Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
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Hello, everyone. I'm Oli White. Now, listen up, | 0:00:02 | 0:00:05 | |
do you ever watch your favourite movie over and over again? | 0:00:05 | 0:00:08 | |
Are you starry eyed and star struck? | 0:00:08 | 0:00:10 | |
Then you may be suffering from a bad case of Cinemania. | 0:00:10 | 0:00:13 | |
But fear not, feverish film fans, | 0:00:13 | 0:00:15 | |
help is at hand because this is Cinemaniacs! | 0:00:15 | 0:00:20 | |
Team, take it away! | 0:00:20 | 0:00:22 | |
Action! | 0:00:22 | 0:00:23 | |
# Want to ride your bike across the face of the moon? | 0:00:23 | 0:00:26 | |
# Levitate your house with a bunch of balloons? | 0:00:26 | 0:00:29 | |
# Feel zero gravitation, a robot transformation? | 0:00:29 | 0:00:31 | |
# You're a Cinemaniac! | 0:00:31 | 0:00:33 | |
# Can you tell a lie that is the length of your nose? | 0:00:33 | 0:00:36 | |
# Or defrost a heart you accidentally froze? | 0:00:36 | 0:00:38 | |
# Want a bottomless case or a squid for a face? | 0:00:38 | 0:00:41 | |
# You're a Cinemaniac! | 0:00:41 | 0:00:43 | |
# Do you long to hear the roar of an extinct dinosaur? | 0:00:43 | 0:00:46 | |
# To explore the flora in your very own Pandora? | 0:00:46 | 0:00:49 | |
# Feel the urge to sing on a quest for the ring? | 0:00:49 | 0:00:51 | |
# To escape from a clone or to be home alone? | 0:00:51 | 0:00:55 | |
# Then roll out the red carpet and turn down the lights | 0:00:55 | 0:00:57 | |
# Grab yourself a seat and hold on tight | 0:00:57 | 0:01:00 | |
# We're mad about movies, we're crazy for film | 0:01:00 | 0:01:03 | |
# We're Cinemania... Cinemania... | 0:01:03 | 0:01:06 | |
# Cinemaniacs! # | 0:01:06 | 0:01:09 | |
Coming up, massively more movie madness. | 0:01:09 | 0:01:13 | |
My hands are in the air like I just do not care! | 0:01:13 | 0:01:15 | |
Jim parsons is here! Oh, yes! | 0:01:15 | 0:01:18 | |
We show you how to stop time in the Secrets Of Movie Making. | 0:01:18 | 0:01:23 | |
And find out why Michael Sheen, super actor, | 0:01:25 | 0:01:27 | |
is pretending to be from...Finland? | 0:01:27 | 0:01:30 | |
I would like to apologise to the entire nation of Finland. | 0:01:30 | 0:01:34 | |
So tell me, Rupert, what's the best thing about being a movie star? | 0:01:34 | 0:01:37 | |
You get sent lots of pyjamas. | 0:01:37 | 0:01:39 | |
Well, that's pretty cool. | 0:01:39 | 0:01:41 | |
-People like to send me pyjamas. -OK... | 0:01:41 | 0:01:43 | |
Well, moving on with the show, it's time for DIY Blockbuster. | 0:01:43 | 0:01:47 | |
Action! | 0:01:50 | 0:01:51 | |
We're giving groups of filmmakers the chance to make a short film, | 0:01:51 | 0:01:54 | |
armed with just a camera, a script and some home-made props. | 0:01:54 | 0:01:59 | |
But little do they know they're in for a big surprise... | 0:01:59 | 0:02:02 | |
You didn't know I was coming? | 0:02:02 | 0:02:05 | |
..when we give them something spectacular | 0:02:05 | 0:02:08 | |
to turn their home movie into a DIY Blockbuster. | 0:02:08 | 0:02:12 | |
"T" is in. "W" is out. | 0:02:15 | 0:02:17 | |
Lilah, Kai, Ruby, Josh and Harvi are making a spy movie. | 0:02:17 | 0:02:21 | |
There's a spy and they have the code to a safe that has the secret files. | 0:02:21 | 0:02:27 | |
Wait, what are we doing? | 0:02:27 | 0:02:29 | |
And the boss is evil and wants to get the files back. | 0:02:29 | 0:02:32 | |
The team have started filming, but unfortunately their back garden | 0:02:32 | 0:02:36 | |
doesn't exactly look like a set from James Bond. | 0:02:36 | 0:02:38 | |
If you guys can move a bit in that direction, | 0:02:38 | 0:02:40 | |
so that I can get the house in as well. | 0:02:40 | 0:02:42 | |
What the team don't know is that they're in for | 0:02:42 | 0:02:44 | |
a DIY Blockbuster surprise. | 0:02:44 | 0:02:47 | |
We've secured access to a top secret film location | 0:02:47 | 0:02:50 | |
that will be perfect for their spy movie. | 0:02:50 | 0:02:53 | |
The team have no idea what's in store for them | 0:02:53 | 0:02:55 | |
and are still filming in their back garden. | 0:02:55 | 0:02:58 | |
Have you finished your mission? | 0:02:58 | 0:02:59 | |
We were filming in the garden then we saw a note. | 0:02:59 | 0:03:02 | |
"Read me." | 0:03:02 | 0:03:04 | |
-I thought it was some sort of riddle. -"Get on the bus." | 0:03:04 | 0:03:07 | |
-Where's the bus? -Where's the bus? | 0:03:07 | 0:03:09 | |
Ooh... | 0:03:10 | 0:03:11 | |
It was just really, really exciting. | 0:03:13 | 0:03:15 | |
