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The sun is shining and we're | 0:00:31 | 0:00:32 | |
listening to our very own | 0:00:32 | 0:00:33 | |
radio station. Life is... | 0:00:33 | 0:00:36 | |
Swagalicious! | 0:00:36 | 0:00:37 | |
Exactamondo! | 0:00:37 | 0:00:38 | |
To Bogmoor FM, the coolest, | 0:00:38 | 0:00:40 | |
most cutting edge radio station | 0:00:40 | 0:00:42 | |
on the planet. | 0:00:42 | 0:00:43 | |
-OVER RADIO: -Esme? What does this button do? | 0:00:43 | 0:00:45 | |
There appears to be no Post-it for it. | 0:00:45 | 0:00:47 | |
You don't know what you're doing. | 0:00:47 | 0:00:49 | |
Oh, really? | 0:00:49 | 0:00:50 | |
Please stop interrupting me when I do the Ghost phone-in. | 0:00:50 | 0:00:53 | |
But I give way better advice than you. | 0:00:53 | 0:00:55 | |
I think not! | 0:00:55 | 0:00:56 | |
Anyway, we're not even on air yet. | 0:00:56 | 0:00:59 | |
But the light says "on air". | 0:00:59 | 0:01:02 | |
Bother! | 0:01:02 | 0:01:03 | |
Cool and cutting edge, are we? | 0:01:04 | 0:01:06 | |
The whole of Bogmoor must have heard that. | 0:01:06 | 0:01:07 | |
Rich, the people don't listen to us. | 0:01:07 | 0:01:09 | |
On Twitter, they called us Bog Awful FM. | 0:01:09 | 0:01:11 | |
Yeah, but it would be great if we worked at it. | 0:01:11 | 0:01:13 | |
If we could, um... | 0:01:13 | 0:01:15 | |
Ooh, I know exactly what we need to do. | 0:01:15 | 0:01:17 | |
Bogmoor FM can be a hit, but there's one problem. | 0:01:21 | 0:01:24 | |
Gabe's harpsichord hour. | 0:01:24 | 0:01:26 | |
My show has a very loyal following. | 0:01:26 | 0:01:28 | |
You've got two fans. | 0:01:28 | 0:01:29 | |
And both of them never miss a show. | 0:01:29 | 0:01:31 | |
But two fans ain't enough, Gabe, | 0:01:31 | 0:01:32 | |
we need something fresh for the night show. | 0:01:32 | 0:01:34 | |
I'll give it my fullest consideration, Master Richard. | 0:01:34 | 0:01:38 | |
Back to the bigger problem, which is, we're all rubbish at DJ-ing. | 0:01:38 | 0:01:41 | |
-We are? -We are? | 0:01:41 | 0:01:43 | |
So, here's what I propose. | 0:01:43 | 0:01:44 | |
Boot camp? | 0:01:47 | 0:01:48 | |
I did not realise that footwear was so important to being a DJ. | 0:01:48 | 0:01:52 | |
No, boot camp's like army training. | 0:01:52 | 0:01:53 | |
And you'll become the best DJ you can possibly be. | 0:01:53 | 0:01:56 | |
Well, who's going to train us? | 0:01:56 | 0:01:59 | |
HELICOPTER THRUMS | 0:01:59 | 0:02:01 | |
ROCK MUSIC PLAYS | 0:02:01 | 0:02:02 | |
HELICOPTER LEAVES | 0:02:10 | 0:02:11 | |
HE BLOWS WHISTLE | 0:02:12 | 0:02:14 | |
At ease, cadets. | 0:02:14 | 0:02:15 | |
Why, Jimmy? | 0:02:15 | 0:02:16 | |
Because I've worked at Crackerbox Radio, | 0:02:16 | 0:02:19 | |
Fab Dab and Too Kool For Skool FM. | 0:02:19 | 0:02:22 | |
-You have? -Yeah, I've delivered sandwiches there. | 0:02:22 | 0:02:24 | |
SHE GROANS | 0:02:24 | 0:02:25 | |
Anybody else better qualified? No? Good. | 0:02:25 | 0:02:28 | |
Lift, two, three, four. | 0:02:30 | 0:02:32 | |
Hold, two, three, four. | 0:02:32 | 0:02:35 | |
You're the worst set of potential DJs I have ever seen. | 0:02:35 | 0:02:37 | |
How about we replace harpsichord hour with the bagpipe show? | 0:02:37 | 0:02:41 | |
Keep it up! | 0:02:41 | 0:02:43 | |
No, I don't think so, Gabe. | 0:02:43 | 0:02:45 | |
A ten-part series on the history of dust. | 0:02:45 | 0:02:47 | |
We need to find something a bit more exciting. | 0:02:47 | 0:02:50 | |
I know, what about a fitness show for ghosts? | 0:02:50 | 0:02:53 | |
We do not have bodies, Master Richard. | 0:02:53 | 0:02:56 | |
All right, well, don't new ghosts get training? | 0:02:56 | 0:02:58 | |
-No! -Lift! | 0:02:58 | 0:03:00 | |
And there are so many things to learn. | 0:03:00 | 0:03:03 | |
What about Ghost Apprentice? | 0:03:03 | 0:03:05 | |
You cannot be fired from being a ghost. The job is for ever. | 0:03:05 | 0:03:08 | |
All right, well, just try and think about what you're good at. | 0:03:08 | 0:03:11 | |
