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Would you like exclusive access to the Muppets Most Wanted movie? | 7:32:39 | 7:32:42 | |
Would you like to see a world record involving this? | 7:32:42 | 7:32:44 | |
Do you want to see superstar coach from The Voice, Ricky Wilson, | 7:32:44 | 7:32:48 | |
perform with his band? | 7:32:48 | 7:32:50 | |
-You would? -Yes! -Good, because it's all coming up on today's show. | 7:32:50 | 7:32:53 | |
-Hello! -Hello! | 7:33:11 | 7:33:13 | |
And a special hello, by the way, all the mums out there, | 7:33:13 | 7:33:16 | |
-because, on Sunday, it is Mother's Day. -Hello, mums. | 7:33:16 | 7:33:19 | |
If you haven't bought your card yet, don't worry. Check this out. | 7:33:19 | 7:33:23 | |
We're going to show you how to make his wonderful Mother's Day card, | 7:33:23 | 7:33:26 | |
and these circles here, they've got a message underneath them. | 7:33:26 | 7:33:29 | |
We'll be showing you how to make them | 7:33:29 | 7:33:31 | |
and also reveal those messages a little later on. | 7:33:31 | 7:33:33 | |
It is very cool, make sure you're watching. | 7:33:33 | 7:33:35 | |
Later, Barney's going behind the scenes on the brand-new film, | 7:33:35 | 7:33:38 | |
the Muppets. And that got us thinking, if you could go anywhere | 7:33:38 | 7:33:42 | |
behind-the-scenes and have access all areas, where would you go? | 7:33:42 | 7:33:45 | |
-BOTH: And why? -What about you? | 7:33:45 | 7:33:47 | |
I think I would go for the White House. | 7:33:47 | 7:33:49 | |
-I'd love to meet Barack Obama. That'd be unreal. -Legend. | 7:33:49 | 7:33:53 | |
I'd go behind-the-scenes at the National Theatre | 7:33:53 | 7:33:55 | |
-and find out where they make their props and costumes. -Nice. | 7:33:55 | 7:33:58 | |
-How cool would that be? -I'd go to NASA. | 7:33:58 | 7:34:00 | |
I'd like to see astronauts train and go to that thing where | 7:34:00 | 7:34:02 | |
they spin you round and you get flappy cheeks. | 7:34:02 | 7:34:05 | |
-My grandma's got flappy cheeks. That would be amazing. -OK. | 7:34:05 | 7:34:08 | |
-Those are our ideas, but we want to here from you. -Yes, please. | 7:34:08 | 7:34:11 | |
Get in touch and tell us if you could go anywhere and access all areas, | 7:34:11 | 7:34:15 | |
where would it be? What would you do? | 7:34:15 | 7:34:18 | |
We'll try to read out as many as we can later in the show. | 7:34:18 | 7:34:20 | |
Enough of all that. Cue the music, please. | 7:34:20 | 7:34:24 | |
MUSIC: THEME FROM THE MUPPET SHOW | 7:34:24 | 7:34:26 | |
# ..It's time to play the music It's time to light the lights... # | 7:34:26 | 7:34:31 | |
-Barney. -Thanks. | 7:34:31 | 7:34:33 | |
That's the Muppet theme, we're singing it because we're all | 7:34:33 | 7:34:36 | |
very excited about the brand-new movie, Muppets Most Wanted. | 7:34:36 | 7:34:39 | |
Last year, I went behind the scenes to meet Kermit and Co. | 7:34:39 | 7:34:42 | |
I also met Miss Piggy and I have to say, that I thought Lindsey | 7:34:42 | 7:34:44 | |
was a bit of a diva, but after Miss Piggy, she's a walk in the park! | 7:34:44 | 7:34:47 | |
-Barney, I'm still here. -Hi. I love what you do, you're amazing. | 7:34:47 | 7:34:50 | |
It may not look like it, but I am actually in England, | 7:34:56 | 7:34:58 | |
at the moment, on the set of a brand-new massive movie. | 7:34:58 | 7:35:02 | |
But the people in this movie are no ordinary superstars. | 7:35:02 | 7:35:05 | |
They're The Muppets. | 7:35:05 | 7:35:07 | |
# Come on, everybody | 7:35:07 | 7:35:08 | |
# Strike up the band | 7:35:08 | 7:35:11 | |
# We're in a sequel That's what we do in Hollywood | 7:35:11 | 7:35:14 | |
# And everybody knows that the sequel's never quite as good | 7:35:14 | 7:35:19 | |
# A sequel, another feature attraction | 7:35:19 | 7:35:23 | |
# Places, please, light the lights, Roll camera, action! # | 7:35:23 | 7:35:27 | |
It's cold spring day in Oxfordshire | 7:35:27 | 7:35:29 | |
on location with Muppets Most Wanted. | 7:35:29 | 7:35:31 | |
The cast and crew are preparing for a big scene and I've tracked down | 7:35:31 | 7:35:34 | |
a familiar face - unwitting hero and all-round nice guy, Walter. | 7:35:34 | 7:35:39 | |
Let me point out first before we start that this is Walter's badge, | 7:35:39 | 7:35:43 | |
he has earned it, | 7:35:43 | 7:35:44 | |
because, not only are you now on Blue Peter for the first time, | 7:35:44 | 7:35:47 | |
which is how you get your badge, but you're bona fide Muppet. | 7:35:47 | 7:35:50 | |
Yeah, I know, can you believe it? I do all my own stunts in this. | 7:35:50 | 7:35:53 | |
There's action, and singing and Muppets and danger and espionage. | 7:35:53 | 7:35:59 | |
Oh! It's so exciting! | 7:35:59 | 7:36:01 | |
I've got it. | 7:36:03 | 7:36:05 | |
Making a Muppets movie is no small job - | 7:36:05 | 7:36:07 | |
from cameras to catering, dolly grip to director, | 7:36:07 | 7:36:10 | |
