Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
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# Want to ride your bike across the face of the moon? | 0:00:02 | 0:00:04 | |
# Levitate your house with a bunch of balloons | 0:00:04 | 0:00:06 | |
# Feel zero gravitation | 0:00:06 | 0:00:08 | |
# A robot transformation | 0:00:08 | 0:00:09 | |
# You're a cinemaniac | 0:00:09 | 0:00:11 | |
# Do you love to hear the roar of an extinct dinosaur? | 0:00:11 | 0:00:14 | |
# To explore the flora in your very own Pandora | 0:00:14 | 0:00:16 | |
# And feel the urge to sing | 0:00:16 | 0:00:17 | |
# Form a quest for the ring | 0:00:17 | 0:00:19 | |
# To escape from the clone | 0:00:19 | 0:00:20 | |
# Or to be home alone | 0:00:20 | 0:00:22 | |
# Then roll out the red carpet | 0:00:22 | 0:00:24 | |
# And turn down the lights | 0:00:24 | 0:00:25 | |
# Grab yourself a seat and hold on tight | 0:00:25 | 0:00:27 | |
# We're mad about movies | 0:00:27 | 0:00:29 | |
# We're crazy for film | 0:00:29 | 0:00:30 | |
# We're cinemaniacs | 0:00:30 | 0:00:32 | |
# Cinemaniacs | 0:00:32 | 0:00:33 | |
# Cinemaniacs. # | 0:00:33 | 0:00:36 | |
Hello, everyone. I'm Oli White and this is Cinemaniacs! | 0:00:37 | 0:00:42 | |
CineMinis! | 0:00:42 | 0:00:44 | |
On today's show... | 0:00:44 | 0:00:46 | |
Create a vortex in your own living room... | 0:00:46 | 0:00:48 | |
How's that looking? | 0:00:48 | 0:00:49 | |
It looks really cool. | 0:00:49 | 0:00:50 | |
..compose a soundtrack for your day... | 0:00:50 | 0:00:52 | |
It's going to be a happy-go-lucky kind of day today. | 0:00:52 | 0:00:55 | |
..and be the star of your own movie. | 0:00:55 | 0:00:57 | |
Just be yourself and keep it normal. | 0:00:57 | 0:01:00 | |
-What do you think about that, Mr Efron? -Awesome. | 0:01:00 | 0:01:03 | |
Definitely awesome. | 0:01:03 | 0:01:04 | |
-It's kind of crazy and awesome. -OK. | 0:01:04 | 0:01:08 | |
Well, moving on with the show, it's time for DIY Blockbuster. | 0:01:08 | 0:01:12 | |
Action. | 0:01:15 | 0:01:16 | |
We're giving groups of film-makers the chance to make a short film | 0:01:16 | 0:01:19 | |
armed with just a camera, a script and some home-made props. | 0:01:19 | 0:01:24 | |
But little do they know they're in for a big surprise... | 0:01:24 | 0:01:27 | |
You didn't know I was coming? | 0:01:27 | 0:01:30 | |
..when we give them something spectacular to turn their home movie | 0:01:30 | 0:01:34 | |
into a DIY Blockbuster. | 0:01:34 | 0:01:36 | |
Amariah, Joshua, Husnain, Nishant, Tashinga and Tyreik | 0:01:40 | 0:01:44 | |
are making an action movie. | 0:01:44 | 0:01:47 | |
Jet packs, parachutes. | 0:01:47 | 0:01:49 | |
-Explosions. -But it's an action movie with a difference. | 0:01:49 | 0:01:52 | |
It's a silent movie. | 0:01:52 | 0:01:54 | |
It's the first time we've made a movie without words, so it's hard. | 0:01:54 | 0:01:57 | |
It's about two twins robbing a jewellery store. | 0:01:57 | 0:02:01 | |
So when they fly away in the jet packs, | 0:02:01 | 0:02:04 | |
one of them lands in the prison yard, | 0:02:04 | 0:02:06 | |
the other one lands on the ship. | 0:02:06 | 0:02:08 | |
