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Hello, everyone! | 0:00:02 | 0:00:03 | |
I'm Oli White and, yep, you guessed it - I love movies. | 0:00:03 | 0:00:06 | |
I love them so much I want to pick them up, | 0:00:06 | 0:00:08 | |
give them a big hug and never put them down. | 0:00:08 | 0:00:10 | |
If you love movies too, then you're watching the right show, | 0:00:10 | 0:00:13 | |
because this is... | 0:00:13 | 0:00:15 | |
Cinemaniacs. Team, take it away. | 0:00:15 | 0:00:19 | |
Action. | 0:00:19 | 0:00:20 | |
# Want to ride your bike across the face of the moon? | 0:00:20 | 0:00:23 | |
# Levitate your house with a bunch of balloons? | 0:00:23 | 0:00:25 | |
# Feel zero gravitation? A robot transformation? | 0:00:25 | 0:00:28 | |
# You're a Cinemaniac | 0:00:28 | 0:00:30 | |
# Can you tell a lie that is the length of your nose? | 0:00:30 | 0:00:33 | |
# Or defrost a heart you accidentally froze? | 0:00:33 | 0:00:35 | |
# Want a bottomless case or a squid for a face? | 0:00:35 | 0:00:38 | |
# You're a Cinemaniac | 0:00:38 | 0:00:40 | |
# Do you long to hear the roar of an extinct dinosaur? | 0:00:40 | 0:00:43 | |
# To explore the flora in your very own Pandora? | 0:00:43 | 0:00:46 | |
# Feel the urge to sing on a quest for the ring? | 0:00:46 | 0:00:48 | |
# To escape from a clone or to be Home Alone? | 0:00:48 | 0:00:52 | |
# Then roll out the red carpet and turn down the lights | 0:00:52 | 0:00:54 | |
# Grab yourself a seat and hold on tight | 0:00:54 | 0:00:57 | |
# We're mad about movies We're crazy for film | 0:00:57 | 0:01:00 | |
# We're Cinemania Cinemania | 0:01:00 | 0:01:02 | |
# Cinemaniacs! # | 0:01:02 | 0:01:04 | |
Grab your popcorn and let's get ourselves some of that movie magic. | 0:01:07 | 0:01:10 | |
Two Cinemaniacs get an exclusive interview | 0:01:12 | 0:01:15 | |
with How To Train Your Dragon author Cressida Cowell... | 0:01:15 | 0:01:18 | |
Duhbrain is in the book but he's not in the film. | 0:01:18 | 0:01:21 | |
Why did you change that? | 0:01:21 | 0:01:22 | |
..and can Michael Sheen, super actor, get a prosthetic face | 0:01:24 | 0:01:27 | |
to fool his own mum and dad? | 0:01:27 | 0:01:29 | |
-I found it, thank you very much. -OK. | 0:01:29 | 0:01:31 | |
And get ready for some behind the scenes secrets | 0:01:33 | 0:01:35 | |
with Hobbit star Adam Brown. | 0:01:35 | 0:01:38 | |
Get me out of here - I can't stand it any more! | 0:01:38 | 0:01:40 | |
What do you think about that, Mr Black? | 0:01:40 | 0:01:42 | |
Those are the magical ingredients, I'd say. | 0:01:42 | 0:01:45 | |
Yeah, I'd probably say that, too. Pretty bodacious, right? | 0:01:45 | 0:01:48 | |
-Sca-doosh. -Oh, yeah. Thanks, Jack. | 0:01:48 | 0:01:50 | |
Are you ready for what's coming next? | 0:01:50 | 0:01:52 | |
DIY Blockbuster - Part One. Sca-doosh! | 0:01:52 | 0:01:55 | |
Action. | 0:01:59 | 0:02:00 | |
We're giving groups of film-makers the chance to make a short film, | 0:02:00 | 0:02:03 | |
armed with just a camera, | 0:02:03 | 0:02:04 | |
a script and some home-made props. | 0:02:04 | 0:02:07 | |
But, little do they know, they're in for a big surprise... | 0:02:08 | 0:02:11 | |
You didn't know I was coming? | 0:02:11 | 0:02:14 | |
..when we give them something spectacular | 0:02:14 | 0:02:16 | |
to turn their home movie | 0:02:16 | 0:02:18 | |
into a DIY Blockbuster. | 0:02:18 | 0:02:20 | |
-Action. -Aaargh! | 0:02:24 | 0:02:25 | |
Yagmur, Stina, Misbah and Nada are making a monster movie. | 0:02:25 | 0:02:29 | |
A group of friends find a cursed leaf... | 0:02:29 | 0:02:32 | |
Look, I got the leaf! | 0:02:32 | 0:02:34 | |
..which changes one of the friends into a monster. | 0:02:34 | 0:02:36 | |
SHE GROWLS | 0:02:36 | 0:02:38 | |
Filming has begun, with Stina playing the lead role... | 0:02:38 | 0:02:41 | |
-Cut. -What? | 0:02:41 | 0:02:42 | |
..but what the team don't know is | 0:02:42 | 0:02:44 | |
we've arranged a DIY Blockbuster surprise | 0:02:44 | 0:02:47 | |
to make their movie a monster hit. | 0:02:47 | 0:02:50 | |
So, zoom in like that, then after Yagmur prods her, | 0:02:50 | 0:02:54 | |
You just zoom out slow. | 0:02:54 | 0:02:55 | |
And then you pan up. | 0:02:55 | 0:02:57 | |
The team are busy filming... | 0:02:57 | 0:02:58 | |
-..one, action. -Is she OK? | 0:02:58 | 0:03:00 | |
-I don't know. -Stina? | 0:03:00 | 0:03:02 | |
..when we give them their DIY Blockbuster surprise. | 0:03:03 | 0:03:05 | |
Meet Jonathan Faulkner, | 0:03:11 | 0:03:12 | |
state-of-the-art visual effects expert on films like Harry Potter... | 0:03:12 | 0:03:16 | |
