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Coming up on today's Blue Peter, we're getting arty. | 6:46:55 | 6:46:58 | |
We're going to bring you some amazing sculptures, | 6:46:58 | 6:47:01 | |
but can you guess what they're made of? | 6:47:01 | 6:47:04 | |
Award-winning artist Damien Hirst shows you how to create | 6:47:04 | 6:47:07 | |
your own incredible spin art pictures. | 6:47:07 | 6:47:10 | |
And I set off on a special mission around London to bring you | 6:47:10 | 6:47:14 | |
the latest photo technique for the Blue Peter Calendar. | 6:47:14 | 6:47:17 | |
APPLAUSE AND CHEERING. | 6:47:33 | 6:47:36 | |
-Hello! -Hello! | 6:47:36 | 6:47:38 | |
Welcome to today's Blue Peter. | 6:47:38 | 6:47:40 | |
Today's show is all about getting you creative at home. | 6:47:40 | 6:47:42 | |
But before we get stuck into that, we have some very good news. | 6:47:42 | 6:47:46 | |
Last night saw the opening of the Paralympic games, | 6:47:46 | 6:47:49 | |
today the action started. | 6:47:49 | 6:47:51 | |
Just over an hour ago we won our first Olympic gold medal. | 6:47:51 | 6:47:55 | |
APPLAUSE AND CHEERING. | 6:47:55 | 6:47:56 | |
Courtesy of Sarah Storey. | 6:47:56 | 6:47:58 | |
Now, this story... Sarah Storey... | 6:47:58 | 6:48:00 | |
We've been following it for quite some time. | 6:48:00 | 6:48:02 | |
When she was 14 she actually appeared on Blue Peter | 6:48:02 | 6:48:04 | |
to show the first Olympic gold medals she won. | 6:48:04 | 6:48:07 | |
And we've been in touch with Sarah, we caught up with her earlier | 6:48:07 | 6:48:11 | |
this year when she was at a training camp in Majorca. | 6:48:11 | 6:48:14 | |
She told us how she'd feel if she won another medal. | 6:48:14 | 6:48:18 | |
I think every time you stand on top of that rostrum | 6:48:20 | 6:48:23 | |
with a gold medal round your neck and the national anthem playing | 6:48:23 | 6:48:26 | |
it's the proudest moment of that particular time of your life, | 6:48:26 | 6:48:29 | |
and I've been fortunate enough to stand on top of that rostrum | 6:48:29 | 6:48:33 | |
on so many occasions I thank my lucky stars every time I'm up there, | 6:48:33 | 6:48:36 | |
cos you never know when it's going to happen again, | 6:48:36 | 6:48:38 | |
you need to do the hard work now to make it possible that | 6:48:38 | 6:48:41 | |
it will happen again for the next competition. | 6:48:41 | 6:48:43 | |
World Championships, Paralympic games, | 6:48:43 | 6:48:46 | |
they're the ones that you aim for all the time. | 6:48:46 | 6:48:48 | |
Winning every one feels the same as it did the first time. | 6:48:48 | 6:48:51 | |
All that hard work she talked about has paid off yet again. | 6:48:51 | 6:48:54 | |
Here she is with her first Paralympic gold medal. | 6:48:54 | 6:48:57 | |
Incredible. Congratulations, Sarah. | 6:48:57 | 6:48:59 | |
Now, we love our pets on Blue Peter, | 6:48:59 | 6:49:01 | |
and even though they are as cute as Barney the dog. | 6:49:01 | 6:49:03 | |
-Look at him go. -There he is, snuggled into the sofa. | 6:49:03 | 6:49:07 | |
Sometimes our four-legged friends really do test our love. | 6:49:07 | 6:49:10 | |
So, we smiled when we heard about the new internet sensation | 6:49:10 | 6:49:14 | |
that involves posting pictures of your pets on the internet | 6:49:14 | 6:49:17 | |
alongside a note that details the mischievous things they get up to. | 6:49:17 | 6:49:21 | |
I could write a book of the ones that Barney does. | 6:49:21 | 6:49:24 | |
It would be a bestseller. | 6:49:24 | 6:49:25 | |
We asked our crew to let us know what their pets do. | 6:49:25 | 6:49:29 | |
Our friend Servet sent us a picture of her cat, | 6:49:29 | 6:49:32 | |
who likes to sit on the computer keyboard | 6:49:32 | 6:49:34 | |
and ends up sending e-mails to random people saying random things. | 6:49:34 | 6:49:37 | |
It's such a great idea. Look at this one. | 6:49:37 | 6:49:39 | |
This one is my favourite, because I do the same. | 6:49:39 | 6:49:42 | |
No I don't. "I love eating tissues out of the bin." | 6:49:42 | 6:49:45 | |
That's Becks' dog, Tess - he's cute, I'd let him do whatever he likes. | 6:49:45 | 6:49:49 | |
We had to get involved with this, | 6:49:49 | 6:49:50 | |
look what Barney does when Helen's out of the house. | 6:49:50 | 6:49:53 | |
Barney likes to sneak into Helen's bed | 6:49:53 | 6:49:55 | |
when you go to work, did you know that? | 6:49:55 | 6:49:57 | |
I do know that, because I peel back the duvet and the bed | 6:49:57 | 6:50:01 | |
is covered with long, red hairs, so I know what you get up to, mister! | 6:50:01 | 6:50:05 | |
If your dog, cat, rabbit, parrot, whatever, does anything naughty, | 6:50:05 | 6:50:09 | |
do let us know, send us a picture and your pet could get on the TV. | 6:50:09 | 6:50:13 | |
[email protected], please get in touch, | 6:50:13 | 6:50:15 | |
we'll try and read them out at the end of the show. | 6:50:15 | 6:50:17 | |
We know you guys love making things, so when we saw these sculptures | 6:50:17 | 6:50:21 | |
we had to introduce you to their fantastic creator. | 6:50:21 | 6:50:25 | |
He is with us in the studio now. | 6:50:25 | 6:50:26 | |
