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Coming up today: Have you been watching Africa on BBC One? How did | :00:13. | :00:16. | |
they get those amazing shots? The directors are here to show you how | :00:16. | :00:21. | |
they got the pictures. Young Bond author Charlie Higson is | :00:21. | :00:31. | |
:00:31. | :00:47. | ||
APPLAUSE Hello. That was a good move. How | :00:47. | :00:51. | |
are you doing? Blue Peter is live today and we have lots to cram in. | :00:51. | :00:56. | |
If you like animals, you are in for a treat. The BBC is showing a | :00:56. | :01:00. | |
brand-new wildlife series called Africa. It is made using some of | :01:00. | :01:04. | |
the newest technology in the world. We are talking about - come back | :01:04. | :01:08. | |
here - we have some of those new cameras - we will talk about them | :01:08. | :01:13. | |
later. It is a brand-new series. If you haven't seen it, where have you | :01:13. | :01:23. | |
:01:23. | :01:55. | ||
been?! Have a look at this. You It is stunning! I have never seen | :01:55. | :01:59. | |
anything like that. I had no idea that giraffes fought like that. | :01:59. | :02:04. | |
Never seen anything like it! Two of the team from BBC Africa are with | :02:04. | :02:09. | |
us. Felicity and Nick! APPLAUSE Hello. As it is your first time on | :02:09. | :02:15. | |
the show, let's present you with your Blue Peter Badges. They are | :02:15. | :02:21. | |
stick-on. Congratulations on such a fantastic series. I am hooked. | :02:21. | :02:26. | |
Felicity, why does Africa make such a good place for this kind of show? | :02:26. | :02:32. | |
The first thing we realised about Africa was that Africa is huge. | :02:32. | :02:35. | |
It's got - you could fit the whole of the United States in there, the | :02:35. | :02:41. | |
whole of India and most of Europe. There's masses to explore from | :02:41. | :02:49. | |
mountains, to deserts, yeah. fantastic job! Look at that! David | :02:49. | :02:56. | |
Attenborough there. Sir! favourite photo. Was it fun to work | :02:56. | :03:00. | |
on? I had a fantastic experience. Can we talk about how you planned | :03:00. | :03:08. | |
to make this show? The famous phrase is don't work with animals. | :03:08. | :03:12. | |
So you have to plan for what happens when you get out there. How | :03:12. | :03:16. | |
do you do it? We spent the first year of production - we have been | :03:17. | :03:21. | |
doing it for four years. We were researching, contacting scientists, | :03:21. | :03:26. | |
contacting all the people who live out there in the first year. | :03:26. | :03:30. | |
Obviously, animals surprise us almost all of the time and those | :03:30. | :03:36. | |
giraffes did surprise us. I'm sure Barney will wee on this foliage any | :03:36. | :03:39. | |
minute! Sorry about that. Talk us through the animals. Did you plan | :03:39. | :03:47. | |
what you were going to look for? Most of the time we had a really | :03:47. | :03:51. | |
clear aim. We knew what we wanted and we were going to try hard to | :03:51. | :03:54. | |
get it. We always came back with something different from what we | :03:54. | :03:59. | |
thought we would get. What was your favourite animal? There's so many | :03:59. | :04:05. | |
that were great to film. For me, the silver ants in Egypt are | :04:05. | :04:15. | |
:04:15. | :04:16. | ||
astonishing. We can see them in action now. Silver ants' armoured | :04:16. | :04:23. | |
skin reflects light. They can only survive for less than ten minutes | :04:23. | :04:28. | |
in the midday sun. It is a gorgeous-looking creature. What was | :04:28. | :04:34. | |
it about the silver ant that you liked? That is a sneak preview of | :04:34. | :04:41. | |
that sequence. You will discover as the behaviour goes on, they are | :04:41. | :04:44. | |
like mini-computers. As they run away from their nest, they are | :04:44. | :04:49. | |
logging every footstep and they are using the sun to work out what | :04:49. | :04:57. | |
