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I'm Ricky. | 0:00:03 | 0:00:04 | |
I live in Bristol. | 0:00:04 | 0:00:06 | |
I work as an animator, which is lucky because I love art. | 0:00:06 | 0:00:09 | |
Goal! | 0:00:09 | 0:00:10 | |
I live for art. I even dream of art. | 0:00:10 | 0:00:13 | |
I draw, I paint, I make things. | 0:00:13 | 0:00:17 | |
Nailed it! | 0:00:17 | 0:00:18 | |
I hang out with my mates. | 0:00:20 | 0:00:22 | |
Gavin, Michelle, Rich and Sarah. | 0:00:22 | 0:00:25 | |
It's me! | 0:00:25 | 0:00:26 | |
Most importantly, I make ninja moves. | 0:00:26 | 0:00:29 | |
Some people call me the... | 0:00:29 | 0:00:32 | |
Today I'll show you how to make a bag with bite. | 0:00:34 | 0:00:38 | |
We'll be monkeying around with this chalk pastel primate. | 0:00:38 | 0:00:42 | |
And I'd be "lion" if I didn't say we make art that stinks. | 0:00:42 | 0:00:45 | |
Because today it's... | 0:00:48 | 0:00:49 | |
Ah! It's a new day. | 0:00:56 | 0:00:58 | |
I better get my ninja on. | 0:00:58 | 0:01:00 | |
And my clothes. | 0:01:00 | 0:01:02 | |
What's that noise? Sounds like someone's a little hoarse. | 0:01:16 | 0:01:20 | |
All right, Gav, what are you doing? | 0:01:23 | 0:01:24 | |
I'm training for the Bristol marathon and a half. | 0:01:24 | 0:01:26 | |
Why are you running a marathon dressed as the front end of a horse? | 0:01:26 | 0:01:30 | |
Well, my running mate pulled out the back. | 0:01:30 | 0:01:32 | |
You mean to say he had his face down there? | 0:01:32 | 0:01:35 | |
I'm not surprised. | 0:01:35 | 0:01:38 | |
Oh, that's a good point. | 0:01:38 | 0:01:40 | |
I should probably find something better to dress as, shouldn't I? | 0:01:40 | 0:01:43 | |
See ya! | 0:01:43 | 0:01:44 | |
Gav would be better off running in an old T-shirt, like this! | 0:01:49 | 0:01:53 | |
But I'm going to use this to make something really cool. | 0:01:53 | 0:01:57 | |
The Art Ninja piranha bag! | 0:01:57 | 0:01:59 | |
I need to start by turning this inside out. | 0:02:01 | 0:02:03 | |
Ninja skills! | 0:02:05 | 0:02:07 | |
Now, I'm going to pen a shape into it | 0:02:08 | 0:02:10 | |
that's going to make a fish's body. | 0:02:10 | 0:02:13 | |
All the way along up here. Have a little flat top. | 0:02:13 | 0:02:16 | |
Then we have the same angle going back down the other side. | 0:02:16 | 0:02:19 | |
Now I'm going to cut off the top part of the T-shirt, | 0:02:20 | 0:02:23 | |
two centimetres above my line of pins. | 0:02:23 | 0:02:26 | |
There we go. | 0:02:26 | 0:02:27 | |
Right, now I need to cut out some fins. | 0:02:28 | 0:02:30 | |
And for that, I'm using a dishcloth. | 0:02:30 | 0:02:33 | |
First, two side fins. | 0:02:37 | 0:02:39 | |
Then a tail fin. | 0:02:41 | 0:02:42 | |
And finally, a back fin. | 0:02:43 | 0:02:45 | |
The T-shirt's inside out, | 0:02:46 | 0:02:47 | |
so I'm going to pin these fins on the inside, | 0:02:47 | 0:02:50 | |
so when I turn it round the right way, they'll be on the outside. | 0:02:50 | 0:02:53 | |
Just start by unpinning here and then sneaking this through the side. | 0:02:53 | 0:02:56 | |
Pop that one in like that. | 0:02:59 | 0:03:01 | |
There we are. | 0:03:03 | 0:03:05 | |
Once it's nice and flat I'm just going to pin it back into place. | 0:03:05 | 0:03:09 | |
OK. Now I need to do the same thing with these side fins. | 0:03:09 | 0:03:12 | |
Pin it in place. | 0:03:16 | 0:03:17 | |
And on the other side. | 0:03:17 | 0:03:19 | |
Great. Now I can start sewing it. | 0:03:22 | 0:03:23 | |
So I've got myself a little bit of thread and a needle here | 0:03:23 | 0:03:26 | |
and I've tied a knot in the end so that when I pull it through, | 0:03:26 | 0:03:29 | |
it holds it in place. | 0:03:29 | 0:03:30 | |
I'm going to sew all the way along my line of pins, | 0:03:30 | 0:03:33 | |
using a running stitch. | 0:03:33 | 0:03:35 | |
Always be careful, because I'm using a needle. | 0:03:37 | 0:03:39 | |
