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Right now, though, get
inspired by Art Ninja himself. Enjoy | 0:00:00 | 0:00:01 | |
I'm Ricky. | 0:00:04 | 0:00:05 | |
I live in Bristol. | 0:00:05 | 0:00:07 | |
I work as an animator - which is
lucky, cos I love art. | 0:00:07 | 0:00:11 | |
I live for art. I even dream of art. | 0:00:12 | 0:00:15 | |
I draw, I paint, I make things. | 0:00:15 | 0:00:19 | |
Nailed it! | 0:00:20 | 0:00:22 | |
I hang out with my mates - Gavin,
Rich and Sarah. | 0:00:22 | 0:00:26 | |
Argh! Most importantly, I make ninja
moves. | 0:00:26 | 0:00:30 | |
Some people call me the... | 0:00:30 | 0:00:33 | |
Art Ninja! | 0:00:33 | 0:00:34 | |
Today, I'll give you a whole new
look with this curly paper wig. | 0:00:34 | 0:00:39 | |
We light up the dance floor
with a disco animation... | 0:00:39 | 0:00:42 | |
..and it's a close shave with this
puff-paint peacock... | 0:00:44 | 0:00:46 | |
..because, today, it's... | 0:00:48 | 0:00:50 | |
HE YAWNS | 0:00:55 | 0:00:56 | |
It's a new day. | 0:00:56 | 0:00:58 | |
I'd better get my ninja on. | 0:00:58 | 0:01:00 | |
And my clothes. | 0:01:00 | 0:01:01 | |
TRAP DOOR OPENS | 0:01:13 | 0:01:14 | |
Hmm. Who's sending ME a parcel? | 0:01:17 | 0:01:22 | |
Hey, you there. Get rich quick with
Arry Arkright's Magic Hair Potion, | 0:01:22 | 0:01:27 | |
guaranteed to cheer up even
the baldest baldy. | 0:01:27 | 0:01:31 | |
Get your free sample today and be
a gazillionaire tomorrow. | 0:01:31 | 0:01:36 | |
I'm going to buy that. 'No refunds.' | 0:01:36 | 0:01:38 | |
'Warning - read instructions
before use.' | 0:01:40 | 0:01:43 | |
If this stuff works, I'll be loaded. | 0:01:43 | 0:01:45 | |
I wouldn't mind having long,
curly, luscious hair myself. | 0:01:45 | 0:01:48 | |
Of course, another way of getting
some instant hair | 0:01:51 | 0:01:54 | |
is the Art Ninja paper wig. | 0:01:54 | 0:01:56 | |
So, I've got some strips
of card here, | 0:01:56 | 0:01:59 | |
about 2cm in width, and I'm going to
wrap it round my head. | 0:01:59 | 0:02:02 | |
To make it easier to curve, | 0:02:02 | 0:02:03 | |
I'm just going to squeeze it along
like this, and that makes the cards | 0:02:03 | 0:02:07 | |
really easy to roll and fold. | 0:02:07 | 0:02:09 | |
I've cut these strips
across the grain, | 0:02:09 | 0:02:11 | |
which means you can see this
in the cross-section | 0:02:11 | 0:02:14 | |
and I've curved all my strips of
card in the same way. | 0:02:14 | 0:02:17 | |
I'm going to wrap it around my head
and measure it... | 0:02:17 | 0:02:19 | |
..about to there. | 0:02:21 | 0:02:23 | |
I'm just going to staple that
in place. | 0:02:23 | 0:02:25 | |
Cut off the excess. | 0:02:25 | 0:02:26 | |
Just grab another strip of card and
put it on the outside. | 0:02:28 | 0:02:31 | |
It will just mean it's much more
comfortable to wear. | 0:02:31 | 0:02:34 | |
It's important to check that your
staples go through properly. | 0:02:34 | 0:02:37 | |
You don't want any sharp bits
sticking out. | 0:02:37 | 0:02:39 | |
I'm just going to make sure it's
the right size and pop it back on. | 0:02:39 | 0:02:42 | |
There we go.
I've got five more strips here. | 0:02:44 | 0:02:48 | |
I'm going to attach this one and
cross over my first strip. | 0:02:48 | 0:02:50 | |
Now I'm going to add more strips at
equal intervals all the way around. | 0:02:54 | 0:02:58 | |
So, I've left these strips
long on one side | 0:03:02 | 0:03:04 | |
and now I'm going to trim
off the ends of every other strip. | 0:03:04 | 0:03:07 | |
I'm adding extra card across these
strips to hold them all together. | 0:03:11 | 0:03:14 | |
It looks like some kind of
Anglo-Saxon helmet. | 0:03:16 | 0:03:19 | |
There we go. This is going to be
the structure for my wig. | 0:03:20 | 0:03:24 | |
I think it looks cool already. | 0:03:26 | 0:03:29 | |
Now, for the hair, I'm going to
use some paper strips | 0:03:29 | 0:03:31 | |
cut from this magazine. | 0:03:31 | 0:03:32 | |
To cut it up, I'm going to use some
ninja skills. Yeeeah! | 0:03:32 | 0:03:35 | |
Sweet. | 0:03:37 | 0:03:38 | |
Just going to tear off
this wedge here. | 0:03:38 | 0:03:40 | |
I want to make a curly wig | 0:03:40 | 0:03:42 | |
so I'm going to curl the paper
around a ruler. | 0:03:42 | 0:03:44 | |
The technique for this is holding
the paper between the ruler and your | 0:03:44 | 0:03:48 | |
finger and then dragging it over the
edge. | 0:03:48 | 0:03:50 | |
Going to need a lot of these,
so I'd better get curling. | 0:03:50 | 0:03:52 | |
That should do it.
