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Action! | 0:00:02 | 0:00:03 | |
# Want to ride your bike across the face of the moon? | 0:00:03 | 0:00:05 | |
# Levitate your house with a bunch of balloons | 0:00:05 | 0:00:07 | |
# Feel zero gravitation | 0:00:07 | 0:00:08 | |
# A robot transformation | 0:00:08 | 0:00:09 | |
# You're a cinemaniac | 0:00:09 | 0:00:11 | |
# Do you love to hear the roar of an extinct dinosaur? | 0:00:11 | 0:00:14 | |
# To explore the floor in your very own Pandora | 0:00:14 | 0:00:16 | |
# And feel the urge to sing | 0:00:16 | 0:00:17 | |
# Form a quest for the ring | 0:00:17 | 0:00:19 | |
# To escape from the clone | 0:00:19 | 0:00:20 | |
# Or to be home alone | 0:00:20 | 0:00:22 | |
# Then roll out the red carpet | 0:00:22 | 0:00:24 | |
# And turn down the lights | 0:00:24 | 0:00:25 | |
# Grab yourself a seat and hold on tight | 0:00:25 | 0:00:27 | |
# We're mad about movies | 0:00:27 | 0:00:29 | |
# We're crazy for film | 0:00:29 | 0:00:30 | |
# We're cinemaniacs | 0:00:30 | 0:00:32 | |
# Cinemaniacs | 0:00:32 | 0:00:33 | |
# Cinemaniacs. # | 0:00:33 | 0:00:35 | |
Hello, everyone. | 0:00:37 | 0:00:38 | |
I'm Oli White and this is Cinemaniacs - Cineminis. | 0:00:38 | 0:00:44 | |
On today's show, Cinemaniacs' secrets with Nanny McPhee. | 0:00:44 | 0:00:48 | |
Someone said, "Let's try putting some farting in." | 0:00:48 | 0:00:51 | |
From farty to arty with top tips on making a movie. | 0:00:53 | 0:00:56 | |
You can have so much fun with filters. | 0:00:56 | 0:00:59 | |
And Michael Sheen - Super Actor fools his own mum and dad. | 0:00:59 | 0:01:03 | |
-I found it, thank you very much. -OK. | 0:01:03 | 0:01:05 | |
All that on # Cinemaniacs! # | 0:01:06 | 0:01:08 | |
-That was a good sound that you made. -Really, Nicole? | 0:01:08 | 0:01:11 | |
You liked the way I said # Cinemaniacs # ? | 0:01:11 | 0:01:14 | |
-I would do it again like that. -OK. | 0:01:14 | 0:01:17 | |
# Cinemaniacs. Cinemaniacs! Cinemaniacs!! # | 0:01:17 | 0:01:20 | |
GLASS SHATTERS | 0:01:20 | 0:01:22 | |
Right, OK. Now it's time for DIY Blockbuster. | 0:01:22 | 0:01:27 | |
-Action. -We're giving six film-makers the chance to make a short film, | 0:01:28 | 0:01:33 | |
armed with just a camera, a script and some home-made props. | 0:01:33 | 0:01:38 | |
Little do they know they're in for a big surprise... | 0:01:38 | 0:01:41 | |
You didn't know I was coming? | 0:01:41 | 0:01:42 | |
..when we give them something spectacular | 0:01:42 | 0:01:46 | |
to turn their home movie into a DIY Blockbuster. | 0:01:46 | 0:01:49 | |
Charlie, can you move back, back right? | 0:01:53 | 0:01:56 | |
Nikhita, Parker, Moriah, Charlie, | 0:01:56 | 0:01:58 | |
Max and Stella are making a space movie. | 0:01:58 | 0:02:00 | |
It's a film about the first commercial flight to space. | 0:02:00 | 0:02:03 | |
Action. | 0:02:03 | 0:02:04 | |
Each ticket costs a quarter of a million pounds. | 0:02:04 | 0:02:07 | |
It's called Galacticastrophe - Ticket To Space. | 0:02:07 | 0:02:10 | |
-But is it safe? -It's 100% safe. | 0:02:10 | 0:02:13 | |
There's a pregnant lady and she gives birth on the rocket. | 0:02:13 | 0:02:17 | |
Action. | 0:02:17 | 0:02:19 | |
What the team don't know is they're in for a DIY Blockbuster surprise. | 0:02:19 | 0:02:22 | |
