Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
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# Want to ride your bike across the face of the moon? | 0:00:02 | 0:00:04 | |
# Levitate your house with a bunch of balloons | 0:00:04 | 0:00:06 | |
# Feel zero gravitation | 0:00:06 | 0:00:08 | |
# A robot transformation | 0:00:08 | 0:00:09 | |
# You're a cinemaniac | 0:00:09 | 0:00:11 | |
# Do you love to hear the roar of an extinct dinosaur? | 0:00:11 | 0:00:14 | |
# To explore the flora in your very own Pandora | 0:00:14 | 0:00:16 | |
# And feel the urge to sing | 0:00:16 | 0:00:17 | |
# Form a quest for the ring | 0:00:17 | 0:00:19 | |
# To escape from the clone | 0:00:19 | 0:00:20 | |
# Or to be home alone? | 0:00:20 | 0:00:22 | |
# Then roll out the red carpet | 0:00:22 | 0:00:24 | |
# And turn down the lights | 0:00:24 | 0:00:25 | |
# Grab yourself a seat and hold on tight | 0:00:25 | 0:00:27 | |
# We're mad about movies | 0:00:27 | 0:00:29 | |
# We're crazy for film | 0:00:29 | 0:00:30 | |
# We're cinemaniacs | 0:00:30 | 0:00:32 | |
# Cinemaniacs | 0:00:32 | 0:00:33 | |
# Cinemaniacs! # | 0:00:33 | 0:00:35 | |
Hello, everyone. I'm Oli White and this is Cinemaniacs - Cineminis. | 0:00:37 | 0:00:44 | |
On today's show... | 0:00:44 | 0:00:46 | |
Sick secrets from Horrid Henry - The Movie... | 0:00:46 | 0:00:49 | |
They actually threw the water all over my head. | 0:00:49 | 0:00:51 | |
..electric lighting tips from me... | 0:00:51 | 0:00:54 | |
There are so many different things you can do. | 0:00:54 | 0:00:57 | |
That's going to scare anyone. | 0:00:57 | 0:00:58 | |
..and Michael Sheen - Super Actor acts his way to stardom. | 0:00:58 | 0:01:01 | |
There's only room in this town for one Mr Big. | 0:01:01 | 0:01:06 | |
And that's me! | 0:01:06 | 0:01:07 | |
This show is like a box of chocolates, | 0:01:09 | 0:01:11 | |
you never know what you're going to get. | 0:01:11 | 0:01:14 | |
Chocolate, my favourite thing. | 0:01:14 | 0:01:16 | |
All right, all right. Calm down, Andrew. | 0:01:16 | 0:01:18 | |
-The word for today is share. -Great. | 0:01:18 | 0:01:21 | |
Moving on with the show, it's time for DIY Blockbuster. | 0:01:21 | 0:01:24 | |
Action. | 0:01:27 | 0:01:28 | |
We're giving groups of film-makers the chance to make a short film, | 0:01:28 | 0:01:32 | |
armed with just a camera, a script and some home-made props. | 0:01:32 | 0:01:35 | |
Little do they know, they're in for a big surprise... | 0:01:37 | 0:01:39 | |
You didn't know I was coming? | 0:01:39 | 0:01:42 | |
..when we give them something spectacular to turn their | 0:01:42 | 0:01:46 | |
home movie into a DIY Blockbuster. | 0:01:46 | 0:01:48 | |
Eleanor, William, Shiona, Charlie, Liam | 0:01:52 | 0:01:55 | |
and Niamh are making a sci-fi movie | 0:01:55 | 0:01:57 | |
on their school playing field. | 0:01:57 | 0:01:59 | |
It's based on blue and orange aliens. | 0:01:59 | 0:02:01 | |
Action. | 0:02:01 | 0:02:02 | |
They live happily together for years and years, and then there's | 0:02:02 | 0:02:05 | |
a rumour that gets spread which turns them all against each other. | 0:02:05 | 0:02:08 | |
One day, a massive meteor comes down to earth. | 0:02:08 | 0:02:11 | |
It turns out to be a blue and orange baby. | 0:02:11 | 0:02:15 | |
