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'I'm Ricky. I live in Bristol. | 0:00:03 | 0:00:05 | |
'By day, I work as an animator, | 0:00:05 | 0:00:07 | |
'which is lucky because I love art. | 0:00:07 | 0:00:10 | |
'I live for art. I even dream of art! | 0:00:10 | 0:00:13 | |
'I draw... | 0:00:13 | 0:00:15 | |
'I paint... | 0:00:15 | 0:00:17 | |
'I make things! | 0:00:17 | 0:00:19 | |
'I hang out with my mates, Gavin, Michelle and Sarah. | 0:00:21 | 0:00:26 | |
'Most importantly, I make ninja moves. | 0:00:26 | 0:00:29 | |
-'Some people call me the...' -'Art Ninja!' | 0:00:29 | 0:00:34 | |
'Today, I'll show you how to make a Venus flytrap | 0:00:34 | 0:00:37 | |
'that will rock your universe. | 0:00:37 | 0:00:40 | |
'Get stuck into alien gloop. | 0:00:40 | 0:00:43 | |
'And it's real blast when I mow some amazing maze art. | 0:00:43 | 0:00:47 | |
'Because today, it's...' | 0:00:47 | 0:00:50 | |
'Day of the Aliens!' | 0:00:51 | 0:00:53 | |
PARANORMAL BLEEPING | 0:00:55 | 0:00:57 | |
Ah! What a strange dream. | 0:01:01 | 0:01:04 | |
It was almost extraterrestrial. | 0:01:04 | 0:01:06 | |
I could have sworn I was visited by aliens. | 0:01:06 | 0:01:09 | |
Anyway, time to get my ninja on! | 0:01:09 | 0:01:12 | |
And my clothes. | 0:01:14 | 0:01:16 | |
That's the fifth weird alien dream I've had in the past month. | 0:01:39 | 0:01:43 | |
I wonder if there's any significance in the number five? | 0:01:43 | 0:01:46 | |
Anyway, breakfast time. | 0:01:48 | 0:01:51 | |
Oh! | 0:01:51 | 0:01:53 | |
Brown flakes? | 0:01:53 | 0:01:55 | |
Hopefully, there's something more interesting up there. | 0:01:55 | 0:01:58 | |
Oh, yeah! Flying saucer sweets. I forgot I had these! | 0:01:58 | 0:02:02 | |
I need somewhere to stash them, you know, | 0:02:02 | 0:02:04 | |
so the aliens don't pinch them. | 0:02:04 | 0:02:06 | |
That gives me an idea! | 0:02:06 | 0:02:08 | |
I'm going to make a Venus flytrap to stash my sweets in. | 0:02:08 | 0:02:12 | |
'The Art Ninja Venus flytrap. It's totally sweet!' | 0:02:12 | 0:02:17 | |
I'm going to do that by blowing up a balloon. | 0:02:17 | 0:02:19 | |
OK, tie it on the end. | 0:02:25 | 0:02:27 | |
I've got a bowl here to hold the balloon still | 0:02:27 | 0:02:29 | |
while I cover in a layer of papier-mache. | 0:02:29 | 0:02:31 | |
That's two parts PVA glue, one part water and some old newspaper. | 0:02:31 | 0:02:36 | |
You want to get a good coverage all the way around, | 0:02:39 | 0:02:41 | |
all the way down to the bottom. | 0:02:41 | 0:02:43 | |
Just leaving the little knot sticking out. | 0:02:43 | 0:02:47 | |
You don't have to be too neat | 0:02:51 | 0:02:53 | |
because all these creases and crumply bits | 0:02:53 | 0:02:55 | |
will add to the final texture. | 0:02:55 | 0:02:57 | |
Now, if you're doing one of these, | 0:02:57 | 0:02:58 | |
you'll probably have to do a few more layers and wait for it to dry. | 0:02:58 | 0:03:02 | |
But me, I'm just going to use my ninja skills. | 0:03:02 | 0:03:06 | |
Nice! | 0:03:06 | 0:03:07 | |
Now, the papier-mache mix has dried nice and hard | 0:03:07 | 0:03:10 | |
and we no longer need the balloon to hold its shape, so we can pop that. | 0:03:10 | 0:03:13 | |
OK. | 0:03:16 | 0:03:18 | |
Now I'm going to draw a line around the balloon, | 0:03:18 | 0:03:21 | |
just below the halfway mark. | 0:03:21 | 0:03:23 | |
Then I'm going to draw some wavy lines for the teeth. | 0:03:26 | 0:03:29 | |
And the same along the bottom. | 0:03:34 | 0:03:35 | |
I'm going to poke a hole through the papier-mache with a pencil | 0:03:38 | 0:03:41 | |
so that I can get my scissors in. | 0:03:41 | 0:03:43 | |
These are going to make the jaws of my Venus flytrap. | 0:03:44 | 0:03:48 | |
Nice! Now I'm going to chop the teeth out. | 0:03:55 | 0:03:58 | |