it takes hundreds of people to craft each scene. | 7:36:10 | 7:36:13 | |
But it's a small, green frog called Kermit who really calls the shots. | 7:36:13 | 7:36:17 | |
These people all know, of course, that you are the biggest star on set, | 7:36:17 | 7:36:20 | |
-which is why it's so nice to talk to you. -You know, I have to say, | 7:36:20 | 7:36:23 | |
that it's not like I'm Johnny Depp or anything. | 7:36:23 | 7:36:25 | |
It's not that difficult, | 7:36:25 | 7:36:26 | |
-because I'm always playing the role of Kermit the Frog. -Sure. | 7:36:26 | 7:36:30 | |
It was the part I was born to play. | 7:36:30 | 7:36:31 | |
Hey! I can't believe you're here, it's so good to see you guys. | 7:36:31 | 7:36:35 | |
Kermit, listen, the evil frog man, Constantine, | 7:36:35 | 7:36:38 | |
has taken over The Muppets and replaced you! | 7:36:38 | 7:36:40 | |
I am actually kidnapped in this movie. | 7:36:40 | 7:36:43 | |
And I spend my time here, while the evil Constantine, | 7:36:43 | 7:36:46 | |
played by my cousin, Constantine, is actually taking over The Muppets. | 7:36:46 | 7:36:52 | |
We are now in a position to carry out greatest bor...gr...y. | 7:36:52 | 7:36:57 | |
Borgle... | 7:36:57 | 7:36:59 | |
Burgle... Burgle... | 7:36:59 | 7:37:01 | |
-Burglary? -Yes, of all time, | 7:37:01 | 7:37:04 | |
and pin it on those gullible Muppets, | 7:37:04 | 7:37:07 | |
who will spend the rest of their miserable lives behind bars. | 7:37:07 | 7:37:12 | |
Ricky Gervais is one of the many famous human faces | 7:37:13 | 7:37:15 | |
in this international crime caper. | 7:37:15 | 7:37:17 | |
He plays number two to Constantine's number one. | 7:37:17 | 7:37:20 | |
It's like a buddy movie, bad guy, bad frog. | 7:37:20 | 7:37:24 | |
Who doesn't want to watch that? | 7:37:24 | 7:37:26 | |
International tour manager. | 7:37:26 | 7:37:28 | |
-Dominic Badguy? -It's pronounced "Badgey". | 7:37:28 | 7:37:31 | |
-It's French. -ALL: Oh! | 7:37:31 | 7:37:33 | |
I don't talk to people any more. I just talk to frogs and pigs. | 7:37:33 | 7:37:36 | |
I don't want this moment to end! | 7:37:36 | 7:37:38 | |
That's why we've got to get out there | 7:37:38 | 7:37:40 | |
and capitalise on this with a capital C. | 7:37:40 | 7:37:42 | |
So, I mean, yeah, it's a problem, | 7:37:42 | 7:37:44 | |
because when I go into the real world, it's just people. | 7:37:44 | 7:37:47 | |
I want you to conquer the world, do an international tour, | 7:37:47 | 7:37:50 | |
show a global audience what you can do. | 7:37:50 | 7:37:52 | |
THEY ALL AGREE ENTHUSIASTICALLY | 7:37:52 | 7:37:54 | |
As performers in a successful variety show, | 7:37:54 | 7:37:56 | |
every one of the Muppet characters has their own individual style. | 7:37:56 | 7:37:59 | |
And the person unless addressed the more is costume designer Rahel. | 7:37:59 | 7:38:02 | |
We could spend time talking about everybody in the movie, | 7:38:02 | 7:38:05 | |
but, when it comes to costumes, there's only one person who | 7:38:05 | 7:38:08 | |
I imagine might be a little diva-ish and that's Miss Piggy, of course. | 7:38:08 | 7:38:11 | |
-Yes. -How do you go about designing her costume? | 7:38:11 | 7:38:13 | |
You know, she's a very classy woman, so we keep it pretty classic. | 7:38:13 | 7:38:16 | |
A lot of research, especially in the 1930s and '40s. | 7:38:16 | 7:38:19 | |
-Does she have an opinion on it? -Oh, she always has an opinion. | 7:38:19 | 7:38:22 | |
This scene takes place in the Siberian prison | 7:38:24 | 7:38:26 | |
and as you can see, it's quite a scary place | 7:38:26 | 7:38:29 | |
with some very scary prisoners. | 7:38:29 | 7:38:30 | |
And you've got to be really careful with these guys | 7:38:30 | 7:38:33 | |
because rumour has it, they can burst into song and dance at any moment. | 7:38:33 | 7:38:36 | |
Three, two, one, playback! | 7:38:39 | 7:38:41 | |
# There's no feeling feels like that feeling | 7:38:41 | 7:38:46 | |
# Together again! # | 7:38:46 | 7:38:52 | |
I'm very proud to present to you, ladies and gentlemen, | 7:39:00 | 7:39:03 | |
boys and girls, a very impressive lady, pig, lady, who is beautiful in | 7:39:03 | 7:39:07 | |
person and in spirit and on-screen... Am I getting there with this? | 7:39:07 | 7:39:11 | |
-That's fine. Superstar will do. -Are the rumours true? | 7:39:11 | 7:39:13 | |
Do you have a rider? Do you have to have certain things? | 7:39:13 | 7:39:16 | |
Yeah, there are a few things that I ask for...nay, demand! | 7:39:16 | 7:39:20 | |
First of all, I get to take home all the clothes, any props I may fancy. | 7:39:20 | 7:39:27 | |
You know what else I also get? | 7:39:27 | 7:39:28 | |
-What? -I get... | 7:39:28 | 7:39:30 | |
-I get that hat. -You get the hat, as well? -I get that hat. | 7:39:30 | 7:39:33 | |
-OK. -It's in my contract. Yeah, I'll show it to you later. | 7:39:33 | 7:39:36 | |