The team have started filming where the alien baby bursts | 0:02:15 | 0:02:18 | |
out of the UFO. | 0:02:18 | 0:02:20 | |
Action. | 0:02:20 | 0:02:21 | |
-But they're having problems with the cardboard box. -Cut. | 0:02:21 | 0:02:25 | |
I mean, spaceship. | 0:02:25 | 0:02:26 | |
-I can't push it open. -Let's do it again. Action. | 0:02:26 | 0:02:29 | |
Oh, no. | 0:02:29 | 0:02:31 | |
We had to do that bit many times. | 0:02:31 | 0:02:33 | |
Everybody ready? | 0:02:33 | 0:02:34 | |
Eventually they get the shot. | 0:02:34 | 0:02:36 | |
Phew. | 0:02:36 | 0:02:38 | |
The team have moved on to the next scene - an alien crowd scene. | 0:02:38 | 0:02:42 | |
Eleanor, you haven't got your mask on. | 0:02:42 | 0:02:45 | |
When there's only six of you, it's a bit hard making shots | 0:02:45 | 0:02:48 | |
look like there's a whole planet full of aliens. | 0:02:48 | 0:02:51 | |
What the team don't know is that they're in for a | 0:02:51 | 0:02:54 | |
DIY Blockbuster surprise. | 0:02:54 | 0:02:55 | |
We're going to supply them | 0:02:55 | 0:02:57 | |
with just what they need to supersize their film. | 0:02:57 | 0:03:00 | |
Time for their surprise. | 0:03:01 | 0:03:03 | |
Yes, we've beamed in a blockbusting 100 extras | 0:03:08 | 0:03:11 | |
to star as the aliens in their movie. | 0:03:11 | 0:03:14 | |
This will definitely work now. | 0:03:14 | 0:03:17 | |
For big crowd scenes, every single extra on set needs clear | 0:03:17 | 0:03:20 | |
instructions, so they know exactly what they're doing. | 0:03:20 | 0:03:24 | |
So if we have... What are they doing? I don't know. This is crazy. | 0:03:24 | 0:03:27 | |
The team need to keep everyone's attention, as it only | 0:03:27 | 0:03:30 | |
takes one person doing something wrong to mess up a shot. | 0:03:30 | 0:03:33 | |
Quite a lot of pressure. | 0:03:33 | 0:03:35 | |
You've got to explain it so they all understand. | 0:03:35 | 0:03:37 | |
All blues this side, all the yellows this side. | 0:03:37 | 0:03:40 | |
-Blue this side, orange this side. -Oranges that way. | 0:03:40 | 0:03:42 | |
Ah! | 0:03:42 | 0:03:43 | |
We were like, "Come on. We just want you to walk over." | 0:03:43 | 0:03:46 | |
And we were like, "Listen." | 0:03:46 | 0:03:48 | |
Because we couldn't think of any other way of explaining it. | 0:03:48 | 0:03:51 | |
We need them to be on this side. | 0:03:51 | 0:03:52 | |
No, there are some blues on that side, so they need... | 0:03:52 | 0:03:55 | |
Oh, this side, OK. | 0:03:55 | 0:03:56 | |
You didn't want to be rude and be like, "Go over there," | 0:03:56 | 0:03:58 | |
because I know you're older than me. | 0:03:58 | 0:04:01 | |
But you're the directors. | 0:04:01 | 0:04:03 | |
The team need to take charge | 0:04:03 | 0:04:04 | |
if these extras are ever going to listen. | 0:04:04 | 0:04:06 | |
Cut! | 0:04:06 | 0:04:08 | |
That's got their attention. | 0:04:08 | 0:04:10 | |
We had to shout to make everyone go to their places. | 0:04:10 | 0:04:13 | |
-There was a lot of shouting. -Yeah. | 0:04:13 | 0:04:16 | |
Basically, what you have to do | 0:04:16 | 0:04:18 | |
is walk into the middle, say hi to each other | 0:04:18 | 0:04:21 | |
and be friendly. | 0:04:21 | 0:04:22 | |
I think we've got everyone on the right sides. | 0:04:25 | 0:04:27 | |
You might know what you're trying to say | 0:04:27 | 0:04:29 | |
