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Hello, everyone. I'm Oli White and coming right up we've got | 0:00:01 | 0:00:04 | |
a massive helping of nonstop movie mayhem because I'm one | 0:00:04 | 0:00:09 | |
and you are one, let's say it together - this is Cinemaniacs. | 0:00:09 | 0:00:13 | |
Team, take it away. | 0:00:13 | 0:00:16 | |
Action. | 0:00:16 | 0:00:18 | |
# Want to ride your bike across the face of the moon? | 0:00:18 | 0:00:20 | |
# Levitate your house with a bunch of balloons? | 0:00:20 | 0:00:23 | |
# Feel zero gravitation? | 0:00:23 | 0:00:24 | |
# A robot transformation? | 0:00:24 | 0:00:25 | |
# You're a Cinemaniac | 0:00:25 | 0:00:27 | |
# Can you tell a lie that is the length of your nose? | 0:00:27 | 0:00:30 | |
# Or defrost a heart you accidentally froze? | 0:00:30 | 0:00:32 | |
# Want a bottomless case? | 0:00:32 | 0:00:34 | |
# Or a squid for a face? | 0:00:34 | 0:00:35 | |
# You're a Cinemaniac | 0:00:35 | 0:00:37 | |
# Do you long to hear the roar of an extinct dinosaur? | 0:00:37 | 0:00:40 | |
# To explore the flora in your very own Pandora? | 0:00:40 | 0:00:42 | |
# Feel the urge to sing on a quest for the Ring? | 0:00:42 | 0:00:45 | |
# To escape from a clone or to be home alone? | 0:00:45 | 0:00:49 | |
# Then roll out the red carpet And turn down the lights | 0:00:49 | 0:00:51 | |
# Grab yourself a seat and hold on tight | 0:00:51 | 0:00:54 | |
# We're mad about movies | 0:00:54 | 0:00:56 | |
# We're crazy for film | 0:00:56 | 0:00:57 | |
# We're cinemania, cinemania, Cinemaniacs. # | 0:00:57 | 0:01:02 | |
Are you ready for some marvellous movie mayhem? | 0:01:04 | 0:01:06 | |
Well, this is where the magic starts. | 0:01:06 | 0:01:09 | |
Coming up, we hear all about brand-new movie Big Hero 6. | 0:01:09 | 0:01:13 | |
Here's the best part! | 0:01:13 | 0:01:14 | |
There's more secrets of movie making | 0:01:16 | 0:01:18 | |
when we show you how to create your own ghost. | 0:01:18 | 0:01:21 | |
SCREAMING | 0:01:21 | 0:01:23 | |
And Michael Sheen, super actor, takes on a new challenge | 0:01:23 | 0:01:26 | |
but will he hit his mark? | 0:01:26 | 0:01:28 | |
Oh, that was close. | 0:01:28 | 0:01:30 | |
What do you think about that, Gemma? | 0:01:31 | 0:01:33 | |
I think it's brilliant. | 0:01:33 | 0:01:34 | |
Yeah, I'd definitely have to agree with that. | 0:01:34 | 0:01:37 | |
I always like that stuff where you don't even speak, | 0:01:37 | 0:01:39 | |
you're just doing all the funny sound effects like going, | 0:01:39 | 0:01:41 | |
"Aah-ooh-ee!" | 0:01:41 | 0:01:43 | |
OK, let's try and do this next bit without speaking. | 0:01:43 | 0:01:46 | |
Aah-ooh-ee! There's me getting a surprise, | 0:01:46 | 0:01:50 | |
a DIY-blockbuster surprise. Here's part one. | 0:01:50 | 0:01:53 | |
-Action. -We're giving groups of filmmakers the chance | 0:01:57 | 0:02:00 | |
-to make a short film. -Woof! | 0:02:00 | 0:02:01 | |
Armed with just a camera, a script and some home-made props. | 0:02:01 | 0:02:05 | |
But little do they know they're in for a big surprise... | 0:02:06 | 0:02:09 | |
You didn't know I was coming? | 0:02:09 | 0:02:12 | |
..when we give them something spectacular | 0:02:12 | 0:02:15 | |
to turn their home movie into a DIY blockbuster. | 0:02:15 | 0:02:18 | |
Amariah, Joshua, Husnain, Nishant, Tashinga and Tyreik | 0:02:22 | 0:02:26 | |
are making an action movie. | 0:02:26 | 0:02:28 | |
-Jet packs, parachutes... -Explosions. | 0:02:28 | 0:02:32 | |
But it's an action movie with a difference, it's a silent movie. | 0:02:32 | 0:02:36 | |
It's the first time we've made a movie without words, | 0:02:36 | 0:02:38 | |
so it's quite hard. | 0:02:38 | 0:02:39 | |
It's about two twins robbing a jewellery store. | 0:02:39 | 0:02:42 | |
So when they fly away in their jet packs, one of them | 0:02:44 | 0:02:47 | |
lands in the prison yard, and the other one lands on the ship. | 0:02:47 | 0:02:51 | |
And they end up in the same prison cell. | 0:02:51 | 0:02:54 | |
-Action. -Our team are shooting their movie on their modern day | 0:02:54 | 0:02:57 | |
camera phones. Or so they think. What the team don't know | 0:02:57 | 0:03:01 | |
is that they're in for a DIY-blockbuster surprise. | 0:03:01 | 0:03:04 | |
Hello, I'm David Cleveland. | 0:03:04 | 0:03:07 | |
We're taking them back in time with a mystery piece of kit. | 0:03:07 | 0:03:10 | |
