Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, everyone, I'm Oli White | 0:00:02 | 0:00:03 | |
and today's show is stuffed full of stuff... | 0:00:03 | 0:00:06 | |
Well, movie stuff to be exact and we've got so much stuff to show you, | 0:00:06 | 0:00:10 | |
we don't know where to begin | 0:00:10 | 0:00:12 | |
so let's just begin at the beginning. Ready? | 0:00:12 | 0:00:15 | |
This is... | 0:00:15 | 0:00:17 | |
Cinemaniacs. | 0:00:17 | 0:00:18 | |
Team, take it away! | 0:00:18 | 0:00:21 | |
Action. | 0:00:21 | 0:00:23 | |
# Want to ride your bike across the face of the moon? | 0:00:23 | 0:00:25 | |
# Levitate your house with a bunch of balloons? | 0:00:25 | 0:00:27 | |
# Feel zero gravitation? A robot transformation? | 0:00:27 | 0:00:30 | |
# You're a Cinemaniac | 0:00:30 | 0:00:32 | |
# Can you tell a lie that is the length of your nose? | 0:00:32 | 0:00:35 | |
# Or defrost a heart you accidentally froze? | 0:00:35 | 0:00:37 | |
# Want a bottomless case? Or a squid for a face? | 0:00:37 | 0:00:40 | |
# You're a Cinemaniac | 0:00:40 | 0:00:42 | |
# Do you long to hear the roar of an extinct dinosaur? | 0:00:42 | 0:00:45 | |
# To explore the flora in your very own Pandora? | 0:00:45 | 0:00:47 | |
# Feel the urge to sing on a quest for the Ring? | 0:00:47 | 0:00:50 | |
# To escape from a clone or to be home alone? | 0:00:50 | 0:00:54 | |
# Then roll out the red carpet And turn down the lights | 0:00:54 | 0:00:56 | |
# Grab yourself a seat and hold on tight! | 0:00:56 | 0:00:59 | |
# We're mad about movies We're crazy for film | 0:00:59 | 0:01:01 | |
# We're Cinemania, Cinemania | 0:01:01 | 0:01:04 | |
# Cinemaniacs! # | 0:01:04 | 0:01:08 | |
And here is that show that is stuffed full of movie stuff | 0:01:08 | 0:01:11 | |
so kick back, relax and enjoy this. | 0:01:11 | 0:01:14 | |
Coming up - | 0:01:14 | 0:01:15 | |
we head behind the scenes with the stars of Horrid Henry: The Movie... | 0:01:15 | 0:01:20 | |
They actually threw the water bomb at my head. | 0:01:20 | 0:01:22 | |
..find out why this lot are legging it around the cinema... | 0:01:22 | 0:01:25 | |
It's nothing like I've ever seen. | 0:01:25 | 0:01:27 | |
..and is Michael Sheen, Super Actor, ready to be a super crybaby? | 0:01:27 | 0:01:32 | |
'Think Super Actor sad.' | 0:01:32 | 0:01:34 | |
All that on... # Cinemaniacs. # | 0:01:35 | 0:01:38 | |
That was a good sound that you made. | 0:01:38 | 0:01:39 | |
Really, Nicole? You like the way I said, | 0:01:39 | 0:01:42 | |
# Cinemaniacs? # | 0:01:42 | 0:01:43 | |
I would do it again like that. | 0:01:43 | 0:01:45 | |
OK. | 0:01:45 | 0:01:46 | |
# Cinemaniacs, Cinemaniacs, Cinemaniacs! # | 0:01:46 | 0:01:49 | |
GLASS SHATTERS | 0:01:49 | 0:01:51 | |
Right, OK. | 0:01:51 | 0:01:52 | |
Now, it's time for DIY Blockbuster Part One. | 0:01:52 | 0:01:56 | |
Action. | 0:01:59 | 0:02:00 | |
We're giving six film-makers the chance to make a short film | 0:02:00 | 0:02:03 | |
armed with just a camera, a script and some home-made props | 0:02:03 | 0:02:08 | |
but little do they know, | 0:02:08 | 0:02:09 | |
they're in for a big surprise... | 0:02:09 | 0:02:11 | |
You didn't know I was coming? | 0:02:11 | 0:02:13 | |
..when we give them something spectacular | 0:02:13 | 0:02:16 | |
to turn their home movie into a DIY Blockbuster. | 0:02:16 | 0:02:20 | |
Charlie, can you move back to the back-right? | 0:02:23 | 0:02:25 | |
Nikhita, Parker, Moriah, | 0:02:25 | 0:02:27 | |
Charlie, Max and Stella | 0:02:27 | 0:02:29 | |
are making a space movie. | 0:02:29 | 0:02:31 | |
It's a film about the first commercial flight to space. | 0:02:31 | 0:02:34 | |
Action. | 0:02:34 | 0:02:35 | |
Each ticket costs a quarter of a million pounds... | 0:02:35 | 0:02:37 | |
It's called Galactic-astrophe: Ticket To Space. | 0:02:37 | 0:02:40 | |
..but is it safe? | 0:02:40 | 0:02:41 | |
It's 100% safe. | 0:02:41 | 0:02:44 | |
There's a pregnant lady and she gives birth on the rocket. | 0:02:44 | 0:02:47 | |
Action. | 0:02:47 | 0:02:48 | |
What the team don't know is they are in for | 0:02:48 | 0:02:51 | |
a DIY Blockbuster surprise. We've lined up an Academy Award-winning, | 0:02:51 | 0:02:56 | |
world-famous director for their movie. | 0:02:56 | 0:03:00 | |
The team are well into filming | 0:03:00 | 0:03:01 | |
and have no idea what's about to happen... | 0:03:01 | 0:03:03 | |
Ticket, please. | 0:03:03 | 0:03:04 | |
..when, suddenly, there's a knock at the door. | 0:03:04 | 0:03:07 | |
-Hi. -Hello. Hi, I'm Ron Howard. | 0:03:14 | 0:03:16 | |
Yes, all the way from Hollywood, | 0:03:16 | 0:03:18 | |
it really is Ron Howard - director of smash hits | 0:03:18 | 0:03:21 | |
The Grinch | 0:03:21 | 0:03:23 | |
and space movie Apollo 13. | 0:03:23 | 0:03:25 | |