..and Guardians Of The Galaxy. | 0:03:17 | 0:03:20 | |
Using computer graphics like these, Jonathan is going to help the team | 0:03:20 | 0:03:23 | |
create a scary monster to star in their movie. | 0:03:23 | 0:03:27 | |
Because only the monster will be animated, | 0:03:27 | 0:03:30 | |
the team set about filming the backgrounds... | 0:03:30 | 0:03:32 | |
Stina, can you just come and run past the camera, please? | 0:03:32 | 0:03:35 | |
..which isn't as simple as it sounds. | 0:03:35 | 0:03:38 | |
So, what do we have to have in the scene? Not Stina? | 0:03:38 | 0:03:42 | |
Nothing at all. | 0:03:42 | 0:03:44 | |
Because we're going to put the creature in later. | 0:03:44 | 0:03:46 | |
-What? -Yeah. | 0:03:46 | 0:03:48 | |
Let's go and measure this telephone box. | 0:03:48 | 0:03:50 | |
With the creature being added later, | 0:03:50 | 0:03:52 | |
each shot takes lots of planning and equipment, | 0:03:52 | 0:03:55 | |
so the next few hours are a steep learning curve for the team. | 0:03:55 | 0:03:58 | |
Macbeth boards and mirror balls | 0:03:58 | 0:04:01 | |
and 360 cameras. | 0:04:01 | 0:04:04 | |
Things I'd never even heard of. | 0:04:04 | 0:04:06 | |
To make things more difficult, the team have to film | 0:04:06 | 0:04:09 | |
and act with a monster that isn't there. | 0:04:09 | 0:04:11 | |
If a character was running away from a monster, | 0:04:11 | 0:04:14 | |
the character would have to run away, but it's being chased by nothing. | 0:04:14 | 0:04:18 | |
So you have to use your imagination. | 0:04:18 | 0:04:20 | |
-Action. -Stina! | 0:04:20 | 0:04:22 | |
You're being such a baby. Stop! | 0:04:22 | 0:04:24 | |
Jonathan decides to give them a helping hand. | 0:04:24 | 0:04:26 | |
-He goes and does that, like... -Like jazz hands! -..like jazz hands! | 0:04:29 | 0:04:32 | |
And he makes the face, as well! | 0:04:32 | 0:04:35 | |
Don't do the jazzy thing with your fingers! | 0:04:40 | 0:04:43 | |
It was working for a moment - you were sort of... | 0:04:43 | 0:04:46 | |
And Jonathan's got another idea to make the monster look more real. | 0:04:46 | 0:04:49 | |
The monster is going to... | 0:04:49 | 0:04:53 | |
knock the boxes over. | 0:04:53 | 0:04:54 | |
Cardboard boxes? Why? Why? | 0:04:54 | 0:04:57 | |
Not sure the team are convinced. | 0:04:57 | 0:04:59 | |
Those boxes...don't even get... Oh. | 0:04:59 | 0:05:02 | |
Why would there be a pile of cardboard boxes in a park? | 0:05:02 | 0:05:05 | |
-It's one of those cardboard box parks. -No, it's not! | 0:05:06 | 0:05:10 | |
'He insisted that it was the right thing to do,' | 0:05:10 | 0:05:12 | |
-so we went with him because... -He's the expert. | 0:05:12 | 0:05:16 | |
Yagmur, come on! | 0:05:16 | 0:05:18 | |
Here comes the monster. | 0:05:18 | 0:05:19 | |
Boxes! | 0:05:19 | 0:05:21 | |
We couldn't see you. That worked very well. | 0:05:22 | 0:05:25 | |
Action. | 0:05:26 | 0:05:27 | |
SHE SCREAMS | 0:05:27 | 0:05:28 | |
They have one more scene to shoot, with no monster. | 0:05:28 | 0:05:32 | |
That's a wrap in the park. What's next? | 0:05:32 | 0:05:35 | |
How do you think we are going to animate the character? | 0:05:36 | 0:05:40 | |
Computer generated imagery. | 0:05:40 | 0:05:43 | |
Spot on. | 0:05:43 | 0:05:44 | |
Who is going to make it move? | 0:05:44 | 0:05:46 | |
-You. -Me? I've got a better idea. | 0:05:47 | 0:05:50 | |
Still to come on DIY Blockbuster Part Two - | 0:05:52 | 0:05:55 | |
there's monster moves from Misbah... | 0:05:55 | 0:05:58 | |
but can he terrify the team? | 0:05:58 | 0:06:00 | |
You seem like a nice monster. | 0:06:00 | 0:06:02 | |
And find out what their monster looks like. | 0:06:02 | 0:06:05 | |
A potato, bear, mouse hybrid. | 0:06:05 | 0:06:07 | |
Imagine that. | 0:06:07 | 0:06:09 | |
HE ROARS | 0:06:15 | 0:06:16 | |
Oh, sorry about that, just channelling my inner monster. | 0:06:16 | 0:06:19 | |
So, popcorn - do we like it? | 0:06:19 | 0:06:21 | |
Yes, of course we do, but what flavour? | 0:06:21 | 0:06:24 | |
I'm thinking toffee, ketchup. | 0:06:24 | 0:06:26 | |
Toffup, ketchee! | 0:06:26 | 0:06:28 | |
Hey, popcorn mashup. | 0:06:28 | 0:06:30 | |
What would be yours? | 0:06:33 | 0:06:35 | |
My dream popcorn flavour would be banana, | 0:06:35 | 0:06:37 | |
and that's really strange because I don't like bananas in real life. | 0:06:37 | 0:06:41 | |
Chocolate, or candyfloss, | 0:06:41 | 0:06:43 | |
or apple or strawberry. | 0:06:43 | 0:06:45 | |
Now I've got into it, all right? Um, what else? | 0:06:45 | 0:06:49 | |
Marmite popcorn. | 0:06:49 | 0:06:50 | |
Mint chocolate chip with extra, extra chocolate sauce. | 0:06:50 | 0:06:53 | |