Stand by, action. | 0:03:11 | 0:03:13 | |
The team have started filming | 0:03:13 | 0:03:15 | |
and have no idea what's about to happen when David turns up. | 0:03:15 | 0:03:18 | |
They're going to be making their film using this 100-year-old | 0:03:24 | 0:03:28 | |
motion picture camera, complete with five minutes' worth of film... | 0:03:28 | 0:03:31 | |
Five minutes?! Good luck with that, then. | 0:03:31 | 0:03:34 | |
Cameras like this would have been used for the very first movies | 0:03:34 | 0:03:38 | |
and this rare, historical piece of kit is just | 0:03:38 | 0:03:41 | |
what the team need to get their film the silent movie look. | 0:03:41 | 0:03:44 | |
When they first saw me walk out, I think they were dumbfounded. | 0:03:47 | 0:03:51 | |
I thought he was a magician, to be honest. | 0:03:51 | 0:03:55 | |
I thought he was going to pull out a rabbit or something. | 0:03:55 | 0:03:58 | |
You'd struggle to take a selfie with that. | 0:03:58 | 0:04:00 | |
Aren't we going to film it with this, then? | 0:04:01 | 0:04:04 | |
We're going to have a go on this first of all to see how it goes. | 0:04:04 | 0:04:06 | |
Unlike most cameras we use now, this camera uses film. | 0:04:06 | 0:04:10 | |
When you turn the handle, the film goes through like that, | 0:04:10 | 0:04:15 | |
takes a picture and then moves the film down, | 0:04:15 | 0:04:17 | |
takes another picture, moves the film down, | 0:04:17 | 0:04:20 | |
takes another picture, moves the film down. See? | 0:04:20 | 0:04:22 | |
And it takes more than just pressing a button to start recording. | 0:04:22 | 0:04:25 | |
You've got to turn it twice every second. | 0:04:25 | 0:04:27 | |
As you start rotating the handle it starts to take | 0:04:27 | 0:04:31 | |
16 photos per second. You have to go smoothly. | 0:04:31 | 0:04:34 | |
If it sort of goes in jerks the picture will be speeded up | 0:04:34 | 0:04:38 | |
or slowed down and it'll go dark or light. | 0:04:38 | 0:04:40 | |
This sounds complicated, I wonder | 0:04:40 | 0:04:43 | |
if our challenge... I mean, surprise, will really help our team. | 0:04:43 | 0:04:47 | |
Now, if you disappear under the cloth. OK, can you see the hole? | 0:04:49 | 0:04:53 | |
Even lining up the shot is much trickier with an old camera. | 0:04:53 | 0:04:56 | |
When you had to look in to see where the camera's pointing, | 0:04:56 | 0:04:59 | |
that's the difficult part. | 0:04:59 | 0:05:01 | |
Can you wave that white thing a minute? | 0:05:01 | 0:05:03 | |
When you look through the hole, | 0:05:03 | 0:05:05 | |
it's like just a little tiny square thing and it shows upside down. | 0:05:05 | 0:05:09 | |
And it's dark and black and upside down. | 0:05:09 | 0:05:12 | |
It is very confusing, you've just got to get used to it. | 0:05:12 | 0:05:14 | |
I like your confidence. With the shot lined up they're | 0:05:14 | 0:05:17 | |
ready for their first take. | 0:05:17 | 0:05:19 | |
Silent, standby, action. | 0:05:19 | 0:05:21 | |
-Cut. -Excellent. -Perfect. -Now we need to set up number two. | 0:05:30 | 0:05:33 | |
Time for a close-up shot, but with no zoom, the team have | 0:05:33 | 0:05:37 | |
to physically move the heavy camera closer to the action. | 0:05:37 | 0:05:40 | |
Can you imagine making a film on this? How long it took years ago. | 0:05:43 | 0:05:47 | |
With that camera, it's not portable. | 0:05:48 | 0:05:51 | |
It's too heavy to hold and it takes way longer. | 0:05:52 | 0:05:55 | |
On digital cameras you can move around. | 0:06:00 | 0:06:04 | |
Imagine trying to take that to a 1D concert. | 0:06:04 | 0:06:07 | |
Still to come on DIY blockbuster part two. | 0:06:11 | 0:06:15 | |
There's problems with the props, | 0:06:15 | 0:06:16 | |
worries with the wind... | 0:06:16 | 0:06:18 | |
The problem was we didn't know where it was going to land. | 0:06:18 | 0:06:20 | |
And it's all causing the camera's film to run out fast. | 0:06:20 | 0:06:23 | |
Now we need to get this right this time, because there's film | 0:06:23 | 0:06:26 | |
going through the camera, and we've only got so much. | 0:06:26 | 0:06:29 | |
SPEECH IS MUTED | 0:06:36 | 0:06:39 | |
Oops, sorry. Silent movies are just the best, aren't they? | 0:06:39 | 0:06:42 | |
Two of my favourite actors have got to be Laurel and Hardy. | 0:06:42 | 0:06:45 | |
If you dream of becoming an actor or an actress then here is some | 0:06:46 | 0:06:50 | |
