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'I'm Ricky. I live in Bristol. | 0:00:02 | 0:00:05 | |
'By day, I work as an animator, | 0:00:05 | 0:00:08 | |
'which is lucky cos I love art. | 0:00:08 | 0:00:10 | |
'I live for art, I even DREAM of art.' | 0:00:10 | 0:00:12 | |
MUFFLED: Ninja skills! | 0:00:12 | 0:00:14 | |
'I draw, I paint... | 0:00:14 | 0:00:16 | |
'..I make things. | 0:00:18 | 0:00:19 | |
'I hang out with my mates, | 0:00:21 | 0:00:22 | |
'Gavin, Michelle, Rich and Sarah.' SHE SCREAMS | 0:00:22 | 0:00:26 | |
'Most importantly, I make Ninja moves. | 0:00:26 | 0:00:28 | |
'Some people call me the...' | 0:00:28 | 0:00:31 | |
'Today, I'll show you how to leave your mark with a 3D initial... | 0:00:34 | 0:00:38 | |
'..turn yourself into pop art...' Ahhhhh! | 0:00:39 | 0:00:42 | |
'And there's plenty of thrills, but no spills, | 0:00:42 | 0:00:45 | |
'when I make a picture losing liquid. | 0:00:45 | 0:00:48 | |
'Because, today it's...' | 0:00:48 | 0:00:49 | |
GONG BONGS | 0:00:49 | 0:00:52 | |
HE YAWNS | 0:00:55 | 0:00:57 | |
It's a new day. I better get my Ninja on. | 0:00:57 | 0:01:01 | |
And my clothes. | 0:01:01 | 0:01:03 | |
WATER SPLASHES | 0:01:13 | 0:01:15 | |
Wow. I love this flat, it's so bright. | 0:01:17 | 0:01:22 | |
Ninja murals, my trusty art table. | 0:01:22 | 0:01:26 | |
This place is a part of me, I'll never leave it. | 0:01:26 | 0:01:28 | |
It's what gives me my Ninja skills. | 0:01:28 | 0:01:31 | |
MESSAGE ALERT Hm, what's this? | 0:01:31 | 0:01:34 | |
"Property for sale. | 0:01:34 | 0:01:36 | |
"Perfect art studio in the heart of Bristol." | 0:01:36 | 0:01:39 | |
Well, can't hurt to have a look, just out of interest. | 0:01:39 | 0:01:43 | |
Hey, look! Trendy sofa, | 0:01:43 | 0:01:46 | |
lovely kitchen and... | 0:01:46 | 0:01:48 | |
Hang on a minute! | 0:01:48 | 0:01:50 | |
That's MY flat! | 0:01:50 | 0:01:51 | |
The landlord's selling my flat! | 0:01:51 | 0:01:53 | |
He can't do this to me. KEYPAD TONES | 0:01:53 | 0:01:55 | |
RINGING TONE | 0:01:55 | 0:01:57 | |
Oh, he's not in. | 0:01:57 | 0:01:58 | |
He's probably out...selling flats without telling people. | 0:01:58 | 0:02:01 | |
I'll leave a message. VOICEMAIL BEEPS | 0:02:01 | 0:02:02 | |
Hi, landlord, it's Ricky. | 0:02:02 | 0:02:05 | |
You need to come over here immediately. | 0:02:05 | 0:02:08 | |
Love you... I mean, no! Bye! Bye! | 0:02:08 | 0:02:10 | |
There's no way I'm letting this place be sold! | 0:02:10 | 0:02:13 | |
I really need to leave my mark on it. | 0:02:13 | 0:02:15 | |
That gives me an idea! I'm going to make... | 0:02:15 | 0:02:18 | |
..the Art Ninja 3D initial! | 0:02:19 | 0:02:22 | |
All I need is a bunch of toys. | 0:02:23 | 0:02:25 | |
Here's some of my old toys, that's handy. | 0:02:26 | 0:02:28 | |
So, I've got a big piece of card here and I'm going to start | 0:02:28 | 0:02:31 | |
by drawing out my initial, a nice big R. | 0:02:31 | 0:02:34 | |
I'm going to go quite angular for mine. | 0:02:36 | 0:02:38 | |
I'm using a ruler, but you can go freehand | 0:02:38 | 0:02:40 | |
and make a nice bubble letter. | 0:02:40 | 0:02:42 | |
There we are. Just cut that out. | 0:02:42 | 0:02:44 | |
Now, I need to cut this bit out, so to get my scissors in there, | 0:02:48 | 0:02:51 | |
I'm going to poke a hole with a pencil | 0:02:51 | 0:02:53 | |
and put a bit of modelling clay down to protect the desk. | 0:02:53 | 0:02:56 | |
OK, and now, using the modelling clay and the pencil again, | 0:03:01 | 0:03:04 | |
I'm going to poke two holes, | 0:03:04 | 0:03:06 | |
so I can tie some string in and hang it up later. | 0:03:06 | 0:03:08 | |
Now I've cut myself some cardboard strips. | 0:03:09 | 0:03:12 | |
They're about two centimetres in width | 0:03:12 | 0:03:14 | |
and they're going to work as an edge, | 0:03:14 | 0:03:15 | |
so when I start putting my toys inside the letter, | 0:03:15 | 0:03:18 | |
they won't fall out and I'm sticking them on with some sticky tape. | 0:03:18 | 0:03:22 | |
Now, most of the edges are on, it's starting to form its shape, | 0:03:33 | 0:03:36 | |