Can we stop now? | 0:03:11 | 0:03:12 | |
Not long now. Only 80 more to go! | 0:03:12 | 0:03:15 | |
80? | 0:03:15 | 0:03:16 | |
79. | 0:03:16 | 0:03:18 | |
78. | 0:03:18 | 0:03:19 | |
-78 -Yep! | 0:03:20 | 0:03:23 | |
What's the sequence? | 0:03:23 | 0:03:24 | |
Jingle, Chat, Track, Jingle, Chat, Track. | 0:03:24 | 0:03:27 | |
What's in the background while you chat? | 0:03:27 | 0:03:29 | |
-The Wall. -I mean, what can be heard in the background? | 0:03:29 | 0:03:32 | |
Oh, yes, I know this one. It's... | 0:03:32 | 0:03:34 | |
-The end of the last track or the start of the next one. -Correct. | 0:03:34 | 0:03:37 | |
What's the worst thing that can happen on a radio show? | 0:03:37 | 0:03:39 | |
-Silence. -Correct. Silence is the enemy. What is silence? | 0:03:39 | 0:03:43 | |
-ALL: -The enemy! | 0:03:43 | 0:03:44 | |
Listen up, people. Get in line! | 0:03:44 | 0:03:46 | |
Rich, you're doing the chart show. | 0:03:48 | 0:03:50 | |
Yes! | 0:03:50 | 0:03:51 | |
-Dylan, news and weather. -OK. | 0:03:51 | 0:03:53 | |
-Esme, sport. -No way. | 0:03:53 | 0:03:54 | |
Gabe...good workout! | 0:03:54 | 0:03:56 | |
50 star jumps, now. | 0:03:56 | 0:03:59 | |
Um, what's my job? | 0:03:59 | 0:04:01 | |
50, starting now! | 0:04:01 | 0:04:03 | |
HE BLOWS WHISTLE | 0:04:03 | 0:04:04 | |
Let's go! Let's go! | 0:04:04 | 0:04:07 | |
C'mon. | 0:04:07 | 0:04:08 | |
DJ Kait, report for duty and ready to rock'n'roll, sir. | 0:04:08 | 0:04:12 | |
Awesome. | 0:04:12 | 0:04:13 | |
OK, so, everybody else has a show, which one am I doing? | 0:04:13 | 0:04:16 | |
Kait, the thing is... | 0:04:16 | 0:04:17 | |
Because you're so bossy, | 0:04:17 | 0:04:19 | |
Because you're such a good organiser, | 0:04:19 | 0:04:21 | |
we would like to make you station manager. | 0:04:21 | 0:04:24 | |
-Station manager. Really? -It's an important job, I mean, | 0:04:25 | 0:04:27 | |
you'll be in charge of the spending, | 0:04:27 | 0:04:29 | |
-and come up with schedules for the show. -I love doing timetables. | 0:04:29 | 0:04:31 | |
I'm going to go and start it now. Hee, hee, hee! | 0:04:31 | 0:04:34 | |
She's weird. | 0:04:34 | 0:04:35 | |
I thought perhaps I could be station manager. | 0:04:37 | 0:04:40 | |
Sorry, Gabe. Look, organising really is Kait's thing. | 0:04:40 | 0:04:42 | |
There's got to be something you're good at. | 0:04:42 | 0:04:44 | |
Very well, then, I'll do the sport. | 0:04:44 | 0:04:46 | |
Wait, no, I'm doing that. | 0:04:46 | 0:04:47 | |
-You said you didn't want to do it. -Well, I do now. | 0:04:47 | 0:04:49 | |
OK, I'll continue doing the phone-in. | 0:04:49 | 0:04:52 | |
But you're rubbish at it. | 0:04:52 | 0:04:53 | |
Look, Gabe, mate, you've been around 250 years, | 0:04:53 | 0:04:55 | |
there's got to be something you're good at. | 0:04:55 | 0:04:58 | |
You're right. | 0:04:58 | 0:05:00 | |
There is something I excel at... | 0:05:00 | 0:05:02 | |
..being a ghost. | 0:05:03 | 0:05:05 | |
I know more about ghosting than Master Jimmy knows about DJ-ing. | 0:05:05 | 0:05:09 | |
I will set up my own boot camp | 0:05:09 | 0:05:11 | |
and teach the newly-departed how to ghost. | 0:05:11 | 0:05:13 | |
You sure you don't want to be part of the radio station? | 0:05:13 | 0:05:16 | |
I have never been more sure of anything in my entire death. | 0:05:16 | 0:05:19 | |
That's it! Doing something we're good at will make us unique. | 0:05:21 | 0:05:23 | |
Look, we all love music, yeah? So if we get some bands in to | 0:05:23 | 0:05:26 | |
perform live in the studio, stuff that hasn't been recorded yet... | 0:05:26 | 0:05:29 | |
And we can get them to do live webcasts, too. | 0:05:29 | 0:05:31 | |
We need someone young, fresh and local. But who? | 0:05:31 | 0:05:36 | |
Leave it with Jay Lo. | 0:05:36 | 0:05:37 | |
You know, Jimmy should have me singing on his show. | 0:05:41 | 0:05:44 | |
When you sing, it's like someone's put your tail in the toaster. | 0:05:44 | 0:05:47 | |
You're just jealous because I was in the mouse choir and you weren't. | 0:05:47 | 0:05:50 | |