brilliant advice. | 0:06:50 | 0:06:51 | |
My advice would be say yes to everything. | 0:06:51 | 0:06:54 | |
Don't be too cool for anything apart from too cool for school, obviously. | 0:06:54 | 0:06:58 | |
You want to push yourself and do you best | 0:06:58 | 0:06:59 | |
but you should enjoy it as well because it is hard work. | 0:06:59 | 0:07:03 | |
Help out. If a friend needs an actor | 0:07:03 | 0:07:06 | |
to be involved in a play, say yes. | 0:07:06 | 0:07:09 | |
Keep watching people because they do interesting things. | 0:07:09 | 0:07:12 | |
Listen, make friends with people, learn, absorb everything. | 0:07:12 | 0:07:15 | |
Don't give up on it, don't let anyone tell you differently, | 0:07:15 | 0:07:18 | |
that you can't do it, or whatever like that. | 0:07:18 | 0:07:20 | |
Just be fearless. | 0:07:20 | 0:07:21 | |
Just stick at it because something good will happen. | 0:07:21 | 0:07:25 | |
We ask the questions so you don't have to. | 0:07:27 | 0:07:30 | |
Tom, Tom, we're over here. | 0:07:30 | 0:07:33 | |
Tom, what's the best thing about being an actor? | 0:07:33 | 0:07:36 | |
Staying up late and eating pizza. | 0:07:37 | 0:07:39 | |
It doesn't get much more random than this. | 0:07:41 | 0:07:44 | |
Ella, specialist subject, Charlotte's Web. | 0:07:57 | 0:08:01 | |
Who wanted to take care of the piglet? | 0:08:01 | 0:08:03 | |
Fern. | 0:08:03 | 0:08:04 | |
What does Fern push Wilbur around the village in? | 0:08:04 | 0:08:07 | |
A buggy. | 0:08:07 | 0:08:08 | |
What colour is the tin of paint Templeton the rat | 0:08:08 | 0:08:11 | |
knocks over at the dump? | 0:08:11 | 0:08:13 | |
Red. | 0:08:13 | 0:08:14 | |
-BUZZER DRONES -Correct answer, pink. | 0:08:14 | 0:08:16 | |
SHE SCREAMS | 0:08:16 | 0:08:18 | |
Erin, specialist subject, School of Rock. | 0:08:18 | 0:08:21 | |
In the music room, what instrument was Marco playing? | 0:08:21 | 0:08:24 | |
Trumpet. | 0:08:24 | 0:08:25 | |
What is the name of the guy who replaces Dewie? | 0:08:25 | 0:08:28 | |
Spider. | 0:08:28 | 0:08:29 | |
According to Mr S, what is stickittodamaneosis? | 0:08:29 | 0:08:33 | |
It's a rare blood disease. | 0:08:33 | 0:08:36 | |
What song does Marta sing at her desk? | 0:08:36 | 0:08:38 | |
The Sun Will Come Out Tomorrow. | 0:08:38 | 0:08:41 | |
What was the name of the Horace Green gym teacher? | 0:08:41 | 0:08:44 | |
Henry. BUZZER DRONES | 0:08:45 | 0:08:47 | |
-Correct answer, Bob. -SHE SCREAMS | 0:08:47 | 0:08:50 | |
Dilraj, specialist subject, Finding Nemo. | 0:08:51 | 0:08:55 | |
Where in the world is the harbour? | 0:08:55 | 0:08:57 | |
Sydney. | 0:08:57 | 0:08:58 | |
What is the sequel to Finding Nemo called? | 0:08:58 | 0:09:01 | |
Finding Dory. | 0:09:01 | 0:09:02 | |
How old does Crush claim to be? | 0:09:02 | 0:09:05 | |
150 years old. | 0:09:05 | 0:09:06 | |
What was the name of the goldfish Darla had previously killed? | 0:09:06 | 0:09:10 | |
Sandy? BUZZER DRONES | 0:09:12 | 0:09:14 | |
-Correct answer, Chuckles. -HE SCREAMS | 0:09:14 | 0:09:17 | |
And the winner is Erin. | 0:09:18 | 0:09:21 | |
Phoar, those Rock Hard Quizzes get more and more... | 0:09:25 | 0:09:29 | |
-DEEP VOICE: -Rock Hard! | 0:09:29 | 0:09:30 | |
But someone else who's rock hard is our next guest. | 0:09:30 | 0:09:33 | |
My name's Amanda Foster and I'm a stunt woman. | 0:09:33 | 0:09:36 | |
Doing stunt work you have a lot of training, | 0:09:36 | 0:09:38 | |
you learn how to move, fall or react and use your body. | 0:09:38 | 0:09:42 | |
Stunt people are trained to do what they do. | 0:09:42 | 0:09:45 | |
I have my motorcycle licence, jockey licence, my HGV. | 0:09:45 | 0:09:48 | |
You pick up the skills along the way. | 0:09:48 | 0:09:51 | |
Now, we asked Amanda to challenge two teams of super Cinemaniacs, | 0:09:51 | 0:09:56 | |
Gower Films and Stunt-a-mania, to see who could | 0:09:56 | 0:09:58 | |
come up with the best stunt sequence in our... | 0:09:58 | 0:10:01 | |
But please, don't try any of these at home. | 0:10:04 | 0:10:07 | |
Amanda will be asking, is it original? Is it possible? | 0:10:07 | 0:10:12 | |
But, most important of all, is it entertaining? | 0:10:12 | 0:10:15 | |
OK, we need to just move all of the dinosaurs. | 0:10:15 | 0:10:18 | |
Gower Films kick off the action. | 0:10:18 | 0:10:21 | |
A girl goes into the bank, she gets a diamond. | 0:10:21 | 0:10:25 | |
