No Acting Please Arthur


No Acting Please

Similar Content

Browse content similar to No Acting Please. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

# Every day when you're walking down the street

0:00:020:00:04

# Everybody that you meet

0:00:040:00:06

# Has an original point of view

0:00:060:00:09

-# And I say, hey!

-Hey!

0:00:110:00:13

# What a wonderful kind of day

0:00:130:00:16

# We can learn to work and play

0:00:160:00:18

# And get along with each other

0:00:180:00:21

# You gotta listen to your heart

0:00:210:00:23

# Listen to the beat

0:00:230:00:24

# Listen to the rhythm

0:00:240:00:26

# The rhythm of the street

0:00:260:00:27

# Open your eyes!

0:00:270:00:28

# Open your ears!

0:00:280:00:30

# Get together, make things better By working together

0:00:300:00:34

# It's a simple message

0:00:340:00:36

# And it comes from the heart

0:00:360:00:39

# Believe in yourself

0:00:390:00:40

# For that's the place to start

0:00:400:00:43

-# And I say, hey!

-Hey!

0:00:430:00:45

# What a wonderful kind of day

0:00:450:00:48

# We can learn to work and play

0:00:480:00:50

# And get along with each other

0:00:500:00:53

-# What a wonderful kind of day.

-Hey!

0:00:530:00:56

-# What a wonderful kind of day.

-HEY! #

0:00:560:00:59

Hey, DW.

0:00:590:01:01

Hey!

0:01:020:01:03

Whoa!

0:01:030:01:04

And...action.

0:01:080:01:10

Hi, today's show is...um, I forgot my first line.

0:01:100:01:15

Cut! Acting, today's show is all about acting. See?

0:01:150:01:20

I got it. You don't have to shout, "Cut!" We're the only ones here.

0:01:200:01:24

I like shouting, "Cut!" It makes me feel professional.

0:01:240:01:28

Today's show is all about acting.

0:01:280:01:31

Today's SHOW is ALL about...

0:01:310:01:33

Arthur and Buster's homemade show opening, take two. And...action.

0:01:330:01:39

Hi, today's show is all about...

0:01:390:01:42

You and Buster have to move.

0:01:420:01:43

Nadine and I are building a pillow fort in here.

0:01:430:01:46

No way! Use the den.

0:01:460:01:48

I can't, those pillows aren't right.

0:01:480:01:51

Anyway, I wouldn't be building a fort if you played with me

0:01:510:01:55

once in a while, but you never do.

0:01:550:01:58

SHE SOBS

0:01:580:01:59

You hate me.

0:01:590:02:00

What? DW, that's ridic...

0:02:000:02:03

CUT! Cut.

0:02:030:02:05

We'll move into the den, all right?

0:02:050:02:08

SHE SOBS

0:02:080:02:09

You were wonderful.

0:02:140:02:16

Now that's acting.

0:02:160:02:19

Fern! The sparkling butterfly barrette or the sparkling bow?

0:02:260:02:31

Um, I dunno. They look the same to me.

0:02:310:02:34

It's an acting audition. They won't pay attention to your hair.

0:02:340:02:38

It's for William Filmour Toffman,

0:02:380:02:40

THE William Filmour Toffman. I have to look my best.

0:02:400:02:44

Who's William Filmour Toffman?

0:02:440:02:47

True East, Jimmy Hopped The C Train.

0:02:470:02:50

He's only the most famous theatre director in Crown City.

0:02:500:02:53

He directed his first play in Elwood City. It Began With The Whistle.

0:02:530:02:58

He's back for a revival of the play's 20th anniversary.

0:02:580:03:02

We're trying out for Little Lucie, the only kid in the play. Wanna come?

0:03:020:03:05

Me? Audition? I can't act.

0:03:050:03:08

So. Come for moral support.

0:03:080:03:10

Besides, you might see a star be born.

0:03:100:03:14

Bravo, bravo.

0:03:140:03:18

Gritty, but with a hint of ennui.

0:03:180:03:21

Nice work, Francine.

0:03:210:03:23

You'd make a great understudy.

0:03:230:03:26

-Next!

-Good luck.

0:03:260:03:27

SHE GASPS

0:03:270:03:28

What did you say?

0:03:280:03:29

It's bad luck to say, "Good luck" to an actor.

0:03:290:03:32

You say break a leg, or something in French.

0:03:320:03:35

Oh. Bonjour.

0:03:350:03:36

Next, please.

0:03:360:03:39

But, Grandma, can't you he-e-ear the whistle blowing?

0:03:420:03:49

Thank you, Miss Crossmyer.

0:03:490:03:51

Actually, it's Crosswire.

0:03:510:03:53

Thank you, Mr Toffman, I'm a huge fan.