Right. | 0:03:39 | 0:03:40 | |
Now I can turn it round the right way. | 0:03:40 | 0:03:42 | |
There we are. | 0:03:45 | 0:03:47 | |
And as you can see, our stitching is all hidden and really tidy. | 0:03:47 | 0:03:50 | |
Now I'm going to stick on the back fin with a little bit of fabric glue. | 0:03:50 | 0:03:53 | |
This is also called a dorsal fin, a true fact. | 0:03:55 | 0:03:58 | |
And I've layered up some different coloured pieces of felt | 0:03:58 | 0:04:02 | |
to make some eyes, | 0:04:02 | 0:04:03 | |
and I'm going to glue them on with fabric glue. | 0:04:03 | 0:04:06 | |
There we are. | 0:04:09 | 0:04:12 | |
I've also cut out some triangles and I'm going to put them on the inside | 0:04:12 | 0:04:15 | |
of the T-shirt to become the piranha's teeth. | 0:04:15 | 0:04:17 | |
Five at the top and four at the bottom. | 0:04:19 | 0:04:21 | |
Now it is a bag, it means it needs straps. | 0:04:21 | 0:04:24 | |
So I need to cut a couple of holes for them. | 0:04:24 | 0:04:27 | |
Just going to pinch the two layers of T-shirt together, | 0:04:27 | 0:04:29 | |
just cut through them both. There we go. | 0:04:29 | 0:04:33 | |
And the same on this side, too. | 0:04:33 | 0:04:35 | |
There we are. Now also this bag's going to have a drawstring, | 0:04:35 | 0:04:39 | |
so I'm going to make that by using | 0:04:39 | 0:04:40 | |
the hem at the bottom of the T-shirt. | 0:04:40 | 0:04:42 | |
I'm going to cut a hole into the side of the hem here, | 0:04:42 | 0:04:44 | |
just so we can get the drawstring in. | 0:04:44 | 0:04:47 | |
Do the other side. | 0:04:47 | 0:04:50 | |
There we go. | 0:04:50 | 0:04:52 | |
Now I've got some ribbon to become the straps | 0:04:55 | 0:04:56 | |
and we need to thread this through the hem of the T-shirt | 0:04:56 | 0:04:59 | |
to make the drawstring. | 0:04:59 | 0:05:01 | |
Now that's quite tricky, so I'm going to tape it to a pencil | 0:05:01 | 0:05:03 | |
to make it a little bit easier. | 0:05:03 | 0:05:05 | |
There we go. | 0:05:08 | 0:05:09 | |
-There -we are. | 0:05:17 | 0:05:19 | |
One side done. Now I need to do the other side. | 0:05:20 | 0:05:23 | |
A tip here to make this easier | 0:05:23 | 0:05:25 | |
is to hold on to the back of the pencil and gather the material | 0:05:25 | 0:05:28 | |
over the end with the point. | 0:05:28 | 0:05:30 | |
There you go, two drawstrings. | 0:05:32 | 0:05:33 | |
Now I need to just tie them to make the straps. | 0:05:33 | 0:05:35 | |
So I'm going to tape one end again to the pencil and poke it through. | 0:05:35 | 0:05:39 | |
There we go. Pull it off. | 0:05:41 | 0:05:44 | |
And then I'm just going to tie that to the other end. | 0:05:44 | 0:05:47 | |
Just do the same on the other side. | 0:05:49 | 0:05:51 | |
And tie that last one together. | 0:05:53 | 0:05:54 | |
There we go. | 0:05:54 | 0:05:56 | |
Now to try it on. | 0:05:56 | 0:05:58 | |
Check it out! | 0:06:00 | 0:06:01 | |
You don't have to make your bag in the shape of a fish, | 0:06:06 | 0:06:08 | |
there's plenty of other catchy designs, like this. | 0:06:08 | 0:06:11 | |
Bat pack. | 0:06:12 | 0:06:13 | |
Or how about this "turtle-ly" awesome turtle bag! | 0:06:15 | 0:06:18 | |
KNOCKING | 0:06:21 | 0:06:22 | |
Oh, better run and get that. | 0:06:22 | 0:06:24 | |
There you are, Gavin. | 0:06:27 | 0:06:28 | |
That is so much more appropriate for running. | 0:06:28 | 0:06:31 | |
No! I'm wearing this underneath. | 0:06:31 | 0:06:33 | |
My outfit's in here. | 0:06:33 | 0:06:35 | |
Now turn around and I'll change. | 0:06:35 | 0:06:36 | |
So how long do you think it will take you to finish the marathon? | 0:06:38 | 0:06:41 | |
About an hour and a half. | 0:06:41 | 0:06:42 | |
An hour and a half?! | 0:06:42 | 0:06:43 | |
You can't finish in an hour and a half, you big cheater. | 0:06:43 | 0:06:46 | |
That's exactly what I am, Ricky! | 0:06:46 | 0:06:48 | |
You said something more appropriate for running. | 0:06:48 | 0:06:50 | |