And she notices someone's following her. | 0:10:25 | 0:10:27 | |
So they run through a couple of alleyways, do a bit of parkour. | 0:10:27 | 0:10:31 | |
-That's exciting. -Yeah, it is. | 0:10:31 | 0:10:32 | |
They go onto a zip line down to the park. The girl with | 0:10:32 | 0:10:35 | |
the diamond kicks someone off their skateboard... | 0:10:35 | 0:10:38 | |
-Bit mean. -..and tries to get away. | 0:10:38 | 0:10:39 | |
She skates all the way up and she sees a firework truck. | 0:10:39 | 0:10:42 | |
She jumps off the skateboard and the skateboard goes under the truck. | 0:10:42 | 0:10:46 | |
Skateboarder under the truck could work. | 0:10:46 | 0:10:48 | |
She does a flip over the firework truck and there's a big explosion. | 0:10:48 | 0:10:52 | |
She jumps into the water and the man that was chasing her gets | 0:10:52 | 0:10:55 | |
eaten by a sea monster that comes out of nowhere and that's the end. | 0:10:55 | 0:11:00 | |
That would work very nicely. | 0:11:00 | 0:11:03 | |
Next up, Stunt-a-mania. | 0:11:03 | 0:11:05 | |
So it all starts off with a gigantic dinosaur chasing the fastest | 0:11:05 | 0:11:09 | |
-man in the world. -Ah! | 0:11:09 | 0:11:11 | |
And he stops at the water as dinosaurs can't swim. | 0:11:11 | 0:11:14 | |
-And then he goes through this pipe into the sea. -Ooh. -Plop. | 0:11:14 | 0:11:18 | |
-He starts riding a shark. -OK, it's possible. | 0:11:18 | 0:11:22 | |
And then he finds more dinosaurs but then he jumps... | 0:11:22 | 0:11:26 | |
-Onto the helicopter... -And he crashes down. -Ah! | 0:11:26 | 0:11:30 | |
Gets on the rocket. | 0:11:30 | 0:11:32 | |
3, 2, 1, blast off. He goes into space and then the end. | 0:11:32 | 0:11:36 | |
So what did Amanda think of the stupendous stunts? | 0:11:39 | 0:11:42 | |
I loved their ideas, | 0:11:42 | 0:11:43 | |
it reminded me of the big multimillion-dollar-budget movies | 0:11:43 | 0:11:48 | |
we work on. Sharks, cars, explosions. | 0:11:48 | 0:11:50 | |
-I love it. -And the verdict is... | 0:11:52 | 0:11:55 | |
For originality, Gower Films scored eight out of ten | 0:11:56 | 0:12:01 | |
and Stunt-a-mania scored nine. | 0:12:01 | 0:12:04 | |
This sequence put together is very exciting and pretty original. | 0:12:04 | 0:12:08 | |
For "how possible is it for the stunt to be recreated?" | 0:12:10 | 0:12:13 | |
Stunt-a-mania scored | 0:12:13 | 0:12:14 | |
eight but Gower Films scored | 0:12:14 | 0:12:17 | |
a maximum of ten. | 0:12:17 | 0:12:19 | |
The skateboard is really good. I quite like that idea. | 0:12:19 | 0:12:21 | |
And I love the firework truck. | 0:12:21 | 0:12:24 | |
-Yes! -For entertainment value, | 0:12:24 | 0:12:26 | |
Gower Films scored eight, | 0:12:26 | 0:12:28 | |
and Stunt-a-mania scored ten. | 0:12:28 | 0:12:31 | |
Lots of action, lots to keep people sitting on the edge of their seats | 0:12:31 | 0:12:35 | |
and their hearts pumping. So that means the overall winner is | 0:12:35 | 0:12:40 | |
-Stunt-a-mania. -Yes! | 0:12:40 | 0:12:44 | |
Way to go, Stunt-a-mania. | 0:12:44 | 0:12:45 | |
One of the most famous silent-movie stunts off all time was | 0:12:47 | 0:12:50 | |
done for real by an actor called Harold Lloyd. | 0:12:50 | 0:12:53 | |
He did all of his own stunts, including this one which | 0:12:53 | 0:12:56 | |
is really scary, definitely not one to try at home. | 0:12:56 | 0:12:59 | |
Hang on in there, Harry. | 0:12:59 | 0:13:01 | |
We're only halfway through the show. | 0:13:01 | 0:13:03 | |
Still to come on Cinemaniacs. | 0:13:03 | 0:13:06 | |
Michael Sheen, super actor, gets in a muddle | 0:13:06 | 0:13:08 | |
when he attempts to hit his mark. | 0:13:08 | 0:13:10 | |
Oh! | 0:13:11 | 0:13:13 | |
We head behind the scenes with new animation, Big Hero 6. | 0:13:13 | 0:13:16 | |
And if it's the scare factor you're after, it's time to get | 0:13:18 | 0:13:21 | |
-yourself a ghost. -SCREAMING | 0:13:21 | 0:13:24 | |
But first, it's part two of DIY blockbuster. | 0:13:24 | 0:13:27 | |
Six film makers are making a silent movie | 0:13:31 | 0:13:33 | |
and they've been given the DIY-blockbuster surprise | 0:13:33 | 0:13:36 | |
of a 100-year-old camera to film it with. | 0:13:36 | 0:13:39 | |
But with less than five minutes of film | 0:13:39 | 0:13:41 | |
to shoot their whole movie... | 0:13:41 | 0:13:42 | |
There's 300 feet of film in there. That's going to last us | 0:13:42 | 0:13:45 | |
about four and a half minutes. | 0:13:45 | 0:13:46 | |