So we have the top and bottom all finished, | 0:04:03 | 0:04:05 | |
but this Venus flytrap is going to need a stalk. | 0:04:05 | 0:04:07 | |
And we're going to make that using a cardboard tube. | 0:04:07 | 0:04:10 | |
'I'm cutting slits down the side | 0:04:12 | 0:04:13 | |
'so that it's easier to secure to the papier-mache.' | 0:04:13 | 0:04:16 | |
This is a very sticky piece of art. | 0:04:20 | 0:04:23 | |
Great. Look, that's on nice and solid. | 0:04:25 | 0:04:27 | |
Now is probably a good time to paint the inside. | 0:04:27 | 0:04:30 | |
Yeah! | 0:04:30 | 0:04:32 | |
Now I've done the inside of the mouth, | 0:04:38 | 0:04:40 | |
it's time to do the outside of the plant. Yeah, there is it! | 0:04:40 | 0:04:43 | |
It's all those greens. | 0:04:43 | 0:04:45 | |
You can now how all that rough newspaper comes through | 0:04:49 | 0:04:52 | |
as a really nice texture. | 0:04:52 | 0:04:53 | |
Right, I think that's all done. | 0:04:58 | 0:05:00 | |
Now, if you're doing this, | 0:05:00 | 0:05:01 | |
you'll need to wait for these to dry now, but I wait for nothing. | 0:05:01 | 0:05:04 | |
I'm the Art Ninja! | 0:05:04 | 0:05:06 | |
Also, I've added a little bit of detail with some lighter paint | 0:05:08 | 0:05:11 | |
to bring out the texture. A little touch around the edge of the jaw. | 0:05:11 | 0:05:15 | |
And some spots and dots on the underside of the jaw. | 0:05:15 | 0:05:17 | |
I've punched through some holes in the top and bottom of the jaw | 0:05:17 | 0:05:20 | |
on each side so I can slide in some split pins and give it a hinge jaw. | 0:05:20 | 0:05:25 | |
This guy's looking pretty good now, | 0:05:30 | 0:05:32 | |
but he could do with some foliage, so let's add some leaves. | 0:05:32 | 0:05:36 | |
Right, all his foliage is on. It's time to pot him. | 0:05:41 | 0:05:44 | |
And I've got here...a little pot of rice. | 0:05:44 | 0:05:47 | |
And now you get your Venus flytrap... | 0:05:47 | 0:05:50 | |
..and get him in the pot. | 0:05:51 | 0:05:52 | |
Now, he's looking good, but I'd take sweets straight out of that mouth, | 0:05:56 | 0:05:59 | |
so you need something to work as a deterrent | 0:05:59 | 0:06:02 | |
and I reckon some nice big teeth. | 0:06:02 | 0:06:04 | |
Oh, yeah! Nice sharp gnashers. | 0:06:04 | 0:06:07 | |
'I've made these out of white paper.' | 0:06:07 | 0:06:10 | |
And how about this? | 0:06:10 | 0:06:12 | |
A little tongue and added fly. | 0:06:15 | 0:06:18 | |
Looks good, but he's definitely worked up a hunger. | 0:06:18 | 0:06:21 | |
Put the sweets in. | 0:06:21 | 0:06:23 | |
'You don't have to make a Venus flytrap to store your sweets. | 0:06:39 | 0:06:42 | |
'How about some lovely colourful flowers?' | 0:06:42 | 0:06:45 | |
I wonder what time it is? | 0:06:47 | 0:06:49 | |
Oh, I know what time it is. It's animation o'clock. | 0:06:49 | 0:06:52 | |
I really do love a good walk around Bristol. | 0:06:56 | 0:06:58 | |
There's beautiful colours, lots of variation in the landscape | 0:06:58 | 0:07:01 | |
and there's always something going on. Just look at that! | 0:07:01 | 0:07:03 | |
Good grief, that got out of hand pretty quickly. | 0:07:12 | 0:07:15 | |
This kind of animation is called cut-out animation | 0:07:15 | 0:07:17 | |
and it's really easy to do. | 0:07:17 | 0:07:18 | |
If you do it using photographs, | 0:07:18 | 0:07:20 | |
it gives off this really surreal sense and is always really funny. | 0:07:20 | 0:07:23 | |
I'll show you how to do it. | 0:07:23 | 0:07:25 | |
All you need to make a little rad cut-out animation is | 0:07:25 | 0:07:28 | |
some postcards or photographs. Here's some I've taken. | 0:07:28 | 0:07:31 | |
A pair of scissors and a table or smartphone. | 0:07:31 | 0:07:34 | |
There's lots of free animation software you can find online. | 0:07:34 | 0:07:37 | |