Now, using a glue stick, | 0:04:01 | 0:04:03 | |
I'm going to stick them around
the structure of my wig, | 0:04:03 | 0:04:06 | |
starting at the bottom. | 0:04:06 | 0:04:07 | |
All these curls are going in
sideways, | 0:04:12 | 0:04:14 | |
so I can make the hair very
densely packed. | 0:04:14 | 0:04:16 | |
I'm going to add a couple of
strips to my vertical bits. | 0:04:16 | 0:04:19 | |
I'm just covering these headbands
and then I'm sticking these strips | 0:04:22 | 0:04:26 | |
on in different directions
each time, | 0:04:26 | 0:04:28 | |
just to make sure the wig
is nice and full. | 0:04:28 | 0:04:30 | |
That is a big old hairdo. | 0:04:31 | 0:04:32 | |
Right, it's time to try it on. | 0:04:34 | 0:04:36 | |
Of course, the best thing about
having hair | 0:04:49 | 0:04:51 | |
is trying out new hairdos. | 0:04:51 | 0:04:53 | |
There's loads of wigs you can make -
like... | 0:04:53 | 0:04:56 | |
..this natty hairdo of the 1700s,
made from crepe paper, no less. | 0:04:57 | 0:05:02 | |
Or... | 0:05:05 | 0:05:06 | |
..this pointy, paper punk wig. | 0:05:06 | 0:05:09 | |
KNOCK ON DOOR | 0:05:13 | 0:05:15 | |
All right, Gav? Wow, nice haircut,
mate. | 0:05:17 | 0:05:20 | |
Gone for something different, I see. | 0:05:20 | 0:05:22 | |
What's this? | 0:05:24 | 0:05:25 | |
That is Arry Arkright's
Magic Hair Potion. | 0:05:25 | 0:05:28 | |
The plan is we try it,
and, if it works, | 0:05:28 | 0:05:31 | |
we sell it to the baldies of
Bristol. | 0:05:31 | 0:05:33 | |
It's a con. It won't work. | 0:05:33 | 0:05:35 | |
Look. | 0:05:35 | 0:05:36 | |
Gavin, your hair is luxurious! | 0:05:41 | 0:05:44 | |
This is it - we're in the money! | 0:05:45 | 0:05:49 | |
I'm off to go and look
in the mirror. | 0:05:49 | 0:05:51 | |
Aw, bless. | 0:05:52 | 0:05:54 | |
Gav looked a picture - a moving
picture, a bit like this one. | 0:05:54 | 0:05:59 | |
That's because it's animated. | 0:05:59 | 0:06:01 | |
It's not a great turnout. You did
send out the invites, Ella? | 0:06:10 | 0:06:14 | |
Er... | 0:06:14 | 0:06:15 | |
Right, pack it all away. | 0:06:15 | 0:06:17 | |
It's stuck. | 0:06:22 | 0:06:23 | |
That'll be because there's an
animation caught on the end of it. | 0:06:23 | 0:06:26 | |
So, if you want to make this disco
of an animation, | 0:06:28 | 0:06:31 | |
you'll need a neon cable light - | 0:06:31 | 0:06:33 | |
you can find these online pretty
cheap - | 0:06:33 | 0:06:36 | |
a pin board, some pins and a tablet
with animation app installed. | 0:06:36 | 0:06:40 | |
You can put it together
in three ninja moves. | 0:06:40 | 0:06:43 | |
Ninja move number one - work out
what you're going to animate | 0:06:43 | 0:06:47 | |
and make a simple drawing of it. | 0:06:47 | 0:06:48 | |
I'm using a paper pad
and a thick pen, | 0:06:48 | 0:06:51 | |
so I can see each frame underneath
as an onion skin. | 0:06:51 | 0:06:54 | |
Onion-skinning is being able to see
your previous frame | 0:06:54 | 0:06:57 | |
before you draw your next frame. | 0:06:57 | 0:06:58 | |
Ninja move number two - | 0:06:58 | 0:07:00 | |
it's time to turn each of your
animation frames | 0:07:00 | 0:07:02 | |
into a continuous line drawing. | 0:07:02 | 0:07:03 | |
Draw over your animation frames | 0:07:03 | 0:07:05 | |
without taking your pen off the
paper. | 0:07:05 | 0:07:08 | |
Finally, ninja move number
three - | 0:07:08 | 0:07:10 | |
grab your pin board, your pins, | 0:07:10 | 0:07:13 | |
your cable light and set up your
device ready to shoot. | 0:07:13 | 0:07:16 | |
Your next task is transferring