And they end up in the same prison cell. | 0:02:08 | 0:02:11 | |
Action. | 0:02:11 | 0:02:12 | |
Our team are shooting their movie on their modern-day camera-phones. | 0:02:12 | 0:02:16 | |
Or so they think. | 0:02:16 | 0:02:17 | |
What the team don't know is | 0:02:17 | 0:02:19 | |
that they're in for a DIY Blockbuster surprise. | 0:02:19 | 0:02:22 | |
Hello, I'm David Cleveland. | 0:02:22 | 0:02:25 | |
We're taking them back in time with a mystery piece of kit. | 0:02:25 | 0:02:29 | |
Standby. Action. | 0:02:30 | 0:02:32 | |
The team have started filming | 0:02:32 | 0:02:33 | |
and have no idea what's about to happen when David turns up. | 0:02:33 | 0:02:36 | |
They're going to be making their film using this 100-year-old | 0:02:42 | 0:02:45 | |
motion-picture camera, complete with five minutes' worth of film. | 0:02:45 | 0:02:49 | |
Five minutes? Good luck with that, then. | 0:02:49 | 0:02:52 | |
Cameras like this would have been used for the very first movies, | 0:02:52 | 0:02:56 | |
and this rare historical piece of kit is just what the | 0:02:56 | 0:02:59 | |
team need to get their film the silent movie look. | 0:02:59 | 0:03:02 | |
When they first saw me walk out, | 0:03:05 | 0:03:07 | |
I think they were dumbfounded. | 0:03:07 | 0:03:09 | |
I thought he was a magician, to be honest. | 0:03:09 | 0:03:12 | |
I thought he was going to pull out a rabbit or something. | 0:03:12 | 0:03:15 | |
Unlike most cameras we use now, this camera uses film. | 0:03:15 | 0:03:19 | |
When you turn the handle, the film goes through like that. | 0:03:19 | 0:03:22 | |
It takes a picture and then moves the film down, takes another picture, | 0:03:24 | 0:03:28 | |
moves the film down, takes another picture, moves the film down. See? | 0:03:28 | 0:03:31 | |
And it takes more than just pressing a button to start recording. | 0:03:31 | 0:03:34 | |
You've got to turn it twice every second. | 0:03:34 | 0:03:36 | |
As you start rotating the handle, | 0:03:36 | 0:03:39 | |
it starts to take 16 photos per second. | 0:03:39 | 0:03:42 | |
You have to go smoothly. | 0:03:42 | 0:03:43 | |
If it, sort of, goes in jerks, | 0:03:43 | 0:03:45 | |
the picture will be speeded up or slowed down, | 0:03:45 | 0:03:48 | |
and it will go dark or light. | 0:03:48 | 0:03:50 | |
This sounds complicated. | 0:03:50 | 0:03:51 | |
I wonder if our challenge... I mean, surprise... | 0:03:51 | 0:03:54 | |
will really help our team. | 0:03:54 | 0:03:57 | |
Now, if you disappear under the cloth. | 0:03:57 | 0:04:00 | |
OK, can you see the hole? | 0:04:00 | 0:04:02 | |
Even lining up the shot is much trickier with an old camera. | 0:04:02 | 0:04:05 | |
When you have to look in to see where the camera's pointing, | 0:04:05 | 0:04:09 | |
that's the difficult part. | 0:04:09 | 0:04:10 | |
Can you wave that white thing a minute? | 0:04:10 | 0:04:12 | |
When you look through the hole, | 0:04:12 | 0:04:14 | |
it's like this little, tiny square thing. | 0:04:14 | 0:04:17 | |
And it shows upside down. | 0:04:17 | 0:04:19 | |
It was dark and black and upside down. | 0:04:19 | 0:04:20 | |