Chris Gilmour, thank you so much for coming to see us, | 6:50:26 | 6:50:29 | |
and for bringing all these fantastic objects. | 6:50:29 | 6:50:31 | |
Let's start at the beginning, these are sculptures you have made. | 6:50:31 | 6:50:35 | |
It's no ordinary material - in fact it's a VERY ordinary material. | 6:50:35 | 6:50:38 | |
It's something you can find lying around the house - tell us. | 6:50:38 | 6:50:42 | |
It's cardboard boxes. | 6:50:42 | 6:50:43 | |
All of these are made of cardboard boxes, glue and nothing else. | 6:50:43 | 6:50:47 | |
Talk me through this guitar, because it is so detailed. | 6:50:47 | 6:50:50 | |
Where on Earth do you begin making all the strings and things? | 6:50:50 | 6:50:54 | |
Looking at a real guitar, seeing what kind of shapes are there, | 6:50:54 | 6:50:58 | |
finding the right cardboard, I use different coloured cardboard boxes | 6:50:58 | 6:51:01 | |
to get different textures and shades on this, | 6:51:01 | 6:51:04 | |
and then making all the details a bit at a time. | 6:51:04 | 6:51:06 | |
So it's not just making a cardboard box into a guitar shape, | 6:51:06 | 6:51:09 | |
you research the right dimensions and sizes, | 6:51:09 | 6:51:11 | |
the keys are the same size you find on the real guitar. | 6:51:11 | 6:51:14 | |
The realism is unbelievable, look at the drum set, you could play that. | 6:51:14 | 6:51:18 | |
My favourite, however, is right behind you, the bike. | 6:51:18 | 6:51:21 | |
That would take me 10 years to even attempt that. | 6:51:21 | 6:51:23 | |
How did you go about making that? | 6:51:23 | 6:51:25 | |
Not quite 10 years, it took about three years of research, | 6:51:25 | 6:51:28 | |
figuring out how to make the pieces, testing out how to make it work, | 6:51:28 | 6:51:32 | |
because the spokes are made of paper rolled up, | 6:51:32 | 6:51:35 | |
and the chain is separate pieces, so it's a lot of work. | 6:51:35 | 6:51:38 | |
Would you say that in a sense this is engineering, as well as art? | 6:51:38 | 6:51:41 | |
Yeah, there's a lot of thought gone into how to make it, | 6:51:41 | 6:51:44 | |
how to make it work. | 6:51:44 | 6:51:45 | |
But it's all in the fine detail, | 6:51:45 | 6:51:47 | |
even the cogs on the wheels, the spokes where the pedals are, | 6:51:47 | 6:51:50 | |
they are like real spokes. | 6:51:50 | 6:51:52 | |
I would sit on that if it was in a gallery. | 6:51:52 | 6:51:55 | |
-Yeah... -Not a good thing? | 6:51:55 | 6:51:56 | |
Not great, no, that has happened. | 6:51:56 | 6:51:58 | |
I had a wheelchair in an exhibition in Milan in Italy. | 6:51:58 | 6:52:01 | |
Somebody did sit on it and completely flattened it. | 6:52:01 | 6:52:04 | |
When I saw this typewriter I wanted to press the keys, | 6:52:04 | 6:52:07 | |
because, as we keep saying, they are so, so realistic. | 6:52:07 | 6:52:10 | |
All the detail in there is incredible - you must be incredibly patient. | 6:52:10 | 6:52:14 | |
Talk me through the mechanisms and all the different bits. | 6:52:14 | 6:52:17 | |
This is made with different types of cardboard, | 6:52:17 | 6:52:19 | |
some very thin cardboard to make the buttons, | 6:52:19 | 6:52:22 | |
and a lot of looking at the thing and making the measurements, | 6:52:22 | 6:52:25 | |
but a long time putting all the pieces together. | 6:52:25 | 6:52:28 | |
There must be about 200 pieces just in the keys. | 6:52:28 | 6:52:30 | |
You say that, 200 pieces, and it is a bit like a jigsaw, isn't it? | 6:52:30 | 6:52:34 | |
In making things out of cardboard, at first I thought origami, | 6:52:34 | 6:52:38 | |
but it's not at all like that, and if we move over to this table | 6:52:38 | 6:52:41 | |
we can actually see that, because we have bits and pieces spread out here, | 6:52:41 | 6:52:45 | |
and they're going to come together to build a guitar. | 6:52:45 | 6:52:48 | |
What stage you at here, Chris? | 6:52:48 | 6:52:50 | |
I've got the body made up and I'm making the detailed pieces. | 6:52:50 | 6:52:54 | |
You can kind of see how it's coming together. | 6:52:54 | 6:52:57 | |
Can you use any type of cardboard? | 6:52:57 | 6:52:59 | |
Yeah, I guess, you could use cereal boxes or even paper. | 6:52:59 | 6:53:03 | |
I'm using cardboard boxes that you get from the supermarket, | 6:53:03 | 6:53:07 | |
but I started off when I was a kid making things out of paper. | 6:53:07 | 6:53:10 | |
It's quite hard to show you how small these are. | 6:53:10 | 6:53:12 | |
These go onto the guitar pickups, you can see how tiny that is, | 6:53:12 | 6:53:15 | |
but you go to both sides, from the small to the big. | 6:53:15 | 6:53:18 | |
If we look at this picture, this is a life-size car, | 6:53:18 | 6:53:21 | |
also made out of cardboard using the same techniques. | 6:53:21 | 6:53:24 | |
That has all the details inside, the engine, everything's there. | 6:53:24 | 6:53:27 | |
-You made the engine? -Yeah, the whole thing. | 6:53:27 | 6:53:29 | |
Chris, this is absolutely brilliant. | 6:53:29 | 6:53:32 | |
If you were to show us how to put finishing touches to this guitar, | 6:53:32 | 6:53:35 | |
-can you teach us? -Yes, I'm making the pickups now, | 6:53:35 | 6:53:37 | |
which are the microphones for the electric guitar. | 6:53:37 | 6:53:40 | |