'And you can make this animation in just three ninja moves. | 0:07:37 | 0:07:40 | |
'Ninja move number one.' | 0:07:40 | 0:07:42 | |
Get some photographs. You might just take some, | 0:07:42 | 0:07:44 | |
or if you've got any old postcards, they're pretty good, too. | 0:07:44 | 0:07:47 | |
I've got some here from when I visited my friend's chicken farm, | 0:07:47 | 0:07:50 | |
when I went to the beach. | 0:07:50 | 0:07:52 | |
There's one of my friend Gemma in there. | 0:07:52 | 0:07:54 | |
And, of course, what I'm going to use as the main scene | 0:07:54 | 0:07:57 | |
is this picture of Bristol I took | 0:07:57 | 0:07:59 | |
because it's got the river in it and a bit of depth. | 0:07:59 | 0:08:01 | |
So I've got some places where things can pop out. | 0:08:01 | 0:08:03 | |
'Ninja move number two.' | 0:08:03 | 0:08:04 | |
Decide what will happen in your animation and get the bits ready. | 0:08:04 | 0:08:07 | |
I might have this tower blast off, | 0:08:07 | 0:08:10 | |
I might have the chicken pop up behind something. | 0:08:10 | 0:08:13 | |
My friend might take a picture. | 0:08:13 | 0:08:14 | |
One of these boots could stamp on a building. That would be fun. | 0:08:14 | 0:08:17 | |
Let's just start with that. | 0:08:17 | 0:08:18 | |
So I'm going to be cutting out these separate parts here. | 0:08:18 | 0:08:21 | |
What I'm actually going to do on this one is cut out the sky. | 0:08:21 | 0:08:24 | |
I've got a spare bit of blue paper here, which is going to replace it. | 0:08:24 | 0:08:28 | |
It'll be easier to have things pop out underneath as a different layer. | 0:08:28 | 0:08:32 | |
I've got another tower, so I'm going to cut that one out. | 0:08:32 | 0:08:35 | |
And if I pop this in where the other one used to be, | 0:08:35 | 0:08:37 | |
because it's, like, a separate layer, I can animate this, going... | 0:08:37 | 0:08:40 | |
Whoosh! Out from behind the trees. | 0:08:40 | 0:08:42 | |
It's fun to mess around with scale when you're doing these things. | 0:08:42 | 0:08:45 | |
It makes it a lot weirder. | 0:08:45 | 0:08:46 | |
You put something out of place, but also it's giant or really small. | 0:08:46 | 0:08:50 | |
IMITATES CHICKEN | 0:08:50 | 0:08:52 | |
He's a good-looking chicken! | 0:08:52 | 0:08:54 | |
I might keep this bit here because I could use all these nice | 0:08:55 | 0:08:58 | |
stony sort of orangey colours as the fire for the rocket. | 0:08:58 | 0:09:01 | |
I could use that black and white as the smoke for the rocket. | 0:09:01 | 0:09:04 | |
This bit's perfect. | 0:09:04 | 0:09:06 | |
And I could use the back as a bit of white for her flash. | 0:09:06 | 0:09:09 | |
'Ninja move number three.' | 0:09:09 | 0:09:11 | |
Get animating. Time to open up my animation app. | 0:09:11 | 0:09:14 | |
It has begun. OK, first thing I'm going to have | 0:09:18 | 0:09:20 | |
is a person popping out here and taking a picture. | 0:09:20 | 0:09:23 | |
So I'm cutting this line along where the buildings are | 0:09:23 | 0:09:26 | |
so it looks like she's coming up between the trees and the buildings. | 0:09:26 | 0:09:30 | |
What I'm doing here is I'm making the character wiggle a little bit. | 0:09:30 | 0:09:33 | |
And that's to give the illusion that they're, like, talking. | 0:09:33 | 0:09:36 | |
Hello! | 0:09:36 | 0:09:37 | |
Don't worry about making mouths move. | 0:09:37 | 0:09:39 | |
I think in this style, the cruder the better. | 0:09:39 | 0:09:42 | |
'Every time you move a bit of paper, take a photo, | 0:09:42 | 0:09:45 | |
'you're building your animation.' | 0:09:45 | 0:09:47 | |
OK, that's all the frames. | 0:09:52 | 0:09:54 | |
Right, I'm going to add some sound effects. | 0:09:54 | 0:09:56 | |
Hello! Snap! Pfft! | 0:09:56 | 0:09:58 | |
W-W-W-W-Whoosh! Squawk! | 0:09:58 | 0:10:01 | |
