Browse content similar to An Inspector Calls. Check below for episodes and series from the same categories and more!
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Have you lost something? | 0:00:32 | 0:00:34 | |
No, just doing my toga. That's short for totally yoga. | 0:00:34 | 0:00:37 | |
-BANG -Ah! | 0:00:37 | 0:00:39 | |
Maybe it should be called yoghurt, short for yoga that hurts. | 0:00:39 | 0:00:43 | |
Maybe. Oh, can I have a look at that? | 0:00:43 | 0:00:45 | |
You all right, Gabe? | 0:00:48 | 0:00:49 | |
No, I've got a... There's a... Look. It's from the Ghostel inspector. | 0:00:49 | 0:00:55 | |
I'm being inspected today. What if I fail? | 0:00:55 | 0:00:58 | |
You won't. Your Ghostel's great. | 0:00:58 | 0:01:00 | |
But what if I do? What if they close me down? | 0:01:00 | 0:01:02 | |
It will be like dying again. | 0:01:02 | 0:01:04 | |
What is this? World Pacing Up and Down Day? | 0:01:08 | 0:01:11 | |
Look. | 0:01:11 | 0:01:12 | |
And it's a really nice new phone, but not that exciting. | 0:01:12 | 0:01:14 | |
I meant the e-mail. Some Boys Who Make Noise. | 0:01:14 | 0:01:17 | |
Who's that, Britain's loudest boy band? | 0:01:17 | 0:01:19 | |
Well, look, a while ago I e-mailed a bunch of bands | 0:01:19 | 0:01:22 | |
offering myself as a songwriter. | 0:01:22 | 0:01:24 | |
They've commissioned one of my love songs. | 0:01:24 | 0:01:26 | |
But thing is, they need it by tomorrow. | 0:01:26 | 0:01:28 | |
Well, that's fine, you can do that. | 0:01:28 | 0:01:29 | |
Just stop pacing and start writing. | 0:01:29 | 0:01:31 | |
Thanks, Kait. Oh, I forgot. | 0:01:31 | 0:01:34 | |
This came for you. | 0:01:34 | 0:01:35 | |
Wow! I got a... There's a... Look! | 0:01:39 | 0:01:42 | |
"You have been invited to Pet Snack of the Year Awards | 0:01:43 | 0:01:46 | |
"and nominated for best newcomer." | 0:01:46 | 0:01:48 | |
Kait, this is amazing. | 0:01:48 | 0:01:50 | |
What if I win? What if I lose and what will I wear? | 0:01:50 | 0:01:54 | |
I can help with that. How long have I got to work with? | 0:01:54 | 0:01:57 | |
Well, it says it's tonight. | 0:01:57 | 0:01:59 | |
Wait, hang on. | 0:02:00 | 0:02:02 | |
When exactly did this arrive, Rich? | 0:02:02 | 0:02:04 | |
Well, it could have been in the pile for a few days. | 0:02:04 | 0:02:07 | |
I could've missed it. | 0:02:07 | 0:02:08 | |
But you didn't. Proud of you, Kait. | 0:02:08 | 0:02:11 | |
Flattery will get you forgiven nine out of ten times. | 0:02:11 | 0:02:14 | |
I'm proud of you too, Rich. | 0:02:14 | 0:02:16 | |
It says you can invite a guest. | 0:02:16 | 0:02:18 | |
-Can I be your plus one? -Yeah, you can be my fashion advisor. | 0:02:18 | 0:02:22 | |
Cool. I'm going to an awards ceremony. | 0:02:22 | 0:02:25 | |
The glitz, the glamour, the something else beginning with a "G". | 0:02:25 | 0:02:28 | |
Can you keep the happiness down, please? | 0:02:28 | 0:02:31 | |
Some of us have an inspection to prepare for. | 0:02:31 | 0:02:34 | |
Well, there's your something else beginning with "G". | 0:02:34 | 0:02:37 | |
Gabe the grumpy ghost. | 0:02:37 | 0:02:39 | |
There, it's perfect. Or is it? | 0:02:48 | 0:02:51 | |
Now it's perfect. Oh, no. What if they don't like staplers? | 0:02:54 | 0:02:58 | |
But what if they do? | 0:03:00 | 0:03:02 | |
Did you know, in the dictionary under calm, | 0:03:04 | 0:03:06 | |
it says "the opposite of Gabe"? | 0:03:06 | 0:03:08 | |
No. I am calm. I'm totally calm. | 0:03:08 | 0:03:11 | |