We've lined up an Academy Award winning, world-famous director | 0:02:22 | 0:02:27 | |
for their movie. | 0:02:27 | 0:02:29 | |
The team are well into filming and have no idea what's about to happen. | 0:02:29 | 0:02:33 | |
-Ticket, please. -When suddenly there's a knock at the door. | 0:02:33 | 0:02:36 | |
Hello. Hi, I'm Ron Howard. | 0:02:43 | 0:02:46 | |
Yes, all the way from Hollywood, it really is Ron Howard. | 0:02:46 | 0:02:49 | |
Director of smash hits The Grinch and space movie Apollo 13. | 0:02:49 | 0:02:54 | |
-Hi, guys, I'm Ron Howard. -Hello. | 0:02:55 | 0:02:57 | |
I wasn't expecting that. | 0:02:57 | 0:02:59 | |
I found out that you were making a film. | 0:02:59 | 0:03:01 | |
I kind of wanted to come by and check it out. | 0:03:01 | 0:03:05 | |
It was really cool meeting him, | 0:03:05 | 0:03:06 | |
knowing that this was a guy that actually created a blockbuster film. | 0:03:06 | 0:03:09 | |
He's famous, he's well known. | 0:03:10 | 0:03:13 | |
I thought the storyboard was brilliant. | 0:03:13 | 0:03:15 | |
-Have you already done some shots? -Yeah. | 0:03:15 | 0:03:17 | |
'Half the work is done because they've got a good script' | 0:03:17 | 0:03:20 | |
and a good plan and they've laid it out well. | 0:03:20 | 0:03:23 | |
Can I just say you're missing a really important and exciting | 0:03:23 | 0:03:26 | |
part of every shooting day, when you have storyboards, because | 0:03:26 | 0:03:29 | |
the most exciting thing is to cross out the shots that you've done. | 0:03:29 | 0:03:34 | |
-Oh, yeah. -We were going to do that. | 0:03:34 | 0:03:36 | |
Boom, that one's done. | 0:03:36 | 0:03:39 | |
-That's satisfying, isn't it? -Action. | 0:03:39 | 0:03:42 | |
The team quickly put Ron to work as their camera operator. | 0:03:42 | 0:03:45 | |
(Can we do that one more time because the camera operator messed it up?) | 0:03:45 | 0:03:49 | |
-Whoops. -He's not very good at filming as much as directing. | 0:03:49 | 0:03:54 | |
Roll camera. | 0:03:54 | 0:03:55 | |
-Is that just this? -Yeah. -OK. | 0:03:55 | 0:03:58 | |
Is this our zoom? Show me. | 0:03:58 | 0:04:00 | |
Oh, here we go. | 0:04:00 | 0:04:01 | |
There are a lot of award-winning cinematographers who are really | 0:04:01 | 0:04:05 | |
going to enjoy just how bad I am at this particular aspect. | 0:04:05 | 0:04:08 | |
Roll camera. | 0:04:08 | 0:04:09 | |
I know in the scene where the rocket takes off, | 0:04:09 | 0:04:12 | |
that scene had to be shot about three or four times. | 0:04:12 | 0:04:15 | |
(I'm going to get sacked. | 0:04:15 | 0:04:16 | |
(If we don't get this right I feel like I'm out.) | 0:04:16 | 0:04:19 | |
-Camera rolling. -Liftoff. | 0:04:19 | 0:04:20 | |
RON IMITATES ROCKET | 0:04:20 | 0:04:25 | |
-Cut. That was good. -That was perfect. | 0:04:30 | 0:04:33 | |
-I think I'll be back tomorrow. -Phew. | 0:04:33 | 0:04:36 | |
I think he kind of liked how home-made it was, though. | 0:04:36 | 0:04:39 | |
We'd done a home-made background, we made it ourselves, | 0:04:39 | 0:04:42 | |
it's just really simple things. | 0:04:42 | 0:04:43 | |
You may want to think about doing a trick here, where... | 0:04:43 | 0:04:46 | |
This movie might be home-made, but Ron's got plenty of Hollywood | 0:04:46 | 0:04:49 | |
techniques for the team to use to give it a big-budget feel. | 0:04:49 | 0:04:53 | |
