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Hello, everyone. I'm Oli White and I'm mad about the movies. | 0:00:02 | 0:00:05 | |
All kinds of movies. | 0:00:05 | 0:00:06 | |
Big ones, small ones, short ones, tall ones, | 0:00:06 | 0:00:09 | |
basically every kind of movie. | 0:00:09 | 0:00:11 | |
And, boy, have we got a show for you today. This is Cinemaniacs. | 0:00:11 | 0:00:16 | |
Team, take it away. | 0:00:16 | 0:00:18 | |
Action. | 0:00:18 | 0:00:20 | |
# Want to ride your bike across the face of the moon? | 0:00:20 | 0:00:22 | |
# Levitate your house with a bunch of balloons? | 0:00:22 | 0:00:25 | |
# Feel zero gravitation A robot transformation? | 0:00:25 | 0:00:27 | |
# You're a Cinemaniac | 0:00:27 | 0:00:30 | |
# Can you tell a lie that is the length of your nose? | 0:00:30 | 0:00:32 | |
# Or defrost a heart you accidentally froze? | 0:00:32 | 0:00:34 | |
# Want a bottomless case Or a squid for a face? | 0:00:34 | 0:00:37 | |
# You're a Cinemaniac | 0:00:37 | 0:00:39 | |
# Do you want to hear the roar of an extinct dinosaur? | 0:00:39 | 0:00:42 | |
# To explore the flora in your very own Pandora? | 0:00:42 | 0:00:45 | |
# Feel the urge to sing on a quest for the Ring? | 0:00:45 | 0:00:47 | |
# To escape from a clone or to be home alone? | 0:00:47 | 0:00:51 | |
# Then roll out the red carpet and turn down the lights | 0:00:51 | 0:00:54 | |
# Grab yourself a seat and hold on tight | 0:00:54 | 0:00:57 | |
# We are mad about movies We're crazy for film | 0:00:57 | 0:00:59 | |
# We're Cinemania, Cinemania Cinemaniacs. # | 0:00:59 | 0:01:04 | |
On today's blockbusting show, | 0:01:06 | 0:01:08 | |
coming up, we've got an exclusive with Diary Of A Wimpy Kid writer | 0:01:08 | 0:01:12 | |
Jeff Kinney. | 0:01:12 | 0:01:14 | |
'There's something in the pool' | 0:01:14 | 0:01:15 | |
and everybody on set just completely freaked out. | 0:01:15 | 0:01:18 | |
There's behind-the-scenes secrets of the set of Bugsy Malone. | 0:01:18 | 0:01:22 | |
They hold a handful of cream and just throw it in your face. | 0:01:22 | 0:01:25 | |
And find out why Michael Sheen, super actor, | 0:01:25 | 0:01:28 | |
is dressed as a chicken. | 0:01:28 | 0:01:29 | |
Think of what you are trying to accomplish. | 0:01:29 | 0:01:32 | |
-What do you think of the show so far, Ben? -That's a good question. | 0:01:34 | 0:01:37 | |
Yes, I know it's a good question. That's why I asked you. | 0:01:37 | 0:01:40 | |
-Very cool. -Yeah, it is. | 0:01:40 | 0:01:41 | |
OK, now here's a question for you. | 0:01:41 | 0:01:44 | |
Are you ready for a DIY Blockbusting surprise? | 0:01:44 | 0:01:47 | |
And here's part one. | 0:01:49 | 0:01:50 | |
Action. | 0:01:50 | 0:01:51 | |
We're giving six film-makers the chance to make a short film | 0:01:51 | 0:01:55 | |
armed with just a camera, script and some home-made props. | 0:01:55 | 0:01:58 | |
Little do they know they're in for a big surprise... | 0:02:00 | 0:02:03 | |
You didn't know I was coming? | 0:02:03 | 0:02:04 | |
..when we give them something spectacular | 0:02:04 | 0:02:07 | |
to turn their home movie into a DIY Blockbuster. | 0:02:07 | 0:02:12 | |
Once upon a time, there was a princess... | 0:02:15 | 0:02:16 | |
Ellie, Eloushka, Millie, Riley, Lucy and Caradog | 0:02:16 | 0:02:21 | |
are making a fantasy fairytale film. | 0:02:21 | 0:02:23 | |
Red Riding Hood, Red Riding Hood, you are so brave. | 0:02:23 | 0:02:25 | |
It's about a king who wants a wife. | 0:02:25 | 0:02:29 | |
I'll give you potions, gold, valuables, anything. | 0:02:29 | 0:02:33 | |
And a wizard says that he needs three objects. | 0:02:33 | 0:02:36 | |
And it's up to the king to get all the objects to make the spell. | 0:02:36 | 0:02:39 | |
The team are planning to film in this modern flat, | 0:02:39 | 0:02:42 | |
but it's causing them problems. | 0:02:42 | 0:02:44 | |
The flat didn't really look like a wizard's lair. | 0:02:44 | 0:02:47 | |
We could take out all the modern things | 0:02:47 | 0:02:49 | |
and all the bright things and change them with dark things. | 0:02:49 | 0:02:52 | |
It's going to take more than a couple of bright ideas | 0:02:52 | 0:02:55 | |
to transform this place. | 0:02:55 | 0:02:56 | |
How are we going to move an oven? | 0:02:56 | 0:02:58 | |
And I thought, a wizard's lair is not that modern. | 0:02:58 | 0:03:01 | |
Not to worry, what the team don't know | 0:03:01 | 0:03:04 | |
is that they are in for a DIY Blockbuster surprise. | 0:03:04 | 0:03:07 | |
