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Well, Radzi, I'm ready. | 6:29:55 | 6:29:56 | |
There's a make table here, we're in the studio - | 6:29:56 | 6:29:58 | |
this must be our make and bake special, eh? | 6:29:58 | 6:30:00 | |
-Barney... -Yeah? -Who's that? | 6:30:00 | 6:30:02 | |
That's a weird cardboard Radzi. Who's this guy? | 6:30:02 | 6:30:04 | |
-Erm, guys, hello! -That's... | 6:30:04 | 6:30:05 | |
-What? What? -What are you doing in there? You need to hurry up. | 6:30:05 | 6:30:08 | |
You're currently inside Emily's make. | 6:30:08 | 6:30:10 | |
-Well, how do we get out? -Oh, no. | 6:30:10 | 6:30:12 | |
I don't know, but you'd better hurry up. We're live soon. Come on! | 6:30:12 | 6:30:14 | |
-Barn, let's jump... -Whoa! -Oh! | 6:30:14 | 6:30:17 | |
SHE SHOUTS | 6:30:27 | 6:30:30 | |
CHEERING | 6:30:30 | 6:30:33 | |
-Hello! -Hello. -It's a great shot, camera three. How are you doing? | 6:30:33 | 6:30:36 | |
-Welcome to Blue Peter. -I like when you're tiny little men. | 6:30:36 | 6:30:39 | |
-Do you? -Yeah! | 6:30:39 | 6:30:40 | |
OK. | 6:30:40 | 6:30:42 | |
So, yeah... Hi, how are you? | 6:30:42 | 6:30:43 | |
It's a live show, as you can tell already. It's already on its way. | 6:30:43 | 6:30:46 | |
We want to say thank you to Emily, | 6:30:46 | 6:30:48 | |
-who is this lovely person with the thumbs up. -Aw! -Aw! | 6:30:48 | 6:30:50 | |
Emily designed the set that we were stood in a minute ago. | 6:30:50 | 6:30:53 | |
Emily, it's amazing, thank you so much. | 6:30:53 | 6:30:56 | |
Now, someone else is getting creative. | 6:30:56 | 6:30:58 | |
-Have a look at this lovely person. -Yeah. | 6:30:58 | 6:31:00 | |
Hi, I'm Millie and I love making things. | 6:31:00 | 6:31:04 | |
I've even made this massive Blue Peter badge out of pom-poms. | 6:31:04 | 6:31:09 | |
It has 100 million pom-poms on it and it took me two days to make. | 6:31:09 | 6:31:15 | |
-Two days, great effort, Millie. -That's a good effort. | 6:31:15 | 6:31:17 | |
Now, here's Freddie. | 6:31:17 | 6:31:19 | |
Hi, my name's Freddie. I can't have dairy so I make my own treats. | 6:31:19 | 6:31:23 | |
They are some delicious dairy-free cakes. | 6:31:23 | 6:31:26 | |
That was beautifully shot as well. We like that a lot. | 6:31:28 | 6:31:31 | |
As well as that, we're joined in the studio | 6:31:31 | 6:31:33 | |
by the wonderful artist Jon Burgerman. | 6:31:33 | 6:31:35 | |
He's here to make some lovely egg splats. There's one there. | 6:31:35 | 6:31:38 | |
They're a great Easter prank! | 6:31:38 | 6:31:40 | |
Later, I'll be testing my cake-decorating skills | 6:31:42 | 6:31:44 | |
in a cake-decorating competition. Watch that, it's going to be good. | 6:31:44 | 6:31:48 | |
But, of course, today's show is so creative, | 6:31:48 | 6:31:50 | |
so we want to hear from you. It's live. | 6:31:50 | 6:31:52 | |
We want to know if we could make or bake anything, | 6:31:52 | 6:31:54 | |
-absolutely anything, on the show, what would it be and why? -Why! | 6:31:54 | 6:31:58 | |
That's right. Head to the website, | 6:31:58 | 6:31:59 | |
leave a comment and we'll try and read out as many as we can | 6:31:59 | 6:32:02 | |
at the end of the show. | 6:32:02 | 6:32:04 | |
-Poop! That's what I'd make. -What? Radzi, what? -I'm actually | 6:32:04 | 6:32:07 | |
being serious. We're going to show you how to make an edible emoji. | 6:32:07 | 6:32:10 | |
We know you love emojis and we know you kind of love going to the | 6:32:10 | 6:32:12 | |
-toilet. -The living poo! -So we're going to make an edible version. | 6:32:12 | 6:32:15 | |
We're also going to make these emojis that are lollipops. | 6:32:15 | 6:32:17 | |
They're very exciting. I like the guy with sunglasses. | 6:32:17 | 6:32:20 | |
-Radzi, shall we do this? -Absolutely. -Walk this way. -Bye! | 6:32:20 | 6:32:22 | |
-See you later, Linz. -See ya. -Now, these might look a little bit | 6:32:22 | 6:32:24 | |
-disgusting but I can assure you they're very tasty. -We're not | 6:32:24 | 6:32:27 | |
talking about these three people, we're talking about what he's | 6:32:27 | 6:32:29 | |
making. Hi, guys, high fives. We're doing backwards ones now. Hi, Em. | 6:32:29 | 6:32:32 | |
Hi, Ethan. And, Maha, good to see you here in the studio. | 6:32:32 | 6:32:35 | |
You are our experts today, which is good to know. | 6:32:35 | 6:32:37 | |
Maha, what have you made? | 6:32:37 | 6:32:38 | |
-What have you brought with you? -Chocolate cupcakes. | 6:32:38 | 6:32:40 | |
Look at those chocolate cupcakes! | 6:32:40 | 6:32:42 | |
By the way, they're not going home with you. | 6:32:42 | 6:32:45 | |
-Emma, what have you made? -Chocolate brownies. | 6:32:45 | 6:32:47 | |
Have you actually made those? They look really good. | 6:32:47 | 6:32:49 | |
Are they really tasty? Are we allowed to eat these or...? | 6:32:49 | 6:32:51 | |
We haven't been doing that so far. Can we eat them? No? OK. | 6:32:51 | 6:32:53 | |
And, Ethan, what have you made? | 6:32:53 | 6:32:55 | |
I've made a Victoria sponge cake. | 6:32:55 | 6:32:57 | |
It's beautiful. Thank you so much for being here. You are our experts | 6:32:57 | 6:32:59 | |
and you're going to be decorating your emoji faces. | 6:32:59 | 6:33:02 | |
Well, it's now time to make some poop! | 6:33:02 | 6:33:04 | |
And all you need is the following... | 6:33:04 | 6:33:06 | |
And that is all you need. | 6:33:16 | 6:33:18 | |
Large amount of melted chocolate, just eat what you don't use. | 6:33:18 | 6:33:20 | |
The more the better, my friends. | 6:33:20 | 6:33:22 | |
The very first thing I've done is I've preheated this bad boy | 6:33:22 | 6:33:24 | |