-Blenheim Palace. -Blenheim Palace, we're going to Blenheim Palace. | 0:03:15 | 0:03:19 | |
Yes, their DIY Blockbuster surprise is Blenheim Palace. | 0:03:20 | 0:03:25 | |
With seven acres of gardens, fountains and an amazing maze, | 0:03:25 | 0:03:29 | |
it's been used as the backdrop for films like | 0:03:29 | 0:03:31 | |
Harry Potter And The Order of the Phoenix and Gulliver's Travels. | 0:03:31 | 0:03:35 | |
It's really big, which is perfect. | 0:03:37 | 0:03:39 | |
Whoa! | 0:03:39 | 0:03:41 | |
I thought it was amazing. | 0:03:41 | 0:03:43 | |
It looks better for, like, a spy movie, like, a bit swanky and spyish | 0:03:43 | 0:03:47 | |
instead of just a back garden. | 0:03:47 | 0:03:49 | |
First, the team need to decide where to film | 0:03:49 | 0:03:52 | |
and the options here are endless. | 0:03:52 | 0:03:54 | |
Do you think it would be a good idea to film on those stairs | 0:03:54 | 0:03:57 | |
-because they're a bit longer? -Yeah. | 0:03:57 | 0:03:59 | |
'It was quite hard to decide where we were going to do it' | 0:03:59 | 0:04:02 | |
and a lot of us had very different ideas. | 0:04:02 | 0:04:05 | |
What this, are you thinking? | 0:04:05 | 0:04:07 | |
It's "keep off the grass" though. | 0:04:07 | 0:04:09 | |
-Yeah, I know, I know. I mean, over there. -Or there's there. | 0:04:09 | 0:04:12 | |
-What if we fall in? -We won't fall in. | 0:04:12 | 0:04:15 | |
ALL TALK EXCITEDLY | 0:04:15 | 0:04:18 | |
And after 30 minutes, finally the group decide | 0:04:18 | 0:04:21 | |
on their first location... | 0:04:21 | 0:04:22 | |
against a brick wall? | 0:04:22 | 0:04:25 | |
Yes, of course, I put the enemy's top secret plans in the safe. | 0:04:25 | 0:04:29 | |
I think we could have probably got a better place than that | 0:04:29 | 0:04:32 | |
because it was against the wall and looked a bit ugly. | 0:04:32 | 0:04:35 | |
And it's not only the location that's proving tricky. | 0:04:35 | 0:04:38 | |
Oh, it's 1-X-2-3... | 0:04:38 | 0:04:42 | |
-Guys, cut. You didn't show me properly you just went like that. -OK. | 0:04:42 | 0:04:45 | |
'When you're holding the camera' | 0:04:45 | 0:04:47 | |
and you're walking around to look at a different thing, | 0:04:47 | 0:04:51 | |
it's moving, it doesn't look very good. | 0:04:51 | 0:04:54 | |
Cut. | 0:04:54 | 0:04:55 | |
Keep it still, walk slowly. | 0:04:55 | 0:04:58 | |
With time ticking away, the group decide to skip ahead to shoot one of | 0:04:58 | 0:05:03 | |
their most important scenes in one of the biggest mazes in the world. | 0:05:03 | 0:05:06 | |
Action! | 0:05:06 | 0:05:07 | |
-Give me the code! -OK, OK. It's 1-X... | 0:05:09 | 0:05:14 | |
We thought it would be the best place cos it's one of the kind of | 0:05:14 | 0:05:17 | |
places you can get cornered and there's no way out. | 0:05:17 | 0:05:19 | |
Ha-ha-ha! A real spy would never have given me the code! | 0:05:19 | 0:05:23 | |
Cut. | 0:05:23 | 0:05:24 | |
Scene complete, what's next? | 0:05:24 | 0:05:26 | |
Now we've got to get out of the maze! | 0:05:26 | 0:05:29 | |
Let's hope they can remember the way! | 0:05:29 | 0:05:30 | |
-Harvi, are you sure it's not this way? -Yep, I'm sure. | 0:05:33 | 0:05:35 | |
This is the short cut. | 0:05:35 | 0:05:36 | |
-OK, are you sure? -Yeah. | 0:05:38 | 0:05:40 | |
I think Ruby got a bit frustrated in the maze. | 0:05:40 | 0:05:43 | |
How's this a short cut? | 0:05:43 | 0:05:45 | |
Right, we're near the middle guys. I know where we're going now. | 0:05:45 | 0:05:48 | |
This is where we just filmed. | 0:05:49 | 0:05:52 | |
We're lost! | 0:05:52 | 0:05:54 | |
We don't trust you any more. | 0:05:54 | 0:05:55 | |
THEY LAUGH | 0:05:55 | 0:05:57 | |
Still to come on DIY Blockbuster... | 0:05:57 | 0:06:00 | |
the maze sends the team round the bend, and will they ever complete | 0:06:00 | 0:06:03 | |
their mission when their lead actress disappears? | 0:06:03 | 0:06:06 | |
She just went. | 0:06:06 | 0:06:08 | |
Stay tuned for part two. Meanwhile, a very special guest for you | 0:06:11 | 0:06:14 | |
coming up later in the show. | 0:06:14 | 0:06:15 | |
Here's Kia Pegg to give us a clue. | 0:06:15 | 0:06:17 | |
It's quite sad I can do this. Um... | 0:06:17 | 0:06:21 | |
STRAINED VOICE: Howard, who's on the phone? | 0:06:21 | 0:06:24 | |
Any idea who it is yet? | 0:06:24 | 0:06:26 | |
Keep watching to find out. | 0:06:26 | 0:06:28 | |
We ask the questions so you don't have to. | 0:06:31 | 0:06:33 | |
Emma! Emma! Over here! | 0:06:33 | 0:06:36 | |
I'm glad I found you. Good. | 0:06:36 | 0:06:38 | |
Thanks, Emma. I'm glad I found you, too. | 0:06:38 | 0:06:41 | |