-Hi, guys. I'm Ron Howard. -Hello. | 0:03:25 | 0:03:28 | |
I wasn't expecting that. | 0:03:28 | 0:03:30 | |
I found out that you were making a film. | 0:03:30 | 0:03:32 | |
I kind of wanted to come by and check it out. | 0:03:32 | 0:03:35 | |
Yeah, it was really cool meeting him, knowing that this was the guy | 0:03:35 | 0:03:38 | |
that actually created a blockbuster film. | 0:03:38 | 0:03:41 | |
Cos he's famous, he's well-known. | 0:03:41 | 0:03:43 | |
But even famous Hollywood directors have to start somewhere. | 0:03:43 | 0:03:46 | |
I started when I was around your age, making movies. | 0:03:46 | 0:03:49 | |
It came as, well, a big shock that he just walked in | 0:03:49 | 0:03:52 | |
and started saying, "Tell me what you're doing, we'll start filming." | 0:03:52 | 0:03:56 | |
First positions, action. | 0:03:56 | 0:03:58 | |
I'm a farmer. | 0:03:58 | 0:04:00 | |
I thought the storyboard was brilliant. | 0:04:00 | 0:04:02 | |
-And you've already done some shots? -Yeah. | 0:04:02 | 0:04:05 | |
'Half the work is done because they've got a good script' | 0:04:05 | 0:04:07 | |
and a good plan and have laid it out well. | 0:04:07 | 0:04:10 | |
Now, can I just say you're missing a really important and exciting part | 0:04:10 | 0:04:13 | |
of every shooting day when you have storyboards | 0:04:13 | 0:04:15 | |
because the most exciting thing is to cross out | 0:04:15 | 0:04:20 | |
-the shots that you've done. -Oh, yeah. -We were going to do that, | 0:04:20 | 0:04:23 | |
-we were going to do that. -Boom - that one's done. | 0:04:23 | 0:04:26 | |
That's satisfying, isn't it? | 0:04:26 | 0:04:28 | |
Sweet. | 0:04:28 | 0:04:29 | |
Action. | 0:04:29 | 0:04:30 | |
Ron's usually the only director on his movies | 0:04:30 | 0:04:32 | |
but our team are doing things differently. | 0:04:32 | 0:04:34 | |
Is there a director? | 0:04:34 | 0:04:35 | |
-We take turns being the director. -Oh, I see - you're trading off. | 0:04:35 | 0:04:38 | |
Oh, that's, well, that's a great exercise - a little chaotic... | 0:04:38 | 0:04:41 | |
My favourite moment was the moment when one director | 0:04:41 | 0:04:44 | |
had taken care of one shot and then it was time for the next shot | 0:04:44 | 0:04:48 | |
and then they... Everybody rotated, so effortlessly. | 0:04:48 | 0:04:52 | |
-So, you're directing this one, right? -Yeah. | 0:04:52 | 0:04:54 | |
So, is there anything you'd particularly like? | 0:04:54 | 0:04:56 | |
Well, maybe if you zoom in a bit more. | 0:04:56 | 0:04:58 | |
'And then whoever was directing,' | 0:04:58 | 0:05:00 | |
you can just feel that little bit of adrenaline that I really recognise, | 0:05:00 | 0:05:03 | |
"OK, now it's... OK, now the ball's in my court. | 0:05:03 | 0:05:06 | |
"OK, what are we going to do here? Oh, let's get started." | 0:05:06 | 0:05:09 | |
Action. | 0:05:09 | 0:05:10 | |
The team quickly put Ron to work as their camera operator. | 0:05:10 | 0:05:14 | |
Could we do that one more time | 0:05:14 | 0:05:15 | |
-because the camera operator sort of messed it up? -Yeah. | 0:05:15 | 0:05:17 | |
Whoops. | 0:05:17 | 0:05:18 | |
He wasn't very good at filming as much as directing. | 0:05:18 | 0:05:22 | |
Roll camera. | 0:05:22 | 0:05:23 | |
-Oh, is it just this? -Yeah. | 0:05:23 | 0:05:25 | |
OK. | 0:05:25 | 0:05:26 | |
OK, where's the... Is this our zoom? Show me. Oh, here you go. | 0:05:26 | 0:05:30 | |
There are a lot of award-winning cinematographers | 0:05:30 | 0:05:32 | |
who are really going to enjoy just how bad I am | 0:05:32 | 0:05:35 | |
-at this particular aspect of the job. -Roll camera. | 0:05:35 | 0:05:38 | |
Still to come on DIY Blockbuster Part Two - | 0:05:38 | 0:05:41 | |
the team get some Hollywood filmmaking secrets... | 0:05:41 | 0:05:44 | |
You may want to think about doing a trick here. | 0:05:44 | 0:05:46 | |
..they start to sweat... | 0:05:46 | 0:05:48 | |
A little bit of perspiration. | 0:05:48 | 0:05:50 | |
..and even Ron feels the pressure. | 0:05:50 | 0:05:52 | |
(I'm going to get sacked. If we don't get this right, I feel like I'm out.) | 0:05:52 | 0:05:56 | |
And cut. | 0:05:59 | 0:06:01 | |
What's it really like to be a director? | 0:06:01 | 0:06:03 | |
Let's find out. | 0:06:03 | 0:06:04 | |
You learn the most when you actually do it, when you're active. | 0:06:04 | 0:06:08 | |
I could teach you about running | 0:06:08 | 0:06:09 | |
but you'll never know about running unless you run. | 0:06:09 | 0:06:11 | |
I think making a movie is all about just getting the people together | 0:06:11 | 0:06:15 | |
and saying, "OK, on Saturday, we're going to shoot the movie. | 0:06:15 | 0:06:18 | |
"Who wants to do the different parts?" | 0:06:18 | 0:06:20 | |