but they might not know what's in your head. So trying to get what's | 0:04:29 | 0:04:32 | |
in your head to them is also quite hard. | 0:04:32 | 0:04:34 | |
And having got the extras' attention, | 0:04:34 | 0:04:36 | |
they waste little time in telling them exactly what to do. | 0:04:36 | 0:04:40 | |
So, exactly the same as last time - | 0:04:40 | 0:04:42 | |
shocked and then laser fingers. | 0:04:42 | 0:04:44 | |
Just make sure you look at us when we wave. | 0:04:44 | 0:04:47 | |
Action! | 0:04:47 | 0:04:48 | |
ALIEN NOISES | 0:04:48 | 0:04:50 | |
-This is good. This is what we want. -Now I'm happy, I'm happy. | 0:04:50 | 0:04:53 | |
And with everyone knowing what they're doing now, | 0:04:53 | 0:04:55 | |
they manage to reshoot the alien baby scene with no trouble. | 0:04:55 | 0:04:58 | |
Cut. | 0:05:07 | 0:05:09 | |
OK, well done. | 0:05:09 | 0:05:11 | |
Thanks for coming. It was great to be filming with you and that's a wrap. | 0:05:11 | 0:05:15 | |
CHEERING AND APPLAUSE | 0:05:15 | 0:05:18 | |
You can check out the team's finished movie | 0:05:18 | 0:05:20 | |
on the CBBC website. | 0:05:20 | 0:05:23 | |
Now, we take you behind the scenes with Horrid Henry - The Movie. | 0:05:24 | 0:05:29 | |
-Henry. -Henry. -Henry. -Henry. | 0:05:29 | 0:05:32 | |
-Homework now! -No! | 0:05:33 | 0:05:36 | |
I'm Theo Stevenson and I played Henry in Horrid Henry - The Movie. | 0:05:36 | 0:05:40 | |
I'm not going to that mouldy old brick house. | 0:05:40 | 0:05:43 | |
I'd always hide away from the chaperones, just because I was | 0:05:43 | 0:05:45 | |
mischievous and wanted to get into the role of Horrid Henry | 0:05:45 | 0:05:48 | |
as much as possible. | 0:05:48 | 0:05:49 | |
I like to call it method acting. | 0:05:49 | 0:05:52 | |
It's not bad...for a smelly nappy baby! | 0:05:52 | 0:05:55 | |
And triple detention. | 0:05:55 | 0:05:57 | |
Anjelica Huston was definitely fun to work with. | 0:05:57 | 0:06:00 | |
She was lovely. | 0:06:00 | 0:06:02 | |
ALL: Cinemaniacs. | 0:06:02 | 0:06:03 | |
The first time I walked onto that set I was so nervous... | 0:06:04 | 0:06:09 | |
Everything was so big | 0:06:09 | 0:06:11 | |
and I hadn't been on something that scale before. | 0:06:11 | 0:06:13 | |
You're seeing so many cameras. | 0:06:13 | 0:06:15 | |
I didn't really know what to expect. | 0:06:17 | 0:06:19 | |
..but in a weird way, like, nervous excited. | 0:06:19 | 0:06:21 | |
You know when you're really excited for something | 0:06:21 | 0:06:23 | |
but you just get that feeling and you like... | 0:06:23 | 0:06:26 | |
Together we are the Purple Hand Gang. | 0:06:26 | 0:06:30 | |
Every now and again you would hear a little bit of an argument, | 0:06:31 | 0:06:34 | |
but mainly, though, we did get on. | 0:06:34 | 0:06:37 | |
I had to eat that horrible sandwich, didn't I? | 0:06:37 | 0:06:40 | |
Oh, sorry. | 0:06:42 | 0:06:44 | |
That was the best scene. | 0:06:44 | 0:06:47 | |
Oh! | 0:06:47 | 0:06:49 | |
It wasn't puke, obviously. We wouldn't be that mean to Matt. | 0:06:49 | 0:06:52 | |
Oh. | 0:06:55 | 0:06:56 | |
Yuck. | 0:06:56 | 0:06:58 | |
What? It was baby food. | 0:07:01 | 0:07:03 | |
-That was it, it was baby food. -Yeah, it was baby food. I had to really | 0:07:03 | 0:07:06 | |
go for it like I was ravenously hungry. | 0:07:06 | 0:07:08 | |