I'd like to try that. | 0:06:53 | 0:06:54 | |
-Spearmint. -No! | 0:06:54 | 0:06:56 | |
Bubble gum. | 0:06:56 | 0:06:58 | |
I'm not sure if they would taste nice, though. | 0:06:58 | 0:07:01 | |
Cheesy, salty. | 0:07:01 | 0:07:04 | |
Bacon. | 0:07:05 | 0:07:06 | |
Cola flavoured popcorn. | 0:07:06 | 0:07:08 | |
Chocolate ice cream popcorn. | 0:07:08 | 0:07:10 | |
-Or mango. -Oh, I was going to say mango! | 0:07:10 | 0:07:14 | |
A roast dinner flavoured popcorn. | 0:07:14 | 0:07:16 | |
-Strawberry. -I've said that. -So? | 0:07:16 | 0:07:19 | |
Curry. | 0:07:23 | 0:07:24 | |
Curry? Liking that one! | 0:07:24 | 0:07:26 | |
Random Red Carpet! | 0:07:29 | 0:07:32 | |
We ask the questions so you don't have to. | 0:07:32 | 0:07:34 | |
Keira, Keira - over here! | 0:07:34 | 0:07:37 | |
Fancy a bit of curry popcorn, Keira? | 0:07:37 | 0:07:39 | |
Wow! Yep, yep! | 0:07:39 | 0:07:40 | |
-Like it? -Oh, this is horrible! | 0:07:40 | 0:07:43 | |
Random Red Carpet! | 0:07:43 | 0:07:45 | |
It doesn't get much more random that this. | 0:07:45 | 0:07:48 | |
..the Rock Hard Quiz? | 0:07:58 | 0:07:59 | |
Stephanie. Specialist subject... | 0:08:02 | 0:08:04 | |
How many points does Moaning Myrtle say a person should get | 0:08:06 | 0:08:10 | |
if they throw something through her stomach? | 0:08:10 | 0:08:12 | |
Um, ten? | 0:08:12 | 0:08:13 | |
What colour is the flying car? | 0:08:13 | 0:08:16 | |
Blue. | 0:08:16 | 0:08:17 | |
What is the name of the medicine Madam Pomfrey uses | 0:08:17 | 0:08:20 | |
to regrow Harry's arm bones? | 0:08:20 | 0:08:23 | |
Pumpkin juice? | 0:08:23 | 0:08:25 | |
Correct answer - Skele-Gro. | 0:08:25 | 0:08:27 | |
SHE SCREAMS | 0:08:27 | 0:08:29 | |
Finley. Specialist subject... | 0:08:29 | 0:08:31 | |
What is the name of Hiccup's dragon training teacher? | 0:08:33 | 0:08:36 | |
Gobber. | 0:08:36 | 0:08:37 | |
What type of fish are most dragons afraid of? | 0:08:37 | 0:08:40 | |
Eels. | 0:08:40 | 0:08:41 | |
How do Toothless and Hiccup get Red Death to fly? | 0:08:41 | 0:08:44 | |
Um, by shooting at it and aggravating it and flying in the air. | 0:08:44 | 0:08:49 | |
What is the name of the dragon they find in the nest? | 0:08:49 | 0:08:52 | |
Um, the Red Death. | 0:08:52 | 0:08:53 | |
In their first lesson with Gobber, | 0:08:53 | 0:08:55 | |
what does he say is their most important equipment? | 0:08:55 | 0:08:58 | |
A shield. | 0:08:58 | 0:09:00 | |
What part of his body does Toothless hurt at the start of the movie? | 0:09:00 | 0:09:03 | |
The end of his tail. | 0:09:03 | 0:09:05 | |
How many different hand attachments does Gobber have? | 0:09:05 | 0:09:08 | |
Four. | 0:09:08 | 0:09:10 | |
Correct answer - 14. | 0:09:10 | 0:09:12 | |
HE SCREAMS | 0:09:12 | 0:09:13 | |
Eleanor. Specialist subject... | 0:09:15 | 0:09:17 | |
What colour are Buzz Lightyear's eyes? | 0:09:19 | 0:09:21 | |
Blue. | 0:09:21 | 0:09:22 | |
What is the name of Andy's toys' new owner? | 0:09:22 | 0:09:25 | |
Bonnie. | 0:09:25 | 0:09:26 | |
What languages does Buzz Lightyear speak during the film? | 0:09:26 | 0:09:29 | |
Spanish and English. | 0:09:29 | 0:09:32 | |
How old is Andy in Toy Story 3? | 0:09:32 | 0:09:34 | |
16. | 0:09:34 | 0:09:36 | |
Correct answer - 17. | 0:09:36 | 0:09:39 | |
SHE SCREAMS | 0:09:39 | 0:09:40 | |
And the winner is Finley. | 0:09:42 | 0:09:44 | |
Yep, dragons rule! | 0:09:46 | 0:09:48 | |
And for all you left-handers out there, you might want to know | 0:09:48 | 0:09:51 | |
that Hiccup from the How To Train Your Dragon movies | 0:09:51 | 0:09:54 | |
is also left-handed. | 0:09:54 | 0:09:56 | |
Letting you into a little Cinemaniac secret, there. | 0:09:56 | 0:09:59 | |
And if you're a dragon rider, then stay tuned | 0:09:59 | 0:10:01 | |
cos you're going to love what's coming up next. | 0:10:01 | 0:10:03 | |
These two Cinemaniacs, Oscar and Nikita, met up with | 0:10:05 | 0:10:09 | |
How To Train Your Dragon's author, Cressida Cowell, | 0:10:09 | 0:10:12 | |
and the film's producer, Bonnie Arnold, to ask... | 0:10:12 | 0:10:15 | |
-Hello. -Hello. | 0:10:18 | 0:10:20 | |
On page 15, it says that it was quite heroic to train a dragon. | 0:10:20 | 0:10:26 | |
However, in the movie, Vikings were at war with the dragons. | 0:10:26 | 0:10:29 | |
I'll take care of this. | 0:10:29 | 0:10:31 | |
Why did you make those changes? | 0:10:31 | 0:10:33 | |
I think one of the challenges was | 0:10:33 | 0:10:35 | |
to try to make Hiccup the first of his tribe | 0:10:35 | 0:10:41 | |
to do something, rather than it just be already an accepted thing, | 0:10:41 | 0:10:45 | |
