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Today, find out all you need to know to train to be an astronaut. | 6:30:23 | 6:30:26 | |
We have a performance from the super-cool Foxes. | 6:30:26 | 6:30:28 | |
And one theatre company is turning this rubbish into this. | 6:30:28 | 6:30:32 | |
QUACKING | 6:30:32 | 6:30:33 | |
That's all coming up on today's live Blue Peter. | 6:30:33 | 6:30:36 | |
CHEERING | 6:30:53 | 6:30:54 | |
-Hello! -Hi! -And welcome to Blue Peter. | 6:30:54 | 6:30:59 | |
Now, you can probably tell it's just me and Barney today. | 6:30:59 | 6:31:02 | |
Lindsey's away training for an epic challenge. | 6:31:02 | 6:31:04 | |
-You'll find out more about that later in the year. -Hang on. | 6:31:04 | 6:31:08 | |
If Lindsey isn't here, and it took me ages to get into make-up, | 6:31:08 | 6:31:10 | |
why did it take so long? You say it's Lindsey... | 6:31:10 | 6:31:13 | |
Thanks. Don't make it too poofy this week. Have you got any lippy? | 6:31:13 | 6:31:16 | |
-No! -That's enough, thank you. -Unbelievable, Barney. | 6:31:16 | 6:31:20 | |
-I know. -DING! | 6:31:20 | 6:31:23 | |
Anyway, coming up very soon, you're going to see how I got on | 6:31:23 | 6:31:26 | |
when I was put through my paces to train to be an astronaut | 6:31:26 | 6:31:28 | |
and that got us thinking. If you could train to be anything | 6:31:28 | 6:31:31 | |
in the world, what would it be? Lucy? | 6:31:31 | 6:31:33 | |
I'd be an actress because of my cousin. | 6:31:33 | 6:31:36 | |
She was on Blue Peter when she was little. | 6:31:36 | 6:31:38 | |
-Did she get a badge? -Yeah. -It's inspiring stuff, Blue Peter. | 6:31:38 | 6:31:41 | |
-How about you, if you could train to be anything? -I would be a scientist. | 6:31:41 | 6:31:44 | |
-What kind of scientist? -A crime scene investigator. | 6:31:44 | 6:31:47 | |
Look at that. How cool is that? | 6:31:47 | 6:31:49 | |
So what would you train to be if you could? | 6:31:49 | 6:31:51 | |
Get in touch, usual details, please. | 6:31:51 | 6:31:52 | |
We are live, so get in touch via our website. | 6:31:52 | 6:31:55 | |
We will try and squeeze in as many comments as possible at the end. | 6:31:58 | 6:32:01 | |
Radzi, have you heard about the new drink | 6:32:01 | 6:32:03 | |
-that everyone's drinking in space? -No. New drink? | 6:32:03 | 6:32:06 | |
Yeah, it's all the rage. Everyone loves it. | 6:32:06 | 6:32:08 | |
It's called gravi-TEA. | 6:32:08 | 6:32:10 | |
-HE LAUGHS -Oh... | 6:32:10 | 6:32:13 | |
WIND WHISTLES | 6:32:13 | 6:32:15 | |
Oh, I liked that one. I thought that was really good. OK, awkward. | 6:32:15 | 6:32:18 | |
Well then, let's go into the next film. | 6:32:18 | 6:32:22 | |
I went to meet Tim Peake a few months ago. He's an astronaut. | 6:32:22 | 6:32:24 | |
He's the first official British astronaut | 6:32:24 | 6:32:26 | |
who's going to the International Space Station in 2015. | 6:32:26 | 6:32:30 | |
And I thought, if I'm going to speak to him, | 6:32:30 | 6:32:32 | |
I should probably go dressed for the part. | 6:32:32 | 6:32:34 | |
OK, this hasn't really gone that well. | 6:32:34 | 6:32:36 | |
I'm going to speak to the scriptwriters. One second. | 6:32:36 | 6:32:39 | |
# Spaceman | 6:32:39 | 6:32:40 | |
# I always wanted you to go into space, man | 6:32:40 | 6:32:44 | |
# Intergalactic Christ | 6:32:44 | 6:32:47 | |
# Spaceman... # | 6:32:47 | 6:32:49 | |
Hey, I'm here to meet Tim. | 6:32:49 | 6:32:51 | |
Oh, hi. Yeah. I'm not a real astronaut, | 6:32:53 | 6:32:55 | |
but I am here to meet a man who's about to become one. | 6:32:55 | 6:32:59 | |
Can someone get me out of here, please? I am sweating. | 6:32:59 | 6:33:02 | |
Major Tim Peake is set to be the first official British astronaut | 6:33:03 | 6:33:07 | |
when he blasts off to the International Space Station in 2015. | 6:33:07 | 6:33:10 | |
So I went down to London to meet him | 6:33:10 | 6:33:12 | |
and find out a bit more about his mission. | 6:33:12 | 6:33:15 | |
Tim, we say you've got to earn your Blue Peter badge, | 6:33:15 | 6:33:17 | |
and just by being an astronaut, | 6:33:17 | 6:33:19 | |
we think that well and truly means you can wear that with pride. | 6:33:19 | 6:33:21 | |
Fantastic, thank you very much. | 6:33:21 | 6:33:23 | |
So, you are the first official British astronaut. | 6:33:23 | 6:33:26 | |
-How does that feel? -It feels fantastic, it really does. | 6:33:26 | 6:33:29 | |
It was a real privilege to be selected back in 2009 | 6:33:29 | 6:33:33 | |
and since then I've just been doing some amazing training. | 6:33:33 | 6:33:35 | |