We've arranged to have a mystery set built especially for their movie. | 0:03:07 | 0:03:12 | |
The team are still struggling with the look | 0:03:12 | 0:03:15 | |
of their not-so-wizard-y lair. | 0:03:15 | 0:03:17 | |
Keep the chairs, but if we had black sheets or something, put them over. | 0:03:17 | 0:03:20 | |
We can do better than black sheets, Lucy. Time for some movie magic. | 0:03:20 | 0:03:25 | |
We are in a filming studio! | 0:03:29 | 0:03:30 | |
CREAKING | 0:03:32 | 0:03:34 | |
-Whoa! -Wow! | 0:03:34 | 0:03:35 | |
-Look at the floor. -There's smoke on the floor. | 0:03:35 | 0:03:38 | |
All you could hear was, "Wow, wow, wow, wow," from everyone. | 0:03:38 | 0:03:41 | |
Wow indeed. We've built them an epic set | 0:03:41 | 0:03:45 | |
jammed full of props and we filled it with special effect smoke | 0:03:45 | 0:03:48 | |
to create that authentic wizard lair look. | 0:03:48 | 0:03:51 | |
Oh, look. This is great. | 0:03:51 | 0:03:54 | |
I'm speechless. I really don't know what to say. It was awesome. | 0:03:54 | 0:03:57 | |
-I see a vision. -It just looked really cool. | 0:03:57 | 0:04:00 | |
This is comfy. | 0:04:00 | 0:04:01 | |
One of the crazy things is because the smoke was up to your knees | 0:04:01 | 0:04:05 | |
you would step and think, | 0:04:05 | 0:04:07 | |
"Is it safe to step here, am I stepping on something?" | 0:04:07 | 0:04:10 | |
And I would just... | 0:04:10 | 0:04:12 | |
What are these? | 0:04:12 | 0:04:14 | |
The team need to start filming, but with | 0:04:14 | 0:04:16 | |
so many props around, the distractions are endless. | 0:04:16 | 0:04:20 | |
Teapots. Look at teapots compared to ours. | 0:04:20 | 0:04:24 | |
Sometimes they did get a bit distracted by the props. | 0:04:24 | 0:04:27 | |
We are playing chess. | 0:04:27 | 0:04:28 | |
Stop messing about with the props and get on with it. | 0:04:28 | 0:04:32 | |
The chair, wow, that was amazing. Very comfortable. | 0:04:32 | 0:04:36 | |
The team finally start filming... | 0:04:37 | 0:04:39 | |
Take one, scene one, action. | 0:04:39 | 0:04:42 | |
..but are struggling to get to grips with the camera. | 0:04:42 | 0:04:45 | |
We have got all the right ingredients, | 0:04:45 | 0:04:47 | |
now how do we make a wife? | 0:04:47 | 0:04:48 | |
It kept on zooming in at the wrong moments | 0:04:48 | 0:04:51 | |
and zooming out at the wrong moments. | 0:04:51 | 0:04:53 | |
And now there's another problem. | 0:04:53 | 0:04:55 | |
Your Majesty the King. | 0:04:55 | 0:04:57 | |
'The light was shining really bright' | 0:04:57 | 0:05:00 | |
in the camera and we couldn't see anything. | 0:05:00 | 0:05:02 | |
You need to film Ellie from there. | 0:05:02 | 0:05:05 | |
By moving the camera, they avoid seeing that pesky light. | 0:05:05 | 0:05:08 | |
Your Majesty the King. | 0:05:08 | 0:05:10 | |
Hello, Wizard. | 0:05:10 | 0:05:11 | |
But with all the technical problems, there's something gone unnoticed. | 0:05:11 | 0:05:15 | |
All the smoke is gone. | 0:05:15 | 0:05:16 | |
They have forgotten to shut the door and all the smoke has escaped. | 0:05:16 | 0:05:20 | |
Because we were all stepping about | 0:05:20 | 0:05:21 | |
and running about, all the smoke was being pushed out the door. | 0:05:21 | 0:05:25 | |
With no time to waste, the team decide | 0:05:25 | 0:05:28 | |
to press on to the next scene. | 0:05:28 | 0:05:30 | |
Guys, can I just say I think we should do, like, | 0:05:30 | 0:05:32 | |
a faraway shot for this. | 0:05:32 | 0:05:34 | |
If Millie films, you can see it through, with the curtains | 0:05:34 | 0:05:37 | |
dangling down and everything, it looks quite nice. | 0:05:37 | 0:05:39 | |
Eloushka's full of dramatic ideas, but the others aren't convinced. | 0:05:39 | 0:05:43 | |
And, Riley, I think it would look quite cool | 0:05:43 | 0:05:46 | |
if we have, like, the cauldron drop and then... | 0:05:46 | 0:05:48 | |
-No. -OTHERS: No. | 0:05:48 | 0:05:50 | |
'We were all having all these ideas.' | 0:05:50 | 0:05:53 | |
It was like trying to shout over each other. | 0:05:53 | 0:05:56 | |
ALL TALK AT ONCE | 0:05:56 | 0:05:58 | |
One at a time, guys. | 0:06:00 | 0:06:01 | |
They just didn't listen to each other. | 0:06:01 | 0:06:04 | |
They just thought, "I need my opinion heard." | 0:06:04 | 0:06:07 | |
Coming up, Riley gets into his regal role. | 0:06:07 | 0:06:10 | |
-He has a very strong opinion for what he wants to do. -Right! | 0:06:10 | 0:06:15 | |
