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I'm Ricky. I live in Bristol. | 0:00:02 | 0:00:05 | |
By day, I work as an animator, which is lucky, | 0:00:05 | 0:00:08 | |
cos I love art. | 0:00:08 | 0:00:10 | |
I live for art. | 0:00:10 | 0:00:11 | |
I even dream of art. | 0:00:11 | 0:00:13 | |
I draw... | 0:00:13 | 0:00:14 | |
..I paint... | 0:00:15 | 0:00:16 | |
..I make things. | 0:00:18 | 0:00:19 | |
I hang out with my mates, Gavin, Michelle and Sarah. | 0:00:20 | 0:00:25 | |
Argh...! | 0:00:25 | 0:00:26 | |
Most importantly, I make ninja moves. | 0:00:26 | 0:00:28 | |
Some people call me the... | 0:00:28 | 0:00:30 | |
..Art Ninja! | 0:00:31 | 0:00:33 | |
Today, I'll show you how to make a nose-shaped tissue dispenser | 0:00:34 | 0:00:38 | |
that'll blow your socks off. | 0:00:38 | 0:00:40 | |
My dad helps me with an eye-popping drawing, | 0:00:40 | 0:00:43 | |
plus it all gets a bit spooky when I do some underground art. | 0:00:43 | 0:00:47 | |
Because today, it's... | 0:00:48 | 0:00:50 | |
ALARM BEEPS | 0:00:54 | 0:00:56 | |
Achoo! | 0:00:59 | 0:01:01 | |
It's a new day. | 0:01:01 | 0:01:02 | |
Time to get my ninja on. | 0:01:02 | 0:01:04 | |
And my clothes. | 0:01:06 | 0:01:07 | |
But today, I might need to pull a sickie. | 0:01:30 | 0:01:33 | |
I feel so sketchy. | 0:01:33 | 0:01:34 | |
Achoo! | 0:01:34 | 0:01:36 | |
Oh, but I can't be ill. | 0:01:36 | 0:01:37 | |
I've got to meet my friend Michael later | 0:01:37 | 0:01:39 | |
to do some fluorescent art with lights. | 0:01:39 | 0:01:42 | |
PHONE RINGS | 0:01:42 | 0:01:44 | |
'Hi, it's Mum! | 0:01:46 | 0:01:47 | |
'Hope you're OK. You're often sick at this time of year.' | 0:01:47 | 0:01:49 | |
She's not wrong. | 0:01:49 | 0:01:51 | |
And by sick, she doesn't mean good. | 0:01:51 | 0:01:53 | |
Mum's cool, but she's not that cool. | 0:01:53 | 0:01:56 | |
-Hi, Ricky! -Hi, Dad. | 0:01:56 | 0:01:58 | |
-Mum's really worried about you. -I know. She's still on the phone. | 0:01:58 | 0:02:02 | |
RICKY'S MUM BABBLES ON THE PHONE | 0:02:02 | 0:02:04 | |
She sent me round with a hot-water bottle. | 0:02:05 | 0:02:07 | |
And I've got some tissues for you as well. | 0:02:07 | 0:02:09 | |
Whoa, keep your distance! I don't want you to catch my cold. | 0:02:09 | 0:02:12 | |
-Can you throw me a tissue? -Sure. | 0:02:12 | 0:02:14 | |
-Oh, can't open them! Can you help me, please? -Yeah, sure. | 0:02:14 | 0:02:17 | |
Achoo! | 0:02:17 | 0:02:19 | |
Achoo! | 0:02:23 | 0:02:24 | |
You're going to have to stay in quarantine now. | 0:02:26 | 0:02:29 | |
Well, you might as well put the kettle on. | 0:02:32 | 0:02:34 | |
Blowing your nose... | 0:02:37 | 0:02:39 | |
SNOT fun, is it? And I've got some art that can help you with that. | 0:02:40 | 0:02:44 | |
The Art Ninja nose-shaped tissue dispenser! | 0:02:45 | 0:02:48 | |
It's great and I'm SNOT kidding! | 0:02:48 | 0:02:50 | |
I've got a big piece of cardboard | 0:02:51 | 0:02:53 | |
and I'm going to draw around a tissue box. | 0:02:53 | 0:02:55 | |
I'm going to roll it up onto its end towards me. | 0:02:58 | 0:03:02 | |
Now, I'm going to draw around the edges of three sides. | 0:03:02 | 0:03:05 | |
And then, on the edges here, | 0:03:07 | 0:03:09 | |
I'm going to draw the profile of a nose, nice and big. | 0:03:09 | 0:03:13 | |
It's important to make these match. So, once you've cut it out, | 0:03:18 | 0:03:21 | |
you can fold it in half and make sure they're symmetrical. | 0:03:21 | 0:03:23 | |
Then, I'm going to draw around my box here | 0:03:23 | 0:03:26 | |
and make a strip of card | 0:03:26 | 0:03:27 | |
one-and-a-half times the length of the tissue box. | 0:03:27 | 0:03:30 | |
There! Looks about half again. | 0:03:30 | 0:03:32 | |
Now I'm going to cut them out. | 0:03:33 | 0:03:35 | |
Snippy-snippy... | 0:03:37 | 0:03:38 | |
Now you need to score along these lines | 0:03:39 | 0:03:41 | |
and I'm going to use a ruler for that. | 0:03:41 | 0:03:42 | |
It's a bit safer than using scissors. | 0:03:42 | 0:03:44 | |
I'm scoring so I can fold these parts of cardboard back more easily. | 0:03:44 | 0:03:48 | |
Turn it over. | 0:03:48 | 0:03:49 | |
Just see if the tissue box fits inside. | 0:03:49 | 0:03:51 | |