your continuous line drawing | 0:07:16 | 0:07:19 | |
to your cable lights. | 0:07:19 | 0:07:21 | |
Be careful not to pierce your lights
with the pins when you're | 0:07:21 | 0:07:23 | |
putting together your animation. | 0:07:23 | 0:07:25 | |
Then turn off your lights so the
cable is nice and bold, | 0:07:25 | 0:07:28 | |
and take a frame
on your animation app. | 0:07:28 | 0:07:30 | |
Do the same technique for all of
your frames. | 0:07:30 | 0:07:33 | |
So, we've shot all of our frames. | 0:07:33 | 0:07:35 | |
I think it's time to take a look
at our mini masterpiece. | 0:07:35 | 0:07:37 | |
Oh, yes! | 0:07:43 | 0:07:45 | |
Great work. Let's party. | 0:07:45 | 0:07:47 | |
Yeah! | 0:07:47 | 0:07:49 | |
Gav, have you put more on? | 0:07:54 | 0:07:56 | |
This hair really suits my skin tone. | 0:07:56 | 0:07:59 | |
Mm! | 0:08:01 | 0:08:02 | |
That's strange. | 0:08:02 | 0:08:04 | |
Uh, uh, uh! | 0:08:04 | 0:08:06 | |
Uh-oh. Ah, ah, ah, ARGH! | 0:08:06 | 0:08:09 | |
Ricky, what do those instructions
say? | 0:08:09 | 0:08:11 | |
"Use this potion with great care, or
all you touch will turn to hair." | 0:08:11 | 0:08:15 | |
I need some water.
Calm down, Chew-Gava! | 0:08:15 | 0:08:18 | |
Calm down?! | 0:08:19 | 0:08:21 | |
HE CRIES | 0:08:21 | 0:08:25 | |
HE CONTINUES CRYING | 0:08:27 | 0:08:30 | |
Oh, Gav! | 0:08:30 | 0:08:32 | |
Oh, a hairy back. | 0:08:34 | 0:08:35 | |
I'm turning into my dad. | 0:08:35 | 0:08:37 | |
You need to have a shave -
starting with your hands. | 0:08:37 | 0:08:40 | |
I've got art to do. | 0:08:40 | 0:08:41 | |
As one of my biggest art
inspirations | 0:08:43 | 0:08:45 | |
Vincent van Gogh could tell you, | 0:08:45 | 0:08:46 | |
it's easy to lop off more
than just your hair. | 0:08:46 | 0:08:49 | |
Hey - hi, Ricky. | 0:08:49 | 0:08:51 | |
Hey, Vincent, is that you? | 0:08:51 | 0:08:53 | |
Yeah, for sure. | 0:08:53 | 0:08:55 | |
Please, while I'm here, don't talk
about how I cut off my ear. | 0:08:55 | 0:09:00 | |
Of course, Vincent. I'd never bring
that up. | 0:09:00 | 0:09:02 | |
Ear...I mean, AREN'T you one of the
most famous | 0:09:03 | 0:09:06 | |
and influential artists of all time? | 0:09:06 | 0:09:08 | |
That's right. Now my paintings are
worth millions. | 0:09:08 | 0:09:11 | |
Here's one of them now. | 0:09:11 | 0:09:12 | |
Starry Night. | 0:09:14 | 0:09:16 | |
I used quick brush strokes and thick
paint and it meant that people could | 0:09:16 | 0:09:20 | |
feel their emotions in my work. | 0:09:20 | 0:09:23 | |
Well, Vincent, I'm feeling you now
but I'm afraid I'm going to have | 0:09:23 | 0:09:27 | |
to cut you off -
poor choice of words. | 0:09:27 | 0:09:30 | |
Bye, Vincent. Bye, Ricky. | 0:09:30 | 0:09:32 | |
Right, I've got myself a nice piece
of white card here and I'm going to | 0:09:34 | 0:09:38 | |
sketch out my drawing. I'm going to
draw a peacock. | 0:09:38 | 0:09:41 | |
I'm just sketching this roughly | 0:09:43 | 0:09:44 | |
because we're going to cover it
in thick paint. | 0:09:44 | 0:09:47 | |
I'm going to start drawing
the feather shapes, | 0:09:47 | 0:09:49 | |
which are like teardrops,
like this. | 0:09:49 | 0:09:51 | |
OK? I'm going to mix up some paint, | 0:09:56 | 0:09:58 | |
and what I want is the effect of oil
paints but without the really, | 0:09:58 | 0:10:02 | |
really long drying time. | 0:10:02 | 0:10:03 | |
I'm going to get that by mixing
together some acrylic paint, | 0:10:03 | 0:10:07 | |
PVA glue and, the secret ingredient,
shaving foam. | 0:10:07 | 0:10:11 | |
The shaving foam is what's going to
