 | |
-Dog. -Imaginative name. | 0:06:04 | 0:06:06 | |
Yeah, listen, could you look after him while I pop out for a bit? | 0:06:06 | 0:06:09 | |
-No Gav, Gav, no... -Thanks a lot, see you later! | 0:06:09 | 0:06:11 | |
-My dad's allergic. -HE SNEEZES | 0:06:11 | 0:06:14 | |
What am I going to do now? | 0:06:14 | 0:06:15 | |
If my dad comes over, he'll sneeze the house down. | 0:06:15 | 0:06:18 | |
Oh, well. | 0:06:19 | 0:06:20 | |
Here you go, Dog, | 0:06:20 | 0:06:22 | |
make yourself at home. | 0:06:22 | 0:06:23 | |
Oh, I see you've found yourself a comfy spot, Dog. | 0:06:27 | 0:06:29 | |
I'm sure that picture moves on its own. | 0:06:30 | 0:06:33 | |
-It's almost as if it's animated. -BALL BOINGS | 0:06:33 | 0:06:35 | |
-BALL BOINGS -Oh! | 0:06:42 | 0:06:46 | |
Um... | 0:06:46 | 0:06:48 | |
I'm a clay ninja, and that's because I know this awesome technique | 0:06:48 | 0:06:51 | |
that'll put bounce into any animation. | 0:06:51 | 0:06:53 | |
And it's called... # Dun-da-da-dun! # | 0:06:53 | 0:06:56 | |
..squash and stretch. | 0:06:56 | 0:06:58 | |
Here's how to work it in three ninja moves. | 0:06:58 | 0:07:00 | |
Ninja move number one. | 0:07:01 | 0:07:03 | |
It's time to do the squash. | 0:07:03 | 0:07:05 | |
Now, I'm going be doing this with some clay and some wire. | 0:07:05 | 0:07:10 | |
So let's put the ball up here. | 0:07:10 | 0:07:12 | |
-CAMERA CLICKS -And then make it go down | 0:07:12 | 0:07:14 | |
towards the table. | 0:07:14 | 0:07:16 | |
'For each photo, paint out the wire | 0:07:16 | 0:07:17 | |
'using free online photo manipulation software.' | 0:07:17 | 0:07:21 | |
And then, when it gets close to the table, | 0:07:21 | 0:07:23 | |
when it actually touches it, | 0:07:23 | 0:07:24 | |
it needs to squash out to absorb the impact. | 0:07:24 | 0:07:27 | |
So it gets really squashed like that. | 0:07:27 | 0:07:29 | |
And the first movement should be a really big jump, | 0:07:29 | 0:07:31 | |
so it should go from round to quite squashed, | 0:07:31 | 0:07:34 | |
cos it feels more impactful | 0:07:34 | 0:07:36 | |
and like it had more velocity. | 0:07:36 | 0:07:38 | |
-There we go. -CAMERA CLICKS | 0:07:38 | 0:07:40 | |
This is obviously the first part of squash and stretch. | 0:07:40 | 0:07:43 | |
It's the squash. | 0:07:43 | 0:07:44 | |
And then squash it a little bit more. | 0:07:44 | 0:07:45 | |
-CAMERA CLICKS -And each time you squash it | 0:07:45 | 0:07:48 | |
in this part of the animation, | 0:07:48 | 0:07:49 | |
you squash it a little bit less each time. | 0:07:49 | 0:07:51 | |
So the first one's a big impact | 0:07:51 | 0:07:52 | |
and then a little bit more, a little bit more, | 0:07:52 | 0:07:54 | |
so it's kind of easing into it. | 0:07:54 | 0:07:56 | |
Ninja move number two. | 0:07:56 | 0:07:58 | |
Now we need to do the stretch part. | 0:07:58 | 0:07:59 | |
First of all, the ball needs to return to normal ball shape, | 0:07:59 | 0:08:02 | |
so just roll it into a ball. | 0:08:02 | 0:08:03 | |
-There we go. -CAMERA CLICKS | 0:08:08 | 0:08:10 | |
And then it starts to go long, like a sausage, | 0:08:10 | 0:08:13 | |
and that's because we're trying to give the idea | 0:08:13 | 0:08:15 | |
that it's bouncing back away from the impact it just had. | 0:08:15 | 0:08:18 | |
-CAMERA CLICKS -Bit more of a sausage. | 0:08:18 | 0:08:21 | |
And it's first bounce has been quite aggressive. | 0:08:21 | 0:08:23 | |
It's a big squash and a big stretch, | 0:08:23 | 0:08:25 | |