# Everybody dance Do-do-do-do | 0:07:08 | 0:07:11 | |
# Clap your hands Clap your hands... # | 0:07:11 | 0:07:13 | |
Talk about half-hearted attempt here | 0:07:13 | 0:07:15 | |
because it was just dropped on me on the day. | 0:07:15 | 0:07:18 | |
I mean, this one was going for it. I was not into it. | 0:07:18 | 0:07:20 | |
That was the comedy element. The dad can't dance. | 0:07:20 | 0:07:23 | |
No, not in the film like that. | 0:07:23 | 0:07:25 | |
He supposed to be absolutely going for it but, you know. | 0:07:25 | 0:07:29 | |
If you watch it, I'm two beats behind everyone. | 0:07:29 | 0:07:32 | |
Everyone else is there dancing away | 0:07:32 | 0:07:34 | |
and I'm looking around like, "Whoa, where are we at?" | 0:07:34 | 0:07:36 | |
There's a scene where Horrid Henry has to throw a water bomb at me. | 0:07:40 | 0:07:45 | |
And for the first take they said, | 0:07:45 | 0:07:48 | |
"Oh, no, it's just going to a practice." | 0:07:48 | 0:07:49 | |
And then they actually threw the water bomb at my head | 0:07:49 | 0:07:52 | |
and it was the most shocking thing ever. | 0:07:52 | 0:07:55 | |
SHE SCREAMS | 0:07:58 | 0:08:01 | |
Henry! I'll get you, Henry! | 0:08:01 | 0:08:04 | |
So, this is where I give you guys three top tips to improve | 0:08:07 | 0:08:10 | |
the lighting in your videos. | 0:08:10 | 0:08:12 | |
Make sure you have lots of light. | 0:08:14 | 0:08:16 | |
This is perfect because you can see what's behind me, | 0:08:16 | 0:08:19 | |
you can see me. It's a great example of good lighting. | 0:08:19 | 0:08:22 | |
Don't film in the dark - | 0:08:22 | 0:08:23 | |
you won't be able to see a thing. | 0:08:23 | 0:08:25 | |
So walk around your house | 0:08:25 | 0:08:26 | |
and turn on any lights to make the environment brighter. | 0:08:26 | 0:08:29 | |
Have fun with lighting. | 0:08:29 | 0:08:30 | |
Look at this. There are so many different things you can do. | 0:08:33 | 0:08:36 | |
That's going to scare anyone. So many cool effects you can achieve. | 0:08:36 | 0:08:39 | |
What is this? | 0:08:39 | 0:08:41 | |
Oh, my word. | 0:08:41 | 0:08:42 | |
This is awesome! | 0:08:42 | 0:08:44 | |
We're, like, going through time right now. | 0:08:44 | 0:08:46 | |
I want to put this in my movie. | 0:08:46 | 0:08:48 | |
That's three top tips to improve the lighting in your videos. | 0:08:48 | 0:08:50 | |
Now this. | 0:08:50 | 0:08:52 | |
Who wanted to take care of the piglet? | 0:09:08 | 0:09:10 | |
Fern. | 0:09:10 | 0:09:12 | |
What does Fern push Wilbur around the village in? | 0:09:12 | 0:09:15 | |
A buggy. | 0:09:15 | 0:09:16 | |
What colour is the tin of paint | 0:09:16 | 0:09:18 | |
Templeton the rat knocks over at the dump? | 0:09:18 | 0:09:20 | |
Red. | 0:09:20 | 0:09:22 | |
-BUZZER -Correct answer - pink. | 0:09:22 | 0:09:24 | |
SCREAMING | 0:09:24 | 0:09:26 | |
In the music room, what instrument was Marco playing? | 0:09:28 | 0:09:31 | |
Trumpet. | 0:09:31 | 0:09:33 | |
What is the name of the guy who replaces Dewey? | 0:09:33 | 0:09:35 | |
Spider. | 0:09:35 | 0:09:37 | |
According to Mr S, what is "stick-it-to-da-man-eosis?" | 0:09:37 | 0:09:41 | |
It's a rare blood disease. | 0:09:41 | 0:09:42 | |
What song does Marta sing at her desk? | 0:09:42 | 0:09:45 | |
The Sun Will Come Out Tomorrow. | 0:09:45 | 0:09:48 | |
What was the name of the Horace Green gym teacher? | 0:09:48 | 0:09:52 | |