give my paint loads of volume, | 0:10:15 | 0:10:18 | |
just like oil paint. Mix that in. | 0:10:18 | 0:10:20 | |
That's the kind of consistency
I'm looking for. | 0:10:22 | 0:10:24 | |
To do my picture, I'm going to need
a lot more of those, | 0:10:24 | 0:10:27 | |
so I'm going to ninja some more. | 0:10:27 | 0:10:29 | |
Ninja skills! | 0:10:37 | 0:10:38 | |
Right, now, using a fork, | 0:10:39 | 0:10:40 | |
I'm going to start applying this to
my sketch | 0:10:40 | 0:10:42 | |
and the reason I'm using a fork
is so I can give it texture later. | 0:10:42 | 0:10:45 | |
Remember, I want to work thick and
quick because this paint might dry. | 0:10:49 | 0:10:53 | |
There we go. | 0:10:53 | 0:10:54 | |
I'm going to move on and add some
turquoise... | 0:10:54 | 0:10:57 | |
..to the inside of the teardrops
that make up my peacock's feathers. | 0:10:57 | 0:11:00 | |
Moving on to the light blue. | 0:11:05 | 0:11:06 | |
I'm going to use the tip of the fork
to blend them in and just | 0:11:10 | 0:11:14 | |
drag it through the colours. | 0:11:14 | 0:11:15 | |
Long, flowing swirls, just like
Vincent's work. | 0:11:16 | 0:11:19 | |
Right, I'm going to add some green.
I'm going to start with some light. | 0:11:20 | 0:11:23 | |
These long teeth on the fork are
great for dragging one colour | 0:11:29 | 0:11:33 | |
through its neighbour. There we go. | 0:11:33 | 0:11:36 | |
I'm going to add some nice,
rich yellow. | 0:11:36 | 0:11:38 | |
Each time that I'm switching
colours, | 0:11:38 | 0:11:39 | |
I'm using a new fork, because I want
the paints to mix on the page, | 0:11:39 | 0:11:42 | |
not in the pots. | 0:11:42 | 0:11:44 | |
Now, notice I've only done this one
part of the picture here | 0:11:44 | 0:11:47 | |
and that's because if I carried all
the way on to the end, | 0:11:47 | 0:11:49 | |
this might be dry before I got to
give it any texture. | 0:11:49 | 0:11:52 | |
A little bit of white. | 0:11:52 | 0:11:53 | |
Right, I've got the first section
done. | 0:11:57 | 0:11:59 | |
I can move on and finish the rest. | 0:11:59 | 0:12:01 | |
Moving onto his body, but I'm using
shorter strokes here, | 0:12:08 | 0:12:12 | |
to give the impression
of shorter feathers. | 0:12:12 | 0:12:14 | |
Onto the beak. | 0:12:14 | 0:12:16 | |
Now I'm going to move on to his
crest, | 0:12:18 | 0:12:20 | |
and that's the feathers on
top of his head. | 0:12:20 | 0:12:22 | |
For that, I'm going to use the side
of my fork. | 0:12:22 | 0:12:24 | |
Just some dots around the top there. | 0:12:29 | 0:12:31 | |
Finally, I need to finish his eye. | 0:12:31 | 0:12:33 | |
For that, I am going to use a brush,
since it's so small. | 0:12:33 | 0:12:35 | |
There we go,
a beautiful peacock picture | 0:12:37 | 0:12:40 | |
in the style of Vincent van Gogh. | 0:12:40 | 0:12:42 | |
I'm so happy with it, I think it
deserves a frame. | 0:12:42 | 0:12:45 | |
Hi, Ricky. Hey, Dad. | 0:12:58 | 0:13:00 | |
Is this one of your heavy metal
friends? | 0:13:00 | 0:13:02 | |
What heavy metal friends? | 0:13:02 | 0:13:03 | |
This is Gavin. Gavin? | 0:13:03 | 0:13:06 | |
Don't tell anyone but he got
a little bit carried away | 0:13:06 | 0:13:09 | |
with some of Arry Arkright's
Magic Hair Potion. | 0:13:09 | 0:13:11 | |
My advice - sleep it off, | 0:13:11 | 0:13:13 | |
or else you'll turn the whole of
Bristol hairy. | 0:13:13 | 0:13:15 | |
I'd better be off. Rest assured -
my lips are sealed. | 0:13:15 | 0:13:18 | |
He's going to tell everyone.
I'm taking your dad's advice. | 0:13:20 | 0:13:22 | |
I'm off for a lie down.