and we felt like that was a bigger, more exciting choice for the film, | 0:10:45 | 0:10:49 | |
so we made a few changes in order to make it more cinematic. | 0:10:49 | 0:10:53 | |
The book starts with Hiccup going to get a dragon. | 0:10:53 | 0:10:56 | |
The film starts with the dragons actually attacking the village. | 0:10:56 | 0:11:00 | |
Dragons. | 0:11:02 | 0:11:03 | |
Things that work in a book might not necessarily work in a movie, | 0:11:03 | 0:11:08 | |
and that is often why decisions are made. | 0:11:08 | 0:11:12 | |
A very obvious one is that Toothless, in the books, | 0:11:12 | 0:11:14 | |
is tiny and you can put him down your waistcoat | 0:11:14 | 0:11:16 | |
and he's really naughty. | 0:11:16 | 0:11:17 | |
And the decision to make Toothless bigger was taken because, | 0:11:17 | 0:11:21 | |
if you're making a movie in 3-D, | 0:11:21 | 0:11:24 | |
in which there are dragons, you kind of want your hero | 0:11:24 | 0:11:29 | |
to be able to get on top of the dragon and ride it. | 0:11:29 | 0:11:32 | |
Whereas, in a book, they're just a bunch of descriptions. | 0:11:32 | 0:11:35 | |
On page 19 it shows that Snotlout was like quite a big bully, | 0:11:35 | 0:11:39 | |
but in the movie he was just a minor annoyance. | 0:11:39 | 0:11:42 | |
I've never seen anyone mess up that badly. That helped. | 0:11:42 | 0:11:45 | |
Thank you, thank you. I was trying. | 0:11:45 | 0:11:47 | |
To be honest, you only have about 90 minutes to tell the story. | 0:11:47 | 0:11:50 | |
But could he be a bit more of a bully? | 0:11:50 | 0:11:52 | |
Well, I think the thing with Snotlout is you understand him | 0:11:52 | 0:11:55 | |
pretty quickly, so I don't think you need a lot of storytelling | 0:11:55 | 0:11:58 | |
to tell who he is. | 0:11:58 | 0:12:00 | |
Dogsbreath the Duhbrain is in the book, but he's not in the film. | 0:12:00 | 0:12:03 | |
Why did you change that? | 0:12:03 | 0:12:04 | |
To be honest, it was just a decision we made about, again, | 0:12:04 | 0:12:07 | |
not having too many characters in the story, | 0:12:07 | 0:12:09 | |
because you just don't have time to tell all of that story. | 0:12:09 | 0:12:12 | |
And we really just tried to make it - keep it very simple. | 0:12:12 | 0:12:15 | |
There weren't enough girls in the group, | 0:12:15 | 0:12:18 | |
'so we gave Tuffnut a twin sister, | 0:12:18 | 0:12:21 | |
'because it was...it just made sense for us | 0:12:21 | 0:12:23 | |
'to have a mix of boys and girls.' | 0:12:23 | 0:12:25 | |
'So, Dogsbreath, was he a favourite character of yours?' | 0:12:25 | 0:12:28 | |
I suppose so. | 0:12:28 | 0:12:30 | |
I know it's annoying, sometimes, to people who want things | 0:12:30 | 0:12:32 | |
to be exactly the same as they saw it in a book, | 0:12:32 | 0:12:36 | |
but some of these things are less important | 0:12:36 | 0:12:39 | |
than the things that happened in the film, | 0:12:39 | 0:12:42 | |
that came out, that were right, | 0:12:42 | 0:12:43 | |
and that were true to the books. | 0:12:43 | 0:12:46 | |
Are you happy with the changes that have been made | 0:12:46 | 0:12:48 | |
from the book to the film? | 0:12:48 | 0:12:49 | |
The important point to get across is that what you want in a movie | 0:12:49 | 0:12:55 | |
is the things that you really care about in your books. | 0:12:55 | 0:12:58 | |
The things that I minded about my books | 0:12:58 | 0:13:00 | |
were about looking after the environment... | 0:13:00 | 0:13:02 | |
About peace. | 0:13:02 | 0:13:04 | |
..about peace, about Hiccup being a leader who wants peace. | 0:13:04 | 0:13:07 | |
all of that is out there in the film, | 0:13:07 | 0:13:10 | |
and those are the things that I really cared about. | 0:13:10 | 0:13:14 | |
Great grilling by Oscar and Nikita. Good work, guys. | 0:13:14 | 0:13:17 | |
Come on. | 0:13:17 | 0:13:19 | |
Cressida Cowell seemed pretty happy with what they did | 0:13:19 | 0:13:22 | |
with her books, so we thought it would be cool | 0:13:22 | 0:13:24 | |
to meet the writer of the very first How To Train Your Dragon movie. | 0:13:24 | 0:13:27 | |
And that's this guy. Meet Dean DeBlois, | 0:13:27 | 0:13:31 | |
co-writer and director of How To Train Your Dragon. | 0:13:31 | 0:13:34 | |
Yes, it works! | 0:13:37 | 0:13:39 | |
Now, Dean made such a great job of writing | 0:13:39 | 0:13:41 | |
How To Train Your Dragon | 0:13:41 | 0:13:44 | |
that I've decided to put his movie writing skills to the test, | 0:13:44 | 0:13:47 | |
by challenging him to come up with a top movie plot | 0:13:47 | 0:13:50 | |
based on four randomly selected story ingredients. | 0:13:50 | 0:13:54 | |