What sort of things do you do? | 6:33:35 | 6:33:37 | |
The training is incredible, it's really diverse. | 6:33:37 | 6:33:39 | |
There's a lot of things you need to know about. | 6:33:39 | 6:33:41 | |
Firstly, just the trip up and back, | 6:33:41 | 6:33:43 | |
so we have to know everything about the Soyuz spacecraft, | 6:33:43 | 6:33:45 | |
how to get there and back. | 6:33:45 | 6:33:46 | |
Rendezvous and docking with the space station. | 6:33:46 | 6:33:49 | |
How to do a spacewalk, or how to use the robotic arm | 6:33:49 | 6:33:51 | |
so that you can capture a visiting vehicle | 6:33:51 | 6:33:54 | |
and dock it to the space station. | 6:33:54 | 6:33:56 | |
How to carry out all the science that we'll need to do. | 6:33:56 | 6:33:58 | |
And then the simple things like how to repair the toilet | 6:33:58 | 6:34:01 | |
and how to eat and sleep. | 6:34:01 | 6:34:02 | |
And weightlessness, how do you train for that? | 6:34:02 | 6:34:04 | |
That means there's no gravity, | 6:34:04 | 6:34:06 | |
but here there is gravity, so how do you get round that? | 6:34:06 | 6:34:08 | |
There are two main training methods. | 6:34:08 | 6:34:10 | |
The first one is to experience real weightlessness, | 6:34:10 | 6:34:12 | |
and you do that by going up in an aircraft. | 6:34:12 | 6:34:14 | |
You can practise how your body reacts, how to move, | 6:34:14 | 6:34:17 | |
how to handle heavy things. | 6:34:17 | 6:34:19 | |
But if we want to practise that for longer periods of time, | 6:34:19 | 6:34:22 | |
we use water. | 6:34:22 | 6:34:23 | |
We get kitted up in gloves which are just like the ones | 6:34:23 | 6:34:26 | |
we're going to wear on a spacewalk, and various other bits of equipment. | 6:34:26 | 6:34:29 | |
We go down in the swimming pool, using the water as neutral buoyancy, | 6:34:29 | 6:34:33 | |
and practise five, six-hour-long spacewalks. | 6:34:33 | 6:34:35 | |
For the audience watching who would love to be an astronaut, | 6:34:35 | 6:34:38 | |
what sort of things can they do here? | 6:34:38 | 6:34:39 | |
We all come from a variety of backgrounds. | 6:34:39 | 6:34:41 | |
There are schoolteachers, there are engineers, there are physicists. | 6:34:41 | 6:34:45 | |
There are test pilots like myself. | 6:34:45 | 6:34:47 | |
And the one thing we have in common, I guess, is that we are all | 6:34:47 | 6:34:50 | |
passionate about what we do and we try and be as good as we can be. | 6:34:50 | 6:34:54 | |
Tim really is an amazing inspiration, isn't he? | 6:34:55 | 6:34:57 | |
He is out of this world. How can you train like an astronaut right now? | 6:34:57 | 6:35:02 | |
Well, I've come to this school in Salford to find out more | 6:35:02 | 6:35:04 | |
because the students in here are already moonwalking their way | 6:35:04 | 6:35:07 | |
towards becoming the next generation of space explorers. | 6:35:07 | 6:35:12 | |
The pupils here are learning about the qualities | 6:35:12 | 6:35:14 | |
you need to be a good astronaut. | 6:35:14 | 6:35:15 | |
And they're testing themselves with various challenges | 6:35:15 | 6:35:18 | |
as part of their lessons. | 6:35:18 | 6:35:19 | |
They're using simple objects that anyone can get hold of, | 6:35:19 | 6:35:22 | |
like rulers and jigsaws, to mimic the elements of human space-flight. | 6:35:22 | 6:35:27 | |
Astronauts of the future, you've got to teach me | 6:35:27 | 6:35:29 | |
how to be an astronaut too. | 6:35:29 | 6:35:31 | |
So what are we doing here, what is this little challenge? | 6:35:31 | 6:35:33 | |
We're testing our fast reaction times on catching the ruler. | 6:35:33 | 6:35:37 | |
Because that's what you need, fast reaction times, | 6:35:37 | 6:35:40 | |
when you're in space, when you're repairing the ship outside. | 6:35:40 | 6:35:43 | |
Like, if you drop anything, so you can catch it straightaway, | 6:35:43 | 6:35:46 | |
so it doesn't float off into the universe. | 6:35:46 | 6:35:48 | |
Space high-five, no gravity. | 6:35:53 | 6:35:55 | |
Awesome! | 6:35:58 | 6:35:59 | |
'Next up, puzzles. But why are we wearing gloves?' | 6:35:59 | 6:36:03 | |
It's hard for them because they won't be able to grip the pieces easily. | 6:36:03 | 6:36:07 | |
'But this is Blue Peter so we've super-sized things. | 6:36:15 | 6:36:17 | |
'First up, a light wall to test my reactions. | 6:36:17 | 6:36:20 | |
'One point for every button hit.' | 6:36:20 | 6:36:22 | |
OK, you scored 32 in 30 seconds | 6:36:22 | 6:36:24 | |
and that was both of you at the same time. | 6:36:24 | 6:36:26 | |
So what would be a good score for me to get? | 6:36:26 | 6:36:28 | |
40 if you're good, and 45 if you're an expert. | 6:36:28 | 6:36:32 | |
