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Hello everyone, I'm Oli White. | 0:00:02 | 0:00:03 | |
Welcome to the home of film. | 0:00:03 | 0:00:05 | |
The mansion of movies. | 0:00:05 | 0:00:07 | |
The palace of pictures. | 0:00:07 | 0:00:09 | |
The castle of...cinema. | 0:00:09 | 0:00:11 | |
Well, that didn't quite work but you get the idea anyway. | 0:00:11 | 0:00:14 | |
This is...Cinemaniacs. | 0:00:14 | 0:00:16 | |
Team, take it away. | 0:00:16 | 0:00:19 | |
Action! | 0:00:19 | 0:00:20 | |
# Want to ride your bike across the face of the moon? | 0:00:20 | 0:00:23 | |
# Levitate your house with a bunch of balloons? | 0:00:23 | 0:00:25 | |
# Feel zero gravitation? A robot transformation? | 0:00:25 | 0:00:28 | |
# You're a Cinemaniac | 0:00:28 | 0:00:30 | |
# Can you tell a lie that is the length of your nose? | 0:00:30 | 0:00:33 | |
# Or defrost a heart you accidentally froze? | 0:00:33 | 0:00:35 | |
# Want a bottomless case? | 0:00:35 | 0:00:37 | |
# Or a squid for a face?! | 0:00:37 | 0:00:38 | |
# You're a Cinemaniac! | 0:00:38 | 0:00:40 | |
# Do you long to hear the roar of an extinct dinosaur? | 0:00:40 | 0:00:43 | |
# To explore the flora in your very own Pandora? | 0:00:43 | 0:00:46 | |
# Feel the urge to sing on a quest for the Ring? | 0:00:46 | 0:00:48 | |
# To escape from a clone or to be home alone? | 0:00:48 | 0:00:51 | |
# Then roll out the red carpet and turn down the lights | 0:00:51 | 0:00:54 | |
# Grab yourself a seat and hold on tight | 0:00:54 | 0:00:57 | |
# We're mad about movies! We're crazy for film! | 0:00:57 | 0:00:59 | |
# We're Cinemania... | 0:00:59 | 0:01:01 | |
# Cinemania... | 0:01:01 | 0:01:02 | |
# Cinemaniacs! # | 0:01:02 | 0:01:06 | |
We've got so much in this programme, | 0:01:06 | 0:01:08 | |
I reckon we're going to need a bigger show. | 0:01:08 | 0:01:10 | |
This...is what I'm talking about. | 0:01:10 | 0:01:13 | |
Coming up...we're giving these Cinemaniacs | 0:01:13 | 0:01:15 | |
an exclusive peep behind the scenes of the making of the Bill trailer. | 0:01:15 | 0:01:19 | |
-That's awesome. -Yeah. | 0:01:19 | 0:01:21 | |
We're heading off to the moon. | 0:01:21 | 0:01:23 | |
Or, at least, showing you how to make one, | 0:01:23 | 0:01:24 | |
in the secrets of movie making. | 0:01:24 | 0:01:26 | |
Yeah, that looks really good, yeah. | 0:01:26 | 0:01:28 | |
And Michael Sheen, super actor, takes on a new challenge. | 0:01:28 | 0:01:32 | |
To act with absolutely nothing. | 0:01:32 | 0:01:35 | |
Feeling a bit seasick, actually. | 0:01:35 | 0:01:38 | |
Rafe's just been telling me about his best animal stories. | 0:01:38 | 0:01:41 | |
There was one time when I stopped in front of a reindeer | 0:01:41 | 0:01:43 | |
and his antler went up...up my bum. | 0:01:43 | 0:01:45 | |
Hww. I bet that was a surprise! | 0:01:45 | 0:01:47 | |
And that was not something you can experience every day. | 0:01:47 | 0:01:49 | |
You're right there, Rafe. And talking of animals, | 0:01:49 | 0:01:52 | |
up next is a four-legged DIY blockbuster surprise. | 0:01:52 | 0:01:56 | |
Part one. | 0:01:56 | 0:01:57 | |
-Action! -We're giving groups of film-makers | 0:01:59 | 0:02:01 | |
the chance to make a short film. | 0:02:01 | 0:02:04 | |
Armed with just a camera, a script and some home-made props. | 0:02:04 | 0:02:08 | |
But little do they know... | 0:02:08 | 0:02:10 | |
they're in for a big surprise. | 0:02:10 | 0:02:12 | |
You didn't know I was coming? | 0:02:12 | 0:02:14 | |
When we give them something spectacular. | 0:02:14 | 0:02:17 | |
To turn their home movie into a DIY blockbuster. | 0:02:17 | 0:02:21 | |
You're not filming yet, are you? | 0:02:24 | 0:02:26 | |
Guys, shall we do a rehearsal? | 0:02:26 | 0:02:27 | |
Jakub, Cameron, Momin, Hollie, | 0:02:27 | 0:02:29 | |
Ellecia and Jack, | 0:02:29 | 0:02:31 | |
are making a body swap movie. | 0:02:31 | 0:02:33 | |
Hey, look at that! | 0:02:33 | 0:02:34 | |
There's a boy and a girl and a dog. | 0:02:36 | 0:02:39 | |
Listen up. Action! | 0:02:39 | 0:02:41 | |
And...they found a watch. | 0:02:41 | 0:02:44 | |
The magic watch turned the boy into a dog and the dog into a human. | 0:02:44 | 0:02:49 | |
The team have started filming but there's a problem. | 0:02:49 | 0:02:52 | |
ALL SPEAK AT ONCE | 0:02:52 | 0:02:54 | |
-Somebody...Jack, Jack. -When she drops the glasses, | 0:02:54 | 0:02:56 | |
when she's looking around like that, she can't see nothing. | 0:02:56 | 0:02:59 | |
-Then you shout, cut. -Let's go, guys. | 0:02:59 | 0:03:01 | |
But with everyone talking at once, it's not clear who's doing what. | 0:03:01 | 0:03:05 | |