cos it's fallen from the highest point. | 0:08:25 | 0:08:28 | |
There we go. | 0:08:28 | 0:08:29 | |
-CAMERA CLICKS -And as it raises up, | 0:08:29 | 0:08:32 | |
it slowly starts to form back into its normal ball shape., | 0:08:32 | 0:08:35 | |
so less of a stretch now. | 0:08:35 | 0:08:37 | |
-There we go. -CAMERA CLICKS | 0:08:37 | 0:08:39 | |
And then when it gets to the highest point, | 0:08:39 | 0:08:41 | |
back perfectly to a ball. | 0:08:41 | 0:08:42 | |
CAMERA CLICKS | 0:08:45 | 0:08:47 | |
Ninja move number three. | 0:08:47 | 0:08:48 | |
So now we need to use our squash and stretch skills | 0:08:48 | 0:08:51 | |
to move the ball. | 0:08:51 | 0:08:52 | |
If we're going to have a ball bounce and then slowly come to a stop, | 0:08:52 | 0:08:55 | |
we need to decrease the amount of squash and stretch on each bounce. | 0:08:55 | 0:08:59 | |
This makes the whole thing look more real. | 0:08:59 | 0:09:01 | |
Let's take a look at the ball in action. | 0:09:01 | 0:09:03 | |
BALL BOINGS | 0:09:03 | 0:09:07 | |
You can use squash and stretch on any animation | 0:09:07 | 0:09:09 | |
and with any character. | 0:09:09 | 0:09:10 | |
And it'll make your animations look totes profesh. | 0:09:10 | 0:09:13 | |
DOLPHIN CALLS | 0:09:15 | 0:09:17 | |
Wow. | 0:09:17 | 0:09:19 | |
Show off. | 0:09:19 | 0:09:20 | |
TELEPHONE RINGS | 0:09:25 | 0:09:28 | |
ANSWERING MACHINE BEEP 'Hi, Ricky, it's mum! | 0:09:28 | 0:09:31 | |
-'I'm leaving you a message.' -Obviously. | 0:09:31 | 0:09:34 | |
'Your dad's on his way over. | 0:09:34 | 0:09:36 | |
'I've been dusting, so his allergies are bad. | 0:09:36 | 0:09:38 | |
'He was hoping to come to you for a breath of fresh air. | 0:09:38 | 0:09:41 | |
'Maybe while he's there you could do things like | 0:09:41 | 0:09:43 | |
'turn your pet into a person, | 0:09:43 | 0:09:46 | |
'give your tablet a terabyte with a shark cover | 0:09:46 | 0:09:49 | |
'and use sat nav and your mate Gav | 0:09:49 | 0:09:52 | |
'to make street art with a difference. | 0:09:52 | 0:09:54 | |
'Anyway, when your dad is there be gentle with him. | 0:09:54 | 0:09:57 | |
'You know how sensitive he is.' DAD SNEEZES IN BACKGROUND | 0:09:57 | 0:09:59 | |
The only way this day could get any worse | 0:09:59 | 0:10:02 | |
is if I had more pets to look after. | 0:10:02 | 0:10:04 | |
-KNOCK AT DOOR -Eurgh. | 0:10:04 | 0:10:06 | |
-Oh, hey, Sarah. -Hi, Ricky. | 0:10:08 | 0:10:09 | |
Just wondered if you could look after Lola for me. | 0:10:09 | 0:10:11 | |
I just need to nip out. | 0:10:11 | 0:10:13 | |
It's a little inconvenient actually. | 0:10:13 | 0:10:14 | |
My dad's coming over and she'll bring him out in hives. | 0:10:14 | 0:10:17 | |
She's a dog, not a bee, Ricky. Thanks, bye. | 0:10:17 | 0:10:19 | |
They say that pets look like their owners, | 0:10:23 | 0:10:25 | |
and seeing as I've got Gav's and Sarah's dog here, | 0:10:25 | 0:10:28 | |
I think I'm in a unique position to test out that theory. | 0:10:28 | 0:10:32 | |
DOG BARKS | 0:10:32 | 0:10:36 | |
DOG GROWLS | 0:10:37 | 0:10:40 | |
So I've sent my pictures to my laptop. | 0:10:47 | 0:10:49 | |
'Here's my chosen picture of Lola, | 0:10:49 | 0:10:51 | |
'and I've also got one of Sarah.' | 0:10:51 | 0:10:53 | |
And what I need to do to start with is get rid of Sarah's head, | 0:10:53 | 0:10:56 | |
so I can put Lola's head on there. | 0:10:56 | 0:10:58 | |
'I'm using a free photo manipulation tool. | 0:10:58 | 0:11:00 | |