Really? Because I've heard some bad things about the Ghostel inspector. | 0:03:11 | 0:03:15 | |
You have? Like what? | 0:03:15 | 0:03:17 | |
Like, they're an angry giant... | 0:03:17 | 0:03:19 | |
And with a scary clipboard of doom. | 0:03:19 | 0:03:23 | |
And they love biting people. | 0:03:23 | 0:03:26 | |
And so are you still feeing calm? | 0:03:26 | 0:03:28 | |
Completely and utterly. | 0:03:28 | 0:03:31 | |
BELL RINGS | 0:03:32 | 0:03:35 | |
Hello, are you all right? | 0:03:35 | 0:03:37 | |
Yes, it's just, you're not what I was expecting. | 0:03:37 | 0:03:42 | |
Not that I was expecting anything in particular. | 0:03:42 | 0:03:44 | |
Certainly not an angry giant, which you're not. | 0:03:44 | 0:03:47 | |
It's OK, you know, I don't bite. | 0:03:48 | 0:03:52 | |
Of course you don't. Why would I think that? | 0:03:52 | 0:03:56 | |
You haven't even got a clipboard. | 0:03:56 | 0:03:58 | |
Right, shall we just dive straight in? | 0:03:58 | 0:04:01 | |
You can start by showing me around. | 0:04:01 | 0:04:04 | |
Yes, what a brilliant idea. Right, this way. | 0:04:04 | 0:04:09 | |
Don't worry, Gabe. We'll look after reception while you're gone. | 0:04:11 | 0:04:16 | |
Right, thank you. Just don't mess it up. | 0:04:16 | 0:04:20 | |
We would never do that. | 0:04:20 | 0:04:22 | |
We would totally do that. | 0:04:26 | 0:04:28 | |
It would be rude not to. Gabe is so easy. | 0:04:28 | 0:04:32 | |
What do you think would happen if this place got inspected? | 0:04:35 | 0:04:38 | |
I would get a medal for bravest, most handsome mouse. | 0:04:38 | 0:04:41 | |
Yeah, or one for messiest, laziest mouse. | 0:04:41 | 0:04:44 | |
I am not lazy. Look how busy I can be. | 0:04:44 | 0:04:47 | |
Busy, busy, busy, busy, busy... | 0:04:47 | 0:04:49 | |
Yeah, busy making it even messier. | 0:04:51 | 0:04:53 | |
-Carlos! -What? | 0:04:55 | 0:04:57 | |
That is it, we are cleaning this place up, | 0:04:57 | 0:04:59 | |
so you can either help me with the trash | 0:04:59 | 0:05:00 | |
or you can leave with the trash. What'll it be? Hm? | 0:05:00 | 0:05:03 | |
Move. | 0:05:07 | 0:05:08 | |
And the results of today's show are baked beans - 95, broad beans - two. | 0:05:08 | 0:05:14 | |
That is a big win for baked beans. Who'd have guessed? | 0:05:14 | 0:05:17 | |
Well, that's all from me, so until next time, stay chic and unique. | 0:05:17 | 0:05:23 | |
That was a good show, Clare. | 0:05:23 | 0:05:24 | |
Really? You don't think it's getting a bit dull, | 0:05:24 | 0:05:27 | |
like, maybe it needs a new angle to liven it up? | 0:05:27 | 0:05:29 | |
There's nothing more exciting than a bean-off. | 0:05:29 | 0:05:32 | |
No, you're right. It's getting dull. | 0:05:32 | 0:05:34 | |
I could do with something a bit different, you know, | 0:05:34 | 0:05:36 | |
to spice it up a bit. How's your song going, anyway? | 0:05:36 | 0:05:40 | |
Yeah, really well. I've done loads. | 0:05:40 | 0:05:42 | |
Really? Well, that's great. | 0:05:42 | 0:05:44 | |
Except that is the loads. Literally a pile of rubbish. | 0:05:44 | 0:05:48 | |
Well, come on, it can't be that bad. | 0:05:48 | 0:05:50 | |
Let me have a look. | 0:05:50 | 0:05:53 | |
It is just says "arghhh!" | 0:05:57 | 0:06:00 | |
Yeah, I'm really, really stuck right now. | 0:06:00 | 0:06:04 | |
You know what you need? | 0:06:04 | 0:06:05 | |
A new brain full of songs? | 0:06:05 | 0:06:07 | |
No, you need a cup of nettle, rosehip and aniseed tea. | 0:06:07 | 0:06:12 | |