Can I make one suggestion? | 0:04:53 | 0:04:54 | |
He gave us lots of tips and ideas to make the film better. | 0:04:54 | 0:04:58 | |
Just move the camera and don't do a zoom, | 0:04:58 | 0:05:00 | |
just do a tight shot of the knobs | 0:05:00 | 0:05:02 | |
and let her hand come in and twist them. | 0:05:02 | 0:05:03 | |
When the captain and the co-pilot are taking off, | 0:05:03 | 0:05:05 | |
"Oh, you can do you close-up on the buttons they're pressing." | 0:05:05 | 0:05:08 | |
Four. Three. Two. One. | 0:05:08 | 0:05:11 | |
He really helped with some of the camera tricks that he used. | 0:05:13 | 0:05:16 | |
You know what helped us with Apollo 13 a lot, | 0:05:16 | 0:05:18 | |
when we were supposed to be doing the weightless feel? | 0:05:18 | 0:05:21 | |
The camera operators were hand-held. | 0:05:21 | 0:05:23 | |
-If I do a little bit of movement, see? -Yeah. | 0:05:23 | 0:05:28 | |
We can do that. | 0:05:28 | 0:05:30 | |
-Something like that, does that give you an effect that you want? -Yeah. | 0:05:30 | 0:05:33 | |
He was like, "It's OK to do free camera without a tripod, | 0:05:33 | 0:05:36 | |
"so it looks like it's floating." | 0:05:36 | 0:05:39 | |
To really create a space atmosphere. | 0:05:39 | 0:05:41 | |
And now for some visual effects. | 0:05:41 | 0:05:43 | |
The pregnant scene. You're having a baby? | 0:05:43 | 0:05:46 | |
He thought that I should be sweating because I just gave birth, | 0:05:46 | 0:05:50 | |
so he got some water and he splashed it, which made it look a lot better. | 0:05:50 | 0:05:56 | |
A little bit of perspiration. | 0:05:56 | 0:05:59 | |
You had a baby. | 0:05:59 | 0:06:00 | |
My experience is that the mother perspires just a little. | 0:06:00 | 0:06:04 | |
Don't worry, don't worry. I can deliver it. | 0:06:04 | 0:06:06 | |
POP! | 0:06:06 | 0:06:07 | |
BABY CRYING | 0:06:07 | 0:06:09 | |
Congratulations, you've given birth to the first ever alien. | 0:06:09 | 0:06:13 | |
-Cut. -That's a wrap. | 0:06:13 | 0:06:15 | |
THEY CHEER | 0:06:15 | 0:06:17 | |
These young film-makers were a blast to be around. | 0:06:17 | 0:06:20 | |
He was a lot different than I expected. | 0:06:20 | 0:06:22 | |
I kind of expected the directors of these big Hollywood movies to be... | 0:06:22 | 0:06:27 | |
-Quite serious. -Yeah, serious. | 0:06:27 | 0:06:29 | |
I think I've probably learned a thing or two. | 0:06:29 | 0:06:31 | |
I'm just going to go on to my next job just that much more inspired. | 0:06:31 | 0:06:34 | |
So was their movie truly out of this world? | 0:06:34 | 0:06:37 | |
It was a fantastic little short film. | 0:06:37 | 0:06:40 | |
Witty and pretty imaginative. | 0:06:40 | 0:06:43 | |
-Bye. -Bye-bye. So long. | 0:06:43 | 0:06:45 | |
If Ron Howard said it was good so, you know, it must be all right. | 0:06:45 | 0:06:48 | |
You can check out the team's finished movie on the CBBC website. | 0:06:48 | 0:06:52 | |
Now, let's head behind the scenes with Nanny McPhee. | 0:06:52 | 0:06:55 | |
I am Nanny McPhee. | 0:06:58 | 0:06:59 | |
I'm Susanna White. I'm a film director, and probably | 0:06:59 | 0:07:03 | |
the best known film I've made was Nanny McPhee And The Big Bang. | 0:07:03 | 0:07:06 | |
-Urh. -It is rude to stare. | 0:07:06 | 0:07:09 | |
The finished film is actually somewhat | 0:07:09 | 0:07:11 | |
different from the screenplay I was sent. | 0:07:11 | 0:07:15 | |