Henry. | 0:09:52 | 0:09:54 | |
-BUZZER -Correct answer - Bob. | 0:09:54 | 0:09:57 | |
SCREAMING | 0:09:57 | 0:09:58 | |
Where in the world is the harbour? | 0:10:02 | 0:10:04 | |
Sydney. | 0:10:04 | 0:10:05 | |
What is the sequel to Finding Nemo called? | 0:10:05 | 0:10:08 | |
Finding Dory. | 0:10:08 | 0:10:10 | |
How old does Crush claim to be? | 0:10:10 | 0:10:12 | |
150 years old. | 0:10:12 | 0:10:14 | |
What was the name of the goldfish Darla had previously killed? | 0:10:14 | 0:10:18 | |
Um... Sandy? | 0:10:18 | 0:10:20 | |
-BUZZER -Correct answer - Chuckles. | 0:10:20 | 0:10:23 | |
SCREAMING | 0:10:23 | 0:10:25 | |
And the winner is Erin. | 0:10:26 | 0:10:29 | |
We ask the questions so you don't have to. | 0:10:32 | 0:10:35 | |
Tom, Tom, we're over here. | 0:10:35 | 0:10:37 | |
Tom, what's the best thing about being an actor? | 0:10:37 | 0:10:41 | |
Staying up late and eating pizza. | 0:10:41 | 0:10:44 | |
It doesn't get much more random than this. | 0:10:46 | 0:10:50 | |
And now the star of Alice In Wonderland, Tron and Twilight. | 0:10:50 | 0:10:54 | |
All round good guy, Michael Sheen - Super Actor. | 0:10:54 | 0:10:58 | |
For today's challenge, I've got to prove my acting worth to these | 0:11:00 | 0:11:03 | |
judges in the Audition Challenge. | 0:11:03 | 0:11:08 | |
I will be going up head-to-head with Tom, | 0:11:08 | 0:11:12 | |
who is a similar build and height to me. | 0:11:12 | 0:11:14 | |
And the judging panel will have to say | 0:11:14 | 0:11:16 | |
who they believe has the most star power. | 0:11:16 | 0:11:19 | |
Obviously I'm hoping that will be me. | 0:11:19 | 0:11:21 | |
Top three tips for a successful audition I would say are - | 0:11:21 | 0:11:23 | |
number one, being prepared. | 0:11:23 | 0:11:25 | |
Well, Tom, you can forget about being prepared on this challenge. | 0:11:25 | 0:11:28 | |
We're going to perform three pieces, | 0:11:28 | 0:11:30 | |
and we only get one minute to learn each one. | 0:11:30 | 0:11:32 | |
Look at that, there's loads. | 0:11:32 | 0:11:35 | |
Number two - being confident. | 0:11:35 | 0:11:36 | |
If you step into the room feeling really confident about yourself | 0:11:36 | 0:11:39 | |
that's going to shine through. | 0:11:39 | 0:11:40 | |
You're going to need all the confidence you've got | 0:11:40 | 0:11:42 | |
going up against me. I'm a Super Actor. | 0:11:42 | 0:11:45 | |
And number three - making a good impression. | 0:11:45 | 0:11:47 | |
Directors make decisions very quickly, | 0:11:47 | 0:11:49 | |
so I think you have to do something memorable. | 0:11:49 | 0:11:51 | |
Oh, yes, and they won't know who's who because we will be wearing masks | 0:11:51 | 0:11:55 | |
and talking through voice changers. | 0:11:55 | 0:11:57 | |
I need to succeed in two out of three auditions to win. | 0:11:57 | 0:12:01 | |
It's time for the challenge. | 0:12:01 | 0:12:03 | |
'Audition one. | 0:12:06 | 0:12:07 | |
'It's a scene from My Fair Lady, and first in is me. | 0:12:07 | 0:12:10 | |
'Nice chicken mask, eh? It's a favourite of mine for auditions.' | 0:12:10 | 0:12:14 | |
I know your nerves are as raw as meat in a butcher's window, | 0:12:14 | 0:12:18 | |
but think what you're trying to accomplish, Eliza. | 0:12:18 | 0:12:23 | |