direction they are travelling in. See - I heard about this. I was a | :04:57. | :05:01. | |
little sceptical. You would expect to see a silver ant with a | :05:01. | :05:05. | |
clipboard! LAUGHTER They do know how many steps they have taken? | :05:05. | :05:12. | |
Lots of researchers with clipboards were watching them! Lovely. | :05:12. | :05:17. | |
were filming in a desert, so a bit of water must have been a miracle. | :05:17. | :05:21. | |
Nick, talk us through the favourite bit that you filmed? Yes, I filmed | :05:21. | :05:27. | |
on the edge of the Kalahari at a waterhole. Hundreds of animals | :05:28. | :05:31. | |
turned up. It is the most astonishing place. We can see that | :05:32. | :05:38. | |
place and that astonishing scene right now. Surrounded by miles of | :05:38. | :05:44. | |
sun-baked mud, sweet, fresh water wells up from deep below ground. | :05:44. | :05:54. | |
:05:54. | :06:06. | ||
wells up from deep below ground. It is like a scene from The Lion | :06:06. | :06:11. | |
King! Have you ever seen an elephant look so big? You have all | :06:11. | :06:14. | |
those animals together behaving properly and then you have other | :06:14. | :06:18. | |
scenes where you have lions who are behaving quite badly. I love this | :06:18. | :06:25. | |
clip. Can you set it up for us? Lions have given us a few problems. | :06:25. | :06:29. | |
We use remote cameras and this lion decided to investigate. This hasn't | :06:29. | :06:35. | |
been on TV. To confirm, there is no camera guy behind this camera. | :06:35. | :06:39. | |
would have been long gone! It is great that you don't know what is | :06:40. | :06:46. | |
going to happen next. Brilliant. used to have a pet rabbit that did | :06:46. | :06:51. | |
that. Barney the dog causes plenty of trouble. He is meant to be in | :06:51. | :06:57. | |
that basket and he's gone off to hide! He never hits his mark. | :06:57. | :07:03. | |
us know what your animals get up to. The e-mail address is | :07:03. | :07:05. | |
The e-mail address is [email protected]. Send us a | :07:05. | :07:11. | |
photo if you can. That is the important bit. We want to see the | :07:11. | :07:16. | |
photos. Thank you very much. See you very soon. | :07:16. | :07:21. | |
Now, shall we talk about Totally Rubbish? Michelle came in to teach | :07:21. | :07:26. | |
you how to make a pet beg out of an old festive jumper. You have to | :07:26. | :07:32. | |
stuff it simply and sew it together. We made some for Socks and Cookie. | :07:32. | :07:38. | |
They love their new beds. They are nodding off there. Loads of you | :07:38. | :07:44. | |
loved making those pet begs for your friends. Here are some of them. | :07:44. | :07:48. | |
Emily, Grace and Eliza sent in a picture of Bertie enjoying his new | :07:48. | :07:56. | |
bed. Great lettering! Joseph made his cat a bed. He asked his sister | :07:56. | :08:02. | |
for help but he stuffed it all himself! Finn made a bed for his | :08:02. | :08:07. | |
puppy. His pet collie is using it as there wasn't a jumper big enough | :08:07. | :08:13. | |
for him. Katriona and Corran's guinea pigs are here. They even get | :08:13. | :08:21. | |
to eat in their bed! Ella made her dachshund Ruby a bed. Hannah's cat | :08:21. | :08:26. | |
Pip loves her bed. Look at her there with some lovely buttons on | :08:26. | :08:32. | |
the front. Billy's Ginger Ninja cat loved his bed so much, he had a | :08:33. | :08:37. | |
marathon 16-hour nap on his! That is a great name. We should rename | :08:38. | :08:44. | |
Barney the dog the Ginger Ninja! Anyway, most of what you see on | :08:44. | :08:49. | |
Blue Peter is filmed on one of these. To film animals in the wild, | :08:49. | :08:53. | |
you need some specialist equipment. That means a lot of gadgets and | :08:53. | :08:58. | |
that means that Barney ran over there! You are in your element? | :08:58. | :09:02. | |
can't wait! Nick and Felicity are still here. We showed you the | :09:02. | :09:07. | |