All right, but don't touch anything. | 0:13:22 | 0:13:26 | |
PHONE RINGS | 0:13:28 | 0:13:29 | |
'Hi, Ricky, it's your mum. | 0:13:29 | 0:13:31 | |
'Dad just told me about Gavin's
hairy situation.' | 0:13:31 | 0:13:34 | |
So much for HIM keeping mum. | 0:13:34 | 0:13:36 | |
'If you do get rich quick, take Dad
to the salon for a back wax.' | 0:13:36 | 0:13:40 | |
'Here's what's coming up
on your hair-larious show.' | 0:13:40 | 0:13:44 | |
Comb is where the art is with this
painting you can't brush off. | 0:13:44 | 0:13:47 | |
Keep it under your hat, as this guy
makes some monster headgear. | 0:13:47 | 0:13:51 | |
You sweep up some leftover locks to
create something surprisingly hairy. | 0:13:51 | 0:13:56 | |
'Anyway, got to go - | 0:13:56 | 0:13:58 | |
'a long line of bald men have just
walked past the front door. | 0:13:58 | 0:14:01 | |
'Bye.' | 0:14:01 | 0:14:02 | |
Bye. Ricky, Ricky, Ricky! | 0:14:02 | 0:14:05 | |
Let's see what the ninja apprentices
have for me. | 0:14:05 | 0:14:07 | |
Ricky, can you make art with tools? | 0:14:07 | 0:14:10 | |
I'm sorry, but, today, you're going
to have to do it yourself. | 0:14:10 | 0:14:13 | |
No. | 0:14:13 | 0:14:14 | |
Hey, Ricky. | 0:14:14 | 0:14:15 | |
It's DanTDM. He's a top vlogger
and a professional gamer. | 0:14:15 | 0:14:19 | |
So, Ricky, I was thinking, can you
make art with a games console? | 0:14:19 | 0:14:23 | |
Sorry, no. | 0:14:23 | 0:14:25 | |
NO! | 0:14:25 | 0:14:27 | |
You could say he's in-console-able! | 0:14:27 | 0:14:30 | |
Consolable. | 0:14:31 | 0:14:33 | |
What have these guys got? | 0:14:33 | 0:14:34 | |
Ricky, can you make art with a comb? | 0:14:34 | 0:14:37 | |
Neat idea. I choose you. | 0:14:37 | 0:14:38 | |
BOTH: Yay! | 0:14:38 | 0:14:41 | |
So, what are your names?
My name's Nicky. | 0:14:41 | 0:14:43 | |
And I'm Rohai. Nice to meet you,
and where are you from? | 0:14:43 | 0:14:46 | |
BOTH: We're from Scotland. | 0:14:46 | 0:14:49 | |
It's a great suggestion.
Let me just grab some bits. | 0:14:49 | 0:14:51 | |
So, I've got myself some paint,
a couple of bits of paper, | 0:14:52 | 0:14:56 | |
some sticky tack,
and, of course, some combs. | 0:14:56 | 0:14:59 | |
OK, I'm going to start by painting
one of these pieces blue. | 0:14:59 | 0:15:02 | |
I'm going to paint this on
quite thick. | 0:15:05 | 0:15:07 | |
Now I'm going to take
one of the combs | 0:15:11 | 0:15:13 | |
and I'm going to drag it
through the paint, | 0:15:13 | 0:15:15 | |
and it's the teeth in the comb that
make a really cool pattern. | 0:15:15 | 0:15:18 | |
So, you guys have got some art
on the walls behind you. | 0:15:18 | 0:15:21 | |
This is a picture of half of my face
and then I drew the other half. | 0:15:21 | 0:15:25 | |
That's a really good likeness. | 0:15:25 | 0:15:27 | |
Thank you. | 0:15:27 | 0:15:29 | |
The next piece of paper
I'm painting yellow. | 0:15:29 | 0:15:31 | |
Now, I'm going to move on to
a really nice small comb here, | 0:15:35 | 0:15:39 | |
and I'm going to do
a crosshatching effect, | 0:15:39 | 0:15:41 | |
so the lines go in both directions. | 0:15:41 | 0:15:43 | |
So, that one's looking like this. | 0:15:44 | 0:15:46 | |
It's like a farmer's field. Yeah. | 0:15:46 | 0:15:47 | |
It is like a farmer's field, like
when you look out of an aeroplane. | 0:15:47 | 0:15:50 | |
Yeah. On my next piece of paper, | 0:15:50 | 0:15:53 | |
I'm painting stripes
in two shades of green. | 0:15:53 | 0:15:55 | |
And, with this one, I'm going to do
a tight zigzag. | 0:15:57 | 0:16:00 | |
Because I've done two shades of
green, they blend into each other. | 0:16:00 | 0:16:03 | |
So, guys, I'm going to need
some more of these | 0:16:06 | 0:16:08 | |
and I need for them to dry. | 0:16:08 | 0:16:09 | |
Now, I could wait, or I could use
my ninja skills. | 0:16:09 | 0:16:12 | |
BOTH: Ninja skills! | 0:16:12 | 0:16:13 | |
Yeah! | 0:16:13 | 0:16:14 | |
BOTH: Whoa! Some lovely different
patterns in there. | 0:16:16 | 0:16:19 | |
It's going to make a great picture
with those. | 0:16:19 | 0:16:21 | |
Now I'm taking a big bit of paper
here and I'm going to draw on | 0:16:21 | 0:16:24 | |
some rolling hills, I think. | 0:16:24 | 0:16:25 | |