I know you nerves are as raw as meat in a butcher's window, | 0:12:23 | 0:12:26 | |
but think of what we're dealing with. | 0:12:26 | 0:12:29 | |
'So, what did the judges think?' | 0:12:29 | 0:12:31 | |
I think A, he had more hand gestures. | 0:12:31 | 0:12:34 | |
I think they were both really good, but I think A was better. | 0:12:34 | 0:12:37 | |
I think that A was the best. | 0:12:37 | 0:12:39 | |
-I chose A. -A was just a little bit... | 0:12:39 | 0:12:43 | |
He had a good tone of voice. | 0:12:43 | 0:12:45 | |
'So the winner of this audition, | 0:12:45 | 0:12:47 | |
'that's me! | 0:12:47 | 0:12:48 | |
'To make sure the judges don't know who's who, | 0:12:49 | 0:12:52 | |
'I'll be changing my mask, but Tom's staying as a chicken. | 0:12:52 | 0:12:57 | |
'This time we've got a scene from Bugsy Malone, and Tom's up first.' | 0:12:57 | 0:13:01 | |
There's only room in this town for one Mr Big. | 0:13:01 | 0:13:05 | |
And that's me. | 0:13:05 | 0:13:07 | |
There's only room in this town for one Mr Big. | 0:13:08 | 0:13:13 | |
And that's me. | 0:13:13 | 0:13:15 | |
I preferred B because I felt like he was really talking to us. | 0:13:15 | 0:13:19 | |
-I chose B. -I think B. | 0:13:19 | 0:13:21 | |
I chose B because in my opinion he was more confident than A. | 0:13:21 | 0:13:28 | |
-I preferred B. -I chose B. | 0:13:28 | 0:13:30 | |
'And the winner of audition two is | 0:13:30 | 0:13:32 | |
'actor B. | 0:13:32 | 0:13:33 | |
'Oh, no, that's Tom. It's 1-1. | 0:13:33 | 0:13:37 | |
'Everything rests on this last audition. Game on. | 0:13:37 | 0:13:40 | |
'Last piece is Mary Poppins. | 0:13:40 | 0:13:42 | |
'Not easy to pull off when you're dressed as a sheep.' | 0:13:42 | 0:13:46 | |
Childhood slips like sand through a sieve. | 0:13:46 | 0:13:49 | |
And all too soon they've up and grow and away they've flown. | 0:13:49 | 0:13:55 | |
And all too soon... | 0:13:55 | 0:13:57 | |
It's too late. His childhood slips like sand through a sieve. | 0:14:00 | 0:14:04 | |
I think A was better than B. | 0:14:04 | 0:14:06 | |
B was a bit dull, bit boring. | 0:14:06 | 0:14:08 | |
I chose A. | 0:14:08 | 0:14:10 | |
I thought A had a lot of hand gestures. | 0:14:10 | 0:14:13 | |
I think A was a lot more energetic. | 0:14:13 | 0:14:15 | |
I chose A. | 0:14:15 | 0:14:17 | |
'And the winner of audition three is | 0:14:17 | 0:14:20 | |
'actor A - me! | 0:14:20 | 0:14:22 | |
'So the verdict is... | 0:14:22 | 0:14:25 | |
'2-1 to me. Result! | 0:14:25 | 0:14:28 | |
'So today's challenge started with some creepy animal masks | 0:14:28 | 0:14:31 | |
'and a voice changer. | 0:14:31 | 0:14:32 | |
'And with some...Oscar-winning acting, I am, at least for today, | 0:14:32 | 0:14:37 | |
'Michael Sheen - Super Actor.' | 0:14:37 | 0:14:40 | |
This next Cinemaniacs' secret | 0:14:40 | 0:14:42 | |
is for everyone who loves mucking around in the mud. | 0:14:42 | 0:14:48 | |
Legend has it that the animators who worked on Shrek took mud showers | 0:14:48 | 0:14:51 | |
so they could figure out the best way | 0:14:51 | 0:14:53 | |
of animating the mud in the swamp. | 0:14:53 | 0:14:55 | |
How cool is that? | 0:14:55 | 0:14:56 | |
Well, got to go. | 0:14:56 | 0:14:58 | |
It's time for my mud shower. | 0:14:58 | 0:14:59 | |
I'm Oli White and you've been watching Cinemaniacs - Cineminis. | 0:14:59 | 0:15:04 |