Thank you, and thank you for your excellent questions. | 0:06:41 | 0:06:43 | |
Um...I haven't asked any yet. | 0:06:43 | 0:06:45 | |
..your extremely adult | 0:06:45 | 0:06:49 | |
and professional demeanour. | 0:06:49 | 0:06:51 | |
-OK... -I salute you. | 0:06:51 | 0:06:53 | |
It doesn't get much more random than this. | 0:06:55 | 0:06:58 | |
What kind of nut does Scrat try to bury? | 0:07:15 | 0:07:17 | |
An acorn. | 0:07:17 | 0:07:19 | |
What were the Dodo's guarding? | 0:07:19 | 0:07:22 | |
Baby. INCORRECT BUZZER | 0:07:22 | 0:07:24 | |
Correct answer - melons. | 0:07:24 | 0:07:26 | |
HE SCREAMS | 0:07:26 | 0:07:27 | |
What was Vector's real name? | 0:07:31 | 0:07:34 | |
Victor. | 0:07:34 | 0:07:35 | |
What animal was the shrink ray being tested on when the minions stole it? | 0:07:35 | 0:07:39 | |
Elephant. | 0:07:39 | 0:07:41 | |
What is Agnes' favourite creature? | 0:07:41 | 0:07:44 | |
Unicorn. | 0:07:44 | 0:07:45 | |
What object is disguised behind Vector's lair? | 0:07:45 | 0:07:48 | |
Pyramid. | 0:07:48 | 0:07:50 | |
What item does Gru steal from vector's vault? | 0:07:50 | 0:07:53 | |
Shrink ray. | 0:07:53 | 0:07:54 | |
What is the name of the amusement park the girls want to go to? | 0:07:54 | 0:07:58 | |
Super Silly Fun Land. | 0:07:58 | 0:08:00 | |
Where did Gru steal the Eiffel tower from? | 0:08:00 | 0:08:02 | |
Paris. INCORRECT BUZZER | 0:08:02 | 0:08:04 | |
Correct answer - Las Vegas. | 0:08:04 | 0:08:06 | |
HE SCREAMS | 0:08:06 | 0:08:08 | |
Who says, "If I were you, I would give up"? | 0:08:11 | 0:08:14 | |
Captain Hook. | 0:08:14 | 0:08:16 | |
Whose arrow almost killed the Wendy bird? | 0:08:16 | 0:08:18 | |
Tootles. | 0:08:18 | 0:08:19 | |
What is Captain Hook's first name? | 0:08:19 | 0:08:23 | |
Captain Hook. INCORRECT BUZZER | 0:08:23 | 0:08:25 | |
Correct answer - James. | 0:08:25 | 0:08:27 | |
HE SCREAMS | 0:08:27 | 0:08:29 | |
And the winner is...Archie. | 0:08:29 | 0:08:31 | |
Remember this? | 0:08:36 | 0:08:37 | |
-STRAINED VOICE: -Howard, who's on the phone? | 0:08:37 | 0:08:40 | |
Yep, it's Jim Parsons from The Big Bang Theory, | 0:08:40 | 0:08:42 | |
only he's in a movie now and he's going home. | 0:08:42 | 0:08:45 | |
-Why are they after you? -I has made a few mistakes. | 0:08:48 | 0:08:51 | |
Oops. | 0:08:53 | 0:08:54 | |
They sent a little sketch of Oh, the alien... | 0:08:54 | 0:08:57 | |
-I am Oh. -Oh? | 0:08:57 | 0:08:59 | |
I have been given this name by my many, many friends. | 0:08:59 | 0:09:02 | |
-Good morning! -Oh...! -Hi, guys! -Oh...! | 0:09:02 | 0:09:04 | |
-Hello! -Oh...! | 0:09:04 | 0:09:05 | |
I thought he was so cute, | 0:09:05 | 0:09:08 | |
and I thought, "Am I the right voice for this?" | 0:09:08 | 0:09:10 | |
Like, I didn't go into it thinking | 0:09:10 | 0:09:11 | |
I'd like him to sound any certain way. | 0:09:11 | 0:09:14 | |
SHE SHRIEKS | 0:09:14 | 0:09:15 | |
He has a very kind of broken English way of speaking, | 0:09:15 | 0:09:18 | |
like, he speaks English by way of alien. | 0:09:18 | 0:09:20 | |
Can I come into the out now? | 0:09:20 | 0:09:22 | |
No, you cannot come into the out now. | 0:09:22 | 0:09:24 | |
But I can. You are just having to take away the piece of wood. | 0:09:24 | 0:09:29 | |
And there's a lot of humour in that, I think, | 0:09:30 | 0:09:32 | |
but only if you understand what he's saying | 0:09:32 | 0:09:34 | |
and so clarity was very important for me. | 0:09:34 | 0:09:37 | |
My turn for driving. Keys, please. | 0:09:37 | 0:09:39 | |
You are a terrible driver! | 0:09:39 | 0:09:41 | |
THEY SCREAM | 0:09:41 | 0:09:43 | |
He is very enthusiastic and very optimistic and he's very cheerful. | 0:09:43 | 0:09:49 | |
Oh, no! My hands are in the air like I just do not care! | 0:09:49 | 0:09:52 | |
He very clearly speaks and he's very excited about it, too. | 0:09:52 | 0:09:55 | |
-Your vehicle is infested. -He's my pet. | 0:09:55 | 0:09:58 | |
CAT PURRS Now he is vibrating. | 0:09:58 | 0:10:00 | |
Is he going to explode?! | 0:10:00 | 0:10:01 | |
They would do what they call "effort passes" where they'd be like, | 0:10:01 | 0:10:05 | |
"We need you running." So there'd be like three minutes of me going... | 0:10:05 | 0:10:08 | |
HE PANTS | 0:10:08 | 0:10:10 | |
Or they'd be like, "Now we need you jumping and grabbing something." | 0:10:12 | 0:10:15 | |
Like... HE GRUNTS | 0:10:15 | 0:10:17 | |
You do that long enough and you're finally drenched in sweat. | 0:10:20 | 0:10:23 | |
I am prepared to accept one of your traditional gestures | 0:10:23 | 0:10:26 | |
of human gratitude. | 0:10:26 | 0:10:27 | |