'There's plenty available online.' | 0:11:00 | 0:11:02 | |
And I'm going to copy a bit of the background behind Sarah | 0:11:02 | 0:11:05 | |
to paint out her head. | 0:11:05 | 0:11:06 | |
'No offence, Sarah.' | 0:11:06 | 0:11:08 | |
So I hold down control, | 0:11:08 | 0:11:10 | |
then I click that part of the background there. | 0:11:10 | 0:11:12 | |
And look, where I draw now, | 0:11:12 | 0:11:14 | |
that bit will be copied to where I am. | 0:11:14 | 0:11:15 | |
There we go. Bye, Sarah. | 0:11:16 | 0:11:18 | |
Beautiful. | 0:11:20 | 0:11:22 | |
Now I need to get Lola's head ready, | 0:11:22 | 0:11:24 | |
so I'm going to use the lasso tool to crop it out. | 0:11:24 | 0:11:26 | |
And the lasso tool is for selecting a specific area of your picture. | 0:11:26 | 0:11:31 | |
These points represent the area | 0:11:31 | 0:11:33 | |
that I'm going to copy from this picture to the other one. | 0:11:33 | 0:11:37 | |
Top of her head. | 0:11:37 | 0:11:38 | |
And now I'm going to copy Lola's head, | 0:11:42 | 0:11:43 | |
so edit, copy. | 0:11:43 | 0:11:46 | |
Go on to my picture of Sarah, | 0:11:46 | 0:11:47 | |
and I'm going to paste it as a new layer. | 0:11:47 | 0:11:49 | |
There we go. | 0:11:51 | 0:11:53 | |
Move it around. | 0:11:53 | 0:11:55 | |
And you need to resize it because it's a bit big at the moment. | 0:11:55 | 0:11:58 | |
If I hold down control, | 0:11:58 | 0:12:00 | |
I can make it a bit smaller. | 0:12:00 | 0:12:02 | |
And then I'm going to drag it onto Sarah's body. | 0:12:03 | 0:12:07 | |
Looking good, Sarah. | 0:12:08 | 0:12:09 | |
Or, should I say, Lola. | 0:12:09 | 0:12:11 | |
Now it's not fair to do this to Sarah | 0:12:13 | 0:12:15 | |
and not do it to Gavin too. | 0:12:15 | 0:12:17 | |
Luckily, I've got some pictures of Gavin as well. | 0:12:17 | 0:12:19 | |
Bit of a poser, you know. | 0:12:19 | 0:12:22 | |
That's Gavin, though. | 0:12:22 | 0:12:23 | |
That's better, isn't it? | 0:12:24 | 0:12:26 | |
And going to copy Dog's head. | 0:12:26 | 0:12:29 | |
And let's pop that nice and snugly. | 0:12:29 | 0:12:32 | |
There we go. | 0:12:32 | 0:12:33 | |
Look at those guys. | 0:12:33 | 0:12:35 | |
Yeah, these look pretty awesome. | 0:12:35 | 0:12:37 | |
Hi, Ricky. | 0:12:39 | 0:12:40 | |
Whoa, I don't remember making you. | 0:12:40 | 0:12:43 | |
You do look cool, though. | 0:12:43 | 0:12:44 | |
Actually, the name's Coolidge, Cassius Marcellus Coolidge. | 0:12:44 | 0:12:48 | |
I'm an artist who does anthropomorphism. | 0:12:48 | 0:12:51 | |
Wow, that's a mouthful. | 0:12:51 | 0:12:53 | |
It means I paint pictures of animals doing human things, | 0:12:53 | 0:12:56 | |
and I specialise in dogs playing cards. | 0:12:56 | 0:12:59 | |
Here's one of mine now. | 0:12:59 | 0:13:01 | |
Nice. | 0:13:01 | 0:13:02 | |
You probably should've done crocodiles, though. | 0:13:02 | 0:13:04 | |
-Why? -Oh...they're good at playing snap. | 0:13:04 | 0:13:07 | |
Aww. | 0:13:07 | 0:13:09 | |
Finally, just for a bit of fun, | 0:13:10 | 0:13:12 | |
I'm going to anthopu... | 0:13:12 | 0:13:14 | |
I'm going to than... | 0:13:14 | 0:13:16 | |
I'm going to put my dad's head on a dog. | 0:13:16 | 0:13:19 | |
It's a little bit harder when you haven't got a clean background. | 0:13:19 | 0:13:22 | |
But I can probably get away with my dad's head being bigger, | 0:13:22 | 0:13:24 | |
just due to the perspective. | 0:13:24 | 0:13:27 | |
Wow, the beard's probably the same colour as the dog actually. | 0:13:27 | 0:13:30 | |