Will the team find a way to replace the smoke? | 0:06:15 | 0:06:18 | |
I think we should do something a bit more "wow". | 0:06:18 | 0:06:21 | |
And will they ever finish their movie? | 0:06:21 | 0:06:23 | |
One more time. | 0:06:23 | 0:06:24 | |
OTHERS GROAN | 0:06:24 | 0:06:27 | |
I love a good fairytale. | 0:06:32 | 0:06:34 | |
So, if I gave you three wishes, what would you wish for first? | 0:06:34 | 0:06:38 | |
If I could have three wishes, world peace is up there, | 0:06:39 | 0:06:43 | |
but being able to sing would be definitely number one. | 0:06:43 | 0:06:46 | |
Another million wishes. | 0:06:46 | 0:06:48 | |
I think it would be the gift of laughter. | 0:06:48 | 0:06:51 | |
Another infinity wishes. | 0:06:51 | 0:06:54 | |
Another infinity and beyond wishes. | 0:06:54 | 0:06:58 | |
If I could wave a wand, there would be no more wars, would there? | 0:06:58 | 0:07:03 | |
To marry Superman, cos that would just be a super life. | 0:07:03 | 0:07:07 | |
SHE LAUGHS | 0:07:07 | 0:07:09 | |
We ask the questions so you don't have to. | 0:07:14 | 0:07:17 | |
I'm giving you three wishes. What are you going to wish for? | 0:07:17 | 0:07:21 | |
Oh, dear. | 0:07:21 | 0:07:22 | |
I have so much dirty laundry right now | 0:07:22 | 0:07:25 | |
that's going to take so long for me to sort out and get washed. | 0:07:25 | 0:07:29 | |
Don't you wish you could just do that with the click of your fingers? | 0:07:29 | 0:07:32 | |
It doesn't get much more random than this. | 0:07:34 | 0:07:37 | |
Who has taken out all the same books as Shizuku in the library? | 0:07:54 | 0:07:58 | |
Seiji Amasawa. | 0:07:58 | 0:08:00 | |
Who runs the antique shop? | 0:08:00 | 0:08:03 | |
Seiji's grandpa. | 0:08:03 | 0:08:05 | |
Who is Moon or Muta? | 0:08:05 | 0:08:07 | |
The cat. | 0:08:07 | 0:08:08 | |
Who is the first person to read Shizuku's story? | 0:08:08 | 0:08:12 | |
Erm, Seiji's grandpa. | 0:08:12 | 0:08:14 | |
What American song is Shizuku translating? | 0:08:14 | 0:08:18 | |
Country Roads. | 0:08:18 | 0:08:20 | |
Who was Nishi's first love? | 0:08:20 | 0:08:22 | |
Shizuku? | 0:08:22 | 0:08:23 | |
Correct answer - Louise. | 0:08:23 | 0:08:26 | |
SCREAM | 0:08:26 | 0:08:27 | |
What does Angus feed the water horse after it hatches out of the egg? | 0:08:32 | 0:08:37 | |
He fed it potatoes. | 0:08:37 | 0:08:39 | |
Where did Kirsty first discover the water horse? | 0:08:39 | 0:08:42 | |
In the bath. | 0:08:42 | 0:08:44 | |
What phobia does Angus have? | 0:08:44 | 0:08:46 | |
He has a phobia of water, or aquaphobia. | 0:08:46 | 0:08:49 | |
What is Angus's last name? | 0:08:49 | 0:08:52 | |
Angus MacMorrow. | 0:08:52 | 0:08:53 | |
What is the faked picture of the Loch Ness Monster called? | 0:08:53 | 0:08:57 | |
The Loch Ne... | 0:08:57 | 0:08:59 | |
The Loch Ness Myth. | 0:08:59 | 0:09:01 | |
Correct answer - The Surgeon's Photo. | 0:09:01 | 0:09:04 | |
SCREAM | 0:09:04 | 0:09:05 | |
Which child held the world record for chewing gum? | 0:09:11 | 0:09:15 | |
Violet Beauregarde. | 0:09:15 | 0:09:17 | |
What does Willy Wonka do with Mr Salt's business card? | 0:09:17 | 0:09:20 | |
Throws it over his shoulder. | 0:09:20 | 0:09:23 | |
What is Willy Wonka's dad's job? | 0:09:23 | 0:09:25 | |
Dentist. | 0:09:25 | 0:09:27 | |
What flavour soup was in the bubble gum Violet tasted? | 0:09:27 | 0:09:31 | |
Chicken. | 0:09:31 | 0:09:32 | |
Correct answer - tomato. | 0:09:33 | 0:09:35 | |
SCREAM | 0:09:35 | 0:09:37 | |
And the winner is Maria. | 0:09:37 | 0:09:40 | |
Yeah! | 0:09:40 | 0:09:42 | |
And now, Cinemaniacs, I am so excited for what is coming up next. | 0:09:42 | 0:09:47 | |
It's Mr Jeff Kinney, the writer of Diary Of A Wimpy Kid. | 0:09:47 | 0:09:51 | |
He's sold more than 150 million books and made three movies. | 0:09:51 | 0:09:55 | |
But will he make a fourth. And if he does, then can I be in it? | 0:09:55 | 0:09:58 | |
Hi, my name is Jeff Kinney, author of the Diary Of A Wimpy Kid series | 0:10:02 | 0:10:06 | |
and I'm a Cinemaniac. | 0:10:06 | 0:10:07 | |
Finding the actors was very difficult at first. | 0:10:15 | 0:10:18 | |
We had to start with our Greg. | 0:10:18 | 0:10:19 | |
School isn't even out yet. | 0:10:19 | 0:10:22 | |
Maybe we should come back. | 0:10:22 | 0:10:23 | |
Some of the actors look a lot like my characters, | 0:10:23 | 0:10:26 | |
like Rowley Jefferson is a really good approximation. | 0:10:26 | 0:10:29 | |
Geronimo! | 0:10:29 | 0:10:30 | |
