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Do you want to meet a super dog? | 6:30:06 | 6:30:08 | |
Do you want to be inspired by a world-famous artist? | 6:30:10 | 6:30:13 | |
And do you want a music performance from the one and only Elyar Fox? | 6:30:13 | 6:30:17 | |
Yes, I hear you say. | 6:30:17 | 6:30:18 | |
That's good, because it's all coming up on today's live Blue Peter. | 6:30:18 | 6:30:21 | |
-Hello. -Welcome to live Blue Peter. | 6:30:39 | 6:30:43 | |
Look who's back, it's Barney! | 6:30:43 | 6:30:45 | |
-We missed you. -Thanks very much. I feel so much better. | 6:30:45 | 6:30:48 | |
It's great to be here. | 6:30:48 | 6:30:50 | |
And I thought why not bring the Easter spirit with me? | 6:30:50 | 6:30:53 | |
I got you some presents. | 6:30:53 | 6:30:54 | |
-Happy Easter, Radzi. -Thank you, mate. | 6:30:54 | 6:30:57 | |
-Lindsey, there's one for you as well. -Thank you. | 6:30:57 | 6:31:00 | |
-That is so lovely. -Great minds think alike. | 6:31:00 | 6:31:02 | |
-I've done exactly the same thing myself. -Oh. | 6:31:02 | 6:31:05 | |
-Barney, that is for you. Lindsey, we're all friends here. -Yeah. | 6:31:05 | 6:31:09 | |
Thank you very much. | 6:31:09 | 6:31:10 | |
I definitely, um... | 6:31:10 | 6:31:12 | |
Yeah, I got you guys just a little something. | 6:31:12 | 6:31:15 | |
So happy Easter. | 6:31:15 | 6:31:17 | |
From the bottom of my heart, there you go. Don't eat them all at once. | 6:31:17 | 6:31:21 | |
It's the thought that counts. | 6:31:21 | 6:31:23 | |
Another Easter treat we've got coming your way | 6:31:23 | 6:31:25 | |
is a performance from Elyar Fox. | 6:31:25 | 6:31:26 | |
So we want to hear from you with your questions. | 6:31:26 | 6:31:29 | |
What question would you ask Elyar if he was in the studio? | 6:31:29 | 6:31:32 | |
I think I'd ask him who would you most like to duet with? | 6:31:32 | 6:31:36 | |
I'd like to know how he feels when he has one live performance | 6:31:36 | 6:31:39 | |
and he's nervous and he's holding the microphone. That's tough. | 6:31:39 | 6:31:42 | |
What would you like to know? Get in touch. | 6:31:42 | 6:31:44 | |
You can ask Elyar anything you like. | 6:31:44 | 6:31:46 | |
We'll try and read out as many as we can at the end of the show. | 6:31:46 | 6:31:49 | |
-That reminds me. -Check that out. | 6:31:49 | 6:31:53 | |
-Wow. -I have to give it to Elyar before the end of the show. | 6:31:53 | 6:31:55 | |
-Is she for real? -That was massive. -Serious? | 6:31:57 | 6:32:00 | |
I'll open this. It's going to take me ages, obviously(!) | 6:32:01 | 6:32:04 | |
You tell everyone what's coming up. | 6:32:04 | 6:32:06 | |
What would you say if I asked you what a lifeguard looks like? | 6:32:06 | 6:32:09 | |
Tall. | 6:32:09 | 6:32:12 | |
Brave. | 6:32:12 | 6:32:13 | |
Strong! | 6:32:13 | 6:32:15 | |
A bit like me, really! | 6:32:15 | 6:32:17 | |
Hiya. | 6:32:17 | 6:32:19 | |
Not you, Barney. | 6:32:19 | 6:32:20 | |
What if I said to you, webbed feet, | 6:32:20 | 6:32:22 | |
a fluffy coat, a wet nose and a rudder-like tail? | 6:32:22 | 6:32:24 | |
-I don't have webbed feet. -It's not you, Barney. | 6:32:24 | 6:32:28 | |
Find out who I went face-to-face with as I went to Portishead Marina. | 6:32:28 | 6:32:31 | |
I do have a wet nose, though. | 6:32:31 | 6:32:32 | |
If you get into trouble at the beach, | 6:32:39 | 6:32:41 | |
then you'd hope that you'd get rescued. | 6:32:41 | 6:32:44 | |
But you probably weren't expecting | 6:32:44 | 6:32:46 | |
that help to come in the form of a dog. | 6:32:46 | 6:32:47 | |
Good boy. | 6:32:51 | 6:32:52 | |
Meet Ellie. She's from Newfound Friends, | 6:32:56 | 6:32:58 | |
a charity that trains Newfoundland dogs to help rescue people at sea. | 6:32:58 | 6:33:02 | |
The Newfoundland breed originates from, you've guessed it, | 6:33:02 | 6:33:06 | |
Newfoundland in Canada. | 6:33:06 | 6:33:08 | |
It's an area famous for its fishing and these strong animals | 6:33:08 | 6:33:11 | |
were originally used as working dogs for fishermen. | 6:33:11 | 6:33:14 | |
But today, it's going to be me working with them. | 6:33:14 | 6:33:17 | |
What is it about Newfoundlands that make them good rescue dogs? | 6:33:19 | 6:33:22 | |
They have really big webbed feet, | 6:33:22 | 6:33:24 | |
which helps them swim through the water. | 6:33:24 | 6:33:27 | |
A thick double coat, which helps to keep them warm. | 6:33:27 | 6:33:30 | |
-And they're amazingly strong. -They are absolutely massive. | 6:33:30 | 6:33:34 | |
Yes, massive dogs. | 6:33:34 | 6:33:35 | |
-How much do they weigh? -They can weigh up to -13st. I'm 11st. | 6:33:35 | 6:33:39 | |
So that's a BIG dog. | 6:33:39 | 6:33:41 | |
How do they train to become rescue dogs? | 6:33:41 | 6:33:43 | |
We train them from a young age, getting them used to the water, | 6:33:43 | 6:33:46 | |