Really good for creativity. | 0:06:12 | 0:06:14 | |
-Ain't that bad for your taste buds though? -Oi. | 0:06:14 | 0:06:17 | |
There you go. A rosehip, nettle and aniseed tea. | 0:06:21 | 0:06:24 | |
Do you even know what delicious means? | 0:06:24 | 0:06:26 | |
I'll have one, actually. Kait, fancy a cuppa? | 0:06:26 | 0:06:29 | |
Yeah, I will do, but, you know, normal tea for me. The nice stuff. | 0:06:29 | 0:06:34 | |
So, in order to max our prep time for tonight I thought | 0:06:34 | 0:06:37 | |
we could use the Ghostel guest room to get ready. | 0:06:37 | 0:06:39 | |
-Saves me going home. -So that'll explain this, then. | 0:06:39 | 0:06:42 | |
Just some basic kit for a girlie getting ready sesh. | 0:06:43 | 0:06:47 | |
-You up for it? -Sounds fun. | 0:06:47 | 0:06:49 | |
Cool, and we can practise for the ceremony at the same time. | 0:06:49 | 0:06:52 | |
Wait, what do we want to practise? | 0:06:52 | 0:06:53 | |
Your winning and losing faces. Let's have a go now, right? | 0:06:53 | 0:06:57 | |
Winning face. | 0:06:57 | 0:07:00 | |
"And the winner is, Kait!" | 0:07:00 | 0:07:02 | |
Nice. Pleased, but humble. Now your losing face. | 0:07:05 | 0:07:09 | |
"And the winner is not Kait." | 0:07:09 | 0:07:11 | |
What? | 0:07:11 | 0:07:13 | |
You really want to win, don't you? | 0:07:14 | 0:07:16 | |
I just feel like it'd be a nice reward for all my hard work. | 0:07:16 | 0:07:19 | |
Just being nominated is pretty amazing. | 0:07:19 | 0:07:21 | |
Yeah, I suppose. | 0:07:21 | 0:07:23 | |
BELL RINGS Are you all right? | 0:07:23 | 0:07:25 | |
Yeah, this is just my having a brilliant idea face because | 0:07:25 | 0:07:29 | |
I can ask all the celebs that are there to come on my radio show. | 0:07:29 | 0:07:32 | |
How's that for a new angle? Right, got to go get ready to look good. | 0:07:32 | 0:07:36 | |
Wait, but we don't leave for another six hours. | 0:07:36 | 0:07:39 | |
Tell me about it! We're in such a rush. | 0:07:39 | 0:07:42 | |
-What about your tea? -It's all right, you can have it. | 0:07:42 | 0:07:44 | |
Great, two nasty cups of tea. | 0:07:44 | 0:07:46 | |
Just this way. | 0:07:49 | 0:07:51 | |
Aaaargh! | 0:07:55 | 0:07:57 | |
I hate lizards. | 0:07:57 | 0:07:59 | |
Hmm, interesting. | 0:08:00 | 0:08:03 | |
We can have a little fun with that. | 0:08:03 | 0:08:05 | |
Technically it's a bearded dragon. | 0:08:05 | 0:08:09 | |
I don't care. | 0:08:09 | 0:08:11 | |
What kind of reptile-infested establishment is this? | 0:08:11 | 0:08:16 | |
Oh, no, she has a clipboard. | 0:08:19 | 0:08:22 | |
-Time for some fun. -What do short-sighted ghosts wear? | 0:08:24 | 0:08:28 | |
Spooktacles. | 0:08:30 | 0:08:32 | |
Eh? | 0:08:32 | 0:08:34 | |
It was a joke. | 0:08:34 | 0:08:36 | |
You said they were useful for calming people down. | 0:08:36 | 0:08:38 | |
My jokes are. Yours are rubbish and ghostist. | 0:08:38 | 0:08:44 | |
I'm even crosser now. | 0:08:44 | 0:08:46 | |
Mmm, this is really nice tea, Rich. | 0:08:50 | 0:08:52 | |
Well, I do make good tea. Just can't really write songs. | 0:08:52 | 0:08:56 | |
I wish Boys Who Make Noise would commission a cup of tea. | 0:08:56 | 0:08:59 | |
Not going so well? | 0:08:59 | 0:09:00 | |
Got writer's block. I'm really desperate, you know. | 0:09:00 | 0:09:04 | |
You know, sometimes when I'm thinking up new pet treats | 0:09:04 | 0:09:07 | |
and I sometimes get snack block, well, something always comes... | 0:09:07 | 0:09:10 | |
HE HUMS TUNE IN HEAD | 0:09:10 | 0:09:15 | |