You had to sing in another room. | 0:05:50 | 0:05:52 | |
Yeah, but that's just cos my voice is | 0:05:52 | 0:05:54 | |
so powerful it would drown out the other singers. | 0:05:54 | 0:05:57 | |
If I had an audition tape. | 0:05:57 | 0:05:59 | |
I'll make you an audition tape. The best audition tape ever. | 0:06:00 | 0:06:05 | |
What? The best audition tape ever ever, ever, ever, ever... | 0:06:05 | 0:06:08 | |
Skip to the end. | 0:06:08 | 0:06:09 | |
..ever, ever made? | 0:06:09 | 0:06:11 | |
So, these are the days and these are the hours and every slot has | 0:06:13 | 0:06:16 | |
a name in it, so we never confused about who's doing what show. | 0:06:16 | 0:06:19 | |
Do you know what? That's really good, Kait. | 0:06:19 | 0:06:22 | |
It's kind of my thing. | 0:06:22 | 0:06:23 | |
# We'll never be the sa-a-ame | 0:06:23 | 0:06:28 | |
-So have you booked a live artist yet or what? -Yes. | 0:06:28 | 0:06:31 | |
-Who is it? -I'm just waiting for his agent to confirm. | 0:06:31 | 0:06:35 | |
-Is that my phone ringing? -I don't hear anything. | 0:06:35 | 0:06:38 | |
Press...send. | 0:06:54 | 0:06:57 | |
COMPUTER BEEPS | 0:06:57 | 0:06:58 | |
I just booked out first live artist and he will be here tomorrow. | 0:07:05 | 0:07:09 | |
Conall Connell, AKA The Con Man. | 0:07:09 | 0:07:12 | |
Never heard of him. | 0:07:12 | 0:07:14 | |
That's because he's brand new and we'll get a world exclusive on him. | 0:07:14 | 0:07:18 | |
This rapper is so hot and so fresh, | 0:07:18 | 0:07:21 | |
he makes Dizzee Rascal sound like your granny. | 0:07:21 | 0:07:23 | |
-RADIO: -# Take good care of your mother... # | 0:07:23 | 0:07:27 | |
What's this? | 0:07:27 | 0:07:29 | |
Soulful, that's what it is. | 0:07:29 | 0:07:30 | |
Jimmy, have you booked a country singer? | 0:07:30 | 0:07:33 | |
No way, it must be the wrong CD. | 0:07:33 | 0:07:36 | |
-Well, his name is on it. -We're not a country music station, Jimmy. | 0:07:36 | 0:07:39 | |
If you don't like him, can't you just cancel him? | 0:07:39 | 0:07:43 | |
I already signed the contract. | 0:07:43 | 0:07:44 | |
Clause four, paragraph two - we're stuck with him. Sorry. | 0:07:44 | 0:07:48 | |
At least he can sing. | 0:07:48 | 0:07:50 | |
So he's a country singer. It doesn't matter. | 0:07:50 | 0:07:53 | |
What matters is that Bogmoor FM promotes live local talent. | 0:07:53 | 0:07:56 | |
That'll make us unique. | 0:07:56 | 0:07:57 | |
That'll make us... Picture it, Jimmy, picture it... | 0:07:57 | 0:08:01 | |
Bogtastic FM! | 0:08:01 | 0:08:02 | |
'So who's this Conall Connor? | 0:08:07 | 0:08:08 | |
I hear he's coming to play in the studio tomorrow.' | 0:08:08 | 0:08:11 | |
-He's a country singer. -'Never mind that. What does he look like?' | 0:08:11 | 0:08:14 | |
Just checking his website. | 0:08:14 | 0:08:17 | |
Oh, Dani, | 0:08:18 | 0:08:20 | |
he's gorgeous, | 0:08:20 | 0:08:22 | |
he's like all five of One Direction rolled into one. | 0:08:22 | 0:08:24 | |
Ah, sounds messy, but I'll take your word for it. | 0:08:24 | 0:08:27 | |
-Oh! -What? Kait, what is it? Mouse, rat? | 0:08:27 | 0:08:30 | |
-What? -A horse! -What, in the room? | 0:08:30 | 0:08:33 | |
No, on his website. Connell's got a horse! | 0:08:33 | 0:08:35 | |
SHE LAUGHS | 0:08:35 | 0:08:37 | |
Imagine our first live musician in the studio. | 0:08:37 | 0:08:39 | |
Apart from Gabe on his harpsichord. | 0:08:39 | 0:08:41 | |
But he's not really a live musician, is he? | 0:08:41 | 0:08:44 | |
See, we couldn't have done this without Kait. | 0:08:44 | 0:08:46 | |
Isn't she just great at organising? | 0:08:46 | 0:08:49 | |
Yeah. Kait's great. | 0:08:49 | 0:08:50 | |
I mean, isn't she? I mean, that timetable she done was wicked. | 0:08:50 | 0:08:54 | |
And she's got cute freckles. | 0:08:54 | 0:08:56 | |
Did you just say she's got cute freckles? | 0:08:56 | 0:08:59 | |
Erm, no! | 0:09:00 | 0:09:01 | |
You are asleep... | 0:09:03 | 0:09:04 | |
..and dreaming. | 0:09:04 | 0:09:06 | |