to 180 degrees and then it comes to the actual making part. | 6:33:24 | 6:33:28 | |
So I take this paste, which is melted chocolate chips, | 6:33:28 | 6:33:31 | |
melted butter and I've added some condensed milk. | 6:33:31 | 6:33:34 | |
You can see this is a very nice, smooth paste, | 6:33:34 | 6:33:37 | |
but to make it poopy we need some flour. | 6:33:37 | 6:33:40 | |
So this is where we add a little bit of flour. | 6:33:40 | 6:33:44 | |
I'll be honest, | 6:33:44 | 6:33:45 | |
I don't know exactly how much flour you need to make the perfect | 6:33:45 | 6:33:49 | |
mixture, so do it until you get it about the same as modelling clay. | 6:33:49 | 6:33:53 | |
You'll have a lot more than myself. | 6:33:53 | 6:33:55 | |
Once you've gone through as much flour as you deem appropriate, | 6:33:55 | 6:33:58 | |
you have a dollop, which will look like this here. | 6:33:58 | 6:34:02 | |
I should warn you that if you're eating right now, | 6:34:02 | 6:34:05 | |
now's a good time to probably stop eating. I'm going to take out this. | 6:34:05 | 6:34:09 | |
This is actually a crumbly one, just so you know. | 6:34:09 | 6:34:11 | |
Just a little bit of advanced warning. | 6:34:11 | 6:34:13 | |
I'm going to now roll this into a little sausage here. | 6:34:13 | 6:34:16 | |
This is my favourite thing you've done for ages. | 6:34:16 | 6:34:18 | |
-Is that a brownie? -No! -Is that...? Is that...? | 6:34:18 | 6:34:21 | |
What do you think, guys? What do you think of his thing that he's making? | 6:34:21 | 6:34:24 | |
-It's good. -It's good, isn't it? -Yeah. -Thank you very much. | 6:34:24 | 6:34:26 | |
Do you think it looks pooey enough? | 6:34:26 | 6:34:29 | |
-Yeah. -Yeah. -Good! Good! | 6:34:29 | 6:34:30 | |
Got the seal of approval. | 6:34:30 | 6:34:32 | |
So you've got a rough sort of sausagey roll... | 6:34:32 | 6:34:34 | |
I've actually put a bit too much flour on this one. | 6:34:34 | 6:34:36 | |
And I'm now going to try and roll this into the aforementioned shape. | 6:34:36 | 6:34:40 | |
So here we have... Not the best but it's sort of there. | 6:34:40 | 6:34:45 | |
You've done that so much better every time so far. | 6:34:45 | 6:34:47 | |
I know! And it's all messed up. | 6:34:47 | 6:34:49 | |
But fortunately these are much better than my versions. | 6:34:49 | 6:34:51 | |
I'll take that, plonk it there, | 6:34:51 | 6:34:53 | |
and then I will simply place it into the oven. | 6:34:53 | 6:34:55 | |
Fortunately, the oven is actually warm, it's not hot, otherwise | 6:34:55 | 6:34:58 | |
I'd have hurt my fingers at that point. | 6:34:58 | 6:35:00 | |
But fear not, my friends, I survived with my asbestos fingers. | 6:35:00 | 6:35:03 | |
The finished product, as you can see, is just here. | 6:35:03 | 6:35:06 | |
And all I've done is added the eyes and the smile. They'll be | 6:35:06 | 6:35:09 | |
in the oven for eight minutes. This is now cooled down beautifully | 6:35:09 | 6:35:12 | |
and that makes your face emoji. Barney, what have you got? | 6:35:12 | 6:35:15 | |
Beautifully done, sir. Thank you very much. | 6:35:15 | 6:35:17 | |
We're going to make some emoji smiling faces. | 6:35:17 | 6:35:20 | |
Now, you have to use round biscuits and you have to use round biscuits | 6:35:20 | 6:35:23 | |
that have got the custard filling in them because that's how you stick | 6:35:23 | 6:35:26 | |
your lollipop in. So, very carefully you pull apart your biscuit | 6:35:26 | 6:35:29 | |
so you've got two halves. | 6:35:29 | 6:35:31 | |
Now, we have a mixture of white chocolate and yellow food colouring. | 6:35:31 | 6:35:34 | |
The white chocolate's been melted to make, like, a sort of a sauce. | 6:35:34 | 6:35:37 | |
Any kind of chocolate will do the job but obviously the yellow | 6:35:37 | 6:35:39 | |
food colouring goes well with white to make it an emoji colour. | 6:35:39 | 6:35:42 | |
We've melted that. We've now made what is effectively a bit of glue. | 6:35:42 | 6:35:46 | |
We also need some lollipop sticks, which are here somewhere. | 6:35:46 | 6:35:49 | |
By the way, guys, you're doing a fab job. | 6:35:49 | 6:35:51 | |
A really good job. Oh, that's amazing. | 6:35:51 | 6:35:53 | |
We'll come to that in a minute. So, you've got your lemon | 6:35:53 | 6:35:56 | |
and white chocolate mix. | 6:35:56 | 6:35:59 | |
You place it into the middle of your biscuit and press it through | 6:35:59 | 6:36:01 | |
the creamy filling. And then you want to add a little tiny bit - | 6:36:01 | 6:36:04 | |
not too much because you don't want it to squirt out from the sides | 6:36:04 | 6:36:07 | |
here, just a little bit, so that when that chocolate sets, | 6:36:07 | 6:36:09 | |
it'll actually hold the biscuit together. | 6:36:09 | 6:36:11 | |
Then what you do is you put that biscuit onto a tray into a fridge. | 6:36:11 | 6:36:15 | |
-Leave it there for about eight minutes. -Delicious. | 6:36:15 | 6:36:17 | |
And it will come out looking like one of these. | 6:36:17 | 6:36:19 | |
The reason you put it in the fridge is because you want the | 6:36:19 | 6:36:22 | |
chocolate to set, because if you try and do this too soon, | 6:36:22 | 6:36:24 | |
this next part will go wrong because this will just drop off | 6:36:24 | 6:36:27 | |
into your mix. Guys, how you getting on over there? | 6:36:27 | 6:36:29 | |
You're decorating at the moment, you're well ahead of me. | 6:36:29 | 6:36:31 | |
-Ethan, talk to me. -I've made a cry face. | 6:36:31 | 6:36:35 | |
-A crying face! -Aw! That's good. | 6:36:35 | 6:36:37 | |
-You're having a good time, though, right? -Yeah. -OK, good to know. | 6:36:37 | 6:36:40 | |