All you're limited by, really, is your imagination. | 0:06:20 | 0:06:22 | |
Part of my job is actually convincing other people | 0:06:22 | 0:06:25 | |
that my ideas are good ones. | 0:06:25 | 0:06:26 | |
That happens a lot with directors - you have to go out and sell. | 0:06:26 | 0:06:30 | |
Whatever it is, that's your way of telling it | 0:06:30 | 0:06:32 | |
and you just have to do it that way. | 0:06:32 | 0:06:33 | |
Random Red Carpet - | 0:06:33 | 0:06:36 | |
we ask the questions so you don't have to. | 0:06:36 | 0:06:39 | |
Hey, Bill, what's the saddest movie you've ever seen? | 0:06:39 | 0:06:43 | |
Bambi, they had to take me home and put me to bed. | 0:06:43 | 0:06:46 | |
Cool! I mean, not cool. | 0:06:46 | 0:06:47 | |
Dumbo made me weep uncontrollably | 0:06:47 | 0:06:50 | |
and I think I sword-fought all the way home. You know what I mean? | 0:06:50 | 0:06:54 | |
Random Red Carpet - | 0:06:54 | 0:06:56 | |
it doesn't get much more random than this. | 0:06:56 | 0:06:59 | |
Gaby. Specialist subject, My Neighbour Totoro. | 0:07:13 | 0:07:17 | |
What type of tree was the Big Totoro found in? | 0:07:17 | 0:07:21 | |
Camphor Tree. | 0:07:21 | 0:07:22 | |
How does the family get rid of the dust bunnies? | 0:07:22 | 0:07:25 | |
By shouting and screaming and laughing. | 0:07:25 | 0:07:27 | |
Where is the mother of the sisters? | 0:07:27 | 0:07:29 | |
In the hospital. | 0:07:29 | 0:07:31 | |
What does Granny call the black fuzzy things? | 0:07:31 | 0:07:34 | |
Soot Sprites. | 0:07:34 | 0:07:35 | |
What does Satsuki give to Totoro at the bus stop? | 0:07:35 | 0:07:39 | |
An umbrella. | 0:07:39 | 0:07:40 | |
What does Granny find at the lake? | 0:07:40 | 0:07:42 | |
A sandal. | 0:07:42 | 0:07:43 | |
How many legs does the catbus have on each side? | 0:07:43 | 0:07:47 | |
Three. | 0:07:47 | 0:07:48 | |
-BUZZER -Correct answer, six. | 0:07:48 | 0:07:51 | |
SHE SCREAMS | 0:07:51 | 0:07:53 | |
Cian. Specialist subject, Bedtime Stories. | 0:07:53 | 0:07:57 | |
Where on his body does Skeeter get stung by a bee? | 0:07:57 | 0:08:00 | |
His tongue. | 0:08:00 | 0:08:02 | |
What does it start raining? | 0:08:02 | 0:08:03 | |
Gumballs. | 0:08:03 | 0:08:05 | |
What do the women do when they get jealous? | 0:08:05 | 0:08:07 | |
They get so confused and they do the hokey cokey... Hokey pokey. | 0:08:07 | 0:08:12 | |
What are the names of Skeeter's sister's children? | 0:08:12 | 0:08:15 | |
Um... | 0:08:15 | 0:08:17 | |
I need an answer. | 0:08:17 | 0:08:19 | |
-BUZZER -Time's up. | 0:08:19 | 0:08:22 | |
The answer is Bobby and Patrick. | 0:08:22 | 0:08:25 | |
HE SCREAMS | 0:08:25 | 0:08:27 | |
Niamh and Aine. Specialist subject, Frozen. | 0:08:27 | 0:08:30 | |
How did Anna and Elsa's parent die? | 0:08:30 | 0:08:33 | |
-In a storm. -In a storm on the sea. | 0:08:33 | 0:08:36 | |
Who is the famous Disney princess in attendance at Elsa's coronation? | 0:08:36 | 0:08:41 | |
Rapunzel. | 0:08:41 | 0:08:42 | |
What feature is the snowman, Olaf, initially missing? | 0:08:42 | 0:08:45 | |
A nose. | 0:08:45 | 0:08:46 | |
How many brothers does Prince Hans say he has? | 0:08:46 | 0:08:50 | |
Six. | 0:08:50 | 0:08:51 | |
(I think.) | 0:08:51 | 0:08:52 | |
-BUZZER -Correct answer, twelve. | 0:08:52 | 0:08:55 | |
THEY SCREAM | 0:08:55 | 0:08:57 | |
-And the winner is Gaby. -APPLAUSE | 0:08:57 | 0:09:01 | |
Right, we're talking old movies - | 0:09:04 | 0:09:06 | |
movies that your granny would have watched when she was a kid | 0:09:06 | 0:09:08 | |
and that was a very long time ago | 0:09:08 | 0:09:10 | |
but would you still be happy to watch them now? | 0:09:10 | 0:09:13 | |
Time for a Cinemaniacs Investigation. | 0:09:13 | 0:09:15 | |
I'm Eloushka and me and 100 Cinemaniacs are taking over | 0:09:18 | 0:09:21 | |
this multiplex cinema to find out if old movies can still make the cut. | 0:09:21 | 0:09:27 | |
We've got three movies to watch | 0:09:27 | 0:09:29 | |
but we're not going to be watching them one after the other - oh, no. | 0:09:29 | 0:09:33 | |
We're going to be watching them all at the same time, | 0:09:33 | 0:09:35 | |
so if someone doesn't like a movie, | 0:09:35 | 0:09:37 | |
then they can just get up and go and watch another one | 0:09:37 | 0:09:40 | |
and when all the movies are finished, we're going to count up who's left | 0:09:40 | 0:09:43 | |
in each screen to see which one is the winner. | 0:09:43 | 0:09:46 | |
I'm calling this my Retro Runaround and with Matthew Sweet | 0:09:46 | 0:09:49 | |
joining us as our all-round film boffin, this is our | 0:09:49 | 0:09:53 | |
Cinemaniacs Investigation. | 0:09:53 | 0:09:55 | |
So, everyone is off to watch their first movie. | 0:09:55 | 0:09:59 | |
In Screen 1, we have Jason And The Argonauts, made in 1963. | 0:09:59 | 0:10:03 | |