-40? -Yes. -Or 45? | 6:36:32 | 6:36:35 | |
-If a light flashes, I need to hit it. -Go! | 6:36:35 | 6:36:38 | |
-Time up. -Yes! That'll do, won't it? | 6:36:47 | 6:36:50 | |
That was in between 40 and 45, right in the middle | 6:36:50 | 6:36:53 | |
-so I'm kind of in between good, and did you say expert? -Expert. | 6:36:53 | 6:36:57 | |
OK, challenge two. | 6:36:57 | 6:36:59 | |
This time it's hand-to-eye coordination | 6:36:59 | 6:37:01 | |
and a two-metre-long buzz wire. | 6:37:01 | 6:37:03 | |
Everyone's life hangs in the balance...based on my steady hand. | 6:37:03 | 6:37:09 | |
Here we go. | 6:37:09 | 6:37:10 | |
Three, two, one. Go. | 6:37:10 | 6:37:13 | |
BUZZING | 6:37:19 | 6:37:21 | |
-Ah! No! Does that mean I'm not an astronaut? -Yeah. | 6:37:21 | 6:37:24 | |
Thank you for your support(!) | 6:37:24 | 6:37:26 | |
So it all comes down to the last challenge for me | 6:37:26 | 6:37:29 | |
to prove my, er...astronauty-ness? | 6:37:29 | 6:37:32 | |
Christopher, what is my final challenge? | 6:37:32 | 6:37:35 | |
Well, since astronauts do lots of flips in space, | 6:37:35 | 6:37:37 | |
because of the micro-gravity environment, | 6:37:37 | 6:37:40 | |
you'll be doing ten flips on that. | 6:37:40 | 6:37:43 | |
CHEERING | 6:37:43 | 6:37:45 | |
It's time to test my space rolls. | 6:37:45 | 6:37:47 | |
KIDS CHEER | 6:37:50 | 6:37:52 | |
So there you have it. One small step for man, one giant leap for Barney. | 6:38:05 | 6:38:09 | |
I think it's fair to say I've been put through my paces today | 6:38:09 | 6:38:12 | |
but you don't need to have all this equipment | 6:38:12 | 6:38:14 | |
to train to be an astronaut. | 6:38:14 | 6:38:15 | |
You can use anything in your classroom, in your home, | 6:38:15 | 6:38:18 | |
so why not give it a go? Go on, train to be an astronaut. | 6:38:18 | 6:38:20 | |
You never know, you could be the next one in space. | 6:38:20 | 6:38:23 | |
CHEERING | 6:38:23 | 6:38:25 | |
It was such a good day. We'll keep you updated | 6:38:25 | 6:38:27 | |
with Tim Peake's movements later in the year. | 6:38:27 | 6:38:29 | |
If you can't wait, watch Newsround tomorrow. | 6:38:29 | 6:38:31 | |
He is announcing a new competition which you just have to enter. | 6:38:31 | 6:38:35 | |
And thank you to the children at the school as well, | 6:38:35 | 6:38:37 | |
for helping me train to be an astronaut. | 6:38:37 | 6:38:39 | |
-I still feel sick, thank you! -Barney, let's walk and talk. | 6:38:39 | 6:38:42 | |
If you were watching last week's show, | 6:38:42 | 6:38:44 | |
you'll have noticed that we were in the Blue Peter garden. | 6:38:44 | 6:38:46 | |
That's all part of our green theme | 6:38:46 | 6:38:48 | |
which we're going to be celebrating over the next few weeks | 6:38:48 | 6:38:50 | |
because we know just how much you care about the environment, | 6:38:50 | 6:38:53 | |
and that's because we see the amount of post that you send to us about it. | 6:38:53 | 6:38:56 | |
Just look at the Big Badge Wall this week. | 6:38:56 | 6:38:58 | |
Again, caked, and all to do with the environment. | 6:38:58 | 6:39:01 | |
Here's one I have to show you - this is from Rebecca. | 6:39:01 | 6:39:03 | |
She's made a flowerpot from an old boot. I love this. | 6:39:03 | 6:39:06 | |
Rebecca is wearing her blue badge. | 6:39:06 | 6:39:09 | |
Because of her inspired boot, which is from the Skinny Jeans Gardeners, | 6:39:09 | 6:39:13 | |
you're now getting a green badge as well, Rebecca. Well done. | 6:39:13 | 6:39:16 | |
Congratulations. Someone getting his green badge | 6:39:16 | 6:39:18 | |
this week, too, is Calum. | 6:39:18 | 6:39:19 | |
Calum has designed this. It's come from Motherwell. | 6:39:19 | 6:39:21 | |
It's a bin, which is pretty cool, where you put your recycling. | 6:39:21 | 6:39:24 | |
Look at it, he's made it out of silver paper | 6:39:24 | 6:39:26 | |
and an old cardboard tube. He's even given it eyes as well. | 6:39:26 | 6:39:28 | |
This bit is a touch of genius. It's actually a pencil sharpener. | 6:39:28 | 6:39:33 | |
Calum, well done. Green badge on the way. | 6:39:33 | 6:39:34 | |
Now this is from Sarah, from Hertfordshire, | 6:39:34 | 6:39:37 | |
and this is absolutely mega. | 6:39:37 | 6:39:39 | |
Look at the size of this piece of post! | 6:39:39 | 6:39:41 | |
It's got flowers, plants, trees, you name it. | 6:39:41 | 6:39:44 | |
Well, Sarah, yourself and every person on the Big Badge Wall | 6:39:44 | 6:39:47 | |
are all going to be getting their green badge. | 6:39:47 | 6:39:50 | |
One of the best things about Blue Peter badges | 6:39:50 | 6:39:52 | |