Em, how about you? | 6:36:40 | 6:36:41 | |
I've done an embarrassed face. | 6:36:41 | 6:36:43 | |
-Yes! -Amazing, rosy cheeks, nice 3-D eyes as well. | 6:36:43 | 6:36:46 | |
Maha, what have you done? | 6:36:46 | 6:36:48 | |
I've done a geek face. | 6:36:48 | 6:36:49 | |
-Nice! -Very cool. | 6:36:49 | 6:36:51 | |
Well, they've achieved that look by doing exactly what I'm doing | 6:36:51 | 6:36:53 | |
as part of the process. | 6:36:53 | 6:36:55 | |
You cover your biscuit lollipop in the white chocolate and yellow food | 6:36:55 | 6:36:58 | |
colouring and you stick it onto a baking tray that's lined with | 6:36:58 | 6:37:01 | |
paper and that then goes into the fridge. Once you've done that - | 6:37:01 | 6:37:03 | |
these have already been in the fridge - you're ready for | 6:37:03 | 6:37:05 | |
decorating. And you can decorate it with anything you like. | 6:37:05 | 6:37:08 | |
I'm going to go for sunglasses and a smiley face. All the details | 6:37:08 | 6:37:11 | |
you need for this make are on the Blue Peter website. | 6:37:11 | 6:37:13 | |
Head over there and check it out, people! | 6:37:13 | 6:37:15 | |
Now, I think we've worked really hard today, guys. | 6:37:15 | 6:37:17 | |
I think it's time for a treat. | 6:37:17 | 6:37:19 | |
-Yeah! -Radzi, there you go. | 6:37:19 | 6:37:20 | |
-I'm only kidding, it's the film that's the treat. -Ah! | 6:37:20 | 6:37:23 | |
I've come to Birmingham to make a film about one of my | 6:37:25 | 6:37:28 | |
favourite things in the world... | 6:37:28 | 6:37:30 | |
cake! | 6:37:30 | 6:37:32 | |
Although, to be honest, I don't think I'm in the right place. | 6:37:32 | 6:37:36 | |
I mean, don't get me wrong, these models are absolutely amazing but | 6:37:37 | 6:37:40 | |
it's no Swiss roll, is it? | 6:37:40 | 6:37:42 | |
Where's the sponge? | 6:37:42 | 6:37:44 | |
Well, I have to say, I'm a little bit embarrassed, guys. | 6:37:46 | 6:37:48 | |
We've got no film today, we can't do anything, there's no cake here. | 6:37:48 | 6:37:50 | |
I thought there was cake. | 6:37:50 | 6:37:52 | |
But there isn't, so... | 6:37:52 | 6:37:53 | |
film's off. Sorry, I've let you down there, haven't I? Hey... | 6:37:53 | 6:37:57 | |
Oh, yes, that is what I'm talking about! Let's do this. | 6:37:57 | 6:38:01 | |
Oh, yeah! I knew there was cake here. | 6:38:02 | 6:38:04 | |
Believe it or not, these are all cakes. | 6:38:06 | 6:38:09 | |
Seriously, how do they do this? | 6:38:09 | 6:38:11 | |
This is Cake International, the UK's biggest cake-decorating show. | 6:38:11 | 6:38:15 | |
I mean, just look at it. | 6:38:15 | 6:38:17 | |
That's a cake. | 6:38:17 | 6:38:19 | |
But I'm not here to drool over delicious cakes, | 6:38:19 | 6:38:22 | |
I'm taking part in a challenge. | 6:38:22 | 6:38:24 | |
I have to create a Blue Peter pet out of cake, | 6:38:24 | 6:38:27 | |
which will then be judged against other top designers' efforts | 6:38:27 | 6:38:29 | |
on a special BP competition stand. | 6:38:29 | 6:38:33 | |
So I think it's fair to say I'm going to need some serious help. | 6:38:33 | 6:38:36 | |
Meet Molly Robbins, an award-winning cake-decorating artist | 6:38:37 | 6:38:41 | |
and my mentor for this challenge. | 6:38:41 | 6:38:43 | |
OK, what are we doing? | 6:38:45 | 6:38:46 | |
We're making Shelley the tortoise. | 6:38:46 | 6:38:48 | |
That's right, our Shelley is about to be lovingly recreated | 6:38:48 | 6:38:51 | |
in cake form. | 6:38:51 | 6:38:53 | |
But where do we start? | 6:38:53 | 6:38:55 | |
That's going to be her shell. | 6:38:55 | 6:38:56 | |
-OK. -And then we're going to put the head on and the feet. | 6:38:56 | 6:38:58 | |
So first job is we've got to get the shape. | 6:38:58 | 6:39:01 | |
So we're making a tortoise shape. | 6:39:01 | 6:39:03 | |
-Yeah. -Like an egg shape almost. | 6:39:03 | 6:39:05 | |
'By trimming off little pieces, we start to create Shelley's shape. | 6:39:05 | 6:39:09 | |
'But cut away too much and it's game over.' | 6:39:09 | 6:39:11 | |
-That is a good Shelley shape. -Yeah, it looks good. | 6:39:11 | 6:39:14 | |
'Next, we cover our cake with buttercream.' | 6:39:14 | 6:39:17 | |
So this is going to fill in all the cracks and get it nice and | 6:39:17 | 6:39:19 | |
-smooth for the icing. -It's a bit like plastering a house. | 6:39:19 | 6:39:22 | |
You put quite a lot on but there's no way I could make it look anywhere | 6:39:22 | 6:39:25 | |
near as smooth as Molly is. | 6:39:25 | 6:39:28 | |
'When the buttercream's added, it's time to roll out the icing.' | 6:39:28 | 6:39:31 | |
Just like that. | 6:39:31 | 6:39:33 | |
'And after we've got the icing as smooth as possible, | 6:39:33 | 6:39:35 | |
'we can also use it to make Shelley's head and feet.' | 6:39:35 | 6:39:38 | |
-So are you going to make a foot? -I'm going to make a foot and you're | 6:39:38 | 6:39:41 | |
going to make Shelley's head. | 6:39:41 | 6:39:42 | |
'This is where Molly's incredible skills come into their own. | 6:39:42 | 6:39:45 | |
'She really is awesome. | 6:39:45 | 6:39:47 | |
'By adding small amounts of texture to the icing, | 6:39:47 | 6:39:50 | |
'Shelley really starts to take shape.' | 6:39:50 | 6:39:52 | |
It's amazing how adding just tiny little details | 6:39:54 | 6:39:56 | |
-makes a huge difference. -She's looking pretty real, I think. -Yeah. | 6:39:56 | 6:39:59 | |
-Yeah. -She's getting there. We just need to put some colour on now. | 6:39:59 | 6:40:03 | |
I've got some food colouring | 6:40:03 | 6:40:04 | |
and I've just watered it down a little bit. | 6:40:04 | 6:40:06 | |