Tie in really nicely. | 0:13:30 | 0:13:31 | |
I'm really happy with that. | 0:13:36 | 0:13:38 | |
For a start, it's well funny, | 0:13:38 | 0:13:40 | |
and also, my dad's super allergic to animals, | 0:13:40 | 0:13:43 | |
so this is the closet he's ever going to get to one. | 0:13:43 | 0:13:45 | |
Until he comes round here, of course. | 0:13:45 | 0:13:48 | |
-DAD SNEEZES -Woof, woof. | 0:13:48 | 0:13:50 | |
Here's a quick art tip of how to draw a flock of birds. | 0:13:51 | 0:13:55 | |
So, we're going to start with a big bird at the front. | 0:13:55 | 0:13:59 | |
Its tail feathers. | 0:13:59 | 0:14:02 | |
A nice big beak. | 0:14:02 | 0:14:03 | |
I'm going to do it's wing back, mid flap. | 0:14:05 | 0:14:08 | |
And its feet back too. | 0:14:11 | 0:14:13 | |
Next we're going to draw another bird, top left. | 0:14:13 | 0:14:15 | |
This one's going to be smaller as it's going to be in the distance. | 0:14:15 | 0:14:18 | |
And I'm going to draw this one's wing down at the end of its flap. | 0:14:18 | 0:14:22 | |
Drawing the wings in different places gives your flock | 0:14:27 | 0:14:30 | |
a greater sense of movement. | 0:14:30 | 0:14:32 | |
And, finally, I'm going to draw one more bird, | 0:14:32 | 0:14:34 | |
between the two of them. | 0:14:34 | 0:14:35 | |
So medium size. | 0:14:35 | 0:14:37 | |
'And this one's wings are going to be at the top of it's body. | 0:14:37 | 0:14:39 | |
'You can draw as many birds as you want.' | 0:14:39 | 0:14:42 | |
Another one here. | 0:14:42 | 0:14:44 | |
And then I'm going to add a couple of action lines. | 0:14:45 | 0:14:48 | |
Just to make them look like they're drifting through the sky. | 0:14:48 | 0:14:51 | |
There we go. A quick art tip. | 0:14:54 | 0:14:56 | |
Ricky. | 0:15:07 | 0:15:09 | |
Who needs pets when you've got so many Art Ninja apprentices. | 0:15:09 | 0:15:12 | |
Can you make art with pegs? | 0:15:12 | 0:15:14 | |
Hang on. I have to think about that one. | 0:15:14 | 0:15:17 | |
Ricky, what can you make with this? | 0:15:18 | 0:15:22 | |
-Hey, I choose you. -Yeah! -Yes! | 0:15:22 | 0:15:25 | |
-So what's your names then? -Well, I'm William. -I'm Kieran. | 0:15:25 | 0:15:29 | |
-And where you from? -Birmingham. | 0:15:29 | 0:15:31 | |
Birmingham, nice one. So what have you got for me today? | 0:15:31 | 0:15:33 | |
-A fleece blanket. -Whoa, it's pretty big and blue, like an ocean. | 0:15:33 | 0:15:37 | |
Gives me an idea. In fact, I've got some fleece laying around. | 0:15:37 | 0:15:40 | |
I'll just go and grab some. | 0:15:40 | 0:15:41 | |
I've got some different shapes that I've cut out from an old fleece | 0:15:41 | 0:15:44 | |
and a bit of felt. | 0:15:44 | 0:15:46 | |
And I'm going to use them to make a protective case for a tablet | 0:15:46 | 0:15:49 | |
that'll look like it's being eaten by a shark. | 0:15:49 | 0:15:51 | |
I like to call it...a terabyte. | 0:15:51 | 0:15:53 | |
Little computer joke for you there. | 0:15:53 | 0:15:56 | |
'I've cut two pieces of material the same size as my tablet. | 0:15:56 | 0:15:59 | |
'One rectangular and one with a curve in the end. | 0:15:59 | 0:16:02 | |
'I'll sew these pieces together later. | 0:16:02 | 0:16:04 | |
'Now, let's make it look like a shark. | 0:16:04 | 0:16:07 | |
'I'm going to stick down the shark's belly, using fabric glue.' | 0:16:07 | 0:16:10 | |
There's one, like that. | 0:16:13 | 0:16:14 | |
And then I've got these fins for the side, and these two. | 0:16:14 | 0:16:17 | |