Yep, it's time for Writer Roulette. | 0:13:54 | 0:13:57 | |
Well, it's a story about an ant who has the very daunting challenge | 0:14:00 | 0:14:04 | |
of having to cross from one park to the other. | 0:14:04 | 0:14:06 | |
It's a cloudy day, he doesn't know if it's going to rain and he's going to | 0:14:06 | 0:14:09 | |
get swept away in the floods of rainwater that will gather | 0:14:09 | 0:14:13 | |
around in the park, and so he tries to use the buttons | 0:14:13 | 0:14:16 | |
on the mobile phone to call up the weather app, | 0:14:16 | 0:14:20 | |
to see whether or not he's in trouble, | 0:14:20 | 0:14:21 | |
or if he can make it across in the hour it will take him | 0:14:21 | 0:14:25 | |
to get across the park. | 0:14:25 | 0:14:26 | |
Nice one, Dean. | 0:14:26 | 0:14:27 | |
Still to come on Cinemaniacs - | 0:14:27 | 0:14:30 | |
we head behind the scenes of The Hobbit, with actor Adam Brown. | 0:14:30 | 0:14:34 | |
Now I have a huge phobia of fish. | 0:14:34 | 0:14:37 | |
Find out how to fly your own helicopter | 0:14:39 | 0:14:41 | |
in The Secret Of Movie Making. | 0:14:41 | 0:14:43 | |
And super actor Michael Sheen tries to prove he really is super | 0:14:45 | 0:14:49 | |
by disguising himself to fool his own mum and dad. | 0:14:49 | 0:14:52 | |
But, first, it's Part Two of DIY Blockbuster. | 0:14:54 | 0:14:57 | |
Four film makers have been given | 0:14:59 | 0:15:01 | |
the DIY Blockbuster surprise | 0:15:01 | 0:15:02 | |
of visual effects expert Jonathan Fawkner, | 0:15:02 | 0:15:06 | |
to create a monster for their movie. | 0:15:06 | 0:15:08 | |
After a crash course in filming things that aren't really there... | 0:15:08 | 0:15:11 | |
Why would there be a pile of cardboard boxes in a park? | 0:15:11 | 0:15:15 | |
..they're struggling to think outside the box. | 0:15:15 | 0:15:18 | |
Hello, guys. Welcome to our studio. | 0:15:20 | 0:15:22 | |
Now they've filmed all the real life footage, | 0:15:22 | 0:15:25 | |
Jonathan's brought them to a motion capture studio | 0:15:25 | 0:15:28 | |
to add the creature into the scenes... | 0:15:28 | 0:15:30 | |
Let's get you into the suit. | 0:15:30 | 0:15:33 | |
..and Misbah is going to play the creature. | 0:15:33 | 0:15:35 | |
Welcome to our monster. What do you think? | 0:15:35 | 0:15:39 | |
What? | 0:15:39 | 0:15:41 | |
'It looked like a caterpillar suit, but it's not.' | 0:15:41 | 0:15:44 | |
But this isn't fancy dress - the spots on the suit | 0:15:44 | 0:15:47 | |
are what the computer recognises to give the monster movement... | 0:15:47 | 0:15:50 | |
That is you, there. | 0:15:50 | 0:15:53 | |
..and, at the flick of the switch, | 0:15:53 | 0:15:54 | |
the team get their first glimpse of their monster... | 0:15:54 | 0:15:57 | |
Misbah, you're moving. Oh, my gosh! | 0:15:57 | 0:16:00 | |
..and are impressed. | 0:16:00 | 0:16:02 | |
'It actually seemed like it was real and I really loved it.' | 0:16:02 | 0:16:06 | |
With everything set up, it's time for Misbah to get into character. | 0:16:06 | 0:16:09 | |
Motion capture rolling. Action. | 0:16:09 | 0:16:12 | |
Cut. You seem like a nice monster. | 0:16:20 | 0:16:23 | |
Be angry. | 0:16:23 | 0:16:24 | |
'I don't usually get really angry a lot,' | 0:16:24 | 0:16:28 | |
so it was kind of difficult for me to get into that rage. | 0:16:28 | 0:16:31 | |
Action. | 0:16:31 | 0:16:33 | |
HE GROWLS | 0:16:33 | 0:16:34 | |
Following his director's advice, Misbah throws himself into the part. | 0:16:34 | 0:16:38 | |
-Like, "Argh!" -Rargh! | 0:16:38 | 0:16:40 | |
HE GROWLS | 0:16:40 | 0:16:43 | |
Cut. Yeah, I liked that last one. | 0:16:44 | 0:16:46 | |
He did really well. if I was in that position, I wouldn't do anything | 0:16:46 | 0:16:49 | |
-but, you know, you did very well. -Thanks. | 0:16:49 | 0:16:53 | |
The team's finished, but it takes several weeks | 0:16:53 | 0:16:55 | |
of intense special effects work | 0:16:55 | 0:16:57 | |
before they find out just how impressive their monster looks. | 0:16:57 | 0:17:02 | |
And here's the finished result! | 0:17:02 | 0:17:03 | |
MONSTER ROARS | 0:17:06 | 0:17:08 | |
Yep, that's pretty scary. | 0:17:08 | 0:17:10 | |
I liked the way it moved, the way it looked - especially the eyes, | 0:17:10 | 0:17:13 | |
because they were really realistic. | 0:17:13 | 0:17:15 | |
It looked like a potato, bear, mouse hybrid. | 0:17:15 | 0:17:20 | |
We gave the team a state-of-the-art CGI monster for their movie. | 0:17:20 | 0:17:23 | |
They've coped with the kit... | 0:17:23 | 0:17:25 | |
'Macbeth boards and mirror balls.' | 0:17:25 | 0:17:28 | |