-That's looking really good. -Well, I've been taught by the best, Moll. | 6:40:11 | 6:40:13 | |
As you can see, we've got quite a way to go here finishing the detail | 6:40:13 | 6:40:17 | |
on Shelley. So for now, if you leave us to it, | 6:40:17 | 6:40:19 | |
we'll get on with this and we'll see you soon at the cake show. | 6:40:19 | 6:40:22 | |
It's competition day and our Blue Peter stand is all set up | 6:40:25 | 6:40:28 | |
with a host of previous Blue Peter pets made by some top designers. | 6:40:28 | 6:40:32 | |
There's Petra, Kari and Oke, | 6:40:32 | 6:40:35 | |
Shep, Mabel, good old Iggy | 6:40:35 | 6:40:38 | |
and, of course, our Shelley. | 6:40:38 | 6:40:40 | |
-How are you feeling, Moll? -I'm feeling good. | 6:40:40 | 6:40:42 | |
Shelley's looking really good. | 6:40:42 | 6:40:43 | |
But how's she going to do in the competition? | 6:40:43 | 6:40:45 | |
We're going to have to find out. | 6:40:45 | 6:40:47 | |
We are, yes, by getting in our elite team of judges. Cue the slow-mo. | 6:40:47 | 6:40:50 | |
We've put together a top team of BP fans to decide | 6:40:52 | 6:40:54 | |
which cake is number one and they are led by head judge Sally. | 6:40:54 | 6:40:59 | |
You are my lead judges. | 6:40:59 | 6:41:02 | |
It's time for us to choose the top three. | 6:41:02 | 6:41:06 | |
We need to look really closely at proportion, texturing and colouring. | 6:41:06 | 6:41:12 | |
We'll be watching the judges from backstage and, by the way, | 6:41:12 | 6:41:15 | |
they've no idea which cake is ours. | 6:41:15 | 6:41:18 | |
All right, here we go. | 6:41:18 | 6:41:19 | |
So, what do you think of this one? | 6:41:21 | 6:41:23 | |
I like the texture because it looks, like, real and inside the mouth, | 6:41:23 | 6:41:27 | |
it looks really black, like how a dog's mouth would be. | 6:41:27 | 6:41:30 | |
Yes, because it's all shiny, isn't it? | 6:41:30 | 6:41:32 | |
I like how the eyes are kind of different colours | 6:41:32 | 6:41:36 | |
-and the detail in them. -Yes. | 6:41:36 | 6:41:38 | |
And I like how the fur's rough so it looks like proper fur. | 6:41:38 | 6:41:42 | |
And the character, one ear up and one ear down. | 6:41:42 | 6:41:45 | |
-Yeah, it's quite happy. -Yes, just like Mabel. | 6:41:45 | 6:41:48 | |
OK, good comments so far about the big cakes, | 6:41:48 | 6:41:50 | |
but it's the littlest cake there | 6:41:50 | 6:41:52 | |
-that we want to get the biggest reaction for, don't we? -Yeah. | 6:41:52 | 6:41:55 | |
But will our carefully constructed Shelley impress the judges? | 6:41:55 | 6:41:59 | |
I like it. That's all the same shape. | 6:41:59 | 6:42:01 | |
-That's exactly how Shelley actually looks, isn't it? -Yeah. | 6:42:01 | 6:42:04 | |
-That's actually really cool. -Yeah. -They're talking about it a lot. | 6:42:04 | 6:42:07 | |
This is going well. This is going really well. | 6:42:07 | 6:42:09 | |
I like how they've done different things to the paws | 6:42:09 | 6:42:11 | |
and the head because the head's got dots. | 6:42:11 | 6:42:13 | |
That's different, isn't it, all the way round the edge? | 6:42:13 | 6:42:16 | |
Yeah, I think it's really good. | 6:42:16 | 6:42:18 | |
After lots and lots of cake critiquing, | 6:42:18 | 6:42:21 | |
our young judges are ready to announce their top three. | 6:42:21 | 6:42:24 | |
-OK, they're ready. Shall we go? -Yes, I'm so excited. -All right, then. | 6:42:24 | 6:42:27 | |
Follow me. | 6:42:27 | 6:42:30 | |
-Hi, guys, how are you? -Hi, we're good, thank you. -Good. | 6:42:30 | 6:42:33 | |
-Molly, it's time for the results. -Hi, guys! | 6:42:33 | 6:42:36 | |
-Hi, judges, good to see you all. -So, in third place, we have Shep. | 6:42:36 | 6:42:40 | |
That's right. In second place, | 6:42:40 | 6:42:44 | |
-we have Kari and Oke. -OK. | 6:42:44 | 6:42:47 | |
'So, Shelley is still in with a chance. Fingers crossed.' | 6:42:47 | 6:42:51 | |
First place - who is it? | 6:42:51 | 6:42:53 | |
-ALL: -Shelley! | 6:42:53 | 6:42:55 | |
-Yes! -Amazing! -BOTH: -Well done. | 6:42:55 | 6:42:57 | |
'I cannot believe it! | 6:42:57 | 6:42:59 | |
'The judges loved the texture and detail that helped make | 6:42:59 | 6:43:02 | |
'Shelley look super-realistic, but, let's be honest, | 6:43:02 | 6:43:05 | |
'there's no way I could have done it without Molly's amazing skills.' | 6:43:05 | 6:43:08 | |
It's been a really interesting journey, | 6:43:08 | 6:43:10 | |
not just being here and making the cake with Molly, | 6:43:10 | 6:43:13 | |
but then entering it into a competition as well and to actually | 6:43:13 | 6:43:15 | |
come away as the winner, well, that's just the icing on the cake. | 6:43:15 | 6:43:18 | |
Yeah, always finish on a strong joke, Barney. Good. | 6:43:19 | 6:43:22 | |
Bad joke! See, Shelley is always a winner in my eyes. | 6:43:24 | 6:43:27 | |
She's a little legend and here she is now. | 6:43:27 | 6:43:29 | |
This is the finished Shelley cake. | 6:43:29 | 6:43:31 | |
-Barney, can I have a bit? -Nope. | 6:43:31 | 6:43:33 | |
OK. Thanks, Barney. Maybe later in the show. | 6:43:34 | 6:43:36 | |
I am definitely going to steal some. | 6:43:36 | 6:43:38 | |
In the meantime, please welcome | 6:43:38 | 6:43:39 | |
the amazingly talented artist Jon Burgerman. | 6:43:39 | 6:43:41 | |
-Hello, hello, hello! -Hello, Jon. -How are you doing? | 6:43:41 | 6:43:44 | |
-Welcome to Blue Peter or should I say welcome back? -Oh, thanks. | 6:43:44 | 6:43:47 | |
Because you've been on before, haven't you, a few years ago? | 6:43:47 | 6:43:50 | |
-A little while ago, yeah. -It was nine years, Jon. | 6:43:50 | 6:43:52 | |