Going to put these lighter bits of felt on. | 0:16:17 | 0:16:19 | |
So do you guys have any pets or anything? | 0:16:19 | 0:16:22 | |
I'm not saying that a shark's a good pet but... | 0:16:22 | 0:16:24 | |
I've got a cat. His name's Erik. | 0:16:24 | 0:16:27 | |
So why is he called Erik? | 0:16:27 | 0:16:28 | |
Erik was a very popular Viking name. | 0:16:28 | 0:16:31 | |
-Really? -Yeah. Erik the Red. | 0:16:31 | 0:16:33 | |
-So is he a red cat? -He's ginger. -Oh, I see. | 0:16:33 | 0:16:38 | |
-How are you, Kieran, do you have any pets? -No. | 0:16:39 | 0:16:41 | |
-Would you like one? -Yeah. | 0:16:41 | 0:16:43 | |
-What would you like? -Husky. -I really like huskies. | 0:16:43 | 0:16:46 | |
OK, I'm just going to start gluing on the red bit for the mouth. | 0:16:46 | 0:16:49 | |
I measured these against the flap at the top to make sure they fit. | 0:16:49 | 0:16:52 | |
And the other bit's going to go there. | 0:16:52 | 0:16:55 | |
-Do you guys like doing art? -Yeah, mostly drawing. | 0:16:55 | 0:16:58 | |
What kind of things do you like to draw? | 0:16:58 | 0:17:00 | |
Battle scenes, giants and stuff like that. | 0:17:00 | 0:17:03 | |
-I like to draw a Viking. -Awesome. | 0:17:03 | 0:17:07 | |
'A bit like Eric the Red?' | 0:17:07 | 0:17:08 | |
Just going to stick some teeth on cos what's a shark without teeth? | 0:17:10 | 0:17:13 | |
For the top layer of teeth - | 0:17:17 | 0:17:19 | |
going to put the glue straight onto the mouth | 0:17:19 | 0:17:21 | |
so I can get the teeth hanging over the edge nice. | 0:17:21 | 0:17:23 | |
RICKY GROWLS | 0:17:23 | 0:17:25 | |
So the mouth and that's looking pretty good. | 0:17:25 | 0:17:27 | |
Think it's time to put on a face. | 0:17:27 | 0:17:29 | |
I've cut out some different shapes here to make some eyes. | 0:17:29 | 0:17:32 | |
I think this shark should be quite happy but maybe he's hungry? | 0:17:32 | 0:17:35 | |
So he's got a mean face on so he can eat the tablet. | 0:17:35 | 0:17:38 | |
Don't worry too much about getting the fabric glue everywhere, | 0:17:38 | 0:17:41 | |
cos it will just dry out invisible. | 0:17:41 | 0:17:43 | |
Now, I'm just going to put on some gills. | 0:17:43 | 0:17:44 | |
Going to start sewing now. | 0:17:47 | 0:17:49 | |
I've tied a knot in the end so that it won't go all the way through. | 0:17:49 | 0:17:53 | |
I'm using blanket stitch. | 0:17:53 | 0:17:55 | |
And you go round and you go over again. | 0:17:55 | 0:17:57 | |
So you see we've gone back on ourselves, | 0:17:57 | 0:17:58 | |
and back in the same way we did first time round. | 0:17:58 | 0:18:00 | |
Then when you have this loop, put our needle back through. | 0:18:02 | 0:18:05 | |
Pointing in the opposite way to the way we were stitching. | 0:18:05 | 0:18:08 | |
And then we pull it tight. | 0:18:08 | 0:18:10 | |
'I've also doubled up the thread | 0:18:10 | 0:18:12 | |
'so it holds the case together nice and tightly.' | 0:18:12 | 0:18:15 | |
Going to sew on these fins. | 0:18:15 | 0:18:19 | |
-What are you into? -I like skateboarding. | 0:18:19 | 0:18:21 | |
I love football. | 0:18:21 | 0:18:23 | |
I've got the sticker album for the World Cup. | 0:18:23 | 0:18:25 | |
I used to use them to make pictures out of, | 0:18:25 | 0:18:27 | |
rather than actually put them in the album. | 0:18:27 | 0:18:30 | |
I've put in some loops in the last stitch so I can tie it off. | 0:18:30 | 0:18:34 | |
All that's left now is the dorsal fin. | 0:18:34 | 0:18:36 | |
