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This book is amazing, it's got everything you want | :00:13. | :00:14. | |
A spirited young redhead who will try her hand at anything. | :00:15. | :00:20. | |
And a comic genius with timing like no other. | :00:21. | :00:23. | |
Let's talk about this weekend. A very good event on in Birmingham | :00:24. | :00:51. | |
called Awesome Authors. We'll be there meeting loads | :00:52. | :00:53. | |
of your favourite authors and there will be tonnes | :00:54. | :00:55. | |
of events and activities So, to get us all in the mood, | :00:56. | :00:57. | |
today's Blue Peter is all about lovely, lively literature, | :00:58. | :01:03. | |
perfectly poetic publications Coming up, I was given | :01:04. | :01:05. | |
the opportunity to read out some of your legendary letters in front | :01:06. | :01:15. | |
of an audience of hundreds We're meeting a young author | :01:16. | :01:17. | |
with a unique story to tell. And later, I'll show you how you can | :01:18. | :01:25. | |
make one of these ingenious book But first I got the go-ahead | :01:26. | :01:29. | |
to gallivant with the guys at the glorious gathering of one | :01:30. | :01:35. | |
of the greatest gag-filled shows David Walliams is one of the most | :01:36. | :01:52. | |
popular authors in the country. His novel, Gangsta Granny, went straight | :01:53. | :01:55. | |
to number one in the book charts, then became a hit TV show, and now | :01:56. | :01:59. | |
it is a play. Which means that you will get the chance to see Gangsta | :02:00. | :02:04. | |
Granny onstage across the UK, just like this theatre here in Reading. | :02:05. | :02:11. | |
The show starts tomorrow. Tomorrow? Are they supposed to be ready | :02:12. | :02:16. | |
tomorrow? No chance! Hard to believe, but the travelling theatre | :02:17. | :02:19. | |
company at just 24 hours to transform this empty stage into the | :02:20. | :02:24. | |
wonderful world of David Walliams' book. To transform an empty space in | :02:25. | :02:29. | |
such a short period of time, it must be a real operation. What? That's | :02:30. | :02:34. | |
why we are here. To reveal how the team do it! OK, I need to get my | :02:35. | :02:41. | |
skates on. And next time, read my e-mails. Best get started. Deeney my | :02:42. | :02:48. | |
instructions is Ashley, who plays granny's grandson, Ben. We have 27 | :02:49. | :02:54. | |
hours to get the show ready. How do you do it? We have a brilliant | :02:55. | :02:57. | |
technical team who worked very hard to make sure the show was ready. | :02:58. | :03:02. | |
Could I possibly see some of it? You can help out, if you like. Done. The | :03:03. | :03:07. | |
lighting and sound equipment are the first to go in. It is really | :03:08. | :03:10. | |
important to install them correctly because no matter how good the | :03:11. | :03:14. | |
performance is, it is pointless if the audience cannot see it or hear | :03:15. | :03:20. | |
it. In just a matter of hours, the team move on the set. This is work. | :03:21. | :03:27. | |
We are hanging a big cloth at the back of the stage, a tenancy neck. | :03:28. | :03:36. | |
The stages starting to come together and I am getting about actually | :03:37. | :03:39. | |
seeing the show. But the director has a surprise for me. I'm not sure | :03:40. | :03:45. | |
where I will be sitting but I am sure I will be in all. You want. -- | :03:46. | :03:52. | |
you will not. We need you backstage to be helping out with the props and | :03:53. | :03:56. | |
scenery. You cannot rest. I thought this might happen. In fact, there is | :03:57. | :04:03. | |
actually a part that we want you to play in the show. We have some lines | :04:04. | :04:08. | |
for you. You are going to be a reporter in the show. Really?! Yes. | :04:09. | :04:17. | |
Amazing. So as well as hanging out behind the scenes and helping out, | :04:18. | :04:22. | |
I'm going to be performing in front of an audience onstage. It is the | :04:23. | :04:25. | |