These guys can run 120km an hour! | 0:06:50 | 0:06:53 | |
Go on, get out of here. | 0:06:55 | 0:06:56 | |
This costume isn't working, is it? | 0:06:56 | 0:06:58 | |
I better get something better. | 0:06:58 | 0:06:59 | |
I don't know about a cheetah, but Gav can be a cheeky monkey. | 0:07:04 | 0:07:07 | |
Speaking of which, I'm going to do a picture of a baboon. | 0:07:07 | 0:07:10 | |
Baboon, it's a good word that, isn't it? Anyway. | 0:07:11 | 0:07:14 | |
I'll start by drawing quite a simple line drawing. | 0:07:15 | 0:07:18 | |
First, I'm drawing the baboon's nose. | 0:07:18 | 0:07:20 | |
I'm going to make this nice and dark so I can trace it later. | 0:07:21 | 0:07:23 | |
Glad I haven't got a baboon's nose. | 0:07:25 | 0:07:27 | |
Or have I? | 0:07:27 | 0:07:29 | |
A little beard. | 0:07:29 | 0:07:30 | |
Wish I had a beard like a baboon. | 0:07:32 | 0:07:34 | |
And a great big mane. | 0:07:34 | 0:07:35 | |
And finally, two eyes looking pretty baboony. | 0:07:40 | 0:07:43 | |
Now using another piece of paper I'm going to trace the mane. | 0:07:43 | 0:07:47 | |
This is going to be my template. | 0:07:47 | 0:07:48 | |
All will become clear later. | 0:07:49 | 0:07:51 | |
Just joining it up. Sweet. | 0:07:51 | 0:07:54 | |
Now I'm going to cut that out. | 0:07:54 | 0:07:55 | |
I'm not so worried about cutting into the inside shape here, | 0:07:58 | 0:08:00 | |
it's all about maintaining the shape on the outside, | 0:08:00 | 0:08:02 | |
because this is a stencil. | 0:08:02 | 0:08:04 | |
Now I need stencils of all the other parts of the baboon's face | 0:08:05 | 0:08:09 | |
so I'm going to use my ninja skills! | 0:08:09 | 0:08:11 | |
There we go. | 0:08:12 | 0:08:13 | |
Lovely. Won't be needing this. | 0:08:13 | 0:08:16 | |
I do need a fresh piece of paper and some chalk pastels. | 0:08:16 | 0:08:21 | |
So I'm going to start with the baboon's nose. | 0:08:21 | 0:08:23 | |
Pop it in the middle of the page. | 0:08:23 | 0:08:25 | |
Get some chalk pastels. | 0:08:25 | 0:08:26 | |
This chalk is going to help me recreate the colour grading | 0:08:26 | 0:08:30 | |
favoured by American artist, Georgia O'Keeffe. | 0:08:30 | 0:08:32 | |
Hey, Ricky, it's me. | 0:08:33 | 0:08:36 | |
-Hey, Georgia. -I like to paint desert landscapes, | 0:08:36 | 0:08:40 | |
animal skulls and flowers. | 0:08:40 | 0:08:42 | |
Here is some of my work now. | 0:08:42 | 0:08:44 | |
Wow, I'd love to own some of your work, Georgia. | 0:08:46 | 0:08:49 | |
Well, unlikely, Ricky. | 0:08:49 | 0:08:51 | |
My painting, Jimson Weed/White Flower No 1, | 0:08:51 | 0:08:55 | |
sold for 44.4 million | 0:08:55 | 0:08:57 | |
and is the most expensive painting ever by a female artist. | 0:08:57 | 0:09:02 | |
I'm not sure this baboon will make me a monkey, ie £500. | 0:09:02 | 0:09:07 | |
Anyway, I best get on with it. | 0:09:07 | 0:09:09 | |
-Bye, Ricky! -Bye! | 0:09:10 | 0:09:12 | |
I'm drawing with a chalk hostel around the outside of my stencil | 0:09:16 | 0:09:20 | |
and then rubbing the pastel in to get this lovely grading. | 0:09:20 | 0:09:24 | |
If you're worried about your stencil moving, | 0:09:24 | 0:09:25 | |
you can tape it down with a bit of masking tape | 0:09:25 | 0:09:28 | |
or use a little bit of sticky tack. | 0:09:28 | 0:09:30 | |
An important thing here is to blow off the excess pastel powder, | 0:09:30 | 0:09:33 | |
not to rub it, because you'll smudge your picture. | 0:09:33 | 0:09:36 | |
Now I'm going to move onto this bit, its kind of round blueish cheeks. | 0:09:36 | 0:09:39 | |
I'm being mindful not to overlap the colours, | 0:09:41 | 0:09:44 | |
so I'm just filling in the white spaces. | 0:09:44 | 0:09:46 | |
Give my hands a wipe. | 0:09:50 | 0:09:51 | |
It's important to have clean fingers when you change colours. | 0:09:51 | 0:09:55 | |
I'm going to do the main part of his face | 0:09:56 | 0:09:58 | |
using my lightest grey. | 0:09:58 | 0:10:00 | |