-Time flies, doesn't it? -It certainly does. | 6:43:52 | 6:43:55 | |
We've actually got some footage of back when you were on Blue Peter. | 6:43:55 | 6:43:57 | |
This is 2008 and you made us this amazing kind of mural | 6:43:57 | 6:44:02 | |
for the Blue Peter 50th birthday, didn't you? | 6:44:02 | 6:44:04 | |
Yeah, it was a lot of fun. I did a big doodle for you guys. | 6:44:04 | 6:44:07 | |
And we've got it here now from the Blue Peter archives, | 6:44:07 | 6:44:10 | |
-which is really special. -Or skip. | 6:44:10 | 6:44:12 | |
No, archives - we really look after our Blue Peter makes and bakes. | 6:44:12 | 6:44:16 | |
So, what have you been up to since then? | 6:44:16 | 6:44:18 | |
-Doodling, maybe? -Just maybe drawing. -Yeah. | 6:44:18 | 6:44:22 | |
No, come on, you've been up to a bit more than that. | 6:44:22 | 6:44:23 | |
-I made a book which came out today. -That's right | 6:44:23 | 6:44:26 | |
and it's called Splat!, | 6:44:26 | 6:44:27 | |
-which we love. -Splat, yes. -Now, this inspired a make | 6:44:27 | 6:44:29 | |
we're going to be doing later on. It is so good, isn't it? | 6:44:29 | 6:44:32 | |
Yeah, it's a make involving eggs and splatting | 6:44:32 | 6:44:35 | |
so it's perfect for the Easter holidays. | 6:44:35 | 6:44:37 | |
Well, I can't wait to get involved later and, of course, on Blue Peter, | 6:44:37 | 6:44:40 | |
we love getting creative, but we are not the only ones. | 6:44:40 | 6:44:42 | |
Jon, you are going to love this. Have a look at what Lucia did. | 6:44:42 | 6:44:46 | |
Hi, I'm Lucia and I love Blue Peter and all the makes on the show. | 6:44:46 | 6:44:50 | |
I made this bunting using wooden sticks, stickers, pom-poms, | 6:44:50 | 6:44:55 | |
buttons and other crafty things. | 6:44:55 | 6:44:57 | |
I hope you like it. | 6:44:57 | 6:45:00 | |
-We love it! -We love it! It's so good. Come on over, Jon. | 6:45:00 | 6:45:03 | |
Now, we can't have a make and bake show without displaying | 6:45:03 | 6:45:06 | |
-your makes and bakes. -Are you still eating some of the bakes? | 6:45:06 | 6:45:09 | |
These brownies are amazing. So, let's take a look at Lily's pasty. | 6:45:09 | 6:45:11 | |
It's a felt pasty, inspired by the competition | 6:45:11 | 6:45:14 | |
I was part of a few weeks ago. | 6:45:14 | 6:45:15 | |
Look at that - myself, Radzi and Lynsey on the outside. | 6:45:15 | 6:45:17 | |
She's even put the words "yum-yum" on there. Lily, badge - it's yours. | 6:45:17 | 6:45:21 | |
-Thank you very much. -You can't eat that one, Barney, it's made of felt. | 6:45:21 | 6:45:23 | |
You can eat that, carry on with that. | 6:45:23 | 6:45:25 | |
Harry's been very busy as well, have a look. | 6:45:25 | 6:45:27 | |
Hello, my name's Harry and I love Blue Peter | 6:45:27 | 6:45:30 | |
and all the makes they do on the show. | 6:45:30 | 6:45:32 | |
I love making stuff myself, especially sewing things. | 6:45:32 | 6:45:34 | |
I sewed these three felt dolls of the Blue Peter presenters | 6:45:34 | 6:45:37 | |
Barney, Lynsey and Radzi. I hope you like them. | 6:45:37 | 6:45:39 | |
-Yay, we love that. Stop eating the felt pasty. -You can't eat that one. | 6:45:39 | 6:45:43 | |
You're so good at presenting, by the way, you lovely lot. | 6:45:43 | 6:45:45 | |
And now here's Nye. | 6:45:45 | 6:45:47 | |
My name is Nye. This is my egg box Shelley. | 6:45:47 | 6:45:50 | |
She's made out of a sock, an egg box and toilet rolls and paint | 6:45:50 | 6:45:56 | |
and glitter and I made it | 6:45:56 | 6:45:58 | |
because I like how tortoises are very, very slow. | 6:45:58 | 6:46:01 | |
It's a good point. Well done, Nye. | 6:46:01 | 6:46:03 | |
I think Nye should be the new Blue Peter presenter. What do you reckon? | 6:46:03 | 6:46:06 | |
-Agreed. -We'll have a word with the bosses. | 6:46:06 | 6:46:08 | |
Jon, what have you found? | 6:46:08 | 6:46:09 | |
I like this piece by Oliver, who's aged seven and from Lancashire. | 6:46:09 | 6:46:12 | |
-He's made the Blue Peter boat out of solid silver. -Wow! | 6:46:12 | 6:46:15 | |
-That's not an easy shape, is it? -No, it's a lot of silver. | 6:46:15 | 6:46:18 | |
As an artist, you know these things. | 6:46:18 | 6:46:20 | |
Please keep your makes, bakes, post, anything coming in to us. | 6:46:20 | 6:46:23 | |
The address you need is right there and, remember, | 6:46:23 | 6:46:26 | |
it's Easter holiday time, people, | 6:46:26 | 6:46:27 | |
and your badge can get you into over 200 attractions across the UK... | 6:46:27 | 6:46:31 | |
# For free! # | 6:46:31 | 6:46:33 | |
-Jon, where were you with the harmony? -Beautiful... | 6:46:33 | 6:46:35 | |
All the details are on the website. | 6:46:35 | 6:46:36 | |
Do you reckon that Oliver's made that boat because he's a pirate | 6:46:36 | 6:46:39 | |
-and he had lots of access to silver? Maybe that's what it is. -Maybe. | 6:46:39 | 6:46:42 | |
I think Thomas might be the same because Thomas has requested | 6:46:42 | 6:46:44 | |
that we find out how the new pound coin is made, | 6:46:44 | 6:46:46 | |
which is actually made with silver and gold. | 6:46:46 | 6:46:48 | |
I went to the Royal Mint to find out how they do it. | 6:46:48 | 6:46:51 | |
Hi! Cup of tea, please. | 6:46:51 | 6:46:52 | |
Lovely! Thank you. | 6:46:55 | 6:46:58 | |
So, today, I'm going to be looking at the best make ever. | 6:46:58 | 6:47:01 | |
I'm going to be making money. | 6:47:01 | 6:47:03 | |
Now, you may have noticed recently that the pound coin | 6:47:03 | 6:47:05 | |
has changed from this one to this one. | 6:47:05 | 6:47:08 | |
You may also think that's not a big deal, but it actually is. | 6:47:08 | 6:47:12 | |