-OK, that's fine. -Ta-ta. -Ta-ta. See you. | 7:39:36 | 7:39:40 | |
You see, now, I'm really cold. | 7:39:40 | 7:39:43 | |
..Can she do that? | 7:39:43 | 7:39:45 | |
# ..Doing a sequel There's no need to disguise | 7:39:45 | 7:39:49 | |
# The studio considers us a viable franchise | 7:39:49 | 7:39:53 | |
# We're doing a sequel The studio wants more | 7:39:53 | 7:39:57 | |
# While they wait for Tom Hanks to make Toy Story 4! # | 7:39:57 | 7:40:00 | |
You know what, Miss Piggy? What's mine is yours. | 7:40:00 | 7:40:03 | |
You can have whatever you want! | 7:40:03 | 7:40:04 | |
Thanks to everyone for giving us the chance to go there | 7:40:04 | 7:40:07 | |
and bring you that amazing footage from the brand-new movie. | 7:40:07 | 7:40:10 | |
-I had a great time. -Do you know what I loved about it? -Go on. | 7:40:10 | 7:40:12 | |
Watching Miss Piggy boss you around. | 7:40:12 | 7:40:14 | |
Yeah, imagine a female character in a studio bossing me around? | 7:40:14 | 7:40:17 | |
-I can't imagine that! -Come on, let's go. -I knew it was coming. | 7:40:17 | 7:40:20 | |
Have a look at it, covered in all of your creative designs. | 7:40:20 | 7:40:22 | |
A kaleidoscope of colour here, Lindsey. | 7:40:22 | 7:40:25 | |
I have to show you this from Tanisha, | 7:40:25 | 7:40:26 | |
it looks like a beach scene with the Blue Peter badges, | 7:40:26 | 7:40:29 | |
but we've a purple badge that is reviewing a show online. | 7:40:29 | 7:40:31 | |
The orange badge is entering a competition, the green badge | 7:40:31 | 7:40:34 | |
is being all environmental with the tree, the sport badge is inspiring | 7:40:34 | 7:40:38 | |
the blue badge and the gold badge is saving the silver badge's life! | 7:40:38 | 7:40:41 | |
-Wow! -That is well thought out. Love it, thank you. | 7:40:41 | 7:40:44 | |
This is from Robert. | 7:40:44 | 7:40:46 | |
This is amazing, because not only is it the Blue Peter ship but... | 7:40:46 | 7:40:50 | |
SEAGULL CAWS | 7:40:50 | 7:40:52 | |
How good is that? It makes a sound! | 7:40:52 | 7:40:54 | |
That may just be the first ever Blue Peter make with its own sound effect, | 7:40:54 | 7:40:57 | |
I think we've started something brand-new. | 7:40:57 | 7:41:00 | |
-What else have we got up there? -We've got Beth from Northern Ireland. | 7:41:00 | 7:41:03 | |
She's done this amazing one. | 7:41:03 | 7:41:05 | |
Look, it's a collage, and we all have quite big heads | 7:41:05 | 7:41:07 | |
and tiny legs, which I really like about it. | 7:41:07 | 7:41:09 | |
I do in real life, actually, these aren't my legs. | 7:41:09 | 7:41:12 | |
Kermit the Frog by Adele, that's a great themed photo, | 7:41:12 | 7:41:15 | |
perfect for today's show, and he's wearing his badge. | 7:41:15 | 7:41:17 | |
If we take a look at this, there's a great ship theme at the moment | 7:41:17 | 7:41:21 | |
and Evelyn has designed this. It's a mosaic, so paper cut into squares | 7:41:21 | 7:41:24 | |
-that make the shape. It's brilliant. Thank you. -Thank you. | 7:41:24 | 7:41:27 | |
We love hearing from you, so keep sending your amazing artwork to us. | 7:41:27 | 7:41:30 | |
And don't forget to tell us where you would go if you had access all areas, | 7:41:30 | 7:41:34 | |
you can go behind the scenes, it's your choice, let us know. | 7:41:34 | 7:41:38 | |
DRUMMING | 7:41:38 | 7:41:40 | |
-I thought that was coming, what are you doing? -It's a samba drum, Barney. | 7:41:40 | 7:41:44 | |
OK, what about the feathers, Radzi? | 7:41:44 | 7:41:46 | |
It's a Brazilian headdress, Lindsey! | 7:41:46 | 7:41:49 | |
-OK... -OK, so I'm not that good at playing samba music, | 7:41:49 | 7:41:52 | |
however, that does not matter | 7:41:52 | 7:41:54 | |
because there are many people that are | 7:41:54 | 7:41:55 | |
and that's because I went to a samba band world record attempt | 7:41:55 | 7:41:59 | |
to launch the Street Child World Cup | 7:41:59 | 7:42:01 | |
and that's got me feeling all samba-y. | 7:42:01 | 7:42:03 | |
When you think "Brazil", you might think football... | 7:42:03 | 7:42:06 | |
..Christ the Redeemer... | 7:42:08 | 7:42:11 | |
But you also might think samba! | 7:42:11 | 7:42:13 | |
Samba is Brazil's national dance | 7:42:15 | 7:42:17 | |
and its carnival rhythms are created by a percussion band | 7:42:17 | 7:42:20 | |
called a bateria. | 7:42:20 | 7:42:22 | |
Today, samba comes to the Royal Albert Hall. | 7:42:22 | 7:42:25 | |
In just a few hours' time | 7:42:25 | 7:42:27 | |
around 1,700 potential record breakers | 7:42:27 | 7:42:30 | |
will come together to hopefully form the world's largest samba band! | 7:42:30 | 7:42:33 | |
I'm really excited because I have being given a special job to do. | 7:42:34 | 7:42:37 | |
That's to be an official adjudicator on the world-record team. | 7:42:37 | 7:42:41 | |
Now, I actually don't know what that means, | 7:42:41 | 7:42:43 | |