Now for the beard. | 0:10:08 | 0:10:10 | |
See, you don't always just fade inwards like this. | 0:10:12 | 0:10:15 | |
Another technique is to rub along the edge | 0:10:15 | 0:10:17 | |
and that gives you a more defined colour. | 0:10:17 | 0:10:20 | |
Moving onto my last stencil now and that's the mane. | 0:10:26 | 0:10:29 | |
The mane's pretty big. | 0:10:32 | 0:10:34 | |
So I want this colour to fade in quite a long way. | 0:10:34 | 0:10:36 | |
Now a little finishing touch of some eyes. | 0:10:43 | 0:10:46 | |
OK, let's see how it looks. | 0:10:50 | 0:10:51 | |
Oh, yeah! | 0:10:51 | 0:10:54 | |
A nice colour gradient for a Grade A picture of a baboon. | 0:10:54 | 0:10:58 | |
And I think it's so good, it deserves a frame. | 0:10:58 | 0:11:00 | |
When your picture's finished, you can fix the chalk pastel | 0:11:02 | 0:11:05 | |
with hairspray and it stops it from smudging. | 0:11:05 | 0:11:08 | |
Here's a quick art tip of how to draw a roaring lion. | 0:11:11 | 0:11:14 | |
So I'm going to start with his head. | 0:11:14 | 0:11:16 | |
That's going to be a big egg shape, wider at the bottom than at the top. | 0:11:16 | 0:11:21 | |
And in it I'm going to draw a big wide mouth. | 0:11:21 | 0:11:24 | |
Because he is roaring. A couple of teeth. | 0:11:24 | 0:11:27 | |
His tongue. | 0:11:29 | 0:11:31 | |
Lions have like little triangle noses. | 0:11:31 | 0:11:33 | |
Little eyes. | 0:11:33 | 0:11:35 | |
And then I'm going to draw a nice big mane. | 0:11:35 | 0:11:37 | |
So a wavy line like that, a couple of bits at the top. | 0:11:37 | 0:11:41 | |
Maybe some ears, just between the mane and the face. | 0:11:41 | 0:11:45 | |
The same distance between the two. | 0:11:45 | 0:11:47 | |
Now I'm drawing his front legs. | 0:11:47 | 0:11:49 | |
It's like two long stalks at the bottom. | 0:11:49 | 0:11:51 | |
Little balls for the feet. | 0:11:51 | 0:11:52 | |
Little lines for the separate toes. | 0:11:52 | 0:11:55 | |
Body in between. There's his little belly. | 0:11:55 | 0:11:58 | |
Out for his legs. Little wavy tail with a ruffly bit at the end. | 0:11:58 | 0:12:04 | |
And for the roar, I want like a big wave of sound coming out. | 0:12:04 | 0:12:06 | |
Draw these quick lines shooting out from him. | 0:12:06 | 0:12:09 | |
A couple of speed lines round the side just to give it the energy. | 0:12:12 | 0:12:15 | |
There we go. | 0:12:18 | 0:12:19 | |
Another quick art tip. | 0:12:19 | 0:12:22 | |
Did that picture just move? | 0:12:35 | 0:12:37 | |
Yeah. That's because it's animated. | 0:12:37 | 0:12:40 | |
I'm telling you, it's a magic box. | 0:12:40 | 0:12:43 | |
What are Rich and Ella doing? | 0:12:43 | 0:12:44 | |
-It's not a magic box. -It is! | 0:12:44 | 0:12:46 | |
Totally magic, trust me. | 0:12:46 | 0:12:48 | |
Get in! | 0:12:48 | 0:12:50 | |
Whoa! Is this some kind of magic box portal? | 0:12:52 | 0:12:55 | |
No. It's thinking inside the box and outside the box. | 0:12:56 | 0:13:01 | |
Now to make this cool teleporting box animation, | 0:13:01 | 0:13:03 | |
you'll need a couple of cardboard boxes, a large open space, | 0:13:03 | 0:13:07 | |
some friends and a tablet with animation app installed. | 0:13:07 | 0:13:10 | |
And you can put it together in just three ninja moves. | 0:13:10 | 0:13:13 | |
Ninja move number one. | 0:13:13 | 0:13:15 | |
You need to delegate. You need one person to teleport, | 0:13:15 | 0:13:18 | |
one person to be the box master | 0:13:18 | 0:13:19 | |
and somebody to direct. | 0:13:19 | 0:13:21 | |
Ninja move number two. | 0:13:21 | 0:13:22 | |
Right, I'm going to set up our tablet device | 0:13:22 | 0:13:24 | |
and we're going to start shooting and just see where it takes us. | 0:13:24 | 0:13:27 | |
The fun here is working out how we're going to make Ella disappear | 0:13:27 | 0:13:30 | |
and reappear inside the boxes. | 0:13:30 | 0:13:31 | |
And top tip, if you angle the boxes at the right level, | 0:13:31 | 0:13:35 | |