They look really complicated, but they're very simple shapes. | 6:53:40 | 6:53:43 | |
I've got the glue gun. | 6:53:43 | 6:53:45 | |
You can use PVA glue or whatever glue you can find. | 6:53:45 | 6:53:48 | |
These are rectangles of cardboard, and they're kind of rough. | 6:53:48 | 6:53:53 | |
I like to cover them with a bit of paper, | 6:53:53 | 6:53:55 | |
so do you want to put a drop of glue there? | 6:53:55 | 6:53:57 | |
Is this something you can encourage people to do at home? | 6:53:57 | 6:54:00 | |
It's a very difficult thing to do, and you're very skilled, | 6:54:00 | 6:54:04 | |
-but can anyone have a go? -Absolutely. | 6:54:04 | 6:54:06 | |
I started when I was a kid making castles or dolls' houses | 6:54:06 | 6:54:10 | |
or cars or planes or spaceships... | 6:54:10 | 6:54:13 | |
From things that you saw on Blue Peter? | 6:54:13 | 6:54:16 | |
I see what you're doing, you're trying to claim it! | 6:54:16 | 6:54:19 | |
-That's what I did, it's brilliant. -Definitely. | 6:54:19 | 6:54:21 | |
You've said that things like guitars and radiators, | 6:54:21 | 6:54:24 | |
you can make those to size, and you have to be quite formulaic, | 6:54:24 | 6:54:27 | |
but I love these over here. | 6:54:27 | 6:54:30 | |
They're very different, it's a different technique. | 6:54:30 | 6:54:33 | |
How have you done these? | 6:54:33 | 6:54:35 | |
These are pretty solid, so there's a skeleton inside made of cardboard, | 6:54:35 | 6:54:39 | |
drawing the person's profile then wrapping cardboard round, | 6:54:39 | 6:54:42 | |
so it's just sheets of cardboard folded to make the dress. | 6:54:42 | 6:54:45 | |
So you've sort of moulded this, rather than built it? | 6:54:45 | 6:54:48 | |
Yeah, just folded to make the shapes. | 6:54:48 | 6:54:50 | |
If you are going to have a go at making these cardboard models, | 6:54:50 | 6:54:53 | |
please let us know how you get on, we love to see your efforts, | 6:54:53 | 6:54:56 | |
and, like Chris, hopefully we can say one day we inspired you. | 6:54:56 | 6:54:59 | |
Thank you so much for coming in and showing us all your bits and pieces. | 6:54:59 | 6:55:03 | |
Over the last year we have been creating a photography calendar. | 6:55:03 | 6:55:07 | |
Each month, we've been introducing you to a different technique. | 6:55:07 | 6:55:10 | |
For September I had a bit of a challenge, | 6:55:10 | 6:55:12 | |
but before I even took the photograph | 6:55:12 | 6:55:15 | |
I had to track down something quite unique. | 6:55:15 | 6:55:18 | |
It's like a needle in a haystack. | 6:55:24 | 6:55:25 | |
'I'm on a treasure hunt the size of a city...' | 6:55:25 | 6:55:28 | |
Where is it? | 6:55:28 | 6:55:30 | |
'..with no clue where I'm going.' | 6:55:30 | 6:55:32 | |
The search continues. | 6:55:32 | 6:55:34 | |
'This is London.' | 6:55:34 | 6:55:36 | |
Let's go get it. | 6:55:36 | 6:55:37 | |
'And rewind six hours...' | 6:55:37 | 6:55:39 | |
'..this is me.' | 6:55:41 | 6:55:42 | |
I've been told to bring my camera, a map of London, | 6:55:42 | 6:55:45 | |
and to wait here in the centre of Millennium Bridge. | 6:55:45 | 6:55:48 | |
I have absolutely no idea what's happening today, | 6:55:48 | 6:55:51 | |
all I know is I'm meeting a guy called Kurt. | 6:55:51 | 6:55:53 | |
Are you Kurt? | 6:55:53 | 6:55:55 | |
Nope. OK. | 6:55:55 | 6:55:57 | |
-Hi, are you Kurt? -Yeah. | 6:55:59 | 6:56:02 | |
Nice to meet you. | 6:56:02 | 6:56:03 | |
This is a little embarrassing, cos normally I know | 6:56:03 | 6:56:06 | |
who I'm going to meet and what to interview them about, | 6:56:06 | 6:56:08 | |
so, excuse me for being rude, but who are you and what do you do? | 6:56:08 | 6:56:11 | |
Well, I'm Kurt Perschke, I'm an artist from New York, | 6:56:11 | 6:56:14 | |
and I'm the artist behind the RedBall Project. | 6:56:14 | 6:56:17 | |
The RedBall Project? OK. | 6:56:17 | 6:56:20 | |
LAUGHING: Let me show you something. | 6:56:20 | 6:56:22 | |
Oh, what? That's the red ball. | 6:56:22 | 6:56:25 | |
Kurt pent the last 10 years taking his huge, inflatable | 6:56:25 | 6:56:29 | |
red ball to cities all over the world. | 6:56:29 | 6:56:31 | |
Today it's in London. | 6:56:32 | 6:56:34 | |
Well, that's... How am I involved in this? | 6:56:34 | 6:56:36 | |
What do you need me to do? | 6:56:36 | 6:56:38 | |
I'd like you to take a fantastic photo of it | 6:56:38 | 6:56:40 | |
for the Blue Peter Calendar. | 6:56:40 | 6:56:41 | |
I'm sure I can find a big red ball somewhere. | 6:56:41 | 6:56:44 | |
I'm glad you're game, because I'm not going to tell you where it is. | 6:56:44 | 6:56:47 | |
-I'm hoping you're going to find it. -Did you say find it? | 6:56:47 | 6:56:50 | |
-Find it. -You're not going to tell me where it is? | 6:56:50 | 6:56:53 | |
I'm going to give you three clues, and they're on here. | 6:56:53 | 6:56:55 | |
OK. Where do you start looking for a big red ball in London? | 6:56:55 | 6:56:59 | |
My mission is to find and take a photo of this unique | 6:56:59 | 6:57:03 | |
piece of street art for the Blue Peter Calendar. | 6:57:03 | 6:57:06 | |
It's time for the first of Kurt's three video clues. | 6:57:06 | 6:57:09 | |