So I just stick that on the back. | 0:18:36 | 0:18:38 | |
-OK guys, do you want to see it? -Yeah. -Right, here we go. | 0:18:40 | 0:18:43 | |
-RICKY GROWLS Awesome! -Wicked! | 0:18:43 | 0:18:48 | |
I think that is app-solutely brilliant. | 0:18:50 | 0:18:53 | |
So guys, what would you give it out of ten? | 0:18:53 | 0:18:55 | |
Four? Just four each? | 0:18:55 | 0:18:57 | |
-BOTH: -No, it's 44! | 0:18:57 | 0:19:00 | |
44? Out of ten? That's not even possible. | 0:19:00 | 0:19:03 | |
What a great score. | 0:19:03 | 0:19:05 | |
Thanks very much, guys, cheers for all your help. | 0:19:05 | 0:19:07 | |
-Have a good day, yeah, bye-bye. -Bye. -Bye. | 0:19:07 | 0:19:10 | |
Well, that's covered that one. You can make any animal. | 0:19:10 | 0:19:14 | |
Let your imagination go wild. | 0:19:14 | 0:19:15 | |
Hey, you there. | 0:19:18 | 0:19:20 | |
This guy makes me sick. | 0:19:20 | 0:19:22 | |
Ever wanted to make fake sick? | 0:19:22 | 0:19:25 | |
-Seriously? -Seriously. | 0:19:25 | 0:19:27 | |
You can produce puke without all that yucky muck. | 0:19:27 | 0:19:32 | |
'Here's how you make it. First you need a bowl. | 0:19:33 | 0:19:38 | |
'Two packets of soup - minestrone and chicken are good. | 0:19:38 | 0:19:42 | |
'Pour the soup mixtures into the bowl. | 0:19:42 | 0:19:45 | |
'Get a jug of water. | 0:19:45 | 0:19:47 | |
'Pour a small amount into the bowl and stir, keeping the mixture thick. | 0:19:47 | 0:19:53 | |
'Then you need to add a generous amount of PVA glue | 0:19:53 | 0:19:58 | |
'to make it sticky. | 0:19:58 | 0:20:00 | |
'Stir well with a spoon and add more water if necessary.' | 0:20:00 | 0:20:03 | |
'Grab a piece of canvas or thick paper. | 0:20:06 | 0:20:10 | |
'Pour the mixture onto the canvas and use the spoon | 0:20:10 | 0:20:15 | |
'to spread the mixture around, to make a more splattered effect. | 0:20:15 | 0:20:20 | |
'Leave it to dry overnight.' | 0:20:20 | 0:20:22 | |
Fake sick, give it a whirl. | 0:20:23 | 0:20:26 | |
So good, you'll hurl. | 0:20:26 | 0:20:29 | |
Ha, that fake sick...is sick. | 0:20:31 | 0:20:34 | |
-TEXT MESSAGE ALERT -Oh, that's Dad. | 0:20:34 | 0:20:37 | |
He says he's going to be here in five minutes. | 0:20:37 | 0:20:39 | |
He's going to be so allergic to these dogs, | 0:20:39 | 0:20:41 | |
he's not going to know whether he's coming or going. | 0:20:41 | 0:20:44 | |
-What am I going to do? -KNOCK AT DOOR | 0:20:44 | 0:20:46 | |
Oh, that must be him now. Dad, I can explain. | 0:20:46 | 0:20:49 | |
-Hi, Ricky. -Oh, hi, Brian from next door. | 0:20:49 | 0:20:51 | |
-Yeah, I can watch Adie for you. -Thanks, Ricky. | 0:20:51 | 0:20:53 | |
-Hello. Easy. -DOGS BARK | 0:20:53 | 0:20:57 | |
-KNOCK AT DOOR -Oh, dear. | 0:20:57 | 0:21:00 | |
-How you doing, Ricky? -Oh, hi, Becky from upstairs. | 0:21:02 | 0:21:05 | |
-Can you watch Rivas? -Yeah, I can watch Rivas for you. -Thanks. | 0:21:05 | 0:21:07 | |
-The more the merrier, come on in. -KNOCK ON DOOR | 0:21:07 | 0:21:10 | |
RICKY SIGHS | 0:21:10 | 0:21:12 | |
DOGS BARK | 0:21:12 | 0:21:13 | |
-Hello, Ricky. -Hi, Pat. -Can you...? | 0:21:13 | 0:21:16 | |
-Yeah, I can watch Alfie for you. -Much appreciated, Ricky. | 0:21:16 | 0:21:18 | |
DOGS BARK | 0:21:18 | 0:21:20 | |
Oh, Dad's not going to like this. There's only one thing for it. | 0:21:20 | 0:21:24 | |
Come on Lola, come on Mo. Walkies! | 0:21:24 | 0:21:26 | |
DOG GROWLS | 0:21:28 | 0:21:30 | |