There we go, perfect! | 0:03:53 | 0:03:54 | |
It needs to have a little bit of wiggle room so you can take it out. | 0:03:54 | 0:03:58 | |
Now, this strip is going to be the bridge of the nose | 0:03:59 | 0:04:02 | |
and the underside here. | 0:04:02 | 0:04:04 | |
And what have you got here? | 0:04:04 | 0:04:05 | |
Nostrils. | 0:04:05 | 0:04:06 | |
So, we need to cut some holes in this strip, just a couple of ovals. | 0:04:06 | 0:04:09 | |
And if you've got square nostrils, by all means, draw square ones. | 0:04:13 | 0:04:16 | |
Or even triangular. | 0:04:18 | 0:04:19 | |
Now I'm going to put a bit of clay behind them. | 0:04:19 | 0:04:22 | |
Use a pencil to make a hole, so I can get my scissors in there. | 0:04:22 | 0:04:24 | |
Now I can start taping it together. | 0:04:28 | 0:04:30 | |
That's just going to hold it together while we put the bridge on. | 0:04:35 | 0:04:39 | |
OK, it's shaping up pretty well. | 0:04:45 | 0:04:47 | |
Now I'm going to stick some balls of newspaper on either side, | 0:04:47 | 0:04:50 | |
so it looks more like a nose. | 0:04:50 | 0:04:52 | |
There we go... | 0:04:53 | 0:04:54 | |
Right. | 0:04:59 | 0:05:00 | |
I'm going to cover it in a couple of layers of paper-mache, | 0:05:00 | 0:05:03 | |
so I've got a bowl of PVA glue and water mix, | 0:05:03 | 0:05:06 | |
two parts glue, one part water | 0:05:06 | 0:05:08 | |
and a nice pile of newspaper. | 0:05:08 | 0:05:10 | |
Paper-macheing, quite messy. | 0:05:19 | 0:05:21 | |
So, you should put some extra newspaper down first. | 0:05:21 | 0:05:23 | |
OK, good. Looking nice and covered. | 0:05:30 | 0:05:32 | |
Now, if you're doing this at home, | 0:05:32 | 0:05:34 | |
you'll need to wait for it to dry. | 0:05:34 | 0:05:35 | |
But I'm going to use my ninja skills. | 0:05:35 | 0:05:37 | |
Great, paper-mache's dry, nice and hard. | 0:05:39 | 0:05:42 | |
Now I'm going to do my nose, so I have the right colour paint here. | 0:05:42 | 0:05:46 | |
Mix up some colours to get the skin tone right for you. | 0:05:46 | 0:05:48 | |
Great, that's all covered. | 0:06:03 | 0:06:05 | |
Now you'll need to wait for yours to dry. | 0:06:05 | 0:06:07 | |
But I wait for nothing, I'm the Art Ninja! | 0:06:07 | 0:06:10 | |
Oh, look at that! | 0:06:11 | 0:06:12 | |
Took so long to dry, it's grown a moustache. | 0:06:12 | 0:06:15 | |
I've also added some detail here, | 0:06:15 | 0:06:17 | |
just to accentuate the nostrils. | 0:06:17 | 0:06:18 | |
And I've pierced the hole in the back | 0:06:18 | 0:06:21 | |
and put a bit of string to hang it up. | 0:06:21 | 0:06:23 | |
Now let's slide in our tissues... | 0:06:23 | 0:06:25 | |
SNEEZY does it. | 0:06:26 | 0:06:28 | |
Oh, yeah! | 0:06:29 | 0:06:30 | |
SNOT bad, that. | 0:06:35 | 0:06:36 | |
Ha-ha! Said "snot" again. | 0:06:36 | 0:06:38 | |
Achoo! | 0:06:38 | 0:06:39 | |
The nose-shaped tissue dispenser. | 0:06:50 | 0:06:52 | |
Have a blow at it today. I mean, go. | 0:06:52 | 0:06:54 | |
Achoo! | 0:07:00 | 0:07:01 | |
-Dad, you put the kettle on yet? -No, I'm disinfecting. | 0:07:02 | 0:07:05 | |
-I hope you're wearing gloves, that's some strong stuff. -Of course. | 0:07:05 | 0:07:08 | |
I've got your lilac gloves with floral cuffs. | 0:07:08 | 0:07:11 | |
They're not mine. Someone must have left them here. | 0:07:11 | 0:07:15 | |
I'm pretty sure that picture moves on its own. | 0:07:20 | 0:07:22 | |
It's almost as if...it's animated. | 0:07:22 | 0:07:25 | |
Oh, no...! Should I call an ambulance? | 0:07:25 | 0:07:28 | |
No, it's just an animation. A crumby one! | 0:07:28 | 0:07:31 | |
And you can make an awesome dunk stunt | 0:07:31 | 0:07:33 | |
with a pack of yummy biscuits, a cup of tea, some bendy wire, | 0:07:33 | 0:07:37 | |
some strong sticky tape and a camera. | 0:07:37 | 0:07:39 | |
And you can put it together in just three ninja moves. | 0:07:39 | 0:07:43 | |
Ninja move number one... | 0:07:43 | 0:07:44 | |
You need to set up your scene. | 0:07:44 | 0:07:46 | |
Now, I'm using this coffee table as my backdrop. | 0:07:46 | 0:07:49 | |
I've got myself a cold cup of tea here, ready to go. | 0:07:49 | 0:07:51 | |
And now I can start doing my animation. | 0:07:51 | 0:07:53 | |
So, I need to take a shot each time | 0:07:53 | 0:07:54 | |