it's becoming 3D. Now on to the middle bits. | 0:03:36 | 0:03:39 | |
OK. | 0:03:46 | 0:03:47 | |
This is going to need painting, but I'm not going to do that now, | 0:03:47 | 0:03:50 | |
I'm going to use my Ninja skills. | 0:03:50 | 0:03:52 | |
Yah!! | 0:03:52 | 0:03:53 | |
There you go, painted it a nice aqua blue. | 0:03:53 | 0:03:56 | |
Obviously, you can paint yours whatever colour you like. | 0:03:56 | 0:03:58 | |
Now, it's time to start using the toys. | 0:03:58 | 0:04:00 | |
I'm going to be sticking them down with some strong glue. | 0:04:00 | 0:04:03 | |
Not only is this an R for Ricky, but these are all my toys, | 0:04:03 | 0:04:06 | |
so it will really personalise it. | 0:04:06 | 0:04:09 | |
I'm sticking down smaller objects first, | 0:04:09 | 0:04:10 | |
so they can be seen through the larger objects. | 0:04:10 | 0:04:13 | |
It'll give it greater depth. | 0:04:13 | 0:04:14 | |
Ah, a little skateboard, I remember this. | 0:04:18 | 0:04:21 | |
Yeah! | 0:04:21 | 0:04:23 | |
I'm being careful to make sure the two holes | 0:04:23 | 0:04:26 | |
that I made early are clear, | 0:04:26 | 0:04:28 | |
so later on, it's easier to tie my ribbon. | 0:04:28 | 0:04:30 | |
Get the cow in there. | 0:04:30 | 0:04:32 | |
I'll just mo-o-o-ove this one a bit to make sure it sticks. | 0:04:35 | 0:04:40 | |
Hiyah! Ho! | 0:04:41 | 0:04:44 | |
And I "nose" where this is going to go. | 0:04:44 | 0:04:47 | |
Squeeze it in there. | 0:04:49 | 0:04:51 | |
Now that's dry, I'm ready to paint it. | 0:04:51 | 0:04:54 | |
Got that same nice aqua blue from earlier. | 0:04:54 | 0:04:56 | |
Getting in there. | 0:04:59 | 0:05:00 | |
I don't want to use too much paint | 0:05:04 | 0:05:05 | |
cos I want to maintain all the details of the toys. | 0:05:05 | 0:05:08 | |
I want to use just enough to leave a nice solid colour. | 0:05:08 | 0:05:11 | |
Just changing brush now. There you go, really getting in there. | 0:05:16 | 0:05:19 | |
Right, I got all those hard-to-reach areas. | 0:05:23 | 0:05:25 | |
Now, I could wait for this to dry, but not me. I'm a Ninja! | 0:05:25 | 0:05:29 | |
There we go, check that out. | 0:05:29 | 0:05:31 | |
All I need to do now, is tie on a bit of ribbon and hang it up. | 0:05:32 | 0:05:36 | |
I'm using a nice bit of orange ribbon to complement the blue. | 0:05:36 | 0:05:39 | |
Now, I can hang it up. | 0:05:40 | 0:05:42 | |
There you go, that's definitely put a bit more me around this place, | 0:05:45 | 0:05:49 | |
and it looks awesome. | 0:05:49 | 0:05:50 | |
Instead of toys, you can use anything you like. | 0:05:55 | 0:05:57 | |
Here's one for Sarah, made with old art supplies | 0:05:57 | 0:06:00 | |
and complete with gold glitter. | 0:06:00 | 0:06:02 | |
And another representing Gavin's interests | 0:06:02 | 0:06:04 | |
that he can hang on his bedroom door. | 0:06:04 | 0:06:06 | |
KNOCK AT DOOR | 0:06:06 | 0:06:09 | |
That must be the landlord. | 0:06:09 | 0:06:11 | |
I think you're going to love this place. | 0:06:11 | 0:06:13 | |
Just let yourselves in, why don't you? | 0:06:13 | 0:06:15 | |
As the advert says, it's bijoux, | 0:06:15 | 0:06:17 | |
but as you can see, it's exciting and full of potential. | 0:06:17 | 0:06:20 | |
This is the living room, perfect for living in. | 0:06:20 | 0:06:23 | |
BOTH CHUCKLE | 0:06:23 | 0:06:24 | |
I could really see myself living here, it's very me. | 0:06:24 | 0:06:27 | |
Who are you guys? They look...strangely familiar. | 0:06:27 | 0:06:31 | |
This old table. You're going to want to get rid of THIS monstrosity. | 0:06:31 | 0:06:34 | |
Ugh, simply ghastly! | 0:06:34 | 0:06:36 | |
-Yes, one will definitely be putting an offer in. -Splendid! | 0:06:36 | 0:06:40 | |
That's it then... | 0:06:42 | 0:06:43 | |
The end of an era. | 0:06:43 | 0:06:44 | |
Ciao. | 0:06:44 | 0:06:46 | |
I think I'll do some art to... | 0:06:46 | 0:06:48 | |
cheer myself up. | 0:06:48 | 0:06:50 | |
Here's a quick art tip of how to draw a laughing character. | 0:06:52 | 0:06:55 | |
Let's start with her head. | 0:06:55 | 0:06:57 | |