It's about Jason's quest to find a mythical fleece. | 0:10:03 | 0:10:06 | |
I think this one's going to be quite popular with the boys. | 0:10:06 | 0:10:10 | |
I liked the bit when the lady scared the man off the horse | 0:10:10 | 0:10:14 | |
and he fell into the water. | 0:10:14 | 0:10:16 | |
HORSE WHINNIES | 0:10:16 | 0:10:18 | |
Next up, in Screen 2, is | 0:10:18 | 0:10:20 | |
Dougal And The Blue Cat, made in 1970. | 0:10:20 | 0:10:24 | |
It's about a magical garden invaded by a power-mad cat. | 0:10:24 | 0:10:27 | |
'Come back here, you.' | 0:10:27 | 0:10:29 | |
-Do you like this film? -Yeah, it's really funny and... | 0:10:29 | 0:10:31 | |
Have you ever seen any of these characters before? | 0:10:31 | 0:10:34 | |
Yeah, my dad's mum used to watch it when she was little. | 0:10:34 | 0:10:39 | |
And finally, the third movie is | 0:10:39 | 0:10:41 | |
The 5,000 Fingers Of Dr T, | 0:10:41 | 0:10:43 | |
about a boy who has a magical dream during a music lesson. | 0:10:43 | 0:10:46 | |
It was made in 1953 - that is old. | 0:10:46 | 0:10:50 | |
I think people quite like this one | 0:10:50 | 0:10:52 | |
because it's colourful. What do you think of it? | 0:10:52 | 0:10:55 | |
It's nothing like I've ever seen. | 0:10:55 | 0:10:57 | |
APPLAUSE The films are coming to an end | 0:10:57 | 0:10:59 | |
so it's time to count how many Cinemaniacs are in each screen. | 0:10:59 | 0:11:03 | |
In third place, with a terrific 12, | 0:11:03 | 0:11:06 | |
was Dougal And The Blue Cat. | 0:11:06 | 0:11:08 | |
What made you stick with it? | 0:11:08 | 0:11:10 | |
I think I stayed because I really like animals | 0:11:10 | 0:11:12 | |
and it was kind of funny how he was always fighting. | 0:11:12 | 0:11:16 | |
That was your favourite, wasn't it? | 0:11:16 | 0:11:18 | |
It was creepy and funny at the same time. | 0:11:18 | 0:11:20 | |
Now, why do you think that they didn't like that? | 0:11:22 | 0:11:25 | |
-Lots of people were saying that it was a bit babyish. -Yeah. | 0:11:25 | 0:11:29 | |
In second place, with a thrilling 39 Cinemaniacs, | 0:11:29 | 0:11:32 | |
is Jason And The Argonauts | 0:11:32 | 0:11:34 | |
I'm surprised there weren't any laughs. | 0:11:34 | 0:11:36 | |
At certain times, it is quite a funny film. | 0:11:36 | 0:11:39 | |
You know what, I think that's a really good point | 0:11:39 | 0:11:41 | |
because one of the things we might have expected was that the kids | 0:11:41 | 0:11:45 | |
in this audience would find the special effects terrible | 0:11:45 | 0:11:47 | |
and they would laugh at them - | 0:11:47 | 0:11:49 | |
I didn't hear any of that at all today. | 0:11:49 | 0:11:51 | |
So the winner, with a fantastic 49 Cinemaniacs, | 0:11:51 | 0:11:55 | |
is The 5,000 Fingers Of Dr T. | 0:11:55 | 0:11:58 | |
It's quite a fun film to watch | 0:11:58 | 0:12:00 | |
and when you get in to it, it's more, "Wow, this film is great." | 0:12:00 | 0:12:04 | |
It was really pleasing to me to be standing in the cinemas | 0:12:04 | 0:12:08 | |
and watching kids enjoying these films. | 0:12:08 | 0:12:10 | |
They really got into it | 0:12:10 | 0:12:12 | |
and I think it just shows that actually, time - | 0:12:12 | 0:12:15 | |
it doesn't matter. A good film's a good film. | 0:12:15 | 0:12:17 | |
Just cos time changes doesn't mean films have to change. | 0:12:17 | 0:12:20 | |
I guess that proves that old movies can still be good ones. | 0:12:23 | 0:12:27 | |
Elementary, my dear Watson. | 0:12:27 | 0:12:28 | |
Still to come on Cinemaniacs - | 0:12:31 | 0:12:34 | |
there's behind-the-scenes gossip from the set of | 0:12:34 | 0:12:36 | |
Horrid Henry: The Movie... | 0:12:36 | 0:12:37 | |
-I had to eat that horrible sandwich, didn't I? -Yeah | 0:12:37 | 0:12:41 | |
..find out how to make a movie cloud in the secrets of moviemaking... | 0:12:41 | 0:12:45 | |
-Wow. -That's amazing, yeah. -It really looks like cloud. | 0:12:45 | 0:12:47 | |
..and Michael Sheen, Super Actor, tries turning on the tears. | 0:12:47 | 0:12:51 | |
'One tear - it's tough but I'm a Super Actor.' | 0:12:51 | 0:12:55 | |
But first, it's Part Two of DIY Blockbuster. | 0:12:55 | 0:13:00 | |
Previously, six film-makers have been given | 0:13:00 | 0:13:02 | |
a DIY Blockbuster surprise - | 0:13:02 | 0:13:05 | |
top Hollywood director Ron Howard | 0:13:05 | 0:13:06 | |
has jetted in to help them shoot their space movie. | 0:13:06 | 0:13:09 | |
Really cool meeting him, knowing that this was the guy that actually | 0:13:09 | 0:13:12 | |
created a blockbuster film. | 0:13:12 | 0:13:14 | |
Filming is well under way... | 0:13:14 | 0:13:16 | |
Oh, look here. | 0:13:16 | 0:13:17 | |
..and Ron's giving them props for their props. | 0:13:17 | 0:13:20 | |