I'm using the thick pen to draw my
lines and you'll see why later. | 0:16:27 | 0:16:30 | |
I'm going to cut all the white bits
of the paper out, | 0:16:34 | 0:16:37 | |
leaving the black line behind. | 0:16:37 | 0:16:38 | |
So, I've cut out all the white bits,
which I'll use as templates. | 0:16:42 | 0:16:46 | |
I don't need this, so I'm just going
to put it to one side. | 0:16:46 | 0:16:49 | |
I'm going to tack the templates onto
my coloured pieces of paper. | 0:16:49 | 0:16:53 | |
The sticky tack will hold the
template in place | 0:16:53 | 0:16:55 | |
while I cut it out. | 0:16:55 | 0:16:56 | |
Now I need to do the rest, and I'm
going to use some ninja skills. | 0:17:00 | 0:17:05 | |
Yeeeeah! | 0:17:05 | 0:17:06 | |
BOTH: Whoa! | 0:17:06 | 0:17:08 | |
I've got another piece of paper
and I'm going to stick | 0:17:08 | 0:17:11 | |
all of my cut-outs down
with a glue stick. | 0:17:11 | 0:17:13 | |
Where I cut out that black line,
I'm now leaving a gap. | 0:17:19 | 0:17:21 | |
I've used different textures
for different areas | 0:17:23 | 0:17:25 | |
so none of the same ones go next to
each other. | 0:17:25 | 0:17:28 | |
And the last piece. | 0:17:28 | 0:17:29 | |
Are you guys ready to see it? | 0:17:31 | 0:17:32 | |
BOTH: Yeah. OK, what do you think? | 0:17:32 | 0:17:35 | |
BOTH: Wow! | 0:17:35 | 0:17:37 | |
It's so good. What would you guys
score it? | 0:17:37 | 0:17:40 | |
BOTH: A 10. | 0:17:40 | 0:17:41 | |
I'm so happy with your suggestion,
I'm going to give it a frame. | 0:17:41 | 0:17:46 | |
Bye.
BOTH: Bye, Ricky. | 0:17:46 | 0:17:48 | |
I see your beard's grown back.
Yeah, but... | 0:18:02 | 0:18:04 | |
KNOCK ON DOOR | 0:18:04 | 0:18:06 | |
What now? | 0:18:04 | 0:18:06 | |
PEOPLE SHOUT OVER EACH OTHER | 0:18:06 | 0:18:08 | |
Give me the potion! | 0:18:08 | 0:18:10 | |
CLAMOURING | 0:18:10 | 0:18:13 | |
There's loads of bald
people outside. What do they want? | 0:18:13 | 0:18:16 | |
Come on, mate! What do you want? | 0:18:17 | 0:18:20 | |
ALL: Hair, hair, hair! | 0:18:20 | 0:18:24 | |
Gav, grab the potion.
It's time to make some moolah. | 0:18:24 | 0:18:28 | |
ALL: Hair, hair, hair! | 0:18:28 | 0:18:31 | |
Get a move on - they're getting
impatient. | 0:18:31 | 0:18:33 | |
ALL: Hair, hair, hair! | 0:18:33 | 0:18:36 | |
Ahem! Ooh, ooh, ooh! | 0:18:36 | 0:18:39 | |
I'm OK, man. | 0:18:39 | 0:18:41 | |
Greetings, dude. Oh, Grand Master,
just in time. | 0:18:41 | 0:18:45 | |
We've got some seriously unchilled
eggheads outside. | 0:18:45 | 0:18:48 | |
Pft. | 0:18:48 | 0:18:49 | |
Lesson number 505 to enlightenment - | 0:18:49 | 0:18:54 | |
head cover-upper
with scary opticals. | 0:18:54 | 0:18:57 | |
Monster hat. Let's do this. | 0:18:59 | 0:19:02 | |
Grab a baseball cap and an old sock. | 0:19:02 | 0:19:04 | |
Cut the end off the sock and keep
hold of the toes. | 0:19:05 | 0:19:08 | |
Cover the peak of the cap
in double-sided sticky tape. | 0:19:10 | 0:19:14 | |
Peel the back off. | 0:19:14 | 0:19:16 | |
Stretch the sock over the cap, man. | 0:19:16 | 0:19:20 | |
Grab some material and a pen. | 0:19:20 | 0:19:22 | |
I'm using felt. | 0:19:22 | 0:19:24 | |
Fold the material in half, draw
the top of a head and a horn. | 0:19:24 | 0:19:28 | |
Draw some eyes, | 0:19:30 | 0:19:33 | |
and some scary teeth. | 0:19:33 | 0:19:35 | |
Sharp! Cut everything out carefully,
dudes. | 0:19:35 | 0:19:40 | |
Unfold your material
to reveal a head. | 0:19:40 | 0:19:44 | |
Monstrous! Get some glue, lolly
sticks and some strips of material. | 0:19:44 | 0:19:49 | |
Glue the lolly sticks to the back of
the horns | 0:19:49 | 0:19:52 | |
and cover with the material. | 0:19:52 | 0:19:54 | |
Cover it in PVA glue and stick it
to the front of your hat. | 0:19:54 | 0:19:59 | |
Glue the teeth to the sock. | 0:19:59 | 0:20:01 | |
Glue on these white bits... | 0:20:05 | 0:20:07 | |
..these yellow bits,
and some angry eyebrows. | 0:20:09 | 0:20:14 | |
And some little black pieces
for the pupils. | 0:20:17 | 0:20:21 | |
Yeah. Fantastic, dudes. | 0:20:22 | 0:20:25 | |
Lesson 505 complete. | 0:20:26 | 0:20:29 | |
Oh! | 0:20:31 | 0:20:32 | |
Thanks, Grand Master.