I know I said I wanted a dog but this takes the dog biscuit. | 0:21:34 | 0:21:38 | |
Yeah, hi, Gavin. Can you come and help me, please? | 0:21:39 | 0:21:42 | |
Not again Ricky, not another one of your harebrained schemes? | 0:21:42 | 0:21:46 | |
Yeah, not so much a harebrained scheme, as a dog-brained scheme. | 0:21:46 | 0:21:50 | |
No Ricky, I can't do it. I'm very busy. | 0:21:50 | 0:21:54 | |
Besides I'm probably nowhere near you. | 0:21:54 | 0:21:57 | |
Ha-ha, ninja skills. | 0:21:57 | 0:21:59 | |
-Hey, Gav. -Hello, Dog. | 0:21:59 | 0:22:01 | |
I'll say it again, imaginative name. | 0:22:01 | 0:22:04 | |
Has uncle Ricky been looking after you my little choo-choo face? | 0:22:04 | 0:22:07 | |
Gav, I don't know if you've noticed | 0:22:07 | 0:22:09 | |
but I've got all these other dogs, as well. | 0:22:09 | 0:22:10 | |
Oh, yeah, how did that happen? | 0:22:10 | 0:22:13 | |
Never mind about that. | 0:22:13 | 0:22:14 | |
Having these guys around has given me an idea | 0:22:14 | 0:22:16 | |
to do a really big piece of canine inspired art. | 0:22:16 | 0:22:19 | |
But first we'd better get our ninja on. | 0:22:19 | 0:22:22 | |
GONG PLAYS | 0:22:22 | 0:22:24 | |
Art Ninja! | 0:22:27 | 0:22:29 | |
Come on, Gavin, strike a pose. | 0:22:29 | 0:22:31 | |
Sorry, it's all I could find for this bit. | 0:22:31 | 0:22:34 | |
Heel, Gavin. | 0:22:34 | 0:22:35 | |
How do you want me to help with the art, Ricky? | 0:22:37 | 0:22:39 | |
Well, you've got a very important job. | 0:22:39 | 0:22:41 | |
-You're going to hold on to these dogs here. -OK. | 0:22:41 | 0:22:44 | |
And I'm going to get my phone out | 0:22:44 | 0:22:45 | |
and open up my satellite navigation app. | 0:22:45 | 0:22:48 | |
There's plenty of free versions of these things online | 0:22:48 | 0:22:50 | |
that you can download. | 0:22:50 | 0:22:51 | |
And now I'm going to see where this art leads. | 0:22:51 | 0:22:54 | |
-I'll see you in a minute. -Hang on. | 0:22:54 | 0:22:57 | |
I wanted you to look after my dog while I popped out. | 0:22:57 | 0:23:00 | |
How do I get talked into this stuff? Why have I got all these dogs? | 0:23:00 | 0:23:04 | |
-That Ricky's an absolute... -Dude, I can hear you. | 0:23:04 | 0:23:07 | |
My Art Ninja apprentices are out walking their dogs. | 0:23:12 | 0:23:15 | |
I've arranged to meet up with them and they're going to help me | 0:23:15 | 0:23:18 | |
do some amazing art. | 0:23:18 | 0:23:19 | |
Hey, Oscar. Hey, Sophia. Who are these guys? | 0:23:20 | 0:23:23 | |
Hi, Ricky, this is Harley. | 0:23:23 | 0:23:24 | |
And this is Larkin, we're taking them for a walk. | 0:23:24 | 0:23:26 | |
-Do you guys want to help me do some art? -Yeah. Why not? | 0:23:26 | 0:23:29 | |
Cool, let's do it. | 0:23:29 | 0:23:30 | |
I'm using a satellite navigation app to make a route | 0:23:34 | 0:23:36 | |
that will also become the outline to a massive picture. | 0:23:36 | 0:23:39 | |
-What's the picture going to be? -I'll give you a clue. | 0:23:39 | 0:23:41 | |
It's going to be all over Bristol, or should I say all rover Bristol. | 0:23:41 | 0:23:45 | |
Hey guys, I think the first bit of the dog walking picture's done. | 0:23:53 | 0:23:56 | |
So thanks very much Oscar, cheers Sophia, have a good day, yeah? | 0:23:56 | 0:23:59 | |
-Bye. -Bye-bye. | 0:23:59 | 0:24:01 | |
Right, I think we need to loop round these houses | 0:24:08 | 0:24:10 | |
to make a loop in my drawing. | 0:24:10 | 0:24:12 | |
Ninja skills. | 0:24:20 | 0:24:21 | |