picture of the naughty lion. That picture of the naughty lion. That | :09:07. | :09:10. | |
was the cable of one of these remote cameras. If there was a | :09:10. | :09:13. | |
camera guy there, he would have been in some bother! It is handy | :09:13. | :09:18. | |
that you have got these? Yes, they can go to places that cameramen and | :09:18. | :09:25. | |
the rest of us can't. We can put them in those places. To control | :09:25. | :09:30. | |
them is this control unit. It's got a joystick. These are the same | :09:30. | :09:34. | |
switches and buttons you would find on the normal camera? Yes. They get | :09:34. | :09:39. | |
some great shots. This one is hooked up to a remote camera, which | :09:39. | :09:43. | |
is over there in front of our beautiful subjects. If I show you | :09:43. | :09:48. | |
how to use this, it is similar to a computer game. You have an up-and- | :09:48. | :09:53. | |
down stick. He is always trying to push me out of the shot! Shall we | :09:53. | :09:58. | |
get a close-up on Barney's nose? It is a zoom button. Up-and-down, left | :09:58. | :10:03. | |
and right. This is handy. Camera guys don't want to get too close. | :10:03. | :10:10. | |
I'm not very good at this. There are all sorts of footage that we | :10:10. | :10:14. | |
have seen from the show using these cameras. The one we are going to | :10:14. | :10:20. | |
see now has elephants in it. Can you explain what you did? The first | :10:20. | :10:23. | |
elephants at night are very aggressive. There was no way we | :10:23. | :10:28. | |
were going to stand on the forest floor, not knowing where they were. | :10:28. | :10:34. | |
We used four of the cameras to hide all around the pathway we knew the | :10:34. | :10:38. | |
elephant was using. Somewhere in rotten tree stumps, high in the | :10:38. | :10:42. | |
branches, so the elephants would walk underneath. We also planted | :10:42. | :10:48. | |
our cameraman high up on the tree as well. He was sitting on a | :10:48. | :10:52. | |
platform about that size for 16 hours with this control unit on his | :10:52. | :10:57. | |
knees. It was worth it! The 16 hours up in the tree brought us | :10:57. | :11:05. | |
this footage. Forest elephants are very social creatures, but in dense | :11:05. | :11:15. | |
:11:15. | :11:16. | ||
jungle, it is hard for them to find one another. These elephants are | :11:16. | :11:24. | |
lucky. Here in the Congo there is one special place where they can | :11:24. | :11:31. | |
meet and mingle. A place that the elephants have created for | :11:31. | :11:40. | |
themselves. And this is it. Amazing! That is the remote camera. | :11:40. | :11:50. | |
We showed you the giraffes earlier on. This is a slow-motion camera. | :11:50. | :11:54. | |
And in geek terms, it takes more frames per second, more pictures | :11:54. | :11:59. | |
per second. It stretches time out. And that is what is happening in | :11:59. | :12:04. | |
the giraffes. You can see the most amazing things - flesh rippling. | :12:05. | :12:10. | |
is incredible. You have used it a few times in the series. This is | :12:10. | :12:16. | |
exclusive and it is from next week's episode. This is all shot on | :12:16. | :12:26. | |
:12:26. | :12:45. | ||
slow-motion! It is amazing. It is amazing. There is a reason | :12:45. | :12:50. | |
why the audience are captivated. Those sorts of shots are - you | :12:51. | :12:56. | |
don't see them that often. It doesn't just happen in Africa. This | :12:56. | :13:01. | |
same shot can be achieved here in Salford in the Blue Peter Garden | :13:01. | :13:05. | |
and Barney was filmed earlier on and we are going to see the footage | :13:05. | :13:11. | |
that we recorded. Look at him go! What he is trying to do is catch a | :13:11. | :13:15. | |
ball. Those who know him well will know he doesn't like catching | :13:15. | :13:21. | |
balls! Why would you want to stay there - bless him! That looks so | :13:21. | :13:26. | |
good in slow-motion. It is lovely. The reason you use these cameras is | :13:27. | :13:32. | |