end of day one and the pressure is on. It is the next morning and I | :04:26. | :04:29. | |
have got lots to do. I need to rehearse my very own part in the | :04:30. | :04:33. | |
show before that, I need to get to grips with my other job as a | :04:34. | :04:37. | |
stagehand. I need you to look after three props. One of them is this | :04:38. | :04:42. | |
giant spoon. I need you to hand that to granny. Granny runs over to the | :04:43. | :04:47. | |
rings and says, I was attacked by Bayer in the garden and I need you | :04:48. | :04:50. | |
to throw this on and she will catch it. Near the end of act one, Alison | :04:51. | :04:55. | |
runs off and I need you to hand this as quickly as possible. It is made | :04:56. | :05:01. | |
from matches. Will it survive a drop? No. I need to make sure I get | :05:02. | :05:06. | |
this right and practice perfect. Next job, I need to learn my lines. | :05:07. | :05:12. | |
From the Tower of London, we're here at the scene of this audacious | :05:13. | :05:17. | |
crime. And we're coming live from the Tower of London at the scene of | :05:18. | :05:21. | |
an audacious crime. It is a huge honour to be given a role in the | :05:22. | :05:25. | |
show. I just hope nerves don't get the better of me. And finally, | :05:26. | :05:29. | |
rehearsals are over. In just 24 hours, I have helped to this theatre | :05:30. | :05:33. | |
go from an empty stage to a full production. All that's left, for the | :05:34. | :05:39. | |
audience to arrive. The stage is set. I have to get the lines in my | :05:40. | :05:43. | |
head and make sure I do everything right. The cast is set. Wish us | :05:44. | :05:49. | |
luck. It is laid down, and it is showtime. On the stage, everything | :05:50. | :05:53. | |
is running smoothly but behind the scenes, it is cramped and a little | :05:54. | :05:59. | |
bit frantic. Don't talk about granny like that! The TV doesn't work. All | :06:00. | :06:07. | |
we do is replace the gravity. My bit is up! And the spoon and over is | :06:08. | :06:15. | |
complete. -- handover. I was attacked by a Bayer! Time for the | :06:16. | :06:21. | |
Bayer. A bit high. But at least I got the timing right. Don't drop the | :06:22. | :06:29. | |
castle, Radzi, down to drop the castle! Thank goodness for that! Now | :06:30. | :06:36. | |
it is time for my starring role. This is Blue Peter and we are alive | :06:37. | :06:40. | |
in the Tower of London, at the scene of an audacious crime which is | :06:41. | :06:46. | |
clearly been carried out by professional criminals. The question | :06:47. | :06:50. | |
is, can you help us?! That was so exciting! All that is left to do is | :06:51. | :06:58. | |
take a bow. My time with Gangsta Granny has been unforgettable but | :06:59. | :07:00. | |
for the rest of the crew, they cannot stop here. They have got | :07:01. | :07:04. | |
another town and another performance to get ready for. The show must go | :07:05. | :07:12. | |
on. I had such a fun couple of days. Those guys are all so impressive. | :07:13. | :07:16. | |
Something that always impresses us is how much post you send us from | :07:17. | :07:20. | |
all four corners of the country but can you imagine what it is like to | :07:21. | :07:25. | |
get post from all countries around the world? Well, one bluetit -- Blue | :07:26. | :07:30. | |
Peter badge holder knows exactly what that is like. Please welcome | :07:31. | :07:40. | |
Toby. Come on over. Welcome. Let's get one thing absolutely clear, you | :07:41. | :07:45. | |
have sent a letter to every single country around the world and as a | :07:46. | :07:49. | |
result, you have only got your own book! Look at that! That is | :07:50. | :07:54. | |
ridiculous, and how old are you? I am eight years old. I started | :07:55. | :08:02. | |
writing letters when I was five. That is amazing, and why did you | :08:03. | :08:05. | |
start? What gave you the idea to start writing to different | :08:06. | :08:09. | |