0:03:530:03:57

What's this?

0:03:580:04:00

My headshots, some postcards, a DVD of my most dramatic work,

0:04:000:04:03

oh, and chocolates.

0:04:030:04:05

Ah, we have one more.

0:04:050:04:08

Oh, I'm not auditioning.

0:04:080:04:10

What a pity. You look perfect for the role.

0:04:100:04:14

Thin, round shouldered, a certain hunger in the eyes.

0:04:140:04:20

Actually I just had a frozen yoghurt.

0:04:200:04:22

Ha ha ha, and a wit, to boot.

0:04:220:04:26

What did you say your name was?

0:04:260:04:27

-Fern.

-Fern. Beautiful name.

0:04:270:04:31

Well, Fern, are you sure you don't want to climb the boards

0:04:310:04:37

and give it a shot?

0:04:370:04:38

Well...OK.

0:04:380:04:41

Good...luck!

0:04:430:04:45

SHE GASPS

0:04:480:04:49

Finally, the cast list.

0:04:490:04:51

You can't be serious?

0:04:540:04:56

I'm Little Lucie?

0:04:590:05:01

But I didn't even act the line.

0:05:010:05:03

Maybe it's a mistake.

0:05:030:05:05

Nope. Daddy's in the play too,

0:05:050:05:07

he spoke to, he spoke to William Filmour Toffman.

0:05:070:05:10

Apparently you were just right for the part.

0:05:100:05:13

But all I've ever played at school is a tree

0:05:130:05:16

in the Arbour Day Extravaganza.

0:05:160:05:19

I'm gonna say no.

0:05:190:05:20

You can't say no, this could launch your acting career.

0:05:200:05:24

I don't want an acting career.

0:05:240:05:26

I worked for hours having Bailey put together

0:05:260:05:29

those headshots and you want to walk away?

0:05:290:05:32

Fern, there's gonna be great costumes, a cool set,

0:05:320:05:36

it could be really fun.

0:05:360:05:37

Welcome to the magnificent world of It Began With A Whistle.

0:05:390:05:44

A tragic tale of love and loss.

0:05:440:05:48

Redemption and more loss.

0:05:480:05:51

Behold...

0:05:510:05:53

a model of our set.

0:05:530:05:55

It shall be your home for the next three weeks.

0:05:550:05:58

Evocative!

0:05:580:05:59

Stunning!

0:05:590:06:01

Depressing.

0:06:010:06:03

Exactly.

0:06:030:06:04

This play takes place during the Depression,

0:06:040:06:07

so the set must therefore be...depressing.

0:06:070:06:11

Um, Mr Toffman, I think I might be missing some pages.

0:06:200:06:24

I've only found one line for Little Lucie.

0:06:240:06:26

And what a line it is.

0:06:260:06:29

In fact, I feel the whole play revolves

0:06:290:06:33

around that line, Fern.

0:06:330:06:36

Oh, cool.

0:06:360:06:39

"Then in the dust storm of 22, we left Amarillo,

0:06:390:06:43

"taking just what we could carry on our backs."

0:06:430:06:45

"Even the kettle don't work in this house."

0:06:450:06:48

"I am Big Daddy Booth."

0:06:480:06:50

"Because it would be the last I'd see of Oklahoma..."

0:06:500:06:53

"It's got a broken heart, it don't whistle no more.

0:06:550:06:58

"Cos it forgot how. Like we forgot how."

0:06:580:07:02

"But, Grandma, can't you hear the whistle blowing?"

0:07:050:07:08

This is why I am in the theatre.

0:07:080:07:11

To hear the music of words the way you just read them.

0:07:110:07:16

And Fern, I love the way you made Lucie

0:07:160:07:19

seem as if she were awaking from a deep psychological sleep.

0:07:190:07:24

Genius!

0:07:240:07:25

Wow, maybe I am a natural.

0:07:250:07:29

And the award for best dramatic performance

0:07:310:07:34

of a single line goes to...

0:07:340:07:35

HE GASPS

0:07:350:07:38

My protegee...Fern!

0:07:380:07:40

APPLAUSE

0:07:400:07:41

I wasn't expecting this, I mean, I know I've had rave reviews

0:07:440:07:47

from every newspaper in the world

0:07:470:07:49

and my fan mail needs its own dressing room,

0:07:490:07:51

but still, it's such a shock.

0:07:510:07:53

Thank you. Thank you so much.

0:07:530:07:57

-Thank you...

-Fern!

-Huh?

0:07:570:07:59

Will you quit thanking the ketchup and pass it, please?

0:07:590:08:03

Daddy told me Will said you were a genius.

0:08:030:08:06

I'm just curious, what method do you use?

0:08:060:08:09

Method?

0:08:090:08:10

Yeah, you know, how do you prepare?