When we were talking, everyone was just butting in. | 0:03:05 | 0:03:07 | |
-It was really annoying. -Even if we were saying something very important | 0:03:07 | 0:03:10 | |
they were just like, "Ah, but what about this?" | 0:03:10 | 0:03:13 | |
I'll chuck the watch, shall I? | 0:03:13 | 0:03:15 | |
And in all this confusion, something goes missing. | 0:03:15 | 0:03:18 | |
He chucked the watch and we couldn't find it. | 0:03:18 | 0:03:21 | |
-Cut! -Cut! | 0:03:21 | 0:03:22 | |
We can't find the watch. | 0:03:22 | 0:03:24 | |
-All of us looked for it. -Guys, it's over here somewhere | 0:03:24 | 0:03:26 | |
because I did see, like... | 0:03:26 | 0:03:28 | |
Even the camera crew and none of us could find it. | 0:03:28 | 0:03:31 | |
And whilst searching for their watch, | 0:03:31 | 0:03:33 | |
they've managed to lose their only other prop. | 0:03:33 | 0:03:36 | |
A pair of glasses. | 0:03:36 | 0:03:37 | |
I put them on the floor and then I left them | 0:03:37 | 0:03:39 | |
cos I was looking for the watch and I don't know what happened then. | 0:03:39 | 0:03:42 | |
Maybe the floor isn't the best place to leave your specs, Ellecia. | 0:03:42 | 0:03:45 | |
Cameron soon finds them but there's a problem. | 0:03:45 | 0:03:48 | |
They snapped. | 0:03:48 | 0:03:50 | |
With the watch still missing and the glasses broken, | 0:03:50 | 0:03:53 | |
the team have to improvise. | 0:03:53 | 0:03:55 | |
I've found a solution. It's a watch. | 0:03:55 | 0:03:57 | |
It doesn't look like a watch. | 0:03:57 | 0:03:59 | |
We had to make a fake watch out of duct tape. | 0:03:59 | 0:04:03 | |
As well as making a fake watch, the duct tape also came in handy | 0:04:03 | 0:04:07 | |
to fix the broken glasses, very stylish. | 0:04:07 | 0:04:10 | |
But just when things were looking up... | 0:04:10 | 0:04:12 | |
disaster strikes. | 0:04:12 | 0:04:13 | |
It just poured down. | 0:04:13 | 0:04:15 | |
Yeah, it was hard because your shoes were so soaking, | 0:04:15 | 0:04:18 | |
-you could barely feel your toes by the end of it. -Yeah. | 0:04:18 | 0:04:20 | |
While they shelter from the rain, | 0:04:20 | 0:04:22 | |
the team take the chance to chat about what's not working. | 0:04:22 | 0:04:24 | |
I think we're not doing it as well as we should be. | 0:04:24 | 0:04:27 | |
We weren't working together, we were arguing too much. | 0:04:27 | 0:04:30 | |
No-one's listening and... | 0:04:30 | 0:04:32 | |
Yeah, like... ALL SPEAK AT ONCE | 0:04:32 | 0:04:35 | |
-Like he said... -As long as we listen to each other. | 0:04:35 | 0:04:37 | |
He said, "Stop screaming." | 0:04:37 | 0:04:39 | |
-We're not listening to each other now. -Exactly. | 0:04:39 | 0:04:41 | |
We need to listen to each other and then the film will be fine. | 0:04:41 | 0:04:43 | |
With that sorted, the team have moved on to the next scene. | 0:04:43 | 0:04:46 | |
Which is kind of confusing, when the dog that turns into a boy | 0:04:46 | 0:04:49 | |
is already a boy. | 0:04:49 | 0:04:51 | |
And the boy that's supposed to turn into a dog, | 0:04:51 | 0:04:53 | |
still looks like a boy as well. | 0:04:53 | 0:04:55 | |
-He doesn't really look like a dog. -Do we have a costume? | 0:04:55 | 0:04:58 | |
-It's fine. -Hopefully we can help them fix this doggy dilemma, | 0:04:58 | 0:05:01 | |
with our DIY Blockbuster surprise. | 0:05:01 | 0:05:04 | |
Because we're giving them... | 0:05:04 | 0:05:05 | |
a mystery actor. | 0:05:05 | 0:05:07 | |
Meet Jackie the dog. | 0:05:12 | 0:05:14 | |
Jackie has always wanted to be a movie star. | 0:05:14 | 0:05:16 | |
And this is her big break. | 0:05:16 | 0:05:19 | |
Jackie has had no acting training whatsoever. | 0:05:19 | 0:05:22 | |
In fact, we're not sure she's had any training at all. | 0:05:22 | 0:05:25 | |
It's a real life prop. | 0:05:25 | 0:05:27 | |
We thought we wouldn't have a dog. | 0:05:29 | 0:05:30 | |
We thought Momin was going to be the dog. | 0:05:30 | 0:05:33 | |
Momin out... | 0:05:33 | 0:05:34 | |
Jackie in. | 0:05:34 | 0:05:36 | |
There we are, use her in your film and enjoy. | 0:05:36 | 0:05:40 | |
-Action! -So, it will be easy from now on, right? | 0:05:40 | 0:05:43 | |
-Wrong. -Come on, boy. | 0:05:43 | 0:05:46 | |
Can you wait until I've got the dog happier? | 0:05:46 | 0:05:49 | |
The team soon realise filming with a dog isn't a walk in the park. | 0:05:49 | 0:05:53 | |
So, the beginning was not easy. | 0:05:53 | 0:05:55 | |
He wouldn't stay on the spot, anything. | 0:05:55 | 0:05:58 | |
Are we ready, guys? | 0:05:58 | 0:06:00 | |
This is the fifth time. | 0:06:00 | 0:06:02 | |
Jackie. | 0:06:02 | 0:06:04 | |
It wouldn't just stay still, would it? | 0:06:04 | 0:06:06 | |