Rich, are you even listening to me? | 0:09:15 | 0:09:17 | |
Do you know what? I think this nasty tea works, you know. | 0:09:17 | 0:09:19 | |
Look, I've got a song idea, I've got to go and write it down. | 0:09:19 | 0:09:22 | |
Glad I bothered trying to help. | 0:09:22 | 0:09:24 | |
HE HUMS A TUNE | 0:09:26 | 0:09:28 | |
It's gone! Grr! | 0:09:34 | 0:09:36 | |
Right, stay calm. You can do this. | 0:09:39 | 0:09:42 | |
Music first, lyrics later. | 0:09:44 | 0:09:47 | |
Oh, great. Now the clock's broken. | 0:10:06 | 0:10:08 | |
I thought you might need another cup of Clare's disgusting, | 0:10:15 | 0:10:18 | |
-yet inspiring tea. -Thanks, Kait. | 0:10:18 | 0:10:21 | |
Do you know what, I think this is doing the trick, you know. | 0:10:21 | 0:10:23 | |
Imagine if you actually drank some. | 0:10:23 | 0:10:25 | |
I'm just so nervous about tonight. Well, I know it's... | 0:10:25 | 0:10:27 | |
HE HUMS TUNE IN HEAD | 0:10:27 | 0:10:34 | |
DOOR SLAMS SHUT | 0:10:40 | 0:10:42 | |
Right, now it's gone. | 0:10:44 | 0:10:46 | |
I don't think this tea's working, you know. | 0:10:46 | 0:10:48 | |
I'm sorry. You're clearly upset. | 0:10:50 | 0:10:53 | |
I am not upset. This is not upset. | 0:10:53 | 0:10:57 | |
Maybe if you took a few deep breaths. | 0:10:57 | 0:10:59 | |
I'm a ghost, I don't need to breathe. | 0:10:59 | 0:11:02 | |
Do you know anything about ghosts? | 0:11:02 | 0:11:03 | |
OK, no deep breaths, maybe think calm thoughts? | 0:11:03 | 0:11:06 | |
Like? | 0:11:06 | 0:11:07 | |
Not lizards. | 0:11:09 | 0:11:11 | |
Do you always make your guests feel this tense? | 0:11:11 | 0:11:14 | |
No. | 0:11:14 | 0:11:16 | |
My Ghostel provides a calm and relaxing environment | 0:11:16 | 0:11:19 | |
for new spirits to adjust to the afterlife. Please. | 0:11:19 | 0:11:23 | |
# When I am with you there's no place I'd rather be... # | 0:11:26 | 0:11:31 | |
A calm and relaxing environment? | 0:11:31 | 0:11:34 | |
-Well... -And she is clearly not a spirit but a living person. | 0:11:34 | 0:11:40 | |
A very loud living person. | 0:11:40 | 0:11:43 | |
Do you have any ghost guests? | 0:11:43 | 0:11:46 | |
Not at the moment, but... | 0:11:46 | 0:11:48 | |
Well, I am not surprised. | 0:11:48 | 0:11:51 | |
If I were a ghost, which I am, I wouldn't want to stay here. | 0:11:51 | 0:11:56 | |
This isn't a Ghostel, it's a B&B. | 0:11:56 | 0:12:01 | |
But I'm a guest here. It's awful. | 0:12:03 | 0:12:06 | |
-No, no, she is not a guest. -Shh, I want to hear it. | 0:12:06 | 0:12:09 | |
It's very, very noisy even though I'm so old and deaf... | 0:12:09 | 0:12:16 | |
And it's crawling with lizards and live people. | 0:12:18 | 0:12:22 | |
In fact, it's so bad I'm leaving right now. | 0:12:22 | 0:12:27 | |
I have never seen her before in my afterlife. | 0:12:30 | 0:12:33 | |
Oh, so you admit you've paid no attention to her | 0:12:33 | 0:12:36 | |
even though she's a guest? | 0:12:36 | 0:12:39 | |
I'm going to need a bigger clipboard. | 0:12:39 | 0:12:42 | |
They're coming. | 0:12:44 | 0:12:47 | |
And the portal lets me have ghost guests back from the afterlife | 0:12:47 | 0:12:51 | |
as well as newly-departed spirits, | 0:12:51 | 0:12:53 | |
which I think makes my Ghostel unique and important. | 0:12:53 | 0:12:58 | |
Spirits coming back from the afterlife? | 0:12:58 | 0:13:01 | |
I don't think that's allowed. | 0:13:01 | 0:13:03 | |
But, no, that's... | 0:13:03 | 0:13:05 | |
We've been looking after reception, ma'am. | 0:13:05 | 0:13:08 | |