When you sit people down in a theatre, | 0:10:32 | 0:10:34 | |
you have to change things to make sure the story really has an impact. | 0:10:34 | 0:10:38 | |
So we did things like added the mother and son dance | 0:10:38 | 0:10:43 | |
to really amp up the conflict between Greg and Rowley. | 0:10:43 | 0:10:46 | |
RAP MUSIC | 0:10:46 | 0:10:49 | |
Because here, Rowley has a big moment in front of all his classmates. | 0:10:49 | 0:10:54 | |
It's an emotional high for Rowley, so it's an emotional level for Greg. | 0:10:54 | 0:10:58 | |
You have got to be kidding me. | 0:10:58 | 0:11:00 | |
There is one day on set when something really funny happened. | 0:11:00 | 0:11:04 | |
Zach Gordon did not like being in the swimming pool. | 0:11:08 | 0:11:11 | |
Greg, honey, go help your brother. | 0:11:11 | 0:11:13 | |
Because the water was an off colour and he was afraid the little kids | 0:11:13 | 0:11:17 | |
were actually peeing in the pool. | 0:11:17 | 0:11:19 | |
-What's so funny? -I'm peeing. | 0:11:19 | 0:11:21 | |
Then, as a joke, the girl who played Holly Hills... | 0:11:24 | 0:11:26 | |
Why don't we play doubles? | 0:11:26 | 0:11:28 | |
..threw a candy bar into the pool. | 0:11:28 | 0:11:30 | |
Then she said there's something in the pool | 0:11:30 | 0:11:33 | |
and everybody on set just completely freaked out. | 0:11:33 | 0:11:35 | |
It was kind of gross, but very funny. | 0:11:35 | 0:11:38 | |
I think there will be a fourth movie | 0:11:38 | 0:11:40 | |
and I really hope that The Long Haul gets made | 0:11:40 | 0:11:42 | |
because it will take us outside the school environment completely, | 0:11:42 | 0:11:46 | |
put the characters out on the road, | 0:11:46 | 0:11:47 | |
it will be a totally different kind of story, really fresh. | 0:11:47 | 0:11:51 | |
If we can get away with keeping the same parents, | 0:11:51 | 0:11:53 | |
maybe even Rodrick, but the kids | 0:11:53 | 0:11:55 | |
who played Greg and Rowley in the first movie have grown up, | 0:11:55 | 0:11:58 | |
but Greg is a cartoon character, | 0:11:58 | 0:12:02 | |
he'll stay at the same age for ever. | 0:12:02 | 0:12:04 | |
You heard it first here... on Cinemaniacs. | 0:12:04 | 0:12:07 | |
Wimpy Kid, fantastic idea for a book and a movie, too. | 0:12:07 | 0:12:11 | |
But imagine if you had the idea for a movie and had to convince | 0:12:11 | 0:12:15 | |
a pair of top film producers to make it. | 0:12:15 | 0:12:18 | |
But you only had 20 seconds to do it in. | 0:12:18 | 0:12:21 | |
That's about the same time it takes to ride an elevator. | 0:12:21 | 0:12:24 | |
Let's see what happened when we invited a group | 0:12:24 | 0:12:28 | |
of super-talented Cinemaniacs to try the elevator pitch. | 0:12:28 | 0:12:32 | |
This is Debra Hayward, she produced Les Miserables. | 0:12:32 | 0:12:35 | |
And this is Eric Fellner, | 0:12:35 | 0:12:37 | |
the producer of many films, including Nanny McPhee. | 0:12:37 | 0:12:40 | |
Right, hit it. | 0:12:41 | 0:12:42 | |
It's basically about a boy who's just started secondary school | 0:12:42 | 0:12:46 | |
and he's really nervous. | 0:12:46 | 0:12:47 | |
Simone never clicks with the girls in her year, | 0:12:47 | 0:12:49 | |
so when her parents win the lottery, | 0:12:49 | 0:12:51 | |
her new-found popularity is a dream come true. Or she thinks. | 0:12:51 | 0:12:54 | |
-He started stealing organs from the Earth. -Organs as in...organs? -Yes. | 0:12:54 | 0:12:59 | |
-OK, all right. -No, people's organs. -OK. | 0:12:59 | 0:13:03 | |
This story is about a hero called The Hurricane. | 0:13:03 | 0:13:06 | |
He was a boy that found a magical pen | 0:13:06 | 0:13:09 | |
and then he turns into this superhero called The Hurricane. | 0:13:09 | 0:13:12 | |
-Go. -Annie is a bad schoolgirl who is trying to hide from trouble. | 0:13:12 | 0:13:17 | |
-Very good. -I like that. -Thank you very much. | 0:13:17 | 0:13:20 | |
So, Debra, which film would you most like to get made? | 0:13:20 | 0:13:23 | |
I liked the superhero one. The one with the pen that had powers. | 0:13:23 | 0:13:27 | |
If I asked you to pitch Les Miserables in 15 seconds... | 0:13:27 | 0:13:31 | |
-Oh, what a terrible question! -Go on, now, go. | 0:13:31 | 0:13:34 | |
Er...based on the...um... | 0:13:34 | 0:13:38 | |
There you go, you've failed. | 0:13:38 | 0:13:40 | |
Still to come on Cinemaniacs... | 0:13:40 | 0:13:43 | |
We head behind the scenes of cream-pie-filled Bugsy Malone. | 0:13:43 | 0:13:48 | |