Our tradition is to punch you in the nose. Hold still. | 0:10:27 | 0:10:30 | |
Your gratitude is implied. | 0:10:30 | 0:10:31 | |
It felt like play time. It was the ultimate in creativity. | 0:10:33 | 0:10:36 | |
There was nothing to leap for, there was nothing to run from. | 0:10:36 | 0:10:39 | |
I was standing in front of a microphone. | 0:10:39 | 0:10:41 | |
What planet grows these delicious fruits? | 0:10:41 | 0:10:44 | |
I really like how important it is for him | 0:10:47 | 0:10:50 | |
and how much effort he makes to make friends. | 0:10:50 | 0:10:53 | |
Look, I has found our car. | 0:10:53 | 0:10:55 | |
I think that's very sweet and I think that we would all be better served | 0:10:55 | 0:10:59 | |
to spend more time being like that. | 0:10:59 | 0:11:02 | |
HE PANTS | 0:11:04 | 0:11:06 | |
Still to come on Cinemaniacs... | 0:11:11 | 0:11:14 | |
we find out what it's like to be in your first film. | 0:11:14 | 0:11:17 | |
I just remember being so excited to be on a movie set. | 0:11:17 | 0:11:20 | |
It changed my life because I got paid. | 0:11:20 | 0:11:22 | |
I was shocked, actually, at the size and the scale of the production. | 0:11:22 | 0:11:26 | |
There are so many different people. | 0:11:26 | 0:11:28 | |
Michael Sheen, super actor, is attempting to prove | 0:11:28 | 0:11:31 | |
he really is super again. | 0:11:31 | 0:11:33 | |
-Roosty-look-n-cookstov. -Very good. | 0:11:33 | 0:11:35 | |
And it's time to stop time in the secrets of movie making. | 0:11:35 | 0:11:39 | |
But first it's part two of DIY Blockbuster. | 0:11:42 | 0:11:46 | |
We've surprised a group of film makers with top movie location | 0:11:48 | 0:11:52 | |
Blenheim Palace to shoot their spy movie. | 0:11:52 | 0:11:54 | |
Give me the code. | 0:11:54 | 0:11:56 | |
They've struggled with the camera... | 0:11:56 | 0:11:57 | |
-You didn't show me properly, you just went like that. -Oh, OK. | 0:11:57 | 0:12:00 | |
..and aren't exactly making the most of their surroundings. | 0:12:00 | 0:12:03 | |
It was against the wall and looked a bit ugly. | 0:12:03 | 0:12:05 | |
Wrong way, I think. | 0:12:06 | 0:12:08 | |
But with only half of the filming done and time running out | 0:12:08 | 0:12:11 | |
they've managed to get themselves stuck in the maze. | 0:12:11 | 0:12:13 | |
Someone was shouting one way and someone's shouting the other way | 0:12:13 | 0:12:16 | |
and we couldn't really... They might have both been right, | 0:12:16 | 0:12:19 | |
but no-one could hear cos everyone was shouting. | 0:12:19 | 0:12:21 | |
-It's on the other side of the hedge. -It's on the other side of the hedge. | 0:12:21 | 0:12:25 | |
We've gone back round! | 0:12:25 | 0:12:27 | |
-I know we have! -Harvi! | 0:12:27 | 0:12:29 | |
-Harvi gave us rubbish directions. -Yeah. | 0:12:29 | 0:12:32 | |
The team head back to the viewing platform to work out their route. | 0:12:32 | 0:12:36 | |
We've got to get to there. | 0:12:36 | 0:12:38 | |
And finally agree on one thing... | 0:12:38 | 0:12:41 | |
Let's just go to the entrance cos we can't find the exit. | 0:12:41 | 0:12:43 | |
We know where the exit is, anyway. | 0:12:43 | 0:12:45 | |
..that the best way out is the way they came in. | 0:12:45 | 0:12:47 | |
But it's taken them so long it's already home time | 0:12:50 | 0:12:52 | |
for their youngest actress. | 0:12:52 | 0:12:54 | |
I've got to go guys, bye. | 0:12:54 | 0:12:56 | |
What? | 0:12:56 | 0:12:59 | |
She just went. | 0:12:59 | 0:13:00 | |
We need someone to, like, know the lines for the spy. | 0:13:00 | 0:13:03 | |
With the big chase scene still to film, the team have to find a way | 0:13:03 | 0:13:06 | |
to replace Lilah to finish their movie. | 0:13:06 | 0:13:08 | |
We figured that the best way to do it would be to have it | 0:13:08 | 0:13:12 | |
as Lilah's view. | 0:13:12 | 0:13:13 | |
Then you can see the scarf... | 0:13:13 | 0:13:15 | |
So that we wouldn't have to, like, show Lilah actually being there. | 0:13:15 | 0:13:19 | |
Josh wore Lilah's scarf... | 0:13:21 | 0:13:23 | |
but you didn't know it was Josh | 0:13:23 | 0:13:25 | |
because you could just see what's ahead. | 0:13:25 | 0:13:28 | |
But replacing Lilah with a boy isn't giving them the shots they need, | 0:13:28 | 0:13:32 | |
so Ruby has a better solution. | 0:13:32 | 0:13:34 | |
Maybe it would be better if it was a girl for Lilah | 0:13:34 | 0:13:37 | |
cos you probably see the end of her dress. | 0:13:37 | 0:13:39 | |
'It couldn't work for any other filming,' | 0:13:39 | 0:13:42 | |
so we thought we'd put Ruby in because she's a girl. | 0:13:42 | 0:13:45 | |