..the team can't afford many bloopers. | 0:13:46 | 0:13:49 | |
Cut. | 0:13:49 | 0:13:50 | |
Standby. | 0:13:50 | 0:13:52 | |
Let's hope this next scene runs smoothly. | 0:13:52 | 0:13:54 | |
Cut. | 0:14:02 | 0:14:03 | |
-Happy? -No. | 0:14:03 | 0:14:05 | |
Cut. | 0:14:09 | 0:14:10 | |
Your mask came off. | 0:14:10 | 0:14:11 | |
It went a bit wrong a couple of times. | 0:14:11 | 0:14:13 | |
We need to get this right this time because there's | 0:14:13 | 0:14:15 | |
film going through the camera and we've only got so much. | 0:14:15 | 0:14:18 | |
It's not like a normal camera that's got lots of gigabytes in it | 0:14:18 | 0:14:22 | |
and all that. | 0:14:22 | 0:14:23 | |
If the team aren't careful, they could run out of film | 0:14:23 | 0:14:26 | |
before they finish their movie. | 0:14:26 | 0:14:27 | |
-Cut. -I can't get it on properly. | 0:14:27 | 0:14:30 | |
Tashinga had difficulties putting his jet pack on. | 0:14:30 | 0:14:33 | |
What we've got to do is get all the rest of the scenes on that before | 0:14:33 | 0:14:36 | |
that goes round, so we've got to make sure each shot works perfectly. | 0:14:36 | 0:14:40 | |
Because there's only a limited amount of film | 0:14:40 | 0:14:44 | |
so you have to do it as best as you can in the first one. | 0:14:44 | 0:14:47 | |
So we're going to rehearse it three times | 0:14:47 | 0:14:49 | |
and then the fourth time we're going to shoot it. | 0:14:49 | 0:14:51 | |
Yep. | 0:14:51 | 0:14:52 | |
The team rehearse to make sure everything's perfect | 0:14:52 | 0:14:55 | |
before using up any more film. | 0:14:55 | 0:14:57 | |
Cut. Perfect. | 0:14:59 | 0:15:01 | |
Now you've got to do it exactly the same again. | 0:15:01 | 0:15:03 | |
-Are you going to record it this time? -Yeah. -Definitely? | 0:15:03 | 0:15:06 | |
Yeah, definitely. | 0:15:06 | 0:15:08 | |
People. | 0:15:08 | 0:15:10 | |
Cut. It was all right. | 0:15:18 | 0:15:20 | |
Although Husnain isn't completely happy, | 0:15:20 | 0:15:23 | |
with so much film already used up he settles for the take. | 0:15:23 | 0:15:26 | |
We did that part about over seven times. | 0:15:26 | 0:15:29 | |
I think we'd better move on to the next scene. | 0:15:29 | 0:15:31 | |
-OK. -OK? | 0:15:31 | 0:15:32 | |
We never got it perfectly, but we thought it was great enough | 0:15:32 | 0:15:36 | |
so we could just move on. | 0:15:36 | 0:15:37 | |
And action. | 0:15:38 | 0:15:40 | |
But even when the actors do everything perfectly, | 0:15:42 | 0:15:45 | |
other things can still go wrong. | 0:15:45 | 0:15:47 | |
-And cut. -Whoops. -Prop problem. | 0:15:47 | 0:15:49 | |
Scenery falling down is the last thing the team needs. | 0:15:51 | 0:15:54 | |
When we was recording it fell off so then you could see all | 0:15:54 | 0:15:58 | |
the playground stuff. So we had to stick it back on. | 0:15:58 | 0:16:00 | |
Silence. Stand by, action. | 0:16:02 | 0:16:05 | |
-And even the weather is causing problems. -Cut. | 0:16:05 | 0:16:08 | |
The wind was blowing too hard and the models are plastic | 0:16:08 | 0:16:11 | |
so when you throw them, like, | 0:16:11 | 0:16:13 | |
it would get carried away by the wind easily. | 0:16:13 | 0:16:17 | |
OK. | 0:16:17 | 0:16:18 | |
-See anything? -No. | 0:16:20 | 0:16:22 | |
Uh-oh, that's more film wasted. | 0:16:24 | 0:16:26 | |
The problem was we didn't know where it was going to land. | 0:16:26 | 0:16:28 | |
It was very difficult to tell | 0:16:28 | 0:16:29 | |
whether that worked, do you think it worked? | 0:16:29 | 0:16:32 | |
Parachute in shot, just. | 0:16:32 | 0:16:34 | |
With the trickiest scenes shot, the team are on a roll. | 0:16:36 | 0:16:41 | |
Action. | 0:16:41 | 0:16:42 | |
And they shoot their final scenes in the nick of time, | 0:16:42 | 0:16:45 | |
just before the film runs out. | 0:16:45 | 0:16:47 | |
Right, well, we call that the end, or that's a wrap. | 0:16:47 | 0:16:50 | |
-THEY CLAP -Sweet. | 0:16:50 | 0:16:52 | |
Thank you very much. | 0:16:52 | 0:16:55 | |
The team were given a 100-year-old camera... | 0:16:55 | 0:16:57 | |
Action. | 0:16:57 | 0:16:58 | |
..it started to wind them up... | 0:16:58 | 0:17:00 | |
You've got to turn it twice every second. | 0:17:00 | 0:17:01 | |
..and using it soon became a drag. | 0:17:01 | 0:17:04 | |
But was it worth all that effort? | 0:17:05 | 0:17:07 | |
I thought it was good. | 0:17:07 | 0:17:08 | |