They plucked my eyebrows and they never grew back. | 0:13:48 | 0:13:51 | |
There's a super tough audition in store for super actor Michael Sheen. | 0:13:51 | 0:13:55 | |
DISTORTED VOICE | 0:13:55 | 0:13:58 | |
And we show you how to create a truly head-spinning effect. | 0:13:58 | 0:14:02 | |
It looks really cool. | 0:14:02 | 0:14:03 | |
But first, it's part two of DIY Blockbuster. | 0:14:05 | 0:14:09 | |
Once upon a time, there were six film-makers who had been given | 0:14:10 | 0:14:14 | |
a DIY Blockbuster set to film in. | 0:14:14 | 0:14:16 | |
But after distractions and disagreements... | 0:14:18 | 0:14:21 | |
ALL TALK AT ONCE | 0:14:21 | 0:14:22 | |
..their movie was becoming a disaster. | 0:14:22 | 0:14:25 | |
Filming is well under way and the team still aren't cooperating. | 0:14:25 | 0:14:30 | |
-Quiet, please. -Where are we going from? | 0:14:30 | 0:14:32 | |
-From the beginning. -Are we? -No. -You said cut. | 0:14:32 | 0:14:35 | |
Unless they find a way to agree on things soon, | 0:14:35 | 0:14:37 | |
they could run out of time. | 0:14:37 | 0:14:39 | |
Leave it, no. That's fine, that's fine, keep it there. | 0:14:39 | 0:14:42 | |
And this fairytale story won't have a happy ending. | 0:14:42 | 0:14:45 | |
ALL TALK AT ONCE | 0:14:45 | 0:14:48 | |
-No, let go. -I've got it. -Ellie, it's you. | 0:14:48 | 0:14:51 | |
And then you had an argument. | 0:14:51 | 0:14:53 | |
Get off it, I need it for this scene. | 0:14:54 | 0:14:56 | |
-You don't need to drop it. -Cut. | 0:14:56 | 0:14:58 | |
I was supposed to drop the bucket, but it stayed snatched up | 0:14:58 | 0:15:01 | |
and then we started arguing in the middle of it. | 0:15:01 | 0:15:04 | |
-He doesn't need it for the scene. -Yes, he does. -OK, he does. | 0:15:04 | 0:15:08 | |
He has a very strong opinion for what he wants to do. | 0:15:08 | 0:15:12 | |
Just because he had a bigger part than other people, | 0:15:14 | 0:15:17 | |
he thought he was the best. | 0:15:17 | 0:15:19 | |
-Yes. -He was like, well, my idea is best. | 0:15:19 | 0:15:22 | |
I'm the best, let's do my ideas. | 0:15:22 | 0:15:24 | |
Whoa, don't hold back, girls! | 0:15:24 | 0:15:26 | |
The team eventually resolve their differences | 0:15:26 | 0:15:29 | |
and are finally starting to work together. | 0:15:29 | 0:15:31 | |
Now it's time for the big smoke effect, | 0:15:31 | 0:15:34 | |
or not, as it escaped earlier. | 0:15:34 | 0:15:36 | |
We didn't have anything to use, so we used sand | 0:15:36 | 0:15:38 | |
and it was all over the floor. | 0:15:38 | 0:15:40 | |
Sand? Are you sure? | 0:15:40 | 0:15:41 | |
-That was not cool. -Yeah, that's OK. | 0:15:41 | 0:15:44 | |
It's like a puff of smoke, but it's a puff of sand. | 0:15:44 | 0:15:47 | |
It was going in someone's eyes or the camera. | 0:15:48 | 0:15:51 | |
I've got sand all over me! | 0:15:51 | 0:15:53 | |
-It wasn't me. -It wasn't me. | 0:15:53 | 0:15:55 | |
It went down, like, my top. It went all over the camera. | 0:15:55 | 0:15:59 | |
We watched it back, it was, like, the sand threw | 0:15:59 | 0:16:03 | |
and it would be, like, at the bottom of the screen and you'd be, like, | 0:16:03 | 0:16:06 | |
what about the top of the screen? | 0:16:06 | 0:16:08 | |
Oh, it's not very, like, dramatic, I think | 0:16:08 | 0:16:11 | |
we should do something a bit more "wow". | 0:16:11 | 0:16:13 | |
You know what they say? | 0:16:13 | 0:16:15 | |
People in wizard houses shouldn't throw sand. | 0:16:15 | 0:16:17 | |
Stand by. Quiet, please. | 0:16:17 | 0:16:21 | |
The team have less than an hour to finish their film. | 0:16:21 | 0:16:24 | |
Take one. | 0:16:24 | 0:16:25 | |
Scene one. | 0:16:25 | 0:16:27 | |
-Where's Eloutrica? -LAUGHING | 0:16:27 | 0:16:30 | |
Quiet, please. Take two. | 0:16:30 | 0:16:33 | |
The filming kept on going wrong. | 0:16:33 | 0:16:35 | |
Take three. Take five. | 0:16:35 | 0:16:38 | |
We had to do it again until we did it right again. | 0:16:38 | 0:16:41 | |
-Right, one more time. -Oh! | 0:16:41 | 0:16:44 | |
We wanted to get it perfect. | 0:16:46 | 0:16:48 | |
Take seven. Take eight. | 0:16:48 | 0:16:51 | |
It was just really hard. | 0:16:51 | 0:16:52 | |
So, take nine, and we're not doing it ten times. | 0:16:52 | 0:16:55 | |
Take 10. Take 12. | 0:16:55 | 0:16:59 | |
Action. | 0:16:59 | 0:17:00 | |
Yay, 12th time lucky! | 0:17:01 | 0:17:03 | |
Oh, I think I got... | 0:17:03 | 0:17:05 | |
And after one last quick shot, their movie is complete. | 0:17:05 | 0:17:08 | |