For example, a pig dives into a pond, does front crawl | 0:07:15 | 0:07:19 | |
and comes out the other side. | 0:07:19 | 0:07:21 | |
I went and had my bath one night and I thought, what if the pig dives in | 0:07:21 | 0:07:25 | |
and then it pops up and then another pig pops up and another pig pops up | 0:07:25 | 0:07:28 | |
and another pig pops up, | 0:07:28 | 0:07:29 | |
and they all start doing incredible synchronised swimming. | 0:07:29 | 0:07:33 | |
MUSIC PLAYS | 0:07:33 | 0:07:36 | |
I love that because it seems so silly that pigs would do something | 0:07:37 | 0:07:41 | |
so balletic. | 0:07:41 | 0:07:42 | |
I had a cow who was afraid of mud. | 0:07:42 | 0:07:45 | |
COW MOOS | 0:07:45 | 0:07:47 | |
She didn't like getting her feet wet or dirty, so we had terrible trouble | 0:07:47 | 0:07:51 | |
in the morning getting her across the farmyard | 0:07:51 | 0:07:53 | |
to where she wanted to be. | 0:07:53 | 0:07:55 | |
PFFFRRRRRRT! | 0:07:58 | 0:07:59 | |
The cow farting going upstairs happened | 0:07:59 | 0:08:02 | |
because people weren't giggling enough, so someone said, | 0:08:02 | 0:08:05 | |
"Let's try putting some farting in," | 0:08:05 | 0:08:07 | |
and suddenly people were giggling a lot more. | 0:08:07 | 0:08:10 | |
EVIL LAUGHTER | 0:08:10 | 0:08:12 | |
So, this is where I give you guys three top tips | 0:08:12 | 0:08:15 | |
for creating an arty movie. | 0:08:15 | 0:08:18 | |
You need to create some arty shots. | 0:08:18 | 0:08:20 | |
DEEP VOICE: Arty shots don't need to make sense. | 0:08:20 | 0:08:23 | |
You need slow motion. | 0:08:27 | 0:08:28 | |
You can have so much fun with filters. | 0:08:34 | 0:08:37 | |
And that was three top tips for creating an arty movie. | 0:08:52 | 0:08:55 | |
Who do Harry and Ron accidentally lock in the bathroom | 0:09:12 | 0:09:15 | |
with the troll? | 0:09:15 | 0:09:16 | |
Hermione. | 0:09:16 | 0:09:18 | |
What flavour of Bertie Bott's Jelly Bean does Dumbledore end up with? | 0:09:18 | 0:09:21 | |
Earwax. | 0:09:21 | 0:09:22 | |
What does Voldemort drink in the Forbidden Forest to sustain himself? | 0:09:22 | 0:09:26 | |
Dog's blood. | 0:09:26 | 0:09:27 | |
-BUZZER -Correct answer - unicorn's blood. | 0:09:27 | 0:09:30 | |
SCREAMING | 0:09:30 | 0:09:32 | |
In the final showdown between Thor and Malekith, | 0:09:36 | 0:09:38 | |
what London Underground station does Thor find himself at? | 0:09:38 | 0:09:42 | |
Charing Cross. | 0:09:42 | 0:09:43 | |
What does the collector remark when Volstagg and Sif | 0:09:43 | 0:09:45 | |
leave at the end of the film? | 0:09:45 | 0:09:48 | |
One down, five to go. | 0:09:48 | 0:09:49 | |
In the Marvel Cinematic Universe, | 0:09:49 | 0:09:51 | |
what number instalment is Thor - The Dark World? | 0:09:51 | 0:09:54 | |
Nine. | 0:09:54 | 0:09:55 | |
-BUZZER -Correct answer - eight. | 0:09:55 | 0:09:58 | |
SCREAMING | 0:09:58 | 0:10:00 | |
Who pretends to capture Chewbacca? | 0:10:04 | 0:10:06 | |
Princess Leia. | 0:10:06 | 0:10:08 | |
Name the creatures that look like teddy bears? | 0:10:08 | 0:10:11 | |
Ewoks. | 0:10:11 | 0:10:12 | |
What is the name of the moon that the Death Star orbits? | 0:10:12 | 0:10:14 | |
That was Endor. | 0:10:14 | 0:10:15 | |
Who kills Jabba the Hutt? | 0:10:15 | 0:10:17 | |
Princess Leia. | 0:10:17 | 0:10:18 | |