my biscuit climbs up to the top | 0:07:54 | 0:07:56 | |
to jump off and do its death-defying stunt. | 0:07:56 | 0:07:59 | |
I need to make sure that these biscuits here | 0:07:59 | 0:08:01 | |
react when he's getting ready to jump, | 0:08:01 | 0:08:03 | |
because there's quite a lot of suspense in this. | 0:08:03 | 0:08:05 | |
So, every time I move the pink biscuit a tiny amount, | 0:08:07 | 0:08:10 | |
I take a photo and then, when I edit all the photos together, | 0:08:10 | 0:08:13 | |
it'll make it seem like they've moved. | 0:08:13 | 0:08:15 | |
Obviously, I have to eat a few wafers as I go. It's only fair! | 0:08:15 | 0:08:19 | |
Ninja move number two... | 0:08:20 | 0:08:22 | |
It's time for the death-defying stunt, | 0:08:22 | 0:08:24 | |
so I need to attach some wire to the back of my biscuit. | 0:08:24 | 0:08:26 | |
And I'm using some sticky tack, along with some strong black tape. | 0:08:26 | 0:08:30 | |
And then, I need to attach the other part of the wire | 0:08:30 | 0:08:32 | |
to this tin up here. | 0:08:32 | 0:08:34 | |
And I'm going to conceal where it's actually attaching to it. | 0:08:34 | 0:08:37 | |
Get him into position. | 0:08:37 | 0:08:38 | |
And then I'm going to move the camera | 0:08:38 | 0:08:40 | |
so I can hide where it's attached to the back of the biscuit. | 0:08:40 | 0:08:43 | |
There we go, sneaky-sneaky. | 0:08:43 | 0:08:45 | |
Now, I've hidden where it attaches to it. | 0:08:45 | 0:08:47 | |
It means it's easier to paint it out. | 0:08:47 | 0:08:48 | |
So, take a couple of shots. | 0:08:48 | 0:08:50 | |
Now I'm going to take this out of the way | 0:08:50 | 0:08:51 | |
and I'm going to shoot a clean picture | 0:08:51 | 0:08:53 | |
without the biscuit or the wire in it. | 0:08:53 | 0:08:55 | |
And this is known as a plate. | 0:08:55 | 0:08:56 | |
It means that I can paint out the wire afterwards | 0:08:56 | 0:08:59 | |
and make it look like the biscuit's really doing a stunt. | 0:08:59 | 0:09:02 | |
It's always good to get a mate to help out. | 0:09:02 | 0:09:04 | |
This is my mate, Rich. | 0:09:04 | 0:09:06 | |
Ninja move number three... | 0:09:08 | 0:09:10 | |
Compile your frames in an animation app. | 0:09:10 | 0:09:13 | |
There's loads of free editing apps, like the one I'm using, | 0:09:13 | 0:09:16 | |
available online for your PC or tablet. | 0:09:16 | 0:09:18 | |
Now, I've painted out all the wire, I've added some sound effects, | 0:09:19 | 0:09:23 | |
and I think it's time to take a look at the finished piece. | 0:09:23 | 0:09:25 | |
CRUMB roll, please... | 0:09:25 | 0:09:27 | |
Oh? | 0:09:31 | 0:09:32 | |
Ah-ha...! | 0:09:32 | 0:09:34 | |
Oh? | 0:09:34 | 0:09:36 | |
Ah...! | 0:09:36 | 0:09:37 | |
Urgh! | 0:09:37 | 0:09:38 | |
DRUM ROLL | 0:09:38 | 0:09:39 | |
Yippee...! | 0:09:39 | 0:09:42 | |
Urgh! | 0:09:42 | 0:09:43 | |
Oh... | 0:09:43 | 0:09:44 | |
Argh! | 0:09:46 | 0:09:48 | |
MUNCHING | 0:09:48 | 0:09:49 | |
Argh...! | 0:09:50 | 0:09:52 | |
Oh, yeah. | 0:09:52 | 0:09:53 | |
It looks well good. Looks just like he's doing a stunt dive. | 0:09:53 | 0:09:56 | |
I think it looks so good, I'm going to make another one. | 0:09:56 | 0:09:59 | |
Oh...! | 0:10:00 | 0:10:02 | |
They're all gone. | 0:10:02 | 0:10:03 | |
PHONE RINGS | 0:10:06 | 0:10:08 | |
'Hi, Ricky! It's Mum!' | 0:10:12 | 0:10:14 | |
It's your mum! | 0:10:14 | 0:10:16 | |
-I know. -'Your dad must still be there. | 0:10:16 | 0:10:19 | |
'I hope he's not caught your cold. | 0:10:19 | 0:10:20 | |
'Ah-ah-achoo! | 0:10:20 | 0:10:22 | |
'Oh, seems like I've caught it, too.' | 0:10:22 | 0:10:24 | |
Wow. That fibre-optic phone line really is powerful. | 0:10:24 | 0:10:28 | |
'Anyway, if your dad is there, | 0:10:28 | 0:10:30 | |
'you can tell him that all this is still to come.... | 0:10:30 | 0:10:32 | |
'Optical illusions may lead to confusion | 0:10:32 | 0:10:34 | |
'when you add to your body of work, | 0:10:34 | 0:10:36 | |
'you book in some painting with a library card | 0:10:36 | 0:10:38 | |
'and make some truly underground art that is a real highlight. | 0:10:38 | 0:10:42 | |
'Ricky, get well soon and send Dad home soon. | 0:10:42 | 0:10:45 | |
'Please, don't involve him in your Art Ninja nonsense. Bye!' | 0:10:45 | 0:10:49 | |
