Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# Want to ride your bike across the face of the moon? | 0:00:02 | 0:00:04 | |
# Levitate your house with a bunch of balloons | 0:00:04 | 0:00:06 | |
# Feel zero gravitation | 0:00:06 | 0:00:08 | |
# A robot transformation | 0:00:08 | 0:00:09 | |
# You're a cinemaniac | 0:00:09 | 0:00:11 | |
# Do you love to hear the roar of an extinct dinosaur? | 0:00:11 | 0:00:14 | |
# To explore the flora in your very own Pandora | 0:00:14 | 0:00:16 | |
# Feel the urge to sing | 0:00:16 | 0:00:17 | |
# Form a quest for the ring | 0:00:17 | 0:00:19 | |
# To escape from a clone | 0:00:19 | 0:00:20 | |
# Or to be home alone | 0:00:20 | 0:00:22 | |
# Then roll out the red carpet | 0:00:22 | 0:00:24 | |
# And turn down the lights | 0:00:24 | 0:00:25 | |
# Grab yourself a seat and hold on tight | 0:00:25 | 0:00:27 | |
# We're mad about movies | 0:00:27 | 0:00:29 | |
# We're crazy for film | 0:00:29 | 0:00:30 | |
# We're cinemaniacs | 0:00:30 | 0:00:32 | |
# Cinemaniacs | 0:00:32 | 0:00:33 | |
# Cinemaniacs. # | 0:00:33 | 0:00:35 | |
Hello, everyone. | 0:00:37 | 0:00:39 | |
I'm Oli White and this is Cinemaniacs - Cineminis. | 0:00:39 | 0:00:43 | |
Coming up - | 0:00:43 | 0:00:45 | |
custard pie capers... | 0:00:45 | 0:00:47 | |
Hold a handful of cream and... throw it in your face. | 0:00:47 | 0:00:49 | |
Oh, my goodness. | 0:00:49 | 0:00:51 | |
..action movie top tips... | 0:00:51 | 0:00:53 | |
You can have so much fun with close-ups. | 0:00:53 | 0:00:56 | |
He's mean, dangerous, he's in close-up. | 0:00:56 | 0:00:59 | |
...and can Michael Sheen - Super Actor - cry like a baby? | 0:00:59 | 0:01:03 | |
I'm starting to think sad. | 0:01:03 | 0:01:04 | |
I just don't think I can do it. | 0:01:04 | 0:01:06 | |
So tell me, Rupert, what's the best thing about being a movie star? | 0:01:09 | 0:01:12 | |
I get sent lots of pyjamas. | 0:01:12 | 0:01:14 | |
Well, that's pretty cool. | 0:01:14 | 0:01:16 | |
-People like to send me pyjamas. -OK. | 0:01:16 | 0:01:19 | |
Well, moving on with the show, it's time for DIY Blockbuster. | 0:01:19 | 0:01:22 | |
Action. | 0:01:25 | 0:01:26 | |
We're giving groups of film-makers the chance to make a short film, | 0:01:26 | 0:01:29 | |
armed with just a camera, a script and some home-made props. | 0:01:29 | 0:01:33 | |
Little do they know, they're in for a big surprise... | 0:01:35 | 0:01:38 | |
You didn't know I was coming? | 0:01:38 | 0:01:40 | |
..when we give them something spectacular... | 0:01:40 | 0:01:43 | |
to turn their home movie into a DIY blockbuster. | 0:01:43 | 0:01:46 | |
T is in, W is out. | 0:01:50 | 0:01:52 | |
Lilah, Kai, Ruby, Josh and Harvi are making a spy movie. | 0:01:52 | 0:01:56 | |
There's a spy and they have the code | 0:01:56 | 0:01:59 | |
to a safe that has these secret files... | 0:01:59 | 0:02:02 | |
Wait, what are we doing? | 0:02:02 | 0:02:04 | |
..and the boss is evil and wants to get the files back. | 0:02:04 | 0:02:08 | |
The team have started filming, but unfortunately | 0:02:08 | 0:02:10 | |
their back garden doesn't exactly look like a set from James Bond. | 0:02:10 | 0:02:14 | |
If you guys move a bit in that direction, | 0:02:14 | 0:02:15 | |
just so I can get the house in as well. | 0:02:15 | 0:02:17 | |