Kind of like a stunt double. | 0:13:45 | 0:13:46 | |
Action! | 0:13:46 | 0:13:48 | |
I don't really sound anything like Lilah | 0:13:51 | 0:13:54 | |
and close up I don't look anything like Lilah. | 0:13:54 | 0:13:57 | |
..one, go! | 0:13:57 | 0:13:58 | |
As we were filming from a long distance and I had my head down | 0:13:58 | 0:14:02 | |
most of the time, and I was wearing her scarf, it didn't really matter. | 0:14:02 | 0:14:07 | |
So will anyone notice? | 0:14:07 | 0:14:10 | |
Did you spot the stunt double? | 0:14:11 | 0:14:13 | |
Here it comes again. | 0:14:14 | 0:14:15 | |
I think we got away with it. | 0:14:21 | 0:14:23 | |
We're going now. Just go, run! | 0:14:23 | 0:14:25 | |
With the palace closing, the team rush to film their final scenes. | 0:14:25 | 0:14:29 | |
Come on, Harvi, Harvi, come on. | 0:14:29 | 0:14:30 | |
..two, one, action! | 0:14:30 | 0:14:32 | |
Cut! | 0:14:36 | 0:14:37 | |
Filming finished and that's a wrap. | 0:14:37 | 0:14:40 | |
We gave the team a blockbuster location to shoot their spy movie, | 0:14:41 | 0:14:45 | |
but their gadgets gave them grief. | 0:14:45 | 0:14:46 | |
When you're holding the camera, keep it still. | 0:14:46 | 0:14:49 | |
-They got muddled in a maze... -Wrong way. | 0:14:49 | 0:14:51 | |
..and even lost their lead. | 0:14:51 | 0:14:53 | |
Got to go, guys, bye. | 0:14:53 | 0:14:54 | |
-But did the team feel it was mission accomplished? -What? | 0:14:54 | 0:14:57 | |
It was hard but I think it is quite good how we all managed | 0:14:57 | 0:15:00 | |
to work together and do it. | 0:15:00 | 0:15:02 | |
I don't think any of us could have made something as good | 0:15:02 | 0:15:04 | |
just by ourselves. | 0:15:04 | 0:15:06 | |
And any final bits of advice from Harvi? | 0:15:06 | 0:15:09 | |
Don't film in a maze. | 0:15:09 | 0:15:10 | |
You can check out the team's finished movie on the CBBC website. | 0:15:12 | 0:15:16 | |
So this is where I give you guys three tops tips for creating | 0:15:16 | 0:15:19 | |
an arty movie. | 0:15:19 | 0:15:21 | |
Tip number one - | 0:15:21 | 0:15:22 | |
you need to create some arty shots. | 0:15:22 | 0:15:24 | |
Tip number two - | 0:15:29 | 0:15:31 | |
you need slow motion. | 0:15:31 | 0:15:32 | |
Tip number three - you can have | 0:15:37 | 0:15:39 | |
so much fun with filters. | 0:15:39 | 0:15:40 | |
And that was three top tips for creating an arty movie. | 0:15:56 | 0:15:59 | |
Imagine you've made your first film - what was it like? | 0:16:03 | 0:16:06 | |
One word that sums up making my first film is "excitement." | 0:16:06 | 0:16:10 | |
It changed my life because I got paid. | 0:16:10 | 0:16:13 | |
I just remember being so excited to be on a movie set | 0:16:13 | 0:16:17 | |
because it's not something you really get to experience very often. | 0:16:17 | 0:16:21 | |
I was shocked, actually, at the size and the scale of the production. | 0:16:21 | 0:16:26 | |
There are so many different people. | 0:16:26 | 0:16:28 | |
-Loads of cameramen. I was really, like... -Whoa! | 0:16:28 | 0:16:32 | |
-Props... -Grips... | 0:16:32 | 0:16:33 | |
Looking like that... | 0:16:33 | 0:16:35 | |
-Lighting crew... -Art department... | 0:16:35 | 0:16:36 | |
-Sound operators... -It was enormous. | 0:16:36 | 0:16:38 | |
Runners, everybody... | 0:16:38 | 0:16:40 | |
You look at some of the names on the call sheet on a morning, | 0:16:40 | 0:16:44 | |
just a who's who of the best British acting talent, | 0:16:44 | 0:16:47 | |
and you're just so nervous about making a mistake | 0:16:47 | 0:16:50 | |
or messing up in front of these people. | 0:16:50 | 0:16:52 | |
The first film that I was in was a film called Fred Clause, | 0:16:54 | 0:16:57 | |
about Santa Claus' brother, | 0:16:57 | 0:16:58 | |
and I played the young Santa Clause when he was six. | 0:16:58 | 0:17:01 | |
The door was locked so I decided to drop down the chimney. | 0:17:01 | 0:17:03 | |
I had to do an American accent, which I'd never done before, | 0:17:03 | 0:17:06 | |
so I had quite a lot of dialect coaching, | 0:17:06 | 0:17:08 | |
which was an interesting experience. | 0:17:08 | 0:17:10 | |
To know we're going to bring it inside the house | 0:17:10 | 0:17:12 | |
and put presents under it, isn't that wonderful? | 0:17:12 | 0:17:15 | |
Being so young I'm not sure if I got it spot on but, yeah, | 0:17:15 | 0:17:18 | |
it was good, I enjoyed it. | 0:17:18 | 0:17:20 | |
My first film was Paddington Bear in which I played Judy Brown | 0:17:20 | 0:17:23 | |
when I was 12 years old. | 0:17:23 | 0:17:25 | |
My first film was Great Expectations and one of the memories | 0:17:25 | 0:17:28 | |