countries? I just wanted to make the world a better place. Good for you. | :08:10. | :08:16. | |
Can we have a round of applause for that?! How many replies have you | :08:17. | :08:23. | |
had? 375. That is a fool postbox. And you have had some replies from | :08:24. | :08:29. | |
some amazing places. Mongolia, Nigeria, Fiji! It's amazing. And | :08:30. | :08:33. | |
have you brought along some of your favourite replies? This one is | :08:34. | :08:37. | |
amazing. It's from Hawaii, but still asked why it is so special? That is | :08:38. | :08:43. | |
my first reply. And how did that feel, coming through the letterbox? | :08:44. | :08:47. | |
I was really amazed that somebody would reply to my letter. And after | :08:48. | :08:53. | |
that, I bet you thought, I want to do this more and more. And you have. | :08:54. | :09:00. | |
This is a lovely one. We know it is from Iran, but what is that | :09:01. | :09:08. | |
incredible creature? That is a Simorgh. I sent them a picture of a | :09:09. | :09:12. | |
yeti and they send this back to me. You are exchanging mythical | :09:13. | :09:19. | |
creatures! What a great idea. And now, talk us through these beautiful | :09:20. | :09:22. | |
elephants. Why are they so important? I got those from Chad, | :09:23. | :09:29. | |
from a national park. This elephant here is called Toby. So you casually | :09:30. | :09:33. | |
got an elephant named after you? Why not?! We need to write to suit some | :09:34. | :09:41. | |
more countries. I want an elephant. -- we need to write to some more | :09:42. | :09:45. | |
countries. This is a very colourful drawing. Where is that from? That is | :09:46. | :09:51. | |
from Eloise in New Zealand and it is an exploding rainbow. It is such a | :09:52. | :09:55. | |
cool pile of memorabilia. How do you normally celebrate your day of | :09:56. | :10:00. | |
birth? I go for a candle sometimes. But you took it further. Let's show | :10:01. | :10:05. | |
the viewers what you got for your birthday. We bottled it out. Look at | :10:06. | :10:11. | |
that! It says happy birthday, Toby. Tell us about this, where has it | :10:12. | :10:18. | |
been? This is from Antarctica. It has also been held up. The South | :10:19. | :10:26. | |
Pole! And you got a very special response from Blue Peter. Is that | :10:27. | :10:30. | |
one of your favourites? You have to say that, didn't you? And you have | :10:31. | :10:35. | |
got all your badgers. Let's look at your T-shirt. I am worried that it | :10:36. | :10:39. | |
is going to slip down because it is very happy with all the badges. You | :10:40. | :10:44. | |
have got so many! But you haven't got the Blue Peter sport badge, | :10:45. | :10:50. | |
2016, yet? Are you going to try to earn that? Yes. I have loads of | :10:51. | :10:54. | |
activities, so I might get one of those. What is your favourite sport? | :10:55. | :11:01. | |
I like basketball and dodge ball. I am a big basketball fan myself. Get | :11:02. | :11:06. | |
inspiring a friend and you will have the full collection. I don't have a | :11:07. | :11:11. | |
gold badge. Because that, of course, is for outstanding achievement, for | :11:12. | :11:17. | |
doing something very special indeed. And actually, Toby, we think that | :11:18. | :11:19. | |
you have done something incredibly special, because you have mentioned | :11:20. | :11:24. | |
it before, you are connecting the world with your letters, really | :11:25. | :11:28. | |
inspiring people. And we would like Blue Peter viewers to do exactly the | :11:29. | :11:32. | |
same thing. For that reason, we have something very special for you, the | :11:33. | :11:35. | |
highest possible accolade we can give you, the gold badge. My | :11:36. | :11:41. | |
goodness. Please, and massive round of applause for Toby. That is for | :11:42. | :11:48. | |
you, my friend. Is that a good surprise? Yes. How does it feel to | :11:49. | :11:55. | |