RedBall is 15 feet high, it gets wedged in spaces high and low, | 6:57:11 | 6:57:15 | |
and it takes about 30 minutes to inflate. | 6:57:15 | 6:57:17 | |
RedBall is always placed in architecture, | 6:57:19 | 6:57:22 | |
always trapped in some space I've found. | 6:57:22 | 6:57:24 | |
Well, that's got to be the shortest clue ever. | 6:57:27 | 6:57:29 | |
London is full of amazing architecture. | 6:57:29 | 6:57:32 | |
It's everywhere you look. | 6:57:32 | 6:57:33 | |
The RedBall's location is still a mystery, but I do know | 6:57:33 | 6:57:36 | |
there's lots of cool architecture in London's financial district - | 6:57:36 | 6:57:40 | |
Maybe Kurt's hidden it there. | 6:57:40 | 6:57:42 | |
I've spotted a big, circular window at the top. | 6:57:42 | 6:57:45 | |
The RedBall would look brilliant in it, | 6:57:45 | 6:57:47 | |
so I'm going to take a picture and show Kurt, | 6:57:47 | 6:57:49 | |
cos I think it should be there next. | 6:57:49 | 6:57:51 | |
'I'm finding lots of spots where Kurt could have put the RedBall, | 6:57:51 | 6:57:54 | |
'but not where he's put the RedBall.' | 6:57:54 | 6:57:56 | |
I'm looking for all those nooks and crannies around London | 6:57:56 | 6:57:59 | |
where the ball can be trapped. | 6:57:59 | 6:58:01 | |
'My search has got me looking at London with brand-new eyes, | 6:58:01 | 6:58:05 | |
'and I've got the photographs to prove it.' | 6:58:05 | 6:58:07 | |
I'd put the RedBall right there at the bottom. | 6:58:09 | 6:58:11 | |
'I found loads of great architecture, | 6:58:11 | 6:58:14 | |
'but I need to find the actual RedBall.' | 6:58:14 | 6:58:16 | |
I've found it, look, right there - | 6:58:16 | 6:58:18 | |
big red ball on a map. | 6:58:18 | 6:58:20 | |
It's not really, I think it's time for clue two. | 6:58:20 | 6:58:23 | |
The RedBall Project is really about people. | 6:58:25 | 6:58:27 | |
So, look for sites where there's an audience who can play with it, | 6:58:29 | 6:58:33 | |
touch it and take photographs. | 6:58:33 | 6:58:34 | |
OK, so the big red ball needs an audience. | 6:58:36 | 6:58:39 | |
The one place you will find lots of people is tourist attractions. | 6:58:39 | 6:58:42 | |
I've got a plan. | 6:58:42 | 6:58:44 | |
Time is running out for me to find the RedBall | 6:58:44 | 6:58:46 | |
and take a picture for the Blue Peter Calendar. | 6:58:46 | 6:58:49 | |
It's time to speed up my search. | 6:58:49 | 6:58:51 | |
One of these should do the trick. | 6:58:51 | 6:58:53 | |
I'm on a sightseeing bus, we're travelling at speed, | 6:58:53 | 6:58:56 | |
if this big red ball really does want an audience, we'll find it, | 6:58:56 | 6:58:59 | |
because we're heading to where the audience is. | 6:58:59 | 6:59:02 | |
The bus is calling at all of London's famous landmarks. | 6:59:09 | 6:59:13 | |
There are tourists everywhere - a perfect audience for the RedBall. | 6:59:13 | 6:59:17 | |
But an hour later I'm still looking. | 6:59:17 | 6:59:19 | |
In fact, the search for the RedBall is starting to get to me. | 6:59:19 | 6:59:23 | |
It's weird, everything that's red and big | 6:59:23 | 6:59:25 | |
I'm jumping straight on it, "There it is!" | 6:59:25 | 6:59:27 | |
No, it's not, it's a red flag. | 6:59:27 | 6:59:28 | |
No sign of it anywhere. | 6:59:28 | 6:59:30 | |
Where has he put this ball? | 6:59:30 | 6:59:32 | |
Trafalgar Square is in sight. | 6:59:32 | 6:59:34 | |
Where is it? | 6:59:34 | 6:59:36 | |
From the corner of my eye I saw something massive and red there. | 6:59:38 | 6:59:41 | |
It might have been a bus going over the bridge. | 6:59:41 | 6:59:43 | |
Have I just seen the RedBall? | 6:59:43 | 6:59:45 | |
I've convinced myself I've seen it, but I don't think I have. | 6:59:45 | 6:59:48 | |
I'm looking for big, red things - London is full of big, red buses. | 6:59:48 | 6:59:51 | |
I have found the big red ball, it is on this bridge, | 6:59:52 | 6:59:56 | |
whatever bridge this is. | 6:59:56 | 6:59:57 | |
That's what I saw on the way past, it wasn't a bus, it was the ball. | 6:59:57 | 7:00:01 | |
We should be able to see it from here. | 7:00:01 | 7:00:03 | |
Excuse me a second. | 7:00:03 | 7:00:05 | |
What a great place to put it, as well. | 7:00:07 | 7:00:09 | |
The search has taken me all over central London, | 7:00:10 | 7:00:14 | |
but I have finally found the RedBall, | 7:00:14 | 7:00:17 | |
using only two of Kurt's three clues. | 7:00:17 | 7:00:19 | |
It is so good to finally be this close to the big red ball. | 7:00:22 | 7:00:25 | |
But that's only half the battle, of course, | 7:00:25 | 7:00:27 | |
now I've got to take a photo for the Blue Peter Calendar. | 7:00:27 | 7:00:30 | |
Are you coming? Doesn't it look awesome? | 7:00:30 | 7:00:33 | |
Kurt has squeezed the RedBall into the arches | 7:00:33 | 7:00:36 | |
of the Golden Jubilee Bridge. | 7:00:36 | 7:00:38 | |
It's a great architectural spot where everyone can see it, | 7:00:38 | 7:00:41 | |
just like he said. | 7:00:41 | 7:00:42 | |
And I think that should just about do it. | 7:00:43 | 7:00:45 | |
That's going to look great on the Blue Peter Calendar. | 7:00:45 | 7:00:49 | |
That's the RedBall snapped, but I wonder what Kurt will think | 7:00:49 | 7:00:51 | |