It was really annoying, it was. | 0:06:06 | 0:06:09 | |
Coming up, Cameron takes some acting tips from Jackie. | 0:06:09 | 0:06:12 | |
The weather gets worse. | 0:06:12 | 0:06:14 | |
-The rain didn't help at all. -No. | 0:06:14 | 0:06:16 | |
And will the team lose anything else? | 0:06:16 | 0:06:18 | |
Jackie! | 0:06:18 | 0:06:19 | |
Can you believe that dog? Here's another animal behaving badly. | 0:06:24 | 0:06:28 | |
The pig bit Pam Ferris, who plays Mrs Bevan, on the leg. | 0:06:32 | 0:06:37 | |
And she fell over and she went into hysterical screaming. | 0:06:37 | 0:06:40 | |
And, you know, we were filming it all, obviously, | 0:06:40 | 0:06:42 | |
cos we thought it was hilarious. But, um, | 0:06:42 | 0:06:44 | |
she said, she'd never work with pigs again. | 0:06:44 | 0:06:47 | |
Which is a shame, really, cos I love pigs. | 0:06:47 | 0:06:50 | |
We ask the questions, so you don't have to. | 0:06:55 | 0:06:58 | |
What was it like to win an Oscar, Anne? | 0:06:58 | 0:07:00 | |
Half the time I was just standing on one leg, | 0:07:00 | 0:07:03 | |
kind of like you do, when you're like, "Look at me - I'm flying." | 0:07:03 | 0:07:06 | |
It doesn't get much more random than this. | 0:07:08 | 0:07:11 | |
Georgina, specialist subject, Akeelah And The Bee. | 0:07:24 | 0:07:28 | |
What is Akeelah's last name? | 0:07:28 | 0:07:31 | |
-Anderson. -How many siblings does Akeelah have? | 0:07:31 | 0:07:35 | |
Two. Three. | 0:07:35 | 0:07:36 | |
Why did Akeelah's mum pull her out of the state spelling competition? | 0:07:36 | 0:07:41 | |
Because she didn't do enough homework. | 0:07:41 | 0:07:42 | |
BUZZER | 0:07:42 | 0:07:43 | |
Correct answer - she arrived home late. | 0:07:43 | 0:07:45 | |
Aaargh! | 0:07:45 | 0:07:47 | |
Jamie, specialist subject, The Avengers. | 0:07:47 | 0:07:51 | |
Where is agent Natasha Ruminov sent to? | 0:07:51 | 0:07:54 | |
Erm, New York...no, India. | 0:07:54 | 0:07:57 | |
Which city do The Avengers defend from Chittari? | 0:07:57 | 0:08:00 | |
-New York. -Who plays Lokey? | 0:08:00 | 0:08:03 | |
-Tom Hiddleston. -How are Thor and Lokey related? | 0:08:03 | 0:08:07 | |
Erm, adopted brother. | 0:08:07 | 0:08:08 | |
What is the Hulk's real name? | 0:08:08 | 0:08:10 | |
-Bruce Banner. -In the heli-carrier, | 0:08:10 | 0:08:12 | |
what band T-shirt is Tony Stark wearing? | 0:08:12 | 0:08:16 | |
Chill. BUZZER | 0:08:16 | 0:08:17 | |
Correct answer - Black Sabbath. | 0:08:17 | 0:08:19 | |
Aaargh! | 0:08:19 | 0:08:20 | |
Erin, specialist subject, Alice In Wonderland. | 0:08:20 | 0:08:25 | |
Why does Alice think the Bandersnatch can't hurt her? | 0:08:25 | 0:08:28 | |
Cos she thinks it's all a dream. | 0:08:28 | 0:08:30 | |
Where does the Mad Hatter hide Alice? | 0:08:30 | 0:08:32 | |
In a teapot. | 0:08:32 | 0:08:33 | |
What does the White Queen give Alice to return her to her own world? | 0:08:33 | 0:08:38 | |
Some blood from the jabbaworkie. | 0:08:38 | 0:08:41 | |
What does the Red Queen use as a foot stool? | 0:08:41 | 0:08:44 | |
-A pig. -How old is Alice in the film? | 0:08:44 | 0:08:47 | |
About 22. BUZZER | 0:08:47 | 0:08:49 | |
Correct answer - 19. | 0:08:49 | 0:08:52 | |
Aaargh! | 0:08:52 | 0:08:54 | |
And the winner is...Jamie. | 0:08:54 | 0:08:56 | |
The film Bill is all about the life of a certain William Shakespeare. | 0:08:58 | 0:09:02 | |
But if someone had to play you in a movie, who would it be? | 0:09:02 | 0:09:06 | |
-Me because I wouldn't want to give any other actor the work. -Wow. | 0:09:06 | 0:09:09 | |
Well, no. And also, I can do the accent. | 0:09:09 | 0:09:12 | |
Mannerisms, I've almost got down. | 0:09:12 | 0:09:14 | |
And I've got some bits of memory about stuff I've done. | 0:09:14 | 0:09:18 | |
So, if anyone can come along and play it better, then, | 0:09:18 | 0:09:20 | |
-good luck to them. -Hm. | 0:09:20 | 0:09:22 | |
Now, this is Bill. | 0:09:22 | 0:09:24 | |
We're giving these Cinemaniacs an | 0:09:24 | 0:09:25 | |
exclusive peak behind the scenes | 0:09:25 | 0:09:27 | |
of the making of the Bill trailer. | 0:09:27 | 0:09:29 | |
-Bill. -What? | 0:09:30 | 0:09:33 | |
Shakespeare, Bill Shakespeare. | 0:09:33 | 0:09:35 | |
There's lots of different elements that make up a trailer. | 0:09:35 | 0:09:37 | |
Can you guys tell me what you think they might be? | 0:09:39 | 0:09:41 | |
-The plot. -You've got the plot. | 0:09:41 | 0:09:44 | |
We go and write a script, that's going to tell the story | 0:09:44 | 0:09:47 | |
that we've selected. That's going to make sense, | 0:09:47 | 0:09:49 | |
in the length of time that you've got allocated. | 0:09:49 | 0:09:52 | |