I am enlightened, | 0:20:33 | 0:20:36 | |
and enriched,
and I'm going to be rich | 0:20:36 | 0:20:38 | |
when we sell our magic hair potion. | 0:20:38 | 0:20:40 | |
Yeah, about that, Ricky. | 0:20:40 | 0:20:42 | |
It is possible that I just might
have used all of your potion. | 0:20:42 | 0:20:47 | |
All of it? Right, I'm off-ski,
dudes. | 0:20:47 | 0:20:51 | |
Thanks, Grand Master. | 0:20:51 | 0:20:53 | |
KNOCK ON DOOR | 0:20:56 | 0:20:59 | |
CLAMOURING | 0:20:59 | 0:21:02 | |
So many questions. | 0:21:06 | 0:21:08 | |
Who are they?
And who's your hipster mate? | 0:21:08 | 0:21:11 | |
That's Gav. He's used up all of my
magical hair potion and now all the | 0:21:11 | 0:21:16 | |
baldies of Bristol are outside
wanting hair. | 0:21:16 | 0:21:18 | |
Stay cool, Sarah's got this. | 0:21:18 | 0:21:20 | |
I can make the bald men disappear. | 0:21:20 | 0:21:23 | |
BOTH: How? It's a little-known
fact - bald men hate mice. | 0:21:23 | 0:21:28 | |
It's not even real.
Come on, Squeakles. | 0:21:28 | 0:21:31 | |
CLAMOURING | 0:21:31 | 0:21:33 | |
ALL: Argh! | 0:21:35 | 0:21:36 | |
Now the baldies are gone, what are
we going to do about your hair? | 0:21:40 | 0:21:43 | |
Um, plaits? | 0:21:43 | 0:21:45 | |
Here's a quick art tip of how to
draw some hairstyles. | 0:21:47 | 0:21:50 | |
I'm going to start
with some pigtails. | 0:21:50 | 0:21:52 | |
Just going to split the fringe on
this one here like that, | 0:21:52 | 0:21:56 | |
then draw the top of the head. | 0:21:56 | 0:21:58 | |
A couple of bows... | 0:21:58 | 0:21:59 | |
..and then the pigtails. | 0:22:01 | 0:22:03 | |
These just, like,
flowing squiggles like this. | 0:22:03 | 0:22:06 | |
Now I'm going to draw
a nice, big, curly do. | 0:22:06 | 0:22:09 | |
It's like a cloud on your head
and then this overlapping | 0:22:09 | 0:22:12 | |
from the back of your head,
all the way over the top. | 0:22:12 | 0:22:15 | |
And, then, just a classic quiff. | 0:22:15 | 0:22:17 | |
I'm going to bring it up from
the ear and do a sweep like this | 0:22:17 | 0:22:20 | |
out to one side. | 0:22:20 | 0:22:21 | |
A couple of flicks on it and follow
it back across the head | 0:22:21 | 0:22:25 | |
and cut in at the same point
where I started the quiff | 0:22:25 | 0:22:28 | |
and have a little bump
that goes down to the ear. | 0:22:28 | 0:22:30 | |
There we go. There's a quick art
tip on how to draw some hairstyles. | 0:22:30 | 0:22:34 | |
ALL: Aw. | 0:22:40 | 0:22:41 | |
ALL: Yay! | 0:22:43 | 0:22:44 | |
I've finally accepted that I'm not
going to make a fortune | 0:22:46 | 0:22:49 | |
selling magical hair potion. | 0:22:49 | 0:22:51 | |
Things are almost back to normal. | 0:22:51 | 0:22:54 | |
Er, hello? I said "almost." | 0:22:54 | 0:22:56 | |
Where's my package? | 0:22:56 | 0:22:58 | |
Bingo! What's that? | 0:23:00 | 0:23:02 | |
This, my happy, hairy hamster,
is the antidote. | 0:23:02 | 0:23:04 | |
I should have checked there earlier. | 0:23:04 | 0:23:06 | |
Arry Arkright's Hair Today,
Gone Tomorrow. | 0:23:06 | 0:23:09 | |
"Spray liberally to get rid of all
unwanted taches, | 0:23:09 | 0:23:12 | |
"toupees and topknots." | 0:23:12 | 0:23:13 | |
Awesome - let's do it! | 0:23:13 | 0:23:14 | |
All gone? | 0:23:27 | 0:23:28 | |
Aw! Mine's run out, too.