Get ready for some serious numbers. | 6:47:12 | 6:47:14 | |
There are around 1.5 billion pound coins | 6:47:16 | 6:47:18 | |
currently being used in the UK. | 6:47:18 | 6:47:20 | |
Around 400 million are kept in savings jars | 6:47:20 | 6:47:23 | |
and they can last for up to 40 years, | 6:47:23 | 6:47:25 | |
but the really scary number is that roughly one in 30 pound coins | 6:47:25 | 6:47:30 | |
is a fake and that's a problem. | 6:47:30 | 6:47:32 | |
So, the guys that make the country's money have stepped in | 6:47:33 | 6:47:36 | |
to take action and we've been given exclusive access | 6:47:36 | 6:47:39 | |
to see how they change...your change. It's funny, that. | 6:47:39 | 6:47:42 | |
Anyway, so we're going somewhere where there's a lot of money. | 6:47:42 | 6:47:45 | |
Yeah, I wish. | 6:47:47 | 6:47:49 | |
BEEPING | 6:47:49 | 6:47:51 | |
Welcome to the Royal Mint. | 6:47:51 | 6:47:54 | |
This room is where all the coins in the UK are made | 6:47:54 | 6:47:56 | |
and we're talking about a serious amount of money. | 6:47:56 | 6:47:59 | |
These machines here can churn out 700 coins a minute | 6:47:59 | 6:48:03 | |
so if we're talking pound coins, that's £1 million a day. | 6:48:03 | 6:48:07 | |
That's enough to pay Taylor Swift, One Direction | 6:48:07 | 6:48:10 | |
and Cristiano Ronaldo to hang out with you. | 6:48:10 | 6:48:13 | |
Some serious money! | 6:48:13 | 6:48:15 | |
To find out more, | 6:48:15 | 6:48:16 | |
I'm meeting one of the curators here at the Royal Mint, Chris Barker. | 6:48:16 | 6:48:20 | |
What do you think it was about the old pound coin | 6:48:20 | 6:48:22 | |
that made it so easy to forge? | 6:48:22 | 6:48:24 | |
It's just that counterfeiters have become so good. | 6:48:24 | 6:48:26 | |
They've become so good at copying it and the round pound doesn't have | 6:48:26 | 6:48:29 | |
as many security features as the new £1 does have. | 6:48:29 | 6:48:31 | |
It's a coin that James Bond would use, isn't it? | 6:48:31 | 6:48:33 | |
Can you talk me through the actual security features of the coin? | 6:48:33 | 6:48:36 | |
You want to go and speak to a guy called Gordon. | 6:48:36 | 6:48:37 | |
He's our chief engraver and he'll be able to tell you more about that. | 6:48:37 | 6:48:40 | |
Gordon - he's our man. | 6:48:40 | 6:48:41 | |
As chief engraver, Gordon is responsible for making sure | 6:48:41 | 6:48:45 | |
the coin not only looks great, but can't be copied easily. | 6:48:45 | 6:48:50 | |
(Kind of a big deal round here.) | 6:48:50 | 6:48:52 | |
He and his team have come up with some very cool ways | 6:48:52 | 6:48:54 | |
to stop counterfeiters copying this new coin. | 6:48:54 | 6:48:57 | |
We've got what we call microtext, | 6:48:58 | 6:49:00 | |
which is really fine lettering just on the inside edge of the coin. | 6:49:00 | 6:49:03 | |
We've got this thing which is a holographic sort of feature. | 6:49:03 | 6:49:07 | |
You look at it in one direction, you see one design. | 6:49:07 | 6:49:10 | |
You look at it in another direction, you see another. | 6:49:10 | 6:49:12 | |
That's really clever. So, that's hard to replicate, I presume? | 6:49:12 | 6:49:15 | |
Everything that we do is to try and make it really difficult | 6:49:15 | 6:49:17 | |
for somebody else to do it and the idea is that it costs them more | 6:49:17 | 6:49:20 | |
than £1 to make a pound coin... | 6:49:20 | 6:49:22 | |
Then it's pointless making the coin, of course. | 6:49:22 | 6:49:24 | |
A very simple question, I guess, | 6:49:24 | 6:49:26 | |
is how you get those two metals to come together as one coin. | 6:49:26 | 6:49:29 | |
It's all done in the press and we've got those presses here | 6:49:29 | 6:49:32 | |
-if you want to have a look at them. -I would love to. Is that OK? | 6:49:32 | 6:49:34 | |
-Yeah, that'd be no problem at all. -Amazing! | 6:49:34 | 6:49:36 | |
Gordon, thank you very much. | 6:49:36 | 6:49:38 | |
The two parts of the coin are loaded into a machine | 6:49:38 | 6:49:40 | |
using a forklift truck. | 6:49:40 | 6:49:42 | |
Then, with a simple push of a button - | 6:49:42 | 6:49:45 | |
oh, yes, look who's pushing it - | 6:49:45 | 6:49:46 | |
the machine presses the coin together | 6:49:46 | 6:49:48 | |
with a whopping 70 tonnes of pressure. | 6:49:48 | 6:49:51 | |
Once the coin's been pressed, it's dropped into a box, | 6:49:52 | 6:49:55 | |
where it can be checked for quality. | 6:49:55 | 6:49:58 | |
And here it is - the brand-new pound coin that you're going | 6:49:58 | 6:50:00 | |
to be using in next to no time. But the story doesn't end here. | 6:50:00 | 6:50:04 | |
Yes, the pound coins have now been made, but the next challenge | 6:50:04 | 6:50:07 | |
is getting them out to the rest of the country | 6:50:07 | 6:50:09 | |
and that's where these boxes come in. | 6:50:09 | 6:50:10 | |
One thing's for sure, the Royal Mint don't do things by halves. | 6:50:14 | 6:50:17 | |
They don't understand the word "small". | 6:50:17 | 6:50:19 | |
Everything here is enormous. Now, in each one of these boxes is £85,000. | 6:50:19 | 6:50:24 | |
That weighs 664kg. | 6:50:24 | 6:50:27 | |
That means that two of these things together | 6:50:27 | 6:50:30 | |
is the same weight as a hippopotamus. | 6:50:30 | 6:50:32 | |
Just two of them! | 6:50:32 | 6:50:34 | |
This is big. | 6:50:34 | 6:50:35 | |
See? I told you it was big. | 6:50:38 | 6:50:40 | |
So, once our big box of money | 6:50:46 | 6:50:47 | |
has been loaded onto our forklift truck over here, | 6:50:47 | 6:50:49 | |
it makes its way down to this side of the warehouse, | 6:50:49 | 6:50:52 | |