Of course not, Mum. | 0:10:49 | 0:10:50 | |
-Hey, Dad, can you help me with something? -Yeah, love to. | 0:10:50 | 0:10:53 | |
I've got a germ of an idea. | 0:10:53 | 0:10:56 | |
-Achoo! -Urgh! | 0:10:56 | 0:10:57 | |
Sorry. I'm going to need some felt-tip pens for this. | 0:10:57 | 0:10:59 | |
Let's just check if these ones are all working. | 0:10:59 | 0:11:02 | |
Draw a line there. | 0:11:02 | 0:11:03 | |
That's nice. Nice orange one. | 0:11:04 | 0:11:06 | |
Yeah, going all right. | 0:11:08 | 0:11:10 | |
Yeah, going strongly. Great. | 0:11:10 | 0:11:12 | |
Dad, can you draw around me with this pencil? | 0:11:12 | 0:11:14 | |
I'd love to. | 0:11:14 | 0:11:15 | |
On this massive piece of paper? | 0:11:15 | 0:11:17 | |
-Yeah, go on, then. -Cool. | 0:11:17 | 0:11:18 | |
If you can take the end of that... | 0:11:18 | 0:11:20 | |
Right, going to lay down. | 0:11:23 | 0:11:25 | |
Start drawing around me, then. | 0:11:26 | 0:11:27 | |
This is the kind of art I like. | 0:11:30 | 0:11:32 | |
I'm feeling a bit poorly today, so it's good to lay down. | 0:11:32 | 0:11:35 | |
That tickles! | 0:11:36 | 0:11:37 | |
Tickles! | 0:11:37 | 0:11:38 | |
Nearly there. | 0:11:39 | 0:11:40 | |
This is weird. This is weird. | 0:11:42 | 0:11:43 | |
Weird. | 0:11:45 | 0:11:46 | |
-All done. -Great. | 0:11:47 | 0:11:48 | |
Oh, yeah. | 0:11:49 | 0:11:50 | |
You can't see it properly yet, but now... | 0:11:50 | 0:11:53 | |
I want to do some freaky art, inspired by artist Bridget Riley. | 0:11:53 | 0:11:57 | |
She was famous for pictures like this. It's called op art. | 0:11:57 | 0:12:00 | |
Op for optical illusion. | 0:12:00 | 0:12:02 | |
I hope you're not copying me, Ricky! | 0:12:02 | 0:12:04 | |
In the '60s, people copied me in both art and fashion | 0:12:04 | 0:12:07 | |
and I got very angry. | 0:12:07 | 0:12:09 | |
It's all right, Bridget. Imitation is the highest form of flattery. | 0:12:09 | 0:12:12 | |
So, I'm drawing a nice line across here. | 0:12:14 | 0:12:16 | |
Why are you doing this? | 0:12:18 | 0:12:19 | |
I want to turn this 2D image of me into a 3D piece of op art. | 0:12:19 | 0:12:23 | |
So, at the moment, drawing lines across, | 0:12:23 | 0:12:26 | |
keeping them pretty much parallel to each other. | 0:12:26 | 0:12:28 | |
And then, when I hit one of the lines here from our drawing, | 0:12:28 | 0:12:30 | |
I'm going to raise it up, | 0:12:30 | 0:12:32 | |
to try and make it look like it's raised up off the paper. | 0:12:32 | 0:12:34 | |
I see what you're doing now. | 0:12:34 | 0:12:36 | |
Now I... Pay close attention, Dad! | 0:12:37 | 0:12:39 | |
-Cos in a minute, you're going to have to help me. -OK. | 0:12:39 | 0:12:42 | |
I've hit the pencil line, so I can do a bump. | 0:12:43 | 0:12:45 | |
Tell me when I can start, then. | 0:12:45 | 0:12:47 | |
Be patient, I'm nearly there. | 0:12:47 | 0:12:49 | |
We're trying to get it on, so we can both do it at the same time. | 0:12:51 | 0:12:54 | |
In Bridget Riley's abstract work, | 0:12:57 | 0:13:00 | |
she liked to use strips of high-contrasting colour. | 0:13:00 | 0:13:02 | |
-So, why don't you get started on the next one? -OK. | 0:13:02 | 0:13:05 | |
Now, we're going to put two new lines in between here. | 0:13:05 | 0:13:07 | |
So, when you draw your red line, | 0:13:07 | 0:13:09 | |
-make sure you leave room for the last colour. -OK. | 0:13:09 | 0:13:11 | |
And do straight along. | 0:13:11 | 0:13:13 | |
-Try and keep it as parallel to my lines as possible. -Yes. | 0:13:13 | 0:13:15 | |
And then, when you hit the line you drew around me, | 0:13:15 | 0:13:18 | |
just raise it up, like this | 0:13:18 | 0:13:20 | |
and make it look like it's 3D. | 0:13:20 | 0:13:21 | |
-OK. -Don't let me down. | 0:13:21 | 0:13:23 | |
I wouldn't dare. | 0:13:23 | 0:13:24 | |
Lots of people say that Bridget Riley's work | 0:13:26 | 0:13:29 | |
made them feel a little bit sick. | 0:13:29 | 0:13:30 | |
But, seeing as I'm already feeling poorly, | 0:13:30 | 0:13:32 | |
I think it's fine if I'm doing it. | 0:13:32 | 0:13:34 | |
Right, I might start doing the red from down here, too. | 0:13:36 | 0:13:40 | |
-I'll meet you in the middle. -OK, sounds good to me. | 0:13:40 | 0:13:42 | |