swimming, retrieving, holding things in their mouths. | 6:33:46 | 6:33:50 | |
Eventually, they build up to jumping off the boat into the water | 6:33:50 | 6:33:54 | |
to rescue someone. | 6:33:54 | 6:33:56 | |
These dogs are stronger swimmers than lifeguards? | 6:33:56 | 6:33:59 | |
Yes. They're immensely strong swimmers. | 6:33:59 | 6:34:01 | |
-They can pull up to ten people at one time. -No! | 6:34:01 | 6:34:04 | |
Myself and a lifeguard would struggle to pull two or three at one time. | 6:34:04 | 6:34:08 | |
-So they jump off a boat to rescue a casualty? -Yes. | 6:34:08 | 6:34:12 | |
Someone will be in trouble in the water. | 6:34:12 | 6:34:15 | |
They'll always jump with someone, with a trained lifeguard, | 6:34:15 | 6:34:17 | |
because they can't talk to a casualty that's in the water. | 6:34:17 | 6:34:22 | |
The lifeguard's there to do what the dog can't, basically. | 6:34:22 | 6:34:25 | |
While these dogs have impressive power that makes them ideal | 6:34:25 | 6:34:28 | |
to rescue people, they do need some guidance. | 6:34:28 | 6:34:31 | |
Usually this comes in the form of an experienced handler like Ellie. | 6:34:31 | 6:34:35 | |
Today, they've agreed to let me have a go | 6:34:35 | 6:34:37 | |
with one of their Newfoundland dogs, Landi. | 6:34:37 | 6:34:40 | |
Ellie, I've got the kit on, what am I going to be doing? | 6:34:40 | 6:34:43 | |
OK, so basically, you need to run off the end of here and jump in. | 6:34:43 | 6:34:47 | |
The dog will follow you off the pontoon. | 6:34:47 | 6:34:50 | |
It'll go to the casualty. Once the casualty has hold of the harness, | 6:34:50 | 6:34:53 | |
tell the dog to go to the boat. | 6:34:53 | 6:34:56 | |
Hopefully, Landi goes to the boat. | 6:34:56 | 6:34:58 | |
Are there any guarantees she'll do that? | 6:34:58 | 6:35:00 | |
If you're calm and assertive, then yes. Hopefully! | 6:35:00 | 6:35:05 | |
She's never worked with you before, | 6:35:05 | 6:35:07 | |
so this is all new to her as well as you. | 6:35:07 | 6:35:09 | |
She'll be looking to you for guidance. | 6:35:09 | 6:35:11 | |
So from the sounds of things, it's all on me. | 6:35:11 | 6:35:14 | |
Chloe is playing the role of a stranded swimmer | 6:35:14 | 6:35:16 | |
and it's down to me and Landi to rescue her. | 6:35:16 | 6:35:19 | |
GO! | 6:35:23 | 6:35:24 | |
Good girl. Harness. | 6:35:31 | 6:35:33 | |
Boat. | 6:35:37 | 6:35:39 | |
Good girl, Landi. | 6:35:40 | 6:35:41 | |
Landi was absolutely perfect. | 6:35:47 | 6:35:49 | |
She followed me immediately off the pontoon. She got to Chloe. | 6:35:49 | 6:35:53 | |
I said "boat" and she went straight for the boat. Well done, Landi. | 6:35:53 | 6:35:57 | |
Good girl. | 6:35:57 | 6:35:59 | |
Although that was pretty amazing, these dogs can do so much more. | 6:35:59 | 6:36:03 | |
There is one last rescue for me to take part in. | 6:36:03 | 6:36:06 | |
This is unbelievable. | 6:36:24 | 6:36:25 | |
A single dog pulling an entire boat all on its own! Incredible! | 6:36:25 | 6:36:30 | |
Now, there is no way we could go today | 6:36:37 | 6:36:39 | |
without introducing you to Tizz. | 6:36:39 | 6:36:41 | |
He is only ten weeks old. The cutest puppy of all time. | 6:36:41 | 6:36:45 | |
He'll not be fully grown until he's a year, and he won't be life-saving | 6:36:45 | 6:36:48 | |
until he's three. He's just getting used to the water at the moment, | 6:36:48 | 6:36:52 | |
and we think he's fantastic. | 6:36:52 | 6:36:53 | |
Before today, I had no idea that in water, dogs really do save lives. | 6:36:56 | 6:37:01 | |
And if I was stranded for real, I'd be pretty relieved | 6:37:01 | 6:37:04 | |
if what I saw coming to save me was a Newfoundland dog. | 6:37:04 | 6:37:07 | |
-Cute. -It was such a good day. But thank you... -And the puppy. | 6:37:11 | 6:37:15 | |
Ha-ha! We all want one of those. | 6:37:15 | 6:37:18 | |
Thank you to all the Newfound Friends team. | 6:37:18 | 6:37:21 | |
And especially, a big thanks to Darcy and Landi, the dogs. | 6:37:21 | 6:37:23 | |
The cutest things ever. Now if you saw last week's show | 6:37:23 | 6:37:26 | |
you'll have seen me attempt to make an Easter nest. | 6:37:26 | 6:37:29 | |
-It didn't go that well. -It didn't. If you didn't see it, look at this. | 6:37:29 | 6:37:34 | |
3-2-1. | 6:37:34 | 6:37:36 | |
OK, that's what you call pear-shaped. | 6:37:36 | 6:37:39 | |
That's live TV for you. | 6:37:40 | 6:37:42 | |
And that's my quality of presenting. | 6:37:42 | 6:37:45 | |
Now, somebody who did deliver like the mailman is Amelie. | 6:37:45 | 6:37:47 | |
She'll 11, from Harrow. Feast your eyes on that. | 6:37:47 | 6:37:50 | |
-It's the sport badge colours, as well. -It is. -That's so good. | 6:37:50 | 6:37:53 | |
And our names are on all of those eggs. | 6:37:53 | 6:37:56 | |