is that you get into over 200 attractions for free. | 6:39:52 | 6:39:55 | |
That's right, I said for free. | 6:39:55 | 6:39:57 | |
So send in all your stuff | 6:39:57 | 6:39:58 | |
because that's what can get you a Blue Peter badge. | 6:39:58 | 6:40:00 | |
All the details about them are on our website. | 6:40:00 | 6:40:03 | |
Last week, we told you we're going to have | 6:40:03 | 6:40:05 | |
some rubbish puppets here in the studio. | 6:40:05 | 6:40:07 | |
That inspired Lucy to design her own. Look at this. | 6:40:07 | 6:40:09 | |
It's a cardboard tube with orange paper on it. | 6:40:09 | 6:40:11 | |
It's got a smiley face and like all good cats, | 6:40:11 | 6:40:13 | |
it's got a lovely pair of whiskers at the bottom. | 6:40:13 | 6:40:16 | |
This is because we've got a brilliant performance | 6:40:16 | 6:40:18 | |
-from the Theatre-Rites company and our Excavators. Hello. -Hello! | 6:40:18 | 6:40:21 | |
Good to see you, Charlie, Simon, Mohsin and Ed. | 6:40:21 | 6:40:24 | |
Let's start from the very beginning. | 6:40:24 | 6:40:25 | |
We're talking about how everything's been created from rubbish. | 6:40:25 | 6:40:28 | |
So where did the idea come from? | 6:40:28 | 6:40:30 | |
We wanted to make a piece that explored the hidden values of things | 6:40:30 | 6:40:33 | |
and objects that people normally throw away. | 6:40:33 | 6:40:35 | |
And as Excavators, we believe that one person's rubbish | 6:40:35 | 6:40:38 | |
could be another person's treasure. | 6:40:38 | 6:40:39 | |
OK. Who are you going to introduce us to now? | 6:40:39 | 6:40:41 | |
-We've got somebody in the bag. -There he is! -Oh, hang on! | 6:40:41 | 6:40:45 | |
OK! | 6:40:45 | 6:40:47 | |
-Come on. -Out you come. -Come on. | 6:40:47 | 6:40:49 | |
There you are. Come on, come on, you! | 6:40:49 | 6:40:52 | |
-Don't be shy! -BARKING | 6:40:52 | 6:40:54 | |
-There he is! -This is our dog. | 6:40:54 | 6:40:56 | |
-Amazing! Hello, mate. How are you doing? -Sit down. Sit. | 6:40:56 | 6:41:00 | |
-He's well trained, isn't he? -He's really well-trained. | 6:41:00 | 6:41:02 | |
And you can see he's made out of a bit of old rope, binoculars, | 6:41:02 | 6:41:05 | |
a bottle, a brush, an old tin, some springs | 6:41:05 | 6:41:07 | |
and some old tennis balls on his feet. | 6:41:07 | 6:41:09 | |
Fantastic. Presumably he's still in training. Oh, yeah! | 6:41:09 | 6:41:12 | |
Sit! And fetch! | 6:41:12 | 6:41:15 | |
Still working on it. | 6:41:15 | 6:41:17 | |
That's fine. Good boy, well done. Who else have we got here? | 6:41:17 | 6:41:20 | |
-Here, we've got... -Who have we got here? -There he is. | 6:41:20 | 6:41:24 | |
Come on! Good boy. QUACKING | 6:41:24 | 6:41:27 | |
We've got our duck. As you can see, | 6:41:27 | 6:41:29 | |
our duck's made out of an old tea set. | 6:41:29 | 6:41:31 | |
And when we find him in the show, he's covered in grime and muck, | 6:41:31 | 6:41:33 | |
like the birds that get hurt in oil spills out at sea. | 6:41:33 | 6:41:36 | |
So we clean him down and teach him how to fly again. | 6:41:36 | 6:41:39 | |
Absolutely amazing. So lifelike as well. | 6:41:39 | 6:41:41 | |
You're all wearing your green Blue Peter badges. | 6:41:41 | 6:41:44 | |
Recycling is a big thing. We love turning old things into new things. | 6:41:44 | 6:41:47 | |
How important is it to recycle? | 6:41:47 | 6:41:48 | |
It's really important. Just think about how much stuff we throw away. | 6:41:48 | 6:41:52 | |
And as a theatre company, it's our job to inspire people | 6:41:52 | 6:41:54 | |
to think about that and think about how they might re-use their rubbish. | 6:41:54 | 6:41:58 | |
The Blue Peter audience is better than everybody at being | 6:41:58 | 6:42:00 | |
inspired by the show and things that they see. | 6:42:00 | 6:42:02 | |
If you could give us an idea of what to do | 6:42:02 | 6:42:05 | |
and how to recycle our rubbish into puppets? | 6:42:05 | 6:42:07 | |
Sure. First of all, be sure that whatever rubbish you do find | 6:42:07 | 6:42:10 | |
is clean and safe to use. Once you've done that, | 6:42:10 | 6:42:13 | |
carefully select one item of rubbish that best suggests a character. | 6:42:13 | 6:42:16 | |
Then you can play with all the different ways of making puppets | 6:42:16 | 6:42:19 | |
but also of making your puppet come to life. | 6:42:19 | 6:42:21 | |
-Like this. -QUACKING | 6:42:21 | 6:42:23 | |
BARKING | 6:42:23 | 6:42:25 | |
You've got a bit of a busy month ahead of you, you're touring? | 6:42:25 | 6:42:28 | |
Yes, we're touring Rubbish all over the country. | 6:42:28 | 6:42:31 | |