Just add some hair quickly. | 0:06:57 | 0:07:00 | |
Now the important bit, her expression. | 0:07:03 | 0:07:06 | |
Give her a nice big mouth, crescent like that. | 0:07:06 | 0:07:09 | |
And then just drag it all the way down. | 0:07:09 | 0:07:12 | |
She's laughing really hard, | 0:07:12 | 0:07:14 | |
so the mouth is super wide. | 0:07:14 | 0:07:16 | |
Little nose and upside down half circles for her eyes ... | 0:07:16 | 0:07:19 | |
cos they're closed. | 0:07:19 | 0:07:22 | |
Let's draw her dress, here. | 0:07:22 | 0:07:23 | |
Then I want her to be uncontrollably laughing with her hands | 0:07:23 | 0:07:26 | |
just brought up to her face like this. | 0:07:26 | 0:07:28 | |
And then I'm going to have her knees knocking together... | 0:07:31 | 0:07:33 | |
with the giggles. | 0:07:33 | 0:07:35 | |
There you go, she's vibrating with her chuckles. | 0:07:39 | 0:07:41 | |
And that's it, a quick art tip. | 0:07:41 | 0:07:43 | |
GIGGLING Go on, have a go yourself! | 0:07:46 | 0:07:48 | |
It'll be a laugh. | 0:07:48 | 0:07:50 | |
SQUELCH! | 0:07:51 | 0:07:52 | |
BOTH LAUGH | 0:07:53 | 0:07:55 | |
The idea of this flat being sold | 0:07:57 | 0:07:59 | |
makes me want to scream like this | 0:07:59 | 0:08:01 | |
AAARRRRRRRRRGH! | 0:08:01 | 0:08:04 | |
I feel like my head is going to pop off! | 0:08:04 | 0:08:06 | |
That does give me an idea to do some pop art. | 0:08:08 | 0:08:11 | |
Selfie... AAAAAAAARRGH! | 0:08:11 | 0:08:14 | |
There we go. | 0:08:14 | 0:08:16 | |
I'll just print that out, like a Ninja. | 0:08:16 | 0:08:18 | |
I've got some acetate back here, | 0:08:20 | 0:08:22 | |
and I'm going to lay that sheet over my photograph, | 0:08:22 | 0:08:25 | |
and with a marker pen, draw my main facial features. | 0:08:25 | 0:08:28 | |
Start with my glasses. | 0:08:28 | 0:08:30 | |
You need to use a permanent marker to draw on to acetate, | 0:08:32 | 0:08:35 | |
otherwise your pen marks might smudge. | 0:08:35 | 0:08:38 | |
Colouring in the glasses. There you go. | 0:08:38 | 0:08:41 | |
Look at that. It's already looking really pop-arty. | 0:08:44 | 0:08:47 | |
To turn myself into pop art, I'm going to need some dots. | 0:08:47 | 0:08:50 | |
So, I'm going to use a hole punch to help me. Couple more... | 0:08:50 | 0:08:54 | |
I'm just going to empty those dots out, look at that. | 0:08:56 | 0:08:59 | |
If I stick these red dots onto my acetate outline, | 0:08:59 | 0:09:02 | |
I'll transform myself into a Roy Lichtenstein-inspired picture. | 0:09:02 | 0:09:06 | |
Wham! It's me, Roy Lichtenstein. | 0:09:08 | 0:09:11 | |
You scared me there, Roy! | 0:09:11 | 0:09:12 | |
Ha-ha... I do like to... POP art on people. | 0:09:12 | 0:09:16 | |
Pop art? Get it? | 0:09:16 | 0:09:18 | |
I used thick outlines, bold colours | 0:09:18 | 0:09:20 | |
and I loved drawing comic strips. | 0:09:20 | 0:09:23 | |
I also used dots called Ben-Day dots | 0:09:23 | 0:09:25 | |
based on printing techniques from the 19th century. | 0:09:25 | 0:09:29 | |
My work looks like it was created by photographic reproduction. | 0:09:29 | 0:09:33 | |
And my work itself continues to be reproduced and copied to this day. | 0:09:33 | 0:09:37 | |
So, you won't mind if I make a homage to your work here, then, Roy. | 0:09:37 | 0:09:40 | |
Here's to you! | 0:09:40 | 0:09:42 | |
Hey! | 0:09:44 | 0:09:46 | |
Sorry, Roy! | 0:09:46 | 0:09:47 | |
OK. I've got some gridded paper under here, | 0:09:47 | 0:09:50 | |
I'm going to put my acetate outline onto it, | 0:09:50 | 0:09:52 | |
that'll help me lay on my dots. | 0:09:52 | 0:09:54 | |
Now, I'm going to turn my acetate over so that when I put the dots on, | 0:09:54 | 0:09:57 | |
I don't have to redraw the lines | 0:09:57 | 0:09:58 | |
and I'm going to angle it ever so slightly diagonally, | 0:09:58 | 0:10:01 | |
cos it's more in keeping with the way that Roy did his work. | 0:10:01 | 0:10:05 | |
Now, we start sticking them on. | 0:10:05 | 0:10:07 | |
I'm using a cocktail stick, because it can get a little bit fiddly | 0:10:07 | 0:10:10 | |
and it gives me a lot more control. | 0:10:10 | 0:10:13 | |