-Who made the prop? -Oh, me. | 0:13:20 | 0:13:21 | |
Well done. | 0:13:21 | 0:13:22 | |
Now, most of this kind of thing is done digitally | 0:13:22 | 0:13:25 | |
but a lot of great movie models from science fiction movies, | 0:13:25 | 0:13:28 | |
you know, going back to the '60s and '70s, | 0:13:28 | 0:13:30 | |
were made with materials pretty much like this. | 0:13:30 | 0:13:33 | |
I know in the scene when the rocket takes off | 0:13:33 | 0:13:35 | |
that that scene had to be shot about three or four times. | 0:13:35 | 0:13:38 | |
(I'm going to get sacked. If we don't get this right, I feel like I'm out.) | 0:13:38 | 0:13:42 | |
Camera rolling. | 0:13:42 | 0:13:43 | |
Lift off. | 0:13:43 | 0:13:45 | |
HE REVS LIKE AN ENGINE | 0:13:45 | 0:13:49 | |
Cut. | 0:13:54 | 0:13:55 | |
-That was good. -That was perfect. | 0:13:55 | 0:13:57 | |
I think I'll be back tomorrow. | 0:13:57 | 0:13:59 | |
Phew! | 0:13:59 | 0:14:00 | |
I think he, kind of, liked how home-made it was, though. | 0:14:00 | 0:14:02 | |
We'd, you know, done our home-made background, | 0:14:02 | 0:14:05 | |
we made it ourselves, it was just really simple things. | 0:14:05 | 0:14:07 | |
You may want to think about doing a trick here where you... | 0:14:07 | 0:14:10 | |
This movie might be home-made | 0:14:10 | 0:14:11 | |
but Ron's got plenty of Hollywood techniques for the team to use | 0:14:11 | 0:14:14 | |
to give it a big-budget feel. | 0:14:14 | 0:14:16 | |
Can I make one suggestion? | 0:14:16 | 0:14:18 | |
He gave us lots of tips and ideas to make the film better. | 0:14:18 | 0:14:22 | |
..just move the camera in and don't do a zoom, | 0:14:22 | 0:14:24 | |
just do a tight shot of the knobs and let her hand come in and twist them. | 0:14:24 | 0:14:27 | |
When the captain and the co-pilot are taking off, "Oh, you can do | 0:14:27 | 0:14:30 | |
"a close-up on the buttons they're pressing." | 0:14:30 | 0:14:32 | |
..four, three, two, one. | 0:14:32 | 0:14:34 | |
He really helped with the... Some of the camera tricks that he used. | 0:14:36 | 0:14:40 | |
You know what helped us with Apollo 13 a lot? | 0:14:40 | 0:14:42 | |
When we were supposed to be doing the weightless feel, is we used... | 0:14:42 | 0:14:45 | |
The camera operators were hand-held. | 0:14:45 | 0:14:47 | |
If I do a little bit of movement, see? | 0:14:47 | 0:14:50 | |
Yeah. | 0:14:50 | 0:14:52 | |
We could do that. Something like that would... | 0:14:52 | 0:14:55 | |
-Does that give you an effect that you want? -Yeah. | 0:14:55 | 0:14:57 | |
He was, like, "It's OK to do free camera without a tripod, | 0:14:57 | 0:15:00 | |
"so it looks like it's floating... | 0:15:00 | 0:15:03 | |
"to really create a space atmosphere." | 0:15:03 | 0:15:05 | |
And now for some visual effects. | 0:15:05 | 0:15:07 | |
The pregnancy - you're having a baby? | 0:15:07 | 0:15:10 | |
He thought that I should be sweating cos I'm giving... I just gave birth, | 0:15:10 | 0:15:14 | |
so he got some water and splashed it which made it look a lot better. | 0:15:14 | 0:15:20 | |
A little bit of perspiration. | 0:15:20 | 0:15:22 | |
You've had a baby! | 0:15:22 | 0:15:25 | |
My experience is that the mother perspires just a little. | 0:15:25 | 0:15:28 | |
Don't worry, don't worry. I can deliver it. | 0:15:28 | 0:15:31 | |
BABY CRIES | 0:15:31 | 0:15:33 | |
Congratulations, | 0:15:33 | 0:15:35 | |
you've given birth to the first-ever alien. | 0:15:35 | 0:15:38 | |
Cut. | 0:15:38 | 0:15:39 | |
That's a wrap. | 0:15:39 | 0:15:41 | |
THEY CHEER | 0:15:41 | 0:15:42 | |
These young film-makers were a blast to be around. | 0:15:42 | 0:15:45 | |
He was a lot different than I expected. | 0:15:45 | 0:15:47 | |
I, kind of, expected that, you know, | 0:15:47 | 0:15:49 | |
-directors of these big Hollywood movies to be... -Quite serious. | 0:15:49 | 0:15:53 | |
Yeah, serious. | 0:15:53 | 0:15:54 | |
I think I've probably learned a thing or two, I think | 0:15:54 | 0:15:56 | |
I'm just going to go on to my next job just that much more inspired. | 0:15:56 | 0:16:00 | |
We surprised the team with top Hollywood director Ron Howard... | 0:16:00 | 0:16:03 | |
Lift off. | 0:16:03 | 0:16:04 | |
..he struggled with the technology... | 0:16:04 | 0:16:05 | |
Can we do that one more time | 0:16:05 | 0:16:07 | |
-because the camera operator sort of messed it up? -Yeah. | 0:16:07 | 0:16:09 | |
..but his film-making secrets wowed the team. | 0:16:09 | 0:16:12 | |
Just move the camera in and don't do a zoom. | 0:16:12 | 0:16:14 | |
So was their movie truly out of this world? | 0:16:14 | 0:16:17 | |
It was a fantastic little short film, witty and pretty imaginative. | 0:16:17 | 0:16:23 | |
-Bye. -Bye-bye, so long. | 0:16:23 | 0:16:25 | |