So in our case, it's 30 seconds. | 0:09:52 | 0:09:54 | |
-The voiceovers. -Voiceovers. | 0:09:54 | 0:09:57 | |
-Sound effects. -Sound effects. | 0:09:57 | 0:09:59 | |
-And what about music? -Yeah. | 0:09:59 | 0:10:01 | |
Music, is that important? | 0:10:01 | 0:10:03 | |
-Definitely. -Yeah. | 0:10:03 | 0:10:04 | |
-What does music do? -Captures you. | 0:10:04 | 0:10:07 | |
-The Queen needs a play. -Blah, blah, blah. | 0:10:07 | 0:10:10 | |
Gosh, writing's hard. | 0:10:10 | 0:10:12 | |
-It captures you. -The trailer's basically telling you the story | 0:10:12 | 0:10:16 | |
and what the plot's going to be but it's not giving too much away. | 0:10:16 | 0:10:19 | |
You just need to make it all flow together really nicely. | 0:10:19 | 0:10:23 | |
Philip II of Spain. | 0:10:23 | 0:10:24 | |
Anyway, how are you? | 0:10:29 | 0:10:31 | |
Who puts the actual trailer together? | 0:10:31 | 0:10:33 | |
The editor puts it together and this is Frank. | 0:10:33 | 0:10:36 | |
-Hello. -He's our editor. | 0:10:36 | 0:10:38 | |
Editing side of it, having to look through every single clip. | 0:10:40 | 0:10:44 | |
Get the right bits. 30 seconds seems like a long time. | 0:10:44 | 0:10:47 | |
And then you put it into practice and it is not a long time. | 0:10:47 | 0:10:51 | |
With comedy, you've got to really find short ways | 0:10:51 | 0:10:54 | |
of making everything really funny. | 0:10:54 | 0:10:55 | |
You've been before? | 0:10:55 | 0:10:57 | |
No, first time. | 0:10:57 | 0:10:58 | |
And the other thing is that everybody has different opinions | 0:10:58 | 0:11:01 | |
-on what's funny. -Oh, it's nice. | 0:11:01 | 0:11:04 | |
Don't steal anything. | 0:11:04 | 0:11:06 | |
Something that I might find funny, | 0:11:06 | 0:11:07 | |
Hannah might not find funny. | 0:11:07 | 0:11:08 | |
And then we get into an argument | 0:11:08 | 0:11:10 | |
about what should go in... | 0:11:10 | 0:11:11 | |
Into the trailer. CHILDREN LAUGH | 0:11:11 | 0:11:14 | |
-Hello. -CHILDREN: Hi. | 0:11:14 | 0:11:15 | |
Everyone, this is Steve. | 0:11:15 | 0:11:17 | |
Steve is a voiceover artist. | 0:11:17 | 0:11:19 | |
And you guys can direct him. I'd love to hear your ideas. | 0:11:21 | 0:11:25 | |
We need to come up with a slogan or a tag line, | 0:11:25 | 0:11:28 | |
to make sure it's something snappy that they'll remember. | 0:11:28 | 0:11:31 | |
-Make it rhyme. -OK, let's think. | 0:11:31 | 0:11:33 | |
Plays is the main aspect of... | 0:11:33 | 0:11:36 | |
Play, day. | 0:11:36 | 0:11:38 | |
"History is a play, come and see it | 0:11:38 | 0:11:39 | |
"today." Oh, I don't know. | 0:11:39 | 0:11:42 | |
OK, this is hard. | 0:11:44 | 0:11:46 | |
"Catching our dreams." | 0:11:46 | 0:11:47 | |
-Cos do you remember Shakespeare, he says something... -Oh, yeah. | 0:11:47 | 0:11:50 | |
Or, "In the Shakespearian world, nothing is as it seems." | 0:11:50 | 0:11:53 | |
-Yeah. -Yeah. | 0:11:53 | 0:11:55 | |
Are you ready to catch your dreams? | 0:11:55 | 0:11:58 | |
In Shakespearian times, nothing is as it seems. | 0:11:58 | 0:12:02 | |
So, that one was quite mysterious. | 0:12:02 | 0:12:04 | |
Maybe have quite a strong English accent on the next one. | 0:12:04 | 0:12:07 | |
VOICEOVER ARTIST: Oh, no! | 0:12:07 | 0:12:09 | |
Are you ready to catch your dreams? | 0:12:09 | 0:12:11 | |
In Shakespearian times, nothing is as it seems. | 0:12:11 | 0:12:16 | |
-CHILDREN LAUGH -And here's the finished result. | 0:12:16 | 0:12:18 | |
Are you ready to catch your dreams? | 0:12:18 | 0:12:20 | |
Break a leg. | 0:12:20 | 0:12:22 | |
In Shakespearian times, nothing is as it seems. | 0:12:22 | 0:12:27 | |
-That's awesome. -It's really good. | 0:12:28 | 0:12:30 | |
-Yeah. -So we're happy? CHILDREN: Yeah. | 0:12:30 | 0:12:32 | |
Yeah, I think it was really good. | 0:12:32 | 0:12:34 | |
I've learnt that it takes a lot more time than you think it would. | 0:12:34 | 0:12:37 | |
It's not easy by any means. | 0:12:37 | 0:12:39 | |
But I think it's really good how it's turned out. | 0:12:39 | 0:12:42 | |
I've learnt how to put a trailer together, like, professionally. So... | 0:12:42 | 0:12:46 | |
Yeah, it was fantastic. | 0:12:46 | 0:12:47 | |
And if you want to be a writer, just like Bill, | 0:12:49 | 0:12:52 | |
then you might want to know this. | 0:12:52 | 0:12:54 | |
My advice to any budding young film maker | 0:12:54 | 0:12:57 | |
is to start building the skill of telling a story. | 0:12:57 | 0:13:04 | |
Create stories with your friend and act them out. | 0:13:04 | 0:13:07 | |
And have little, kind of, theatre shows at home. | 0:13:07 | 0:13:11 | |