If you were going to have a go at this at home, | 0:13:49 | 0:13:51 | |
I'd recommend starting with something small. | 0:13:51 | 0:13:53 | |
But, if you've got friends and family around to help you out, | 0:13:53 | 0:13:56 | |
go big. | 0:13:56 | 0:13:57 | |
Your outline drawing makes you look like a fine figure of a man. | 0:13:57 | 0:14:01 | |
All right, Bridget. Making me blush! | 0:14:01 | 0:14:04 | |
Oh, no, just running a fever... | 0:14:04 | 0:14:06 | |
And now, let's run the footage more quickly. | 0:14:08 | 0:14:11 | |
Is it making you feel a bit weird? | 0:14:12 | 0:14:14 | |
It's making my eyes go a bit funny. | 0:14:14 | 0:14:16 | |
Yeah...! Nice. | 0:14:19 | 0:14:22 | |
-Do you mind holding it up for me? -Yeah, sure. | 0:14:23 | 0:14:26 | |
Oh, wow! That looks amazing! | 0:14:27 | 0:14:29 | |
-Yeah! -Oooh...! | 0:14:30 | 0:14:31 | |
An optical illusion picture! | 0:14:38 | 0:14:39 | |
Try one yourself. | 0:14:39 | 0:14:40 | |
It's Bridget-Riley-good! | 0:14:40 | 0:14:42 | |
Oh, we're feeling a little better. | 0:14:49 | 0:14:51 | |
-Nearly ready to face the world. -Ricky! | 0:14:51 | 0:14:53 | |
Ricky! Ricky! | 0:14:53 | 0:14:55 | |
I said nearly ready. | 0:14:55 | 0:14:57 | |
What do you guys want? | 0:14:57 | 0:14:58 | |
What can you make with shaving foam? | 0:14:58 | 0:15:01 | |
Shaving foam? I think I'll SHAVE that for another day. | 0:15:01 | 0:15:04 | |
Oh...! | 0:15:04 | 0:15:05 | |
Ricky, what can you make with a feather duster? | 0:15:05 | 0:15:09 | |
A feather duster? Although that TICKLES me, not right now. | 0:15:09 | 0:15:12 | |
Oh...! | 0:15:12 | 0:15:14 | |
Ricky, what can you make with these? | 0:15:14 | 0:15:17 | |
I pick you. | 0:15:17 | 0:15:18 | |
Yay...! | 0:15:18 | 0:15:21 | |
So, what are your names? | 0:15:21 | 0:15:23 | |
Hi, I'm Amelia. | 0:15:23 | 0:15:24 | |
-I'm Tamia. -And I'm Jaya. | 0:15:24 | 0:15:26 | |
And where are you guys from? | 0:15:26 | 0:15:28 | |
We're from Manchester. | 0:15:28 | 0:15:29 | |
Awesome! | 0:15:29 | 0:15:30 | |
I love Manchester. So, what have you guys got for me today? | 0:15:30 | 0:15:33 | |
Can you make something out of old library cards? | 0:15:33 | 0:15:37 | |
Library cards? | 0:15:37 | 0:15:39 | |
I've got an idea that will get you guys shouting. | 0:15:39 | 0:15:42 | |
Not in a library, though. You've got to be quiet there. | 0:15:42 | 0:15:44 | |
Let me just grab my stuff... | 0:15:44 | 0:15:46 | |
I'm back. | 0:15:47 | 0:15:48 | |
I've got some paper, some paint, got a tissue. | 0:15:48 | 0:15:52 | |
I need that for cleaning up. | 0:15:52 | 0:15:53 | |
And my old library card. | 0:15:53 | 0:15:55 | |
I'm going to use my library card to make a cityscape, | 0:15:55 | 0:15:58 | |
by scraping paint along the paper. | 0:15:58 | 0:16:00 | |
Need quite a lot of it on there. | 0:16:02 | 0:16:04 | |
What's your favourite city? | 0:16:05 | 0:16:07 | |
Manchester! | 0:16:07 | 0:16:09 | |
Obviously. | 0:16:09 | 0:16:10 | |
Have thin and thick buildings. | 0:16:10 | 0:16:12 | |
So, I'm just scraping the paint along, using the edge of the card. | 0:16:13 | 0:16:17 | |
Obviously, when you do it, you can do any skyline you want. | 0:16:17 | 0:16:20 | |
I'm just going to keep topping up paint on the card | 0:16:20 | 0:16:23 | |
and turning it round to make sure I spread out the paint equally. | 0:16:23 | 0:16:26 | |
OK, I've got the silhouette of my cityscape done. | 0:16:26 | 0:16:30 | |
-Do you want to see how I'm getting on? -Yes, please! | 0:16:30 | 0:16:32 | |
-Wow...! -Think it's looking good? | 0:16:33 | 0:16:35 | |
-It looks cool. -You ain't seen nothing yet. | 0:16:35 | 0:16:38 | |
Let's put some lights on, by using a little bit of white and yellow. | 0:16:38 | 0:16:42 | |
I've also got some red and blue. | 0:16:42 | 0:16:43 | |
I'm going to use the corner, rather than the whole thing. | 0:16:43 | 0:16:46 | |
Now, I'm just doing quick dashes with it. | 0:16:48 | 0:16:51 | |
Do some strips there. | 0:16:52 | 0:16:53 | |
This picture's shaping up to be a kind of New York skyline. | 0:16:53 | 0:16:56 | |
Lots of lights on. | 0:16:57 | 0:16:58 | |
It's not very good for their energy bill. | 0:16:59 | 0:17:01 | |