It is very confusing. You've just got to get used to it. | 0:04:20 | 0:04:23 | |
I like your confidence. | 0:04:23 | 0:04:25 | |
With the shot lined up, they're ready for their first take. | 0:04:25 | 0:04:28 | |
Silent. Stand by, action. | 0:04:28 | 0:04:31 | |
Cut. | 0:04:39 | 0:04:40 | |
Stand by. | 0:04:40 | 0:04:42 | |
-Cut. -Happy? -No. | 0:04:49 | 0:04:53 | |
Cut. Your mask came off. | 0:04:56 | 0:04:59 | |
It went a bit wrong a couple of times. | 0:04:59 | 0:05:01 | |
We need to get this right, there's film going through the camera | 0:05:01 | 0:05:04 | |
and we've only got so much. | 0:05:04 | 0:05:05 | |
It's not like a normal camera that's got lots of gigabytes in it | 0:05:05 | 0:05:09 | |
and all that. | 0:05:09 | 0:05:11 | |
If the team aren't careful, | 0:05:11 | 0:05:13 | |
-they could run out of film before they finish their movie. -Cut. | 0:05:13 | 0:05:16 | |
I can't get it on properly. | 0:05:16 | 0:05:19 | |
Tashinga, he had difficulties putting his jet pack on. | 0:05:19 | 0:05:21 | |
What we've got to do is to get all the rest of the scenes on that | 0:05:21 | 0:05:24 | |
before that goes round. | 0:05:24 | 0:05:26 | |
So we've got to make sure each shot works perfectly. | 0:05:26 | 0:05:29 | |
The team rehearse to make sure | 0:05:30 | 0:05:32 | |
everything's perfect | 0:05:32 | 0:05:33 | |
before using up any more film. | 0:05:33 | 0:05:35 | |
-Cut. Perfect. -Now you've got to do exactly the same again. | 0:05:36 | 0:05:39 | |
-Are you going to record this time? -Yeah. | 0:05:39 | 0:05:42 | |
-Definitely? -Yeah, definitely. | 0:05:42 | 0:05:44 | |
Cut. It was all right. | 0:05:55 | 0:05:57 | |
Although Husnain isn't completely happy, | 0:05:57 | 0:06:00 | |
with so much film already used up, he settles for the take. | 0:06:00 | 0:06:03 | |
We did that part about over seven times. | 0:06:03 | 0:06:07 | |
-I think we better move on to the next scene. -OK. -OK? | 0:06:07 | 0:06:10 | |
Silence. | 0:06:10 | 0:06:11 | |
Stand by. Action. | 0:06:11 | 0:06:13 | |
Cut. | 0:06:15 | 0:06:16 | |
The wind was blowing too hard and the models are plastic, so | 0:06:16 | 0:06:20 | |
when you throw them, it would get carried away by the wind, easily. | 0:06:20 | 0:06:24 | |
OK. | 0:06:24 | 0:06:25 | |
-See anything? -No. | 0:06:28 | 0:06:31 | |
Uh-oh. That's more film wasted. | 0:06:31 | 0:06:33 | |
The problem was, we didn't know where it was going to land. | 0:06:33 | 0:06:36 | |
Now, it was very difficult to tell whether that worked. | 0:06:36 | 0:06:39 | |
Do you think it worked? | 0:06:39 | 0:06:40 | |
Parachute in shot. Just. | 0:06:40 | 0:06:42 | |
With the trickiest scenes shot, the team are on a roll. | 0:06:44 | 0:06:48 | |
Action. | 0:06:48 | 0:06:50 | |
And they shoot their final scenes in the nick of time - | 0:06:50 | 0:06:53 | |
just before the film runs out. | 0:06:53 | 0:06:55 | |
Right, well, we call that the end. Or, "That's a wrap." | 0:06:55 | 0:06:59 | |
-Sweet. -Thank you very much. | 0:06:59 | 0:07:02 | |
But was it worth all that effort? | 0:07:02 | 0:07:05 | |
I thought it was good. | 0:07:05 | 0:07:06 | |
It was ambitious, but we got there in the end. | 0:07:06 | 0:07:09 | |