where we have to perform a couple of checks. | 6:50:52 | 6:50:54 | |
Mark, that's EL-1, please. | 6:50:54 | 6:50:56 | |
Thank you. Quick scan. | 6:50:57 | 6:50:59 | |
-BEEP -Beautiful. Quick scan. | 6:50:59 | 6:51:01 | |
-BEEP -Beautiful. | 6:51:01 | 6:51:02 | |
And now it can be loaded onto the van, | 6:51:02 | 6:51:03 | |
which is a bit like a Batmobile. | 6:51:03 | 6:51:05 | |
Well, a white boxy-mobile. Anyway, thank you very much. As you were. | 6:51:05 | 6:51:10 | |
Actually, this truck is awesome. | 6:51:11 | 6:51:13 | |
It's got an armoured wall, there's a locked box at the back | 6:51:13 | 6:51:16 | |
and it is guarded by a fire-breathing dragon. | 6:51:16 | 6:51:19 | |
Raar! | 6:51:19 | 6:51:21 | |
OK, not a fire-breathing dragon - just me. | 6:51:21 | 6:51:23 | |
But it does have loads of gadgets and gizmos in here | 6:51:23 | 6:51:25 | |
that I can't tell you about, but in the back, it has 20 boxes, | 6:51:25 | 6:51:28 | |
each one of them containing £85,000. | 6:51:28 | 6:51:31 | |
Now, that...is a lot. | 6:51:31 | 6:51:34 | |
-ENGINE STARTS -Yeah. | 6:51:34 | 6:51:36 | |
It's a lot of money, that. | 6:51:38 | 6:51:39 | |
Once the coins are loaded up, | 6:51:41 | 6:51:43 | |
the trucks head off for coin centres around the country, | 6:51:43 | 6:51:46 | |
where they are double-checked for quality | 6:51:46 | 6:51:47 | |
and then split up into smaller bags. | 6:51:47 | 6:51:50 | |
And it's from here that they are hand-delivered to banks | 6:51:52 | 6:51:55 | |
and shops near you and me. | 6:51:55 | 6:51:57 | |
Thanks very much. So, there you have it. | 6:52:01 | 6:52:03 | |
Now you can spend your new pound coin | 6:52:03 | 6:52:05 | |
in shops up and down the country, knowing the journey its made | 6:52:05 | 6:52:08 | |
before it even gets to your pocket. So cool! | 6:52:08 | 6:52:11 | |
Actually, I should probably spend a penny. | 6:52:12 | 6:52:15 | |
I want a new pound coin, they're so cool! | 6:52:17 | 6:52:19 | |
Speaking of cool, Jon Burgerman's back. | 6:52:19 | 6:52:21 | |
-Hello! -Hello! -Welcome back to the show. | 6:52:21 | 6:52:23 | |
-Now, I'm very excited for this make we're about to do. -Me, too. | 6:52:23 | 6:52:25 | |
It was inspired by you, actually, | 6:52:25 | 6:52:27 | |
because when you were last on Blue Peter, | 6:52:27 | 6:52:29 | |
we noticed you said something quite specific about your masterpiece. | 6:52:29 | 6:52:33 | |
Have a look at this. | 6:52:33 | 6:52:35 | |
You've put some of your favourite bits from Blue Peter | 6:52:35 | 6:52:37 | |
across the years - there's a tortoise there. | 6:52:37 | 6:52:39 | |
And I don't know about this one - a bit of egg and chips? | 6:52:39 | 6:52:42 | |
-What's all that about? -Well, when I was drawing the piece, | 6:52:42 | 6:52:44 | |
I began thinking about my memories of Blue Peter and watching it | 6:52:44 | 6:52:48 | |
as a child so, yeah, this is what I used to eat | 6:52:48 | 6:52:50 | |
when I came home from school. | 6:52:50 | 6:52:52 | |
-See? So, you love eggs, we know you love splat. -Yes. | 6:52:52 | 6:52:56 | |
You look like a guy who loves a laugh. | 6:52:56 | 6:52:58 | |
-I love laughing, walks in the park. -Good! | 6:52:58 | 6:53:02 | |
Well, this make is perfect for you, then. So, Jon, lead the way. | 6:53:02 | 6:53:05 | |
-What are we going to need? -All right, we need... | 6:53:05 | 6:53:08 | |
OK, so what am I currently stirring? It looks gloopy. | 6:53:20 | 6:53:22 | |
So, this is the glue, | 6:53:22 | 6:53:24 | |
some white paint and the washing-up liquid | 6:53:24 | 6:53:26 | |
and we're going to mix it all together | 6:53:26 | 6:53:27 | |
and we're going to pour a blob of it, | 6:53:27 | 6:53:29 | |
a splat of it, not all of it, | 6:53:29 | 6:53:31 | |
but a bunch of it onto the plastic sheet | 6:53:31 | 6:53:34 | |
and then with our little stirrer, | 6:53:34 | 6:53:36 | |
we're going to mush it round into a kind of egg shape. | 6:53:36 | 6:53:39 | |
-We like the words "mush" and "splat" today. -Yes, they're nice words. | 6:53:39 | 6:53:42 | |
And then once you're happy with that... | 6:53:42 | 6:53:44 | |
-That's the best I've done all day! -The yellow mixture... It's lovely. | 6:53:44 | 6:53:47 | |
We're going to put the yolk in | 6:53:47 | 6:53:49 | |
and we're not going to put too much | 6:53:49 | 6:53:50 | |
because it might spread out when it lands. | 6:53:50 | 6:53:52 | |
That's a Blue Peter top tip - not too much yolk. | 6:53:52 | 6:53:54 | |
-Oh, that's too much yolk. -That was a little too much yolk. | 6:53:54 | 6:53:57 | |
Watch the pro do it. Not too much yolk... | 6:53:57 | 6:53:59 | |
But you can use your little stirrer to sort of spread it out. | 6:53:59 | 6:54:02 | |
-Not too much yolk! -That's way too much yolk. | 6:54:02 | 6:54:04 | |
All right, we've ruined that a little bit, but it's OK. | 6:54:04 | 6:54:08 | |
-It can be any kind of shape. -OK. | 6:54:08 | 6:54:11 | |
Then you're going to need to make your egg shell | 6:54:11 | 6:54:13 | |
so while we wait for that to dry... | 6:54:13 | 6:54:16 | |
We haven't got time for that, have we? It's a live show. | 6:54:16 | 6:54:18 | |
-Let's keep going. -So, we get a balloon, | 6:54:18 | 6:54:21 | |
we put papier mache, about two layers, | 6:54:21 | 6:54:23 | |
-over the balloon. -Yep. -And then... | 6:54:23 | 6:54:25 | |
And then we can pop the balloon and once you've done your zigzags | 6:54:25 | 6:54:28 | |
and been nice and careful with the scissors, | 6:54:28 | 6:54:30 | |
you should have something that looks like this, your little eggshells. | 6:54:30 | 6:54:33 | |