of the other pictures I've taken today. | 7:00:51 | 7:00:53 | |
It inspires you to look for where you'd stick a red ball. | 7:00:53 | 7:00:56 | |
It's about activating your imagination, | 7:00:56 | 7:00:58 | |
just look at the city and the town around you | 7:00:58 | 7:01:00 | |
for opportunities and possibilities. | 7:01:00 | 7:01:02 | |
I've got so many for you, look - St Paul's Cathedral. | 7:01:02 | 7:01:05 | |
So, go on, get inspired | 7:01:05 | 7:01:07 | |
and think about where you would put the RedBall in your town. | 7:01:07 | 7:01:10 | |
And there it is, the finished picture. | 7:01:12 | 7:01:14 | |
It's such an amazing project, | 7:01:14 | 7:01:16 | |
and this is what the picture looks like in the Blue Peter Calendar. | 7:01:16 | 7:01:19 | |
If you'd like to print this out, | 7:01:19 | 7:01:20 | |
all you've got to do is head to the Blue Peter website | 7:01:20 | 7:01:23 | |
and you'll find the button on there. | 7:01:23 | 7:01:25 | |
Those of you with a keen eye will notice | 7:01:25 | 7:01:27 | |
this photo is not entirely one colour. | 7:01:27 | 7:01:31 | |
It's using a process that has loads of different names, | 7:01:31 | 7:01:34 | |
either colour splashing or colour stroking or colour dodging, | 7:01:34 | 7:01:37 | |
and there are applications you can download onto your phone | 7:01:37 | 7:01:40 | |
or tablet to achieve this effect. | 7:01:40 | 7:01:42 | |
This one I'm using is called Colour Splash. | 7:01:42 | 7:01:45 | |
It's very simple, you load up a photograph that's colour, | 7:01:45 | 7:01:48 | |
the software makes it go black and white, | 7:01:48 | 7:01:50 | |
then to highlight the bits you would like to be in colour, | 7:01:50 | 7:01:53 | |
all you do is drag your finger over the area like that. | 7:01:53 | 7:01:55 | |
Let's make Helen's face bright and orange. It looks weird | 7:01:55 | 7:01:58 | |
cos you wouldn't normally do that with a person. | 7:01:58 | 7:02:00 | |
So I'm going to try something else instead. | 7:02:00 | 7:02:02 | |
I'm going to go straight onto the Blue Peter badge | 7:02:02 | 7:02:05 | |
and highlight just the Blue Peter badge. | 7:02:05 | 7:02:07 | |
This is what the technique's for - | 7:02:07 | 7:02:08 | |
to highlight a certain part of the photo that you want to focus on. | 7:02:08 | 7:02:11 | |
You can buy cameras that have this software inbuilt | 7:02:11 | 7:02:13 | |
or you can download applications like this | 7:02:13 | 7:02:15 | |
and you can create great effects. | 7:02:15 | 7:02:17 | |
There are other photos you can see here | 7:02:17 | 7:02:18 | |
that use the same technique, and they all involve flowers. | 7:02:18 | 7:02:21 | |
The great thing about these is you can pick either an area | 7:02:21 | 7:02:24 | |
that's got loads of flowers in it, loads of colour, | 7:02:24 | 7:02:27 | |
or you can select a specific flower, like this buttercup here. | 7:02:27 | 7:02:30 | |
Or go for the big bright colours, the vibrant ones are really good, | 7:02:30 | 7:02:33 | |
and the taller and the bendier and the weirder the shape, | 7:02:33 | 7:02:35 | |
obviously the more attractive the picture. | 7:02:35 | 7:02:37 | |
That's a nice one. This one here I took in New York on holiday. | 7:02:37 | 7:02:40 | |
That's a famous yellow taxi. | 7:02:40 | 7:02:42 | |
This next one, Helen suggested I take this picture | 7:02:42 | 7:02:44 | |
whilst we were in Poland. She saw it on the street and said, | 7:02:44 | 7:02:47 | |
"Wouldn't that make a good photograph?" | 7:02:47 | 7:02:48 | |
So I took it and used the colour dodge technique on that. | 7:02:48 | 7:02:51 | |
If you'd like to get involved | 7:02:51 | 7:02:52 | |
and make your own colour splash pictures, please send them into us | 7:02:52 | 7:02:55 | |
and we'll try and show them next week on the show. | 7:02:55 | 7:02:57 | |
That's our e-mail address. Get in there, get creative. | 7:02:57 | 7:03:00 | |
We'd love to see what you can do. Helen. | 7:03:00 | 7:03:03 | |
You don't have to do it on a computer. You could just print out | 7:03:03 | 7:03:05 | |
a black and white picture | 7:03:05 | 7:03:06 | |
and then colour one bit of it in with a highlighter. | 7:03:06 | 7:03:09 | |
If you were watching the closing ceremony of the Olympic Games | 7:03:09 | 7:03:12 | |
you might remember this image. | 7:03:12 | 7:03:13 | |
It was created by using a technique called spin art | 7:03:13 | 7:03:16 | |
and it was done by the award-winning artist Damien Hirst. | 7:03:16 | 7:03:20 | |
He said he got the technique from watching Blue Peter as a kid. | 7:03:20 | 7:03:24 | |
So in an effort to inspire more budding artists | 7:03:24 | 7:03:26 | |
we sent our friend Michelle from Deadly Art | 7:03:26 | 7:03:29 | |
along to meet the lucky man himself. | 7:03:29 | 7:03:31 | |
Damien Hirst is one of the UK's most famous | 7:03:32 | 7:03:35 | |
and successful artists of all time. | 7:03:35 | 7:03:38 | |
You may recognise some of his work. | 7:03:38 | 7:03:40 | |
There's the real shark that's preserved in a giant fish tank. | 7:03:40 | 7:03:44 | |
Ugh, creepy! | 7:03:44 | 7:03:45 | |
And the platinum skull that's covered in 8,601 real diamonds | 7:03:48 | 7:03:53 | |