We're off to Liverpool next, and we're also going to Bath, | 6:42:31 | 6:42:34 | |
-London, Leicester, Canterbury and Manchester. -Amazing. | 6:42:34 | 6:42:37 | |
Now, I think it would be a shame to have all this set dressed | 6:42:37 | 6:42:40 | |
and have you in costumes and our rubbish puppets in the studio | 6:42:40 | 6:42:43 | |
-and not have a sneak peek. Could you do that for us? -Oh, yes. | 6:42:43 | 6:42:47 | |
OK, you get yourselves ready and I'll do the big intro. | 6:42:47 | 6:42:50 | |
Ladies and gentlemen, boys and girls, please welcome Theatre-Rites, | 6:42:50 | 6:42:53 | |
the Excavators, with a brilliant show, it's Rubbish. | 6:42:53 | 6:42:56 | |
No, it's actually called Rubbish. Thank you. | 6:42:56 | 6:42:58 | |
GENTLE PIANO MUSIC | 6:42:58 | 6:43:01 | |
Oh... OK. Oop... | 6:43:03 | 6:43:05 | |
Ohhh. | 6:43:05 | 6:43:06 | |
Oh! | 6:43:06 | 6:43:07 | |
Oh... Oop! | 6:43:07 | 6:43:09 | |
Oop...Oh! Ahhh. | 6:43:11 | 6:43:13 | |
Er...OK. | 6:43:13 | 6:43:14 | |
Hup, hup, hup... | 6:43:18 | 6:43:19 | |
Ah! | 6:43:19 | 6:43:21 | |
Oh! | 6:43:24 | 6:43:26 | |
Huh! | 6:43:29 | 6:43:31 | |
Ahh... | 6:43:36 | 6:43:38 | |
Huh... | 6:43:40 | 6:43:41 | |
Ah! | 6:43:45 | 6:43:46 | |
Huh. Oop... | 6:43:56 | 6:43:58 | |
Ooh! Huh... | 6:44:10 | 6:44:12 | |
HORN HONKS Oh, sorry! | 6:44:16 | 6:44:19 | |
HORNS HONK Oh! Oh! Oh! | 6:44:19 | 6:44:22 | |
HORNS HONK | 6:44:22 | 6:44:24 | |
Oh! Oh! | 6:44:24 | 6:44:26 | |
APPLAUSE | 6:44:28 | 6:44:30 | |
Absolutely amazing. Have you ever seen a better example of how to turn | 6:44:33 | 6:44:36 | |
rubbish into something new and exciting? That was all live. | 6:44:36 | 6:44:39 | |
A great performance from the Theatre-Rites. Excavators and | 6:44:39 | 6:44:42 | |
Rubbish. Thank you very much, guys, brilliant. | 6:44:42 | 6:44:44 | |
If that has inspired you to get involved and to make your own | 6:44:44 | 6:44:47 | |
puppets from rubbish, which we've | 6:44:47 | 6:44:48 | |
got here in the studio, beautifully modelled. | 6:44:48 | 6:44:51 | |
Flynn, that's amazing. What's this guy? | 6:44:51 | 6:44:54 | |
Erm, this guy is Dave the dragon. | 6:44:54 | 6:44:56 | |
Dave the dragon. It happens to be the best name for a dragon! | 6:44:56 | 6:44:59 | |
Your creativity can take you anywhere you like. If you're going | 6:44:59 | 6:45:01 | |
to make one of these puppets out of rubbish, why not take a | 6:45:01 | 6:45:04 | |
picture of it and send it to us? Usual details... | 6:45:04 | 6:45:07 | |
We'll try and put as many of them as we can in our gallery. | 6:45:07 | 6:45:10 | |
So, you've made one as well, Radzi? | 6:45:10 | 6:45:13 | |
I was in the dressing room and I found an old pair of socks. | 6:45:13 | 6:45:16 | |
Yeah. My dressing room - those are my socks! | 6:45:16 | 6:45:18 | |
-Hang on. What's this? -Again, I found a packet of crisps. -My crisps! | 6:45:18 | 6:45:23 | |
I was saving those for later! | 6:45:23 | 6:45:25 | |
What else have you nicked? That's ridiculous! | 6:45:25 | 6:45:28 | |
Anyway, next week will mark the 20th anniversary | 6:45:28 | 6:45:31 | |
of the English Channel, which connects England and France. | 6:45:31 | 6:45:35 | |
A few months ago, Lindsey got | 6:45:35 | 6:45:36 | |
the opportunity to travel through that tunnel. | 6:45:36 | 6:45:39 | |
As this is Blue Peter, she wasn't just getting to | 6:45:39 | 6:45:42 | |
visit France. Oh, no! Lindsey had to get her hands dirty! | 6:45:42 | 6:45:45 | |
< Radzi, have you seen my drink? | 6:45:45 | 6:45:47 | |
Below the English Channel is one of | 6:45:49 | 6:45:51 | |
the seven wonders of the modern world. | 6:45:51 | 6:45:54 | |
Wondering what it is? Let me show you the Channel Tunnel. | 6:45:54 | 6:45:57 | |
The Channel Tunnel is a railway line | 6:45:57 | 6:45:59 | |
that runs underneath the English Channel | 6:45:59 | 6:46:02 | |
and connects Great Britain with France. | 6:46:02 | 6:46:04 | |
Clocking up a massive 31 miles, it is | 6:46:04 | 6:46:07 | |
the longest undersea tunnel in the world. | 6:46:07 | 6:46:09 | |
Construction of the tunnel started in 1988, | 6:46:11 | 6:46:13 | |
and on the 1st of December 1990, | 6:46:13 | 6:46:16 | |
English and French workers shook hands as the last bit of rock | 6:46:16 | 6:46:19 | |
was drilled through. | 6:46:19 | 6:46:21 | |
There's about 400 trains that pass through here every day, | 6:46:21 | 6:46:24 | |
and today I'm going to be on one of them. | 6:46:24 | 6:46:27 | |
It's going to take us under the sea and get us to France. | 6:46:27 | 6:46:30 | |
Oh, there's even a shutter going down! | 6:46:30 | 6:46:33 | |