but I'm going to find out more in there. | 7:42:43 | 7:42:45 | |
-Jack, lovely to meet you. -And to meet you. | 7:42:45 | 7:42:47 | |
Now, you are a world record senior adjudicator. | 7:42:47 | 7:42:50 | |
I'm going to be helping out with this event. | 7:42:50 | 7:42:52 | |
What exactly am I going to be doing? | 7:42:52 | 7:42:54 | |
So, your job today, with the other stewards, will be | 7:42:54 | 7:42:57 | |
to make sure that in your group, | 7:42:57 | 7:42:59 | |
everyone's following the rules, basically. | 7:42:59 | 7:43:02 | |
What do I need to look out for? | 7:43:02 | 7:43:03 | |
Firstly, the performance must be of a professional standard. | 7:43:03 | 7:43:07 | |
They need to know what they're doing, | 7:43:07 | 7:43:09 | |
not tripping up at all during the playing. | 7:43:09 | 7:43:10 | |
-What will I need? -There are a few things you'll need. | 7:43:10 | 7:43:14 | |
-For a start you'll need these. -OK, earplugs. -Earplugs. -Right. | 7:43:14 | 7:43:18 | |
Very important. Protect your hearing. | 7:43:18 | 7:43:20 | |
This clicker, to keep | 7:43:20 | 7:43:23 | |
a running tally of how many people you've had to discount. | 7:43:23 | 7:43:26 | |
-And your steward's T-shirt. -Yes! | 7:43:26 | 7:43:29 | |
'So it's my job to count anyone that's disqualified. | 7:43:29 | 7:43:31 | |
'I hope there aren't too many. | 7:43:31 | 7:43:33 | |
'But to help me get to grips with my role I reckon it's time to | 7:43:33 | 7:43:36 | |
'meet some of the musicians I'll be keeping an eye on.' | 7:43:36 | 7:43:38 | |
That was brilliant. | 7:43:38 | 7:43:40 | |
And you guys are all playing samba instruments, aren't you? | 7:43:40 | 7:43:43 | |
-Ellie, I love the look of that there. Can I have a go? -Yeah. | 7:43:43 | 7:43:47 | |
Thank you. What do I need to play? | 7:43:47 | 7:43:49 | |
You play the rhythm that is | 7:43:49 | 7:43:51 | |
# Every-bo-dy play that samba reggae. # | 7:43:51 | 7:43:54 | |
Samba reggae, right. OK, I'll give it a go. | 7:43:54 | 7:43:58 | |
# Every-bo-dy play that samba reggae. # | 7:43:58 | 7:44:01 | |
-Ten out of ten. -Yes! | 7:44:01 | 7:44:03 | |
'These kids want to smash the world record and mark the start of their | 7:44:05 | 7:44:09 | |
'Street Child World Cup, which is about to kick off in Rio de Janeiro. | 7:44:09 | 7:44:12 | |
'The competition brings together 250 street kids from 19 countries | 7:44:12 | 7:44:17 | |
'to play football against each other. | 7:44:17 | 7:44:19 | |
'Four years ago, Blue Peter followed the UK team to the | 7:44:19 | 7:44:22 | |
'competition in South Africa and it was an experience that | 7:44:22 | 7:44:25 | |
'Blue Peter presenter Andy Akinwolere will never forget.' | 7:44:25 | 7:44:29 | |
I took a group of young boys and girls actually from Manchester | 7:44:29 | 7:44:32 | |
and I mentored them and we went out to South Africa | 7:44:32 | 7:44:34 | |
and it was a life-changing experience, you know? | 7:44:34 | 7:44:37 | |
I guess the most important thing about Street Child World Cup | 7:44:37 | 7:44:39 | |
is that it actually give these kids a reason to be somewhere. | 7:44:39 | 7:44:44 | |
In their countries, they're kind of invisible, | 7:44:44 | 7:44:47 | |
but for Street Child World Cup they're actually somebody. | 7:44:47 | 7:44:49 | |
I absolutely love it | 7:44:49 | 7:44:50 | |
and what I personally like is the fact it doesn't matter what | 7:44:50 | 7:44:53 | |
you look like, where you come from, what you sound like, you can | 7:44:53 | 7:44:56 | |
-come together and you can share an incredible experience. -Of course. | 7:44:56 | 7:44:59 | |
-That's why we're here now. -Yeah. Are you part of it, are you taking part? | 7:44:59 | 7:45:02 | |
I feel a little bit bad because I'm one of the adjudicators. | 7:45:02 | 7:45:04 | |
-What, the clicker guys? -Yeah! | 7:45:04 | 7:45:05 | |
So, I'm one of the guys that could stop it from being | 7:45:05 | 7:45:08 | |
an official world record, so I hope everyone does it, | 7:45:08 | 7:45:11 | |
I hope we get a brand-new world record. That would be incredible. | 7:45:11 | 7:45:14 | |
'The Royal Albert Hall has filled up fast, | 7:45:14 | 7:45:16 | |
so I quickly take my adjudicator's position.' | 7:45:16 | 7:45:19 | |
It's going to be loud. | 7:45:19 | 7:45:20 | |
I've got my earplugs. And I've got my clicker. | 7:45:20 | 7:45:24 | |
This is going to be epic. | 7:45:24 | 7:45:26 | |
-'It's show time.' -WHISTLE BLOWS | 7:45:26 | 7:45:29 | |
'The previous world record was set in Sao Paulo in 2011, | 7:45:29 | 7:45:33 | |
'with 1,038 people. | 7:45:33 | 7:45:35 | |
'Today, everyone needs to play a five-minute piece together | 7:45:35 | 7:45:38 | |
'in time to the same samba rhythm and they've only got three attempts. | 7:45:38 | 7:45:43 | |
'It's such an amazing atmosphere, I actually have to concentrate | 7:45:43 | 7:45:46 | |
'and remember, this is an official record attempt | 7:45:46 | 7:45:49 | |