be holding a gold badge. Really amazing. Well done, you have | :11:56. | :12:02. | |
inspired Radzi and everyone watching. Toby, everybody. Amazing. | :12:03. | :12:09. | |
What a lovely moment. From letters on the big stage | :12:10. | :12:11. | |
to letters on the Badge Wall. This is the Freemasons Hall in | :12:12. | :12:23. | |
London and is today it will be home to some of the biggest stars from | :12:24. | :12:26. | |
the world of film and books. But it is not for | :12:27. | :12:32. | |
an awards ceremony, a contract or a film premiere. It is for these, | :12:33. | :12:36. | |
letters. Inspired by the international bestselling book, | :12:37. | :12:44. | |
Letters of Note, this project has seen the likes of Cally Minogue, Sir | :12:45. | :12:47. | |
Ben Kingsley and Benedict Cumberbatch read letters written | :12:48. | :12:51. | |
from all around the world. And today, they have been joined by | :12:52. | :12:55. | |
letters from you, the Blue Peter viewers. Every year, we get letters | :12:56. | :12:59. | |
from you and we love them so much that when we were asked to read some | :13:00. | :13:02. | |
of them out at this amazing event, we jumped at the task -- jumped at | :13:03. | :13:06. | |
the chance. You are probably wondering who is going to be reading | :13:07. | :13:12. | |
out those letters? Sir Ian McKellen? No, and you might have noticed that | :13:13. | :13:15. | |
I am looking a little nervous. And that is because in a few hours I | :13:16. | :13:18. | |
will be standing on that stage reading out Blue Peter letters in | :13:19. | :13:24. | |
front of a massive crowd including a list stars. No pressure (!) I better | :13:25. | :13:29. | |
get practising! I wondered if I could earn two Blue Peter badge is. | :13:30. | :13:35. | |
But in an age of text and e-mails, why are letters still so important? | :13:36. | :13:39. | |
I met up with Shaun Marsh, whose love of letters was the inspiration | :13:40. | :13:41. | |
for his book and this event. When you sit down to write a letter, | :13:42. | :13:50. | |
you are different frame of mind to when you write an e-mail, or a text | :13:51. | :13:54. | |
message and it uses a different part of your brain. What do you think | :13:55. | :13:59. | |
makes a really brilliant letter? There are no rules. Any letter is | :14:00. | :14:05. | |
great. Such a satisfying experience to physically write them and send | :14:06. | :14:08. | |
and receive them. Sean's passion really shines through and it is | :14:09. | :14:18. | |
shared with my fellow readers. It is important not to forget letters, a | :14:19. | :14:22. | |
big part of my childhood. Something very secretive about the envelope, | :14:23. | :14:27. | |
for you. It is good training for writing, actually. I used to write a | :14:28. | :14:33. | |
lot of letters and I'm a writer. Stories and how to build them. Texts | :14:34. | :14:40. | |
are great things but they are not necessarily there to stand the test | :14:41. | :14:45. | |
of time. Any tips for me? I think that you'll be fine. I have sweaty | :14:46. | :14:53. | |
hands! Just read! You'll be fine. As the auditorium fills up and I | :14:54. | :14:57. | |
prepared for my performance, the nerves are really starting to kick | :14:58. | :15:02. | |
in. First up, Caroline, who makes it look so easy. Please come back. | :15:03. | :15:08. | |
APPLAUSE I'm going on straight after Gandalf | :15:09. | :15:13. | |
himself, Sir Ian McKellen. Talk about big shoes to fill. Please | :15:14. | :15:20. | |
welcome, Lindsay Russell. Can I do the Blue Peter letters justice? | :15:21. | :15:25. | |
Well, there's only one way to find out. 4th of January, 2016. I | :15:26. | :15:30. | |
wondered if I could earn two Blue Peter badges by sending in Mike | :15:31. | :15:34. | |
Shelley the tour test toy I made with an old sock. -- my Shelley the | :15:35. | :15:42. | |
tour test. Maybe I will write random words, like antithesis. -- | :15:43. | :15:47. | |