We've got our own little room for the car. | 6:46:33 | 6:46:37 | |
I think we just have to sit and wait until we are in France. | 6:46:37 | 6:46:40 | |
And that's exactly what we did. | 6:46:40 | 6:46:42 | |
So here I am, the other side of the English Channel, | 6:46:42 | 6:46:44 | |
which means I am now officially in France. Bonjour. | 6:46:44 | 6:46:48 | |
It's about 6pm, which means we've travelled over 30 miles under | 6:46:48 | 6:46:52 | |
the sea in around 35 minutes, which is pretty impressive! | 6:46:52 | 6:46:56 | |
No, no! The journey doesn't stop here. | 6:46:56 | 6:46:58 | |
I'll be coming back here to see exactly what happens to the tunnel | 6:46:58 | 6:47:02 | |
when the trains aren't running. | 6:47:02 | 6:47:04 | |
I'm back, and it's about 9:30pm. | 6:47:06 | 6:47:09 | |
It's strange to think that in a couple of hours I'm going to | 6:47:09 | 6:47:12 | |
be under the sea. I'm here to meet John Keith, who works for Eurotunnel. | 6:47:12 | 6:47:15 | |
He'll tell me about the maintenance that | 6:47:15 | 6:47:17 | |
goes on to keep the tunnel open and the trains working. | 6:47:17 | 6:47:21 | |
-Hi, John. -Hi, Lindsey. Good to see you. | 6:47:21 | 6:47:23 | |
So, what are we going to be doing tonight? | 6:47:23 | 6:47:25 | |
First, I'll show you the rolling stock maintenance how we | 6:47:25 | 6:47:28 | |
keep our trains running. | 6:47:28 | 6:47:30 | |
Then we are going underground, into the tunnel. | 6:47:30 | 6:47:33 | |
We'll see some of the rails being replaced underground. | 6:47:33 | 6:47:36 | |
That's so cool, I'm really excited! | 6:47:36 | 6:47:38 | |
Am I right that the reason we are here late is because it's the | 6:47:38 | 6:47:40 | |
-safest time to be here, because the trains aren't running? -It is. | 6:47:40 | 6:47:44 | |
'And it's inside this huge depot that those trains are taken for repairs.' | 6:47:44 | 6:47:47 | |
This is the big stuff - 850 metres long. | 6:47:47 | 6:47:50 | |
850 metres! Look over there. | 6:47:50 | 6:47:54 | |
That's how the guys get from one end of the shed to the other. | 6:47:54 | 6:47:58 | |
I'm not surprised! It's so long, it's miles away! | 6:47:58 | 6:48:02 | |
So I got on a bike and checked it out for myself. My goodness! | 6:48:02 | 6:48:05 | |
I am actually out of breath and I've only cycled a tiny bit of this train. | 6:48:05 | 6:48:11 | |
This is not just a big train, this is epic! | 6:48:11 | 6:48:14 | |
Now we are actually under the shuttle. | 6:48:17 | 6:48:21 | |
That's right, this is the train above us. | 6:48:21 | 6:48:24 | |
Look down there and see how far away it goes. You can't even see the end. | 6:48:24 | 6:48:28 | |
These are the longest trains in Europe. | 6:48:28 | 6:48:30 | |
John, I spend a lot of my life feeling quite small cos I'm short. | 6:48:30 | 6:48:34 | |
Now that we are here, I feel absolutely tiny! | 6:48:34 | 6:48:36 | |
This room is just full of train. | 6:48:36 | 6:48:39 | |
Things get even more impressive as we head into the Channel Tunnel. | 6:48:39 | 6:48:43 | |
So we've just entered the tunnel for the first time. | 6:48:43 | 6:48:46 | |
This is where all the workers do the maintenance. | 6:48:46 | 6:48:48 | |
First we go through an airlock. | 6:48:48 | 6:48:50 | |
This keeps the tunnel air pressure constant and means that in an | 6:48:50 | 6:48:53 | |
emergency, trains can be evacuated safely through clean air. | 6:48:53 | 6:48:56 | |
Here we go! We're off! | 6:48:56 | 6:48:58 | |
We're going down into one of the tunnels where they do all | 6:48:59 | 6:49:02 | |
the maintenance on the tracks. | 6:49:02 | 6:49:04 | |
Tonight they are replacing old track with new track, which is cool. | 6:49:04 | 6:49:07 | |
I'm hoping I'm going to be able to get involved. | 6:49:07 | 6:49:10 | |
It's just turned midnight and we are in the service tunnel waiting | 6:49:10 | 6:49:14 | |
to get into the railway tunnel. | 6:49:14 | 6:49:16 | |
We can't go down there until it's safe to do so, | 6:49:16 | 6:49:18 | |
and that means all the electricity has got to be off. | 6:49:18 | 6:49:21 | |
You can see on the door behind me, it says "4352". | 6:49:21 | 6:49:23 | |
That means we are 43 and a half | 6:49:23 | 6:49:25 | |
kilometres from the English entrance of the tunnel. | 6:49:25 | 6:49:27 | |
The trains have stopped running for the night in the main tunnel | 6:49:27 | 6:49:31 | |
so the maintenance team can get started. | 6:49:31 | 6:49:33 | |
Trains travel over the track at around 90mph, | 6:49:33 | 6:49:35 | |
which means that every little | 6:49:35 | 6:49:38 | |
stone they hit is going to cause wear and tear. | 6:49:38 | 6:49:41 | |