And that's a wrap. | 0:17:08 | 0:17:09 | |
We gave the team an amazing set. | 0:17:13 | 0:17:15 | |
Cool! | 0:17:15 | 0:17:16 | |
They lost the smoke and nearly lost the plot. | 0:17:16 | 0:17:19 | |
But did this fairytale have a happy ending? | 0:17:20 | 0:17:23 | |
-It was better than what we thought it was. -It was amazing. | 0:17:23 | 0:17:27 | |
And now let's all go home. | 0:17:27 | 0:17:28 | |
You can check out the team's finished movie on the CBBC website. | 0:17:29 | 0:17:34 | |
So, this is where I give you guys three top tips for improving | 0:17:36 | 0:17:40 | |
the sound in your videos. | 0:17:40 | 0:17:41 | |
Tip one, you need good sound. Get yourself a good microphone. | 0:17:45 | 0:17:48 | |
I'm wearing a mic now | 0:17:48 | 0:17:49 | |
and this is a good one to use because it sounds nice and clear. | 0:17:49 | 0:17:53 | |
Or you can get a mic that sticks on top of your camera. | 0:17:53 | 0:17:56 | |
Tip two, bad sound. Make sure you're aware of your surroundings. | 0:17:56 | 0:17:59 | |
CHUGGING | 0:17:59 | 0:18:00 | |
And aren't standing next to anything noisy, like this. | 0:18:00 | 0:18:03 | |
Because people won't be able to hear you clearly. | 0:18:03 | 0:18:05 | |
Tip number three, sound effects. | 0:18:05 | 0:18:07 | |
You can have so much fun with sound effects. | 0:18:07 | 0:18:09 | |
TING! POP! BELCHING | 0:18:09 | 0:18:13 | |
TRUMPETING | 0:18:13 | 0:18:15 | |
FARTING | 0:18:15 | 0:18:17 | |
And that's three tips to have better sound in your videos. And now this. | 0:18:17 | 0:18:21 | |
Let's head behind the scenes with Bugsy Malone. | 0:18:24 | 0:18:27 | |
Charlie, it's a double cross. | 0:18:27 | 0:18:30 | |
OK, yous guys, freeze. | 0:18:30 | 0:18:32 | |
I'm Bonnie Langford and I played Lena Marelli in Bugsy Malone | 0:18:37 | 0:18:41 | |
when I was ten years old. | 0:18:41 | 0:18:43 | |
# Show business is in my veins... # | 0:18:43 | 0:18:46 | |
I'm Dexter Fletcher and I played Baby Face in Bugsy Malone | 0:18:46 | 0:18:50 | |
when I was nine years old. | 0:18:50 | 0:18:52 | |
-Get Baby Face. -Get Baby Face. | 0:18:52 | 0:18:55 | |
I am Baby Face. | 0:18:55 | 0:18:56 | |
Lena Marelli is the star of the speakeasy show at the Bijou Theatre. | 0:18:56 | 0:19:02 | |
They plucked my eyebrows and they never grew back. | 0:19:02 | 0:19:05 | |
Will you be quiet up there? I'm rehearsing. | 0:19:05 | 0:19:08 | |
My hair, they stuck a bowl on, | 0:19:08 | 0:19:09 | |
cut round it and cut all my hair off. | 0:19:09 | 0:19:11 | |
I was absolutely bereft at nine years old. | 0:19:11 | 0:19:13 | |
-It's all right now. -It's grown back. | 0:19:13 | 0:19:15 | |
Tommy! | 0:19:15 | 0:19:17 | |
There were no grown-ups at all in the movie. | 0:19:17 | 0:19:19 | |
So that was great for us, because there were cars, | 0:19:19 | 0:19:22 | |
you got to drive the cars, even though they were pedals. | 0:19:22 | 0:19:24 | |
-So they designed cars that kids could drive. -They were fantastic. | 0:19:24 | 0:19:27 | |
And then guns that shot cream. | 0:19:27 | 0:19:29 | |
They couldn't actually create a gun that fired cream, | 0:19:30 | 0:19:33 | |
so they created a gun that fired ping-pong balls. | 0:19:33 | 0:19:36 | |
And they would do a close-up view | 0:19:36 | 0:19:38 | |
and you'd hold a handful of cream and... | 0:19:38 | 0:19:39 | |
-throw it in your face. -Oh, my goodness! | 0:19:39 | 0:19:41 | |
So when you edited it together, | 0:19:41 | 0:19:43 | |
you've got the guy shooting and then you do the edit. | 0:19:43 | 0:19:47 | |
And then... Exactly. | 0:19:47 | 0:19:48 | |
So this is show business. | 0:19:54 | 0:19:57 | |
It's time for The Secrets Of Moviemaking. | 0:19:58 | 0:20:02 | |
Introducing Mr Mike Tucker! | 0:20:02 | 0:20:05 | |
Here to show you how to create special effects, Hollywood-style, | 0:20:05 | 0:20:09 | |
in The Secrets Of Moviemaking! | 0:20:09 | 0:20:12 | |
Today, we're going to show you how to create a wormhole vortex. | 0:20:12 | 0:20:16 | |
Well, we're not actually going to make a real wormhole vortex, | 0:20:16 | 0:20:19 | |
but it's going to look like you have. | 0:20:19 | 0:20:21 | |
So grab a couple of friends and let's get started. | 0:20:21 | 0:20:24 | |
We're going to create a mysterious wormhole vortex effect | 0:20:24 | 0:20:28 | |
similar to one seen in a film called The Adventures Of Baron Munchausen. | 0:20:28 | 0:20:32 | |
You'll need some really basic things for this. | 0:20:32 | 0:20:35 | |