daughters. I think that's how you spell it. I love philosophical | :15:48. | :16:01. | |
questions like this. Never mind, enjoy the tortoise, from Rachel, | :16:02. | :16:04. | |
aged 13. APPLAUSE | :16:05. | :16:12. | |
You know what, that was so, so fun. Actually, I'm a bit shaky. I went | :16:13. | :16:17. | |
out, huge audience, really scary, but we did it, it's brilliant, loved | :16:18. | :16:24. | |
it. Today has been so much fun and it's made me relies how much a | :16:25. | :16:31. | |
letter can mean to someone. -- made me realise. When you want to say | :16:32. | :16:35. | |
something to a friend or a family member who lives a long way away, | :16:36. | :16:39. | |
put down your mobile phone, close your laptop and pick up one of | :16:40. | :16:44. | |
these, they will not it. I was quite nervous but I got through it, thank | :16:45. | :16:48. | |
goodness. From letters on the stage to letters on the Big Badge Wall. I | :16:49. | :17:01. | |
want to thank you, Finley, for your picture. This is Finley, his Hamlet. | :17:02. | :17:12. | |
Very nice. Benn from Warrington has sent this. | :17:13. | :17:18. | |
"Lindsey ran the marathon, But Shelley couldn't manage one. | :17:19. | :17:22. | |
Radzi raced a bike and won and Barney said I wanted one!" | :17:23. | :17:26. | |
I want one. Write an cue. Bethany has written a poem and a T-shirt, | :17:27. | :17:36. | |
which is a really good idea. -- right on cue. With the Blue Peter | :17:37. | :17:42. | |
sign. "In one of their epic makes, | :17:43. | :17:44. | |
they might show you how to bake cakes, or of course you could win, | :17:45. | :17:47. | |
A dead-cool pin With the Blue Peter sign, | :17:48. | :17:50. | |
it's even better than sunshine!" If you want to earn a bad, send it | :17:51. | :17:57. | |
to the usual address. We haven't been playing Spot Shelley because | :17:58. | :18:01. | |
Shelley has gone missing. Where has she gone? Fear not, she has left us | :18:02. | :18:08. | |
a little letter. Yes, decipher the code in question, use your code | :18:09. | :18:14. | |
cracking skills, go to the fan club and get more clues about where she | :18:15. | :18:19. | |
is. Write it down and see if you are correct. I'm giving you this, the | :18:20. | :18:23. | |
time of this show when I'm going to put on some white gloves. In keeping | :18:24. | :18:28. | |
with the book team we have some special artefacts in the studio, | :18:29. | :18:33. | |
from the friend of the show and gold badge holder, Michael Morpurgo. He | :18:34. | :18:38. | |
wrote the incredible War Horse, which pretty much everybody loves. | :18:39. | :18:43. | |
It was a book and moved on to be a play at the National Theatre and | :18:44. | :18:47. | |
eventually it was the amazing film directed by Stephen Spielberg. You | :18:48. | :18:52. | |
can see loads of artefacts we have been loaned by seven Stories, the | :18:53. | :18:55. | |
National Centre for Children's Books in Newcastle, so we are very lucky | :18:56. | :19:00. | |
to have them here. We have some of the promotional material from Nick | :19:01. | :19:08. | |
Stafford's production of War Horse, we have the original programme and | :19:09. | :19:11. | |
the UK premier programme of the film. As we move over here, we have | :19:12. | :19:18. | |
Michael Morpurgo's actual script from War Horse. I'm getting close | :19:19. | :19:22. | |
but I can't touch them directly because they have to be kept in very | :19:23. | :19:26. | |
good condition for years to come so that other people can enjoy them. | :19:27. | :19:29. | |
Something I can have a closer look at is down here, the first draft of | :19:30. | :19:36. | |
War Horse. Michael has made his amazing notes, he has crossed bits | :19:37. | :19:41. | |
out is and he used two notebooks. We have one of them here, the other one | :19:42. | :19:45. | |
is at the exhibition for people do have a look at. The always used | :19:46. | :19:50. | |