-That is excellent. -Well done, Amelie. | 6:37:56 | 6:37:58 | |
And this week, the Badge Wall is absolutely covered in your pictures. | 6:37:58 | 6:38:01 | |
Have a look at this from Ruby in Hull. Barney, she's made you a card, | 6:38:01 | 6:38:05 | |
and it says "Get well soon." | 6:38:05 | 6:38:06 | |
You've got all the badges there, all the different colours. | 6:38:06 | 6:38:09 | |
And if we open it, we've each got a bracelet and it says, | 6:38:09 | 6:38:12 | |
"it's not the same without you." I agree. We missed you. | 6:38:12 | 6:38:15 | |
Ruby, that's made me feel loads better. Thank you. | 6:38:15 | 6:38:17 | |
Take a look at the one next door to Ruby's. | 6:38:17 | 6:38:19 | |
I don't mean next door to her house - we don't know where she lives. | 6:38:19 | 6:38:22 | |
It says "Hoppy Easter." It's all three of us dressed as rabbits | 6:38:22 | 6:38:25 | |
with Easter baskets full of eggs on the Blue Peter ship. | 6:38:25 | 6:38:28 | |
-Amazing. -I want to do that. | 6:38:28 | 6:38:29 | |
We should make the sea out of chocolate. | 6:38:29 | 6:38:32 | |
Lily, thank you very much. It's brilliant. | 6:38:32 | 6:38:34 | |
-And so is what you're about to see. Laters, dudes. -See you later. | 6:38:34 | 6:38:37 | |
You've seen this on TV, I'm sure. This is known as sport stacking. | 6:38:37 | 6:38:40 | |
And I've been doing this for a few years now. | 6:38:40 | 6:38:42 | |
Yeah, I'm a bit of a dab hand. | 6:38:42 | 6:38:43 | |
In fact, this is a clip of me earlier on. | 6:38:43 | 6:38:45 | |
All right, fine, that's not supposed to happen. That's rewinding. | 6:38:49 | 6:38:53 | |
We recorded it earlier. But people can do it that fast in real-life. | 6:38:53 | 6:38:56 | |
It's true. You don't believe me, do you? OK, watch this. | 6:38:56 | 6:38:58 | |
This is the World Sport Stacking Championships, | 6:39:01 | 6:39:03 | |
taking place next weekend in South Korea. | 6:39:03 | 6:39:05 | |
Sport stacking involves stacking plastic cups in specific sequences | 6:39:05 | 6:39:09 | |
in as little time as possible. | 6:39:09 | 6:39:11 | |
At the World Championships, | 6:39:11 | 6:39:13 | |
the best of the best compete against each other. | 6:39:13 | 6:39:15 | |
Over two days, 300 of the world's fastest stackers | 6:39:15 | 6:39:18 | |
from 18 different countries will come together | 6:39:18 | 6:39:21 | |
to vie for the title in several events. | 6:39:21 | 6:39:23 | |
Individuals, Doubles, Relays | 6:39:23 | 6:39:25 | |
and the Speed Stacks International Challenge. | 6:39:25 | 6:39:28 | |
Just in case you're wondering, | 6:39:28 | 6:39:30 | |
that footage you saw was not sped up. | 6:39:30 | 6:39:33 | |
That was actual real time. There's a guy in the studio | 6:39:33 | 6:39:35 | |
who can do it in real life. Let's have a round of applause for James. | 6:39:35 | 6:39:38 | |
APPLAUSE | 6:39:38 | 6:39:41 | |
-So good to see you. Welcome to the show. -Thank you. | 6:39:41 | 6:39:44 | |
So, the World Championships next weekend. | 6:39:44 | 6:39:46 | |
You're representing Great Britain. | 6:39:46 | 6:39:48 | |
-That is correct. -How does it feel? -I feel really excited about it. | 6:39:48 | 6:39:52 | |
I've really wanted to represent my own country | 6:39:52 | 6:39:55 | |
and it's something I've really wanted to do. | 6:39:55 | 6:39:58 | |
-You've been doing it for a long time? -For nearly five years already. | 6:39:58 | 6:40:02 | |
Five years' training gets you some medals. Check these out. | 6:40:02 | 6:40:05 | |
These are gold medals and a bronze medal at the end. | 6:40:05 | 6:40:07 | |
-Tell us how you got those. -Those are from Germany | 6:40:07 | 6:40:10 | |
and the other one is from America. | 6:40:10 | 6:40:12 | |
I came eighth place in 3-3-3, tenth place in 3-6-3 | 6:40:12 | 6:40:16 | |
and fifth place in the cycle. | 6:40:16 | 6:40:18 | |
3-3-3, 3-6-3 are names of different sequences that you do with the cups? | 6:40:18 | 6:40:22 | |
-That's right. -You're going to teach me the 3-3-3, which is three cups. | 6:40:22 | 6:40:25 | |
Before I do that, we're going to see just how good James is. | 6:40:25 | 6:40:28 | |
This is World Championship standard. | 6:40:28 | 6:40:30 | |
It's all yours. What is this one called? | 6:40:30 | 6:40:32 | |
-This is the cycle, the hardest for beginners to do. -OK. It's all yours. | 6:40:32 | 6:40:36 | |
YES! | 6:40:48 | 6:40:50 | |
Radzi clearly very excited! This is slow motion - it still looks quick. | 6:40:50 | 6:40:53 | |
It's ridiculous, James. | 6:40:53 | 6:40:55 | |
That is some practice you've done there. | 6:40:55 | 6:40:57 | |
So I had a little go at the 3-3-3 earlier on. | 6:40:57 | 6:41:00 | |
I thought I might have a go now. | 6:41:00 | 6:41:02 | |
So just to give you an idea of how quick James is | 6:41:02 | 6:41:05 | |