What is Princess Leia holding whilst pretending to be a bounty hunter? | 0:10:18 | 0:10:22 | |
Chewbacca? | 0:10:24 | 0:10:25 | |
BUZZER | 0:10:25 | 0:10:26 | |
Correct answer - a thermal detonator. | 0:10:26 | 0:10:29 | |
SCREAMING | 0:10:29 | 0:10:31 | |
And the winner is...Nikhita. | 0:10:31 | 0:10:33 | |
Yes! Yes! | 0:10:33 | 0:10:35 | |
We ask the questions so you don't have to. | 0:10:39 | 0:10:41 | |
What was it like to win an Oscar, Anne? | 0:10:41 | 0:10:44 | |
Half the time I was just standing on one leg, kind of like you do | 0:10:44 | 0:10:47 | |
when you're like, "Look at me, I'm flying!" | 0:10:47 | 0:10:49 | |
It doesn't get much more random than this. | 0:10:51 | 0:10:55 | |
And now, the star of Alice In Wonderland, Tron and Twilight. | 0:10:55 | 0:11:00 | |
All-round good guy, Michael Sheen - Super Actor. | 0:11:00 | 0:11:02 | |
'For today's Super Actor challenge | 0:11:06 | 0:11:08 | |
'I've come to Port Talbot in Wales, which is where I'm from, | 0:11:08 | 0:11:11 | |
'so I'm kind of like pretty famous round these parts. | 0:11:11 | 0:11:13 | |
'I've even got my own mural. | 0:11:13 | 0:11:15 | |
'Yeah, it's that one. I know. | 0:11:15 | 0:11:18 | |
'The crew have taken to the street to see who knows me.' | 0:11:18 | 0:11:21 | |
The boy Sheen from... Batman and that. | 0:11:21 | 0:11:25 | |
-Michael Sheen. -Michael Sheen as well. | 0:11:25 | 0:11:27 | |
Excuse me, is there a Jersey Bakery around here? | 0:11:27 | 0:11:30 | |
-Do you know Jersey Bakery? -Yes. | 0:11:30 | 0:11:32 | |
'Hang on a second, can we cut there? | 0:11:32 | 0:11:34 | |
'Who's this guy? | 0:11:34 | 0:11:36 | |
'He's been hanging around for ages. | 0:11:36 | 0:11:38 | |
'Actually, it's me. | 0:11:38 | 0:11:40 | |
'I'm in prosthetics and a costume and no-one's recognised me. | 0:11:40 | 0:11:43 | |
'But that's not the challenge, no, | 0:11:43 | 0:11:45 | |
'it's much more difficult. | 0:11:45 | 0:11:47 | |
'The crew are going to pretend to be from some random TV news show | 0:11:47 | 0:11:51 | |
'to interview my mum and dad, | 0:11:51 | 0:11:53 | |
'and I have to try and speak to them, | 0:11:53 | 0:11:54 | |
'not once, not twice, but three times without them recognising me. | 0:11:54 | 0:11:58 | |
'Prosthetics aside, this will take all my acting skills. | 0:11:58 | 0:12:02 | |
'Welcome to... | 0:12:02 | 0:12:04 | |
'So, how did I end up looking like this guy anyway? | 0:12:07 | 0:12:10 | |
'With the help of a few pros in the film industry, I've been | 0:12:10 | 0:12:13 | |
'transformed from this handsome fella to this one. | 0:12:13 | 0:12:17 | |
'All for this week's challenge.' | 0:12:17 | 0:12:20 | |
We applied the prosthetic nose and little cheek pieces to Michael | 0:12:20 | 0:12:24 | |
because Michael's got these really nice little indents. | 0:12:24 | 0:12:28 | |
'And my character is going to be mostly...uh. | 0:12:28 | 0:12:31 | |
'Lost builder? | 0:12:31 | 0:12:34 | |
'I'm going to warm up my act with some members of the public.' | 0:12:34 | 0:12:37 | |
I'll see you later. | 0:12:37 | 0:12:38 | |
Michael Sheen. | 0:12:38 | 0:12:39 | |
'My disguise is still working well. | 0:12:39 | 0:12:42 | |
'In fact, I'm ready to get a bit braver. | 0:12:42 | 0:12:44 | |
'Let's ditch the hat and coat.' | 0:12:44 | 0:12:46 | |