handwriting, with a pencil, crossing bits out, getting rid of bits. This | :19:51. | :19:57. | |
is chapter 19 here. When he stopped using these notebooks: Michael would | :19:58. | :20:01. | |
often move on to these, these orange notepads. You can see that there are | :20:02. | :20:07. | |
many scribbles, numbers, because apparently Michael liked working | :20:08. | :20:13. | |
towards a word count, so you can see he is working out how many words he | :20:14. | :20:16. | |
has done and how many he needs to reach before he can have a cup of | :20:17. | :20:22. | |
tea. Really cool to see that. Down here, the first typed draft of War | :20:23. | :20:26. | |
Horse and you can see it is typed out but there are still lots of | :20:27. | :20:30. | |
markings, adding bits and getting rid of bits he is unhappy with and | :20:31. | :20:36. | |
it is even dated and the top. And in the Blue Peter studio, a treat, | :20:37. | :20:41. | |
this, from 1982, a first edition of War Horse. Taking us back to 2009, I | :20:42. | :20:48. | |
think I'm allowed to pick this one out, this is Michael Morpurgo's | :20:49. | :20:52. | |
actual ticket to the War Horse film premiere. It is very cool to be | :20:53. | :20:58. | |
holding it. It has been an honour to have some of these artefacts in the | :20:59. | :21:01. | |
studio today and brilliant to think that when you are at home scribbling | :21:02. | :21:08. | |
ideas, it could be just like Michael Morpurgo's ideas, ending up as a | :21:09. | :21:12. | |
massive success. It shows, have a go at writing because you never know | :21:13. | :21:16. | |
where it will get you. Now I'm going to take off my gloves. | :21:17. | :21:24. | |
I'm going to show you how to make a bookmark. We have some bookmarks | :21:25. | :21:32. | |
which are 3-D. Don't worry, nobody is chapter inside! You need to make | :21:33. | :21:35. | |
some salt dough. We take the mixing bowl and the | :21:36. | :21:52. | |
spoon. You put them all into the bowl and you add the water gradually | :21:53. | :21:57. | |
otherwise it will end up in a big slump. You mix it for ages, so | :21:58. | :22:07. | |
cancel your plans for the weekend! When you have done that, it will | :22:08. | :22:11. | |
look like this. Ready-made dough, how lovely is that? The idea is that | :22:12. | :22:19. | |
we must kneed it for a long time. I'm sure some bakers are wondering | :22:20. | :22:23. | |
what I'm doing, but we aren't making a cake we are making all dough. | :22:24. | :22:29. | |
Kneed as long as you can to make its move. Today we are making some | :22:30. | :22:34. | |
pirate themed bookmarks, like Long John Silver from treasure Island. | :22:35. | :22:39. | |
You need to make them stand up, and for that you need these things. | :22:40. | :22:49. | |
You can also download this really handy template from the Blue Peter | :22:50. | :22:55. | |
website. It gives you a guide to the size and also the designs if you're | :22:56. | :23:01. | |
looking for inspiration. Also, a good tip is to leave them in a | :23:02. | :23:04. | |
plastic wallet, so you can put things on top and it won't stick to | :23:05. | :23:09. | |
the paper. So, take the lollipop sticks and dough and you make a ball | :23:10. | :23:15. | |
on the bottom of the stick and you mould it into shape, using your | :23:16. | :23:19. | |
hands to start off with. When you are doing this, think about the | :23:20. | :23:22. | |
bottom of the dough because you need some to make the boot, so don't make | :23:23. | :23:29. | |
it too in. Try and give yourself loads of dough at the end. -- too | :23:30. | :23:38. | |
thin. To make it more wooden and angular, you can use pencils, pens | :23:39. | :23:41. | |
and other things from around the house. Nothing too Charb because the | :23:42. | :23:49. | |
dough is going to be soft. -- Sharp. This will give it a square edge. | :23:50. | :23:55. | |
When you have done it it will look like this. You want to take some | :23:56. | :24:00. | |