and how slow I am, this is how I do it. | 6:41:05 | 6:41:07 | |
You ready? 3-2-1, go! | 6:41:07 | 6:41:09 | |
And a little girly jump at the end. | 6:41:15 | 6:41:17 | |
So I think I'm ready for this. I think we should do a race. | 6:41:17 | 6:41:20 | |
-Are you up for the challenge, soldier? -Yeah. | 6:41:20 | 6:41:23 | |
-But I don't want to go too fast on you. -You go as fast as you like. | 6:41:23 | 6:41:27 | |
It doesn't matter, because you'll be blindfolded. | 6:41:27 | 6:41:29 | |
Thank you very much. | 6:41:29 | 6:41:31 | |
That's fair, innit? World Champ. | 6:41:32 | 6:41:34 | |
Ready for this? I can't believe he's doing this blindfolded. | 6:41:34 | 6:41:39 | |
In three, two, one... Go! | 6:41:39 | 6:41:41 | |
Really? World Championship standard, blindfolded. | 6:41:46 | 6:41:49 | |
A huge round of applause for James, | 6:41:49 | 6:41:50 | |
and best of luck at the World Championships. | 6:41:50 | 6:41:53 | |
-Thank you very much. -Well done, mate. Incredible. | 6:41:53 | 6:41:55 | |
I cannot believe that, James. You are amazing. | 6:41:58 | 6:42:01 | |
We know that you love using loads of bright colours in your artwork. | 6:42:01 | 6:42:04 | |
Have a look at this from Maisey from Liverpool. | 6:42:04 | 6:42:07 | |
She sent in this Blue Peter colourful bit of artwork. | 6:42:07 | 6:42:10 | |
A couple of weeks ago, I got to go to a new exhibition in London. | 6:42:10 | 6:42:13 | |
And trust me, the word colourful doesn't even begin to cut it. | 6:42:13 | 6:42:16 | |
This spring, London is playing host | 6:42:20 | 6:42:23 | |
to the big exhibition of the art world. | 6:42:23 | 6:42:25 | |
People will come from all over the world | 6:42:27 | 6:42:29 | |
to see the works of French artist Henri Matisse. | 6:42:29 | 6:42:31 | |
While other artists like Edward Hopper were painting pictures | 6:42:33 | 6:42:37 | |
with darker shades that were as realistic as possible | 6:42:37 | 6:42:40 | |
Matisse did things his own way using bright, bold colours | 6:42:41 | 6:42:46 | |
to make his images stunning. | 6:42:46 | 6:42:48 | |
In this, a simple oil painting of a blue table, | 6:42:48 | 6:42:51 | |
Matisse has used colours that ooze life | 6:42:51 | 6:42:54 | |
and are intended to just look good. | 6:42:54 | 6:42:56 | |
His influence can be seen everywhere, | 6:42:57 | 6:42:59 | |
from the bold colours of modern architecture | 6:42:59 | 6:43:02 | |
to fashion, interior design and even book covers. | 6:43:02 | 6:43:06 | |
But people heading to this exhibition | 6:43:07 | 6:43:09 | |
aren't coming along for the paintings. | 6:43:09 | 6:43:11 | |
In his later life, Matisse picked up scissors and started to cut. | 6:43:13 | 6:43:17 | |
By cutting into brightly coloured paper and creating bold shapes | 6:43:22 | 6:43:25 | |
and lines, he invented a whole new art form. | 6:43:25 | 6:43:28 | |
Painting with scissors. | 6:43:28 | 6:43:29 | |
Matisse's cut outs are now thought to be his boldest | 6:43:32 | 6:43:35 | |
and most imaginative work. | 6:43:35 | 6:43:37 | |
Flavia is the assistant curator of the exhibition at Tate Modern. | 6:43:40 | 6:43:45 | |
So cutting out shapes seems to be something that's quite simple. | 6:43:45 | 6:43:48 | |
So why does Matisse do it in such a special, clever way? | 6:43:48 | 6:43:51 | |
Actually, it's more difficult than you think. | 6:43:51 | 6:43:54 | |
For a start, he's using different-sized scissors. | 6:43:54 | 6:43:57 | |
-He has scissors going from this big to this big. -Oh, wow. | 6:43:57 | 6:44:00 | |
Depending on the shapes, he's adapting | 6:44:00 | 6:44:03 | |
and using different scissors. And secondly, the dexterity of his hand | 6:44:03 | 6:44:08 | |
is so fluid that even though the shapes look simple, | 6:44:08 | 6:44:12 | |
they actual take a lot of work. | 6:44:12 | 6:44:15 | |
He's doing it all in one go. He doesn't stop. | 6:44:15 | 6:44:18 | |
What makes Matisse famous is his different use of colours. | 6:44:18 | 6:44:22 | |
It's bright and vivid. | 6:44:22 | 6:44:23 | |
How do you think that has impacted what we see around us today? | 6:44:23 | 6:44:26 | |
Even the most simple things, | 6:44:26 | 6:44:29 | |
the idea of bringing together two very bright colours, | 6:44:29 | 6:44:31 | |
like purple and orange, | 6:44:31 | 6:44:33 | |
-it's a very Matissian idea. -He wasn't afraid of colour clash! | 6:44:33 | 6:44:37 | |
-No. -A bit like us today! -Exactly. We're very Matissian. | 6:44:37 | 6:44:42 | |
So I'm dressed for the part. | 6:44:43 | 6:44:45 | |
How can I help to put the finishing touches to the exhibition? | 6:44:45 | 6:44:48 | |
-This is your artwork, the one you're going to help us hang. -OK. | 6:44:49 | 6:44:54 | |
-What is this one called? -Small Dancer On A Red Background. | 6:44:54 | 6:44:58 | |