And I'm positioning these dots | 0:10:13 | 0:10:15 | |
one square unit of the grid paper apart. | 0:10:15 | 0:10:19 | |
PVA glue is good because it dries transparent. | 0:10:19 | 0:10:22 | |
Hiyah! Ho! | 0:10:23 | 0:10:25 | |
That's the last dot done, a quick peek. | 0:10:25 | 0:10:27 | |
Now, I'm going to move on to some painting. | 0:10:27 | 0:10:30 | |
I'm using some bright, primary colours just like Lichtenstein. | 0:10:30 | 0:10:33 | |
A bit of red for my top. | 0:10:33 | 0:10:34 | |
I've got some yellow, | 0:10:34 | 0:10:36 | |
that's for my hair. | 0:10:36 | 0:10:38 | |
And a bit of blue, for the top of my shirt. | 0:10:38 | 0:10:41 | |
I'll start with the yellow. | 0:10:41 | 0:10:43 | |
I'm using acrylic paint because it sticks better to acetate. | 0:10:43 | 0:10:45 | |
Remember I'm painting on the back here, | 0:10:47 | 0:10:49 | |
so it doesn't matter if I go over the lines. | 0:10:49 | 0:10:51 | |
Now, a bit of blue for my shirt. | 0:10:52 | 0:10:54 | |
You don't have to use paint, you could use coloured markers. | 0:10:54 | 0:10:57 | |
Finally, some red. | 0:10:57 | 0:10:58 | |
I'm painting the acetate on top of some white paper, | 0:10:59 | 0:11:02 | |
it's just easier to see where I'm painting. | 0:11:02 | 0:11:05 | |
I think that's done. Let's check it out. | 0:11:06 | 0:11:09 | |
Time for another selfie. | 0:11:12 | 0:11:13 | |
I look a bit dotty! | 0:11:15 | 0:11:16 | |
Just print that out. Ninja skills. | 0:11:18 | 0:11:20 | |
Well worth a frame. | 0:11:20 | 0:11:22 | |
There you go, a perfect, pop-up portrait. | 0:11:22 | 0:11:25 | |
'Art Ninja!' | 0:11:31 | 0:11:33 | |
KNOCK AT DOOR | 0:11:33 | 0:11:35 | |
That better not be more people coming to view the flat! | 0:11:35 | 0:11:39 | |
Oh, you again! Come to show some more people around, I suppose? | 0:11:39 | 0:11:42 | |
Fooled you, Ricky. It's me! | 0:11:42 | 0:11:45 | |
Gavin! I was just pretending to be an estate agent! | 0:11:45 | 0:11:48 | |
You mean what I think you mean? | 0:11:48 | 0:11:50 | |
Yeah, the flat's not for sale! | 0:11:50 | 0:11:51 | |
Only kidding, mate, just my little joke! Ha-ha! Your face! | 0:11:51 | 0:11:55 | |
RIPPING | 0:11:55 | 0:11:57 | |
Very funny, Gavin. Now, get out, you big, practical joker. | 0:11:57 | 0:12:00 | |
No more from you. | 0:12:00 | 0:12:01 | |
When Gavin's in the mood for pranks, he's hard to keep up with - | 0:12:01 | 0:12:05 | |
a bit like this picture, because it's animated. | 0:12:05 | 0:12:08 | |
HE PUFFS | 0:12:08 | 0:12:10 | |
Skateboarding is thirsty work. | 0:12:10 | 0:12:13 | |
Hey, dude, how about this to wet your whistle? | 0:12:14 | 0:12:17 | |
Thanks, bro. | 0:12:17 | 0:12:18 | |
Whoa! I thought my cup was going to take off! | 0:12:26 | 0:12:29 | |
-No, it's just an animation. -A "plane" awesome one. | 0:12:30 | 0:12:33 | |
To make this sweet cup animation, you'll need. | 0:12:33 | 0:12:36 | |
Plastic cups, some paints, | 0:12:36 | 0:12:39 | |
a permanent marker pen, | 0:12:39 | 0:12:41 | |
and a tablet with animation software. | 0:12:41 | 0:12:43 | |
And you can make this animation in just three Ninja moves. | 0:12:43 | 0:12:47 | |
Ninja move number one. | 0:12:47 | 0:12:49 | |
Decide what you're going to animate. I'm going to do a little red plane. | 0:12:49 | 0:12:52 | |
So, I need to grab my cups and my pen. | 0:12:52 | 0:12:55 | |
I'm going to start drawing | 0:12:57 | 0:12:59 | |
my separate frames around the outside of one of the cups. | 0:12:59 | 0:13:02 | |
That's my first frame, and I reckon I can get one, two, three... | 0:13:05 | 0:13:09 | |
four more round that, so five frames in all. | 0:13:09 | 0:13:11 | |
I'm going to change it ever so slightly. | 0:13:11 | 0:13:13 | |
So, the body of the plane stays the same, | 0:13:14 | 0:13:16 | |
but I'm going to have the wings level out a little bit. | 0:13:16 | 0:13:19 | |
I'm drawing my plane freehand, but you could use a stencil. | 0:13:21 | 0:13:24 | |
There we go, I'm going to paint that red. | 0:13:28 | 0:13:30 | |
I'm using acrylic paint here. | 0:13:30 | 0:13:32 | |