I am? OK. | 0:09:06 | 0:09:08 | |
DOORBELL RINGS | 0:09:15 | 0:09:16 | |
It doesn't matter that we don't like country music, just make him | 0:09:16 | 0:09:20 | |
feel good and he'll give a great performance. | 0:09:20 | 0:09:22 | |
-We're excited to have him here, OK? -OK! | 0:09:22 | 0:09:25 | |
-Tone it down. -OK. | 0:09:25 | 0:09:26 | |
Better. | 0:09:26 | 0:09:28 | |
-DOORBELL RINGS -Hold on! | 0:09:28 | 0:09:30 | |
-Can I help you? -I'm here to enrol in the Ghost School. | 0:09:35 | 0:09:38 | |
The what? | 0:09:38 | 0:09:40 | |
You must be Agnes? A thousand welcomes, my lady. | 0:09:40 | 0:09:43 | |
Gabe, mate? What is going on? | 0:09:43 | 0:09:46 | |
My lessons for a new ghost begin today, and Agnes is my first pupil. | 0:09:46 | 0:09:49 | |
Yeah, but the musician's coming in to record today. | 0:09:49 | 0:09:51 | |
Do not fret, Master Richard. He will never know we are here. | 0:09:51 | 0:09:55 | |
My lady. | 0:09:55 | 0:09:56 | |
This is Bogmoor Castle, isn't it? | 0:10:02 | 0:10:04 | |
Gabe! Another student for your ghoul school. | 0:10:04 | 0:10:07 | |
Erm... | 0:10:07 | 0:10:09 | |
It's Conall Connor! | 0:10:09 | 0:10:11 | |
Well...I mean, I recognised you from your website | 0:10:11 | 0:10:14 | |
and you look exactly the same, I am very happy to say. | 0:10:14 | 0:10:17 | |
Hi, I'm Rich. | 0:10:18 | 0:10:20 | |
I'm Jimmy. | 0:10:20 | 0:10:22 | |
And this is our studio manager, Kait. | 0:10:22 | 0:10:24 | |
Well, hello, Katy Kate Kait. | 0:10:24 | 0:10:26 | |
SHE GIGGLES | 0:10:26 | 0:10:27 | |
-What's she wearing? -Well, she's dressed to impress. | 0:10:27 | 0:10:31 | |
I'm going to get the studio set up. | 0:10:31 | 0:10:33 | |
I'll leave you two to look after Conall and I'll see you in a sec. | 0:10:33 | 0:10:36 | |
You like horses, don't you? So do I. I've got my own stabled here | 0:10:36 | 0:10:39 | |
and I brought him a bridle, do you want to see? | 0:10:39 | 0:10:41 | |
Bridal, why are you getting married? | 0:10:41 | 0:10:44 | |
SHE GIGGLES Me? Getting married?! | 0:10:44 | 0:10:46 | |
Hee-hee. | 0:10:46 | 0:10:48 | |
-She all right? -She was before you arrived. | 0:10:48 | 0:10:51 | |
Well, come on, Conall, I'll give you the grand tour. This way. | 0:10:51 | 0:10:56 | |
Dear Students. I bid you a hearty welcome to Ghost School. | 0:11:04 | 0:11:08 | |
I will endeavour to teach you all the skills required as new ghosts. | 0:11:08 | 0:11:14 | |
Nice one. | 0:11:14 | 0:11:15 | |
SHE TUTS | 0:11:15 | 0:11:17 | |
So today, I will be teaching you levitation. | 0:11:17 | 0:11:20 | |
Whoa! I'm totally up for that. | 0:11:20 | 0:11:22 | |
Dylan, you do realise that these are classes for ghosts? | 0:11:22 | 0:11:26 | |
Yes! | 0:11:26 | 0:11:27 | |
You are, in fact, not a ghost. | 0:11:27 | 0:11:31 | |
Not yet. | 0:11:31 | 0:11:32 | |
But one day I may be. And if I do a course now, I'll be ready. | 0:11:32 | 0:11:37 | |
Very well. | 0:11:37 | 0:11:39 | |
Now...let's stand and try levitation. | 0:11:39 | 0:11:44 | |
Er? Levi-what? | 0:11:44 | 0:11:45 | |
Levitation. Great! | 0:11:45 | 0:11:47 | |
SPOOKY MUSIC | 0:11:47 | 0:11:50 | |
Oh, ace! | 0:11:52 | 0:11:53 | |
So, think of something light. | 0:11:57 | 0:12:00 | |
-A feather? -A cloud. | 0:12:00 | 0:12:02 | |
-My cakes. -LAUGHS | 0:12:02 | 0:12:05 | |
-Have you got something to say? -Me? No. Sorry, sweetie. | 0:12:05 | 0:12:09 | |
OK, So think of how light those things are... | 0:12:09 | 0:12:14 | |
and gently...push off the ground. | 0:12:14 | 0:12:18 | |
TUNES GUTAIR | 0:12:37 | 0:12:39 | |
Ah, that's lovely. | 0:12:42 | 0:12:43 | |
I'm just tuning up. | 0:12:44 | 0:12:46 | |
Erm, would you like another biscuit? | 0:12:46 | 0:12:48 | |
I know they are your favourites, it says so on your fan site. | 0:12:48 | 0:12:51 | |
No. Thanks. | 0:12:51 | 0:12:53 | |
Do you have to be with me all the time? | 0:12:57 | 0:12:59 | |
Yeah, it's my pleasure. I mean, it's my job. | 0:12:59 | 0:13:03 | |