'but let's face it, they're all doing a pretty good job.' | 7:45:49 | 7:45:52 | |
I'm happy to report that is the number of people that | 7:45:54 | 7:45:58 | |
I had to click. | 7:45:58 | 7:45:59 | |
None. They all did it. | 7:45:59 | 7:46:01 | |
DRUMMING | 7:46:03 | 7:46:05 | |
'One person wasn't quite good enough to make it, | 7:46:08 | 7:46:10 | |
'so sadly, on the clicker, we've got one person now.' | 7:46:10 | 7:46:14 | |
DRUMMING AND WHISTLING | 7:46:16 | 7:46:19 | |
'And that's it. It's all over. | 7:46:25 | 7:46:27 | |
'The band has done everything they can do.' | 7:46:27 | 7:46:30 | |
So, hopefully, one of those attempts will be good enough | 7:46:30 | 7:46:33 | |
for a new world record. | 7:46:33 | 7:46:35 | |
I'm so excited and now I've got to go and take this to the senior | 7:46:35 | 7:46:38 | |
adjudicator and find out the verdict. | 7:46:38 | 7:46:40 | |
'Locked away in a top-secret room, Jack now has to count | 7:46:42 | 7:46:45 | |
'and verify every single adjudicator's result.' | 7:46:45 | 7:46:49 | |
There were a few deductions that had to be made. | 7:46:49 | 7:46:53 | |
The final number... | 7:46:53 | 7:46:56 | |
was 1,675. | 7:46:56 | 7:46:59 | |
-Yes! -CROWD CHEERS | 7:46:59 | 7:47:01 | |
We've done it! | 7:47:01 | 7:47:03 | |
'They've done it! A new world record.' | 7:47:03 | 7:47:06 | |
-Guys. -Yeah. | 7:47:06 | 7:47:08 | |
I've got some news for you. | 7:47:08 | 7:47:09 | |
We've just broken a brand-new record! | 7:47:09 | 7:47:11 | |
CHEERING | 7:47:11 | 7:47:13 | |
Yes, we got the world record. | 7:47:15 | 7:47:18 | |
Congratulations to everyone that went. What a job. | 7:47:18 | 7:47:21 | |
So, from music to Mother's Day. Lindsey? | 7:47:21 | 7:47:24 | |
Another world record on Blue Peter, which is good news, we love it. | 7:47:27 | 7:47:31 | |
Something that's just around the corner, of course, is Mother's Day. | 7:47:31 | 7:47:35 | |
That is this Sunday so we will show you how to make a cool creation, | 7:47:35 | 7:47:38 | |
which is, of course, a Mother's Day card. | 7:47:38 | 7:47:40 | |
And the cool thing about this card is you can use it for anything. | 7:47:40 | 7:47:43 | |
Good luck card, be really creative and unique with it. | 7:47:43 | 7:47:46 | |
I'll just show you there. | 7:47:46 | 7:47:47 | |
That's what it looks like, like an ordinary Mother's Day card. | 7:47:47 | 7:47:50 | |
But no, no, because if I get a coin and scratch just here, | 7:47:50 | 7:47:53 | |
you can see underneath, look at that! | 7:47:53 | 7:47:56 | |
It's me as a baby with my mum. Aww! | 7:47:56 | 7:48:00 | |
So, we are going to show you how to make it. | 7:48:00 | 7:48:03 | |
Here to help, I've got Max, Robyn, Nathan and Olivia. Hello, guys. | 7:48:03 | 7:48:07 | |
Thank you very much for coming in. | 7:48:07 | 7:48:08 | |
Remember, all the details are on the website. | 7:48:08 | 7:48:11 | |
Shall we get started? What will we need, Nathan? | 7:48:11 | 7:48:16 | |
Washing up liquid. Acrylic paint. | 7:48:16 | 7:48:19 | |
Sticky-back plastic and some scissors. | 7:48:19 | 7:48:22 | |
Cool. Very nice. What else are we going to need, Robyn? | 7:48:22 | 7:48:25 | |
There's more, isn't there? | 7:48:25 | 7:48:27 | |
Some paintbrushes, coloured card, and decorations. | 7:48:27 | 7:48:30 | |
Beautifully said. Thank you very much. | 7:48:30 | 7:48:32 | |
Now, let's get started. First thing we need to do is in here. | 7:48:32 | 7:48:36 | |
We've already mixed some washing-up liquid, | 7:48:36 | 7:48:39 | |
one part of that with two parts paint. | 7:48:39 | 7:48:41 | |
I've gone for purple because it's my favourite colour. | 7:48:41 | 7:48:44 | |
If you need help measuring it, | 7:48:44 | 7:48:45 | |
just get one tablespoon of washing-up liquid | 7:48:45 | 7:48:47 | |
and two tablespoons of paint, any colour. | 7:48:47 | 7:48:50 | |
And then, use a nice dollop of it | 7:48:50 | 7:48:52 | |
and get that onto your sticky-back plastic, | 7:48:52 | 7:48:55 | |
on to the shiny side. | 7:48:55 | 7:48:57 | |
Use any colour you want. | 7:48:57 | 7:48:59 | |
And you can even mix the colours if you're feeling creative | 7:48:59 | 7:49:02 | |
and I'm actually going to do two coats there | 7:49:02 | 7:49:05 | |
to make it nice and thick, because that will cover the hidden message. | 7:49:05 | 7:49:09 | |
You need to leave this to dry. Going to get that out of the way. | 7:49:09 | 7:49:13 | |
If it's a little bit see-through, do a couple of coats. | 7:49:13 | 7:49:16 | |
Once it's dry, we can get our shape on the back. | 7:49:16 | 7:49:19 | |
You need to turn it over and decide what shape to go for, with a pencil. | 7:49:19 | 7:49:22 | |
-What have you gone for, guys, Olivia? -A flower. | 7:49:22 | 7:49:25 | |
A flower! Because it's springtime. I like that a lot. | 7:49:25 | 7:49:28 | |
-What about you, Nathan? -A piggy face. | 7:49:28 | 7:49:31 | |