design elements, like the straps and the top of the boot and I had some | :24:01. | :24:09. | |
extra salt. Put it in a strip. You can see it has angular edges. You | :24:10. | :24:16. | |
can use it lengthways or the edge. I'm going to do this. So that is the | :24:17. | :24:23. | |
rich for the laces. You can see that I have done the indent, which is | :24:24. | :24:26. | |
where the buck always going to go. The gold buckle. -- the buckle is | :24:27. | :24:35. | |
going to go. Once you are happy, you need to put them together to drive. | :24:36. | :24:41. | |
This is the science bit. Because if they aren't dry, you can't paint | :24:42. | :24:45. | |
them. You can leave them overnight or you can do a ten second blast in | :24:46. | :24:50. | |
the microwave. Get somebody to help you with that if you aren't sure, or | :24:51. | :24:55. | |
you can put them in the oven at 100 degrees, but keep checking them. | :24:56. | :25:01. | |
When they have hardened, you can walk with them, they are ready for | :25:02. | :25:04. | |
painting. I'm going to paint my boot back. Because pink would be weird! | :25:05. | :25:13. | |
I'm just showing you how to do this quickly, you can take your time. I | :25:14. | :25:19. | |
love painting boots because it looks like they are polished when they are | :25:20. | :25:23. | |
wet will stop I'm going to do that bit black and we have a Pirate boot, | :25:24. | :25:37. | |
it is going to have some gold on it. Pirates like old. I could do this | :25:38. | :25:43. | |
for hours, but you will have more time than me. Let's go to the | :25:44. | :25:50. | |
finished boot and wooden leg. How good do they look? You can spend | :25:51. | :25:55. | |
ages doing what I would do, dances and choreography or you can turn | :25:56. | :26:00. | |
into the finished bookmark which is where you need your card, which is a | :26:01. | :26:04. | |
piece of a fort that has been cut in half. -- a piece of A4. You put this | :26:05. | :26:14. | |
year and this here and you put a bit of tape over the top. This is where | :26:15. | :26:19. | |
you realise whether you have the lollipop stick the right way. It has | :26:20. | :26:24. | |
to go in horizontally because if it is the other way round, you can't | :26:25. | :26:31. | |
close your book. You can decorate your card anyway you like. I'm going | :26:32. | :26:37. | |
to go with the stick on pirate, and some double sided tape on one side, | :26:38. | :26:42. | |
to make it easy to assemble it. You stick it together like that. And | :26:43. | :26:48. | |
there you have it, the finished bookmark with a boot and a wooden | :26:49. | :26:53. | |
leg and a pirate face. How good is that? I don't get a round of | :26:54. | :26:55. | |
applause any more! APPLAUSE | :26:56. | :27:00. | |
There are loads of different creations you can make by going | :27:01. | :27:03. | |
online and downloading the templates. This is what they looked | :27:04. | :27:08. | |
like when they are finished. It depends what you are reading, you | :27:09. | :27:11. | |
might be finishing your favourite book which doesn't have these | :27:12. | :27:15. | |
things. That's how you do it. What do you think? We love it! They would | :27:16. | :27:22. | |
make any book look special. That is it for today because next weekend we | :27:23. | :27:27. | |
have two more shows because it is the Blue Peter Awesome Authors | :27:28. | :27:33. | |
spectacular. The likes of David Baddiel, Holly Smale will be there. | :27:34. | :27:39. | |
If you want to go to the website and asked them a question, we will ask | :27:40. | :27:44. | |
them as many as we can. And we will announce the dream big and petition. | :27:45. | :27:51. | |
Just in time for the BFG Premier -- competition. Who knows what story | :27:52. | :27:57. | |
you might end up with. In the meantime, go to the BP Fanclub and | :27:58. | :28:01. | |
see a view can crack the code to find Shelley. See you soon! | :28:02. | :28:04. |