So will you be doing the recording, too? | 0:13:03 | 0:13:06 | |
I wish, but I don't know anything about technology. | 0:13:06 | 0:13:09 | |
Really? Nothing at all? | 0:13:09 | 0:13:11 | |
I get confused putting a plug in a socket. | 0:13:11 | 0:13:14 | |
That's great! | 0:13:14 | 0:13:15 | |
I mean...it's not a problem. | 0:13:15 | 0:13:18 | |
I could teach you how everything works. | 0:13:18 | 0:13:20 | |
I'd love that. | 0:13:20 | 0:13:22 | |
Conall? Sit down. | 0:13:22 | 0:13:25 | |
Do you like poetry? | 0:13:25 | 0:13:27 | |
Ah, yeah, sure. | 0:13:27 | 0:13:29 | |
Because I've been writing a poem about my horse and yours... | 0:13:29 | 0:13:32 | |
Oh, what's your horse called. | 0:13:32 | 0:13:33 | |
Er, My horse...is called... | 0:13:33 | 0:13:36 | |
..Blue Bucket. | 0:13:38 | 0:13:40 | |
Aw! Blue Bucket, that's a lovely name. | 0:13:40 | 0:13:43 | |
Hey, why don't we write a song out of your poem? | 0:13:43 | 0:13:47 | |
What...really? Me and you together? | 0:13:47 | 0:13:51 | |
Yeah, definitely! | 0:13:51 | 0:13:52 | |
OK, I'll count you in. Five, four... | 0:13:56 | 0:13:59 | |
Wait, wait, wait, is my bow straight? | 0:13:59 | 0:14:02 | |
Oh, look, you're fine. You're totally rocking it. | 0:14:02 | 0:14:05 | |
Just stop mucking about. | 0:14:05 | 0:14:07 | |
OK, I'm almost ready, but do you think I need to backcomb my tail? | 0:14:10 | 0:14:15 | |
Oh, just sing, you stupid mouse! | 0:14:15 | 0:14:18 | |
Well, I'm sure Beyonce never had to put up with this sort of abuse. | 0:14:18 | 0:14:21 | |
Our next lesson is walking through walls. | 0:14:23 | 0:14:26 | |
Like so. | 0:14:28 | 0:14:29 | |
I'm Esme, Gabe's sister. | 0:14:29 | 0:14:32 | |
This is my class, you're not invited. Kindly leave. | 0:14:32 | 0:14:35 | |
It's a free castle and, besides, | 0:14:35 | 0:14:37 | |
I'm only here to see my best friend, Dylan. | 0:14:37 | 0:14:39 | |
Oh, please can she stay? She'll not interrupt. | 0:14:39 | 0:14:42 | |
I promise. | 0:14:42 | 0:14:44 | |
Very well. But the first interruption and you are banished. | 0:14:44 | 0:14:47 | |
Understand? | 0:14:47 | 0:14:49 | |
Now, my good pupils, on your feet. | 0:14:49 | 0:14:52 | |
And follow me. | 0:14:52 | 0:14:54 | |
Think of something vaporous, like smoke. | 0:14:54 | 0:14:59 | |
And allow that feeling to fill you as you walk through the door... | 0:14:59 | 0:15:04 | |
..and pass through it. Now, one by one, walk towards the door. | 0:15:07 | 0:15:12 | |
Well done, my lady! | 0:15:20 | 0:15:21 | |
Oh, it worked! | 0:15:21 | 0:15:23 | |
Yes! Ha-ha! | 0:15:25 | 0:15:26 | |
Oh, boring! | 0:15:29 | 0:15:31 | |
You can do this, I know you can. | 0:15:31 | 0:15:32 | |
You really think so? | 0:15:32 | 0:15:34 | |
-Just imagine you're smoke and pass through the door. -OK. | 0:15:34 | 0:15:40 | |
I am smoke. | 0:15:40 | 0:15:42 | |
I am smoke... I am... | 0:15:43 | 0:15:46 | |
THUD | 0:15:46 | 0:15:47 | |
SHE LAUGHS | 0:15:49 | 0:15:50 | |
This way, Conall. The studio is ready. | 0:15:52 | 0:15:55 | |
This is a romantic song, Rich, so I thought maybe it would work | 0:15:55 | 0:15:58 | |
better if I sang it alone to a beautiful lady. | 0:15:58 | 0:16:01 | |
I'm sorry, I haven't arranged for a beautiful lady to be here. | 0:16:01 | 0:16:03 | |
-I was talking about Kait. -You were? | 0:16:03 | 0:16:06 | |
Oh, of course you were. | 0:16:06 | 0:16:08 | |
Sounds like a brilliant idea. | 0:16:08 | 0:16:10 | |
But who's going to work the mixing desk? | 0:16:10 | 0:16:12 | |
No biggie, I'm sure we can manage on our own. | 0:16:12 | 0:16:14 | |
Absolutely, well, erm, just give me a shout if you need anything, yeah? | 0:16:14 | 0:16:17 | |
All I need is my beautiful assistant, Kait. | 0:16:17 | 0:16:20 | |
-Isn't he dreamy? -SHE GIGGLES | 0:16:21 | 0:16:24 | |
Dreamy? | 0:16:24 | 0:16:25 | |
Well, it's still a rough copy | 0:16:37 | 0:16:39 | |
and I'm not really sure about some of the rhymes... | 0:16:39 | 0:16:42 | |
Oh, no, you'll do great, just take your time. | 0:16:42 | 0:16:44 | |