and cost £40 million to make. | 7:03:53 | 7:03:55 | |
Bling or what? | 7:03:55 | 7:03:57 | |
His artwork is certainly diverse and strange | 7:03:57 | 7:04:01 | |
so he must be an interesting man. | 7:04:01 | 7:04:03 | |
That's why I've come here, London's Covent Garden, to meet Damien | 7:04:07 | 7:04:10 | |
and see some of his other most famous work in action - spin art. | 7:04:10 | 7:04:14 | |
# You spin me right round, baby, right round... # | 7:04:14 | 7:04:18 | |
Spin art is created by pouring paint onto a canvas | 7:04:18 | 7:04:20 | |
and then spinning it at high speed. | 7:04:20 | 7:04:22 | |
This creates a centrifugal force | 7:04:22 | 7:04:24 | |
that causes the paint to spread outwards in unpredictable ways, | 7:04:24 | 7:04:27 | |
creating some very exciting patterns. | 7:04:27 | 7:04:30 | |
Damien has set up a spin art workshop for kids | 7:04:30 | 7:04:33 | |
so they can get stuck in and try it out themselves. | 7:04:33 | 7:04:35 | |
It looks very fun and very messy. | 7:04:35 | 7:04:38 | |
Damien began creating his spin art paintings back in 1992, | 7:04:39 | 7:04:42 | |
but he didn't invent the technique himself. | 7:04:42 | 7:04:45 | |
He got the idea from watching an episode of Blue Peter 37 years ago. | 7:04:45 | 7:04:49 | |
Now, then, if you like to paint but are one of those people | 7:04:49 | 7:04:52 | |
who never really knows what to draw, | 7:04:52 | 7:04:53 | |
I've got the perfect thing to you. It's this. | 7:04:53 | 7:04:55 | |
If I put some blobs of paint on here, | 7:04:55 | 7:04:59 | |
the whole lot then spins round and you'll get a Noakes masterpiece. | 7:04:59 | 7:05:03 | |
Look at that. Hey, that's rather nice, isn't it? That's super. | 7:05:03 | 7:05:07 | |
So, Damien, is it true that you were inspired to do spin art | 7:05:07 | 7:05:10 | |
because it was on Blue Peter? | 7:05:10 | 7:05:12 | |
I did used to watch Blue Peter when I was a lot younger. | 7:05:12 | 7:05:15 | |
John Noakes did it in 1975, didn't he? | 7:05:15 | 7:05:17 | |
So why is spin art special to you? | 7:05:18 | 7:05:21 | |
I remember once being in my studio and I had a blank canvas, | 7:05:21 | 7:05:23 | |
and I was thinking, "What can I paint?" | 7:05:23 | 7:05:26 | |
Then I remembered when I was a kid the spin paintings. | 7:05:26 | 7:05:28 | |
I thought, if you make art like that, it always looks great | 7:05:28 | 7:05:31 | |
and you don't need to work out what you're doing. | 7:05:31 | 7:05:33 | |
I've always thought a great reaction to art is "wow". | 7:05:33 | 7:05:36 | |
-With spin art you always get "wow". -Wow! | 7:05:36 | 7:05:39 | |
Any kid can make them, any age. You can give them to your parents, | 7:05:39 | 7:05:42 | |
give them to a friend, | 7:05:42 | 7:05:43 | |
people appreciate them and put them on the wall. | 7:05:43 | 7:05:47 | |
ALL: Wow! | 7:05:47 | 7:05:49 | |
So what would you say were your three top tips for creating | 7:05:49 | 7:05:52 | |
a great piece of spin art? | 7:05:52 | 7:05:53 | |
First tip, you've got to believe you can do it. | 7:05:53 | 7:05:57 | |
Second tip, wet the paper first so the paint flows really easily | 7:05:57 | 7:06:02 | |
and it always looks better. | 7:06:02 | 7:06:04 | |
And the last tip is, you've got to know when to stop. | 7:06:04 | 7:06:07 | |
If you think it might be finished, it is finished. Stop. | 7:06:07 | 7:06:11 | |
Cos you put a bit more paint in and you can ruin it. | 7:06:11 | 7:06:14 | |
You can see Damian's spin art at an exhibition of his other artworks | 7:06:21 | 7:06:25 | |
at the Tate Modern gallery in London. | 7:06:25 | 7:06:28 | |
Well, I'm convinced. Spin art certainly looks like a lot of fun. | 7:06:29 | 7:06:31 | |
I think we should get stuck in and try it out ourselves, don't you? | 7:06:31 | 7:06:34 | |
We have come to the Blue Peter garden to have a go at spin art ourselves | 7:06:38 | 7:06:41 | |
but before we get stuck into that, we're very happy to say | 7:06:41 | 7:06:45 | |
that for becoming one of the world's most acclaimed artists | 7:06:45 | 7:06:48 | |
and for keeping Britain at the forefront of modern art, | 7:06:48 | 7:06:51 | |
we have decided to give Damien Hirst a gold Blue Peter badge. | 7:06:51 | 7:06:54 | |
It's the highest award we give on Blue Peter | 7:06:54 | 7:06:57 | |
and we think Damien well and truly deserves it. Well done. | 7:06:57 | 7:07:00 | |
Come on then, let's get creative. | 7:07:01 | 7:07:03 | |
Right, the first thing you're going to need is a strong bucket | 7:07:03 | 7:07:07 | |
and you need a decent handle on that as well. | 7:07:07 | 7:07:10 | |
So tie a thick rope to each side like this, | 7:07:10 | 7:07:13 | |
and then you loop the rope over the branch of a tree. | 7:07:13 | 7:07:16 | |
Just like you would with a swing, but you need that to be nice and solid. | 7:07:16 | 7:07:19 | |
It might be an idea to get an adult to help you with this, | 7:07:19 | 7:07:22 | |
They're going to be taller, so they can reach the tree. | 7:07:22 | 7:07:24 | |
-Then get a bucket... -A bucket for the brick. | 7:07:24 | 7:07:27 | |
Get a brick, put that into the bucket like that. That'll hold that down. | 7:07:27 | 7:07:31 | |