it creates that drama? Absolutely. Those fish jumping out around the | :13:32. | :13:36. | |
crocodile, we couldn't see those with our naked eye. When you are | :13:36. | :13:41. | |
thinking about the sequences, do you think what might make a good | :13:41. | :13:44. | |
slow-motion scene? Absolutely. That giraffe fight - we couldn't dream | :13:44. | :13:50. | |
of it, but we did! Considering it's been that long, and here it is, it | :13:50. | :13:56. | |
is a fantastic series. I was gripped. If you want to see it, it | :13:56. | :14:03. | |
is on Sundays on BBC One. Thank you so much for coming in. I want one | :14:03. | :14:07. | |
of those! Helen? You will buy one of those before the year is out! | :14:07. | :14:14. | |
Can I defend Barney? It is not his fault, he is used to catching fresh | :14:14. | :14:19. | |
organic chicken! Bless him. On to something completely different. | :14:19. | :14:25. | |
This is your chance to get creative and win a fantastic prize. Every | :14:25. | :14:30. | |
year, Chris Evans launches a writing competition. You know the | :14:30. | :14:36. | |
fella. Your mums and dads will listen to him on the radio! Earlier | :14:36. | :14:46. | |
:14:46. | :14:52. | ||
on, I went along to help him launch I am at a Radio 2. Coming up, we | :14:52. | :14:58. | |
are joined by my partner from The One Show, Blue Peter's Helen | :14:58. | :15:04. | |
Skelton. I am here to help Chris Evans launched the Dad competition. | :15:04. | :15:10. | |
It is an amazing studio. Chris Evans may be familiar to you as a | :15:10. | :15:15. | |
host of The One Show. But his daily Radio 2 breakfast show is the most | :15:15. | :15:19. | |
popular radio programme in the UK, with a whopping 8.5 million | :15:19. | :15:24. | |
listeners every week. I am here because I am one of the ambassadors | :15:24. | :15:29. | |
for the competition, so I will be on the show alongside Chris's One | :15:29. | :15:35. | |
Show co-host, Alex Jones. Let's have a cheer for Helen Skelton! And | :15:36. | :15:45. | |
a cheer for Alex Jones! Right, we are launching 500 Words. It is our | :15:45. | :15:48. | |
short story writing competition for children aged 13 and under, | :15:48. | :15:52. | |
returning for its third year. Your story must be completely made up, | :15:52. | :15:57. | |
and it must be no longer than 500 words long. You can be as | :15:57. | :16:01. | |
imaginative as you like and take us anywhere you choose with your | :16:01. | :16:05. | |
terrific tale. It could be based in the jungle, on the moon, under the | :16:05. | :16:09. | |
sea, in the future, wherever you fancy. This is about children | :16:09. | :16:15. | |
across the UK getting reading and writing her. Some brilliant prizes. | :16:15. | :16:18. | |
If you write the bronze medal winning story, you win your own | :16:18. | :16:22. | |
height in books. If you win the silver, you win my height inbox, 5 | :16:22. | :16:27. | |
ft 6 1/2. And if you win the gold medal, you win Chris Evans's height | :16:27. | :16:36. | |
inbox, about 5 ft 10? No, about 6 ft 2, or about 200 books. We are | :16:36. | :16:41. | |
here to get tips and advice from viewers. A lot of viewers will | :16:41. | :16:44. | |
enter. Standards are high, so what should they do to get the judges' | :16:45. | :16:51. | |
eye? Last year, the standard was really high. It is all about coming | :16:51. | :16:59. | |
up with something that can fit into 500 words, but is full of | :16:59. | :17:07. | |
imagination and grabs attention. A gay subject you know and like, | :17:07. | :17:11. | |
because you will find it easier -- big a subject you know and like, | :17:11. | :17:17. | |
because you will find it easy and enjoyed it more. And had a treat in | :17:17. | :17:21. | |
front of you - actually, three treats. The first street, you can't | :17:21. | :17:25. | |
have until you have started. The second Street, you can't have until | :17:25. | :17:29. | |