Now it's ready for the big reveal. | 0:10:01 | 0:10:03 | |
Hello! | 0:10:06 | 0:10:09 | |
Boom! | 0:10:09 | 0:10:10 | |
W-W-W-W-Whoosh! | 0:10:10 | 0:10:13 | |
Now, I'd say that is a mini masterpiece. | 0:10:15 | 0:10:17 | |
PHONE RINGS | 0:10:21 | 0:10:23 | |
-BEEP! -"Hi, Ricky, it's your mum. | 0:10:26 | 0:10:28 | |
"I just wanted to remind you what's coming up today. | 0:10:28 | 0:10:31 | |
"You're going to make alien life with poseable limbs. | 0:10:31 | 0:10:34 | |
"You'll be rubbing out to make outer space. | 0:10:34 | 0:10:37 | |
"And you might be cutting corners with some lawn art. | 0:10:37 | 0:10:40 | |
"Anyway, Ricky, better go. I'm off to paint at my life class. | 0:10:40 | 0:10:44 | |
"The nude model couldn't turn up, | 0:10:44 | 0:10:46 | |
"so your dad's agreed to stand in at the last minute." | 0:10:46 | 0:10:49 | |
-Oh! -"Bye!" | 0:10:49 | 0:10:51 | |
BEEP! | 0:10:51 | 0:10:53 | |
Life class! | 0:10:53 | 0:10:55 | |
Maybe I'll make my own alien life class | 0:10:55 | 0:10:57 | |
by making my own alien figures. | 0:10:57 | 0:10:59 | |
A bit like these doodles that I did earlier | 0:10:59 | 0:11:01 | |
in the style of American artist Keith Haring. | 0:11:01 | 0:11:04 | |
But a little bit more poseable. | 0:11:04 | 0:11:06 | |
-Hi, Ricky! -Whoa! Who are you? | 0:11:06 | 0:11:08 | |
It's me, man, Keith Haring. I was an American artist | 0:11:08 | 0:11:12 | |
and my earliest work was graffiti in subways. | 0:11:12 | 0:11:15 | |
Here's one of my famous pictures. | 0:11:15 | 0:11:17 | |
I became known for these bold figures, | 0:11:17 | 0:11:19 | |
and messages of love and unity for all humanity. | 0:11:19 | 0:11:22 | |
Keith, I'm going to unite your work with something a little less human. | 0:11:22 | 0:11:26 | |
Right-on, man! | 0:11:26 | 0:11:28 | |
I'm going to get myself some card and a pen from here | 0:11:28 | 0:11:31 | |
and I'm going to draw the separate limbs and parts of an alien. | 0:11:31 | 0:11:35 | |
Here's the head with three antennae. | 0:11:36 | 0:11:39 | |
A nice, big, round body. | 0:11:41 | 0:11:43 | |
How many legs shall we have? Three legs? | 0:11:46 | 0:11:48 | |
Well, he is an alien! | 0:11:48 | 0:11:50 | |
There you go. And now I'll cut that out. | 0:11:51 | 0:11:53 | |
Remember to be careful when you're using scissors, | 0:11:53 | 0:11:56 | |
or get a sensible adult to help you. | 0:11:56 | 0:11:58 | |
I wonder if having three legs would make you better at football? | 0:11:58 | 0:12:01 | |
It probably wouldn't make you better at dancing. | 0:12:01 | 0:12:03 | |
I've kept my shapes boxy and bold | 0:12:06 | 0:12:08 | |
as this is, of course, inspired by Keith. | 0:12:08 | 0:12:10 | |
But you could do whatever you want with yours. | 0:12:10 | 0:12:13 | |
There we go. | 0:12:13 | 0:12:14 | |
And now I'm going to attach all the limbs, using these split pins. | 0:12:14 | 0:12:18 | |
First, I need to make some holes. | 0:12:18 | 0:12:21 | |
'Use some modelling clay and a pencil | 0:12:21 | 0:12:22 | |
'to push holes in all the alien's body parts.' | 0:12:22 | 0:12:25 | |
And punching holes just makes it easier to get your split pins in. | 0:12:29 | 0:12:33 | |
So slide them through and open them up on the back. | 0:12:33 | 0:12:36 | |
'Repeat this until all the body parts are attached.' | 0:12:38 | 0:12:40 | |
Because they are split pins, it means that you can move him around | 0:12:43 | 0:12:46 | |
in lots of different fun poses. | 0:12:46 | 0:12:48 | |
Right, I'm going to get some green paper... | 0:12:48 | 0:12:51 | |
..and lay it down. Then I'm going to draw around him. | 0:12:52 | 0:12:55 | |
'Because the card is raised slightly off the paper, | 0:12:55 | 0:12:58 | |
'it's easier to draw around the alien.' | 0:12:58 | 0:13:00 | |