I definitely remember is that we had, like, our own little trailer, | 0:17:28 | 0:17:31 | |
and it was the first time that I had my own trailer. | 0:17:31 | 0:17:34 | |
My first major film for me was The Boy In The Striped Pyjamas. | 0:17:34 | 0:17:37 | |
I was ten and it was amazing. | 0:17:37 | 0:17:40 | |
My first film was Harry Potter And The Deathly Hallows Part 2, | 0:17:40 | 0:17:42 | |
and I played Rose Weasley, who is Ron and Hermione Granger's daughter. | 0:17:42 | 0:17:48 | |
I read the last book and just kind of decided that I was Rose Weasley, | 0:17:48 | 0:17:53 | |
so I wrote a letter, basically telling the casting director | 0:17:53 | 0:17:56 | |
that I was Rose Weasley. | 0:17:56 | 0:17:59 | |
And then, like, six months later or a year later, they called up my mum | 0:17:59 | 0:18:04 | |
saying, "Would you like to come for an interview?" | 0:18:04 | 0:18:06 | |
When we first started all those years ago I didn't even know | 0:18:06 | 0:18:09 | |
if we'd do eight films, let alone would I be in all of them, | 0:18:09 | 0:18:13 | |
so that was pretty special. | 0:18:13 | 0:18:14 | |
We were like really big Harry Potter fans, so I was excited just to get | 0:18:16 | 0:18:21 | |
the audition, let alone actually get the part. | 0:18:21 | 0:18:24 | |
You turn up to the set and I met Daniel Radcliffe before my | 0:18:24 | 0:18:27 | |
screen test and he was so nice, | 0:18:27 | 0:18:28 | |
we spent about 20 minutes just having a chat, | 0:18:28 | 0:18:31 | |
that sort of thing, and then once you actually get on to the set, | 0:18:31 | 0:18:34 | |
my first day shooting was in the Great Hall, | 0:18:34 | 0:18:36 | |
so it sorts of marks your childhood. | 0:18:36 | 0:18:38 | |
When I first went out on set | 0:18:38 | 0:18:41 | |
I was so shocked about how big | 0:18:41 | 0:18:44 | |
the crew was and how long everything took just to set up and then, | 0:18:44 | 0:18:48 | |
like, how many takes you have to do of just like one small scene. | 0:18:48 | 0:18:52 | |
Swallows And Amazons was my first film, only I was 12 years old. | 0:18:52 | 0:18:57 | |
We never saw the script, we never had to learn lines, | 0:18:57 | 0:19:02 | |
and this was really innovative at the time. | 0:19:02 | 0:19:04 | |
The costumes in the film were amazing. They had, like... | 0:19:06 | 0:19:09 | |
-BOTH: -Four layers. | 0:19:09 | 0:19:11 | |
-We said that at the same time. -And I was really hot in that. | 0:19:11 | 0:19:14 | |
My first film was Snow White And The Huntsmen, | 0:19:14 | 0:19:16 | |
and the thing I remember most is just the set itself cos it was | 0:19:16 | 0:19:19 | |
man-made, all the village and stuff, | 0:19:19 | 0:19:21 | |
and the fire scene, cos I was in that, | 0:19:21 | 0:19:23 | |
they way they could turn it on and off, and the night scenes, | 0:19:23 | 0:19:25 | |
it was just amazing experience to be there. | 0:19:25 | 0:19:28 | |
Now it's time for this... | 0:19:28 | 0:19:30 | |
Introducing Mr Mike Tucker, | 0:19:31 | 0:19:34 | |
here to show you how to create special effects, | 0:19:34 | 0:19:37 | |
Hollywood-style, in... | 0:19:37 | 0:19:38 | |
Today we're going to show you how to make your very own time slice, | 0:19:42 | 0:19:45 | |
so grab 50 of your closest friends and let's get started. | 0:19:45 | 0:19:50 | |
That's right, I did say 50. | 0:19:50 | 0:19:52 | |
You're going to need 50 people each with a mobile phone, | 0:19:52 | 0:19:55 | |
doesn't matter what kind, but for this effect 50 is the magic number. | 0:19:55 | 0:19:59 | |
Right, the effect that we are going to demonstrate today is called | 0:19:59 | 0:20:02 | |
-time slice, and do you have any idea what time slice might be? -No. | 0:20:02 | 0:20:07 | |
No? Right, if you've seen films like Horrid Henry where somebody | 0:20:07 | 0:20:10 | |
jumps into the air and then freezes but the camera continues | 0:20:10 | 0:20:14 | |
to move all the way around them, that's called a time slice effect. | 0:20:14 | 0:20:19 | |
As well as your 50 friends you're going to need... | 0:20:19 | 0:20:22 | |
Oh, and make sure you number those phones. | 0:20:26 | 0:20:29 | |
Number them one to 50 | 0:20:29 | 0:20:30 | |
and you'll be able to keep track of what's going on. | 0:20:30 | 0:20:33 | |
Step one - get your cameras into place | 0:20:33 | 0:20:36 | |
and get ready to start measuring. | 0:20:36 | 0:20:38 | |
Hold one end of the tape measure at the centre of the trampette. | 0:20:38 | 0:20:42 | |
Let's see... That's four meters and everyone lines up, so we're | 0:20:42 | 0:20:46 | |