Yeah, I'm pretty happy with that. Going to add a little bit of yellow. | 0:17:02 | 0:17:05 | |
Just do some dashes here and there. | 0:17:08 | 0:17:10 | |
Going to put some red in there now, as well. | 0:17:11 | 0:17:13 | |
Just putting little injections of colour where there's a lot of black. | 0:17:14 | 0:17:18 | |
Let's go for some blue. | 0:17:18 | 0:17:20 | |
You can use any colour you like. | 0:17:20 | 0:17:22 | |
Right, I think my picture's coming together now. | 0:17:25 | 0:17:27 | |
Maybe this city's on, like, a river. | 0:17:27 | 0:17:29 | |
A little shimmer down, like that. | 0:17:30 | 0:17:32 | |
All the lights are reflecting in the water. | 0:17:32 | 0:17:34 | |
Right, I think I'm there. | 0:17:37 | 0:17:39 | |
Do you guys want to have a look? | 0:17:39 | 0:17:41 | |
Yes! | 0:17:41 | 0:17:42 | |
Time for the reveal... | 0:17:42 | 0:17:43 | |
'I can't wait to see your cityscape.' | 0:17:43 | 0:17:46 | |
Wow...! | 0:17:46 | 0:17:47 | |
What would you guys give it out of ten? | 0:17:47 | 0:17:49 | |
Definitely 33! | 0:17:49 | 0:17:52 | |
33? That's amazing! | 0:17:52 | 0:17:54 | |
Do you know what? | 0:17:54 | 0:17:55 | |
That's made me feel so much better, I think my cold's gone away. | 0:17:55 | 0:17:58 | |
I'm really happy with my library card cityscape. | 0:17:58 | 0:18:02 | |
Thanks, Amelia. Thanks, Tamia. Thanks, Jaya. Goodbye! | 0:18:03 | 0:18:05 | |
Bye! Thank you! | 0:18:05 | 0:18:07 | |
Wow! That's one pretty city! | 0:18:12 | 0:18:14 | |
See if you can do the same with an old library card. | 0:18:14 | 0:18:17 | |
Here's a quick art tip. | 0:18:20 | 0:18:21 | |
My nose feels too big with this cold, | 0:18:21 | 0:18:23 | |
so I'm going to show you how to proportion a cartoon body. | 0:18:23 | 0:18:26 | |
So, start by drawing four lines, equal distance apart. | 0:18:26 | 0:18:29 | |
And these are going to be guides. | 0:18:31 | 0:18:33 | |
Just done them in pencil. Grab a pen... | 0:18:33 | 0:18:35 | |
In the top one, I'm going to draw the head. | 0:18:35 | 0:18:37 | |
Cartoon characters have big heads | 0:18:37 | 0:18:39 | |
and this means that you can draw the body and the leg section | 0:18:39 | 0:18:42 | |
the same size as the head. | 0:18:42 | 0:18:44 | |
So, in total, your character will be three heads high. | 0:18:44 | 0:18:47 | |
Just draw some glasses on. | 0:18:47 | 0:18:49 | |
In the second area, I'm going to draw the body. | 0:18:53 | 0:18:56 | |
I'm going to make sure the arms are roughly the same length as the body. | 0:18:56 | 0:19:00 | |
Now, the legs... | 0:19:07 | 0:19:08 | |
And then, I'm going to draw the knees, | 0:19:15 | 0:19:16 | |
just halfway between the feet and the hips. | 0:19:16 | 0:19:18 | |
And in a few simple steps, my cartoon character is in proportion. | 0:19:18 | 0:19:22 | |
There's a quick art tip. | 0:19:24 | 0:19:25 | |
Why don't you add this to your body of work? | 0:19:29 | 0:19:31 | |
Hey, you there! | 0:19:36 | 0:19:38 | |
This guy's always on telly. | 0:19:38 | 0:19:40 | |
He thinks he's got the world in the palm of his hand. | 0:19:40 | 0:19:42 | |
Here's something you'll just have to own. | 0:19:42 | 0:19:45 | |
A unique piece of art. | 0:19:45 | 0:19:47 | |
It's a picture of your fingerprint! | 0:19:47 | 0:19:51 | |
I was right about the hand. | 0:19:51 | 0:19:52 | |
And worry not, although it's a massive fingerprint, | 0:19:52 | 0:19:56 | |
you won't need a big hand. | 0:19:56 | 0:19:57 | |
Here's how you make it... | 0:19:57 | 0:19:59 | |
You'll need a tray, some paper and an inkpad. | 0:20:00 | 0:20:05 | |
Now you need to make a fingerprint. | 0:20:06 | 0:20:08 | |
With a photocopier or computer, | 0:20:13 | 0:20:16 | |
enlarge to make the fingerprint fill an A4 page. | 0:20:16 | 0:20:19 | |
Gigantic! | 0:20:21 | 0:20:22 | |
Next, you'll need some PVA glue, with a nozzle, preferably. | 0:20:23 | 0:20:27 | |
You must apply the glue to the print. | 0:20:28 | 0:20:31 | |
Ensure you follow the lines of the fingerprint very carefully, | 0:20:31 | 0:20:35 | |
to make sure they are all covered. | 0:20:35 | 0:20:37 | |
The glue application may take some time. | 0:20:38 | 0:20:41 | |
Phew! | 0:20:41 | 0:20:42 | |
Grab some glitter and sprinkle liberally over the glued lines. | 0:20:45 | 0:20:49 | |