..and mastered the moves... | 0:17:28 | 0:17:29 | |
-You know, you did very well. -Thanks. | 0:17:29 | 0:17:31 | |
..but what was the best bit? | 0:17:31 | 0:17:33 | |
I hate to admit this - the thing that I liked most | 0:17:34 | 0:17:37 | |
was when the monster knocked over the boxes. | 0:17:37 | 0:17:40 | |
I can't believe I'm saying this. | 0:17:44 | 0:17:47 | |
You can find out the team's finished movie on the CBBC website. | 0:17:47 | 0:17:51 | |
So this is where I give you guys three top tips | 0:17:53 | 0:17:56 | |
for framing your videos. | 0:17:56 | 0:17:57 | |
Tip number one - bad framing. | 0:17:57 | 0:17:59 | |
This is an example of bad framing. You can't even see my face. | 0:18:01 | 0:18:04 | |
Where's my head gone? Need to push it up. | 0:18:04 | 0:18:06 | |
We can only see one eye. | 0:18:06 | 0:18:08 | |
No-one wants to see up your nose. | 0:18:08 | 0:18:10 | |
Tip number two - good framing. | 0:18:12 | 0:18:14 | |
This is an example of good framing. | 0:18:14 | 0:18:16 | |
You can see my whole face | 0:18:16 | 0:18:17 | |
and we can also see where I am, as well. | 0:18:17 | 0:18:19 | |
Uh, there was a massive sign in the way. I'm going to do it again. | 0:18:19 | 0:18:22 | |
Tip number three - fun framing. | 0:18:22 | 0:18:24 | |
This is an example of fun framing. | 0:18:24 | 0:18:26 | |
Doesn't it look super-duper cool? | 0:18:26 | 0:18:28 | |
Hello, everyone. | 0:18:28 | 0:18:29 | |
You can also turn your camera to the side | 0:18:29 | 0:18:31 | |
and this is also another fun framing. | 0:18:31 | 0:18:33 | |
It looks like we're in a superhero movie. | 0:18:33 | 0:18:35 | |
To infinity and beyond! | 0:18:35 | 0:18:37 | |
There are my three top tips for framing your videos. | 0:18:37 | 0:18:41 | |
Now, this. | 0:18:41 | 0:18:42 | |
Let's head behind the scenes with the Hobbit. | 0:18:44 | 0:18:47 | |
I'm Adam Brown. I play Ori in the Hobbit. | 0:18:55 | 0:18:58 | |
HE BELCHES | 0:18:58 | 0:19:00 | |
'Before we did any type of filming,' | 0:19:00 | 0:19:02 | |
we did what was called dwarf boot camp, | 0:19:02 | 0:19:05 | |
where 13 actors who were playing the dwarfs | 0:19:05 | 0:19:08 | |
'did horse riding lessons, stunt training, movement training. | 0:19:08 | 0:19:12 | |
'So, we learnt how to walk as dwarfs.' | 0:19:12 | 0:19:15 | |
This was prior to getting the costume on, | 0:19:15 | 0:19:17 | |
'and then, suddenly, as you put those boots on, | 0:19:17 | 0:19:20 | |
'there's no other way of just moving | 0:19:20 | 0:19:22 | |
'without walking heavily like a dwarf.' | 0:19:22 | 0:19:24 | |
What do we do now? | 0:19:26 | 0:19:27 | |
-Hold your breath. -Hold my breath? | 0:19:28 | 0:19:30 | |
What do you mean? | 0:19:30 | 0:19:32 | |
THEY YELL | 0:19:32 | 0:19:34 | |
'In The Desolation Of Smaug,' | 0:19:39 | 0:19:42 | |
there is a scene where the dwarfs hide in barrels, | 0:19:42 | 0:19:46 | |
'and we are covered by fish.' | 0:19:46 | 0:19:48 | |
THEY GRUMBLE | 0:19:48 | 0:19:50 | |
Now, I have a huge phobia of fish, | 0:19:50 | 0:19:53 | |
'and the fish came down and they just covered the top of me.' | 0:19:53 | 0:19:56 | |
They just kept going and going and going and going, | 0:19:56 | 0:19:59 | |
to the point where they said, "Cut." | 0:19:59 | 0:20:01 | |
And I just shouted, "Get me out! Get me out of here! | 0:20:01 | 0:20:03 | |
"I can't stand it any more! | 0:20:03 | 0:20:05 | |
'And, at the end of the day,' | 0:20:05 | 0:20:07 | |
I absolutely stunk of fish! | 0:20:07 | 0:20:10 | |
All these Cinemaniacs secrets - | 0:20:14 | 0:20:17 | |
and here is one more. | 0:20:17 | 0:20:19 | |
Introducing Mike Tucker, special effects expert extraordinaire, | 0:20:19 | 0:20:23 | |
here to show you how to create special effects Hollywood-style in... | 0:20:23 | 0:20:27 | |
Today we're going to show you how to fly your very own helicopter. | 0:20:30 | 0:20:33 | |
Well, how to make it look like you're doing it, obviously. | 0:20:33 | 0:20:37 | |
So grab yourself a couple of friends and let's get started. | 0:20:37 | 0:20:40 | |
OK, the concept of this effect is called forced perspective, | 0:20:40 | 0:20:44 | |
and it's something that you may have seen in Lord Of The Rings | 0:20:44 | 0:20:49 | |
as a way of getting small people and big people | 0:20:49 | 0:20:52 | |
to be in frame at the same time. | 0:20:52 | 0:20:55 | |
To make this effect you really only need a model helicopter | 0:20:55 | 0:20:58 | |
and some books, big ones. | 0:20:58 | 0:21:00 | |
But if you want to make it look extra good then grab yourself | 0:21:00 | 0:21:03 | |