you are halfway through. And the third kit, you can't have until you | :17:29. | :17:36. | |
finish. 500 Words is now open for business. Head over to bbc.co.uk/ | :17:36. | :17:44. | |
500 Words. You have both been amazing. Get out! I think that went | :17:44. | :17:51. | |
well. He seemed up for it. We are up for it, so get writing. If you | :17:51. | :17:54. | |
want a Windows 7 as' height in books or Alex Jones' height or your | :17:54. | :17:59. | |
own height, get writing. We will have a celebrity reading your story | :17:59. | :18:03. | |
live out on the radio. When we say your height in books, they are | :18:03. | :18:07. | |
horizontal, so that is a lot of books. You will have loads to read | :18:08. | :18:12. | |
through the summer holidays. That was just the launch. Now I have a | :18:12. | :18:18. | |
lady to inspire you. Please welcome Millie to the studio! Millie, you | :18:18. | :18:21. | |
were one of the finalists last year, with your fantastic stories Splash. | :18:21. | :18:26. | |
That meant you went on to the Hay Festival and were part of the radio | :18:26. | :18:29. | |
programme. What was that like? was an amazing experience being | :18:29. | :18:34. | |
able to go down to Wales and meet fantastic people. Some authors, | :18:34. | :18:40. | |
some TV presenters. Three it is a big festival that celebrates books. | :18:40. | :18:45. | |
Talk us through how and why you entered the competition. I entered | :18:45. | :18:48. | |
because the previous year, my friend Angus had won the Chris | :18:49. | :18:55. | |
Evans competition. So I wanted to try and match that, and I decided | :18:55. | :19:01. | |
to enter a story. A bit of rivalry. Anything you can do, Millie can do! | :19:01. | :19:07. | |
If you want to read Millie's story, head over to the Radio 2 website in | :19:07. | :19:12. | |
the 500 Words section. You can get to that via the Blue Peter website. | :19:12. | :19:16. | |
If we look behind your head, Millie, floating behind you are some of the | :19:16. | :19:20. | |
words from your story. Talk us through how you came up with the | :19:20. | :19:27. | |
plot? In 2011, me and my family went to Florida on holiday. And in | :19:27. | :19:31. | |
the Villa we were staying, just outside it, there was a pond. We | :19:31. | :19:35. | |
used to go for walks outside the pond, and my dad would always say, | :19:35. | :19:39. | |
don't go too near the pond, or you will get eaten by the alligator. So | :19:39. | :19:44. | |
I thought I would write a story about an alligator and a lady or a | :19:44. | :19:52. | |
man getting attacked. That sounds funny! And it is. You had a funny | :19:52. | :20:00. | |
lady reading it out for you, Catherine Tate. Here she is. Splash, | :20:00. | :20:04. | |
by Emily Al Bayda. Sonia lived in a quiet neighbourhood in south | :20:04. | :20:09. | |
Florida. She loved the heat and did not care much for other people's | :20:09. | :20:14. | |
company. Most afternoons, she sat out by the pond on her deck chair, | :20:14. | :20:19. | |
reading her magazines and watching the golfers enjoying their game. | :20:19. | :20:23. | |
This competition is called 500 Words. You have to put your story | :20:23. | :20:27. | |
into 500 words. Alex Jones said something about squeezing it in. | :20:27. | :20:32. | |
Was it hard to stick to that? was really hard. I started typing | :20:32. | :20:36. | |
up my story and did the word count and realised it was well over 500 | :20:36. | :20:42. | |
words, so I had to keep going back and deleting lines, but in the end | :20:42. | :20:45. | |
I got there. For those of you who are intimidated by the prospect of | :20:45. | :20:50. | |
having to write 500 words, Millie's story fits on this piece of card. | :20:51. | :20:56. | |
It all fits on a piece of A4. We will read your story again later on | :20:56. | :21:00. | |
the website. The unenviable task of judging these entries falls upon | :21:00. | :21:05. | |
the heads of the cream of British authors for children, among them | :21:05. | :21:09. | |