Ma'am? Very good. Reception looks very smart. | 0:13:08 | 0:13:13 | |
At least someone here seems to know what they are doing. | 0:13:13 | 0:13:18 | |
We installed a new bell so guests can summon us. | 0:13:18 | 0:13:21 | |
Would you like to try it? | 0:13:21 | 0:13:23 | |
Oh, no, it will be a trap. | 0:13:23 | 0:13:24 | |
BELL RINGS | 0:13:24 | 0:13:26 | |
Ah! | 0:13:26 | 0:13:28 | |
How awful. Would you like to see the manager? | 0:13:32 | 0:13:36 | |
Yes, yes, I would. | 0:13:36 | 0:13:38 | |
Well, here he is. | 0:13:38 | 0:13:41 | |
Argh! | 0:13:42 | 0:13:46 | |
DISTANT SCREAMING | 0:13:46 | 0:13:48 | |
Excellent. | 0:13:57 | 0:13:59 | |
I think that went well. | 0:13:59 | 0:14:00 | |
-Really? -Of course not. | 0:14:00 | 0:14:02 | |
This Ghostel is what I afterlive for | 0:14:04 | 0:14:07 | |
and you two have just ruined my inspection. | 0:14:07 | 0:14:10 | |
So thank you. | 0:14:10 | 0:14:11 | |
Thank you very much indeed. | 0:14:13 | 0:14:15 | |
I've got this strange feeling in my tummy. | 0:14:22 | 0:14:24 | |
I think it's called guilt. | 0:14:24 | 0:14:27 | |
Yeah, me too. | 0:14:27 | 0:14:28 | |
It feels horrid. | 0:14:30 | 0:14:32 | |
Nearly done. | 0:14:38 | 0:14:40 | |
Yeah, I'll just put this bit away. | 0:14:40 | 0:14:42 | |
Even for a strong mouse like me this has been exhausting. | 0:14:48 | 0:14:52 | |
Meow! | 0:14:57 | 0:14:58 | |
There's a cat! There's a cat! | 0:14:58 | 0:15:01 | |
It was just me. Funny? | 0:15:01 | 0:15:03 | |
No. Well, you know what this means, don't you? | 0:15:03 | 0:15:07 | |
We're going to have to clean it again? | 0:15:07 | 0:15:09 | |
Who said anything about we? | 0:15:09 | 0:15:10 | |
Why can't there be a book on how to write a hit song | 0:15:16 | 0:15:19 | |
really, really quickly? | 0:15:19 | 0:15:20 | |
I take it, Master Rich, that your song is as yet incomplete? | 0:15:20 | 0:15:24 | |
Not unless you can write a whole song with "arghh!" | 0:15:24 | 0:15:26 | |
Well, you can, but only for bagpipes. | 0:15:26 | 0:15:29 | |
Right, I just have to go and get ready for tonight, | 0:15:31 | 0:15:34 | |
so which one do you think I should wear? The red one or the blue one... | 0:15:34 | 0:15:39 | |
HE HUMS TUNE IN HEAD | 0:15:39 | 0:15:44 | |
I'm sorry. Look, this song, I've got to write it down. | 0:15:53 | 0:15:56 | |
What are you going to do, | 0:15:56 | 0:15:57 | |
cut off your hand and send it to Boys Who Make Noise? | 0:15:57 | 0:16:00 | |
It's gone again. | 0:16:05 | 0:16:06 | |
Now I can't even read what I've written. | 0:16:08 | 0:16:10 | |
I may know how to help you. | 0:16:10 | 0:16:13 | |
I think to write your song you need Lady Kaitlyn. | 0:16:13 | 0:16:17 | |
Before she came in you were bereft of invention. | 0:16:17 | 0:16:20 | |
Trapped in a career-ending rut of failure, doomed to... | 0:16:20 | 0:16:24 | |
I was stuck. I've got it. Move on... | 0:16:24 | 0:16:27 | |
But when she came in you were clearly struck with inspiration. | 0:16:27 | 0:16:32 | |
Have there been other times when you've had ideas for your song? | 0:16:32 | 0:16:35 | |
Well, once when I was talking to Kait in the kitchen | 0:16:35 | 0:16:38 | |
and the other time was when she brought me tea. | 0:16:38 | 0:16:41 | |
So it is as I thought. Lady Kaitlyn is your muse. | 0:16:41 | 0:16:45 | |
-My muse? -The one who inspires you creatively. | 0:16:45 | 0:16:48 | |
No. | 0:16:48 | 0:16:50 | |
I shall prove it. Think of Lady Kaitlyn. | 0:16:50 | 0:16:53 | |