Right, I'm going to cut him out. | 0:13:03 | 0:13:05 | |
I'm just cutting out the overall shape of him | 0:13:05 | 0:13:08 | |
and I'm going to back and pick up these little recesses here. | 0:13:08 | 0:13:12 | |
Cool! Little green man looking good. | 0:13:16 | 0:13:19 | |
Now I'm going to do another one on some blue paper. | 0:13:19 | 0:13:21 | |
Just going to make a new pose. | 0:13:22 | 0:13:24 | |
Maybe two legs down, one leg up. | 0:13:24 | 0:13:26 | |
You might find it easier to sticky-tack down your alien | 0:13:27 | 0:13:30 | |
when you draw around him to stop him from moving. | 0:13:30 | 0:13:33 | |
There we are, another alien figure. | 0:13:36 | 0:13:39 | |
Right, I could do with a couple more of these. | 0:13:39 | 0:13:42 | |
Maybe in some more colours. So I'll ninja myself some new ones. | 0:13:42 | 0:13:46 | |
Got a lovely yellow one and a pink one, too. | 0:13:46 | 0:13:49 | |
So I'm going to get myself a bit of backing paper. | 0:13:49 | 0:13:52 | |
And start positioning them in a way that I like. | 0:13:54 | 0:13:57 | |
I kind of think that's a good look. | 0:13:57 | 0:13:59 | |
Then I'm going to glue-stick them down. | 0:13:59 | 0:14:02 | |
All these cool poses we've made | 0:14:02 | 0:14:04 | |
really make the picture look like it's full of energy. | 0:14:04 | 0:14:07 | |
Having a party that's truly out of this world. | 0:14:07 | 0:14:10 | |
'Once they're all stuck down, | 0:14:10 | 0:14:12 | |
'draw around the aliens in black pen to make them stand out.' | 0:14:12 | 0:14:14 | |
Right, so there we are. Look at these lot. | 0:14:18 | 0:14:20 | |
Nice and bright, black lines really making them pop out. | 0:14:20 | 0:14:23 | |
But they're missing that final Keith Haring touch. | 0:14:23 | 0:14:26 | |
And that's little lines here and there to accent the movement. | 0:14:26 | 0:14:29 | |
There we are. Now all it needs is a frame. | 0:14:33 | 0:14:36 | |
Isn't that great? Little green men and women. | 0:14:36 | 0:14:40 | |
Well, and blue ones and pink ones and yellow ones! | 0:14:40 | 0:14:44 | |
Wow, Rick! Those people are out of this world, literally! | 0:14:44 | 0:14:47 | |
Not too bad, eh, Keith? | 0:14:47 | 0:14:50 | |
'I've done people from another planet. If you plan it well, | 0:14:50 | 0:14:53 | |
'you could make your own Keith Haring-inspired picture.' | 0:14:53 | 0:14:56 | |
BOTH: Ricky, Ricky, Ricky! | 0:15:00 | 0:15:01 | |
What on earth...? Oh! It's my ninja assistants. | 0:15:01 | 0:15:05 | |
What can I do for you guys? | 0:15:05 | 0:15:06 | |
BOTH: What can you make with these? | 0:15:06 | 0:15:09 | |
A picture you've already done? | 0:15:09 | 0:15:10 | |
That's already good art. I can't make it better. | 0:15:10 | 0:15:12 | |
-Ricky, Ricky, Ricky! -I pick you! -Yay! | 0:15:15 | 0:15:18 | |
So, what's your name, then? | 0:15:18 | 0:15:20 | |
I'm Marco and I'm from Glasgow. | 0:15:20 | 0:15:22 | |
So, Marco, what have you got for me today? | 0:15:22 | 0:15:24 | |
What can you make with an eraser? | 0:15:24 | 0:15:26 | |
An eraser? Well, normally with an eraser, we rub out pictures. | 0:15:26 | 0:15:30 | |
But I think I can create one. I'll just go and grab my stuff. | 0:15:30 | 0:15:34 | |
Right, so I'm going to be drawing a picture with an eraser. | 0:15:34 | 0:15:37 | |
So I need something to rub out first, don't I? | 0:15:37 | 0:15:40 | |
So I'm going to do a wash across my entire page with some charcoal. | 0:15:40 | 0:15:45 | |
Get the whole thing nice and dark. | 0:15:45 | 0:15:46 | |
And I think I'm going to do an astronaut picture. | 0:15:52 | 0:15:55 | |
Because what's nice and dark? | 0:15:55 | 0:15:57 | |
Space! | 0:15:57 | 0:15:58 | |
So, Marco, do you believe in aliens and things? | 0:16:00 | 0:16:03 | |
-Yes. -What do you reckon they'd look like? | 0:16:03 | 0:16:05 | |