Then you'll need your canvas. In this case, you can use a paper plate | 7:07:31 | 7:07:34 | |
or you can just draw some circles out of ordinary white card. | 7:07:34 | 7:07:37 | |
Place that on top of the brick in the bucket. | 7:07:37 | 7:07:41 | |
Now just as Damien Hirst said, you need to wet the canvas. | 7:07:41 | 7:07:43 | |
So you spray that with... | 7:07:43 | 7:07:45 | |
You use these in your garden, don't you, to spray your house plants? | 7:07:45 | 7:07:48 | |
-Or you can just flick a bit of water on it. -Then the fun bit comes. | 7:07:48 | 7:07:52 | |
Take your paint. Squirty bottle paint is better | 7:07:52 | 7:07:54 | |
because you can squirt it and it's easier than using a brush. | 7:07:54 | 7:07:57 | |
Any colours you like, just go for it. | 7:07:57 | 7:08:00 | |
-Wahey! -Look at that. | 7:08:00 | 7:08:02 | |
OK, now this is my favourite bit. | 7:08:02 | 7:08:05 | |
You spin the bucket round, twisting it on itself. | 7:08:05 | 7:08:08 | |
You need to keep turning it in one direction | 7:08:08 | 7:08:10 | |
so that the rope twists around. | 7:08:10 | 7:08:12 | |
Now that means that when we let go, | 7:08:12 | 7:08:15 | |
this will spin just like a swing, creating a centrifugal force | 7:08:15 | 7:08:20 | |
in the middle and that'll force the paint outwards. | 7:08:20 | 7:08:23 | |
-OK. -I'm ready for this. Are we ready for this? | 7:08:23 | 7:08:27 | |
ALL: Yeah. | 7:08:27 | 7:08:28 | |
-OK, give me a countdown. Three... -ALL: Two, one. | 7:08:28 | 7:08:32 | |
I don't want to get splattered with paint, so I'm standing back. | 7:08:32 | 7:08:35 | |
That is brilliant, isn't it? | 7:08:35 | 7:08:37 | |
-Ooh! -That's like a magic trick. | 7:08:37 | 7:08:39 | |
If all goes to plan, your artwork should stick to the side | 7:08:39 | 7:08:44 | |
of the bucket. When that happens, you know it's ready. | 7:08:44 | 7:08:46 | |
-Much like when a cake falls off your spoon. Look at that! -Oh, nice! | 7:08:46 | 7:08:50 | |
As simple as that. A tiny bit of spin art. It's so simple to do. | 7:08:50 | 7:08:54 | |
You can see ones we've done here as well. | 7:08:54 | 7:08:55 | |
They're all very simple, don't take too long to dry. | 7:08:55 | 7:08:58 | |
-I'm going to do another one. -You don't have to make a circle. | 7:08:58 | 7:09:00 | |
You can make a landscape version of spin art. | 7:09:00 | 7:09:02 | |
If you want to do that, head to the Blue Peter website after the show. | 7:09:02 | 7:09:05 | |
-Don't get it that wet! -Sorry. | 7:09:05 | 7:09:08 | |
We've got a web exclusive on there, | 7:09:08 | 7:09:10 | |
showing you how to create that type of painting. | 7:09:10 | 7:09:12 | |
-You're enjoying yourself. -Loving it. | 7:09:12 | 7:09:14 | |
While he gets on with more spin art, it's time to talk about Story Lab. | 7:09:14 | 7:09:18 | |
We've been telling you about a project | 7:09:18 | 7:09:21 | |
that's all about encouraging you to get reading. | 7:09:21 | 7:09:23 | |
Some famous faces have been talking you through their favourite books. | 7:09:23 | 7:09:26 | |
Today we've got a new chap. He's called Amazing Phil. | 7:09:26 | 7:09:29 | |
He's an internet blogger. This is going to get very messy, Barney. | 7:09:29 | 7:09:33 | |
-It's really wet that. -Yep. -I'm going to hang onto it! | 7:09:33 | 7:09:35 | |
He's an internet blogger and a comedian. | 7:09:35 | 7:09:37 | |
His favourite book is Skulduggery Pleasant. Amazing. Go! | 7:09:37 | 7:09:40 | |
Look at it go! I made that. | 7:09:40 | 7:09:42 | |
Skulduggery Pleasant? | 7:09:46 | 7:09:49 | |
That's what this brilliant book is called. Here's Stephanie. | 7:09:49 | 7:09:52 | |
The story kicks off when her favourite uncle, Gordon - | 7:09:52 | 7:09:55 | |
great guy, horror writer, mad about magic - | 7:09:55 | 7:09:58 | |
suddenly dies. That's bad in so many ways. | 7:09:58 | 7:10:01 | |
Partly because Stephanie discovers that her uncle's enemies | 7:10:01 | 7:10:05 | |
are now after her. | 7:10:05 | 7:10:06 | |
Luckily she' got some help from her uncle's friend, | 7:10:06 | 7:10:08 | |
Skulduggery Pleasant. | 7:10:08 | 7:10:09 | |
He's an amazing detective, a master magician. | 7:10:09 | 7:10:13 | |
He's a fighter against evil and he's dead! | 7:10:13 | 7:10:17 | |
CHURCH BELS TOLLING | 7:10:17 | 7:10:19 | |
Yep, a skeleton. This guy is seriously dead. | 7:10:19 | 7:10:23 | |
But also seriously fun. | 7:10:23 | 7:10:24 | |
Hm. | 7:10:24 | 7:10:26 | |
Stephanie wants to pick Skulduggery's brain | 7:10:31 | 7:10:33 | |
- well, his skull - about the magic he can do. | 7:10:33 | 7:10:35 | |
Here, he's teaching her about air. | 7:10:35 | 7:10:38 | |
"Displaced air doesn't just disappear. | 7:10:38 | 7:10:41 | |
"It needs somewhere to be displaced to." | 7:10:41 | 7:10:43 | |
"Can I see?" | 7:10:43 | 7:10:45 | |
They reached the edge of the carpark and passed the low wall | 7:10:45 | 7:10:47 | |
that encircled it. | 7:10:47 | 7:10:49 | |
Skulduggery flexed his fingers and splayed his hands, | 7:10:49 | 7:10:52 | |
snapping his palm towards the wall. | 7:10:52 | 7:10:53 | |
The air rippled and the bricks exploded outwards. | 7:10:53 | 7:10:57 | |
Stephanie stared at the brand new hole in the wall. | 7:10:57 | 7:11:01 | |