"There was a lovely little horse. | 0:16:48 | 0:16:49 | |
"Prince William was his name. | 0:16:49 | 0:16:51 | |
"He had a really shiny coat and a long and silky mane." | 0:16:51 | 0:16:55 | |
Oh, that's really great, you know, it's really...horsey. | 0:16:55 | 0:16:59 | |
-Do you think so? -Hmm. | 0:16:59 | 0:17:01 | |
Hope I'm not interrupting anything. Have you seen my shoes? | 0:17:01 | 0:17:04 | |
-These? -I must have left them somewhere else, sorry. | 0:17:04 | 0:17:07 | |
"He loved to gallop across the fields, he loved to run and play. | 0:17:09 | 0:17:14 | |
"But he was the only horse in the village | 0:17:14 | 0:17:16 | |
"until Blue Bucket arrived one day." | 0:17:16 | 0:17:17 | |
-Who? -Blue Bucket, your horse! | 0:17:17 | 0:17:20 | |
Oh, yeah! Cool. | 0:17:20 | 0:17:23 | |
What about tea, juice, water? Do you need that? | 0:17:23 | 0:17:25 | |
-No. -Crisps, biscuits muffins, snacks of any variety? | 0:17:25 | 0:17:29 | |
I think we're fine. Thanks. | 0:17:29 | 0:17:32 | |
Oh. Well, OK, if you need anything, I'm just here. | 0:17:32 | 0:17:35 | |
Outside the door. | 0:17:35 | 0:17:36 | |
"My lonely days are gone," he said. | 0:17:38 | 0:17:40 | |
"Now I've found another horse. | 0:17:40 | 0:17:42 | |
"And off they ran together and lived happily ever after, of course." | 0:17:42 | 0:17:46 | |
Kait, that is the most beautiful lyric I've ever heard. | 0:17:46 | 0:17:49 | |
Really? | 0:17:49 | 0:17:50 | |
I tell you what you are going to need... | 0:17:52 | 0:17:53 | |
-BOTH: No! -All right. | 0:17:53 | 0:17:55 | |
Are you ready? | 0:17:57 | 0:17:59 | |
-I think so. -Good. | 0:18:00 | 0:18:04 | |
COMPUTER BEEPS | 0:18:04 | 0:18:06 | |
So, just push the red button when I give you the thumbs up | 0:18:07 | 0:18:10 | |
and we'll be recording. | 0:18:10 | 0:18:11 | |
It's show time! | 0:18:13 | 0:18:14 | |
(SINGS OUT OF TUNE) # Take good care of your mother | 0:18:18 | 0:18:24 | |
# And all along you'll know | 0:18:27 | 0:18:30 | |
(HIGH-PITCHED) # She'll linger on! # | 0:18:30 | 0:18:35 | |
Wow, what a voice. | 0:18:35 | 0:18:36 | |
# No matter what you do | 0:18:36 | 0:18:39 | |
# She'll be proud of you | 0:18:39 | 0:18:44 | |
# Remember now you'll always have a home. # | 0:18:44 | 0:18:52 | |
-Any news from the record companies? -Sort of. | 0:18:56 | 0:18:59 | |
-Sort of? -They said no. | 0:19:00 | 0:19:02 | |
No? As in, "we know she's the mouse for us?" | 0:19:02 | 0:19:05 | |
-No as in never. -But...I've got the voice of an angel. | 0:19:05 | 0:19:09 | |
The good news is I took your audition tape | 0:19:09 | 0:19:13 | |
and put it online. It's gone viral | 0:19:13 | 0:19:15 | |
I've gone viral? Yeah, do you know what? I was feeling a bit peaky. | 0:19:15 | 0:19:19 | |
I'm going to have a lie down. | 0:19:19 | 0:19:20 | |
She's so easy to wind up. | 0:19:23 | 0:19:25 | |
One of the most important ghost skills is de-materialising. | 0:19:27 | 0:19:32 | |
What's that? | 0:19:32 | 0:19:33 | |
It's the ability to disappear and reappear elsewhere. | 0:19:33 | 0:19:37 | |
I will demonstrate. | 0:19:37 | 0:19:38 | |
Right. Do you want to learn how to do that? | 0:19:41 | 0:19:44 | |
You betcha! | 0:19:44 | 0:19:45 | |
OK, so stand up and close your eyes. | 0:19:45 | 0:19:47 | |
Now, imagine the ballroom downstairs in your mind. | 0:19:47 | 0:19:50 | |
On the count of three, say, "I'm outta here!" | 0:19:50 | 0:19:54 | |
One, two, three... | 0:19:54 | 0:19:57 | |
ALL: I'm outta here! | 0:19:57 | 0:19:59 | |
I'm outta here! | 0:20:02 | 0:20:03 | |
-We did it! -Yeah, whatevs. | 0:20:07 | 0:20:09 | |
That was most peculiar. | 0:20:09 | 0:20:12 | |
Oh, don't worry, Agnes, there's no need to be nervous. | 0:20:12 | 0:20:15 | |
You'll love being a ghost! | 0:20:15 | 0:20:18 | |
I'm outta here! | 0:20:20 | 0:20:22 | |
And that is how... | 0:20:22 | 0:20:24 | |
I'm outta here! | 0:20:24 | 0:20:25 | |
Where did they go? | 0:20:26 | 0:20:27 | |
And that's how simple it is! | 0:20:27 | 0:20:29 | |