What the team don't know | 0:02:17 | 0:02:19 | |
is that they're in for a DIY Blockbuster surprise. | 0:02:19 | 0:02:22 | |
We've secured access to a top secret film location | 0:02:22 | 0:02:25 | |
that will be perfect for their spy movie. | 0:02:25 | 0:02:27 | |
It was just really, really exciting. | 0:02:29 | 0:02:32 | |
Blenheim Palace. | 0:02:32 | 0:02:33 | |
Blenheim Palace, we're going to Blenheim Palace. | 0:02:33 | 0:02:35 | |
Yes, the DIY Blockbuster surprise is Blenheim Palace - | 0:02:37 | 0:02:42 | |
with seven acres of gardens, fountains and an amazing maze. | 0:02:42 | 0:02:46 | |
It's been used as the backdrop for films like | 0:02:46 | 0:02:48 | |
Harry Potter And The Order Of The Phoenix and Gulliver's Travels. | 0:02:48 | 0:02:52 | |
It's really big, which is perfect. | 0:02:54 | 0:02:56 | |
Whoa. | 0:02:56 | 0:02:57 | |
I thought it was amazing. | 0:02:57 | 0:02:59 | |
It looks better for a spy movie, like, it's swanky and spyish, | 0:03:00 | 0:03:04 | |
instead of just a back garden. | 0:03:04 | 0:03:06 | |
And then get them there, they can talk there. | 0:03:06 | 0:03:09 | |
And after 30 minutes, | 0:03:09 | 0:03:10 | |
finally the group decide on their first location. | 0:03:10 | 0:03:13 | |
Against a brick wall? | 0:03:14 | 0:03:15 | |
Yes, of course, I put the enemy's top secret plans in the safe. | 0:03:15 | 0:03:20 | |
I think we could have probably got a better place than that | 0:03:20 | 0:03:22 | |
because it was against the wall and it looked a bit ugly. | 0:03:22 | 0:03:26 | |
And it's not only the location that's proving tricky. | 0:03:26 | 0:03:29 | |
-What's the code again? -Oh, it's 1X23... | 0:03:29 | 0:03:32 | |
Guys, cut. You didn't show me properly, you just went like that. | 0:03:32 | 0:03:35 | |
Oh, OK. | 0:03:35 | 0:03:36 | |
'When you're holding the camera' | 0:03:36 | 0:03:38 | |
and walking around | 0:03:38 | 0:03:39 | |
'to look at a different thing, | 0:03:39 | 0:03:41 | |
'it's moving, it doesn't look very good.' | 0:03:41 | 0:03:45 | |
Cut. | 0:03:45 | 0:03:47 | |
Keep it still, walk slowly. | 0:03:47 | 0:03:49 | |
With time ticking away, the group decide to skip ahead to shoot one | 0:03:49 | 0:03:53 | |
of their most important scenes | 0:03:53 | 0:03:55 | |
in one of the biggest mazes in the world. | 0:03:55 | 0:03:57 | |
Action. | 0:03:57 | 0:03:59 | |
-Give me the code. -OK, it's 1X... | 0:04:00 | 0:04:02 | |
'Well, we thought it would be the best place' | 0:04:02 | 0:04:04 | |
cos it's one of the kind of places you can get cornered | 0:04:04 | 0:04:08 | |
'and there's no way out.' | 0:04:08 | 0:04:10 | |
Ah-ha-ha. A real spy would never have given me the code. | 0:04:10 | 0:04:14 | |
Cut. | 0:04:14 | 0:04:15 | |
Scene complete. What's next? | 0:04:15 | 0:04:17 | |
Now we've got to get out of the maze. | 0:04:17 | 0:04:19 | |
Let's hope they can remember the way. | 0:04:19 | 0:04:21 | |
Harvi, are you sure it's not this way? | 0:04:23 | 0:04:25 | |
Yep, I'm sure. This is the short cut. | 0:04:25 | 0:04:27 | |
-Harvi gave us rubbish directions. -Yeah. | 0:04:27 | 0:04:30 | |
The team head back to the viewing platform to work out their route... | 0:04:30 | 0:04:34 | |
We've got to get to there. | 0:04:34 | 0:04:36 | |