I'll pass you one. It's painting time, | 6:54:33 | 6:54:34 | |
this is where you can get pretty creative. | 6:54:34 | 6:54:36 | |
-Now, we're going to go for normal eggshells. -Realistic colour, yeah. | 6:54:36 | 6:54:40 | |
Greys and those kind of colours, but you can be really creative. | 6:54:40 | 6:54:43 | |
We love a bit of that on Blue Peter | 6:54:43 | 6:54:45 | |
so you can do a nice blue one there, you can do stars and stripes. | 6:54:45 | 6:54:48 | |
You can do an army camo one. | 6:54:48 | 6:54:50 | |
Whatever takes your fancy, go for it. | 6:54:50 | 6:54:52 | |
-Now, obviously you'll have more time than us. -Yes. | 6:54:52 | 6:54:54 | |
That doesn't look that real, but once you've done them... | 6:54:54 | 6:54:57 | |
Here you go. They should look something like this. | 6:54:57 | 6:55:00 | |
-These are some we... -Made earlier! -Yes. | 6:55:00 | 6:55:02 | |
All right, so once we have those, they're nice and dry, | 6:55:02 | 6:55:04 | |
then we get our splatted eggs and we peel them off the plastic and BOOM! | 6:55:04 | 6:55:11 | |
You have a hilarious egg splat. You can add some googly eyes to the egg. | 6:55:11 | 6:55:15 | |
A bit of character. We like that. If you do make one, | 6:55:15 | 6:55:17 | |
make sure you take a pic and send it to us because we want to see it. | 6:55:17 | 6:55:20 | |
Now, Jon, as I said, it is a live show. | 6:55:20 | 6:55:22 | |
You didn't know that we were going to do this, | 6:55:22 | 6:55:24 | |
but you have been on Blue Peter twice doing different things, which | 6:55:24 | 6:55:27 | |
means that you have earned yourself your very own little silver badge. | 6:55:27 | 6:55:30 | |
-Really? -That's right. | 6:55:30 | 6:55:32 | |
-CHEERING -There you go, Jon. | 6:55:33 | 6:55:35 | |
Congrats! Enjoy it. We love it. | 6:55:35 | 6:55:38 | |
-It's real. -Yeah, thanks! -Barney? | 6:55:38 | 6:55:41 | |
Oh, it's us! | 6:55:42 | 6:55:43 | |
So, anyway, we asked you to get in touch | 6:55:43 | 6:55:45 | |
and send us comments about what you would like us | 6:55:45 | 6:55:47 | |
to make or bake on the show. Salmon Mash Cat says, | 6:55:47 | 6:55:49 | |
"Can you please make the Eiffel Tower out of chocolate? | 6:55:49 | 6:55:52 | |
"It'll be funny to watch." That's a cracker. | 6:55:52 | 6:55:54 | |
Blobs For Life, great name, says, "I think they could make a cake, | 6:55:54 | 6:55:56 | |
"but they're blindfolded with children helping them." | 6:55:56 | 6:56:00 | |
Are you up for that? | 6:56:00 | 6:56:02 | |
-Yeah. -Good. -Guys, have you had fun today coming on? -Yeah. | 6:56:02 | 6:56:05 | |
-We've had fun with your cakes. Thank you very much. -We like that. | 6:56:05 | 6:56:08 | |
You've had fun today. Stop stealing the emoji biscuits, come on. | 6:56:08 | 6:56:12 | |
-Salmon Mash Cat... Did you say that one, Barns? -What's that? | 6:56:12 | 6:56:15 | |
Salmon Mash Cat? | 6:56:15 | 6:56:16 | |
OK, Glass Mammoth Goat says, | 6:56:16 | 6:56:17 | |
"Can you make models like the Danger Mouse car make?" | 6:56:17 | 6:56:20 | |
-That's hard. -Yeah, but as in make it like a cake? | 6:56:20 | 6:56:24 | |
-Oh, I see. -Like with liquorice wheels or something like that. | 6:56:24 | 6:56:26 | |
-I'm on that one! -That's going to take days. | 6:56:26 | 6:56:28 | |
Tallulah Pancake, "White chocolate Rocky Road Easter cakes | 6:56:28 | 6:56:32 | |
"along with some jazzy Easter decorations." Yes! | 6:56:32 | 6:56:35 | |
Biggest CBBC Fan says, | 6:56:35 | 6:56:37 | |
"I think the presenters should make the tallest cake possible | 6:56:37 | 6:56:40 | |
"with lots of layers and lots of different fillings in between." | 6:56:40 | 6:56:42 | |
-I wonder how big the tallest cake is. -We could make a Radzi cake. | 6:56:42 | 6:56:45 | |
-Hello! -Life size, how good would that be? | 6:56:45 | 6:56:48 | |
Molly's actually made a pony. You know Molly in that film? | 6:56:48 | 6:56:50 | |
She's made a real-size pony. | 6:56:50 | 6:56:51 | |
-So she could make a real-size Radzi no problem at all. -Done. | 6:56:51 | 6:56:54 | |
-Amazing. -Jon, would you like to read a comment? | 6:56:54 | 6:56:56 | |
Apricot Spotty Jedi says, "Making Easter baskets | 6:56:56 | 6:57:01 | |
"and filling them with chocolate eggs blindfolded." | 6:57:01 | 6:57:03 | |
That's more of a challenge as well as a make and a bake. | 6:57:03 | 6:57:05 | |
Thank you so much for getting in touch and sending in your comments. | 6:57:05 | 6:57:08 | |
We might even give one of those a try. | 6:57:08 | 6:57:10 | |
I'm thinking about the Danger Mouse one. It's genius. | 6:57:10 | 6:57:12 | |
Make sure you're watching next week. There's so much going on. | 6:57:12 | 6:57:15 | |
In the meantime, get onto the Blue Peter website | 6:57:15 | 6:57:17 | |
because there's a great bake quiz. Look at his little face! | 6:57:17 | 6:57:21 | |
As well as that, Nikki Lilly, the winner of Junior Bake Off, | 6:57:21 | 6:57:23 | |
is there giving her top tips, both advanced and beginners. | 6:57:23 | 6:57:28 | |
Not to mention, myself and Lynsey | 6:57:28 | 6:57:30 | |
will be taking on a scientist Greg Foot science challenge | 6:57:30 | 6:57:33 | |
involving friction. | 6:57:33 | 6:57:35 | |
JP Cooper's also going to be in the studio singing his September Song. | 6:57:35 | 6:57:38 | |
It's a beautiful song. I can't wait to hear it next week. | 6:57:38 | 6:57:40 | |
Thank you so much for being here this week. | 6:57:40 | 6:57:42 | |
There's going to be baby lambs, too. We'll see you next week. | 6:57:42 | 6:57:44 | |
-That's really cute. -Fan Club live right now! -Bye-bye! -Bye! | 6:57:44 | 6:57:48 |