Try to find the opportunities whereby other people | 0:13:11 | 0:13:15 | |
might read what you've written. | 0:13:15 | 0:13:17 | |
Get your friends and family to be actors and give them lines. | 0:13:17 | 0:13:21 | |
Write them some lines and write them some dialogue. | 0:13:21 | 0:13:24 | |
And that's all you need to do to be a writer. | 0:13:24 | 0:13:26 | |
You just need to tell stories. | 0:13:26 | 0:13:27 | |
But learn how to tell stories, which have a really good beginning, | 0:13:27 | 0:13:32 | |
a really exciting middle and a fantastic ending | 0:13:32 | 0:13:35 | |
that you could never imagine. | 0:13:35 | 0:13:37 | |
Still to come on Cinemaniacs. | 0:13:37 | 0:13:39 | |
We get behind-the-scenes gossip from the set of Nanny McPhee. | 0:13:39 | 0:13:43 | |
Someone said let's try putting some farting in. | 0:13:43 | 0:13:46 | |
COW FARTS | 0:13:46 | 0:13:47 | |
And suddenly people were giggling a lot more. | 0:13:47 | 0:13:51 | |
We show you how to catch the moon. | 0:13:51 | 0:13:53 | |
Well, put one in your movie anyway. | 0:13:53 | 0:13:55 | |
Yeah, that looks really good, yeah. | 0:13:55 | 0:13:57 | |
And Michael Sheen is acting with nothing but green screen, | 0:13:57 | 0:14:01 | |
in today's Super Actor Challenge. | 0:14:01 | 0:14:03 | |
You can see on his face that he's mentally scared. | 0:14:03 | 0:14:06 | |
But first, it's part two of DIY Blockbuster. | 0:14:06 | 0:14:10 | |
Previously, six film-makers are making a movie | 0:14:12 | 0:14:15 | |
about a boy and a dog who swap bodies. | 0:14:15 | 0:14:18 | |
They've been given a DIY Blockbuster surprise | 0:14:18 | 0:14:20 | |
of using a canine star in their film. | 0:14:20 | 0:14:23 | |
Right, Jack, Jack. | 0:14:23 | 0:14:24 | |
-With their disagreements. -Over there. | 0:14:24 | 0:14:26 | |
Downpours and a diva doggy, things aren't going to plan. | 0:14:26 | 0:14:30 | |
Action! | 0:14:31 | 0:14:32 | |
And with the team running out of time, | 0:14:32 | 0:14:34 | |
it's not helping that Jackie isn't playing ball. | 0:14:34 | 0:14:36 | |
And cut! | 0:14:36 | 0:14:38 | |
Kept on going out of its lead and running off. | 0:14:38 | 0:14:40 | |
We'd have to go and get it. We'd have to come back and do it again. | 0:14:40 | 0:14:43 | |
This is one star that doesn't seem to like her lead role. | 0:14:48 | 0:14:51 | |
She ran away. | 0:14:54 | 0:14:55 | |
This isn't a chase movie. | 0:14:58 | 0:15:00 | |
It might have been a potty-trained dog | 0:15:02 | 0:15:05 | |
but not with, like, staying and sit and stuff like that. | 0:15:05 | 0:15:10 | |
It would be easier if it was Momin. At least he doesn't run away. | 0:15:13 | 0:15:16 | |
Finally, the team spot the problem | 0:15:18 | 0:15:20 | |
with their prima donna pooch. | 0:15:20 | 0:15:22 | |
She just loves her owner. | 0:15:22 | 0:15:24 | |
And Ellecia has a solution. | 0:15:24 | 0:15:27 | |
Hollie, I've got an idea. | 0:15:27 | 0:15:28 | |
If she stands behind the camera, then the dog will walk to her. | 0:15:28 | 0:15:32 | |
We realised that the dog followed the owner everywhere. | 0:15:34 | 0:15:38 | |
So we decided that... Use the owner as, like, the control | 0:15:38 | 0:15:43 | |
so the dog would follow into the right places and stay. | 0:15:43 | 0:15:46 | |
To get the perfect shot of Jackie, they position her beloved owner | 0:15:46 | 0:15:51 | |
across the field, | 0:15:51 | 0:15:53 | |
in a bunch of stinging nettles. | 0:15:53 | 0:15:55 | |
Ouch! | 0:15:55 | 0:15:57 | |
With the dog under control, it's time for her trickiest scene. | 0:15:57 | 0:16:00 | |
It was hard to make him stand up on his two legs | 0:16:00 | 0:16:04 | |
cos he wasn't used to that. | 0:16:04 | 0:16:06 | |
Three. | 0:16:06 | 0:16:07 | |
Two. | 0:16:07 | 0:16:08 | |
One. | 0:16:08 | 0:16:09 | |
Kind of hard, really. | 0:16:09 | 0:16:10 | |
Lifting his two paws up. | 0:16:10 | 0:16:13 | |
You're behind her. | 0:16:13 | 0:16:14 | |
Action! | 0:16:14 | 0:16:15 | |
Sit. | 0:16:20 | 0:16:22 | |
The team are finally making progress but time is running out fast. | 0:16:22 | 0:16:26 | |
-Stand by, everyone. -And more rain is the last thing they need. | 0:16:26 | 0:16:29 | |
-The rain didn't help at all. -No. | 0:16:29 | 0:16:31 | |
But at least they're feeling a bit more positive. | 0:16:31 | 0:16:33 | |
We know where we are now, we know what to do. | 0:16:33 | 0:16:36 | |
And by the time we go home, I think we'll get it done. | 0:16:36 | 0:16:39 | |
With the rain cleared, it's time for Cameron's starring role. | 0:16:40 | 0:16:44 | |
I found a watch. | 0:16:44 | 0:16:45 | |
Where he swaps bodies with the dog. | 0:16:45 | 0:16:47 | |