It was ambitious, but we got there in the end. | 0:17:08 | 0:17:11 | |
I prefer the digital cameras. I can delete if I make mistakes. | 0:17:11 | 0:17:14 | |
You can check out the team's finished movie on the CBBC website. | 0:17:16 | 0:17:20 | |
So, this is where I give you guys three top tips to improve | 0:17:23 | 0:17:26 | |
the lighting in your videos. | 0:17:26 | 0:17:28 | |
Make sure you have lots of light. | 0:17:30 | 0:17:32 | |
This is perfect because you can see what's behind me, | 0:17:32 | 0:17:34 | |
you can see me, it's a great example of good lighting. | 0:17:34 | 0:17:37 | |
Don't film in the dark, you won't see a thing, so walk around | 0:17:39 | 0:17:41 | |
your house and turn on any lights to make the environment brighter. | 0:17:41 | 0:17:44 | |
Have fun with lighting. | 0:17:45 | 0:17:47 | |
Look at this! | 0:17:49 | 0:17:50 | |
There are so many different things you can do. | 0:17:50 | 0:17:52 | |
That's going to scare anyone. So many cool effects you can achieve. | 0:17:52 | 0:17:55 | |
What is this? | 0:17:55 | 0:17:57 | |
Oh, my word! This is awesome! I'm going through | 0:17:57 | 0:18:01 | |
time right now. I want to put this in my movie. | 0:18:01 | 0:18:04 | |
That's three top tips to improve the lighting in your videos. Now this. | 0:18:04 | 0:18:07 | |
We take you behind the scenes with Big Hero 6. | 0:18:10 | 0:18:14 | |
We're under attack from a super-villain, people! | 0:18:14 | 0:18:16 | |
Come on! Go, go, go. | 0:18:16 | 0:18:17 | |
-I am not fast. -Yeah, no kidding. | 0:18:17 | 0:18:19 | |
Come on, kick it down, punch it. | 0:18:19 | 0:18:24 | |
I'm Don Hall and I'm a Cinemaniac. | 0:18:24 | 0:18:26 | |
Don's also one of the directors of Big Hero 6. | 0:18:27 | 0:18:30 | |
My name is Roy Conli and I'm a Cinemaniac. | 0:18:30 | 0:18:34 | |
Good to know, Roy. He's the movie producer, by the way. | 0:18:34 | 0:18:37 | |
So what's this film all about? | 0:18:37 | 0:18:39 | |
It's about a bunch of kids who are really smart | 0:18:39 | 0:18:41 | |
and who use their technology for good. | 0:18:41 | 0:18:43 | |
I mean, it's scary, obviously, but how cool! | 0:18:43 | 0:18:46 | |
It's how they became a superhero team. | 0:18:46 | 0:18:49 | |
This superhero team are made up of Hiro, Wasabi... | 0:18:49 | 0:18:53 | |
-Catch. -Wow. | 0:18:53 | 0:18:57 | |
..Honey Lemon... | 0:18:57 | 0:18:58 | |
-Whoa. -..Gogo... | 0:18:59 | 0:19:01 | |
Fred... | 0:19:03 | 0:19:04 | |
School mascot by day but by night, | 0:19:04 | 0:19:08 | |
-I'm also school mascot. -..and Baymax, | 0:19:08 | 0:19:10 | |
the personal healthcare robot. | 0:19:10 | 0:19:13 | |
He may look like a large inflatable, | 0:19:13 | 0:19:15 | |
but Baymax is actually more lifelike than you'd think. | 0:19:15 | 0:19:18 | |
With Baymax's walk we wanted something very cute and appealing. | 0:19:18 | 0:19:21 | |
What's the cutest walk out there in nature? | 0:19:21 | 0:19:24 | |
Have you worked out what it is? | 0:19:24 | 0:19:26 | |
Baymax's walk is actually based on the baby penguin. | 0:19:26 | 0:19:28 | |
That's so cool. | 0:19:28 | 0:19:30 | |
Big Hero 6 comes from a comic book and in the comic book it's | 0:19:30 | 0:19:34 | |
a super team from Tokyo and so we wanted to keep with the Tokyo | 0:19:34 | 0:19:38 | |
but we wanted to kind of broaden it out to the world a little bit. | 0:19:38 | 0:19:41 | |
And so Sanfransokyo was born. | 0:19:41 | 0:19:43 | |
It's a vibrant city and we wanted it | 0:19:43 | 0:19:45 | |
to be populated with a lot of people. | 0:19:45 | 0:19:47 | |
We have the most characters in an animated film ever. | 0:19:47 | 0:19:50 | |
LEAKING AIR SQUEAKS | 0:19:50 | 0:19:52 | |
And no Disney movie is complete without a hidden secret. | 0:19:52 | 0:19:55 | |
So what's in this one? | 0:19:55 | 0:19:57 | |
SQUEAKING STOPS | 0:19:57 | 0:19:59 | |
There's lots of Easter eggs, I can tell you that. | 0:19:59 | 0:20:01 | |
Come on, give us a clue. | 0:20:01 | 0:20:03 | |
OK, I'll give you one clue. Where we first learn about Baymax having | 0:20:03 | 0:20:07 | |
a rocket fist there's a statue, that's the only clue I'll give you. | 0:20:07 | 0:20:11 | |
You heard it first here, another Cinemaniac secret. | 0:20:11 | 0:20:15 | |
Sweet, legend has it that | 0:20:15 | 0:20:16 | |
when they were making Toy Story, the animators glued planks of wood | 0:20:16 | 0:20:19 | |