..and finally agree on one thing... | 0:04:36 | 0:04:38 | |
Let's just go to the entrance because we can't find the exit. | 0:04:38 | 0:04:42 | |
..that the best way out is the way they came in. | 0:04:42 | 0:04:44 | |
But it's taken them so long | 0:04:47 | 0:04:49 | |
it's already home time for their youngest actress. | 0:04:49 | 0:04:52 | |
I've got to go, guys. Bye. | 0:04:52 | 0:04:53 | |
She just went. | 0:04:56 | 0:04:58 | |
We need someone to know the lines for the spy. | 0:04:58 | 0:05:00 | |
With the big chase scene still to film, | 0:05:00 | 0:05:02 | |
the team have to find a way to replace Lilah to finish their movie. | 0:05:02 | 0:05:06 | |
We thought we'd put Ruby in | 0:05:06 | 0:05:07 | |
-because she's a girl. -Kind of like a stunt double. | 0:05:07 | 0:05:10 | |
So, will anyone notice? | 0:05:10 | 0:05:12 | |
Did you spot the stunt double? | 0:05:14 | 0:05:17 | |
Here it comes again. | 0:05:17 | 0:05:18 | |
I think we got away with it. | 0:05:24 | 0:05:25 | |
Go now, just run. | 0:05:25 | 0:05:27 | |
With the palace closing, the team rush to film their final scenes. | 0:05:28 | 0:05:32 | |
Come on, hurry, hurry. | 0:05:32 | 0:05:33 | |
Three, two, one. Action. | 0:05:33 | 0:05:35 | |
Cut. | 0:05:39 | 0:05:40 | |
Filming finished. And that's a wrap. | 0:05:40 | 0:05:42 | |
We gave the team a blockbuster location to shoot | 0:05:44 | 0:05:46 | |
their spy movie, but their gadgets gave them grief... | 0:05:46 | 0:05:49 | |
When you're holding the camera, keep it still. | 0:05:49 | 0:05:52 | |
-..they got muddled in a maze... -Wrong way. | 0:05:52 | 0:05:54 | |
..and even lost their lead. | 0:05:54 | 0:05:56 | |
I've got to go, guys. Bye. | 0:05:56 | 0:05:57 | |
But did the team feel it was mission accomplished? | 0:05:57 | 0:05:59 | |
What? | 0:05:59 | 0:06:01 | |
It was hard, but I think it is quite good | 0:06:01 | 0:06:03 | |
how we all managed to work together and do it. | 0:06:03 | 0:06:05 | |
I don't think any of us could have made | 0:06:05 | 0:06:07 | |
something as good by ourselves. | 0:06:07 | 0:06:09 | |
And any final bits of advice from Harvi? | 0:06:09 | 0:06:12 | |
Don't film in a maze. | 0:06:12 | 0:06:14 | |
You can check out the team's finished movie on the CBBC website. | 0:06:14 | 0:06:18 | |
Now, let's head behind the scenes with Bugsy Malone. | 0:06:22 | 0:06:25 | |
Charlie, Yonkers, it's a double cross! | 0:06:25 | 0:06:28 | |
OK, yous guys, freeze. | 0:06:28 | 0:06:30 | |
I'm Bonnie Langford and I played Lena Marelli in Bugsy Malone | 0:06:35 | 0:06:39 | |
when I was ten years old. | 0:06:39 | 0:06:41 | |
# Show business It's in my veins... # | 0:06:41 | 0:06:44 | |
I'm Dexter Fletcher and I played Baby Face in Bugsy Malone | 0:06:44 | 0:06:48 | |
when I was nine years old. | 0:06:48 | 0:06:49 | |
-Get Baby Face. -Get Baby Face. -Get Baby Face. | 0:06:49 | 0:06:53 | |
I am Baby Face. | 0:06:53 | 0:06:54 | |
There were no grown-ups at all in the movie. | 0:06:54 | 0:06:57 | |
That was great for us because there were cars | 0:06:57 | 0:06:59 | |
and we got to drive the cars, even though they had pedals, | 0:06:59 | 0:07:02 | |
so they were designed as cars that kids could drive. | 0:07:02 | 0:07:04 | |