I prefer the digital cameras. | 0:07:09 | 0:07:11 | |
I can delete if I make mistakes. | 0:07:11 | 0:07:13 | |
You can check out the team's finished movie on the CBBC website. | 0:07:14 | 0:07:18 | |
CREEPY LAUGHTER | 0:07:18 | 0:07:20 | |
Now, we decided to put two of our favourite writers to the | 0:07:20 | 0:07:24 | |
Writer Roulette test. | 0:07:24 | 0:07:26 | |
This is Laurence Rickard and this is Ben Willbond. | 0:07:26 | 0:07:30 | |
They're the writers behind the Shakespeare movie, Bill. | 0:07:30 | 0:07:33 | |
-You been before? -No, first time. | 0:07:33 | 0:07:36 | |
Oh, it's nice. Don't steal anything. | 0:07:36 | 0:07:40 | |
We're challenging Laurence and Ben to come up with a top | 0:07:40 | 0:07:43 | |
movie plot based on four completely random story ingredients. | 0:07:43 | 0:07:48 | |
It's time for... | 0:07:48 | 0:07:49 | |
-And go. -Writer Roulette. | 0:07:51 | 0:07:53 | |
OK, we're on a beach. It's a very, very rocky beach and... | 0:07:53 | 0:07:59 | |
Hiding underneath one of the rocks on the beach is a spider. It's been | 0:07:59 | 0:08:03 | |
contaminated in a nuclear accident and is growing at an incredible rate. | 0:08:03 | 0:08:08 | |
It's now already the size of a man. | 0:08:08 | 0:08:10 | |
It's tremendously hungry, but it can't find any bugs to eat, | 0:08:10 | 0:08:13 | |
-so it's had to resort to... -Eating pineapples. | 0:08:13 | 0:08:15 | |
And the only thing that will stop it growing | 0:08:15 | 0:08:17 | |
much bigger and threatening the city that it | 0:08:17 | 0:08:21 | |
lives next to is feeding it pineapples. | 0:08:21 | 0:08:24 | |
But there's a pineapple shortage. | 0:08:24 | 0:08:26 | |
So they have to invent a hydroponic pineapple growing solution | 0:08:26 | 0:08:30 | |
which is powered by the greatest source of electricity known to man. | 0:08:30 | 0:08:33 | |
-Which is? -BOTH: Lightning. -Of course. | 0:08:33 | 0:08:36 | |
Nice one, guys. | 0:08:36 | 0:08:39 | |
So this is where I give you guys three top tips for being on camera. | 0:08:39 | 0:08:43 | |
You've got to be relaxed. | 0:08:43 | 0:08:45 | |
Just be really calm and act like you're speaking to a friend. | 0:08:45 | 0:08:47 | |
No-one wants to see you being really nervous. | 0:08:47 | 0:08:50 | |
Keep it simple, because people just want to see you. | 0:08:55 | 0:08:58 | |
Don't try and get overambitious with loads of different | 0:08:58 | 0:09:02 | |
props like...lizards? OK, lizards. | 0:09:02 | 0:09:06 | |
Just keep it simple and don't waffle on. | 0:09:06 | 0:09:07 | |
No-one wants to hear about what you did yesterday, | 0:09:07 | 0:09:10 | |
the week before, where your favourite place on holiday is, | 0:09:10 | 0:09:12 | |
your favourite food, where your favourite trainers are, | 0:09:12 | 0:09:15 | |
where you go to the gym. Just be really simple and to the point. | 0:09:15 | 0:09:17 | |
Don't go over the top. | 0:09:19 | 0:09:21 | |
Whoa, this is awesome. Whoa. Ah! | 0:09:21 | 0:09:24 | |
Just be yourself and keep it normal. | 0:09:24 | 0:09:27 | |
And that's my three top tips for being on camera. Now this. | 0:09:27 | 0:09:31 | |