to their feet to figure out how the toy soldiers should walk. | 0:20:19 | 0:20:23 | |
Stay tuned for some more movie secrets. | 0:20:23 | 0:20:25 | |
Introducing Mr Mike Tucker, | 0:20:25 | 0:20:28 | |
here to show you how to create special effects Hollywood style | 0:20:28 | 0:20:31 | |
in... | 0:20:31 | 0:20:32 | |
Today we're going to show you how to make a ghost appear. | 0:20:36 | 0:20:39 | |
EVIL LAUGH | 0:20:39 | 0:20:41 | |
So grab a couple of friends and let's get started. | 0:20:41 | 0:20:44 | |
We're going to try to make a ghost appear in that pantry. | 0:20:44 | 0:20:48 | |
The sort of effect we're aiming for is like the ghosts | 0:20:48 | 0:20:50 | |
that appear in Harry Potter. | 0:20:50 | 0:20:52 | |
You're going to need a window, a torch and a ghost costume. | 0:20:52 | 0:20:56 | |
Well, an old sheet, really. And that's about it. | 0:20:56 | 0:20:59 | |
But for this special effect it's all about where you put your camera. | 0:20:59 | 0:21:03 | |
Step one, you need to do this effect in the dark, cos not many | 0:21:03 | 0:21:06 | |
ghosts come out in the day, do they? | 0:21:06 | 0:21:09 | |
Step two, put your camera outside the window | 0:21:09 | 0:21:12 | |
so it's looking at the place where you want your ghost to appear. | 0:21:12 | 0:21:15 | |
If you want to get technical, the camera needs to be put | 0:21:15 | 0:21:18 | |
at a 45-degree angle to the window. | 0:21:18 | 0:21:20 | |
Step three, get into position with your torch. | 0:21:22 | 0:21:24 | |
If you keep an eye on that camera, I'm just going to | 0:21:24 | 0:21:27 | |
walk over here with this torch. | 0:21:27 | 0:21:30 | |
Step four, stand at the side of your camera and prepare to get scared. | 0:21:30 | 0:21:34 | |
EVIL LAUGH And if I stand here... | 0:21:34 | 0:21:38 | |
You'll be amazed to see what looks like a ghost inside. | 0:21:38 | 0:21:40 | |
As soon as I get a bright light on me I appear in the window. | 0:21:42 | 0:21:46 | |
-Now you see him, now you don't. -That's amazing. | 0:21:46 | 0:21:50 | |
If you want to go mega scary then you'll need a ghost costume. | 0:21:50 | 0:21:54 | |
You can use an old sheet, check you can use it first, | 0:21:54 | 0:21:57 | |
and cut holes in it for eyes. | 0:21:57 | 0:21:58 | |
-Boo! -THEY LAUGH | 0:22:00 | 0:22:01 | |
-That is awesome. -So turn it off and he vanishes. | 0:22:03 | 0:22:06 | |
Turn it back on and he appears. And there he is. | 0:22:08 | 0:22:12 | |
You're all set to go, all-out scary. | 0:22:12 | 0:22:14 | |
And that's how you make a movie ghost. | 0:22:16 | 0:22:18 | |
# I ain't afraid of no ghosts. # | 0:22:18 | 0:22:20 | |
I don't fancy seeing him on a dark night. Next up, | 0:22:22 | 0:22:24 | |
it's our very own super actor with another super-actor challenge. | 0:22:24 | 0:22:28 | |
And now the star of Alice In Wonderland, Tron and Twilight... | 0:22:30 | 0:22:35 | |
My challenge today is to hit my mark. | 0:22:41 | 0:22:44 | |
Now, you can see on the floor just in front of me there is a mark. | 0:22:44 | 0:22:48 | |
Now, I will give you an example of what would happen in a film. | 0:22:48 | 0:22:53 | |
I might be walking in the middle of a scene but to make sure that I'm | 0:22:53 | 0:22:57 | |
in the right place in order to say my line, I will have to hit my mark. | 0:22:57 | 0:23:01 | |
The trick is I'm not supposed to look at my mark. | 0:23:01 | 0:23:05 | |
I have to just be able to hit it whist I'm in the middle of acting. | 0:23:05 | 0:23:08 | |
And these guys are here to judge how well I do in the... | 0:23:08 | 0:23:11 | |
Hitting your mark is something quite basic but you really have | 0:23:15 | 0:23:19 | |
to learn it and you have to practise it because it can't come naturally. | 0:23:19 | 0:23:23 | |
Act. Dramatic acting. | 0:23:23 | 0:23:24 | |
You have to make it look totally natural. | 0:23:24 | 0:23:27 | |
And that is how a super actor hits his mark. | 0:23:27 | 0:23:30 | |
You've got to learn to be fully aware of where | 0:23:30 | 0:23:33 | |
you are in space. It's the most important thing | 0:23:33 | 0:23:36 | |
because you bring space with you, you don't just walk into it. | 0:23:36 | 0:23:41 | |
So instead of doing it here, where it's relatively easy, | 0:23:41 | 0:23:45 | |
I'm going to do it here. | 0:23:45 | 0:23:47 | |
This is where I will begin this challenge, | 0:23:48 | 0:23:51 | |