0:08:100:08:12

I don't, I just say the line.

0:08:120:08:15

You're going to be performing in front of hundreds of people.

0:08:150:08:18

You have to do more than that. Here...

0:08:180:08:21

Some material I thought might help you.

0:08:210:08:23

Books on technique, warm-up exercises,

0:08:230:08:25

stuff like that.

0:08:250:08:26

It's funny they call you the stranger,

0:08:280:08:31

cos you seem familiar.

0:08:310:08:33

Red leather, yellow leather, red leather...

0:08:330:08:36

Folks always say I seem strange, but familiar. Strange that.

0:08:360:08:41

Stop, stop, stop, stop. Grandma, nice work.

0:08:410:08:44

Nigel, I need you to be stranger.

0:08:440:08:48

You seem...not strange enough.

0:08:480:08:51

Yes, right, of course.

0:08:510:08:53

-And, Fern...

-Yes.

0:08:530:08:56

Do you know what acting is, Fern?

0:08:560:08:59

Acting is reacting. And you can't react unless you...

0:08:590:09:04

Prepare. And learn your lines really, really well.

0:09:040:09:09

You can't react unless you listen.

0:09:100:09:14

Little Lucie is a listener.

0:09:140:09:16

Take it from the top of the scene.

0:09:160:09:18

It's got a broken heart. Like all of us.

0:09:210:09:24

-It don't whistle no more cos...

-But Grandma,

0:09:240:09:27

can't you hear the whistle?

0:09:270:09:29

Ladies and gentlemen, take five.

0:09:330:09:35

Fern, let's you and I take a stroll.

0:09:350:09:39

When I think of Little Lucie, I think of this tree.

0:09:420:09:46

I can do that. I've played trees before.

0:09:460:09:48

"Do not saw the air too much with your hand, thus."

0:09:480:09:53

Shakespeare. Hamlet's instructions to the players.

0:09:540:09:58

Fern, I don't want you to BE a tree.

0:09:580:10:04

I want you to be LIKE this tree.

0:10:040:10:08

It doesn't move much.

0:10:080:10:10

Yes, but you can't help but notice it.

0:10:100:10:15

I am Big Daddy Booth. I am Big Daddy Booth.

0:10:180:10:23

But Grandma, can't you hear the whistle blowing? But Grandma...

0:10:230:10:28

Places everyone. Places.

0:10:280:10:31

Why is he saying, "Places"?

0:10:310:10:32

It means the show is about to start

0:10:320:10:35

and YOU have to go back to your seat.

0:10:350:10:37

Even the kettle don't work in this house.

0:10:390:10:42

It's got a broken heart. It don't whistle no more cos...

0:10:420:10:46

-c-c-cos...

-Cos it forgot how.

0:10:460:10:50

Like we forgot how.

0:10:500:10:52

Grandma, can't you hear the thistle blowing?

0:10:550:10:59

I hear thistle blowing out there on the dusty plains,

0:11:020:11:07

but I also hear a whistle blowing.

0:11:070:11:10

Don't you, Grandma?

0:11:100:11:12

Fern!

0:11:250:11:26

Hey. I guess I wasn't such a genius, after all.

0:11:260:11:31

What are you talking about?

0:11:310:11:33

I only had one line and I messed it up.

0:11:330:11:36

That wasn't in the script? I thought they just expanded your role.

0:11:360:11:40

You're not just saying that?

0:11:400:11:42

William Filmour Toffman was right, you're perfect for that part.

0:11:420:11:46

I could never play someone so dreary.

0:11:460:11:49

Nice work.

0:11:490:11:51

Brava, Fern. Have some sparkling cider.

0:11:510:11:55

I'm really sorry I flubbed the line.

0:11:570:11:59

I promise it won't happen again.

0:11:590:12:01

You improvised. The dusty plains bit, genius.

0:12:010:12:06

And most importantly, you were really listening.

0:12:060:12:10

I was thinking, for tomorrow's show,

0:12:100:12:12

we might restage the last scene.

0:12:120:12:15

Perhaps have you sit on the floor with a rag doll...

0:12:150:12:18

Hey, could we give Little Lucie another line or two?

0:12:180:12:21

I'm not the playwright, Fern. I'm just the director.

0:12:210:12:25

# Every day when you're walking down the street

0:12:320:12:36

# And everybody that you meet

0:12:360:12:38

# Has an original point of view

0:12:380:12:41

-# And I say, hey!

-Hey!

0:12:420:12:44

-# What a wonderful kind of day!

-Hey! #

0:12:440:12:46

Subtitles by Red Bee Media Ltd.

0:12:460:12:48

E-mail [email protected].

0:12:480:12:50

Download Subtitles

SRT

ASS