-It's tiny and delicate compared to the bigger ones. -It is. | 6:44:58 | 6:45:02 | |
It's one of the earliest works he made. | 6:45:02 | 6:45:04 | |
-What do we need to do first? -We need to go and stand here. | 6:45:04 | 6:45:07 | |
-So that we have a good distance. -And these guys are going to help us. | 6:45:08 | 6:45:12 | |
They are. | 6:45:12 | 6:45:14 | |
So, they're going to hold it up for us. | 6:45:14 | 6:45:16 | |
And now the tough decision. | 6:45:16 | 6:45:19 | |
To the left? To the right? | 6:45:19 | 6:45:20 | |
I would say there's a smaller gap here than there | 6:45:20 | 6:45:24 | |
so I would move it to the left. Is that wrong? | 6:45:24 | 6:45:26 | |
-Slightly wrong... -OK. -..because this work relates to that work, | 6:45:26 | 6:45:30 | |
-so the gap should be smaller. -So, you reckon there? | 6:45:30 | 6:45:33 | |
-Is that a good spot? -I think they should put it there. | 6:45:33 | 6:45:36 | |
What do you normally do when you're happy? Big thumbs up? | 6:45:36 | 6:45:39 | |
-I say, "Let's put it up." -Let's put it up. | 6:45:39 | 6:45:42 | |
-And there it is. It looks good, right? -Well done. -Thank you. | 6:45:45 | 6:45:50 | |
I was so lucky to go to that. | 6:45:54 | 6:45:56 | |
I had a great time. thank you so much, Flavia, | 6:45:56 | 6:45:58 | |
for helping me out as well. | 6:45:58 | 6:45:59 | |
Now, something we're going to be showing you how to do today is | 6:45:59 | 6:46:02 | |
these - because whilst Matisse artwork might look really complicated | 6:46:02 | 6:46:06 | |
and fantastic, it's actually very easy to create yourself using | 6:46:06 | 6:46:09 | |
loads of different colours and shapes. | 6:46:09 | 6:46:11 | |
Today, we'll show you how to make your very own | 6:46:11 | 6:46:13 | |
Matisse-inspired artwork with a bit of a Blue Peter twist. | 6:46:13 | 6:46:16 | |
And joining me today is a very special guest, live on the show. | 6:46:16 | 6:46:20 | |
-It is the great-granddaughter of Matisse, please welcome Sophie! -Hi. | 6:46:20 | 6:46:23 | |
Hi, Sophie. Thank you so much for coming here. | 6:46:23 | 6:46:27 | |
-It's really, really special to have you here. -For me, too. | 6:46:27 | 6:46:29 | |
And now someone else we've got joining us | 6:46:29 | 6:46:32 | |
as well was the person who made this. | 6:46:32 | 6:46:34 | |
It's another Matisse-inspired bit of artwork. | 6:46:34 | 6:46:36 | |
And we thought, you know what, | 6:46:36 | 6:46:37 | |
it's so good, we need to get Jessica on the show. Please welcome Jessica. | 6:46:37 | 6:46:41 | |
APPLAUSE | 6:46:41 | 6:46:43 | |
Hi, guys. Thank you so much for coming in. | 6:46:43 | 6:46:46 | |
Now, Jessica, before I ask you who you've got here, talk me | 6:46:46 | 6:46:48 | |
through how you made this, cos it looks amazing. | 6:46:48 | 6:46:51 | |
I just got a lot of plastic bags and sort of | 6:46:51 | 6:46:53 | |
mushed them all together. | 6:46:53 | 6:46:55 | |
And then ironed them with parchment paper on top and bottom. | 6:46:55 | 6:46:58 | |
-So they all melted together to make this Blue Peter logo? -Yeah. | 6:46:58 | 6:47:01 | |
It's really creative, we love it. Thank you for coming in. | 6:47:01 | 6:47:04 | |
Who have you brought with you today? | 6:47:04 | 6:47:05 | |
I've brought my sister Emily, my friend Amelia, | 6:47:05 | 6:47:08 | |
my brother Ben, and Finn. | 6:47:08 | 6:47:09 | |
Hi, guys. | 6:47:09 | 6:47:11 | |
While you get started - you've already made a little start | 6:47:11 | 6:47:14 | |
on your Matisse artwork - what are we going to need? | 6:47:14 | 6:47:16 | |
-We're going to need a Blue Peter ship cut out. -Emily? -Coloured paper. | 6:47:16 | 6:47:22 | |
Lots of coloured paper. Very important. | 6:47:22 | 6:47:24 | |
A white A3 piece of paper. | 6:47:24 | 6:47:27 | |
-Ben. -Some glue. -And scissors. | 6:47:27 | 6:47:29 | |
Thank you, Finn. Beautifully delivered, everyone. | 6:47:29 | 6:47:32 | |
Remember, all the details on the website. So check those out later. | 6:47:32 | 6:47:37 | |
But now, sit back, relax, | 6:47:37 | 6:47:38 | |
and watch us make these Matisse-inspired bits of artwork. | 6:47:38 | 6:47:41 | |
Now, Sophie, you're an artist yourself. | 6:47:41 | 6:47:44 | |
So what's it like to see this exhibition come together? | 6:47:44 | 6:47:47 | |
-It must be quite special for you. -It is very special. | 6:47:47 | 6:47:49 | |
Everything feels very alive. | 6:47:49 | 6:47:51 | |
The show is beautiful, the colours are amazing. | 6:47:51 | 6:47:53 | |
That really struck me when I went, there's just colour everywhere. | 6:47:53 | 6:47:57 | |
-And it took quite a long time... -It took five years. -Five years? | 6:47:57 | 6:48:01 | |
Five years to collect the work that was shown coming from America, | 6:48:01 | 6:48:05 | |