-They were fantastic. -And then there were guns that shot cream. | 0:07:04 | 0:07:07 | |
They couldn't actually create a gun that fired cream, so they created | 0:07:08 | 0:07:12 | |
a gun that fired ping-pong balls, | 0:07:12 | 0:07:13 | |
and they would do a close up of you | 0:07:13 | 0:07:15 | |
like this, and you'd hold a handful of cream and throw it in your face. | 0:07:15 | 0:07:19 | |
Oh, my goodness. | 0:07:19 | 0:07:20 | |
So when you edit it together you've got the guy shooting | 0:07:20 | 0:07:23 | |
and then you do the edit and then... Yeah, exactly. | 0:07:23 | 0:07:25 | |
SAD TRUMPET WARBLE | 0:07:29 | 0:07:32 | |
So this is show business. | 0:07:32 | 0:07:34 | |
Introducing Mr Mike Tucker. | 0:07:40 | 0:07:42 | |
Here to show you how to create | 0:07:42 | 0:07:44 | |
special effects - Hollywood style - in... | 0:07:44 | 0:07:46 | |
Today we're going to show you how to make your very own time slice. | 0:07:50 | 0:07:54 | |
So grab 50 of your closest friends and let's get started. | 0:07:54 | 0:07:58 | |
That's right, I did say 50. | 0:07:58 | 0:08:01 | |
You're going to need 50 people, each with a mobile phone, | 0:08:01 | 0:08:03 | |
doesn't matter what kind, but for this effect, 50 is the magic number. | 0:08:03 | 0:08:08 | |
Right, the effect that we're going to demonstrate today is called | 0:08:08 | 0:08:11 | |
time slice. Do you have any idea what time slice might be? | 0:08:11 | 0:08:14 | |
-No. -No. | 0:08:14 | 0:08:16 | |
Right, if you've seen films like Horrid Henry, where somebody | 0:08:16 | 0:08:19 | |
jumps into the air and then freezes, but the camera continues to move | 0:08:19 | 0:08:23 | |
all the way around them, that's called a time slice effect. | 0:08:23 | 0:08:27 | |
As well as your 50 friends, you'll need a tape measure, | 0:08:27 | 0:08:30 | |
a trampette | 0:08:30 | 0:08:31 | |
or something to bounce on, | 0:08:31 | 0:08:33 | |
and a computer. | 0:08:33 | 0:08:34 | |
Oh, and make sure you number those phones. | 0:08:34 | 0:08:37 | |
-One, two, three... -Number them 1 to 50 and you'll be able to | 0:08:37 | 0:08:40 | |
-keep track of what's going on. -50! | 0:08:40 | 0:08:42 | |
Step one - get your cameras into place | 0:08:42 | 0:08:44 | |
and get ready to start measuring. | 0:08:44 | 0:08:47 | |
Hold one end of the tape measure at the centre of the trampette. | 0:08:47 | 0:08:51 | |
Let's see. | 0:08:51 | 0:08:52 | |
That's four metres, and everyone lines up so we're all | 0:08:52 | 0:08:55 | |
exactly the same distance away from the middle of the trampette. | 0:08:55 | 0:08:58 | |
I think you guys are going to need to move back a little bit. | 0:08:58 | 0:09:00 | |
Pull that tight again, | 0:09:00 | 0:09:02 | |
cos I think you guys are going to need to step backwards. | 0:09:02 | 0:09:05 | |
Yeah, OK. | 0:09:05 | 0:09:06 | |
So now we need to get everyone lined up roughly the same distance apart. | 0:09:06 | 0:09:11 | |
Everyone needs to be holding their phones at roughly the same | 0:09:11 | 0:09:14 | |
height, but, bear in mind that they're going to be in midair. | 0:09:14 | 0:09:18 | |
Step two. | 0:09:18 | 0:09:19 | |
Can everyone now turn on their phones so that they're recording video? | 0:09:19 | 0:09:23 | |
Step three - get jumping and make sure everyone | 0:09:28 | 0:09:31 | |