"That," she said, "Is so cool." | 7:11:01 | 7:11:05 | |
That really was so cool! | 7:11:08 | 7:11:10 | |
With Skulduggery's assistance, Stephanie has to battle | 7:11:13 | 7:11:16 | |
to stop her precious key from falling into some very evil hands. | 7:11:16 | 7:11:19 | |
That's so much more exciting than maths homework and so much harder. | 7:11:19 | 7:11:23 | |
You find out about some of the friends and troublemakers | 7:11:23 | 7:11:26 | |
she meets along the way. | 7:11:26 | 7:11:27 | |
Like the beautiful and dangerous China Sorrows. | 7:11:27 | 7:11:31 | |
Mr Bliss, with pale blue eyes and super-strength. | 7:11:31 | 7:11:34 | |
The sinister army of paper-thin Hollow Men. | 7:11:34 | 7:11:36 | |
The power-hungry evil sorcerer Nefarian Serpine. | 7:11:36 | 7:11:40 | |
Maybe worst of all? | 7:11:40 | 7:11:42 | |
Stephanie's Aunt Beryl. | 7:11:42 | 7:11:45 | |
This book is scary, fantastical and funny. | 7:11:45 | 7:11:48 | |
When I first picked it up, I couldn't stop reading it. | 7:11:48 | 7:11:50 | |
It's like my hands were glued to the page. Well, not with actual glue. | 7:11:50 | 7:11:53 | |
Then I wouldn't have been able to turn the pages, | 7:11:53 | 7:11:56 | |
and I wanted to find out what happened next. | 7:11:56 | 7:11:58 | |
It's great when a book can show you | 7:11:58 | 7:11:59 | |
a side to the world you've never seen before. | 7:11:59 | 7:12:01 | |
When it's finished, you think | 7:12:01 | 7:12:03 | |
maybe that's what the world is actually like. | 7:12:03 | 7:12:05 | |
Books can change the way you think. | 7:12:05 | 7:12:07 | |
I did it! I did it! Yes! | 7:12:14 | 7:12:16 | |
Obviously, I knew it was him! | 7:12:35 | 7:12:37 | |
Wow, how scary was that guy? | 7:12:40 | 7:12:43 | |
Hey, why didn't the skull go to the dance? | 7:12:43 | 7:12:46 | |
Because he had no body to go with! | 7:12:46 | 7:12:49 | |
CHEERING | 7:12:49 | 7:12:50 | |
I thought it was too early for Christmas crackers, | 7:12:50 | 7:12:53 | |
-but you got that from somewhere! -Stop it! -Right, we were doing | 7:12:53 | 7:12:56 | |
a bit of spin art earlier. Here are two that we made. | 7:12:56 | 7:12:58 | |
We've put them on a piece of card because they're still a bit wet. | 7:12:58 | 7:13:01 | |
If you have a go, please get in touch and let us know how you get on. | 7:13:01 | 7:13:04 | |
We also asked you earlier to let us know | 7:13:04 | 7:13:07 | |
what your mischievous pets get up to. | 7:13:07 | 7:13:09 | |
Our dog Barney likes to dig for things behind me on the sofa. | 7:13:09 | 7:13:12 | |
That might be a good note... Yeah, that's a great shot. | 7:13:12 | 7:13:15 | |
Let's finish on that one. | 7:13:15 | 7:13:18 | |
Laura and her pet dog Maybe... is that really a name? | 7:13:18 | 7:13:21 | |
That's a great name for a dog. She sent this picture in. | 7:13:21 | 7:13:24 | |
-It says, "I chew my mum's slippers." -Ah! -Butter wouldn't melt. | 7:13:24 | 7:13:27 | |
-Look at that cute face. -Barney likes to chew underwear. | 7:13:27 | 7:13:29 | |
There's some great names for dogs here. Heather and her dog Star. | 7:13:29 | 7:13:34 | |
Apparently Star likes to steal toilet paper from the bathroom. | 7:13:34 | 7:13:38 | |
-Brilliant. -Oh, Barney just licked my face! -Not me, the dog. | 7:13:38 | 7:13:42 | |
LAUGHTER | 7:13:42 | 7:13:43 | |
Just before we go down that road. | 7:13:43 | 7:13:45 | |
Madzie and her dog Bailey says, "I steal other people's toys. | 7:13:45 | 7:13:49 | |
Where is she in that one? | 7:13:49 | 7:13:51 | |
I think that might be the toys that she's stolen. | 7:13:51 | 7:13:54 | |
And we'd like to finish with a very special one. | 7:13:54 | 7:13:56 | |
This is our very own Shelley. Have a look at what Shelley likes to do. | 7:13:56 | 7:13:59 | |
Barney, you pick your moments, mate. You really do. | 7:13:59 | 7:14:02 | |
Shelley has done this more than once. | 7:14:02 | 7:14:04 | |
She has weed on the studio floor, | 7:14:04 | 7:14:07 | |
which makes it a little bit dangerous for everybody else. | 7:14:07 | 7:14:11 | |
Barney, please stop it. | 7:14:11 | 7:14:13 | |
If you'd like to see more pets and what they get up to, | 7:14:13 | 7:14:15 | |
do head over to the Blue Peter website. | 7:14:15 | 7:14:17 | |
That's almost it for today's show. | 7:14:17 | 7:14:19 | |
Just time to tell you what's happening on next week's show. | 7:14:19 | 7:14:21 | |
He's been asleep all day! We've got a back to school special. | 7:14:21 | 7:14:24 | |
We'll show you how to customise everything | 7:14:24 | 7:14:26 | |
to do with school and make it look a bit more funky. | 7:14:26 | 7:14:30 | |
Lots of you are starting back at school. | 7:14:30 | 7:14:32 | |
Some of you have already gone back, but to celebrate that, | 7:14:32 | 7:14:35 | |
we are visiting some of the most amazing schools in the country. | 7:14:35 | 7:14:38 | |
Doesn't Barney suit a boiler suit? | 7:14:38 | 7:14:40 | |
Also in the studio, Cover Drive are going to be here. | 7:14:40 | 7:14:44 | |
We'll join you then. Have a nice week. Ta-are, bye! | 7:14:44 | 7:14:46 | |
-Stop it! -Barney, we're on telly! | 7:14:46 | 7:14:48 | |
Subtitles by Red Bee Media Ltd | 7:14:48 | 7:14:49 |