OK! You've gone for a piggy face for your mum? | 7:49:31 | 7:49:34 | |
-Do you think she'll mind? -No. -OK, good! I'm glad! | 7:49:34 | 7:49:38 | |
I am going to not risk that for my mum. She might tell me off. | 7:49:38 | 7:49:41 | |
But I am going to go for a little heart to show that I love her. | 7:49:41 | 7:49:44 | |
There we go. Once you've done your heart, nice and neatly, | 7:49:44 | 7:49:49 | |
carefully pick up some scissors and start to cut it out, like so. | 7:49:49 | 7:49:55 | |
Now, mine's got a bit stuck there, I'll use some different scissors. | 7:49:55 | 7:49:59 | |
Be quite careful here because you don't want to rub | 7:49:59 | 7:50:02 | |
any of the paint off on the other side. | 7:50:02 | 7:50:04 | |
There we go. Robyn, what shapes have you gone for? | 7:50:04 | 7:50:07 | |
Who are you making yours for? | 7:50:07 | 7:50:09 | |
For my friend, because it's almost her birthday. | 7:50:09 | 7:50:12 | |
Ooh, nice, thinking ahead. I like that. | 7:50:12 | 7:50:14 | |
-And what have you gone for, flowers? -Yes. | 7:50:14 | 7:50:16 | |
With googly eyes, which I really like. That's a good touch. | 7:50:16 | 7:50:19 | |
You can be as creative as you want. | 7:50:19 | 7:50:21 | |
Once you've cut out your heart, | 7:50:21 | 7:50:23 | |
like so, it is time to get it onto your card. | 7:50:23 | 7:50:27 | |
So, I'm going to get my card, and this is what you are going to | 7:50:27 | 7:50:31 | |
use as a template so you know where your secret message is going. | 7:50:31 | 7:50:35 | |
So, I've got my pencil. Going to draw around the heart | 7:50:35 | 7:50:38 | |
so I know exactly where to put my message, like so. | 7:50:38 | 7:50:42 | |
It can be quite rough. | 7:50:42 | 7:50:44 | |
Now, inside this shape that I've just drawn here, | 7:50:44 | 7:50:47 | |
is where I am going to put, "I love you, Mum." Aww! | 7:50:47 | 7:50:52 | |
How nice is that? Or you can do what I did before | 7:50:52 | 7:50:54 | |
and cut out a nice photo to put inside. | 7:50:54 | 7:50:57 | |
Then it is time for the tricky part. | 7:50:57 | 7:51:00 | |
This is when you peel off the sticky-back plastic from your shape, | 7:51:00 | 7:51:04 | |
it can be a bit fiddly. | 7:51:04 | 7:51:06 | |
Be careful not to knock any paint. You don't want to scratch it. | 7:51:06 | 7:51:09 | |
I'm going to use one from here. There we go. | 7:51:09 | 7:51:11 | |
Then you just stick it over your secret message, like so, | 7:51:11 | 7:51:14 | |
and now is the really cool part, because you get to decorate it. | 7:51:14 | 7:51:18 | |
-How are we getting on, Max? -Yeah... | 7:51:18 | 7:51:20 | |
-There's a lot of glitter. Who are you making yours for? -My mum. | 7:51:20 | 7:51:23 | |
Oh, look at this. You're making it for your mum. | 7:51:23 | 7:51:26 | |
-What does your mum like doing? -Music, and watching movies. | 7:51:26 | 7:51:30 | |
That is absolutely perfect. | 7:51:30 | 7:51:31 | |
There's a nice shooting star on there as well, | 7:51:31 | 7:51:33 | |
which I love. Well done. | 7:51:33 | 7:51:35 | |
Remember, it's not just for Mother's Day, | 7:51:35 | 7:51:37 | |
you can use these for everything. That's why they're a great idea. | 7:51:37 | 7:51:40 | |
Keep decorating, guys. Thank you for joining me in the studio today, | 7:51:40 | 7:51:43 | |
you've been brilliant. | 7:51:43 | 7:51:45 | |
If you make one at home, remember to e-mail us... | 7:51:45 | 7:51:47 | |
We'll put as many as we can online on our makes and bakes gallery. | 7:51:49 | 7:51:53 | |
Thank you, guys. Over to you, boys! | 7:51:53 | 7:51:54 | |
Thanks, Linz, I can watch Lindsey all day, she's amazing. | 7:51:54 | 7:51:57 | |
And she hasn't changed a bit since that baby photo. | 7:51:57 | 7:51:59 | |
She hasn't, no. She's got more of a hairy lip! | 7:51:59 | 7:52:01 | |
-We hope that's inspired you -HE LAUGHS | 7:52:01 | 7:52:03 | |
to have a go at making your own card! | 7:52:03 | 7:52:05 | |
You are being cheeky today! | 7:52:05 | 7:52:07 | |
I can hear everything you say! You watch it! | 7:52:07 | 7:52:09 | |
You've only got until Sunday to get those cards ready, so get making! | 7:52:09 | 7:52:13 | |
At the start of the show, we asked you if you could go | 7:52:13 | 7:52:15 | |
anywhere behind the scenes, where would you go? | 7:52:15 | 7:52:18 | |
We had loads of comments in. | 7:52:18 | 7:52:19 | |
We have. Camera two! Purple Knitting ladybird. | 7:52:19 | 7:52:21 | |
"I would go to Buckingham Palace so that I could meet the Queen | 7:52:21 | 7:52:24 | |
"and the rest of the royal family." She's amazing, by the way. | 7:52:24 | 7:52:26 | |
-And, hopefully, meet Prince George. -Oh, that'd be so cute. Radzi. | 7:52:26 | 7:52:29 | |
Yellow Fruity Chicken says I'd go behind-the-scenes | 7:52:29 | 7:52:32 | |
at an England rugby game. | 7:52:32 | 7:52:33 | |
-You'd enjoy that. -That's a good one. | 7:52:33 | 7:52:35 | |