All right. | 0:16:53 | 0:16:55 | |
You know what? It actually works. | 0:16:56 | 0:16:58 | |
Look, I've got to write this down, just not on my hand. | 0:16:58 | 0:17:02 | |
What was it...? It's gone again! | 0:17:02 | 0:17:06 | |
Look, I can't think of her and write at the same time. | 0:17:06 | 0:17:09 | |
What if you could actually see her? | 0:17:09 | 0:17:11 | |
Of course. Gabe, you're a genius. | 0:17:11 | 0:17:15 | |
Oh, the living. | 0:17:18 | 0:17:20 | |
I just came to inform you that my final report is due. | 0:17:20 | 0:17:24 | |
Fantastic. | 0:17:24 | 0:17:26 | |
You can probably guess... | 0:17:26 | 0:17:28 | |
Wait, you need to see something first. | 0:17:28 | 0:17:30 | |
Sorry, running's so much slower than just appearing somewhere. | 0:17:30 | 0:17:35 | |
Anyway, what she said. | 0:17:35 | 0:17:37 | |
No, no, no, you two have done quite enough damage for one day. | 0:17:37 | 0:17:40 | |
Gabe, she really needs to see this. | 0:17:40 | 0:17:42 | |
Great. More running. | 0:17:44 | 0:17:46 | |
Oh, no. This cannot be good. | 0:17:48 | 0:17:50 | |
Looks OK. How about... | 0:17:53 | 0:17:56 | |
-this one? -I don't know, it's a bit princessy. | 0:17:56 | 0:17:59 | |
For Princess Kaitlyn of Animal Snacks. | 0:17:59 | 0:18:02 | |
It's an amazing dress for an amazing night. That's amazing, four As. | 0:18:02 | 0:18:10 | |
Right. | 0:18:10 | 0:18:11 | |
Rich, what are you doing? | 0:18:14 | 0:18:15 | |
I just thought I'd come and help you get ready, really. | 0:18:15 | 0:18:18 | |
This is a girl getting ready session and you're not a girl... | 0:18:18 | 0:18:20 | |
HE HUMS TUNE IN HEAD | 0:18:20 | 0:18:22 | |
You're not even listening to me. | 0:18:22 | 0:18:25 | |
You've not being listening to me all day... Get out! | 0:18:25 | 0:18:29 | |
Whoa, can I just stay for a little bit? | 0:18:29 | 0:18:31 | |
-You heard her. Go on, shoo! Get out! -Move! -Oh, come on, girls. | 0:18:31 | 0:18:34 | |
Oh, here again. I hope there are no lizards this time. | 0:18:40 | 0:18:45 | |
No, this is now officially a lizard-free zone. | 0:18:45 | 0:18:49 | |
I'm so glad to hear that. | 0:18:49 | 0:18:52 | |
Whatever you two are... | 0:18:53 | 0:18:54 | |
Gabe, we're sorry for what happened earlier. | 0:18:54 | 0:18:59 | |
It was our fault, not Gabe's. | 0:18:59 | 0:19:01 | |
Because Gabe is actually brilliant at helping all | 0:19:01 | 0:19:03 | |
the spirits who come here. | 0:19:03 | 0:19:05 | |
And he would never trick them like we tricked you. | 0:19:05 | 0:19:08 | |
He's too nice. | 0:19:08 | 0:19:10 | |
And he runs an awesome Ghostel. | 0:19:10 | 0:19:12 | |
So please don't give him a bad report because of what we did today. | 0:19:12 | 0:19:16 | |
We were just bored silly and thought it would be fun. | 0:19:16 | 0:19:20 | |
Well, aren't you going to say anything? | 0:19:20 | 0:19:23 | |
I've never apologised or been that nice about anyone, | 0:19:23 | 0:19:25 | |
and it had better be worth it. | 0:19:25 | 0:19:28 | |
I shall be making my final report soon | 0:19:28 | 0:19:32 | |
and I will take everything that's happened today into account. | 0:19:32 | 0:19:35 | |
No, wait. If you give me one more chance... | 0:19:37 | 0:19:43 | |
I will prove I'm worthy of running this Ghostel | 0:19:43 | 0:19:45 | |
because this place is not just important to me... | 0:19:45 | 0:19:50 | |
..it is me. | 0:19:51 | 0:19:53 | |
As I said, I shall be making my final report soon. | 0:19:54 | 0:19:58 | |
Wow, nice speech, Gabe. | 0:20:01 | 0:20:04 | |