-I think they would be green. -They'd be green? | 0:16:05 | 0:16:08 | |
-Yes. -It would be rude if they weren't green, wouldn't it? | 0:16:08 | 0:16:11 | |
Right, so I've managed to make my paper nice and dark. | 0:16:14 | 0:16:17 | |
My hands are dirty. | 0:16:17 | 0:16:19 | |
Now I'm going to start drawing my picture by rubbing out the charcoal. | 0:16:19 | 0:16:22 | |
So I'm going to start with the curvature of the earth. | 0:16:22 | 0:16:25 | |
The sun just bouncing off it there. | 0:16:28 | 0:16:29 | |
I think I'll leave some areas dark because that can be like landmass. | 0:16:29 | 0:16:33 | |
And I'm going to rub out where the ocean should be. | 0:16:33 | 0:16:35 | |
Because then it's like the sun's reflecting off the oceans. | 0:16:35 | 0:16:39 | |
So, Marco, do you like space? | 0:16:39 | 0:16:40 | |
I like the planet Mars. | 0:16:40 | 0:16:42 | |
You like the planet Mars? Why is that? | 0:16:42 | 0:16:44 | |
Because it's starts with my name. | 0:16:44 | 0:16:46 | |
Oh! Good choice! | 0:16:46 | 0:16:48 | |
Excellent. That's the earth there. | 0:16:48 | 0:16:50 | |
I'm going to do the moon. | 0:16:50 | 0:16:52 | |
'When you have a go, you can make a picture of whatever you like. | 0:16:52 | 0:16:55 | |
'The sky's the limit.' | 0:16:55 | 0:16:57 | |
The sun bouncing off one side of it. | 0:16:57 | 0:16:59 | |
Space needs the astronaut, doesn't it? | 0:16:59 | 0:17:02 | |
An astronaut's going to be floating around doing a spacewalk. | 0:17:02 | 0:17:04 | |
So I'm going to start drawing an astronaut in here. | 0:17:04 | 0:17:07 | |
Let's draw one arm. Yeah! | 0:17:12 | 0:17:14 | |
That's his oxygen pipe there, going round. Start doing his legs. | 0:17:19 | 0:17:23 | |
I reckon to spacewalk or moonwalk, you need to have legs. | 0:17:23 | 0:17:26 | |
It's quite nice drawing in reverse. | 0:17:32 | 0:17:34 | |
And, of course, let's just pop in a couple of stars. | 0:17:36 | 0:17:39 | |
More than a couple of stars. | 0:17:42 | 0:17:43 | |
OK, like, a million stars. | 0:17:43 | 0:17:45 | |
Yeah, that would be better! | 0:17:45 | 0:17:47 | |
I'm just going to use the charcoal to put a couple of darker areas in. | 0:17:47 | 0:17:51 | |
Let's put some creases into his spacesuit...elbow. | 0:17:54 | 0:17:57 | |
OK, Marco, are you ready to see it? | 0:18:00 | 0:18:02 | |
-Yes! -Prepare for blastoff! | 0:18:02 | 0:18:04 | |
-Whoa! -What do you think? Do you like it? | 0:18:07 | 0:18:09 | |
Yes, I do! | 0:18:09 | 0:18:11 | |
So, what would you score it out of ten? | 0:18:11 | 0:18:13 | |
Hopefully not an astro-nought. | 0:18:13 | 0:18:15 | |
Ten out of ten? | 0:18:15 | 0:18:17 | |
Ah, yes! That's an awesome score! | 0:18:17 | 0:18:19 | |
I think all the picture needs now is a lovely border to finish it off. | 0:18:19 | 0:18:22 | |
Great suggestion, Marco. Thanks very much for your help. | 0:18:25 | 0:18:27 | |
-Have a good one. Bye-bye! -Bye! | 0:18:27 | 0:18:30 | |
'Why don't you use an eraser to raise your art to another level?' | 0:18:33 | 0:18:36 | |
Here's a real quick art tip. | 0:18:39 | 0:18:41 | |
How to make a rocket blast off into space | 0:18:41 | 0:18:43 | |
to discover maybe some extraterrestrial business. | 0:18:43 | 0:18:46 | |
So I'm going to start with a rocket shape up there, like that. | 0:18:46 | 0:18:50 | |
Nice point on the end. | 0:18:50 | 0:18:52 | |
Then some wings at the back. | 0:18:54 | 0:18:56 | |
An exhaust. Nice line there on the tip. | 0:19:00 | 0:19:03 | |
And I need to draw the passenger in the middle. | 0:19:03 | 0:19:06 | |
Now to make my rocket blast off, I'm going to put fire | 0:19:07 | 0:19:10 | |
using these zigzag lines and some smoke trailing behind. | 0:19:10 | 0:19:15 | |
Now I'm going to add a couple of action lines around it... | 0:19:16 | 0:19:20 | |