are paying Jacqueline Wilson and David Walliams. Those are just two | :21:09. | :21:14. | |
of the judges. Also alongside them is this guy. Charlie Higson is one | :21:14. | :21:18. | |
of Britain's most successful children's authors. He has written | :21:18. | :21:24. | |
no fewer than 16 books. He is the man responsible for the spine- | :21:24. | :21:27. | |
chilling zombie horror series The Enemy and is also famous for | :21:27. | :21:30. | |
writing the phenomenally successful Young Bond series. It follows James | :21:30. | :21:34. | |
Bond when he was a teenager at school. The Young Bond series has | :21:34. | :21:38. | |
sold over a million copies in the UK and has been translated into the | :21:38. | :21:46. | |
24 different languages for children across the globe. Charlie Higson, | :21:46. | :21:51. | |
everybody! Charlie, you are judged Millie's story. What caught your | :21:51. | :21:56. | |
eye about that? Well, there was a big variety of stories. And because | :21:56. | :22:00. | |
they are written by kids, they often have a central character who | :22:00. | :22:03. | |
is a kid or it is written for naked's point of view, which is | :22:03. | :22:08. | |
great. But they don't have to be that. Millie's story stood out | :22:08. | :22:11. | |
because it was set in America, the main character was a woman and it | :22:11. | :22:15. | |
was not based entirely on real life, but something terrible happens in | :22:15. | :22:19. | |
the story which I hope has never happened to anyone you know. What | :22:19. | :22:24. | |
are you looking for this year? Anything. I love funny stories, | :22:24. | :22:30. | |
exciting stories, scary stories, realistic stories, fantasy stories. | :22:30. | :22:36. | |
And I am hoping to see all of those. Charlie, you have written some | :22:36. | :22:40. | |
fantastic books. Our viewers love the Young Bond series. You have | :22:40. | :22:45. | |
four top tips for us. Tip number one is to write loads of things, as | :22:45. | :22:51. | |
one idea may lead to another? It is easy to be a writer. You just | :22:51. | :22:55. | |
right and right. If you want to write a story, you have to sit down | :22:55. | :22:59. | |
and get going. The first the EU right at might not be brilliant, | :22:59. | :23:02. | |
but it might give you an idea for something else or give you | :23:02. | :23:05. | |
inspiration to go down a different route. You just have to get stuck | :23:06. | :23:10. | |
in. Is that something you did, Millie? I had to keep writing, and | :23:10. | :23:14. | |
then I went back to different people and said, does this work? | :23:14. | :23:18. | |
And then they gave me pointers on what I should put down and what I | :23:18. | :23:22. | |
should take away. Tim Pat number two is to read a lot of books, but | :23:22. | :23:28. | |
don't copy. The yes, you can't write unless you read it. We all | :23:28. | :23:32. | |
tell stories every day. When your mum says, what did you do at | :23:32. | :23:37. | |
school? I did this and my mate did that. Writing a story is the same | :23:37. | :23:42. | |
thing, but sometimes, with how you put the words together, it helps to | :23:42. | :23:46. | |
read what other people have done. So go to the website and read | :23:46. | :23:50. | |
Millie's story, read books of short stories or anything by other people. | :23:50. | :23:56. | |
Don't copy that, but use it to give your ideas. For tip number three, | :23:56. | :24:03. | |
you say, don't be put off by your first effort. A lot of writers get | :24:03. | :24:06. | |
embarrassed and self-conscious. They write something and think, no, | :24:06. | :24:09. | |
I am not sure. Particularly when you know other people will be | :24:10. | :24:13. | |
reading it and judging it, you might get stuck on the first | :24:13. | :24:17. | |
sentence. Just get the thing written. You can always change it | :24:17. | :24:22. | |
and make it better. You have to get over the embarrassment. You have to | :24:22. | :24:26. | |