you can hide behind them so it looks like | 0:13:35 | 0:13:37 | |
you're fully getting inside each time. | 0:13:37 | 0:13:39 | |
Ninja move number three. | 0:13:39 | 0:13:40 | |
We're going to be making an animation loop | 0:13:40 | 0:13:42 | |
which means will go to re-use the same frames. | 0:13:42 | 0:13:45 | |
It's going to look like Ella here is stuck flying between two boxes. | 0:13:45 | 0:13:48 | |
Now, because Rich is stood there, | 0:13:48 | 0:13:50 | |
he needs to stay as still as possible | 0:13:50 | 0:13:52 | |
while Ella moves across the floor. | 0:13:52 | 0:13:54 | |
And each time you move something, capture a frame. | 0:13:55 | 0:13:57 | |
OK, we've shot all of our frames. | 0:14:02 | 0:14:04 | |
We've added some cool sound effects. | 0:14:04 | 0:14:05 | |
I think it's time to take a look at our mini masterpiece. | 0:14:05 | 0:14:08 | |
Oh, sweet! | 0:14:34 | 0:14:36 | |
It's a pretty simple animation but it came out brilliantly. | 0:14:36 | 0:14:38 | |
What do you think, guys? Guys? | 0:14:38 | 0:14:40 | |
Guys?! | 0:14:40 | 0:14:42 | |
In the box. | 0:14:43 | 0:14:44 | |
Ah, better clean up these boxes, then. | 0:14:49 | 0:14:51 | |
Don't close the box! I'm inside the box. Richard, don't. Ahh! | 0:14:53 | 0:14:55 | |
I'm bursting for the loo. | 0:15:05 | 0:15:07 | |
PHONE RINGS | 0:15:07 | 0:15:09 | |
MACHINE BLEEPS | 0:15:09 | 0:15:10 | |
Hi, Ricky, it's your mum. | 0:15:10 | 0:15:12 | |
Hope I haven't stopped important business. | 0:15:12 | 0:15:14 | |
Oh, if only she knew. | 0:15:14 | 0:15:15 | |
Here's what's coming up on your number one show. | 0:15:15 | 0:15:18 | |
Stop talking about number ones. | 0:15:18 | 0:15:20 | |
Treesy does it with the masking tape. | 0:15:21 | 0:15:24 | |
Om! | 0:15:24 | 0:15:25 | |
This guy is anything but stony faced. | 0:15:25 | 0:15:27 | |
And where there's muck, there's art at the safari park. | 0:15:28 | 0:15:31 | |
-Bye, Ricky! -Bye, Mum! | 0:15:33 | 0:15:35 | |
Ah, finally I can relax. | 0:15:40 | 0:15:41 | |
Ricky, Ricky, Ricky! | 0:15:41 | 0:15:44 | |
Spoke too soon. | 0:15:44 | 0:15:45 | |
Can you make art with twigs? | 0:15:45 | 0:15:47 | |
I could branch into it but not today. | 0:15:47 | 0:15:49 | |
SHE SIGHS | 0:15:49 | 0:15:51 | |
-Hey, Ricky. -Hi. | 0:15:51 | 0:15:53 | |
Hey, it's Naomi and Ed. | 0:15:53 | 0:15:55 | |
How's it going, guys? | 0:15:55 | 0:15:56 | |
Great, thank you. We were just wondering, | 0:15:56 | 0:15:57 | |
do you think you can make anything out of these biscuits? | 0:15:57 | 0:16:00 | |
Er, no. | 0:16:00 | 0:16:01 | |
But I wouldn't mind one. | 0:16:01 | 0:16:02 | |
Thanks! | 0:16:03 | 0:16:05 | |
Ooh! That takes the biscuit. | 0:16:05 | 0:16:08 | |
Oops! | 0:16:08 | 0:16:09 | |
Hey, what have these guys got? | 0:16:09 | 0:16:11 | |
Ricky, can you make art with masking tape? | 0:16:11 | 0:16:14 | |
OK, I'm sticking with you. | 0:16:14 | 0:16:16 | |
Yeah! | 0:16:16 | 0:16:17 | |
So what are your names? | 0:16:17 | 0:16:19 | |
-Callum. -And Kian. | 0:16:19 | 0:16:21 | |
Nice to meet you guys. And where are you from? | 0:16:21 | 0:16:23 | |
-Leicester. -Leicester. | 0:16:23 | 0:16:24 | |
Masking tape is a great suggestion, I'll just go and grab some things. | 0:16:24 | 0:16:28 | |
I've got some watercolour paper. | 0:16:28 | 0:16:31 | |
Some water colour paints and I couldn't find any masking tape. | 0:16:31 | 0:16:34 | |
-Can I borrow yours? -Yes. | 0:16:34 | 0:16:36 | |
OK. | 0:16:36 | 0:16:38 | |
Sweet. I'm going to use masking tape to make a wild picture. | 0:16:38 | 0:16:41 | |
So I'm going to start by taping it down to the table. | 0:16:41 | 0:16:45 | |
And that means that it won't move and when I'm getting the paper wet, | 0:16:45 | 0:16:49 | |
it won't all crease up. I'm going to take lines across the paper. | 0:16:49 | 0:16:52 | |
So what kind of art do you guys like to do? | 0:16:52 | 0:16:56 | |
-Drawing. -What do you draw? | 0:16:56 | 0:16:58 | |