Once your print is covered with glitter, | 0:20:52 | 0:20:54 | |
shake off the excess glitter onto the tray. | 0:20:54 | 0:20:58 | |
Mesmerising! | 0:20:58 | 0:20:59 | |
Shaky-shaky! | 0:21:00 | 0:21:01 | |
Finally, get a frame and attach it to your fingerprint picture. | 0:21:03 | 0:21:08 | |
Perfect! | 0:21:10 | 0:21:11 | |
The fingerprint picture! | 0:21:13 | 0:21:15 | |
Available on a hand near you! | 0:21:15 | 0:21:18 | |
Wow! Have to get my hands on one of those. | 0:21:21 | 0:21:24 | |
Bye! | 0:21:27 | 0:21:29 | |
Oh, hey, Dad. I didn't realise you were still here. | 0:21:29 | 0:21:31 | |
That was your mate Michael just called. | 0:21:31 | 0:21:33 | |
Something about art with light...? | 0:21:33 | 0:21:34 | |
Oh, yeah, it's fine. I know all about that. | 0:21:34 | 0:21:36 | |
Oh, and it's in a cave. | 0:21:36 | 0:21:37 | |
A cave? | 0:21:37 | 0:21:38 | |
That's not good, if you've got a cold. | 0:21:38 | 0:21:40 | |
But you know what? I feel like I'm on the mend. | 0:21:40 | 0:21:42 | |
You've got a bit in YOUR cave... | 0:21:42 | 0:21:44 | |
Hey, I can do it myself! I'm a grown-up. | 0:21:46 | 0:21:48 | |
He may be a grown-up, but he's still my little Ricky. | 0:21:48 | 0:21:52 | |
I can hear you. | 0:21:52 | 0:21:53 | |
So embarrassing! | 0:21:53 | 0:21:54 | |
Ninja skills! | 0:22:09 | 0:22:11 | |
Do you know what? I'm not so sure about this cave thing. | 0:22:11 | 0:22:14 | |
I'm glad I brought my torch with me. | 0:22:14 | 0:22:16 | |
Whoa...! It's darker in here than I thought. And colder. | 0:22:22 | 0:22:26 | |
Achoo! | 0:22:26 | 0:22:27 | |
I thought I got rid of those. | 0:22:27 | 0:22:30 | |
Where's Michael? | 0:22:30 | 0:22:31 | |
Michael? | 0:22:35 | 0:22:37 | |
Michael! | 0:22:37 | 0:22:39 | |
I'm here to do some art with light! | 0:22:39 | 0:22:41 | |
Michael? | 0:22:42 | 0:22:44 | |
That was a good echo. | 0:22:44 | 0:22:45 | |
It was, wasn't it? | 0:22:46 | 0:22:48 | |
Wasn't it? Wasn't it? Wasn't it? | 0:22:48 | 0:22:50 | |
Wasn't it? Wasn't it? | 0:22:50 | 0:22:52 | |
I'm so scared right now... | 0:22:54 | 0:22:56 | |
And what's that over there? | 0:22:57 | 0:22:59 | |
Oh! | 0:23:13 | 0:23:14 | |
-Oh, Michael, you scared me out of my skin! -Hey, Ricky. | 0:23:14 | 0:23:17 | |
You been crying? | 0:23:17 | 0:23:18 | |
No, no, no. I've just got a bit of a cold. | 0:23:18 | 0:23:21 | |
Well, let me show you something that'll send shivers down your spine. | 0:23:21 | 0:23:24 | |
Oh, wow! | 0:23:25 | 0:23:27 | |
Spooky! | 0:23:27 | 0:23:28 | |
That looks like a skeleton in this cave. | 0:23:28 | 0:23:30 | |
-I think we should go. -Chill out, man. | 0:23:31 | 0:23:33 | |
It's just some light painting I've been doing. | 0:23:33 | 0:23:35 | |
Michael Bosanko is well-known for making art with light. | 0:23:35 | 0:23:39 | |
Here's some of his previous work... | 0:23:39 | 0:23:41 | |
-Do you want to help? -Yeah. | 0:23:41 | 0:23:42 | |
We'd better get our ninja on! | 0:23:42 | 0:23:44 | |
Art Ninja! | 0:23:51 | 0:23:52 | |
Art Ninja? | 0:23:52 | 0:23:54 | |
Strike a pose. | 0:23:54 | 0:23:55 | |
OK, Michael, what is light painting? | 0:23:59 | 0:24:01 | |
Instead of using paint and brushes, we're using torches and light. | 0:24:01 | 0:24:06 | |
OK. But we don't have a canvas. | 0:24:06 | 0:24:08 | |
No. No, we don't. | 0:24:08 | 0:24:09 | |
We're going to use three-dimensional space. | 0:24:09 | 0:24:11 | |
So, how do we know we've made a picture? | 0:24:11 | 0:24:13 | |
We're going to use a camera | 0:24:13 | 0:24:14 | |
and any light we paint with is going to be captured on the sensor | 0:24:14 | 0:24:17 | |
at the back of the camera. | 0:24:17 | 0:24:18 | |
-So, we've got our lights... -Yeah. | 0:24:18 | 0:24:20 | |
-We've got our camera... -We have. | 0:24:20 | 0:24:22 | |
I guess it's time for action. | 0:24:22 | 0:24:23 | |
We're going to need total darkness, so turn the lights off. | 0:24:25 | 0:24:29 | |
Go! | 0:24:29 | 0:24:30 | |
Because it's so dark, we're going to use our thermal imaging camera, | 0:24:30 | 0:24:33 | |
so you can see from our body heat what we're doing. | 0:24:33 | 0:24:36 | |
We're going to be opening the exposure for a few minutes. | 0:24:36 | 0:24:39 | |