You know, if Ron Howard said it was good so, you know, | 0:16:25 | 0:16:27 | |
it must be all right. | 0:16:27 | 0:16:29 | |
You can check out the team's finished movie on the CBBC website. | 0:16:29 | 0:16:32 | |
So this is where I give you guys three top tips | 0:16:35 | 0:16:38 | |
to help you create an action movie. | 0:16:38 | 0:16:40 | |
You need the Spin Round The Head Shot. | 0:16:44 | 0:16:45 | |
One man has a camera spinning round his head | 0:16:45 | 0:16:49 | |
because he is serious. | 0:16:49 | 0:16:52 | |
You can have so much fun with Close-Ups. | 0:16:53 | 0:16:56 | |
He's mean, dangerous, | 0:16:56 | 0:16:59 | |
he's in close-up. | 0:16:59 | 0:17:01 | |
He's going somewhere. | 0:17:01 | 0:17:02 | |
You need the Hero Shot. | 0:17:07 | 0:17:08 | |
This man is going to save the world. | 0:17:08 | 0:17:12 | |
And that was three top tips to help you create an action movie. | 0:17:19 | 0:17:22 | |
Now this. | 0:17:22 | 0:17:24 | |
We take you behind the scene with Horrid Henry: The Movie. | 0:17:26 | 0:17:30 | |
-'Henry. -Henry. | 0:17:30 | 0:17:32 | |
-'Henry! -HENRY! | 0:17:32 | 0:17:34 | |
'Homework, now. | 0:17:34 | 0:17:36 | |
'No!' | 0:17:36 | 0:17:38 | |
I'm Theo Stevenson and I played Henry in Horrid Henry: The Movie. | 0:17:38 | 0:17:41 | |
'I'm not going to that mouldy old brick house.' | 0:17:41 | 0:17:44 | |
I'd always hide away from the chaperones, | 0:17:44 | 0:17:46 | |
just because I was mischievous | 0:17:46 | 0:17:48 | |
and wanted to get into the role of Horrid Henry as much as possible. | 0:17:48 | 0:17:51 | |
I'd like to call it method acting. | 0:17:51 | 0:17:52 | |
It's not bad... | 0:17:52 | 0:17:54 | |
for a smelly-nappy baby! | 0:17:54 | 0:17:56 | |
..and triple detention. | 0:17:56 | 0:17:58 | |
Angelica Houston was definitely fun to work with. | 0:17:58 | 0:18:02 | |
She was lovely. | 0:18:02 | 0:18:03 | |
# Cinemaniacs. # | 0:18:03 | 0:18:06 | |
The first time I walked on to that set, I was so nervous. | 0:18:06 | 0:18:10 | |
Everything was so big and I hadn't been on something that scale before. | 0:18:10 | 0:18:14 | |
You're seeing so many cameras... | 0:18:14 | 0:18:16 | |
I didn't really know what to expect. | 0:18:19 | 0:18:21 | |
..but in a weird way, like, nervous excited. You know when you're really | 0:18:21 | 0:18:24 | |
excited for something but you just get that feeling and you're like... | 0:18:24 | 0:18:27 | |
'Together, we are the Purple Hand Gang.' | 0:18:27 | 0:18:32 | |
Every now and again, you would hear a little bit of an argument | 0:18:32 | 0:18:36 | |
but mainly, though, we did get on. | 0:18:36 | 0:18:38 | |
Yeah, I had to eat that horrible sandwich, didn't I? | 0:18:38 | 0:18:40 | |
'Oh, sorry.' | 0:18:44 | 0:18:45 | |
That was the best thing. | 0:18:45 | 0:18:48 | |
-'Oh-oh! -Oh!' | 0:18:48 | 0:18:51 | |
It wasn't puke, obviously. | 0:18:51 | 0:18:52 | |
We wouldn't be that mean to Matt. | 0:18:52 | 0:18:54 | |
'Ooh. | 0:18:56 | 0:18:58 | |
'Yuck.' | 0:18:58 | 0:18:59 | |
What? | 0:19:02 | 0:19:03 | |
-It was baby food. -That was it, it was baby food. -Yeah, it was baby food | 0:19:03 | 0:19:06 | |
but, you know, I had to really go for it like I was ravenously hungry. | 0:19:06 | 0:19:10 | |
Talk about half-hearted attempt here, | 0:19:14 | 0:19:16 | |
cos it was just dropped on me on the day. I mean, | 0:19:16 | 0:19:19 | |
this one was going for it. Yeah, I mean, I was just not into it. | 0:19:19 | 0:19:22 | |
But that was the comedy element - the dad can't dance. | 0:19:22 | 0:19:25 | |
No, not in the film like that. You're supposed to be... | 0:19:25 | 0:19:28 | |
Supposed to be absolutely going for it but, yeah. | 0:19:28 | 0:19:30 | |
If you watch it, I'm two beats behind everyone. | 0:19:30 | 0:19:33 | |
Everyone else is there, like, dancing away and I'm, like, | 0:19:33 | 0:19:35 | |
looking around, like, "Whoa, whoa, whoa. Where are we at?" | 0:19:35 | 0:19:38 | |
There's a scene where Horrid Henry has to throw a water bomb at me... | 0:19:42 | 0:19:45 | |
..and for the first take, they said, "Oh, no, | 0:19:47 | 0:19:49 | |
"it's just going to be a practice," | 0:19:49 | 0:19:51 | |
and then they actually threw the water bomb at my head | 0:19:51 | 0:19:54 | |
and it was the most shocking thing ever. | 0:19:54 | 0:19:57 | |
Aargh! | 0:20:00 | 0:20:02 | |
Henry! | 0:20:02 | 0:20:04 | |
I'll get you, Henry! | 0:20:04 | 0:20:06 | |
Mmmm. | 0:20:09 | 0:20:11 | |
What do you think? | 0:20:11 | 0:20:13 | |
This is awesome - my very own movie cloud. If you guys want to know | 0:20:13 | 0:20:17 | |
how to make your very own movie cloud, then watch this. | 0:20:17 | 0:20:20 | |
Cloud, take me away. | 0:20:20 | 0:20:22 | |
Mmm. | 0:20:22 | 0:20:24 | |