some black and yellow paint and a brush. | 0:21:03 | 0:21:06 | |
Cut a circle out of some old cardboard. | 0:21:06 | 0:21:09 | |
And, if you happen to have them hanging around the house, | 0:21:09 | 0:21:11 | |
a hi-vis vest, a couple of ping pong bats and some ear muffs. | 0:21:11 | 0:21:16 | |
Step one, get your helicopter into position | 0:21:16 | 0:21:18 | |
by putting it on a table in front of the camera. | 0:21:18 | 0:21:21 | |
It needs to be close to the lens so it looks big enough | 0:21:22 | 0:21:25 | |
when you look through the camera. | 0:21:25 | 0:21:27 | |
You might need some of your books for this to get it the right height. | 0:21:27 | 0:21:30 | |
Just a little bit higher. We're nearly there. | 0:21:30 | 0:21:33 | |
You have to do quite a bit of trial and error. How is that looking? | 0:21:33 | 0:21:37 | |
Yeah, that's pretty good. | 0:21:37 | 0:21:38 | |
Step two - this is the bit where you make it look extra good. | 0:21:38 | 0:21:42 | |
Paint your piece of cardboard so it looks like a helipad | 0:21:42 | 0:21:45 | |
and get someone to dress up in the costume. | 0:21:45 | 0:21:48 | |
-We have a safety vest. -OK. | 0:21:48 | 0:21:51 | |
Helicopters make a lot of noise, | 0:21:51 | 0:21:53 | |
so you're also going to need your ear defenders. | 0:21:53 | 0:21:55 | |
Don't think these are really table tennis bats. | 0:21:56 | 0:22:00 | |
Step three, get that someone to stand a distance | 0:22:00 | 0:22:03 | |
away from the camera so they look much smaller. | 0:22:03 | 0:22:06 | |
You can make any final adjustments at this stage. | 0:22:06 | 0:22:09 | |
Go back a bit. Stop. | 0:22:09 | 0:22:11 | |
Now, if she starts doing... | 0:22:11 | 0:22:14 | |
Turn as if you're looking that way. | 0:22:16 | 0:22:18 | |
Yeah. | 0:22:18 | 0:22:20 | |
-That's better. -Action. | 0:22:20 | 0:22:23 | |
And we have lift off. | 0:22:23 | 0:22:24 | |
Get someone to lift the helicopter off the table | 0:22:26 | 0:22:28 | |
then, hey, presto! You're flying your very own helicopter. | 0:22:28 | 0:22:32 | |
Greetings, Cinemaniacs! | 0:22:34 | 0:22:37 | |
It's all right, it's only me. Just channelling my inner Gandalf. | 0:22:37 | 0:22:40 | |
Coming up next we've got some more movie trickery, | 0:22:40 | 0:22:42 | |
this time with our very own super actor - Hollywood's Mr Sheen. | 0:22:42 | 0:22:47 | |
And now the star of Alice In Wonderland, Tron, | 0:22:47 | 0:22:51 | |
and Twilight, all round good guy | 0:22:51 | 0:22:55 | |
Michael Sheen, Super Actor! | 0:22:55 | 0:22:59 | |
'For today's super actor challenge I've come to Port Talbot in Wales, | 0:22:59 | 0:23:02 | |
'which is where I'm from so I'm kind of pretty famous around these parts. | 0:23:02 | 0:23:06 | |
'I've even got my own mural. Yeah, it's that one. I know! | 0:23:06 | 0:23:11 | |
'The crew have taken to the street to see who knows me.' | 0:23:11 | 0:23:14 | |
Michael Sheen from, um... Badlands, is it? | 0:23:14 | 0:23:18 | |
Michael Sheen, yes. | 0:23:18 | 0:23:20 | |
Excuse me, is there a Jersey bakery around here? | 0:23:20 | 0:23:23 | |
-Do you know Jersey Bakery? -Yes. | 0:23:23 | 0:23:25 | |
'Hang on a second can we cut there? Who's this guy? | 0:23:25 | 0:23:28 | |
'He's been hanging around for ages. | 0:23:28 | 0:23:30 | |
'Actually, it's me. I'm in prosthetics and a costume | 0:23:30 | 0:23:34 | |
'and no-one's recognised me. | 0:23:34 | 0:23:36 | |
'But that's not the challenge, no. It's much more difficult. | 0:23:36 | 0:23:40 | |
'The crew are going to pretend to be from some random TV news show | 0:23:40 | 0:23:43 | |
'to interview my mum and dad. | 0:23:43 | 0:23:45 | |
'And I have to try and speak to them | 0:23:45 | 0:23:47 | |
'not once not twice but three times | 0:23:47 | 0:23:49 | |
'without them recognising me! | 0:23:49 | 0:23:51 | |
'Prosthetics aside, this will take all my acting skills. | 0:23:51 | 0:23:55 | |
'Welcome to... | 0:23:55 | 0:23:56 | |
'So how did I end up looking like this guy, anyway? | 0:24:00 | 0:24:02 | |
'With the help of a few pros in the film industry | 0:24:02 | 0:24:05 | |
'I've been transformed from this handsome fella | 0:24:05 | 0:24:09 | |
'to this one. | 0:24:09 | 0:24:11 | |
'All for this week's challenge.' | 0:24:11 | 0:24:13 | |
We applied the prosthetic nose and little cheek pieces to Michael | 0:24:13 | 0:24:17 | |
cos Michael's got these really nice little indents. | 0:24:17 | 0:24:20 | |
'And my character is going to be mostly, er... | 0:24:20 | 0:24:24 | |
'lost builder? | 0:24:24 | 0:24:26 | |
'I'm going to warm up my act with some members of the public.' | 0:24:26 | 0:24:29 | |