And then, when we're done, we'll close the exposure. | 0:24:39 | 0:24:42 | |
This is awesome! I'm drawing a picture in the air! | 0:24:42 | 0:24:45 | |
OK, I think I'm done. | 0:24:46 | 0:24:47 | |
OK. Lights on. Come and have a look at the result. | 0:24:47 | 0:24:50 | |
Ah, yeah! He came out really well. | 0:24:50 | 0:24:53 | |
I drew my glasses on and even though I was writing Art Ninja backwards, | 0:24:53 | 0:24:57 | |
it came out all right. | 0:24:57 | 0:24:58 | |
I think that, with your guidance, | 0:24:58 | 0:25:00 | |
we can do something bigger and better. | 0:25:00 | 0:25:01 | |
-OK, let's do it, yeah. -Let's do it! | 0:25:01 | 0:25:03 | |
OK, Michael, if we're going bigger, is there anything else we need? | 0:25:03 | 0:25:06 | |
Yeah, we're going to need a lot more torches. | 0:25:06 | 0:25:09 | |
This is cool. | 0:25:09 | 0:25:10 | |
Yeah. I made this. | 0:25:10 | 0:25:11 | |
LED strips. | 0:25:11 | 0:25:13 | |
Lovely. | 0:25:13 | 0:25:14 | |
I'm going to just illuminate part of the background with this. | 0:25:14 | 0:25:17 | |
-Oh, wow! -Nice? -Love it! | 0:25:19 | 0:25:21 | |
Oh, yeah. | 0:25:21 | 0:25:23 | |
Place that somewhere on the floor in front of the camera, please. | 0:25:23 | 0:25:27 | |
-That's your position. -Yep. | 0:25:28 | 0:25:29 | |
Let's do it. | 0:25:29 | 0:25:31 | |
Lights off? | 0:25:31 | 0:25:32 | |
Yes, please. | 0:25:32 | 0:25:33 | |
So, I guess this line of light you're tracing | 0:25:35 | 0:25:37 | |
is making a picture frame? | 0:25:37 | 0:25:39 | |
Indeed. | 0:25:39 | 0:25:40 | |
I've got a trick up my sleeve. | 0:25:45 | 0:25:47 | |
A secret weapon? | 0:25:47 | 0:25:48 | |
A secret ninja weapon. | 0:25:48 | 0:25:50 | |
So, what you up to there, then, Michael? | 0:25:51 | 0:25:53 | |
I'm drawing a skeleton. | 0:25:53 | 0:25:55 | |
Michael's secret weapon is gloves with lights on the fingertips. | 0:25:55 | 0:25:58 | |
He's using them to trace a skeleton in the air | 0:25:58 | 0:26:02 | |
and it's all going to be captured by his camera. | 0:26:02 | 0:26:04 | |
I'm going to use this red wire to create a texture along the ground. | 0:26:04 | 0:26:08 | |
It is a bit like painting with invisible ink, isn't it? | 0:26:08 | 0:26:11 | |
Yeah. | 0:26:11 | 0:26:12 | |
You have to try and remember where things go. | 0:26:12 | 0:26:15 | |
The final touch... I'm going to throw some light onto the rocks. | 0:26:15 | 0:26:20 | |
Oh, wow, that green background's rad! | 0:26:20 | 0:26:23 | |
I can't wait to see the finished picture. | 0:26:23 | 0:26:25 | |
And we're done. | 0:26:25 | 0:26:26 | |
Amazing. | 0:26:26 | 0:26:27 | |
So, I'm just going to turn the exposure off. | 0:26:27 | 0:26:29 | |
How's it looking? | 0:26:29 | 0:26:31 | |
Here we go... | 0:26:31 | 0:26:32 | |
Oh, wow! | 0:26:34 | 0:26:36 | |
A skeleton painting a picture of a skateboarder. It's truly rad! | 0:26:37 | 0:26:40 | |
Look at it, it's amazing! | 0:26:45 | 0:26:47 | |
And even the pillar's all lit up. It looks like he's standing right here. | 0:26:47 | 0:26:51 | |
Good work, Michael. | 0:26:51 | 0:26:52 | |
-Yeah, well done, Ricky. Excellent. -Thanks, dude. | 0:26:52 | 0:26:54 | |
Well, that was a bit of LIGHT relief. | 0:26:55 | 0:26:58 | |
And my cold has completely disappeared. | 0:26:58 | 0:27:00 | |
Oh... | 0:27:02 | 0:27:03 | |
Michael's disappeared, too. | 0:27:04 | 0:27:05 | |
Michael? | 0:27:07 | 0:27:08 | |
Michael! | 0:27:08 | 0:27:10 | |
Ow! That was my foot, Ricky! | 0:27:13 | 0:27:15 | |
Sorry! | 0:27:15 | 0:27:16 | |
From lightsaber to screensaver, in just two clicks. | 0:27:22 | 0:27:26 | |
Today has taught me a valuable Art Ninja lesson. | 0:27:26 | 0:27:30 | |
If you make art in a cave, it can give you a fright. | 0:27:30 | 0:27:33 | |
But it's better with a friend and a handy torch light. | 0:27:33 | 0:27:36 | |
I'm so glad I got rid of that stinking cold. | 0:27:37 | 0:27:40 | |
I'm now ready for more Art Ninja adventures. | 0:27:40 | 0:27:42 | |
Fighting fit, in fact. | 0:27:42 | 0:27:44 | |
Achoo! | 0:27:44 | 0:27:46 | |
My cold's back! | 0:27:46 | 0:27:47 | |
Argh...! | 0:27:47 | 0:27:50 | |
To get your Art Ninja on, go to the cbbc website. | 0:27:55 | 0:27:59 | |
Ninja skills! | 0:27:59 | 0:28:00 |