Superheroes. | 0:16:58 | 0:17:00 | |
Oh, cool. What kind of powers do they have? | 0:17:00 | 0:17:02 | |
-Lasers. -Awesome. | 0:17:02 | 0:17:04 | |
I'm going to get a bit of masking tape and I'm going to cut down it | 0:17:04 | 0:17:07 | |
to create a thinner piece so I have different sizes on my picture. | 0:17:07 | 0:17:10 | |
Have you guys ever made art with masking tape? | 0:17:10 | 0:17:12 | |
-Yeah. -What did you do? | 0:17:12 | 0:17:14 | |
-A mummy. -A mummy? | 0:17:14 | 0:17:16 | |
I wrapped up my actual mummy. | 0:17:16 | 0:17:19 | |
Oh, your actual mum! | 0:17:19 | 0:17:20 | |
Poor mum. I'm going to add my slightly thinner one further back | 0:17:20 | 0:17:24 | |
and these masked-off lines are going to become trees later on. | 0:17:24 | 0:17:28 | |
So a thinner one further back would look like it's away in the distance, | 0:17:28 | 0:17:32 | |
using a little bit of perspective. | 0:17:32 | 0:17:34 | |
I've also got some slightly thinner strips of masking tape | 0:17:34 | 0:17:36 | |
and I'm going to start dotting these around across the others. | 0:17:36 | 0:17:39 | |
I'm really building up all the masking tape over my paper. | 0:17:40 | 0:17:43 | |
All right, guys, now I can start painting. | 0:17:43 | 0:17:45 | |
I'm going to start just by wetting my paper | 0:17:45 | 0:17:47 | |
so that it's ready for the paint. | 0:17:47 | 0:17:49 | |
I'm just going to wet it all up like this... | 0:17:49 | 0:17:51 | |
I'm going to start with some purple. | 0:17:51 | 0:17:53 | |
Guys, I'm doing a little technique here with the paint. | 0:17:53 | 0:17:56 | |
I'm mixing it all up to get a dappled light effect | 0:17:56 | 0:17:58 | |
so I don't have to be neat at all. | 0:17:58 | 0:18:00 | |
I can make a right mess. | 0:18:00 | 0:18:02 | |
THEY LAUGH | 0:18:02 | 0:18:03 | |
Now I'm going to move on to the top colour, and for that I'm going to do | 0:18:03 | 0:18:06 | |
a nice rich yellow, and that's because yellow | 0:18:06 | 0:18:08 | |
is the complementary colour of purple. | 0:18:08 | 0:18:10 | |
Literally, just going for it with the yellow now. | 0:18:12 | 0:18:14 | |
Do you like drawing at home? | 0:18:14 | 0:18:16 | |
If I'm watching TV, yeah, | 0:18:16 | 0:18:17 | |
I'll be sketching and drawing in my pad doing doodles. | 0:18:17 | 0:18:20 | |
I'm just dotting on a slightly darker colour now | 0:18:20 | 0:18:24 | |
and I want to dapple it a little bit more, | 0:18:24 | 0:18:27 | |
so I'm going to add a little bit of water and just drip it on. | 0:18:27 | 0:18:29 | |
My picture doesn't look amazing yet, but it will soon. Honest! | 0:18:29 | 0:18:34 | |
Now I need that to dry and I'm going to use my ninja skills. | 0:18:34 | 0:18:37 | |
There we go, lovely and dry. | 0:18:39 | 0:18:40 | |
Now I'm going to start peeling off the masking tape. | 0:18:40 | 0:18:43 | |
What's great here is all the places where the masking tape was | 0:18:43 | 0:18:47 | |
has been kept perfectly white | 0:18:47 | 0:18:48 | |
and I've got these really nice crisp lines. | 0:18:48 | 0:18:51 | |
-It looks really good! -Ah, thanks. | 0:18:51 | 0:18:54 | |
Now I get to do the long ones. | 0:18:54 | 0:18:56 | |
Oh, look at that. | 0:18:56 | 0:18:58 | |
I have to be careful when I'm peeling off the masking tape, | 0:18:59 | 0:19:01 | |
just in case it takes off a bit of the paper as well | 0:19:01 | 0:19:04 | |
and ruins the picture, so I'm just taking my time. | 0:19:04 | 0:19:06 | |
Now I'm going to add some shadows. | 0:19:06 | 0:19:08 | |
So I'm going to add a little bit of grey all along one side | 0:19:08 | 0:19:11 | |
of all my white lines, | 0:19:11 | 0:19:12 | |
on the right-hand side of the vertical pillars | 0:19:12 | 0:19:14 | |
and on the underside of the diagonal ones | 0:19:14 | 0:19:17 | |
because the light is all coming from one direction, not the band. | 0:19:17 | 0:19:20 | |
Just doing some very quick horizontal and vertical marks, | 0:19:20 | 0:19:23 | |