coming from Europe, coming from Russia, from all over the world. | 6:48:05 | 6:48:08 | |
So it's a very special event. | 6:48:08 | 6:48:10 | |
-And quite emotional because it's your great-grandfather. -Yes, absolutely. | 6:48:10 | 6:48:13 | |
-But the colours are absolutely... They're very alive. -Very bold. | 6:48:13 | 6:48:17 | |
And that's the key here. | 6:48:17 | 6:48:18 | |
Basically, all you need to do is remember to use | 6:48:18 | 6:48:21 | |
loads of different colour. | 6:48:21 | 6:48:22 | |
It's not difficult, as long as you're getting shapes | 6:48:22 | 6:48:25 | |
and lots of different colour. That's the most important thing. | 6:48:25 | 6:48:28 | |
As we can see, demonstrated beautifully by Jessica. | 6:48:28 | 6:48:30 | |
How are you getting on? | 6:48:30 | 6:48:32 | |
Good. I'm making a paintbrush and paint splat Matisse-inspired... | 6:48:32 | 6:48:35 | |
-Oh, I like it. Is that cos you're into art? -Yes. | 6:48:35 | 6:48:38 | |
I like the brushes as well. They look brilliant. What about you, Emily? | 6:48:38 | 6:48:41 | |
I'm making a Blue Peter logo | 6:48:41 | 6:48:43 | |
with lots of colours around it. | 6:48:43 | 6:48:45 | |
That looks brilliant. | 6:48:45 | 6:48:47 | |
And, if you remember when I held this one up earlier, you can | 6:48:47 | 6:48:50 | |
just make out that, amongst all the shapes and colour, there is, | 6:48:50 | 6:48:53 | |
actually, the Blue Peter logo right there. | 6:48:53 | 6:48:55 | |
You can see the sails of the ship, the hull, | 6:48:55 | 6:48:57 | |
and then the sea over there. | 6:48:57 | 6:48:59 | |
So, remember, you can get that template from the website, | 6:48:59 | 6:49:01 | |
if you need it. | 6:49:01 | 6:49:03 | |
Now, we've got some great footage, Sophie. | 6:49:03 | 6:49:06 | |
If you look behind you, it's your great-grandfather actually working. | 6:49:06 | 6:49:10 | |
-He looks good, no? -He looks brilliant. | 6:49:10 | 6:49:13 | |
What is brilliant as well is | 6:49:13 | 6:49:14 | |
-the way he's cutting is so smooth and so quick. -Yes. | 6:49:14 | 6:49:18 | |
It's not random, what he's doing, is it? He's not just guessing. | 6:49:18 | 6:49:21 | |
No, he's thought about it a lot before. | 6:49:21 | 6:49:23 | |
It's gone over in his mind, over and over again. | 6:49:23 | 6:49:26 | |
So, by the time he gets to the scissors, | 6:49:26 | 6:49:28 | |
it's just very smooth flowing. | 6:49:28 | 6:49:29 | |
He really is just painting with scissors, isn't he? | 6:49:29 | 6:49:31 | |
-It's how we would do a brush stroke. -It's coming very easy to him. Yeah. | 6:49:31 | 6:49:37 | |
Actually, he made some massive paintings as well. How big were they? | 6:49:37 | 6:49:41 | |
Cos he used to cover his studio, didn't he? | 6:49:41 | 6:49:44 | |
Yeah, he had walls of 3m by 15m. I mean The Snail is... | 6:49:44 | 6:49:50 | |
I think it's about 3m by 3m. | 6:49:50 | 6:49:53 | |
-Almost verging on as big as me. -Yeah, it's much bigger than us. | 6:49:53 | 6:49:57 | |
Talk us through The Snail a little bit. | 6:49:57 | 6:49:59 | |
-It's one of his most famous bits of art. -It's really nice. | 6:49:59 | 6:50:03 | |
I mean, you have huge blocks of stunning colour. | 6:50:03 | 6:50:06 | |
It feels very alive. | 6:50:06 | 6:50:08 | |
You can't tell quite where the head is or where the tail is, | 6:50:08 | 6:50:11 | |
but that's part of the fun, is to try to... Where do you think it is? | 6:50:11 | 6:50:15 | |
-For everybody, it might be different. -Everybody can understand | 6:50:15 | 6:50:18 | |
Matisse artwork differently. | 6:50:18 | 6:50:20 | |
And if you don't have scissors, you can always tear the paper. | 6:50:20 | 6:50:22 | |
That's very Blue Peter, we like that. | 6:50:22 | 6:50:24 | |
Just tear it. Do whatever you want and be creative. | 6:50:24 | 6:50:27 | |
Amelia, how are you getting on? Yours is very neat. | 6:50:27 | 6:50:29 | |
-It's not torn at all, is it? -No. -She has several pairs of scissors. | 6:50:29 | 6:50:33 | |
Lots of scissors for yours! What's your inspiration? | 6:50:33 | 6:50:37 | |
-I'm making a dog because I have a dog at home. -I like that. | 6:50:37 | 6:50:39 | |
And there is lots of colours. It's very bold. What about you, Ben? | 6:50:39 | 6:50:42 | |
-How are you getting on? -I'm making a football. | 6:50:42 | 6:50:44 | |
You're a big football fan, aren't you? | 6:50:44 | 6:50:47 | |
Shall we have a look at them all, | 6:50:47 | 6:50:48 | |
cos we've all been working on these this afternoon. | 6:50:48 | 6:50:51 | |
So, let's hold them up. | 6:50:51 | 6:50:52 | |
Quick, Finn, get that last bit on. | 6:50:52 | 6:50:55 | |
Don't panic. | 6:50:55 | 6:50:56 | |
They look absolutely brilliant, well done, everyone. | 6:50:56 | 6:51:00 | |
Jessica, thank you so much for giving us this inspiration. And remember, | 6:51:00 | 6:51:04 | |