Introducing Mr Mike Tucker, | 0:20:24 | 0:20:27 | |
here to show you how to create special effects, Hollywood-style | 0:20:27 | 0:20:31 | |
in the Secrets Of Moviemaking. | 0:20:31 | 0:20:34 | |
Today, we're going to show you how to make your very own movie clouds, | 0:20:34 | 0:20:38 | |
so grab a couple of friends and let's get started. | 0:20:38 | 0:20:41 | |
This week, we're going to do stormy skies and clouds. | 0:20:41 | 0:20:45 | |
This effect is a really impressive one and if you've ever seen | 0:20:45 | 0:20:47 | |
Close Encounters Of The Third Kind, you'll know why. | 0:20:47 | 0:20:51 | |
You're going to need a fish tank, a jug, water and salt water, | 0:20:51 | 0:20:55 | |
milk, pegs and some black bin liners. | 0:20:55 | 0:20:58 | |
OK, Step 1 is to get our salt water in to the tank | 0:20:58 | 0:21:04 | |
and fill it up to a layer where we want our clouds to actually happen. | 0:21:04 | 0:21:08 | |
We need to make sure that the two types - | 0:21:10 | 0:21:12 | |
the salt water and the fresh water - don't mix, so we're going to use | 0:21:12 | 0:21:16 | |
a bit of bin liner to help separate the two. | 0:21:16 | 0:21:20 | |
Just clip it to the edge of the tank. | 0:21:20 | 0:21:24 | |
Carefully, start pouring the fresh water in on top of the plastic. | 0:21:24 | 0:21:28 | |
Right, we now need to do the tricky bit which is get the plastic out | 0:21:30 | 0:21:34 | |
without disturbing the two layers of liquid, so we need to try | 0:21:34 | 0:21:37 | |
and slide this plastic out over the top of the water. | 0:21:37 | 0:21:41 | |
Right. | 0:21:41 | 0:21:43 | |
That's what we call an inversion layer. | 0:21:45 | 0:21:49 | |
Now we've let that settle a little bit, | 0:21:49 | 0:21:51 | |
we need to get our milk in there. | 0:21:51 | 0:21:53 | |
Now... | 0:21:53 | 0:21:55 | |
pour it in from one end, quite slowly, in a stream | 0:21:55 | 0:22:01 | |
and then see what happens when it starts to hit. | 0:22:01 | 0:22:04 | |
-Oh, wow. -You'll now see the clouds are travelling | 0:22:06 | 0:22:10 | |
between the salt water and the fresh water. | 0:22:10 | 0:22:13 | |
-That is awesome, isn't it? -Wow, it really looks like clouds | 0:22:13 | 0:22:17 | |
You can create a background by sticking a drawing or photo | 0:22:17 | 0:22:20 | |
behind the fish tank | 0:22:20 | 0:22:21 | |
or you could just make a background with one of your own bin liners... | 0:22:21 | 0:22:25 | |
We can clip in place with our pegs. OK, so if you come down low | 0:22:25 | 0:22:30 | |
so you're looking up at it and try and avoid seeing your reflection... | 0:22:30 | 0:22:34 | |
..and start to get really fancy. | 0:22:37 | 0:22:39 | |
You could add food colouring in to the milk, | 0:22:39 | 0:22:42 | |
in which case you would get coloured clouds. | 0:22:42 | 0:22:46 | |
And if that isn't enough for you, try this. | 0:22:46 | 0:22:48 | |
By taking something like a torch, | 0:22:48 | 0:22:50 | |
you can start getting things like lighting effects... | 0:22:50 | 0:22:53 | |
-Oh, wow. -..or lightning. -Like a thunderstorm. | 0:22:53 | 0:22:57 | |
And that's how you make your very own movie clouds | 0:22:57 | 0:23:01 | |
Next up, it's our very own Super Actor | 0:23:01 | 0:23:03 | |
with the Crybaby Challenge so, Asa, | 0:23:03 | 0:23:06 | |
kick us off with something sad to get us in the mood. | 0:23:06 | 0:23:08 | |
My wish for the world would be that no more kittens were abandoned | 0:23:08 | 0:23:13 | |
and that they weren't left alone | 0:23:13 | 0:23:15 | |
and they had a house to live in and someone to grow up with. | 0:23:15 | 0:23:18 | |
I'm actually pretty good at this. I'm actually really good - | 0:23:20 | 0:23:23 | |
maybe I could get a part in the... | 0:23:23 | 0:23:26 | |
No? | 0:23:26 | 0:23:27 | |
Here's the Crybaby Challenge. | 0:23:27 | 0:23:29 | |
And now, the star of Alice In Wonderland, Tron and Twilight, | 0:23:31 | 0:23:37 | |
Michael Sheen, Super Actor... | 0:23:37 | 0:23:40 | |
Today's super acting challenge is a particularly tricky one. | 0:23:42 | 0:23:46 | |
It entails me | 0:23:46 | 0:23:48 | |
and six young acting trainees | 0:23:48 | 0:23:53 | |
going head-to-head as to who can bring the tears forth the quickest. | 0:23:53 | 0:23:58 | |
..in the Crybaby Challenge. | 0:23:58 | 0:24:02 | |
This is a really difficult challenge | 0:24:02 | 0:24:04 | |
cos, actually, you can't fake it. | 0:24:04 | 0:24:07 | |
Now, as an actor now and again, I have to bring the tears. | 0:24:07 | 0:24:12 | |
I find this very difficult. | 0:24:12 | 0:24:13 | |
Some actors think about sad things and actually make themselves upset. | 0:24:13 | 0:24:18 | |
Do you think you will be able to cry | 0:24:18 | 0:24:20 | |
just by summoning up your own super acting powers? | 0:24:20 | 0:24:23 | |