Introducing Mr Mike Tucker. | 0:09:31 | 0:09:34 | |
Here to show you how to create special effects Hollywood style | 0:09:34 | 0:09:38 | |
in... | 0:09:38 | 0:09:39 | |
Today, we're going to show you how to create a wormhole vortex. | 0:09:42 | 0:09:45 | |
Well, you're not actually going to make a real wormhole vortex, | 0:09:45 | 0:09:49 | |
but it's going to look like you have. | 0:09:49 | 0:09:51 | |
So grab yourself a couple of friends and let's get started. | 0:09:51 | 0:09:54 | |
We're going to create a mysterious wormhole vortex effect, | 0:09:54 | 0:09:58 | |
similar to ones seen in a film called | 0:09:58 | 0:10:00 | |
The Adventures Of Baron Munchausen. | 0:10:00 | 0:10:02 | |
You're going to need some really basic things for this - | 0:10:02 | 0:10:05 | |
a pair of tights - ask if you can use them first - | 0:10:05 | 0:10:08 | |
a can of beans, a coat hanger and a torch. | 0:10:08 | 0:10:11 | |
Step one - cut one of the legs | 0:10:11 | 0:10:13 | |
off the tights - carefully. | 0:10:13 | 0:10:15 | |
Try and cut as neatly along that seam as we can. | 0:10:15 | 0:10:19 | |
Brilliant. | 0:10:20 | 0:10:21 | |
OK, so we can get rid of those. | 0:10:21 | 0:10:23 | |
This is going to be the mouth of our vortex. | 0:10:25 | 0:10:28 | |
Cool. | 0:10:29 | 0:10:31 | |
Next up, step two. | 0:10:31 | 0:10:32 | |
Bend the coat hanger into a circle or, better still, | 0:10:32 | 0:10:36 | |
get someone strong to help you because it's quite hard, really. | 0:10:36 | 0:10:40 | |
We're going to just try and pull that | 0:10:40 | 0:10:43 | |
into a slightly rounder shape. | 0:10:43 | 0:10:47 | |
The nice thing about it is that | 0:10:47 | 0:10:49 | |
it gives us a handle to hold on to as well. | 0:10:49 | 0:10:51 | |
Step three - | 0:10:51 | 0:10:53 | |
tape the open end of a tight leg to the coat hanger. | 0:10:53 | 0:10:56 | |
Get that strong person to help you with this too, if you want. | 0:10:56 | 0:10:58 | |
Last bit. | 0:10:58 | 0:11:00 | |
So that is going to form the mouth of our vortex. | 0:11:00 | 0:11:05 | |
Step four - time to open up that wormhole. | 0:11:05 | 0:11:09 | |
Next thing we need to do is make sure that the bottom of our vortex | 0:11:09 | 0:11:12 | |
is stretched as long as it can be, | 0:11:12 | 0:11:14 | |
so we need something heavy in there that will pull it down to the floor. | 0:11:14 | 0:11:18 | |
-So what do you reckon? -The beans. | 0:11:18 | 0:11:20 | |
A can of beans, exactly. | 0:11:20 | 0:11:22 | |
Stretch it so it comes all the way down to the bottom of the tights. | 0:11:23 | 0:11:27 | |
Great. | 0:11:27 | 0:11:28 | |
Step five - cue lighting effects. | 0:11:28 | 0:11:32 | |
Now, if you start waving the torch beam up and down the length | 0:11:32 | 0:11:36 | |
of the tights whilst you're filming straight down there. | 0:11:36 | 0:11:39 | |
And make it look even better by switching off the lights | 0:11:42 | 0:11:45 | |
and getting some colour into the action. | 0:11:45 | 0:11:47 | |
-How's that looking? -It looks really cool. | 0:11:50 | 0:11:52 | |
And now for the really fun bit. | 0:11:52 | 0:11:54 | |