A pair of tights - ask if you can use them first. | 0:20:35 | 0:20:38 | |
A can of beans. A coat hanger. | 0:20:38 | 0:20:40 | |
And a torch. | 0:20:40 | 0:20:42 | |
Step 1 - cut a leg off the tights carefully. | 0:20:42 | 0:20:45 | |
Try and cut as neatly along that seam as we can. | 0:20:45 | 0:20:50 | |
Brilliant. OK, we can get rid of those. | 0:20:51 | 0:20:54 | |
This is going to be the mouth of our vortex. | 0:20:55 | 0:20:58 | |
Cool! Next up, step 2. | 0:21:00 | 0:21:03 | |
Bend the coat hanger into a circle | 0:21:03 | 0:21:05 | |
or, better still, get someone strong to help you, cos it's quite hard. | 0:21:05 | 0:21:10 | |
We're just going to try and pull that into a slightly rounder shape. | 0:21:10 | 0:21:17 | |
The nice thing is, it gives us a handle to hold on to as well. | 0:21:17 | 0:21:21 | |
Step 3 - tape the open end of the tight leg to the coat hanger. | 0:21:21 | 0:21:26 | |
Get that strong person to help you with this, too. | 0:21:26 | 0:21:29 | |
Last bit. | 0:21:29 | 0:21:30 | |
So that is going to form the mouth of our vortex. | 0:21:30 | 0:21:36 | |
Step 4 - time to open up that wormhole. | 0:21:36 | 0:21:39 | |
The next thing we need to do is make sure the bottom of our vortex | 0:21:39 | 0:21:42 | |
is stretched as long as it can be. | 0:21:42 | 0:21:44 | |
So we need something heavy in there that will pull it down to the floor. | 0:21:44 | 0:21:48 | |
So, what do your reckon? | 0:21:48 | 0:21:50 | |
-The beans. -A can of beans. Exactly. | 0:21:50 | 0:21:53 | |
Yeah, stretch it so it comes all the way down to the bottom of the tights. | 0:21:53 | 0:21:58 | |
Great! | 0:21:58 | 0:21:59 | |
Step 5 - cue lighting effects. | 0:21:59 | 0:22:02 | |
Now, if you start waving the torch beam up and down | 0:22:02 | 0:22:06 | |
the length of the tights while filming straight down there... | 0:22:06 | 0:22:10 | |
And make it look even better by switching off the lights | 0:22:13 | 0:22:16 | |
and getting some colour into the action. | 0:22:16 | 0:22:18 | |
-How's that looking? -It looks really cool. | 0:22:20 | 0:22:22 | |
And now for the really fun bit. | 0:22:22 | 0:22:24 | |
Grab your little brother's favourite action figure | 0:22:24 | 0:22:27 | |
and send him off into the wormhole vortex. | 0:22:27 | 0:22:30 | |
Aaaaaaargh! | 0:22:30 | 0:22:32 | |
Whoa! That made my head spin, literally! | 0:22:35 | 0:22:38 | |
Here's something that will make your head spin. | 0:22:38 | 0:22:41 | |
Our super actor has to audition for a part. | 0:22:41 | 0:22:44 | |
But can he win the challenge? | 0:22:44 | 0:22:46 | |
Aaaaargh! | 0:22:46 | 0:22:48 | |
And now, the star of Alice In Wonderland, Tron and Twilight, | 0:22:48 | 0:22:52 | |
all-round good guy Michael Sheen, super actor! | 0:22:52 | 0:22:58 | |
For today's challenge, I've got to prove my acting worth | 0:22:58 | 0:23:01 | |
to these judges in the Audition Challenge! | 0:23:01 | 0:23:07 | |
I will be going up head-to-head with Tom | 0:23:07 | 0:23:10 | |
who is a similar build and height to me. | 0:23:10 | 0:23:13 | |
And the judging panel will have to say | 0:23:13 | 0:23:15 | |
who they believe has the most star power. | 0:23:15 | 0:23:17 | |
Obviously I'm hoping it's me. | 0:23:17 | 0:23:19 | |
Top three tips for a successful audition are, one, be prepared. | 0:23:19 | 0:23:23 | |
Well, Tom, you can forget about being prepared on this challenge. | 0:23:23 | 0:23:26 | |
We are going to perform three pieces | 0:23:26 | 0:23:28 | |
and we only get one minute to learn each one. | 0:23:28 | 0:23:31 | |
Look at that, there's loads. | 0:23:31 | 0:23:33 | |
Number two, being confident. If you step into the room | 0:23:33 | 0:23:36 | |
feeling confident about yourself, that will shine through. | 0:23:36 | 0:23:39 | |
You'll need all the confidence you've got going up against me. | 0:23:39 | 0:23:42 | |
I'm a super actor. | 0:23:42 | 0:23:44 | |
Number three, making a good impression. | 0:23:44 | 0:23:45 | |
Directors make decisions very quickly. | 0:23:45 | 0:23:47 | |
-So I think you have to do something memorable. -Oh, yes. | 0:23:47 | 0:23:50 | |
And they won't know who's who, because we'll be wearing masks | 0:23:50 | 0:23:53 | |
and talking through voice changers. | 0:23:53 | 0:23:55 | |
I need to succeed in two out of three auditions to win. | 0:23:55 | 0:23:59 | |
It's time for the challenge. | 0:23:59 | 0:24:03 | |
Audition one. | 0:24:03 | 0:24:05 | |
It's a scene from My Fair Lady, and first in is me. | 0:24:05 | 0:24:09 | |