I think it's coming together | 0:24:24 | 0:24:26 | |
but I could really do with some more canine company. | 0:24:26 | 0:24:29 | |
-Oh, hey, Chloe. Hey, Kiera. -Hi. -Hi, Ricky. | 0:24:29 | 0:24:32 | |
-How are you guys doing? -Yeah, we're OK. | 0:24:32 | 0:24:34 | |
-How's Jessie? -She's fine. | 0:24:34 | 0:24:35 | |
Right. I need Jessie to take me on the next leg of my sat nav drawing. | 0:24:35 | 0:24:39 | |
Lead the way, Jessie. | 0:24:39 | 0:24:41 | |
I need to circumnavigate the park to map out my picture. | 0:24:41 | 0:24:43 | |
-Well, have a lovely day, guys. -You too. -Cheers again. -Bye. -Bye. | 0:24:49 | 0:24:53 | |
I'm a bit lost. | 0:25:02 | 0:25:04 | |
Think I need to check my bearings. | 0:25:04 | 0:25:06 | |
Hey, look, my sat nav scribble is starting to take shape. | 0:25:06 | 0:25:08 | |
'Here's some more of my ninja apprentices | 0:25:08 | 0:25:10 | |
'to help me find Vauxhall Bridge.' | 0:25:10 | 0:25:13 | |
'Great, we've sniffed it out.' | 0:25:21 | 0:25:23 | |
-Cheers then, bye-bye. -CHILDREN: -Bye. | 0:25:23 | 0:25:26 | |
Gavin, what are you doing with all these dogs? | 0:25:30 | 0:25:32 | |
And why have you got Lola? | 0:25:32 | 0:25:33 | |
Well, Ricky asked me to look after them all. | 0:25:33 | 0:25:35 | |
Well, where's Ricky? | 0:25:35 | 0:25:36 | |
He's off doing some art or something. | 0:25:36 | 0:25:38 | |
Well he is the Art Ninja. Come on, Lola, come on. | 0:25:38 | 0:25:42 | |
-But what about all these other dogs? -DOG GROWLS | 0:25:43 | 0:25:46 | |
We're nearly at the end of today's...tail. | 0:25:51 | 0:25:54 | |
-CHILDREN: -That way. -Lead the way. | 0:25:54 | 0:25:56 | |
I think I can probably manage the last leg of our drawing on my own. | 0:26:07 | 0:26:11 | |
-See you later. -Bye. -OK, bye. | 0:26:11 | 0:26:13 | |
Just a minute, you said. Where have you been? | 0:26:18 | 0:26:20 | |
I've been making some awesome art. | 0:26:20 | 0:26:22 | |
You left me with all the dogs. | 0:26:22 | 0:26:23 | |
Well, you were trying to do that to me earl... | 0:26:23 | 0:26:26 | |
Dude, where are all the dogs? | 0:26:26 | 0:26:27 | |
Their owners came and took them away. It's just me and my dog. | 0:26:27 | 0:26:30 | |
He's been running rings around me though, literally. | 0:26:30 | 0:26:33 | |
Maybe we can put that to good use. Check this out. | 0:26:36 | 0:26:39 | |
-Ah, I see. -Hey, you, shoo, it's not finished yet. | 0:26:41 | 0:26:44 | |
We need to do this bit with...Dog. | 0:26:44 | 0:26:47 | |
I don't know about you but I'm dog-tired. | 0:26:51 | 0:26:53 | |
Do you know what? Funny you should say that, | 0:26:53 | 0:26:55 | |
cos you've just helped me make a piece of art with a difference. | 0:26:55 | 0:26:58 | |
Drawn on an incredible dog walk. | 0:26:58 | 0:27:01 | |
DOG BARKS | 0:27:04 | 0:27:07 | |
# Art Ninja. # | 0:27:10 | 0:27:12 | |
OWL HOOTS | 0:27:12 | 0:27:13 | |
Well, that wasn't so much joining the dots as joining the dogs. | 0:27:13 | 0:27:17 | |
Today has taught me a valuable Art Ninja lesson. | 0:27:17 | 0:27:20 | |
If you're doing doggy art on the street, you'll need a sat nav, | 0:27:20 | 0:27:24 | |
mates and trainers on your feet. | 0:27:24 | 0:27:26 | |
This has definitely been an unlikely tail. | 0:27:26 | 0:27:29 | |
DOG BARKS | 0:27:31 | 0:27:34 | |
-MANY DOGS BARK -It's those dogs again! | 0:27:34 | 0:27:36 | |
Aaaahhh! | 0:27:36 | 0:27:39 | |
To get your Art Ninja on, go to the CBBC website, ninja skills. | 0:27:44 | 0:27:50 |