Grab your little brother's favourite action figure and send him | 0:11:54 | 0:11:57 | |
off into the wormhole vortex. | 0:11:57 | 0:11:59 | |
Ah! | 0:11:59 | 0:12:00 | |
Whoa, that made my head spin. | 0:12:06 | 0:12:07 | |
Hi, I'm David Arnold. I'm a film composer. | 0:12:07 | 0:12:10 | |
Some of my credits are | 0:12:10 | 0:12:12 | |
Independence Day, Stargate, Godzilla, | 0:12:12 | 0:12:14 | |
The Chronicles Of Narnia, five James Bond films. | 0:12:14 | 0:12:18 | |
The purpose of music in film a lot of the time is to hold | 0:12:18 | 0:12:22 | |
the hand of the audience as they watch what's happening. | 0:12:22 | 0:12:26 | |
But it's always to try | 0:12:26 | 0:12:27 | |
and say what is difficult to say with dialogue or just with picture. | 0:12:27 | 0:12:32 | |
What we are doing is just playing with the way that music can | 0:12:41 | 0:12:44 | |
change your perception about what's happening in front of you. | 0:12:44 | 0:12:47 | |
JOLLY MUSIC PLAYS | 0:12:47 | 0:12:50 | |
I think it's going to be a happy-go-lucky kind of day today. | 0:12:50 | 0:12:53 | |
This is all about energy and all about movement and blood rushing | 0:12:55 | 0:12:58 | |
and your heartbeat, so it feels much more casual. | 0:12:58 | 0:13:01 | |
In the classroom, when learning is hard, | 0:13:03 | 0:13:05 | |
it's almost like the sound of what you've got inside your own body. | 0:13:05 | 0:13:08 | |
Your blood rushing and your heartbeat is little bit stronger. | 0:13:08 | 0:13:12 | |
UPBEAT MUSIC PLAYS | 0:13:12 | 0:13:15 | |
GENTLE PIANO MUSIC PLAYS | 0:13:21 | 0:13:25 | |
This is the most popular kid in school. | 0:13:25 | 0:13:27 | |
So we keep it nice and light and bright and breezy. | 0:13:27 | 0:13:30 | |
He's having fun with friends. | 0:13:36 | 0:13:38 | |
It's joyful, it's optimistic, it's relaxed. | 0:13:38 | 0:13:41 | |
By playing music that says, "We're OK," it feels comfortable | 0:13:47 | 0:13:51 | |
and it feels like there's no tension there. | 0:13:51 | 0:13:53 | |
And an easy way of making it feel worse, you could play exactly | 0:13:53 | 0:13:57 | |
the same music in a minor key and immediately sounds darker. | 0:13:57 | 0:14:01 | |
SAD MUSIC PLAYS | 0:14:01 | 0:14:03 | |
I think there's been a bit of a drama. | 0:14:05 | 0:14:08 | |
If you're going to bed, it's almost like the last chapter of a book. | 0:14:12 | 0:14:16 | |
The music, in a way, it's like the big finale. | 0:14:16 | 0:14:19 | |
A big, bright, nice major key and it's sort of warm and delicious, | 0:14:19 | 0:14:24 | |
and you think you can go to sleep now, everything's all right. | 0:14:24 | 0:14:27 | |
And finally. Black and white, or colour? | 0:14:33 | 0:14:35 | |
-Colour. -Black and white. | 0:14:35 | 0:14:37 | |
-Colour. -Colour. -Black and white | 0:14:37 | 0:14:39 | |
-Colour. -Colour. -Colour. | 0:14:39 | 0:14:41 | |
-Black and white. -Colour. | 0:14:41 | 0:14:45 | |
-Colour. -Colour. | 0:14:45 | 0:14:46 | |
-Black and white. -Black and white. | 0:14:46 | 0:14:48 | |
-It's got to be. -Whaa! | 0:14:48 | 0:14:50 | |
I'm Oli White and you've been watching Cinemaniacs - CineMinis. | 0:14:50 | 0:14:55 |