Gabe like to complicate things all the time. I remember this... | 0:20:29 | 0:20:35 | |
He's behind me, isn't he? | 0:20:35 | 0:20:36 | |
I'm outta here! | 0:20:38 | 0:20:40 | |
SHE HUMS TO MUSIC | 0:20:42 | 0:20:43 | |
Where's lover boy? | 0:20:43 | 0:20:45 | |
He's in the library taking a very important phone | 0:20:45 | 0:20:47 | |
call from his manager. | 0:20:47 | 0:20:49 | |
-Is he? -Hm-mm. | 0:20:49 | 0:20:51 | |
Auto tuning. | 0:20:52 | 0:20:54 | |
-Isn't that what singers use to make their voice sound better? -Yeah. | 0:20:54 | 0:20:56 | |
-Did you download it? -No. | 0:20:56 | 0:20:58 | |
Conall was in here last, do you think he used it? | 0:20:58 | 0:21:00 | |
Only one way to find out. | 0:21:00 | 0:21:02 | |
# Take good care of your mother. # | 0:21:02 | 0:21:05 | |
That sounds all right. | 0:21:05 | 0:21:06 | |
Now let's hear it with the autotuner off. | 0:21:06 | 0:21:10 | |
SONG IS OUT OF TUNE | 0:21:10 | 0:21:13 | |
Argh, turn that off! | 0:21:13 | 0:21:14 | |
Well, someone must've downloaded the software. But how? | 0:21:15 | 0:21:18 | |
He plugged something into the computer. | 0:21:18 | 0:21:21 | |
Hold on, so he wanted to sing to me alone | 0:21:22 | 0:21:25 | |
because I don't know how any of this stuff works. | 0:21:25 | 0:21:28 | |
I thought he liked my poem. | 0:21:28 | 0:21:30 | |
I thought he liked me. | 0:21:31 | 0:21:32 | |
-Crafty boy. -No wonder they call him The Con Man. | 0:21:34 | 0:21:37 | |
Really? I thought he was called Conall Connor. | 0:21:37 | 0:21:39 | |
No, you're right, it's probably cos he's a conman. | 0:21:39 | 0:21:43 | |
Just wait till I find him. | 0:21:43 | 0:21:44 | |
Will I call for the ambulance now? | 0:21:47 | 0:21:48 | |
Jimmy, I cant wait for this! | 0:21:48 | 0:21:50 | |
-We know about the autotuner. -What autotuner? | 0:21:53 | 0:21:56 | |
-The one you downloaded onto our computer. -Oh, that! | 0:21:56 | 0:21:59 | |
That's just something I use when I sometimes hit a bum note. | 0:21:59 | 0:22:02 | |
Every note you hit's a bum note. | 0:22:02 | 0:22:04 | |
You're the worst singer in the world. | 0:22:04 | 0:22:05 | |
Chillax, Katie, let's discuss this after the interview. | 0:22:05 | 0:22:08 | |
It's Kaitlin, and there isn't going to be one! | 0:22:08 | 0:22:10 | |
We only work with real musicians, not cheats like you. | 0:22:10 | 0:22:12 | |
I signed a contract to do an interview and play my new song. | 0:22:12 | 0:22:15 | |
I don't care what you've signed. We don't have to play your song. | 0:22:15 | 0:22:18 | |
-Actually we do. -See! | 0:22:18 | 0:22:20 | |
Yes, Kait, we absolutely HAVE to, and while we're at it, why don't | 0:22:20 | 0:22:24 | |
-we make it our first live video webcast? -What?! | 0:22:24 | 0:22:27 | |
That's even better! Look, guys, I've got to get ready for the cameras | 0:22:27 | 0:22:31 | |
so I'll see you later. Gents. | 0:22:31 | 0:22:34 | |
Sorry, we were aiming for the kitchen. | 0:22:37 | 0:22:40 | |
Too much spectral energy confuses things. | 0:22:40 | 0:22:42 | |
Perfect timing. I could use an extra pair of hands round here. | 0:22:42 | 0:22:46 | |
-What for? -A treasure hunt. | 0:22:46 | 0:22:48 | |
# Is the party over over, over, yeah? | 0:22:52 | 0:22:57 | |
# Is the party over over, over, yeah? | 0:22:57 | 0:23:03 | |
# Is the party over over, over, yeah? | 0:23:03 | 0:23:08 | |
# Are we getting colder, colder, yeah? | 0:23:08 | 0:23:14 | |
# If you wanna love me sometime I'm not gonna give my love | 0:23:14 | 0:23:20 | |
# If you're gonna give me nothing | 0:23:20 | 0:23:22 | |
# Then maybe this love is better off lost | 0:23:22 | 0:23:25 | |
# If you wanna love me sometime I'm not gonna give my love | 0:23:25 | 0:23:31 | |
# If you're gonna give me nothing | 0:23:31 | 0:23:33 | |
# Then maybe this love is better off lost | 0:23:33 | 0:23:37 | |
# So it's over Wishing the stars wont fade. # | 0:23:41 | 0:23:48 | |
It's a big day here at Bogmoor FM. | 0:23:48 | 0:23:50 | |