I hope it works. | 0:20:04 | 0:20:07 | |
And I thank you two for your kind words. | 0:20:07 | 0:20:10 | |
I didn't know you thought so highly of me. | 0:20:10 | 0:20:12 | |
Sometimes you just have to say stuff you don't believe | 0:20:12 | 0:20:15 | |
to get out of trouble. | 0:20:15 | 0:20:17 | |
All right, I meant it, really, | 0:20:18 | 0:20:21 | |
but don't tell anyone - it'll ruin my reputation. | 0:20:21 | 0:20:24 | |
Was I wrong? Is Lady Kaitlyn not your muse? | 0:20:28 | 0:20:31 | |
Oh, she's my muse, but I just can't get near her. | 0:20:31 | 0:20:34 | |
If I can't see her, I can't write my song. | 0:20:34 | 0:20:37 | |
Might a picture of her suffice? | 0:20:37 | 0:20:39 | |
-Maybe, but where am I going to get one? -Well... | 0:20:39 | 0:20:42 | |
I myself am quite a decent artist. Or, being modern for once, | 0:20:45 | 0:20:50 | |
may I say two words? | 0:20:50 | 0:20:52 | |
Phone camera? | 0:20:52 | 0:20:55 | |
Phone camera. | 0:20:56 | 0:20:58 | |
Oh, Gabe, you're a genius. | 0:20:58 | 0:21:01 | |
Clare, come on, we're going to be late. | 0:21:03 | 0:21:05 | |
Don't worry, I'm nearly there. | 0:21:05 | 0:21:07 | |
Whoa! Sorry. These shoes make it tricky to walk in, | 0:21:07 | 0:21:12 | |
as does me dress and my hair. | 0:21:12 | 0:21:15 | |
Well, I hope it doesn't make it tricky to sit in a taxi | 0:21:15 | 0:21:17 | |
and go have crazy award ceremony fun. | 0:21:17 | 0:21:21 | |
Oh, wait, before you go... | 0:21:21 | 0:21:22 | |
Wow, Kait, you look great. | 0:21:25 | 0:21:27 | |
CLARE CLEARS THROAT | 0:21:29 | 0:21:30 | |
-And you look OK too, Clare. -Thanks. | 0:21:30 | 0:21:33 | |
Did you have a fight with a peacock or something? | 0:21:33 | 0:21:36 | |
Did you want something, Rich? | 0:21:36 | 0:21:38 | |
Yeah, just a quick picture before you go. | 0:21:38 | 0:21:40 | |
Yeah. A memento of our big night out. | 0:21:40 | 0:21:43 | |
Oh, no, sorry, Clare, just of Kait. | 0:21:43 | 0:21:45 | |
Oh, OK. | 0:21:48 | 0:21:51 | |
I knew my outfit wasn't good enough. | 0:21:51 | 0:21:54 | |
Give me a minute. | 0:21:54 | 0:21:55 | |
Wait, no, Clare, we're going to be... late. | 0:21:55 | 0:21:59 | |
Wow, that was impressive. | 0:21:59 | 0:22:01 | |
Right, come on, best bud. | 0:22:01 | 0:22:03 | |
I've got celebs to meet and get on my radio show | 0:22:03 | 0:22:06 | |
and you have got an award to win. | 0:22:06 | 0:22:08 | |
HE HUMS TUNE IN HEAD | 0:22:15 | 0:22:21 | |
My clipboard has never been so full. | 0:22:27 | 0:22:30 | |
-Is red good? -No. | 0:22:32 | 0:22:35 | |
There's some blue at the bottom, is that good? | 0:22:35 | 0:22:39 | |
Oh, that's only there because I ran out of red ink. | 0:22:39 | 0:22:41 | |
This Ghostel is a noisy, unrelaxing shambles. | 0:22:43 | 0:22:50 | |
The staff were rude, uncooperative and you yourself were | 0:22:50 | 0:22:56 | |
a nervous wreck who kept making offensive and unfunny jokes. | 0:22:56 | 0:23:02 | |
And then there's the lizard. | 0:23:02 | 0:23:05 | |
However, I'm now aware that not everything was your fault, | 0:23:06 | 0:23:10 | |
especially the lizard. | 0:23:10 | 0:23:12 | |
I have now seen your better qualities, | 0:23:12 | 0:23:14 | |
qualities I witnessed myself when I saw you helping your friend Rich. | 0:23:14 | 0:23:19 | |
You saw that? | 0:23:19 | 0:23:20 | |
I did and was very impressed. | 0:23:20 | 0:23:24 | |
You clearly care about your job enormously, which would explain | 0:23:24 | 0:23:27 | |