Er, no, I don't think so. I mean, I've tried before, just out of, | 0:24:23 | 0:24:26 | |
like, curiosity if I could | 0:24:26 | 0:24:28 | |
and I've never been able to do it before. | 0:24:28 | 0:24:30 | |
Often when you're crying, you're, sort of, you're panting... | 0:24:30 | 0:24:33 | |
Bottom lip is going. | 0:24:33 | 0:24:36 | |
..and if you, sort of, keep that up for a minute or two, | 0:24:36 | 0:24:39 | |
it really does get you crying. | 0:24:39 | 0:24:41 | |
Another way to make yourself cry is by chopping onions | 0:24:41 | 0:24:44 | |
so we're going head-to-head with our random onion-chopper, Christina. | 0:24:44 | 0:24:49 | |
How long do you think it will take you to get the tears, | 0:24:49 | 0:24:52 | |
just by using the onions? | 0:24:52 | 0:24:53 | |
Two onions. | 0:24:53 | 0:24:55 | |
-Two onions? -Yeah. | 0:24:55 | 0:24:57 | |
That means the challenge is on. | 0:24:57 | 0:24:59 | |
Cry Cam is in position | 0:25:00 | 0:25:03 | |
and let the crying begin. | 0:25:03 | 0:25:05 | |
'The chopping begins and two onions is our time limit. | 0:25:05 | 0:25:09 | |
'If I can be the first person to summon a tear | 0:25:09 | 0:25:10 | |
'against all these actors | 0:25:10 | 0:25:12 | |
'and onion-lady Christina, I win. | 0:25:12 | 0:25:15 | |
'I'm starting to think sad. | 0:25:16 | 0:25:18 | |
'I just don't think I can do it. | 0:25:18 | 0:25:20 | |
'Two onions, one tear - it's tough | 0:25:20 | 0:25:22 | |
'but I'm a Super Actor... | 0:25:22 | 0:25:25 | |
'or am I? | 0:25:25 | 0:25:27 | |
'One onion chopped already - | 0:25:27 | 0:25:28 | |
that means there's only one onion left! | 0:25:28 | 0:25:30 | |
'Come on, Michael. Get a grip.' | 0:25:30 | 0:25:33 | |
'Don't get distracted by all that giggling behind you. | 0:25:35 | 0:25:37 | |
'Think sad. Think REALLY sad. | 0:25:37 | 0:25:41 | |
'Think Super Actor sad. | 0:25:41 | 0:25:43 | |
-BUZZER -'Oh, that's the second onion chopped | 0:25:47 | 0:25:50 | |
'which means it's the end of the challenge. | 0:25:50 | 0:25:52 | |
'Well, it looks like I'm not the only one that's failed.' | 0:25:52 | 0:25:55 | |
How did it go, Christina? | 0:25:55 | 0:25:56 | |
Well, irritated eyes but no tears. | 0:25:56 | 0:25:59 | |
Irritated eyes but no tears. | 0:25:59 | 0:26:01 | |
Hang on a minute, is that a tear? | 0:26:01 | 0:26:04 | |
There is a tear, | 0:26:04 | 0:26:06 | |
a tear fell from this eye so we have a winner. | 0:26:06 | 0:26:09 | |
What was it that you used in order to bring about the tears? | 0:26:09 | 0:26:14 | |
Well, I didn't blink for, like, most of it and I guess | 0:26:14 | 0:26:16 | |
my eyes just, sort of, dried up and then they wanted | 0:26:16 | 0:26:18 | |
to water to get rid of the... | 0:26:18 | 0:26:20 | |
-I see, so it was purely biological? -Yeah. | 0:26:20 | 0:26:23 | |
'No tears, so it's a crying shame | 0:26:23 | 0:26:27 | |
'but at least for today, | 0:26:27 | 0:26:28 | |
'Michael Sheen, Super Actor, has failed. | 0:26:28 | 0:26:32 | |
Nice try, Michael. | 0:26:32 | 0:26:35 | |
Next time - | 0:26:35 | 0:26:37 | |
find out what this crowd of blue and orange people are doing | 0:26:37 | 0:26:40 | |
in a DIY Blockbuster... | 0:26:40 | 0:26:41 | |
Anyone walking past would think we were a whole lot of lunatics. | 0:26:41 | 0:26:44 | |
..top soundtrack composer David Arnold works some musical magic... | 0:26:44 | 0:26:49 | |
It's going to be a happy-go-lucky kind of day today. | 0:26:49 | 0:26:52 | |
# Let the party begin... # | 0:26:52 | 0:26:54 | |
..and can Michael Sheen - Super Actor make this lot laugh? | 0:26:54 | 0:26:58 | |
# Let's dance under the chain... # | 0:26:58 | 0:27:04 | |
This is my sad face again | 0:27:04 | 0:27:05 | |
because it's nearly time to go | 0:27:05 | 0:27:08 | |
but just before I do, | 0:27:08 | 0:27:09 | |
if you enjoy watching Willy Wonka And The Chocolate Factory, | 0:27:09 | 0:27:12 | |
you might want to know that all the giant lollipops on set were edible. | 0:27:12 | 0:27:16 | |
MUSIC: Pure Imagination by Anthony Newley & Leslie Bricusse | 0:27:16 | 0:27:19 | |
Sweet. | 0:27:19 | 0:27:20 | |
Oh, I so wish I was working on that movie. | 0:27:31 | 0:27:34 | |
I'm Oli White and you've been watching... | 0:27:34 | 0:27:36 | |
Cinemaniacs. | 0:27:36 | 0:27:38 | |
New release or classic movie? | 0:27:38 | 0:27:39 | |
-Classic movie. -Latest release. | 0:27:39 | 0:27:41 | |
-Classic movie. -Classic movie. | 0:27:41 | 0:27:44 | |
-Latest release. -Classic movie. | 0:27:44 | 0:27:46 | |
Latest release. | 0:27:46 | 0:27:47 | |
-Latest. -Classic movie. | 0:27:47 | 0:27:49 | |
-Classic Movie. -Latest release. | 0:27:49 | 0:27:51 | |
-Classic... -Classic movie. Nice one. -Right. | 0:27:51 | 0:27:54 |