And that's why these guys are down here doing their best all through | 6:49:41 | 6:49:45 | |
the night, working as quickly as they can | 6:49:45 | 6:49:47 | |
to mend the track for the next day. | 6:49:47 | 6:49:49 | |
This machine here is incredible. | 6:49:54 | 6:49:56 | |
Its job is to lift up the tracks, push them to the side | 6:49:56 | 6:50:00 | |
and get them out of the way for the new tracks. | 6:50:00 | 6:50:03 | |
It makes it look so easy! | 6:50:03 | 6:50:05 | |
But I soon found out that not all of the maintenance was quite so simple. | 6:50:05 | 6:50:09 | |
I'm so scared of getting this wrong. | 6:50:09 | 6:50:12 | |
Pull up. | 6:50:14 | 6:50:15 | |
This is so stressful! | 6:50:17 | 6:50:19 | |
They told me I've got a new job. I did it! | 6:50:19 | 6:50:23 | |
That was so nerve-racking. | 6:50:23 | 6:50:25 | |
In the next four hours, these guys are going to do a kilometre | 6:50:25 | 6:50:29 | |
and a half of this work. | 6:50:29 | 6:50:31 | |
Where that little white mark is, that's where | 6:50:31 | 6:50:33 | |
they are about to cut into the tracks and replace it with new rails. | 6:50:33 | 6:50:37 | |
Every single part of the track is being inspected | 6:50:40 | 6:50:42 | |
and looked at in such detail. | 6:50:42 | 6:50:44 | |
They are even being marked off to say that they are OK | 6:50:44 | 6:50:46 | |
and ready for new track. | 6:50:46 | 6:50:48 | |
Even the pads they are laying down have a role to play in stopping | 6:50:48 | 6:50:51 | |
wear and tear. | 6:50:51 | 6:50:53 | |
In just a few hours the train will be flying through here again. | 6:50:58 | 6:51:01 | |
The new track is in place but there's still more welding | 6:51:01 | 6:51:04 | |
and safety checks to be done before the tunnel can reopen in the morning. | 6:51:04 | 6:51:07 | |
I think I'll leave them to it. It's bedtime! | 6:51:07 | 6:51:10 | |
Nice one, Lindsey. Now, it's time for a bit of music. | 6:51:14 | 6:51:17 | |
This week's Blue Peter guest is tipped for great things in 2014. | 6:51:17 | 6:51:22 | |
Louise Rose Allen, best known by her stage name, Foxes, is a British | 6:51:22 | 6:51:26 | |
singer-songwriter from Southampton. She first burst onto the music scene | 6:51:26 | 6:51:30 | |
last year with her debut single, Youth. | 6:51:30 | 6:51:33 | |
Earlier this year she bagged a Grammy award. | 6:51:33 | 6:51:36 | |
Her second single, Let Go For Tonight, rocketed into the UK singles | 6:51:36 | 6:51:40 | |
chart in the top ten. | 6:51:40 | 6:51:42 | |
With a sell-out UK tour planned, | 6:51:42 | 6:51:43 | |
Foxes is going from strength to strength. | 6:51:43 | 6:51:46 | |
Now she's here to perform just for you. | 6:51:46 | 6:51:49 | |
Now, it is time to meet her. Would you please give it up for Foxes? | 6:51:50 | 6:51:54 | |
CHEERING | 6:51:54 | 6:51:56 | |
-Welcome to Blue Peter. -Hi! -How are you? | 6:51:58 | 6:52:00 | |
I'm very well, thank you. How are you? | 6:52:00 | 6:52:02 | |
I'm very excited to hear you perform later. | 6:52:02 | 6:52:05 | |
I'll start with the most obvious - your name, Foxes. That's a wicked | 6:52:05 | 6:52:08 | |
name. Where does it come from? | 6:52:08 | 6:52:09 | |
I took it from a song I wrote when I was really little. | 6:52:09 | 6:52:12 | |
I had to change my real name because it's very close to Lily Allen so... | 6:52:12 | 6:52:16 | |
-OK! -My name is Louisa Rose Allen - and, yeah, Lily Allen. | 6:52:16 | 6:52:21 | |
Have you always wanted to be a singer? | 6:52:21 | 6:52:23 | |
Yeah, I was writing from the age of 12. | 6:52:23 | 6:52:26 | |
I used to make drum kits out of kitchen equipment | 6:52:26 | 6:52:30 | |
and weird stuff like that. | 6:52:30 | 6:52:32 | |
-That's exactly what we do on Blue Peter. -Yeah, you do! Amazing. | 6:52:32 | 6:52:36 | |
If you were to look at the top ten greatest all-time musicians, | 6:52:36 | 6:52:39 | |
not all of those people would have a Grammy award, but you've got one. | 6:52:39 | 6:52:42 | |
What was it like, winning that? | 6:52:42 | 6:52:44 | |
Erm... Almost as amazing as this right here. | 6:52:44 | 6:52:47 | |
No, it was amazing. | 6:52:47 | 6:52:50 | |
I still can't believe I've got a Grammy so early on. It's incredible. | 6:52:50 | 6:52:56 | |
Really, it just makes me want to work harder. | 6:52:56 | 6:52:59 | |
It's a nice thing at a very early stage. | 6:52:59 | 6:53:03 | |
-Foxes, thank you so much for coming in. -Thanks for having me. | 6:53:03 | 6:53:08 | |
-Before you perform, Barney, I think you've got some comments. -I do. | 6:53:08 | 6:53:11 | |