records at least 30 seconds of footage on their phones. | 0:09:31 | 0:09:35 | |
CHEERING | 0:09:35 | 0:09:37 | |
This means that the phones will be recording | 0:09:37 | 0:09:39 | |
the jumping from lots of different angles. | 0:09:39 | 0:09:42 | |
Step four - this one is going to take a bit of time | 0:09:44 | 0:09:46 | |
because now you need to load all the footage you've shot | 0:09:46 | 0:09:49 | |
from every phone on the computer, and make sure you do it in order. | 0:09:49 | 0:09:53 | |
Step five - now you're ready to make your time slice. | 0:09:53 | 0:09:57 | |
Using the video editing software on your computer, choose the same frame | 0:09:57 | 0:10:02 | |
from each recording and clip it, | 0:10:02 | 0:10:04 | |
then insert it on the timeline. | 0:10:04 | 0:10:06 | |
Make sure you keep each frame in the same order that it was shot. | 0:10:06 | 0:10:09 | |
And hey presto, one terrific time slice. | 0:10:09 | 0:10:12 | |
So, this is where I give you guys three top tips to help you | 0:10:17 | 0:10:20 | |
create an action movie. | 0:10:20 | 0:10:21 | |
You need a spin-round-the-head shot. | 0:10:25 | 0:10:27 | |
DEEP VOICE-OVER: One man has a camera spinning round his head | 0:10:28 | 0:10:31 | |
because he is serious. | 0:10:31 | 0:10:33 | |
You can have so much fun with | 0:10:34 | 0:10:37 | |
close-ups. | 0:10:37 | 0:10:38 | |
He's mean, dangerous. | 0:10:38 | 0:10:40 | |
He's in close-up. | 0:10:40 | 0:10:42 | |
He's going somewhere. | 0:10:42 | 0:10:44 | |
You need the hero shot. | 0:10:49 | 0:10:50 | |
This man is going to save the world. | 0:10:50 | 0:10:53 | |
And that was three top tips to help you create an action movie. | 0:11:01 | 0:11:04 | |
We ask the questions so you don't have to. | 0:11:09 | 0:11:12 | |
Hey, Bill, what's the saddest movie you've ever seen? | 0:11:13 | 0:11:16 | |
Bambi, they had to take me home and put me to bed. | 0:11:16 | 0:11:18 | |
Cool. | 0:11:18 | 0:11:20 | |
-I mean, not cool. -Dumbo made me weep uncontrollably. | 0:11:20 | 0:11:23 | |
And I think I sword-fought all the way home. | 0:11:23 | 0:11:26 | |
You know what I mean? | 0:11:26 | 0:11:28 | |
It doesn't get much more random than this. | 0:11:30 | 0:11:33 | |
And now the star of Alice In Wonderland, Tron | 0:11:33 | 0:11:36 | |
and Twilight, | 0:11:36 | 0:11:38 | |
Michael Sheen - Super Actor. | 0:11:38 | 0:11:41 | |
Today's super acting challenge is a particularly tricky one. | 0:11:43 | 0:11:48 | |
It entails me and six young acting | 0:11:48 | 0:11:52 | |
trainees going head-to-head | 0:11:52 | 0:11:56 | |
as to who can bring the tears forth the quickest. | 0:11:56 | 0:11:59 | |
In the Crybaby Challenge. | 0:11:59 | 0:12:03 | |
This is a really difficult challenge because, actually, | 0:12:03 | 0:12:07 | |
you can't fake it. | 0:12:07 | 0:12:08 | |
Now, as an actor, now and again I have to bring the tears. | 0:12:08 | 0:12:13 | |
I find this very difficult. | 0:12:13 | 0:12:15 | |
'Some actors think about sad things and actually make themselves upset.' | 0:12:15 | 0:12:19 | |
Do you think you will be able to cry just by summoning | 0:12:19 | 0:12:23 | |
up your own super acting powers? | 0:12:23 | 0:12:24 | |
No, I don't think so. | 0:12:24 | 0:12:26 | |