It's great, because it's very opaque | 0:13:32 | 0:13:34 | |
and gets a good covering on the plastic cup. | 0:13:34 | 0:13:37 | |
Ninja move number two. | 0:13:40 | 0:13:42 | |
Now, it's time to paint my mid-ground and my background. | 0:13:42 | 0:13:44 | |
Now, my mid-ground's going to be clouds, | 0:13:44 | 0:13:46 | |
so I'm going to take another one of the plastic cups | 0:13:46 | 0:13:49 | |
and get some white paint. | 0:13:49 | 0:13:50 | |
The clouds are going to done now, | 0:13:54 | 0:13:55 | |
I'm going to move on to the background, | 0:13:55 | 0:13:57 | |
and that one's going to be an all-blue cup. | 0:13:57 | 0:13:59 | |
You can add extra clouds to it, I'm going to keep mine plain. | 0:13:59 | 0:14:02 | |
Just going to mix up a bit of paint. | 0:14:02 | 0:14:03 | |
There we go, a nice, blue cup. I'll just leave those two to dry. | 0:14:09 | 0:14:13 | |
I'm adding outlines to my clouds and birds to my blue sky. | 0:14:14 | 0:14:18 | |
Ninja move number three. | 0:14:18 | 0:14:20 | |
So, now, it's time to start shooting the animation. | 0:14:20 | 0:14:23 | |
So, I need to put my cups within each other, so I have a background, | 0:14:23 | 0:14:26 | |
a mid-ground and a foreground all working together nicely. | 0:14:26 | 0:14:28 | |
The technique we're using here is called "parallaxing". | 0:14:28 | 0:14:31 | |
You know, when you look out of a car window, as you're driving along, | 0:14:31 | 0:14:33 | |
objects very close move very quickly, | 0:14:33 | 0:14:35 | |
and objects in the distance move very slowly. | 0:14:35 | 0:14:37 | |
The background is going to move a tiny, tiny amount, | 0:14:37 | 0:14:40 | |
the mid-ground's going to move more | 0:14:40 | 0:14:41 | |
and the foreground plane is going to move a whole frame each time. | 0:14:41 | 0:14:45 | |
I'll take the first frame. | 0:14:45 | 0:14:46 | |
CAMERA CLICKS | 0:14:46 | 0:14:48 | |
OK, I've added some sound effects and I've compiled my movie. | 0:15:00 | 0:15:03 | |
I think it's time to take a look at our mini masterpiece. | 0:15:03 | 0:15:06 | |
PLANE DRONES | 0:15:08 | 0:15:11 | |
-OK, guys, what do you think of the animation? -Good work. | 0:15:15 | 0:15:18 | |
I'll drink to that. | 0:15:18 | 0:15:20 | |
PHONE RINGS | 0:15:23 | 0:15:24 | |
'Hi, Ricky, it's your mum.' | 0:15:24 | 0:15:26 | |
Of course it is! You're the only person that uses that phone. | 0:15:26 | 0:15:30 | |
'Here's what's coming up.' | 0:15:30 | 0:15:32 | |
Cast your eyes on some amazing plaster art. | 0:15:32 | 0:15:36 | |
There's some soap that simply poo-mazing. | 0:15:36 | 0:15:39 | |
And there's epic art that should win the World Cup, and I'm not joking. | 0:15:39 | 0:15:44 | |
You never can tell with mum. | 0:15:44 | 0:15:45 | |
-BOTH: -Ricky, Ricky, Ricky! | 0:15:45 | 0:15:48 | |
It's the Ninja Apprentices. | 0:15:48 | 0:15:50 | |
Ricky, can you make art with a jar of jam? | 0:15:50 | 0:15:54 | |
-Sorry, it's a bit of a sticky subject. -Oh... | 0:15:54 | 0:15:58 | |
Hi, Ricky, it's Nero from The 4 O'clock Club. | 0:15:58 | 0:16:01 | |
Oh, hiya! | 0:16:01 | 0:16:03 | |
(Another CBBC peep trying to get in on the act!) | 0:16:03 | 0:16:06 | |
Quick question. Can you make something out of a tape dispenser? | 0:16:06 | 0:16:09 | |
-Not today, you should be getting off to your own show! -Come on! | 0:16:09 | 0:16:13 | |
Hey, what's this guy got? | 0:16:14 | 0:16:15 | |
Ricky, can you make art with an old sock? | 0:16:15 | 0:16:18 | |
All right, I pick you! | 0:16:18 | 0:16:21 | |
Yeah. | 0:16:21 | 0:16:22 | |
-What's your name, dude? -Almo. | 0:16:22 | 0:16:24 | |
-Nice to meet you, Almo. And where you from? -Bristol. -Ah, yes! | 0:16:24 | 0:16:28 | |
So, art with an old sock, | 0:16:28 | 0:16:30 | |
I'm going to make a fake plaster cast | 0:16:30 | 0:16:32 | |
-you can fool your mates with. -Yeah. | 0:16:32 | 0:16:34 | |
I'll just go and grab some bits. | 0:16:34 | 0:16:36 | |
-So, I've got myself an old bottle here. -OK. | 0:16:36 | 0:16:39 | |
I'm going to carefully chop the top off. | 0:16:39 | 0:16:41 | |