all exactly the same distance away from the middle of the trampette. | 0:20:46 | 0:20:50 | |
I think you guys are going to need to move back a little bit. | 0:20:50 | 0:20:52 | |
Pull that tight again cos I think you guys are going to need to | 0:20:52 | 0:20:55 | |
step backwards. Yeah, OK. | 0:20:55 | 0:20:57 | |
So now we need to get everyone lined up roughly the same distance apart, | 0:20:57 | 0:21:02 | |
and everyone needs to be holding their phones up at roughly | 0:21:02 | 0:21:05 | |
the same height - but bear in mind that they're going to be in mid-air. | 0:21:05 | 0:21:09 | |
Step two... | 0:21:09 | 0:21:11 | |
Can everyone now turn on their phone so they are recording video? | 0:21:11 | 0:21:15 | |
Step three - get jumping and make sure everyone records at least | 0:21:20 | 0:21:23 | |
30 seconds of footage on their phones. | 0:21:23 | 0:21:25 | |
This means that the phones will be recording the jumping | 0:21:29 | 0:21:31 | |
from lots of different angles. | 0:21:31 | 0:21:33 | |
Step four - this one is going to take a bit of time | 0:21:34 | 0:21:38 | |
because now you need to load all the footage you've shot from every phone | 0:21:38 | 0:21:42 | |
on the computer, and make sure you do it in order. | 0:21:42 | 0:21:44 | |
Step five - now you're ready to make your time slice. | 0:21:44 | 0:21:48 | |
Using the video editing software on your computer, chose the same frame | 0:21:49 | 0:21:53 | |
from each recording and clip it, then insert it on the timeline. | 0:21:53 | 0:21:56 | |
Make sure you keep each frame in the same order that it was shot. | 0:21:57 | 0:22:01 | |
And, hey, presto! One terrific time slice. | 0:22:01 | 0:22:04 | |
CHEERING | 0:22:04 | 0:22:06 | |
-BAD AMERICAN ACCENT: -OK, y'all, coming up next... | 0:22:09 | 0:22:11 | |
What do you think of my American accent, Theo? | 0:22:11 | 0:22:13 | |
Try saying "O, R" before you do the scene. I think it helps you | 0:22:13 | 0:22:18 | |
-get into the right mind frame. -Oh, OK. Cheers. | 0:22:18 | 0:22:21 | |
O, R, O, R, O, R. | 0:22:21 | 0:22:24 | |
-BETTER AMERICAN ACCENT: -It's time for super actor Michael Sheen. | 0:22:24 | 0:22:28 | |
-Any good? -Yeah, it was good. I enjoyed it. | 0:22:28 | 0:22:31 | |
And now the star of Alice In Wonderland, | 0:22:31 | 0:22:34 | |
Tron and Twilight... | 0:22:34 | 0:22:36 | |
I am being put to the test. | 0:22:42 | 0:22:44 | |
Can I replicate an accent, do an accent, | 0:22:44 | 0:22:48 | |
and convince those judges out there | 0:22:48 | 0:22:53 | |
that I am from that place? | 0:22:53 | 0:22:55 | |
This is... | 0:22:55 | 0:22:57 | |
In three minutes I'm going to have to learn how to do this accent | 0:22:58 | 0:23:02 | |
with the help of voice coach Catherine. | 0:23:02 | 0:23:05 | |
Learning an accent is all about brain-ear-mouth connection, | 0:23:05 | 0:23:08 | |
so how often you've heard it, how often has it been in your ear? | 0:23:08 | 0:23:12 | |
I'm going to be put up against people doing just their natural voice, | 0:23:12 | 0:23:15 | |
what they speak like. | 0:23:15 | 0:23:17 | |
I think Michael is incredibly brave. | 0:23:17 | 0:23:19 | |
In fact, I don't know many actors who would put themselves in this | 0:23:19 | 0:23:23 | |
-position with an accent. -'Tell me about it! | 0:23:23 | 0:23:26 | |
'I have to succeed in two out of three voice rounds | 0:23:26 | 0:23:28 | |
'to win today's challenge. | 0:23:28 | 0:23:31 | |
'The judges are going to hear two voices on this speaker phone - | 0:23:31 | 0:23:34 | |
'one will be the real accent | 0:23:34 | 0:23:36 | |
'and the other will be me trying to do the accent.' | 0:23:36 | 0:23:39 | |
You've done this one before? | 0:23:41 | 0:23:43 | |
-Not really, but I've just heard it a bit. -OK, OK. | 0:23:43 | 0:23:46 | |
Now, "th's" - it's halfway between a TH and a D, | 0:23:46 | 0:23:49 | |
-it's not quite a D - mother, mother. -Good mother. | 0:23:49 | 0:23:51 | |
Yeah, that's it. Over the top of the freeze and down. | 0:23:51 | 0:23:54 | |
Over the top of the freeze and down. | 0:23:54 | 0:23:56 | |
'That's learning time up, so bring on the challenge. | 0:23:56 | 0:23:59 | |
'Corn fields were yellow. The oats were green. The hay had been put up | 0:23:59 | 0:24:04 | |
'in stacks in the green meadows.' | 0:24:04 | 0:24:06 | |
'Corn fields were yellow. The oats were green. The hay had been put up | 0:24:06 | 0:24:10 | |
'in the stacks in the green meadows.' | 0:24:10 | 0:24:11 | |
I think the first one's real because it was... | 0:24:11 | 0:24:15 | |
It seemed a bit more like the actual person. | 0:24:15 | 0:24:19 | |