I didn't like acting as a dog. | 0:16:47 | 0:16:50 | |
MUSIC: Who Let The Dogs Out by Baha Men | 0:16:50 | 0:16:53 | |
Woof, woof, woof. | 0:16:53 | 0:16:55 | |
I would say he did pretty good. | 0:16:55 | 0:16:57 | |
Especially peeing up against the wall. | 0:16:57 | 0:17:00 | |
He had to lick himself. | 0:17:03 | 0:17:05 | |
It's not easy being a dog. | 0:17:09 | 0:17:12 | |
-It was fun to be a cameraman on that part. -Yeah. | 0:17:12 | 0:17:15 | |
Cut! | 0:17:15 | 0:17:17 | |
-Well done. -Thank you. | 0:17:17 | 0:17:19 | |
We've finished, guys. That's a wrap. | 0:17:19 | 0:17:21 | |
So we gave the team a performing pooch. | 0:17:21 | 0:17:23 | |
But they lost glasses, | 0:17:23 | 0:17:25 | |
-watches and almost their star. -He ran away! | 0:17:25 | 0:17:28 | |
So, did their film turn out to be movie magic or a dog's dinner? | 0:17:28 | 0:17:32 | |
Oh, no! Not again. | 0:17:34 | 0:17:36 | |
You can check out the team's finished movie on the CBBC website. | 0:17:36 | 0:17:40 | |
So, this is where I give you guys three top tips for being on camera. | 0:17:40 | 0:17:44 | |
You've got to be relaxed. Just be really calm | 0:17:45 | 0:17:47 | |
and act like you're speaking to a friend. | 0:17:47 | 0:17:49 | |
No-one wants to see you being really nervous. | 0:17:49 | 0:17:51 | |
Keep it simple because people | 0:17:56 | 0:17:58 | |
just want to see you. | 0:17:58 | 0:17:59 | |
Don't try get over ambitious with loads of different props. | 0:17:59 | 0:18:03 | |
Like liza... OK, lizards. | 0:18:04 | 0:18:07 | |
Just keep it simple and don't waffle on. | 0:18:07 | 0:18:09 | |
No-one wants to hear about what you did yesterday, the week before. | 0:18:09 | 0:18:12 | |
Where your favourite place on holiday is. | 0:18:12 | 0:18:14 | |
What your favourite food is. Where your favourite trainers are. | 0:18:14 | 0:18:16 | |
Where you go to the gym. Just be really simple and to the point. | 0:18:16 | 0:18:20 | |
Don't go over the top. | 0:18:20 | 0:18:22 | |
Whoa, this is awesome. Aaaaaaaaaah! | 0:18:22 | 0:18:26 | |
Just be yourself and keep it normal. | 0:18:26 | 0:18:28 | |
And that's my three top tips for being on camera. | 0:18:28 | 0:18:31 | |
Now, this. | 0:18:31 | 0:18:33 | |
Let's head behind the scenes | 0:18:33 | 0:18:35 | |
with Nanny McPhee. | 0:18:35 | 0:18:36 | |
I am Nanny McPhee. | 0:18:38 | 0:18:39 | |
I'm Susanna White, I'm a film director. | 0:18:39 | 0:18:43 | |
And probably the best known film I've made | 0:18:43 | 0:18:44 | |
was Nanny McPhee And The Big Bang. | 0:18:44 | 0:18:46 | |
-Urgh. -It is rude to stare. | 0:18:46 | 0:18:50 | |
The finished film is actually...somewhat different | 0:18:50 | 0:18:53 | |
from the screenplay I was sent. | 0:18:53 | 0:18:55 | |
For example, a pig dives into a pond, | 0:18:55 | 0:18:59 | |
does front crawl and comes out the other side. | 0:18:59 | 0:19:01 | |
And I went and had my bath one night and I thought, | 0:19:01 | 0:19:04 | |
"What if the pig dives in and then it pops up, | 0:19:04 | 0:19:06 | |
"and then another pig pops up and another pig pops up, | 0:19:06 | 0:19:08 | |
"another pig pops up and they all start doing | 0:19:08 | 0:19:10 | |
"incredible synchronised swimming?" | 0:19:10 | 0:19:13 | |
I love that because it seems so silly | 0:19:18 | 0:19:20 | |
that pigs would do something so balletic. | 0:19:20 | 0:19:23 | |
I had a cow who was afraid of mud. | 0:19:23 | 0:19:26 | |
COW MOOS | 0:19:26 | 0:19:27 | |
She didn't like getting her feet wet or dirty. | 0:19:27 | 0:19:30 | |
So we had terrible trouble in the morning | 0:19:30 | 0:19:32 | |
getting her across the farmyard to where she wanted to be. | 0:19:32 | 0:19:35 | |
COW FARTS The cow farting | 0:19:39 | 0:19:41 | |
going upstairs happened because people weren't giggling enough. | 0:19:41 | 0:19:44 | |
So someone said, "Let's try putting some farting in." | 0:19:44 | 0:19:47 | |
And suddenly people were giggling a lot more. | 0:19:47 | 0:19:50 | |
OK, other uses for a farting cow? | 0:19:50 | 0:19:53 | |
The cow that jumped over the moon...jet propelled. | 0:19:53 | 0:19:56 | |
We don't have a moon. | 0:19:56 | 0:19:57 | |
BELL CHIMES We need... | 0:19:57 | 0:19:59 | |
-VOICEOVER: -Mr Mike Tucker. | 0:19:59 | 0:20:01 | |
Here to show you how to create | 0:20:01 | 0:20:03 | |
special effects Hollywood style in... | 0:20:03 | 0:20:05 | |
Today, we're going to show you how to make your very own moon. | 0:20:09 | 0:20:12 | |
So grab a friend and let's get started. | 0:20:12 | 0:20:14 | |
We're going to create the moon in a night sky. | 0:20:14 | 0:20:18 | |
And it's getting dark, so it's a perfect time to do this. | 0:20:18 | 0:20:21 | |