Thank you very much. We've been | 6:53:11 | 6:53:13 | |
asking you what you would train to be if you could. | 6:53:13 | 6:53:17 | |
Look at Flynn looking down the barrel! You're a proper presenter! | 6:53:17 | 6:53:20 | |
Quartz Disco Sea Lion says, "I would train to be a palaeontologist or | 6:53:20 | 6:53:23 | |
"an archaeologist because I love dinosaurs and history." | 6:53:23 | 6:53:26 | |
That's a good one. Lemon Metallic Pupfish... What a brilliant name! | 6:53:26 | 6:53:29 | |
"I would train to be a stunt driver, but if I don't get the job I would | 6:53:29 | 6:53:32 | |
"definitely be a Blue Peter presenter." | 6:53:32 | 6:53:34 | |
I'm glad we're only second best(!) | 6:53:34 | 6:53:35 | |
Blue Netball Elephant, | 6:53:35 | 6:53:37 | |
"I would love to train to be a zookeeper or become | 6:53:37 | 6:53:39 | |
"a volunteer at Battersea Dogs and Cats Home, to walk the dogs." | 6:53:39 | 6:53:42 | |
-That's a lovely one. Hi, Radzi. -It was. | 6:53:42 | 6:53:44 | |
Flynn, if you could train to be anything, | 6:53:44 | 6:53:46 | |
-what would you be? -An actor. | 6:53:46 | 6:53:48 | |
An actor! I like it, my friend. | 6:53:48 | 6:53:50 | |
Now, we want you to get in touch with us at the end of the show. | 6:53:50 | 6:53:52 | |
You can go online and tell us what your favourite part of the show is on | 6:53:52 | 6:53:56 | |
-the Blue Peter website. We love it when you do. -It's the | 6:53:56 | 6:53:58 | |
usual website address. | 6:53:58 | 6:54:01 | |
You can go on there and vote for | 6:54:01 | 6:54:04 | |
the bit you liked in the show today. | 6:54:04 | 6:54:06 | |
I think if you go on there and tell them you liked the bit about | 6:54:06 | 6:54:09 | |
gravi-TEA earlier, that would go down well. | 6:54:09 | 6:54:11 | |
That is just about all we've got time for. | 6:54:11 | 6:54:13 | |
Before we hear Foxes perform, | 6:54:13 | 6:54:15 | |
here is what is coming up on next week's show. | 6:54:15 | 6:54:17 | |
I can't tell you how excited I am. Penn and Teller, the magic duo, | 6:54:17 | 6:54:21 | |
are going to be in the studio with some mind-boggling magic. | 6:54:21 | 6:54:25 | |
The cast of Next Step shows how to transform hoodies into backpacks. | 6:54:25 | 6:54:29 | |
And UK hip-hop dance champions Rough Diamond are going to be here | 6:54:29 | 6:54:32 | |
with a show-stopping performance. Show them some of your moves | 6:54:32 | 6:54:35 | |
-as well. -It was a robbery! Lindsey shouldn't have won that. | 6:54:35 | 6:54:38 | |
But here to perform the fantastic brand-new single | 6:54:38 | 6:54:40 | |
Holding Onto Heaven is Foxes. | 6:54:40 | 6:54:42 | |
# Starless sky | 6:54:50 | 6:54:54 | |
# We've got so good at pretending | 6:54:54 | 6:54:58 | |
# There's a side, a side to you, that isn't running | 6:54:58 | 6:55:05 | |
# But I don't know where it is that you've been hiding | 6:55:05 | 6:55:13 | |
# But I need you tonight | 6:55:13 | 6:55:19 | |
# But I need you tonight | 6:55:21 | 6:55:27 | |
# Cos I'm holding onto heaven | 6:55:29 | 6:55:33 | |
# Lights fade but I won't let them | 6:55:36 | 6:55:40 | |
# Oh, I'm holding onto heaven | 6:55:44 | 6:55:48 | |
# When I breathe it's only you | 6:55:52 | 6:55:56 | |
# All these years | 6:55:58 | 6:56:02 | |
# I've been chasing down the answers | 6:56:02 | 6:56:05 | |
# I was here, always tracing out your shadows | 6:56:05 | 6:56:13 | |
# But I need you tonight | 6:56:13 | 6:56:18 | |
# Cos I'm holding onto heaven | 6:56:20 | 6:56:24 | |
# Lights fade but I won't let them | 6:56:28 | 6:56:32 | |
# Oh, I'm holding onto heaven | 6:56:35 | 6:56:40 | |
# When I breathe it's only you | 6:56:43 | 6:56:48 | |
# I can't take it | 6:56:48 | 6:56:50 | |
# Cos you think nobody sees what you're doing to me | 6:56:50 | 6:56:53 | |
# I'm telling you, guilt is in your eyes | 6:56:53 | 6:56:58 | |
# I hate what you've done, what you've made me become | 6:56:58 | 6:57:03 | |
# No sleep, face the night | 6:57:03 | 6:57:05 | |
# Oh, I'm holding on | 6:57:08 | 6:57:13 | |
# Lights fade but I won't let them | 6:57:16 | 6:57:19 | |
# Oh, I'm holding onto heaven | 6:57:23 | 6:57:27 | |
# When I breathe it's only you | 6:57:31 | 6:57:35 | |
# Cos I'm holding, cos I'm holding | 6:57:35 | 6:57:40 | |
# Cos I'm holding onto heaven | 6:57:40 | 6:57:44 | |
# Cos I'm holding, cos I'm holding | 6:57:44 | 6:57:48 | |
# Cos I'm holding onto heaven | 6:57:48 | 6:57:52 | |
# Yeah, yeah, yeah, yeah | 6:57:52 | 6:57:57 | |
# Cos I'm holding, cos I'm holding onto heaven. # | 6:57:59 | 6:58:05 | |
APPLAUSE | 6:58:07 | 6:58:10 | |
-That was good. -Thanks. | 6:58:10 | 6:58:12 |