Yeah, Michael Sheen. He does come down here quite a lot, actually. | 0:12:46 | 0:12:49 | |
I've seen him around and I think his father | 0:12:49 | 0:12:51 | |
still lives round here as well. | 0:12:51 | 0:12:53 | |
'Still going strong. Now, where's my mum and dad?' | 0:12:53 | 0:12:56 | |
Our Michael. | 0:12:56 | 0:12:57 | |
Michael Sheen. | 0:12:57 | 0:12:59 | |
'Ah, they're still there, | 0:12:59 | 0:13:01 | |
'answering random questions about me from the TV interviewer. | 0:13:01 | 0:13:05 | |
'Which means it's time for...' | 0:13:05 | 0:13:07 | |
INTERVIEWER: What do you like about living in Port Talbot? | 0:13:09 | 0:13:12 | |
I love the beach... | 0:13:12 | 0:13:14 | |
'To succeed, I've got to make them | 0:13:14 | 0:13:15 | |
'believe that I'm just a random bloke and not their own son. Three times.' | 0:13:15 | 0:13:20 | |
They perform it and they perform... | 0:13:20 | 0:13:23 | |
'Dad's still droning on, so I'm going to dive straight in. | 0:13:23 | 0:13:27 | |
'Excuse me, is there a Jersey Bakery around here?' | 0:13:27 | 0:13:30 | |
I don't know, I think it may be down the bottom. | 0:13:30 | 0:13:32 | |
Just down the bottom there is a bakery. | 0:13:32 | 0:13:35 | |
-Thank you. -Yes, OK. | 0:13:35 | 0:13:36 | |
'Yay! Fooled them once. | 0:13:37 | 0:13:39 | |
'I'm going to interrupt their interview again. | 0:13:39 | 0:13:41 | |
'I wonder if they'll smell a rat.' | 0:13:41 | 0:13:44 | |
I can see you're in the middle of something, | 0:13:44 | 0:13:46 | |
but I'm much obliged, I found it. | 0:13:46 | 0:13:48 | |
-Thank you very much. -OK, fine. | 0:13:48 | 0:13:50 | |
'Fooled them twice. Let's see | 0:13:51 | 0:13:52 | |
'if I can go for the hat-trick. | 0:13:52 | 0:13:54 | |
'I'll just stand right here in front of them. | 0:13:54 | 0:13:56 | |
'Surely they'll recognise me now?' | 0:13:56 | 0:13:58 | |
INTERVIEWER: So if Michael changed his nose and his hair, | 0:14:00 | 0:14:03 | |
do you think you'd recognise him? | 0:14:03 | 0:14:05 | |
-I don't know. -I don't know. | 0:14:05 | 0:14:07 | |
'And, yes! Fooled them three times.' | 0:14:07 | 0:14:09 | |
I don't know if it's the way he stands or walks or... | 0:14:09 | 0:14:12 | |
'Come on, Mum, this is ridiculous.' | 0:14:12 | 0:14:13 | |
INTERVIEWER: So you'd recognise him if he was stood right next to you? | 0:14:13 | 0:14:17 | |
Yeah, that's right. | 0:14:17 | 0:14:19 | |
I don't believe it! I don't believe it! | 0:14:19 | 0:14:22 | |
That's a good wig, that. | 0:14:22 | 0:14:25 | |
THEY LAUGH | 0:14:25 | 0:14:26 | |
-Your own son. -I know. | 0:14:26 | 0:14:27 | |
And your teeth. | 0:14:27 | 0:14:29 | |
'Today's challenge started with a wig, | 0:14:29 | 0:14:32 | |
'a false nose and some very good make-up, and ended up with me | 0:14:32 | 0:14:36 | |
'fooling my mum and dad, not once, not twice, but three times. | 0:14:36 | 0:14:41 | |
'And so the verdict is undeniable. | 0:14:41 | 0:14:44 | |
'I am truly Michael Sheen - Super Actor.' | 0:14:44 | 0:14:47 | |
How about this for a monster fact? Sulley, the extra-cuddly | 0:14:51 | 0:14:54 | |
and blue monster from, | 0:14:54 | 0:14:56 | |
you've guessed it, Monsters, Inc, | 0:14:56 | 0:14:58 | |
had over 2.3 million hairs. | 0:14:58 | 0:15:00 | |
That a lot of hairs. | 0:15:01 | 0:15:02 | |
I'm Oli White and you've been watching Cinemaniacs - Cineminis. | 0:15:02 | 0:15:07 |