your nerves, and my anti-lizard screams won't have helped with that. | 0:23:27 | 0:23:33 | |
-Not at all. I find it relaxing... -What have I said about your jokes? | 0:23:33 | 0:23:39 | |
Sorry. | 0:23:39 | 0:23:41 | |
Plus, I have decided that, as you said, | 0:23:41 | 0:23:45 | |
helping those from the afterlife is just as important as helping | 0:23:45 | 0:23:48 | |
new spirits and as your Ghostel is uniquely suited to that... | 0:23:48 | 0:23:53 | |
..I am awarding you five spooky stars. | 0:23:55 | 0:23:59 | |
Five, that's amazing! | 0:23:59 | 0:24:00 | |
-Don't get cocky, it's five out of ten. -Oh. | 0:24:00 | 0:24:04 | |
SHE LAUGHS | 0:24:04 | 0:24:06 | |
I'm joking! | 0:24:06 | 0:24:08 | |
See, my jokes are good. | 0:24:08 | 0:24:11 | |
-Hilarious. -Oh, one more thing. | 0:24:11 | 0:24:13 | |
If I ever inspect you again, please hide the lizard before I arrive. | 0:24:13 | 0:24:17 | |
What a jester. | 0:24:22 | 0:24:23 | |
The revellers return. Was it a good night? | 0:24:46 | 0:24:50 | |
It was OK. | 0:24:50 | 0:24:52 | |
Until they gave me this and then it was amazing, | 0:24:52 | 0:24:55 | |
which is even better than you said, Clare - six As, not four. | 0:24:55 | 0:24:58 | |
Although it was less red carpet and more beige rug. | 0:24:58 | 0:25:01 | |
You know, I just wanted to meet loads of celebs | 0:25:01 | 0:25:04 | |
so I can get them on my radio show and make it better. | 0:25:04 | 0:25:06 | |
But your show's great. You don't need gimmicks like star guests. | 0:25:06 | 0:25:09 | |
-Excuse me. Hello? -Do you really think? -Of course I do. | 0:25:09 | 0:25:11 | |
Look, I'm sorry it wasn't more starry, | 0:25:11 | 0:25:13 | |
but I had my best friend there when I won. Really meant the world. | 0:25:13 | 0:25:16 | |
Well, I am so proud of you, babe, and your winning face was amazing. | 0:25:16 | 0:25:21 | |
And you know what, I did actually meet one big star. | 0:25:21 | 0:25:26 | |
-I've got five. -You. -Me? | 0:25:26 | 0:25:28 | |
Best newcomer at the Pet Snacks of the Year Awards, are you joking? | 0:25:28 | 0:25:32 | |
That is a star in my book. | 0:25:32 | 0:25:34 | |
-So I can come on your show? -Any time. | 0:25:34 | 0:25:36 | |
Right people, everyone to the studio. | 0:25:36 | 0:25:38 | |
Let's go, let's go, let's go. | 0:25:38 | 0:25:40 | |
Hey, big bruv, what's that? | 0:25:48 | 0:25:50 | |
Nothing, just a bit of old wallpaper. | 0:25:50 | 0:25:52 | |
Take a seat, take a seat. Are we all ready? | 0:25:52 | 0:25:56 | |
-Yeah! -Right, here we go. | 0:25:56 | 0:25:59 | |
# Love is not a science, it's an art | 0:25:59 | 0:26:01 | |
# And you've painted your way right into my heart | 0:26:01 | 0:26:03 | |
# Cos there's nothing you could say | 0:26:03 | 0:26:04 | |
# Nothing you could do | 0:26:04 | 0:26:06 | |
# That would ever stop the way I feel for you | 0:26:06 | 0:26:08 | |
# Cos I can't get over you | 0:26:08 | 0:26:12 | |
# My heart's telling me that it's true | 0:26:12 | 0:26:16 | |
# No, I can't get over you. # | 0:26:16 | 0:26:20 | |
APPLAUSE | 0:26:20 | 0:26:22 | |
So, do you think Boys Who Make Noise will like it? | 0:26:25 | 0:26:27 | |
Well, if they don't, they should change their name to | 0:26:27 | 0:26:29 | |
Twits Who'll Never Have Hits. | 0:26:29 | 0:26:31 | |
It's really good, Rich. | 0:26:31 | 0:26:33 | |
-I thought you were really, really stuck. -Yeah, and then I got unstuck. | 0:26:33 | 0:26:36 | |
-How? -Let's just say I found my inspiration. | 0:26:36 | 0:26:38 |