Silver Hilarious Mouse says | 7:52:35 | 7:52:36 | |
I would go behind-the-scenes to Young Dracula | 7:52:36 | 7:52:38 | |
because I'm a massive fan. Quite right! | 7:52:38 | 7:52:40 | |
Such a great series. | 7:52:40 | 7:52:42 | |
Violet Creative Hyena - these names are getting better every week - | 7:52:42 | 7:52:45 | |
"I would like to go behind-the-scenes of a museum." | 7:52:45 | 7:52:47 | |
Because all the exhibits, all the really scary things, | 7:52:47 | 7:52:49 | |
are kept behind doors, aren't they? That's a great idea. | 7:52:49 | 7:52:52 | |
Byzantium Zany Badger says "I'd go to a zoo, because I love animals." | 7:52:52 | 7:52:55 | |
Be careful! If there is a tiger and there's no-one there, | 7:52:55 | 7:52:57 | |
you could get hurt! Be careful, be careful! | 7:52:57 | 7:52:59 | |
Lindsey, you can't read the next one. | 7:52:59 | 7:53:02 | |
No, no, I'm reading that one, you skip it. | 7:53:02 | 7:53:04 | |
Appetite Pancake Jellyfish says | 7:53:04 | 7:53:06 | |
"Lindsey Russell's dressing room. | 7:53:06 | 7:53:08 | |
"I'd love to see all of her make-up | 7:53:08 | 7:53:09 | |
"and chocolates and outfits that make her beautiful." | 7:53:09 | 7:53:12 | |
Wait a second. She gets make-up and chocolates?! | 7:53:12 | 7:53:14 | |
Ha! Very good point! What's happened to ours? | 7:53:14 | 7:53:16 | |
Not having that! Get my manager on the phone, immediately! | 7:53:16 | 7:53:20 | |
Violet Unicorn says, "I would go on the set of MI High." | 7:53:20 | 7:53:23 | |
Guess who's done that? Radzi! And how was it? | 7:53:23 | 7:53:25 | |
It was wicked, actually. It was so, so good. Living the dream. | 7:53:25 | 7:53:29 | |
Lion Whizzing Whale says | 7:53:29 | 7:53:30 | |
"I would go behind-the-scenes on Blue Peter! | 7:53:30 | 7:53:33 | |
"It's my favourite show." Correct! | 7:53:33 | 7:53:35 | |
We know what you're doing. Blue Violet Hilarious Owl says, | 7:53:35 | 7:53:37 | |
"I would go to the place where they make ice cream | 7:53:37 | 7:53:39 | |
"because I love ice cream." | 7:53:39 | 7:53:41 | |
Thank you very much for getting in touch. | 7:53:41 | 7:53:43 | |
We love hearing from you. Now, though, something very special. | 7:53:43 | 7:53:46 | |
It's musical and you're going to love it. | 7:53:46 | 7:53:49 | |
Fronted by lead singer and coach on The Voice UK, Ricky Wilson, | 7:53:49 | 7:53:52 | |
Kaiser Chiefs stormed the indie music scene ten years ago. | 7:53:52 | 7:53:56 | |
They've won a whole host of awards, released four top-ten albums | 7:53:56 | 7:53:59 | |
and topped the charts with Ruby. | 7:53:59 | 7:54:01 | |
-# Ruby, Ruby, Ruby, Ruby! -Ah-ah-ah... # | 7:54:01 | 7:54:05 | |
Now, they're back with a new single and fifth studio album. | 7:54:05 | 7:54:09 | |
# We'll write it down... # | 7:54:09 | 7:54:11 | |
Alongside will.i.am, Sir Tom Jones, and pop princess Kylie Minogue, | 7:54:11 | 7:54:14 | |
Ricky is preparing for the semifinals on The Voice UK. | 7:54:14 | 7:54:17 | |
Luckily for us, he's joining us here in the Blue Peter studio. | 7:54:18 | 7:54:22 | |
Give it up for The Kaiser Chiefs! | 7:54:24 | 7:54:26 | |
APPLAUSE | 7:54:26 | 7:54:28 | |
-Great to be here. -So good to have you here. | 7:54:28 | 7:54:30 | |
-Oh, no, thank you. -Thank you for coming in. | 7:54:30 | 7:54:32 | |
I've waited a long time for this. | 7:54:32 | 7:54:34 | |
Thank you for wearing your badges with pride. | 7:54:34 | 7:54:36 | |
Wouldn't have it any other way. | 7:54:36 | 7:54:37 | |
Our Blue Peter audience are brilliant at sending stuff in. | 7:54:37 | 7:54:41 | |
Look at this, it came this morning. it's from Jaffa. | 7:54:41 | 7:54:44 | |
-It is a picture of you. How good is that? -Thanks, Jaffa! | 7:54:44 | 7:54:46 | |
So, we thought we'd present you with that. | 7:54:46 | 7:54:49 | |
I've got a special room in my house for all these. | 7:54:49 | 7:54:51 | |
-On the wall. -Yeah. | 7:54:51 | 7:54:52 | |
Now. It's your first series of The Voice. You are a coach. | 7:54:52 | 7:54:56 | |
-How have you been finding it? -Thanks, Jaffa! | 7:54:56 | 7:54:58 | |
How have I found it? It's been fun, I've learned a lot! | 7:54:58 | 7:55:01 | |
I didn't think I'd learn as much as I have. | 7:55:01 | 7:55:03 | |
But, yeah, I've had a really good time. | 7:55:03 | 7:55:05 | |
It's the first semifinal this weekend. Are you nervous, excited? | 7:55:05 | 7:55:08 | |
Nervous! It's going on TV! | 7:55:08 | 7:55:10 | |
-You must be nervous every single day you come on Blue Peter. -Hmm, yeah! | 7:55:10 | 7:55:13 | |
So, I think nerves are a good thing | 7:55:13 | 7:55:15 | |
because it shows you care about it. I'm enjoying it. | 7:55:15 | 7:55:17 | |
Speaking of people you're working with, | 7:55:17 | 7:55:19 | |
you're working with Tom Jones, Kylie Minogue and will.i.am. | 7:55:19 | 7:55:22 | |
Quite a line-up. What are they like? | 7:55:22 | 7:55:24 | |