I've taken off the lid, cos that way | 0:16:41 | 0:16:43 | |
it's easier to squeeze, and I can cut it. | 0:16:43 | 0:16:45 | |
This bit can be a bit tricky, so get an adult to help you. | 0:16:46 | 0:16:49 | |
There you go, take the top off. | 0:16:49 | 0:16:51 | |
I'm just going to chop the bottom off, as well. | 0:16:51 | 0:16:54 | |
Again, just squeeze that to get my scissors in. | 0:16:54 | 0:16:56 | |
-Now, I'm just going to cut all the way down the bottle... -Yeah. | 0:16:59 | 0:17:03 | |
..which means I can change the size of it so it can fit me properly. | 0:17:03 | 0:17:06 | |
Just make sure. I'll put my arm in. | 0:17:07 | 0:17:09 | |
A little bit of overlap, that's pretty good for mine. | 0:17:09 | 0:17:12 | |
So, I'm going to stick that, at that point, together. | 0:17:12 | 0:17:15 | |
Just using some masking tape. | 0:17:15 | 0:17:16 | |
You can use regular tape, but I've just got masking tape to hand. | 0:17:16 | 0:17:20 | |
I'm going to put some masking tape on the inside, too, | 0:17:23 | 0:17:26 | |
so the join doesn't scratch me when I put it on. | 0:17:26 | 0:17:28 | |
There you go. | 0:17:29 | 0:17:30 | |
Now, I think I'm going to cut | 0:17:30 | 0:17:32 | |
a little U shape for my thumb to go through. | 0:17:32 | 0:17:35 | |
Then it looks really authentic. | 0:17:35 | 0:17:37 | |
I'm going to put a little bit of tape around the top of this U there, | 0:17:41 | 0:17:44 | |
so the plastic doesn't scratch me. | 0:17:44 | 0:17:46 | |
It's just safety stuff. | 0:17:46 | 0:17:47 | |
And I'll do the same all the way along the top and on the bottom. | 0:17:47 | 0:17:50 | |
-What would your dream art project be? -Hmm. | 0:17:50 | 0:17:53 | |
A ginormous cardboard castle. | 0:17:53 | 0:17:55 | |
A massive cardboard castle! | 0:17:55 | 0:17:57 | |
-Would you live in it? -Yes. | 0:17:57 | 0:17:59 | |
Would you live in it alone, or would you invite friends over? | 0:17:59 | 0:18:02 | |
Invite a few friends. | 0:18:02 | 0:18:04 | |
Yeah. Here we go. | 0:18:04 | 0:18:05 | |
I've got some cotton wool here and I'm going to stick it round the top | 0:18:05 | 0:18:08 | |
and the bottom and around the thumb hole so it looks like a real cast. | 0:18:08 | 0:18:12 | |
Just like that to the edges, | 0:18:12 | 0:18:14 | |
and I'm just going to tape it over with some masking tape. | 0:18:14 | 0:18:17 | |
There you go. I'll do the same at the bottom. | 0:18:22 | 0:18:25 | |
There we are. It's looking pretty good. | 0:18:29 | 0:18:31 | |
-I think it's time to use the sock. -Yeah. | 0:18:31 | 0:18:34 | |
I'm going to chop off the toes. | 0:18:36 | 0:18:37 | |
And then, I'm going to chop it again | 0:18:41 | 0:18:43 | |
just before the material changes pattern... So, after the heel. | 0:18:43 | 0:18:46 | |
And now, I'm going to slide it over the bottle, | 0:18:48 | 0:18:50 | |
a great use for a stinky, old sock! | 0:18:50 | 0:18:53 | |
So, it covers up all the tape. | 0:18:57 | 0:18:58 | |
It's really starting to take shape now. | 0:18:58 | 0:19:01 | |
So, my thumb's meant to go through here. | 0:19:01 | 0:19:03 | |
I've got to make a little hole for it. | 0:19:03 | 0:19:05 | |
Ah, yeah, that's looking really good, | 0:19:10 | 0:19:11 | |
but it doesn't feel very good at the moment. | 0:19:11 | 0:19:13 | |
I think it could do with a bit of stiffness to it. | 0:19:13 | 0:19:16 | |
So, I'm going to cover it in a layer of PVA glue. | 0:19:16 | 0:19:19 | |
So, just start pasting it on. | 0:19:19 | 0:19:20 | |
Really get it on nice and thick. | 0:19:21 | 0:19:23 | |
The PVA will make it stiff like a real cast. | 0:19:26 | 0:19:29 | |
Now, I need to wait for that to dry | 0:19:29 | 0:19:31 | |
-or I could use some Ninja skills. What do you think? -Ninja skills! | 0:19:31 | 0:19:35 | |
Hiyah! | 0:19:35 | 0:19:37 | |
Yeah, Ninja skills. | 0:19:37 | 0:19:39 | |
Right, Almo, cast your eyes on this. | 0:19:39 | 0:19:42 | |
So, it's dried, rock solid, and, look, | 0:19:42 | 0:19:44 | |
I've got all this artwork drawn on it. | 0:19:44 | 0:19:46 | |