with a couple of quick little diagonal ones. | 0:19:23 | 0:19:25 | |
I'm using a flat fine brush but you can just use a thin brush. | 0:19:25 | 0:19:29 | |
This is looking really good, guys. I hope you like it. | 0:19:30 | 0:19:33 | |
Are you ready to see it? | 0:19:34 | 0:19:36 | |
-BOTH: -Yes! | 0:19:36 | 0:19:38 | |
Get a load of this! | 0:19:38 | 0:19:40 | |
You see what it is? They're trees with a lovely sort of purpley floor | 0:19:42 | 0:19:46 | |
and a beautiful dappled bright yellow sky. | 0:19:46 | 0:19:49 | |
Well, I think it's so good, it deserves a frame. | 0:19:49 | 0:19:52 | |
So, guys, what would you rate it? | 0:19:52 | 0:19:54 | |
-BOTH: -We give it a ten! | 0:19:54 | 0:19:57 | |
Ah, great. Thanks for your suggestion, guys. Bye-bye. | 0:19:57 | 0:20:00 | |
Bye, Ricky! | 0:20:00 | 0:20:02 | |
STAMPEDE APPROACHING | 0:20:09 | 0:20:11 | |
What is that noise? | 0:20:11 | 0:20:12 | |
Sounds like a stampede. | 0:20:12 | 0:20:15 | |
-Gav, is that you? -This costume is going to get buckets of sponsorship! | 0:20:16 | 0:20:22 | |
-You look ridic. -Lucky I've got thick skin then. | 0:20:22 | 0:20:25 | |
CRASHING | 0:20:27 | 0:20:29 | |
Om! | 0:20:31 | 0:20:33 | |
Om! | 0:20:35 | 0:20:36 | |
-And you think I look silly! -Shh, it's the Grand Master. | 0:20:36 | 0:20:40 | |
Om! | 0:20:40 | 0:20:42 | |
Very Zen(!) | 0:20:43 | 0:20:45 | |
Greetings, dudes! | 0:20:45 | 0:20:48 | |
Salutations, Grand Master. | 0:20:48 | 0:20:50 | |
What can you teach us, O wise one? | 0:20:50 | 0:20:53 | |
Lesson number 333 1/3 to enlightenment. | 0:20:53 | 0:20:58 | |
Decorative attachments for your cupboard of coldness! | 0:20:58 | 0:21:04 | |
Fridge magnets. | 0:21:06 | 0:21:07 | |
Yeah! Use a small stone, dude. | 0:21:07 | 0:21:10 | |
Paint it your favourite colour. | 0:21:12 | 0:21:14 | |
Oh, no! Oh! | 0:21:18 | 0:21:21 | |
Blue is not my colour. | 0:21:21 | 0:21:23 | |
Carry on painting, dudes! | 0:21:27 | 0:21:29 | |
Now, let it dry. | 0:21:30 | 0:21:33 | |
Stick on some googly eyes with strong glue. | 0:21:33 | 0:21:37 | |
Draw a funny mouth. | 0:21:40 | 0:21:43 | |
Stick a magnet on the back. | 0:21:47 | 0:21:51 | |
Ah, so cute. | 0:21:56 | 0:21:59 | |
Put it on your cupboard of coldness. | 0:21:59 | 0:22:02 | |
So cool! | 0:22:02 | 0:22:03 | |
Lesson number 333 1/3, complete. | 0:22:03 | 0:22:08 | |
Cool. You rock, Grand Master. | 0:22:08 | 0:22:11 | |
I am enlightened. | 0:22:11 | 0:22:13 | |
You are most welcome. | 0:22:13 | 0:22:16 | |
Om! | 0:22:18 | 0:22:19 | |
Anyway, how long have you got until the Bristol marathon starts? | 0:22:19 | 0:22:23 | |
Hmm, a little while, why? | 0:22:23 | 0:22:25 | |
Because I've got an idea for some art involving animals. | 0:22:25 | 0:22:28 | |
Sounds wild, let's do it. | 0:22:28 | 0:22:30 | |
Follow me. | 0:22:30 | 0:22:31 | |
Ninja skills! | 0:22:45 | 0:22:47 | |
Come on, Gav, I thought you said you were fit enough to run a marathon. | 0:22:47 | 0:22:50 | |
I haven't run so far in my life! | 0:22:50 | 0:22:53 | |
Ah, you're saying you've never run so far, | 0:22:53 | 0:22:55 | |
but you should be saying "so fari" because this is a safari park. | 0:22:55 | 0:22:59 | |
Who's this? | 0:23:00 | 0:23:01 | |
All right. | 0:23:01 | 0:23:03 | |
It sounds like Sarah. Sarah, is that you? Can you take your mask off? | 0:23:03 | 0:23:06 | |
Very funny(!) What are we doing here, anyway? | 0:23:07 | 0:23:10 | |
Well, all your animal antics have given me an idea for some art. | 0:23:10 | 0:23:13 | |
But first, we better get our ninja on. | 0:23:13 | 0:23:15 | |
Are you aping my style? | 0:23:22 | 0:23:24 | |
Art Ninja! | 0:23:24 | 0:23:26 | |
Strike a pose. | 0:23:26 | 0:23:28 | |
-Hiya. -Hello. | 0:23:38 | 0:23:40 | |
OK, guys, this is Mark. He's a safari ranger | 0:23:40 | 0:23:43 | |
and he's going to be showing us where we can get our art materials from today. | 0:23:43 | 0:23:46 | |