Having your own moon around the place, is really good | 0:20:21 | 0:20:23 | |
when you need it to be in a certain place, at a certain time. | 0:20:23 | 0:20:27 | |
Like this clip from the film Hobson's Choice, | 0:20:27 | 0:20:29 | |
where the moon needed to be reflected in the puddle. | 0:20:29 | 0:20:32 | |
You're going to need a broom, some card, a torch, | 0:20:35 | 0:20:38 | |
some white paint and a brush, some string and a pencil. | 0:20:38 | 0:20:42 | |
Step one. To make your moon, tie a piece of string to the pencil | 0:20:42 | 0:20:46 | |
and then get someone to hold one end of the string, | 0:20:46 | 0:20:48 | |
while you draw a really big circle with the pencil. | 0:20:48 | 0:20:51 | |
Then cut out the circle and paint it white. | 0:20:51 | 0:20:54 | |
Now, here comes the clever bit. | 0:20:54 | 0:20:56 | |
When you look up at the moon, | 0:20:56 | 0:20:58 | |
obviously, it isn't just a big flat white disc. | 0:20:58 | 0:21:01 | |
We need to get some detail into this. | 0:21:01 | 0:21:03 | |
So if you pour a little bit of black paint with the white. | 0:21:03 | 0:21:06 | |
And then you mix it up, so you've got a mottled sort of grey. | 0:21:06 | 0:21:10 | |
And what we're going to do, we're going to crumple up some tissue. | 0:21:10 | 0:21:13 | |
And start...dabbing that on... | 0:21:13 | 0:21:16 | |
where you see the areas of dark and shadow. | 0:21:16 | 0:21:20 | |
Step two. Attach the moon to the broom using thick tape. | 0:21:20 | 0:21:25 | |
So we'll get this taped down so that, that's nice and secure. | 0:21:25 | 0:21:28 | |
-So when we hold it up it doesn't twist around. -Yeah. | 0:21:28 | 0:21:31 | |
Step three. You're going to need to disguise the broom handle, | 0:21:33 | 0:21:36 | |
so you can't see it. | 0:21:36 | 0:21:37 | |
We now need some strips of black card, | 0:21:37 | 0:21:41 | |
which we're going to tape over the top of the handle. | 0:21:41 | 0:21:44 | |
Step four. Put the moon where you want it. | 0:21:44 | 0:21:47 | |
Then light it with the torch. | 0:21:47 | 0:21:49 | |
-Erm, go right a bit. -My right? | 0:21:49 | 0:21:52 | |
-Erm, my right. -OK. -Yeah, yeah, sorry. | 0:21:52 | 0:21:55 | |
-How's that? -Yeah, yeah, that looks really good, yeah. | 0:21:55 | 0:21:58 | |
And that's how you make your very own moon. | 0:21:58 | 0:22:01 | |
Moon-tastic. | 0:22:01 | 0:22:03 | |
Coming up next, our super actor tackles the green screen challenge. | 0:22:06 | 0:22:11 | |
Whoa! But first, here's someone who knows all about green screen acting. | 0:22:11 | 0:22:15 | |
Whoa! | 0:22:15 | 0:22:17 | |
Most of the time, we were actually talking to a stick. | 0:22:17 | 0:22:20 | |
Er, with a bit of fluorescent tape on it. | 0:22:20 | 0:22:22 | |
Paddington. | 0:22:22 | 0:22:23 | |
Our director Paul King, he would sometimes sit in as the bear. | 0:22:23 | 0:22:27 | |
But by the end of the day, we were just, like, | 0:22:27 | 0:22:29 | |
talking to the stick, completely imagining him there, it was great. | 0:22:29 | 0:22:33 | |
So, Michael, the challenge is on. | 0:22:33 | 0:22:37 | |
Whoa! Yeah! | 0:22:37 | 0:22:40 | |
-VOICEOVER: -And now, the star of Alice In Wonderland, | 0:22:40 | 0:22:43 | |
Tron and Twilight. | 0:22:43 | 0:22:45 | |
All-round good guy, Michael Sheen, Super Actor. | 0:22:45 | 0:22:51 | |
This week's challenge is a particularly difficult one. | 0:22:51 | 0:22:54 | |
Can I act with absolutely nothing at all to help me, | 0:22:54 | 0:22:59 | |
here, in a green screen studio? | 0:22:59 | 0:23:02 | |
Our judges Theo, Yassine and Chloe, | 0:23:02 | 0:23:05 | |
will have to try and guess what the scene is | 0:23:05 | 0:23:08 | |
that I'm acting out before all the other elements have been put on. | 0:23:08 | 0:23:12 | |
If they guess at least two out of three right, I win. | 0:23:12 | 0:23:15 | |
If not, I lose the Green Screen Challenge. | 0:23:15 | 0:23:19 | |
A green screen studio is used to add any kind of special effects, | 0:23:19 | 0:23:23 | |
such as a new background or a computer-generated character. | 0:23:23 | 0:23:27 | |
The judges must work out what the scene is. | 0:23:27 | 0:23:29 | |
If they get it right, I get the point. | 0:23:29 | 0:23:32 | |
So, the judges are ready to judge. | 0:23:32 | 0:23:35 | |
The super actor is ready to act. | 0:23:35 | 0:23:38 | |
It's time for the challenge. | 0:23:38 | 0:23:40 | |
Right, here we go. | 0:23:40 | 0:23:42 | |
-He's looking for something. -Yeah. | 0:23:45 | 0:23:48 | |
He's breathing quite heavily. | 0:23:48 | 0:23:50 | |
Maybe he's lacking in water? | 0:23:50 | 0:23:52 | |