to show its energy. | 0:19:20 | 0:19:22 | |
And then, of course, it's in space, | 0:19:22 | 0:19:23 | |
so I'm going to add some space surroundings. | 0:19:23 | 0:19:25 | |
And that is a nice planet here and stars. | 0:19:25 | 0:19:29 | |
There you go. | 0:19:31 | 0:19:32 | |
A quick art tip. | 0:19:34 | 0:19:35 | |
BOING-BOING! | 0:19:40 | 0:19:42 | |
CRUNCH! | 0:19:42 | 0:19:43 | |
BELCH! | 0:19:43 | 0:19:44 | |
Hey, you there! | 0:19:47 | 0:19:49 | |
Not this guy again. | 0:19:49 | 0:19:51 | |
It's me again! | 0:19:51 | 0:19:52 | |
How would you like a product | 0:19:52 | 0:19:54 | |
that's been developed by the international space agency? | 0:19:54 | 0:19:58 | |
He's been developed by the international space agency. | 0:19:58 | 0:20:01 | |
You can create your own alien gloop! | 0:20:01 | 0:20:05 | |
Told you. | 0:20:05 | 0:20:07 | |
'Here's how you make it! | 0:20:10 | 0:20:12 | |
'You need a bowl of cornflour. | 0:20:12 | 0:20:15 | |
'A jug of water. | 0:20:16 | 0:20:19 | |
'Add a small amount to the bowl. | 0:20:19 | 0:20:22 | |
'Grab some poster paint. Green is very now for aliens. | 0:20:22 | 0:20:26 | |
'Squeeze some paint into the bowl. | 0:20:26 | 0:20:30 | |
'Other colours are available. | 0:20:30 | 0:20:33 | |
'Stir vigorously. | 0:20:33 | 0:20:35 | |
'Keep stirring and adding water gradually | 0:20:35 | 0:20:37 | |
'to get the right gloopy consistency. | 0:20:37 | 0:20:41 | |
'It has a strange intergalactic feel. | 0:20:41 | 0:20:44 | |
'It can snap and dribble through your fingers. Freaky!' | 0:20:47 | 0:20:53 | |
Alien gloop! | 0:20:54 | 0:20:56 | |
A great substitute for green bogeymen. | 0:20:56 | 0:21:00 | |
'Beam me up, Snotty! | 0:21:02 | 0:21:04 | |
I wish I had some of that green alien gloop. | 0:21:05 | 0:21:08 | |
KNOCK AT DOOR | 0:21:08 | 0:21:09 | |
ALIEN VOICE: Delivery for Ricky. | 0:21:11 | 0:21:13 | |
Three pots of alien gloop. | 0:21:13 | 0:21:15 | |
Sign here, please. | 0:21:15 | 0:21:17 | |
That's weird. | 0:21:21 | 0:21:23 | |
There's been numbers everywhere. | 0:21:27 | 0:21:29 | |
We've had the dates 4, 6, 9, 21 and 25. Five dates. | 0:21:29 | 0:21:34 | |
I got ten out of ten for my astronaut picture. | 0:21:34 | 0:21:37 | |
What does it all mean? | 0:21:37 | 0:21:39 | |
RICKY SIGHS | 0:21:39 | 0:21:41 | |
This is my thinking pose. It means I may have an idea. | 0:21:41 | 0:21:44 | |
The numbers could be a GPS reference! | 0:21:48 | 0:21:51 | |
A location on a map! | 0:21:51 | 0:21:53 | |
If I follow them on my phone, it could lead me to the answer | 0:21:53 | 0:21:57 | |
to the universal question! | 0:21:57 | 0:21:59 | |
Is there life in outer space? | 0:21:59 | 0:22:01 | |
Ninja skills! | 0:22:12 | 0:22:14 | |
I know I wanted to do some amazing art, but this is ridiculous! | 0:22:22 | 0:22:25 | |
The coordinates have led me here. | 0:22:29 | 0:22:31 | |
Found something. | 0:22:34 | 0:22:35 | |
What...is...this? | 0:22:37 | 0:22:40 | |
-It's a rocket. -Who are you? | 0:22:40 | 0:22:42 | |
-I'm Adrian. -Alien? | 0:22:42 | 0:22:44 | |
No, I'm Adrian. I'm an expert in mazes. | 0:22:44 | 0:22:46 | |
Ah! That's why I've been called here, to do an amazing, mazing, | 0:22:49 | 0:22:53 | |
piece of alien art. Probably on your lawn. | 0:22:53 | 0:22:57 | |
But first, we'd better get our ninja on. | 0:22:57 | 0:22:59 | |
Art...Art Ninja! | 0:23:07 | 0:23:09 | |
Whoa-whoa-whoa-whoa-whoa-whoa! | 0:23:14 | 0:23:17 | |
All right? I just want to get on | 0:23:17 | 0:23:18 | |
and do my intergalactic space picture on here. | 0:23:18 | 0:23:21 | |
Well, there is a bit of science to this, you know. | 0:23:21 | 0:23:23 | |
So, I can't just do a bit there, do a bit there, go with the mow? | 0:23:23 | 0:23:26 | |
-Go with the mow? -Mm. | 0:23:26 | 0:23:28 | |