I mean, I've tried before just out of curiosity if I could, | 0:12:26 | 0:12:29 | |
and I've never been able to do it before. | 0:12:29 | 0:12:31 | |
Often, when you're crying, you're sort of... | 0:12:31 | 0:12:34 | |
You're panting. | 0:12:34 | 0:12:35 | |
Bottom lip is going. | 0:12:35 | 0:12:37 | |
If you sort of keep that up for a minute or two, | 0:12:37 | 0:12:39 | |
it really does get you crying. | 0:12:39 | 0:12:43 | |
'Another way to make yourself cry is by chopping onions. | 0:12:43 | 0:12:46 | |
'So we're going head-to-head with our random onion chopper Christina.' | 0:12:46 | 0:12:50 | |
How long do you think it will take you to get the tears | 0:12:50 | 0:12:53 | |
just by using the onions? | 0:12:53 | 0:12:55 | |
-Two onions. -Two onions? -Yeah. | 0:12:55 | 0:12:58 | |
That means the challenge is on. | 0:12:58 | 0:13:00 | |
Cry Cam is in position. | 0:13:02 | 0:13:04 | |
And let the crying begin. | 0:13:04 | 0:13:06 | |
'The chopping begins and two onions is our time limit. | 0:13:06 | 0:13:10 | |
'If I can be the first person to summon a tear | 0:13:10 | 0:13:12 | |
'against all these actors and onion lady Christina, I win. | 0:13:12 | 0:13:16 | |
'I'm starting to think sad. | 0:13:18 | 0:13:20 | |
'I just don't think I can do it. | 0:13:20 | 0:13:21 | |
'Two onions, one tear, it's tough, | 0:13:21 | 0:13:24 | |
'but I'm a Super Actor. | 0:13:24 | 0:13:26 | |
'Or am I?' | 0:13:26 | 0:13:28 | |
-BUZZER -'One onion chopped already. | 0:13:28 | 0:13:30 | |
'That means there's only one onion left. | 0:13:30 | 0:13:32 | |
'Come on, Michael, get a grip. | 0:13:32 | 0:13:34 | |
'Don't get distracted by all that giggling behind you. | 0:13:36 | 0:13:39 | |
'Think sad, think really sad. | 0:13:39 | 0:13:42 | |
'Think Super Actor sad.' | 0:13:42 | 0:13:44 | |
BUZZER | 0:13:48 | 0:13:49 | |
'Ah! That's the second onion chopped, which means | 0:13:49 | 0:13:52 | |
'it's the end of the challenge. | 0:13:52 | 0:13:54 | |
'Well, it looks like I'm not the only one that's failed.' | 0:13:54 | 0:13:56 | |
How did it go, Christina? | 0:13:56 | 0:13:58 | |
Well, irritated eyes, but no tears. | 0:13:58 | 0:14:00 | |
Irritated eyes but no tears. | 0:14:00 | 0:14:02 | |
'Hang on a minute. Is that a tear?' | 0:14:02 | 0:14:04 | |
There is a tear. | 0:14:06 | 0:14:07 | |
A tear fell from this eye, so we have a winner. | 0:14:07 | 0:14:10 | |
What was it that you used in order to bring about the tears? | 0:14:11 | 0:14:14 | |
Well, I didn't blink for most of it, and I guess my eyes just | 0:14:14 | 0:14:18 | |
sort of dried up and they wanted to water to get rid of the... | 0:14:18 | 0:14:22 | |
I see, so it was purely biological. | 0:14:22 | 0:14:23 | |
Yeah. | 0:14:23 | 0:14:25 | |
'No tears. So it's a crying shame.' | 0:14:25 | 0:14:28 | |
But at least for today, Michael Sheen - Super Actor has failed. | 0:14:28 | 0:14:32 | |
If you enjoy watching Willy Wonka And The Chocolate Factory, | 0:14:37 | 0:14:39 | |
you might want to know that all the giant lollipops on set were edible. | 0:14:39 | 0:14:43 | |
Sweet. | 0:14:46 | 0:14:48 | |
Oh, I so wish I was working on that movie. | 0:14:59 | 0:15:02 | |
I'm Oli White and you've been watching Cinemaniacs - Cineminis. | 0:15:02 | 0:15:06 |