behind this line in the sand here. | 0:23:51 | 0:23:53 | |
200 feet away you will see the camera on a tripod set up | 0:23:54 | 0:23:59 | |
ready to film me when I hit my mark, which is just in front of the camera. | 0:23:59 | 0:24:04 | |
But this is Michael Sheen, super actor, | 0:24:04 | 0:24:07 | |
so of course there's an almost impossible twist. | 0:24:07 | 0:24:10 | |
I have to hit my mark 200 feet away whilst blindfolded. | 0:24:10 | 0:24:15 | |
I'm allowed three attempts to try and succeed. | 0:24:15 | 0:24:18 | |
Hit my mark just once and I win. | 0:24:18 | 0:24:21 | |
So, what do you think of my chances? | 0:24:21 | 0:24:24 | |
-Not very good. -No. | 0:24:24 | 0:24:26 | |
-Do you think you'd be able to do that blindfolded? -No. -Yes. | 0:24:26 | 0:24:29 | |
Oh, you do? Yeah, all right, then. What about you? | 0:24:29 | 0:24:31 | |
-What do you think of my chances? -You might walk into the sea. | 0:24:31 | 0:24:34 | |
Yeah, what happens if I do walk into the sea? Will you come and stop me? | 0:24:34 | 0:24:37 | |
-No. -No, thank you very much(!) Well, not a lot of confidence here for this | 0:24:37 | 0:24:42 | |
but I am feeling very confident. | 0:24:42 | 0:24:44 | |
OK, stand back, everyone. This is only for super actors. | 0:24:44 | 0:24:49 | |
It's time for the challenge. | 0:24:49 | 0:24:52 | |
This challenge is on. | 0:24:52 | 0:24:54 | |
This might not look too difficult, but remember, as well | 0:24:56 | 0:24:59 | |
as walking in the right direction, I also need to think about how | 0:24:59 | 0:25:03 | |
far to walk and then be in character to deliver my lines at the end. | 0:25:03 | 0:25:07 | |
Once more unto the breach, dear friends, once more. | 0:25:07 | 0:25:11 | |
CHILDREN LAUGH | 0:25:11 | 0:25:12 | |
MICHAEL LAUGHS | 0:25:12 | 0:25:14 | |
Luckily, I've got three goes at this. So this is number two. | 0:25:15 | 0:25:18 | |
Now concentrate, Michael, you're a super actor. | 0:25:20 | 0:25:22 | |
Oh, that was close. | 0:25:26 | 0:25:28 | |
You moved the mark! | 0:25:28 | 0:25:30 | |
They didn't, I was just too far to the right this time. | 0:25:30 | 0:25:33 | |
OK, final attempt. Third time lucky. | 0:25:33 | 0:25:36 | |
This is my last chance, this has got to work. | 0:25:36 | 0:25:40 | |
Somewhere between the two. I'm not that bad, am I? | 0:25:40 | 0:25:43 | |
Once more unto the breach, dear friends, once more. | 0:25:46 | 0:25:50 | |
Have I hit it? | 0:25:50 | 0:25:52 | |
Oh! Darn it. | 0:25:52 | 0:25:54 | |
Well, I did my best, but sadly my best wasn't good enough. | 0:25:54 | 0:25:59 | |
Today's challenge started with me hitting my mark and ended with me | 0:25:59 | 0:26:02 | |
hitting nothing except the beach. Not once, not twice, but three times. | 0:26:02 | 0:26:08 | |
And so, the verdict. | 0:26:09 | 0:26:11 | |
Michael Sheen, super actor, has failed. | 0:26:11 | 0:26:14 | |
Nice try, Michael. | 0:26:14 | 0:26:15 | |
Next time on Cinemaniacs, there's a fantastical | 0:26:17 | 0:26:20 | |
DIY-blockbuster surprise in store for these Cinemaniacs. | 0:26:20 | 0:26:24 | |
All you could hear was, "Wow, wow, wow, wow, wow" from everyone. | 0:26:24 | 0:26:27 | |
Michael Sheen, super actor, attempts | 0:26:27 | 0:26:30 | |
to impress the judges in the audition challenge. | 0:26:30 | 0:26:32 | |
ALIEN VOICE: Think what you're trying to accomplish. | 0:26:32 | 0:26:36 | |
And we get an exclusive with Diary Of A Wimpy Kid writer Jeff Kinney. | 0:26:36 | 0:26:40 | |
There's something in the pool | 0:26:40 | 0:26:42 | |
and everybody on set just completely freaked out. | 0:26:42 | 0:26:44 | |
And that really is almost it, except to tell you that | 0:26:48 | 0:26:51 | |
when they made ET, the extra-terrestrial, they created | 0:26:51 | 0:26:55 | |
the sound effect of ET walking from using a T-shirt filled with jelly. | 0:26:55 | 0:27:00 | |
SQUELCHING | 0:27:00 | 0:27:02 | |
To make it extra squishy. | 0:27:02 | 0:27:03 | |
-IN ET's VOICE: -Phone home. | 0:27:16 | 0:27:20 | |
Oh, yum. I'm Oli White and you've been watching Cinemaniacs. | 0:27:20 | 0:27:24 | |
-Colour. -Black and white. | 0:27:27 | 0:27:28 | |
-Colour. -Black and white. | 0:27:28 | 0:27:30 | |
-Colour. -Colour. -Colour. | 0:27:30 | 0:27:33 | |
-Black and white. -Er, colour. | 0:27:33 | 0:27:35 | |
-Colour. -Colour. | 0:27:36 | 0:27:37 | |
-Black and white. -Black and white. -It's got to be. -Noir. | 0:27:37 | 0:27:41 |