It is. They're great people and I have learned a lot, | 7:55:24 | 7:55:26 | |
and especially from them three, | 7:55:26 | 7:55:28 | |
because they've been doing it a long time and they know how to do it. | 7:55:28 | 7:55:31 | |
They do. And it's the first Kaiser Chiefs single in quite a few years. | 7:55:31 | 7:55:34 | |
How do you feel to be back on the music scene? | 7:55:34 | 7:55:36 | |
We're really excited about it. | 7:55:36 | 7:55:37 | |
We can't wait to get out there and play it live. | 7:55:37 | 7:55:39 | |
And it's brilliant to be invited on shows like this | 7:55:39 | 7:55:42 | |
and be able to play it to people. We're really excited about it. | 7:55:42 | 7:55:44 | |
We're really excited, too. When's the new album out? | 7:55:44 | 7:55:47 | |
It's out Monday, 31st March. | 7:55:47 | 7:55:48 | |
It's called Education, Education, Education and War. | 7:55:48 | 7:55:51 | |
-And it's awesome! -Yes! | 7:55:51 | 7:55:53 | |
Thank you very much, Ricky. | 7:55:53 | 7:55:54 | |
I'm going to let you set up, and while you do that, | 7:55:54 | 7:55:56 | |
just time to tell you what's coming up on next week's Blue Peter. | 7:55:56 | 7:55:59 | |
It's going to be explosive, quite literally. | 7:55:59 | 7:56:01 | |
You're looking at 9,000 tonnes of concrete. | 7:56:01 | 7:56:04 | |
Can they come down safely without damaging the area around? | 7:56:04 | 7:56:07 | |
Make sure you're watching to find out. | 7:56:07 | 7:56:08 | |
If you've heard of superstar singing and songwriting sensation, | 7:56:08 | 7:56:11 | |
Tich, she's going to be singing in the studio | 7:56:11 | 7:56:13 | |
and helping me with a fashion make. | 7:56:13 | 7:56:16 | |
And on top of all that fun, we're going to have owls in the studio. | 7:56:16 | 7:56:19 | |
I was playing pool with an owl last week. | 7:56:19 | 7:56:22 | |
I hit the white ball in and went, "Hang on, that's two hits." | 7:56:22 | 7:56:24 | |
He went, "Two hits to who?!" | 7:56:24 | 7:56:26 | |
SILENCE | 7:56:26 | 7:56:27 | |
OK, see you later, we're delighted to have them in the studio, | 7:56:27 | 7:56:30 | |
they are amazing. It's Kaiser Chiefs with their new single, Coming Home! | 7:56:30 | 7:56:33 | |
APPLAUSE AND WHOOPING | 7:56:33 | 7:56:35 | |
# Do you wish you got your homework done? | 7:56:46 | 7:56:49 | |
# Do you wish you had not said "bum"? | 7:56:49 | 7:56:52 | |
# Do you wish you hadn't come, oh, no | 7:56:52 | 7:56:55 | |
# Gotta go | 7:56:55 | 7:56:56 | |
# Do you wish you that you could stay up late? | 7:56:57 | 7:56:59 | |
# Do you wish you had some roller skates? | 7:56:59 | 7:57:02 | |
# Do you wish you hadn't come? | 7:57:02 | 7:57:05 | |
# Oh, no, gotta go | 7:57:05 | 7:57:06 | |
# Gotta roll | 7:57:06 | 7:57:08 | |
# May I remind you? | 7:57:08 | 7:57:11 | |
# May I remind you that you got nowhere to go? | 7:57:11 | 7:57:14 | |
# So, I'm staying beside you | 7:57:18 | 7:57:21 | |
# I'm staying beside you till you find a way back home | 7:57:21 | 7:57:25 | |
# We're coming home | 7:57:30 | 7:57:32 | |
# We're coming home | 7:57:32 | 7:57:34 | |
# We'll light a fire | 7:57:34 | 7:57:37 | |
# We're coming home | 7:57:37 | 7:57:40 | |
# We'll write it down | 7:57:40 | 7:57:43 | |
# We'll write it all down | 7:57:43 | 7:57:50 | |
# And we're dancing on the finest line | 7:58:00 | 7:58:03 | |
# Between the chance of the time of your lives | 7:58:03 | 7:58:06 | |
# Wishing you were done, Oh, no, gotta run | 7:58:06 | 7:58:11 | |
# And we're choosing not to make that choice | 7:58:11 | 7:58:14 | |
# We lose our shoes, our voice | 7:58:14 | 7:58:16 | |
# But we have a lot of fun on the way, you wanna play? | 7:58:16 | 7:58:20 | |
# You gotta come | 7:58:20 | 7:58:22 | |
# May I remind you? | 7:58:22 | 7:58:25 | |
# May I remind that you've got nowhere to go? | 7:58:25 | 7:58:29 | |
# So, I'm staying beside you | 7:58:32 | 7:58:35 | |
# Staying beside you till you find a way back home | 7:58:35 | 7:58:43 | |
# We're coming home | 7:58:43 | 7:58:46 | |
# We're coming home | 7:58:46 | 7:58:49 | |
# Light a fire | 7:58:49 | 7:58:51 | |
# We're coming home | 7:58:51 | 7:58:54 | |
# We'll write it down | 7:58:54 | 7:58:57 | |
# We'll write it all down | 7:58:57 | 7:59:04 | |
# Then it all comes flooding back to me | 7:59:05 | 7:59:08 | |
# Like a forgotten melody | 7:59:08 | 7:59:14 | |
# We're coming home | 7:59:36 | 7:59:38 | |
# We're coming home | 7:59:38 | 7:59:41 | |
# Light a fire, we're coming home | 7:59:41 | 7:59:46 | |
# We'll write it down | 7:59:46 | 7:59:49 | |
# We'll write it all down | 7:59:49 | 7:59:57 | |
# We're coming home | 7:59:57 | 7:59:59 | |
# We're coming home | 7:59:59 | 8:00:02 | |
# Light a fire, we're coming home | 8:00:02 | 8:00:07 | |
# We'll write it down | 8:00:07 | 8:00:09 | |
# We'll write it all down. # | 8:00:09 | 8:00:17 | |
APPLAUSE | 8:00:27 | 8:00:30 |