You can even get your mates to draw on it | 0:19:46 | 0:19:48 | |
without the pain of hurting your arm. | 0:19:48 | 0:19:50 | |
-What do you think of it? -It's awesome, Ricky. | 0:19:50 | 0:19:52 | |
What mark would you give it, other than a scribble of course? | 0:19:52 | 0:19:55 | |
I give it...ten. | 0:19:55 | 0:19:57 | |
Ah, yeah! | 0:19:57 | 0:19:58 | |
Great suggestion, Almo. Thanks, dude, bye-bye. | 0:19:59 | 0:20:02 | |
Why not try and prank your mates with a fake cast? | 0:20:03 | 0:20:07 | |
-TV: -'Hey, you there. | 0:20:13 | 0:20:15 | |
'Someone been winding you up?' | 0:20:15 | 0:20:17 | |
Other than you? | 0:20:17 | 0:20:18 | |
'Well, now, you can play practical jokes on your mates with this...' | 0:20:18 | 0:20:22 | |
..delightful soap that looks like poo! | 0:20:23 | 0:20:26 | |
Here's how you make it. | 0:20:28 | 0:20:30 | |
Take a bar of soap and grate it into a bowl. | 0:20:31 | 0:20:36 | |
Great! | 0:20:40 | 0:20:42 | |
Done. | 0:20:45 | 0:20:47 | |
-Now, pop that in the microwave... -BEEPING | 0:20:48 | 0:20:51 | |
..for ten seconds. | 0:20:51 | 0:20:52 | |
PING! | 0:20:54 | 0:20:56 | |
Warm. | 0:20:56 | 0:20:57 | |
Now, take a tablespoon of coffee | 0:20:57 | 0:21:00 | |
and add some warm water... | 0:21:00 | 0:21:03 | |
..and stir... | 0:21:05 | 0:21:06 | |
'..until it's a nice paste.' | 0:21:08 | 0:21:10 | |
Add that to your soap... | 0:21:13 | 0:21:15 | |
..and mix it with your hands. | 0:21:18 | 0:21:20 | |
Really get in there. | 0:21:23 | 0:21:25 | |
Now, mould it into a sausage shape. | 0:21:29 | 0:21:31 | |
Shape it as desired. | 0:21:40 | 0:21:43 | |
Classic. | 0:21:45 | 0:21:46 | |
Fake poo soap! | 0:21:48 | 0:21:49 | |
Remember it's not real, | 0:21:49 | 0:21:52 | |
but it's excellent for cleaning you from top to bottom. | 0:21:52 | 0:21:56 | |
TING! | 0:21:56 | 0:21:57 | |
To be fair, I do like most of the products he sells, | 0:21:57 | 0:22:01 | |
this isn't my favourite though. | 0:22:01 | 0:22:02 | |
It's probably my number two. | 0:22:02 | 0:22:04 | |
I really want to get Gav back for his prank. | 0:22:04 | 0:22:07 | |
If only Gavin had left his most treasured possession behind! | 0:22:07 | 0:22:11 | |
Near the front door, for instance. | 0:22:11 | 0:22:13 | |
ETHEREAL SPARKLING Hang on, what's this? | 0:22:13 | 0:22:16 | |
"Gav's Secret Diary"! | 0:22:17 | 0:22:19 | |
This will come in handy. | 0:22:21 | 0:22:23 | |
Hi, Rich. Grab Sarah and meet me at the warehouse. | 0:22:24 | 0:22:28 | |
Ninja skills. | 0:22:38 | 0:22:40 | |
-Hey, guys, thanks for coming down. -Hey, Ricky. | 0:22:40 | 0:22:42 | |
So, you remember how Gavin always likes to play | 0:22:42 | 0:22:44 | |
-those practical jokes on us. -Yeah... | 0:22:44 | 0:22:46 | |
It's time to get Gav back for all his pranks, and I have here... | 0:22:46 | 0:22:50 | |
ETHEREAL SPARKLING ..his secret diary. | 0:22:50 | 0:22:52 | |
I bet he's desperate to get this back, | 0:22:52 | 0:22:54 | |
and I'm going to make it very hard for him. | 0:22:54 | 0:22:56 | |
SHE SLURPS | 0:22:56 | 0:22:57 | |
Sarah, do you mind not slurping when I'm telling you our cunning plan. | 0:22:57 | 0:23:01 | |
That's not very cordial! | 0:23:01 | 0:23:02 | |
No, but it does give me an idea, | 0:23:02 | 0:23:04 | |
but if only we had more cups and more cordial. | 0:23:04 | 0:23:06 | |
What, like that? | 0:23:06 | 0:23:08 | |
That should do it! But first, | 0:23:09 | 0:23:12 | |
we better get our Ninja on. | 0:23:12 | 0:23:13 | |
WHOOSHING AIR | 0:23:15 | 0:23:17 | |
CRACKING, CRUNCHING | 0:23:17 | 0:23:19 | |
Art Ninja! | 0:23:21 | 0:23:22 | |
Art Ninja...? | 0:23:22 | 0:23:23 | |
SHE SLURPS | 0:23:23 | 0:23:25 | |
Because Gavin takes the cup for being the biggest prankster, | 0:23:27 | 0:23:30 | |
we're going to make some epic art | 0:23:30 | 0:23:32 | |
using cups and lots and lots of squash. | 0:23:32 | 0:23:34 | |
We're going to carefully place the cups together, | 0:23:34 | 0:23:37 | |
squash Gavin's diary behind them and then he won't be able to get it back | 0:23:37 | 0:23:40 | |
-without spilling all the drinks. -Sneaky. | 0:23:40 | 0:23:43 | |