if you have a go at home, do take a picture and e-mail it to us. | 6:51:04 | 6:51:10 | |
Sophie, a massive thank you for coming in. | 6:51:10 | 6:51:12 | |
-It's been really special having you here. -Thank you so much. -Thank you. | 6:51:12 | 6:51:16 | |
How are you getting on, boys? | 6:51:16 | 6:51:17 | |
We're having a great time over here, thank you very much. | 6:51:17 | 6:51:20 | |
Do you know what? Really simple but so effective. Really like that. | 6:51:20 | 6:51:23 | |
Now, we hope you at home have a go as well. | 6:51:23 | 6:51:25 | |
It's almost the end of the show | 6:51:25 | 6:51:27 | |
but we've got a poptastic treat for you. | 6:51:27 | 6:51:30 | |
Yeah, he stormed into the charts | 6:51:30 | 6:51:31 | |
with a top five debut single, Do It All Over Again. | 6:51:31 | 6:51:33 | |
He's here to perform his brand-new single. Before we speak to him... | 6:51:33 | 6:51:36 | |
Or before he sings, let's speak to him, the right way round! | 6:51:36 | 6:51:39 | |
Let's get a round of applause for Elyar Fox. | 6:51:39 | 6:51:41 | |
CHEERING AND APPLAUSE | 6:51:41 | 6:51:42 | |
Welcome. | 6:51:42 | 6:51:44 | |
-Down low. How you doing? -Here we go. -Yowzers! -(Sorry.) | 6:51:44 | 6:51:48 | |
-Good to see you. -You, too. | 6:51:48 | 6:51:50 | |
-What have you been up to? It's been a while. -Everything. | 6:51:50 | 6:51:52 | |
I've been on tour with The Wanted, which was amazing. | 6:51:52 | 6:51:54 | |
And I've just been working on my new single, A Billion Girls, | 6:51:54 | 6:51:57 | |
-and getting the album ready for the summer. -Fantastic. | 6:51:57 | 6:51:59 | |
We've got lots of questions in for you. It's just gone mad. | 6:51:59 | 6:52:02 | |
Let's go for it. | 6:52:02 | 6:52:04 | |
Rubynuttyhobbit, hands down my favourite name ever, | 6:52:04 | 6:52:06 | |
"If you could be a presenter of any show, what would it be?" | 6:52:06 | 6:52:09 | |
-Apart from Blue Peter. -Oh, really? I was going to say Blue Peter. | 6:52:09 | 6:52:13 | |
-It does seem like a lot of fun. -It's amazing fun. | 6:52:13 | 6:52:16 | |
-And they give us chocolate. -Blue Peter badges everywhere. | 6:52:16 | 6:52:19 | |
Always wear it, on the left-hand side for the boys. | 6:52:19 | 6:52:22 | |
Pearlairfig says, "Hey, Elyar, I'd like to ask you | 6:52:22 | 6:52:24 | |
"how you became a singer and did anyone inspire you?" | 6:52:24 | 6:52:27 | |
Well, really, I've always been into music, | 6:52:27 | 6:52:29 | |
since I was about six when I bought my first album. | 6:52:29 | 6:52:31 | |
And I've always loved pop music. | 6:52:31 | 6:52:33 | |
So I kind of knew it was one thing which I had to be doing. | 6:52:33 | 6:52:36 | |
And, also, Bruno Mars, big inspiration for me these days. | 6:52:36 | 6:52:39 | |
Really like him. | 6:52:39 | 6:52:40 | |
You bought your first album when you six. | 6:52:40 | 6:52:43 | |
I was still making bubbles in the bath at that point. | 6:52:43 | 6:52:45 | |
I was making bubbles in the bath, and listening to music. | 6:52:45 | 6:52:47 | |
Aquabubblycondor says, "Do you have any secret talents?" | 6:52:47 | 6:52:50 | |
Any secret talents? | 6:52:50 | 6:52:52 | |
I've got a few. One of them... | 6:52:52 | 6:52:54 | |
MAKES BUBBLE NOISES | 6:52:54 | 6:52:55 | |
-Talking about bubbles in the bath! -Oh, yeah! -Brilliant. | 6:52:55 | 6:52:58 | |
Maroonbanana says, "What advice would you give to someone | 6:52:58 | 6:53:01 | |
"who wanted to join the music world?" | 6:53:01 | 6:53:04 | |
I think it's just persistence. And you need to be dedicated. | 6:53:04 | 6:53:08 | |
I think as long as you don't give up, people are always going to try | 6:53:08 | 6:53:11 | |
and doubt you and put you down, but it should only make you stronger. | 6:53:11 | 6:53:14 | |
-I like that. -One last question from Pearlgroovydevil who says, | 6:53:14 | 6:53:16 | |
"Hi, Elyar. | 6:53:16 | 6:53:17 | |
"My question is, what's your favourite pizza topping?" | 6:53:17 | 6:53:20 | |
It's a classic. "And, PS, I Love you Elyar Fox." | 6:53:20 | 6:53:22 | |
-I love you too, Barney. -That wasn't me. -My favourite pizza... Oh. | 6:53:22 | 6:53:27 | |
My favourite pizza topping, this is going to sound really boring | 6:53:27 | 6:53:30 | |
because I go through moods of what I like. It's a bit like music. | 6:53:30 | 6:53:33 | |
Sometimes you want rock, sometimes R&B, you kind of go through phases. | 6:53:33 | 6:53:37 | |
One thing which always is consistent with my pizza love is Margarita. | 6:53:37 | 6:53:41 | |
It's Margarita. In fact, I'm ordering one right after the show. | 6:53:41 | 6:53:45 | |
You've got to sing a song first, get yourself ready. | 6:53:45 | 6:53:47 | |
While he does, here's what's happening on next week's show. | 6:53:47 | 6:53:50 | |