I'll see you later. | 0:24:29 | 0:24:31 | |
Michael Sheen... | 0:24:31 | 0:24:32 | |
'My disguise is still working well. | 0:24:32 | 0:24:34 | |
'In fact, I'm ready to get a bit braver. | 0:24:34 | 0:24:37 | |
'Let's ditch the hat and coat.' | 0:24:37 | 0:24:39 | |
Yeah, Michael Sheen. He does come down here quite a lot, actually. | 0:24:39 | 0:24:42 | |
I've seen him around and I think his father still lives around here. | 0:24:42 | 0:24:45 | |
'Still going strong. Now, where's my mum and dad?' | 0:24:45 | 0:24:49 | |
-Our Michael. -Michael Sheen. | 0:24:49 | 0:24:52 | |
'Ah, they're still there, | 0:24:52 | 0:24:54 | |
'answering random questions about me | 0:24:54 | 0:24:56 | |
'from the TV interviewer. | 0:24:56 | 0:24:58 | |
'Which means it's time for...' | 0:24:58 | 0:24:59 | |
What do you like about living in Port Talbot? | 0:25:02 | 0:25:04 | |
I love the beach. | 0:25:04 | 0:25:06 | |
'To succeed I've got to make them believe that I'm just a random bloke | 0:25:06 | 0:25:10 | |
'and not their own son - three times!' | 0:25:10 | 0:25:13 | |
They perform it and they perform when... | 0:25:13 | 0:25:15 | |
'Dad's still droning on, so I'm going to dive straight in.' | 0:25:15 | 0:25:19 | |
Excuse me, is there a Jersey bakery around here? | 0:25:19 | 0:25:22 | |
I don't know. I think it may be down the bottom. | 0:25:22 | 0:25:25 | |
-Down the bottom? -There is a bakery. | 0:25:25 | 0:25:27 | |
-Thank you. -It's OK. | 0:25:27 | 0:25:30 | |
'Yay! Fooled them once. | 0:25:30 | 0:25:31 | |
'Going to interrupt their interview again. | 0:25:31 | 0:25:34 | |
'I wonder if they'll smell a rat.' | 0:25:34 | 0:25:36 | |
I can see you're in the middle of something but I'm much obliged, | 0:25:36 | 0:25:39 | |
-I found it, thank you very much. -OK. -Thank you. -Righto, fine. | 0:25:39 | 0:25:42 | |
'Woohoo! Fooled them twice! | 0:25:42 | 0:25:45 | |
'Let's see if I can go | 0:25:45 | 0:25:46 | |
'for the hat-trick. | 0:25:46 | 0:25:47 | |
'I'll just stand right here in front of them. | 0:25:47 | 0:25:49 | |
'Surely they'll recognise me now.' | 0:25:49 | 0:25:51 | |
I didn't recognise him... | 0:25:51 | 0:25:53 | |
So if Michael changed his nose and his hair | 0:25:53 | 0:25:55 | |
do you think you'd recognise him? | 0:25:55 | 0:25:58 | |
-I don't know! -I don't know. | 0:25:58 | 0:26:00 | |
'And, yes! Fooled them three times! | 0:26:00 | 0:26:03 | |
'Come on, Mum, this is ridiculous!' | 0:26:04 | 0:26:06 | |
So you'd recognise him if he was stood right next to you? | 0:26:06 | 0:26:09 | |
Yeah, that's right. | 0:26:09 | 0:26:10 | |
That... I don't believe it! | 0:26:10 | 0:26:13 | |
I don't believe it! | 0:26:13 | 0:26:15 | |
It's a good wig, that, isn't it? | 0:26:15 | 0:26:17 | |
THEY LAUGH | 0:26:17 | 0:26:18 | |
Your own son. | 0:26:18 | 0:26:20 | |
-I know! -Yeah. And your teeth. | 0:26:20 | 0:26:23 | |
'Today's challenge started with a wig, | 0:26:23 | 0:26:25 | |
'a false nose, | 0:26:25 | 0:26:27 | |
'and some very good make-up, | 0:26:27 | 0:26:28 | |
'and ended up with me fooling my mum and dad | 0:26:28 | 0:26:31 | |
'not once, not twice, but three times!' | 0:26:31 | 0:26:33 | |
And so the verdict is undeniable! I am truly... | 0:26:33 | 0:26:37 | |
Next time on Cinemaniacs... | 0:26:44 | 0:26:46 | |
this group of movie makers step back in time | 0:26:46 | 0:26:49 | |
when they get a DIY blockbuster surprise. | 0:26:49 | 0:26:52 | |
The film goes through like that. | 0:26:52 | 0:26:54 | |
-Come on! -I am not fast. -Yeah, no kidding! | 0:26:54 | 0:26:57 | |
We hear all about brand-new movie Big Hero 6. | 0:26:57 | 0:27:00 | |
Here's the best part... | 0:27:00 | 0:27:02 | |
And super actor Michal Sheen struggles to hit his mark. | 0:27:05 | 0:27:08 | |
Once more unto the breach, dear friends, once more! | 0:27:08 | 0:27:12 | |
HE LAUGHS | 0:27:13 | 0:27:15 | |
And how about this for a monster fact? | 0:27:17 | 0:27:19 | |
Sully, the extra cuddly and blue monster from - | 0:27:19 | 0:27:23 | |
you've guessed it - Monsters Inc had over 2.3 million hairs. | 0:27:23 | 0:27:27 | |
That's a lot of hairs. | 0:27:27 | 0:27:29 | |
I'm Oli White and you've been watching Cinemaniacs. | 0:27:29 | 0:27:33 | |
-And finally, sweet or salty? -Salty popcorn. | 0:27:33 | 0:27:36 | |
-Sweet. -Sweet. -Salt. | 0:27:36 | 0:27:37 | |
-Sweet. -Sweet. -Sweet. | 0:27:37 | 0:27:40 | |
-Salted. -Salted. -Sweet. | 0:27:40 | 0:27:42 | |
-Salty. -Sweet. | 0:27:42 | 0:27:43 | |
Salty. | 0:27:43 | 0:27:44 | |
-BOTH: -Salty. | 0:27:44 | 0:27:46 | |
-Sweet. -Sweet. | 0:27:46 | 0:27:47 | |
-BOTH: -Salty. | 0:27:47 | 0:27:48 |