Too much sun in his eyes. He is marooned somewhere. | 0:23:52 | 0:23:56 | |
He's looking for something. | 0:23:56 | 0:23:57 | |
He's in the jungle. | 0:23:57 | 0:23:59 | |
Let's see what it was. | 0:23:59 | 0:24:01 | |
Oh, now it becomes obvious. | 0:24:01 | 0:24:03 | |
If we'd thought of that. | 0:24:04 | 0:24:06 | |
I was a captain on board ship on a rough sea, of course. | 0:24:06 | 0:24:10 | |
-BUZZER -Feeling a bit seasick, actually. | 0:24:10 | 0:24:13 | |
So that's one wrong, two to go. | 0:24:13 | 0:24:17 | |
I need to up my game for round two. | 0:24:17 | 0:24:19 | |
You can see on his face | 0:24:21 | 0:24:22 | |
that he's mentally scared. | 0:24:22 | 0:24:24 | |
It might be because he's in a cave. | 0:24:24 | 0:24:27 | |
A dinosaur has backed Michael into a cave. | 0:24:28 | 0:24:34 | |
I don't know how, | 0:24:34 | 0:24:36 | |
but they're right. | 0:24:36 | 0:24:37 | |
CHILDREN: Yes! | 0:24:37 | 0:24:38 | |
Maybe it was my super acting, | 0:24:38 | 0:24:40 | |
round two to me. | 0:24:40 | 0:24:41 | |
Finally, we've got one right. | 0:24:41 | 0:24:44 | |
Guys, come on, we've got two down, one to go. | 0:24:44 | 0:24:48 | |
-So we need to make this count. -Yes, you do. | 0:24:48 | 0:24:51 | |
Make sure you've got your brain on. | 0:24:51 | 0:24:53 | |
Round three, here we go. | 0:24:53 | 0:24:55 | |
-That is a superman pose, like... -Yeah. | 0:24:56 | 0:24:59 | |
But what is he lifting? | 0:25:02 | 0:25:03 | |
-Could be lifting a car. -Could be a lorry. | 0:25:03 | 0:25:06 | |
CHILDREN: Yes! | 0:25:08 | 0:25:10 | |
Result, two out of three ain't bad. | 0:25:10 | 0:25:12 | |
Whoops! Today's challenge started with me acting with nothing. | 0:25:14 | 0:25:18 | |
But ended up with me convincing our judges that I was a dinosaur slayer. | 0:25:18 | 0:25:22 | |
And a superhero, but not a sea captain. | 0:25:22 | 0:25:26 | |
Which means, the verdict is, | 0:25:26 | 0:25:28 | |
for today at least, I am Michael Sheen, Super Actor. | 0:25:28 | 0:25:33 | |
Pretty cool, eh? I think Michael deserves an award | 0:25:35 | 0:25:37 | |
for his seasick performance. | 0:25:37 | 0:25:39 | |
Hey, Michael, this is for you. | 0:25:39 | 0:25:42 | |
And we thought we'd take this opportunity | 0:25:42 | 0:25:44 | |
to hand out a few more awards. | 0:25:44 | 0:25:46 | |
Cinemaniacs, I present to you... | 0:25:46 | 0:25:49 | |
The very first Cinemaniacs Awards. | 0:25:49 | 0:25:52 | |
And the Cine for... | 0:25:53 | 0:25:56 | |
..goes to... | 0:25:58 | 0:25:59 | |
And I don't want to talk business, I just want to...play my whistle. | 0:26:02 | 0:26:06 | |
And the Cine for... | 0:26:08 | 0:26:09 | |
..goes to... | 0:26:13 | 0:26:15 | |
What movie hero would you like to play, Felicity? | 0:26:17 | 0:26:20 | |
-Jane Bond. -Cool. | 0:26:20 | 0:26:22 | |
And the Cine for... | 0:26:22 | 0:26:23 | |
..goes to... | 0:26:27 | 0:26:29 | |
My name's Jake and I'm a Cinemaniac. | 0:26:32 | 0:26:34 | |
I'm a Cinemaniac. | 0:26:34 | 0:26:35 | |
I'm a Cinemaniac. | 0:26:35 | 0:26:37 | |
And we are Cinemaniacs. | 0:26:37 | 0:26:39 | |
I'm a Cinemaniac. | 0:26:39 | 0:26:40 | |
I'm a Cinemaniac. | 0:26:40 | 0:26:41 | |
-I'm a Cinemaniac. -I'm a Cinemaniac. -I'm a Cinemaniac. | 0:26:41 | 0:26:44 | |
I am a Cinemaniac. | 0:26:44 | 0:26:46 | |
I am a Cinemaniac. | 0:26:46 | 0:26:48 | |
We are Cinemaniacs. | 0:26:48 | 0:26:50 | |
Eddie, Eddie. | 0:26:56 | 0:26:57 | |
Eddie. Tom. | 0:26:58 | 0:27:00 | |
Tom, can we have a word, please? | 0:27:02 | 0:27:04 | |
He waved at us, so I guess that's good, as well. | 0:27:04 | 0:27:07 | |
Julie. Julie. | 0:27:07 | 0:27:09 | |
Julie. | 0:27:11 | 0:27:12 | |
Ethan, can I have a quick word? | 0:27:12 | 0:27:16 | |
Can I have a quick word, please, Ethan? | 0:27:16 | 0:27:18 | |
Julianne, Julianne. | 0:27:18 | 0:27:21 | |
Benedict, Benedict. | 0:27:23 | 0:27:25 | |
Can we have a word, Ben. | 0:27:25 | 0:27:27 | |
It's at times like this that I really hate being small. | 0:27:27 | 0:27:30 | |
Actually, I think I'll keep this and award it to myself | 0:27:32 | 0:27:36 | |
for being the best Cinemaniacs presenter ever. | 0:27:36 | 0:27:40 | |
I'm Oli White and you've been watching Cinemaniacs. | 0:27:40 | 0:27:43 | |
Going to the cinema, family or friends? | 0:27:43 | 0:27:46 | |
-Friends. -Family. | 0:27:46 | 0:27:48 | |
-Friends. -Friends. | 0:27:48 | 0:27:50 | |
Mmm, family. | 0:27:50 | 0:27:52 | |
Alone. | 0:27:52 | 0:27:53 | |
Friends, sorry. | 0:27:53 | 0:27:55 | |
-BOTH: -Friends. | 0:27:55 | 0:27:57 | |
-Friends. -Friends. | 0:27:57 | 0:27:58 | |
Friends... | 0:27:58 | 0:27:59 | |
Family. | 0:27:59 | 0:28:01 |