What are we going to do? | 0:23:31 | 0:23:33 | |
There's only one thing for it - | 0:23:33 | 0:23:34 | |
we'll have to take you
to the hairdressers, | 0:23:34 | 0:23:36 | |
and I know just the place. | 0:23:36 | 0:23:38 | |
SHOUTING | 0:23:40 | 0:23:43 | |
SHOUTING | 0:23:49 | 0:23:51 | |
Ninja skills!
Here we are, hairdressers. | 0:23:57 | 0:24:00 | |
Let's have a look. Oh, there's a lot
of it, isn't there? | 0:24:04 | 0:24:07 | |
Coffee, yeah? OK, so I'm thinking
maybe bouffant? A bit of frizz? | 0:24:07 | 0:24:11 | |
A nice little bob? | 0:24:11 | 0:24:12 | |
A quiff? Dreads? | 0:24:12 | 0:24:14 | |
But, first, I think,
let's give it a wash. | 0:24:14 | 0:24:17 | |
SCISSORS SNIP | 0:24:23 | 0:24:27 | |
How do I look? Shiny and new. | 0:24:33 | 0:24:35 | |
Gav, all this hair-ing around
has given me an epic idea | 0:24:35 | 0:24:39 | |
for some big art, but, first,
we're going to get our ninja on. | 0:24:39 | 0:24:42 | |
Art Ninja! | 0:24:48 | 0:24:50 | |
Strike a pose. Art Ninja! | 0:24:51 | 0:24:54 | |
Gav, we're going to need a whole
colour palette of hair. | 0:24:58 | 0:25:00 | |
Reds, platinum blondes, greys. | 0:25:00 | 0:25:03 | |
Hey, even some curly bits. | 0:25:03 | 0:25:05 | |
But what's the picture
going to be of? | 0:25:05 | 0:25:07 | |
Let me give you a clue. Stop your
rabbiting and come give me a hand. | 0:25:07 | 0:25:11 | |
A bit rude. | 0:25:12 | 0:25:14 | |
You take that side and I'll take
this side. | 0:25:14 | 0:25:16 | |
OK. You want to lay the hair down
in a long line. | 0:25:16 | 0:25:18 | |
Look at all these ace wigs. | 0:25:31 | 0:25:32 | |
They're brilliant. You can be
anyone you want. | 0:25:32 | 0:25:35 | |
See if you can guess who I am. | 0:25:35 | 0:25:36 | |
A hippy! | 0:25:39 | 0:25:40 | |
A punk? | 0:25:43 | 0:25:44 | |
Your mum? Come on, now -
let's get on with it. | 0:25:46 | 0:25:49 | |
I'm just going to hop off
and grab some more hair. | 0:26:02 | 0:26:05 | |
Whoa, turn it off - you're going
to ruin the art. | 0:26:20 | 0:26:22 | |
Turn it off, turn it off!
Give it here. | 0:26:22 | 0:26:24 | |
Hey, this little scrap is a big clue
to what's in the art. | 0:26:27 | 0:26:31 | |
Got any ideas? You'll kick yourself
when you realise. | 0:26:31 | 0:26:34 | |
Come on, Gav - follow me. | 0:26:46 | 0:26:48 | |
I can't wait to see it. | 0:26:48 | 0:26:49 | |
It's a hairy hare picture. | 0:26:50 | 0:26:52 | |
It's brilliant. I still don't get
why you did a picture | 0:26:59 | 0:27:01 | |
of a couple of rabbits, though. | 0:27:01 | 0:27:03 | |
They're hares. Yeah, I know that -
most of them are mine! | 0:27:03 | 0:27:07 | |
No - boxing hares, Gavin. | 0:27:07 | 0:27:09 | |
Oh, never mind. | 0:27:09 | 0:27:11 | |
HE SIGHS | 0:27:22 | 0:27:24 | |
What a hair-raising day! | 0:27:24 | 0:27:26 | |
I don't want to see
any hair ever again. | 0:27:26 | 0:27:30 | |
I like things just the way they are. | 0:27:30 | 0:27:32 | |
Mind you, we could all do with
a LITTLE extra hair. | 0:27:34 | 0:27:37 | |
Hang on a minute. | 0:27:46 | 0:27:47 | |
That was the antidote! | 0:27:49 | 0:27:51 | |
Argh! | 0:27:51 | 0:27:54 | |
Head over to our online gallery and
upload your masterpieces at: | 0:27:54 | 0:27:59 |