So, we need to start a little production line. | 0:23:43 | 0:23:46 | |
So, how many do you want of these, Ricky? Just a couple? | 0:23:46 | 0:23:49 | |
Um, yeah. About 3,066. | 0:23:49 | 0:23:51 | |
3,066! | 0:23:51 | 0:23:53 | |
Approximately. SHE GROANS | 0:23:53 | 0:23:55 | |
Ricky, how are these cups going to make art? | 0:23:59 | 0:24:01 | |
Good question, my friend. | 0:24:01 | 0:24:02 | |
Well, once they're filled with different colours | 0:24:02 | 0:24:05 | |
and placed in the right order, | 0:24:05 | 0:24:07 | |
from above, they'll make a giant picture. | 0:24:07 | 0:24:10 | |
Let's get some more. | 0:24:10 | 0:24:11 | |
Can I have a drink? | 0:24:27 | 0:24:29 | |
-Yeah. -Cheers. | 0:24:29 | 0:24:30 | |
Hey, you guys, pack it in! | 0:24:30 | 0:24:31 | |
-We need that juice for the art. -It's thirsty work, this. | 0:24:31 | 0:24:34 | |
SHE SLURPS | 0:24:39 | 0:24:40 | |
Ricky, we've laid all these cups, but I still have no idea what it is. | 0:24:49 | 0:24:54 | |
Well, from this angle, it doesn't make much sense, | 0:24:54 | 0:24:56 | |
but all these separate little circles of colour, from above, | 0:24:56 | 0:24:59 | |
-will make an amazing picture. -I can't wait to see it. | 0:24:59 | 0:25:02 | |
And that's it! | 0:25:08 | 0:25:09 | |
Using 500 litres of liquid and 6,000 cups, | 0:25:09 | 0:25:12 | |
we've made a colossal clown! | 0:25:12 | 0:25:14 | |
-He's incredible! -It looks awesome! | 0:25:18 | 0:25:20 | |
I'm super-stoked with this. | 0:25:20 | 0:25:21 | |
Look how all the colours join together, | 0:25:21 | 0:25:23 | |
and from above, it makes a beautiful picture. | 0:25:23 | 0:25:26 | |
And now time to play our prank on Gavin. | 0:25:26 | 0:25:29 | |
I called him earlier and told him to come and get his secret diary, | 0:25:29 | 0:25:32 | |
but I'm going to place it on one side of the cups | 0:25:32 | 0:25:34 | |
and when he tries desperately to get it back, | 0:25:34 | 0:25:37 | |
he'll spill ALL of the juice. HE LAUGHS | 0:25:37 | 0:25:39 | |
ALL LAUGH MANIACALLY | 0:25:39 | 0:25:42 | |
PHONE RINGS Oh, hang on, guys. | 0:25:46 | 0:25:48 | |
-Oh, it's Gav. ..Hey, dude? -'Hi, Ricky.' | 0:25:48 | 0:25:50 | |
I can't make it down to the warehouse today, | 0:25:50 | 0:25:52 | |
I've got a very important appointment. | 0:25:52 | 0:25:55 | |
'Sorry, mate.' | 0:25:55 | 0:25:56 | |
Catch you later. | 0:25:56 | 0:25:57 | |
He's not coming. He says he's got an important appointment. | 0:25:57 | 0:26:01 | |
Well, there's one very important appointment, but that's it! | 0:26:03 | 0:26:06 | |
There's nothing else in here, no juicy gossip, no nothing. | 0:26:06 | 0:26:09 | |
Um, Ricky, how are we going to get out of here without getting soaked? | 0:26:10 | 0:26:15 | |
You've literally painted us into a corner! | 0:26:16 | 0:26:19 | |
HE FACEPALMS | 0:26:19 | 0:26:21 | |
That's not the worst of it. | 0:26:21 | 0:26:23 | |
-I think I drank too much juice. -Oh, no, don't tell me... | 0:26:23 | 0:26:26 | |
I need a wee. | 0:26:26 | 0:26:28 | |
I think I need one, too. | 0:26:28 | 0:26:30 | |
Oh, guys! Oh, you're making me need one. | 0:26:30 | 0:26:32 | |
At least, we made some fantastic art. | 0:26:32 | 0:26:35 | |
Ooooh, I'm going to wee! | 0:26:36 | 0:26:38 | |
-'Art Ninja!' -OWL HOOTS | 0:27:04 | 0:27:06 | |
It's OK, we eventually got out without any accidents | 0:27:09 | 0:27:13 | |
and Gavin was none the wiser. | 0:27:13 | 0:27:15 | |
No change there. | 0:27:15 | 0:27:16 | |
Today has taught me a valuable Art Ninja lesson. | 0:27:16 | 0:27:20 | |
Before you do art with soft drink, | 0:27:20 | 0:27:22 | |
make sure you stop and think. | 0:27:22 | 0:27:24 | |
PPPPBBBBBPPPPPT! Oh, another Gav prank! | 0:27:24 | 0:27:27 | |
He's only gone and put a whoopee cushion in my bed. | 0:27:27 | 0:27:30 | |
It's here somewhere. | 0:27:31 | 0:27:32 | |
It's definitely here somewhere. | 0:27:34 | 0:27:36 | |
There's no whoopee cushion. | 0:27:40 | 0:27:42 | |
It must've been me. HE SNIFFS | 0:27:43 | 0:27:45 | |
Urrrrrrrrgh! | 0:27:45 | 0:27:48 |