write the story you would love to read. Is that something you were | :24:26. | :24:29. | |
conscious of when you were writing? Were you thinking about the people | :24:29. | :24:34. | |
who would read it? Be yes, I was thinking, if my story got through | :24:34. | :24:38. | |
to the top 50, what with the judges think? I was worried about whether | :24:38. | :24:44. | |
they thought it would be good. Charlie is more Smiley than we | :24:44. | :24:47. | |
thought. Tip number four, you said once you have finished your story, | :24:47. | :24:53. | |
we write it. The us, your first effort might not be perfect. But I | :24:53. | :24:57. | |
imagine a lot of the kids writing will be using computers. Even if | :24:57. | :25:00. | |
you are writing with a pen and paper, you can change it. Don't | :25:00. | :25:03. | |
think your first effort is it, because you can always do things | :25:03. | :25:08. | |
better. Millie was saying she was showing it to friends and family. | :25:08. | :25:12. | |
That is good. But in the end, if you think it is right and someone | :25:12. | :25:17. | |
else so as not to write it, stick with it. But you can change things. | :25:17. | :25:21. | |
The his days, you can just delete it on a computer. I am so glad we | :25:21. | :25:24. | |
have not always had computers. I was a kid, we did not have | :25:24. | :25:30. | |
computers. I started writing when I was about 10. I loved comics as | :25:30. | :25:37. | |
well. I was a big Tintin fan, and I tried doing a sort of Tintin-style | :25:38. | :25:43. | |
comic. It is not very long. I am glad you did not start again. Thank | :25:44. | :25:48. | |
you so much for joining us. If you fancy entering this competition, | :25:48. | :25:55. | |
you can find all the details on the Blue Peter website. You can see | :25:55. | :26:00. | |
Millie's story there, and there is loads of advice on what to do. | :26:00. | :26:04. | |
have got some e-mails that have been sent in, inspired by the | :26:04. | :26:11. | |
naughty lion. You pesky pets. Bella says, my cat books muddy prints all | :26:11. | :26:17. | |
over our windowsill. Our cat likes to climb into everything he can, | :26:17. | :26:25. | |
says Heather. Gabriel says, my dog barks at little white feathers and | :26:25. | :26:30. | |
then eats them. But where do the feathers come from the? Is your dog | :26:30. | :26:37. | |
eating dogs? And Another v you are says, my cat loves to eat the laces | :26:37. | :26:41. | |
from my shoes. Thank you for getting in touch. A bat is all we | :26:41. | :26:45. | |
have got time for today. Next week on Blue Peter, we will be telling | :26:45. | :26:49. | |
you what we are doing this year to support Comic Relief. We have | :26:49. | :26:53. | |
always supported the charity's Comic Relief and Sport Relief. This | :26:53. | :26:57. | |
year, we will do something different. In the past, I have | :26:57. | :27:01. | |
packed along the Amazon and walked along a tightrope at Battersea | :27:01. | :27:05. | |
Power Station. This year, I need you dies. I am really hoping you | :27:05. | :27:09. | |
will get involved not just in terms of support and sending e-mails, but | :27:09. | :27:13. | |
I needed to come along and be part of the challenges. We will reveal | :27:13. | :27:17. | |
all next week. I will also go to a British safari park to see some | :27:17. | :27:22. | |
very cute babies, white rhinos that have just been born. That is not | :27:22. | :27:26. | |
just an exclusive, it is also due to. We have all been warming -- | :27:26. | :27:30. | |
wrapping up warm in the snowy weather, but if you are a bird, | :27:30. | :27:35. | |
what do you did to stay one? We will welcome Chris Packham into the | :27:35. | :27:39. | |
studio, and he has a fantastic make to help keep our feathered friends | :27:40. | :27:45. | |
nice and warm. You will love it. It is called a fat feeder. If you | :27:45. | :27:49. | |
would like to ask him any questions next week, you can do at | :27:49. | :27:53. |