Not only is it our first live interview with rising star | 0:23:50 | 0:23:53 | |
Conall Connor, AKA The Con Man, it is our first live video webcast. | 0:23:53 | 0:23:58 | |
Hi, fans! | 0:23:58 | 0:24:00 | |
So, in a second, you'll hear the first official airplay of Conall's | 0:24:00 | 0:24:04 | |
new single, but first I have got to ask you, you've got a unique voice. | 0:24:04 | 0:24:08 | |
Oh, well, thanks very much, Rich. | 0:24:08 | 0:24:10 | |
When your fans hear this record, I think they'll play it | 0:24:10 | 0:24:12 | |
-over and over and over again. -Oh, I do hope so. | 0:24:12 | 0:24:16 | |
Country fans, get your ears ready, it's Conall Connor. | 0:24:16 | 0:24:19 | |
(OUT OF TUNE) # Take good care of... # | 0:24:19 | 0:24:24 | |
Wow, what a voice(!) | 0:24:24 | 0:24:26 | |
Smile for the camera. | 0:24:29 | 0:24:31 | |
Turn it off. Turn it off now! | 0:24:31 | 0:24:35 | |
Conall Connor, officially the worst singer in the world. | 0:24:35 | 0:24:38 | |
Do you think I'm going to let you get away with this? | 0:24:38 | 0:24:41 | |
-Excuse me. -Get out my way, lacy cuffs! | 0:24:41 | 0:24:43 | |
You will not harm Master Richard, you...you bounder. | 0:24:43 | 0:24:47 | |
What you going to do about it? | 0:24:47 | 0:24:49 | |
Argh! Mummy! | 0:24:51 | 0:24:54 | |
Argh! | 0:24:54 | 0:24:56 | |
Oh, I am so sorry! I was aiming for the library. | 0:24:56 | 0:25:01 | |
No need to apologise, Agnes. You are my star pupil. | 0:25:01 | 0:25:05 | |
'This is the J Dog bringing you all your favourite rap | 0:25:05 | 0:25:07 | |
'and grime from now until eight on Bogmoor FM, where we | 0:25:07 | 0:25:10 | |
'never play country music - not now, not ever, just never!' | 0:25:10 | 0:25:14 | |
Nothing about Conall was real. He was a total fake. | 0:25:18 | 0:25:21 | |
I bet he doesn't even have a heart. | 0:25:22 | 0:25:25 | |
I thought I'd finally found someone who liked all the things I do. | 0:25:25 | 0:25:29 | |
Look, you aren't going to find someone who likes exactly | 0:25:29 | 0:25:32 | |
-the same stuff as you -Maybe. | 0:25:32 | 0:25:33 | |
You've got a friend who likes some of the same stuff as you. | 0:25:33 | 0:25:36 | |
Oh, yeah? Who? | 0:25:36 | 0:25:38 | |
Me. Look, I like people to be honest... | 0:25:38 | 0:25:41 | |
and so do you. | 0:25:41 | 0:25:43 | |
I like having a radio station, so do you. | 0:25:43 | 0:25:46 | |
BIRD COOS | 0:25:46 | 0:25:48 | |
I think I've just been pooed on. | 0:25:50 | 0:25:52 | |
So have I. | 0:25:53 | 0:25:55 | |
Seem we have some stuff in common. | 0:25:55 | 0:25:57 | |
This is not cool. Here, look, you can have my... | 0:25:58 | 0:26:01 | |
Don't flick it on me! This is a new dress... | 0:26:01 | 0:26:03 | |
Urgh! | 0:26:03 | 0:26:04 | |
Did I get you back?! | 0:26:04 | 0:26:06 | |
You are listening to the Ghost School on Bogmoor FM. | 0:26:08 | 0:26:11 | |
Gabe will be giving you lessons on ghostings, #theghostschool | 0:26:11 | 0:26:14 | |
and if you've any problems, text, call or contact us | 0:26:14 | 0:26:18 | |
at # Ghostproblems. | 0:26:18 | 0:26:19 | |
PHONE RINGS | 0:26:19 | 0:26:21 | |
Hello, caller. | 0:26:24 | 0:26:25 | |
I have a problem, Esme, I still can't walk through walls. | 0:26:25 | 0:26:29 | |
That's cos you're not dead yet, Dylan. | 0:26:29 | 0:26:30 | |
Oh, yes, sorry. | 0:26:30 | 0:26:32 | |
So how did it go with hunky Conall? | 0:26:34 | 0:26:37 | |
He was a total nightmare, but he helped make us | 0:26:37 | 0:26:39 | |
-the number one station in the country. -Really? How? | 0:26:39 | 0:26:42 | |
We punked him live on air and put the video on YouTube. | 0:26:42 | 0:26:45 | |
-Almost got a million hits. -That's brilliant! | 0:26:45 | 0:26:48 | |
Yeah, but the only video that got more hits this week | 0:26:48 | 0:26:50 | |
was the singing mouse. | 0:26:50 | 0:26:52 | |
DANCE MUSIC | 0:26:52 | 0:26:54 | |
I saw that. The mouse reminded me of someone. But I can't think who? | 0:26:57 | 0:27:01 | |
Subtitles by Red Bee Media Ltd | 0:27:17 | 0:27:20 |