Make sure you join us cos we're going to be kicking off our | 6:53:50 | 6:53:53 | |
Blue Peter Green Season so we're live from the Blue Peter garden. | 6:53:53 | 6:53:56 | |
We're going to be getting dirty hands in the garden as well | 6:53:56 | 6:53:58 | |
with the Skinny Jeans Gardeners. And Diarmuid Gavin's going to show you | 6:53:58 | 6:54:01 | |
how to build something really cool | 6:54:01 | 6:54:03 | |
using flowers and the Blue Peter badge as inspiration. | 6:54:03 | 6:54:05 | |
And to celebrate Shakespeare's 450th birthday, we'll be going to | 6:54:05 | 6:54:09 | |
the Globe to find out about special effects back in Shakespeare's time. | 6:54:09 | 6:54:13 | |
If you got in touch last week to send your Easter messages, | 6:54:13 | 6:54:15 | |
watch the bottom of the screen right now. | 6:54:15 | 6:54:17 | |
First, here's Elyar Fox performing his brand-new A Billion Girls. | 6:54:17 | 6:54:20 | |
CHEERING | 6:54:20 | 6:54:23 | |
# I heard Rihanna wants your body | 6:54:37 | 6:54:40 | |
# With curves like the streets of Monaco | 6:54:41 | 6:54:44 | |
# And everybody says you're trouble | 6:54:44 | 6:54:47 | |
# But I don't wanna know, no | 6:54:47 | 6:54:49 | |
# I don't wanna know | 6:54:49 | 6:54:51 | |
# Tried, tried, tried but they don't measure up | 6:54:51 | 6:54:53 | |
# While all this time, time, time | 6:54:53 | 6:54:55 | |
# You're spilling over the cup | 6:54:55 | 6:54:57 | |
# And maybe I | 6:54:57 | 6:54:59 | |
# And maybe I | 6:54:59 | 6:55:01 | |
# Should listen to my head | 6:55:01 | 6:55:02 | |
# But my heart says | 6:55:02 | 6:55:04 | |
# I could go from London to LA | 6:55:05 | 6:55:08 | |
# I could look a million times a day | 6:55:08 | 6:55:12 | |
# The way I feel is never gonna change | 6:55:12 | 6:55:15 | |
# It's never gonna change | 6:55:15 | 6:55:18 | |
# They tell me that I'm young | 6:55:19 | 6:55:21 | |
# And I should wait | 6:55:21 | 6:55:22 | |
# But then you'd be the one who got away | 6:55:22 | 6:55:26 | |
# The way I feel is never gonna change | 6:55:26 | 6:55:29 | |
# And all that I can say | 6:55:29 | 6:55:32 | |
# There's a billion girls in the world | 6:55:32 | 6:55:34 | |
# But there's only one you | 6:55:34 | 6:55:37 | |
# You | 6:55:37 | 6:55:39 | |
# A billion girls in the world | 6:55:39 | 6:55:41 | |
# But there's only one you | 6:55:41 | 6:55:44 | |
# You | 6:55:44 | 6:55:45 | |
# I must have died and gone to heaven | 6:55:45 | 6:55:48 | |
# Or has an angel fallen from the sky? | 6:55:49 | 6:55:52 | |
# And everybody says I'm crazy Well, maybe | 6:55:53 | 6:55:56 | |
# But you are my kryptonite | 6:55:56 | 6:55:58 | |
# Because I've tried, tried, tried but they don't measure up | 6:55:58 | 6:56:02 | |
# While all this time, time, time | 6:56:02 | 6:56:04 | |
# You're spilling over the cup | 6:56:04 | 6:56:06 | |
# And maybe I | 6:56:06 | 6:56:07 | |
# And maybe I | 6:56:07 | 6:56:09 | |
# Should listen to my head | 6:56:10 | 6:56:11 | |
# But my heart says | 6:56:11 | 6:56:13 | |
# I could go from London to LA | 6:56:14 | 6:56:17 | |
# I could look a million times a day | 6:56:17 | 6:56:20 | |
# The way I feel is never gonna change | 6:56:20 | 6:56:24 | |
# And all that I can say | 6:56:24 | 6:56:26 | |
# There's a billion girls in the world | 6:56:26 | 6:56:29 | |
# But there's only one you | 6:56:29 | 6:56:32 | |
# You | 6:56:32 | 6:56:33 | |
# There's a billion girls in the world | 6:56:33 | 6:56:36 | |
# But there's only one you | 6:56:36 | 6:56:39 | |
# You | 6:56:39 | 6:56:40 | |
# There's just something about you | 6:56:40 | 6:56:43 | |
# That makes me feel like I want to | 6:56:43 | 6:56:46 | |
# So, baby, hear when I tell you | 6:56:46 | 6:56:49 | |
# It's tr-u-u-u-u-e | 6:56:50 | 6:56:53 | |
# There's a billion girls in the world | 6:56:54 | 6:56:56 | |
# But there's only one | 6:56:56 | 6:56:58 | |
# There's a billion girls in the world | 6:57:01 | 6:57:03 | |
# But there's only one | 6:57:03 | 6:57:05 | |
# One, one | 6:57:05 | 6:57:07 | |
# Wh-o-o-o-o-a | 6:57:07 | 6:57:12 | |
# I could look a million times a day | 6:57:12 | 6:57:15 | |
# The way I feel is never gonna change | 6:57:15 | 6:57:19 | |
# Never gonna change | 6:57:19 | 6:57:21 | |
# They tell me that I'm young And I should wait | 6:57:22 | 6:57:26 | |
# But then you'd be the one who got away | 6:57:26 | 6:57:29 | |
# The way I feel is never gonna change | 6:57:29 | 6:57:32 | |
# And all that I can say | 6:57:32 | 6:57:35 | |
# There's a billion girls in the world | 6:57:35 | 6:57:37 | |
# But there's only one you | 6:57:37 | 6:57:40 | |
# You | 6:57:40 | 6:57:42 | |
# A billion girls in the world | 6:57:42 | 6:57:44 | |
# But there's only one you | 6:57:44 | 6:57:47 | |
# You, you. # | 6:57:47 | 6:57:49 | |
CHEERING AND APPLAUSE | 6:57:49 | 6:57:54 |