Nice chicken mask, eh? | 0:24:09 | 0:24:11 | |
It's a favourite of mine for auditions. | 0:24:11 | 0:24:13 | |
I know your nerves are as raw as meat in a butcher's window, | 0:24:13 | 0:24:17 | |
but think what you are trying to accomplish. | 0:24:17 | 0:24:21 | |
I know your nerves are as raw as meat in a butcher's window, | 0:24:21 | 0:24:24 | |
but think of what we are dealing with. | 0:24:24 | 0:24:27 | |
So, what did the judges think? | 0:24:27 | 0:24:29 | |
I think A. He had more hand gestures. | 0:24:29 | 0:24:33 | |
I think they were both really good, but I think A was better. | 0:24:33 | 0:24:36 | |
-I think A was the best. -I chose A. | 0:24:36 | 0:24:39 | |
A was just a little bit... | 0:24:39 | 0:24:41 | |
He had the good tone of voice. | 0:24:41 | 0:24:43 | |
So, the winner of this audition, that's me! | 0:24:43 | 0:24:46 | |
To make sure the judges don't know who's who, | 0:24:48 | 0:24:50 | |
I'll be changing my mask, but Tom is staying as a chicken. | 0:24:50 | 0:24:55 | |
This time, we've got a scene from Bugsy Malone and Tom is up first. | 0:24:55 | 0:25:00 | |
There's only room in this town for one Mr Big. | 0:25:00 | 0:25:03 | |
And that's me. | 0:25:03 | 0:25:05 | |
There's only room in this town for one Mr Big. | 0:25:07 | 0:25:12 | |
And that's me. | 0:25:12 | 0:25:14 | |
I preferred B, because I felt like he was really talking to us. | 0:25:14 | 0:25:17 | |
-I chose B. -I think B. | 0:25:17 | 0:25:20 | |
I chose B, because in my opinion, he was more confident than A. | 0:25:20 | 0:25:26 | |
-I preferred B. -I chose B. | 0:25:26 | 0:25:28 | |
And the winner of audition two is actor B. | 0:25:28 | 0:25:32 | |
Oh, no, that's Tom! | 0:25:32 | 0:25:34 | |
It's 1-1. Everything rests on this last audition. Game on! | 0:25:34 | 0:25:38 | |
Last piece is Mary Poppins. | 0:25:38 | 0:25:41 | |
Not easy to pull off when you're dressed as a sheep. | 0:25:41 | 0:25:43 | |
Childhood slips like sand through a sieve. | 0:25:43 | 0:25:48 | |
And all too soon they've up and grown and away they fly. | 0:25:48 | 0:25:54 | |
And all too soon...it's too late. | 0:25:54 | 0:25:59 | |
Childhood slips like sand through a sieve. | 0:25:59 | 0:26:02 | |
-I think A was better than B. -B was kind of a bit dull, a bit boring. | 0:26:02 | 0:26:07 | |
-I chose A. -I thought A had a lot of hand gestures. | 0:26:07 | 0:26:12 | |
I think A was a lot more energetic. | 0:26:12 | 0:26:14 | |
I chose A. | 0:26:14 | 0:26:15 | |
And the winner of audition three | 0:26:15 | 0:26:18 | |
is actor A. Me! | 0:26:18 | 0:26:20 | |
So, the verdict is... | 0:26:20 | 0:26:23 | |
2-1 to me. Result! | 0:26:23 | 0:26:26 | |
So, today's challenge started with some creepy animal masks | 0:26:26 | 0:26:30 | |
and a voice changer. And with some... | 0:26:30 | 0:26:32 | |
Oscar-winning acting, | 0:26:32 | 0:26:34 | |
I am, at least for today, Michael Sheen, super actor. | 0:26:34 | 0:26:39 | |
Next time on Cinemaniacs... | 0:26:42 | 0:26:44 | |
A Hollywood director makes a surprise appearance | 0:26:44 | 0:26:47 | |
in DIY Blockbuster. | 0:26:47 | 0:26:49 | |
Hi, guys, I'm Ron Howard. | 0:26:49 | 0:26:50 | |
I wasn't expecting that. | 0:26:50 | 0:26:52 | |
We head behind the scenes with Horrid Henry: The Movie. | 0:26:53 | 0:26:56 | |
How horrid do you think it's going to be tonight, Henry? | 0:26:56 | 0:26:59 | |
Very horrid. | 0:26:59 | 0:27:01 | |
And will Michael Sheen, super actor, manage to be a super cry-baby. | 0:27:01 | 0:27:06 | |
The cry-cam is in position. | 0:27:06 | 0:27:08 | |
Nearly time for the credits to roll, but just before they do, | 0:27:12 | 0:27:15 | |
this next Cinemaniacs secret | 0:27:15 | 0:27:17 | |
is for everyone who loves mucking around in mud. | 0:27:17 | 0:27:22 | |
Legend has it that the animators who worked on Shrek took mud showers | 0:27:22 | 0:27:25 | |
so they could figure out the best way of animating mud in the swamp. | 0:27:25 | 0:27:29 | |
How cool is that? Well, got to go, it's time for my mud shower. | 0:27:29 | 0:27:33 | |
I'm Oli White and you've been watching Cinemaniacs. | 0:27:33 | 0:27:37 | |
Action adventure or fantasy? | 0:27:37 | 0:27:39 | |
-Action adventure. -Action. -Fantasy. | 0:27:39 | 0:27:43 | |
-Action adventure. -Fantasy. | 0:27:43 | 0:27:45 | |
If it's fantasy like unicorns and stuff, then I'm totally there. | 0:27:45 | 0:27:49 | |
-Fantasy. -I am the unicorn, so... -Fantasy. | 0:27:49 | 0:27:53 |