-Er...you might find it better to do it this way. -OK. | 0:23:28 | 0:23:31 | |
-We'll do a grid of the whole field first. -A-huh. | 0:23:31 | 0:23:34 | |
And then we'll mark out these squares. | 0:23:34 | 0:23:36 | |
And then we'll put canes in the ground, measure these out. | 0:23:36 | 0:23:39 | |
And we'll take each section in turn and then you can do your mowing. | 0:23:39 | 0:23:43 | |
-Yes! -Yes! | 0:23:43 | 0:23:44 | |
-You should have 18 metres. -You've done this before, haven't you? | 0:23:47 | 0:23:50 | |
Yeah. ADRIAN LAUGHS | 0:23:50 | 0:23:51 | |
And then you come along that tape with the white. | 0:23:53 | 0:23:55 | |
Yes, boss! I think he's going to tell me off. | 0:23:55 | 0:23:58 | |
If you don't do it right, it won't work. | 0:24:00 | 0:24:02 | |
-Go and collect the next tape and pull it all the way down. -Yes! | 0:24:03 | 0:24:07 | |
Yes, sir! | 0:24:07 | 0:24:08 | |
He didn't hear me, did he? He didn't hear me? | 0:24:08 | 0:24:10 | |
Just do it quickly, though. You know, chop-chop. | 0:24:12 | 0:24:14 | |
Lovely sunny day to run around. | 0:24:14 | 0:24:16 | |
-Do we get to mow now? -No. -Oh! | 0:24:19 | 0:24:20 | |
Well, this is where I hand over to the sorcerer's apprentice. | 0:24:22 | 0:24:25 | |
I'm going to have a sit down. | 0:24:25 | 0:24:27 | |
Hah! I won't let you down. | 0:24:27 | 0:24:29 | |
I'm sure you won't. | 0:24:29 | 0:24:31 | |
Fully sitting down. Literally lounging. | 0:24:40 | 0:24:43 | |
You know, take a load off, man. Take it easy. | 0:24:46 | 0:24:48 | |
Pfft! | 0:24:50 | 0:24:51 | |
Perfect. Now we take the design and just do one part at a time. | 0:24:51 | 0:24:55 | |
Good spin! | 0:25:02 | 0:25:03 | |
-This isn't really for people that get hay fever, is it? -No. | 0:25:03 | 0:25:07 | |
When am I going to get to mow anything? I want to mow. | 0:25:08 | 0:25:12 | |
-Do you believe in me? -I have absolute confidence in you. | 0:25:12 | 0:25:15 | |
Now's the moment. I think you're a qualified ninja operator. | 0:25:15 | 0:25:19 | |
-Yes! -OK? Off you go. | 0:25:19 | 0:25:22 | |
'I'm a ninja and Adrian's a grownup. | 0:25:22 | 0:25:24 | |
'Make sure you get one to help if you mow art on your lawn.' | 0:25:24 | 0:25:28 | |
No, no, not too tight! | 0:25:31 | 0:25:33 | |
Big waves. Big waves! | 0:25:33 | 0:25:35 | |
-That's not bad. -Not bad at all. | 0:25:35 | 0:25:37 | |
Oh! | 0:25:59 | 0:26:01 | |
I don't see it. After all that hard work, | 0:26:02 | 0:26:04 | |
I think I've let you down. I don't see a rocket here anywhere. | 0:26:04 | 0:26:07 | |
Don't be hard on yourself, ninja, you did a grand job. | 0:26:07 | 0:26:10 | |
It's a splendid rocket there. Come on. | 0:26:10 | 0:26:13 | |
KNOCK ON DOOR | 0:26:34 | 0:26:36 | |
I wonder who that is? | 0:26:36 | 0:26:37 | |
Who...are you?! | 0:26:50 | 0:26:52 | |
We're from the international space agency. | 0:26:52 | 0:26:54 | |
We've come to impound your alien gloop. | 0:26:54 | 0:26:57 | |
But it's handmade! | 0:26:57 | 0:26:58 | |
Yes, that's right. Made by an alien hand. | 0:26:58 | 0:27:01 | |
That was weird. | 0:27:16 | 0:27:18 | |
And hopefully it's the end to my alien adventure. | 0:27:18 | 0:27:20 | |
Today has taught me a valuable Art Ninja lesson. | 0:27:20 | 0:27:24 | |
If you're making art that's intergalactic, | 0:27:24 | 0:27:27 | |
a lawn and an expert can make it fantastic. | 0:27:27 | 0:27:30 | |
PARANORMAL BLEEPING | 0:27:34 | 0:27:36 | |
Whoa! What just happened?! | 0:27:41 | 0:27:42 | |
ALIEN: Oh, what a strange-looking creature! | 0:27:42 | 0:27:45 | |
Oh, hello there. Who are you? | 0:27:45 | 0:27:48 | |
ALIEN: It talks! A-A-A-Argh! | 0:27:48 | 0:27:51 | |
To get your Art Ninja on, go to the CBBC website. | 0:27:57 | 0:28:01 | |
Ninja skills! | 0:28:01 | 0:28:03 |