'After the first round there are five votes for voice one, | 0:24:19 | 0:24:22 | |
'and only one vote for voice two. | 0:24:22 | 0:24:25 | |
'Voice one was me, not the real thing, | 0:24:25 | 0:24:28 | |
'which means the point is mine!' | 0:24:28 | 0:24:30 | |
IRISH ACCENT: The hay had been put up in stacks in the green meadows... | 0:24:30 | 0:24:33 | |
Next up, it's Geordie. | 0:24:33 | 0:24:35 | |
'All the way from Newcastle. 'This one's tough.' | 0:24:35 | 0:24:38 | |
"Rosty lookin'..." | 0:24:38 | 0:24:39 | |
-Roosty lookin' cooks... -Very good. | 0:24:39 | 0:24:42 | |
'Dorothy lived in the midst of the great Kansas prairies | 0:24:42 | 0:24:45 | |
'with Uncle Henry, who was a farmer, | 0:24:45 | 0:24:48 | |
'and Aunt Em who was the farmer's wife. | 0:24:48 | 0:24:50 | |
'Dorothy lived in the midst of the great Kansas prairies | 0:24:50 | 0:24:53 | |
'with Uncle Henry, who was a farmer, | 0:24:53 | 0:24:56 | |
'and Aunt Em who was the Farmer's wife.' | 0:24:56 | 0:24:58 | |
I think the first one was a bit, like, over the top. | 0:24:58 | 0:25:02 | |
The second one did sound normal, in a way. | 0:25:02 | 0:25:05 | |
'After the second round they all think the first voice was fake. | 0:25:05 | 0:25:09 | |
'They were right! Voice two was the real Geordie, so I lose that point.' | 0:25:09 | 0:25:14 | |
GEORDIE ACCENT: Aunt Em was the famer's wife... | 0:25:14 | 0:25:16 | |
'One round all, but this is for the challenge.' | 0:25:16 | 0:25:19 | |
Finnish. I've never heard anyone from Finland speak. Over to you. | 0:25:19 | 0:25:23 | |
-LAUGHING: -Right... | 0:25:23 | 0:25:25 | |
The thing is, it's English as a second language, so that means | 0:25:25 | 0:25:28 | |
they're going to pronounce things the way that it's read, | 0:25:28 | 0:25:30 | |
they're going to pronounce all of the R's they're in the spelling. | 0:25:30 | 0:25:33 | |
"Dear little girl." They're all going to be in the spelling. | 0:25:33 | 0:25:36 | |
'Once, she gave her a little cap of red velvet, | 0:25:36 | 0:25:40 | |
'so she was always called Little Red Riding Hood.' | 0:25:40 | 0:25:44 | |
'Once, she gave her a little cap of red velvet, | 0:25:44 | 0:25:48 | |
'so she was always called Little Red Riding Hood. | 0:25:48 | 0:25:52 | |
I didn't even know what the accent was. | 0:25:52 | 0:25:54 | |
I would like to apologise to the entire nation of Finland. | 0:25:54 | 0:25:58 | |
-I think the second one's real. -Second. -Second. | 0:25:58 | 0:26:01 | |
'The votes are in and, wow, the second voice was me! | 0:26:01 | 0:26:04 | |
'Result! That's 2-1 to me.' | 0:26:04 | 0:26:07 | |
FINNISH ACCENT: She gave her a little cap of red velvet... | 0:26:07 | 0:26:10 | |
'Today's challenge started with me learning how to speak Irish, | 0:26:11 | 0:26:14 | |
'and ended with me proving that I'm a man of a thousand accents. | 0:26:14 | 0:26:18 | |
'Well, at least two. And that means, for today at least, I am...' | 0:26:18 | 0:26:22 | |
Next time... | 0:26:31 | 0:26:32 | |
there's a canine surprise in store for these Cinemaniacs, | 0:26:32 | 0:26:35 | |
but can they keep their talent under control? | 0:26:35 | 0:26:38 | |
He wouldn't stay in the spot. | 0:26:38 | 0:26:40 | |
We get behind the scenes gossip from the set of Nanny McPhee. | 0:26:40 | 0:26:44 | |
Someone said, "Let's try putting some farting in." | 0:26:44 | 0:26:46 | |
BREAKING WIND | 0:26:46 | 0:26:48 | |
And suddenly people were giggling a lot more. | 0:26:48 | 0:26:50 | |
And Michael Sheen, super actor, takes on a new challenge - | 0:26:50 | 0:26:55 | |
to act with absolutely nothing. | 0:26:55 | 0:26:58 | |
Whoops! | 0:26:58 | 0:26:59 | |
So, Cinemaniacs, it's nearly time for me to go, | 0:27:01 | 0:27:05 | |
but just before I do I want to tell you that Daniel Radcliffe, | 0:27:05 | 0:27:08 | |
whose first movie was Harry Potter, | 0:27:08 | 0:27:10 | |
went through an incredible 160 pairs of glasses | 0:27:10 | 0:27:13 | |
during the filming of all eight Harry Potter movies. | 0:27:13 | 0:27:16 | |
Oculus Reparo. | 0:27:16 | 0:27:17 | |
That's a lot of glasses! | 0:27:19 | 0:27:21 | |
I'm Oli White and you've been watching Cinemaniacs. | 0:27:21 | 0:27:25 | |
Cartoon character or real person? | 0:27:25 | 0:27:27 | |
-Cartoon character. -Real person. | 0:27:27 | 0:27:30 | |
-Real person. -Cartoon character. | 0:27:30 | 0:27:32 | |
-Real person. -Real person. -Cartoon character. | 0:27:32 | 0:27:35 | |
Real person. | 0:27:35 | 0:27:36 | |
Cartoon character. | 0:27:36 | 0:27:37 | |
-Real person. -Real person. | 0:27:37 | 0:27:39 | |
BOTH: Real person. | 0:27:39 | 0:27:41 |