Yeah, we're going to get your materials from the bottom of the park. | 0:23:46 | 0:23:49 | |
-Oh, poo. -Exactly. | 0:23:50 | 0:23:52 | |
And Mark here is an poo expert so he's going to show us | 0:23:52 | 0:23:55 | |
-where we can find it. -Shall we go? | 0:23:55 | 0:23:57 | |
Yeah. | 0:23:57 | 0:23:59 | |
I have a poo fact. Did you know that male hippos fling their poo around | 0:24:06 | 0:24:11 | |
-by swishing their tails to impress females? -Oh, charming. | 0:24:11 | 0:24:15 | |
Well, we don't have hippos. We have rhinos. | 0:24:15 | 0:24:17 | |
They only poo in one spot and they stamp on theirs | 0:24:17 | 0:24:20 | |
to spread their scent around. | 0:24:20 | 0:24:21 | |
You asked for poo, and here it is. | 0:24:23 | 0:24:25 | |
So if you want to get stuck in? | 0:24:25 | 0:24:26 | |
Not the choice of words I would use, but, yeah, why not? | 0:24:26 | 0:24:29 | |
-Oh, yeah! -Oh, that's hard. | 0:24:34 | 0:24:37 | |
Look at that poopy! | 0:24:37 | 0:24:41 | |
Right, guys, that's enough mucking about - and enough mucking out - | 0:24:41 | 0:24:44 | |
let's go get on with the art! | 0:24:44 | 0:24:45 | |
Come on, Gav, you can take that. | 0:24:45 | 0:24:48 | |
Yeah, this is heavy. | 0:24:48 | 0:24:50 | |
We've also borrowed some dung from these guys, the giraffes. | 0:24:54 | 0:24:57 | |
Well, I say borrowed, but I don't think they want it back. | 0:24:57 | 0:25:00 | |
Cheers, fellas! | 0:25:00 | 0:25:01 | |
PARP! | 0:25:01 | 0:25:02 | |
Oh, rude! | 0:25:02 | 0:25:04 | |
OK, guys, we've got our lovely tarpaulin canvas. | 0:25:06 | 0:25:09 | |
We've got our great art materials, the dung, and some sawdust bedding, | 0:25:09 | 0:25:13 | |
all from the safari park. | 0:25:13 | 0:25:14 | |
Ah! We're grown-ups and we're wearing gloves | 0:25:14 | 0:25:18 | |
and protective clothing so we can make art with some poo, | 0:25:18 | 0:25:21 | |
but I don't suggest that you do do this. | 0:25:21 | 0:25:23 | |
Ha-ha! He said doo-doo! | 0:25:23 | 0:25:26 | |
Good one, Gavin! | 0:25:26 | 0:25:27 | |
Let's get on with the picture. | 0:25:27 | 0:25:29 | |
This is the smelliest bit of art you've ever got us making, Rick. | 0:25:32 | 0:25:36 | |
It's got a pretty hefty whiff. | 0:25:36 | 0:25:38 | |
Oh, good work, Sarah, it's looking great. | 0:25:38 | 0:25:40 | |
Gav, if you can just sprinkle that over the brown bits, | 0:25:40 | 0:25:43 | |
gives it texture. | 0:25:43 | 0:25:44 | |
I am sprinkling poo. | 0:25:46 | 0:25:48 | |
-Hey, Sarah. -Hi. | 0:25:54 | 0:25:56 | |
What do you get if you sit under a cow? | 0:25:56 | 0:25:58 | |
A bad joke? | 0:25:58 | 0:25:59 | |
A pat on the head! | 0:25:59 | 0:26:00 | |
Mark told me that one's called Ian. | 0:26:07 | 0:26:09 | |
All right, Ian? | 0:26:09 | 0:26:10 | |
-There's your giant bucket of poo, madam. -Thanks! | 0:26:17 | 0:26:20 | |
I'm just about to run out of poo. | 0:26:25 | 0:26:27 | |
Don't worry, Sarah. We're nearly finished. | 0:26:27 | 0:26:30 | |
Wow! | 0:26:33 | 0:26:34 | |
Who knew you could make art from poo! | 0:26:34 | 0:26:37 | |
It's the Serengeti plains. | 0:26:37 | 0:26:39 | |
Thanks for all your help, guys. | 0:26:50 | 0:26:51 | |
And I've still got time to make the Bristol marathon and a half! | 0:26:51 | 0:26:54 | |
And I know just the animal costume I'm going to wear. | 0:26:54 | 0:26:57 | |
Good news, I got a text from Gavin. | 0:27:10 | 0:27:12 | |
He did his marathon in the end dressed as a giraffe. | 0:27:12 | 0:27:14 | |
And he persuaded Sarah to go as the giraffe's bottom. | 0:27:14 | 0:27:18 | |
Don't worry, I sponsored them both. | 0:27:18 | 0:27:21 | |
Today has taught me a valuable Art Ninja lesson. | 0:27:21 | 0:27:24 | |
26 miles in a suit is some run | 0:27:24 | 0:27:27 | |
but art using Rhino poo is my kind of fun. | 0:27:27 | 0:27:30 | |
If I never see another animal again, it'll be too soon. | 0:27:30 | 0:27:34 | |
Hi, mate! | 0:27:38 | 0:27:40 | |
HE SCREAMS | 0:27:40 | 0:27:43 |