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This is... Deadly 360. | 0:00:02 | 0:00:05 | |
We pit three of the deadliest predators against their prey. | 0:00:05 | 0:00:09 | |
Examining their hunting strategies and escape tactics from every angle. | 0:00:10 | 0:00:16 | |
By delving beneath the fur and the feathers, | 0:00:18 | 0:00:20 | |
we find out why a hunt succeeds... | 0:00:20 | 0:00:23 | |
and why they sometimes fail. | 0:00:23 | 0:00:26 | |
One thing's certain, prey animals are anything but sitting ducks. | 0:00:26 | 0:00:29 | |
Their defensive strategies keep them alive. | 0:00:31 | 0:00:34 | |
And push predators to the limits. | 0:00:36 | 0:00:39 | |
Prepare for Deadly 360. | 0:00:40 | 0:00:42 | |
This is Deadly 360 Mission Control. | 0:00:44 | 0:00:48 | |
Where all of today's action and analysis takes place. | 0:00:48 | 0:00:51 | |
We have access to some of the most enthralling hunts | 0:00:53 | 0:00:56 | |
ever caught on camera. | 0:00:56 | 0:00:58 | |
I've recreated three of the most exciting | 0:00:58 | 0:01:00 | |
and analysed them from a variety of different angles and perspectives | 0:01:00 | 0:01:04 | |
in true 360-degree style. | 0:01:04 | 0:01:06 | |
The predators we're looking at have to find and catch food, | 0:01:08 | 0:01:11 | |
or they just won't make it. | 0:01:11 | 0:01:12 | |
In the wild world, simply managing to survive | 0:01:12 | 0:01:15 | |
is the greatest challenge of all. | 0:01:15 | 0:01:17 | |
I present to you the Aerial Assassins. | 0:01:17 | 0:01:20 | |
In today's line-up, we check out | 0:01:20 | 0:01:22 | |
one of the fastest flying insects on the planet. | 0:01:22 | 0:01:25 | |
The emperor dragonfly. An insect-chomping speedster. | 0:01:25 | 0:01:29 | |
We also meet the Daubenton's bat. | 0:01:29 | 0:01:32 | |
A nocturnal hunter who can detect prey in pitch black. | 0:01:32 | 0:01:36 | |
And we'll check out how the kestrel uses its rock-steady vision | 0:01:37 | 0:01:40 | |
to try and catch its prey. | 0:01:40 | 0:01:43 | |
Three aerial assassins, | 0:01:43 | 0:01:45 | |
three very different hunting strategies, all deadly. | 0:01:45 | 0:01:49 | |
They look invincible, but there's a continual race going on in nature | 0:01:53 | 0:01:56 | |
which ensures prey animals are always evolving | 0:01:56 | 0:01:59 | |
spectacular ways of taking care of themselves. | 0:01:59 | 0:02:01 | |
Trying to avoid their fluttering foes - the damselfly. | 0:02:04 | 0:02:09 | |
Agile in flight, and an aerial acrobat. | 0:02:09 | 0:02:12 | |
And this furry fellow, the field vole. | 0:02:12 | 0:02:15 | |
An expert in staying hidden with a burst of speed to outrun its enemy. | 0:02:15 | 0:02:19 | |
And the yellow underwing moth | 0:02:19 | 0:02:22 | |
with its aeronautical tactics, which have to be seen to be believed. | 0:02:22 | 0:02:27 | |
Three prey with three very different, | 0:02:27 | 0:02:29 | |
but effective escape strategies. | 0:02:29 | 0:02:31 | |
So, I've introduced you to all of our contenders, | 0:02:32 | 0:02:35 | |
now it's time to meet our first deadly duo going head-to-head. | 0:02:35 | 0:02:39 | |
This is the emperor dragonfly. | 0:02:39 | 0:02:41 | |
The largest European dragonfly, and with a top speed of 35mph, | 0:02:41 | 0:02:46 | |
one of the fastest insects in the world. | 0:02:46 | 0:02:49 | |
And up against it is this - | 0:02:49 | 0:02:52 | |
his smaller cousin, the damselfly. | 0:02:52 | 0:02:55 | |
But which animal has the edge in the race for life? | 0:02:55 | 0:02:59 | |
It's time to go Deadly 360. | 0:02:59 | 0:03:02 | |
We witness the final stages of the hunt. | 0:03:06 | 0:03:08 | |
The emperor dragonfly is lining up on the damselfly | 0:03:08 | 0:03:11 | |
and chasing it down at top speed. | 0:03:11 | 0:03:13 | |
But the damselfly has great vision and has spotted his attacker. | 0:03:13 | 0:03:18 | |
It's twisting and turning, trying to escape, | 0:03:18 | 0:03:21 | |
but the dragonfly is gaining. | 0:03:21 | 0:03:24 | |
But even in a hunt like this, there are still lots of factors in play. | 0:03:24 | 0:03:28 | |
And to find out why a predator might succeed or fail, | 0:03:28 | 0:03:31 | |
we need to wind back the action | 0:03:31 | 0:03:33 | |
and build up the entire hunt right from the beginning. | 0:03:33 | 0:03:36 | |
This battle takes place in southern France. | 0:03:38 | 0:03:42 | |
And more specifically, on a stretch of river here, | 0:03:42 | 0:03:45 | |
beside the vast grounds of a castle. | 0:03:45 | 0:03:48 | |
Quite fitting for an emperor. | 0:03:48 | 0:03:50 | |
Water is absolutely critical for the dragonfly. | 0:03:50 | 0:03:53 | |
As where there's water, there are many insects to feast on. | 0:03:53 | 0:03:56 | |
And one of the largest potential meals here is the damsel fly. | 0:03:56 | 0:04:00 | |
But they're also the most difficult to catch. | 0:04:00 | 0:04:04 | |
So, that's the arena for our gladiatorial contest. | 0:04:04 | 0:04:07 | |
What weapons and defences do the two animals doing battle have? | 0:04:07 | 0:04:11 | |
Well, the emperor dragonfly's chief ability | 0:04:14 | 0:04:16 | |
is flying at incredible speeds of over 35mph. | 0:04:16 | 0:04:20 | |
But they also have extraordinary vision. | 0:04:20 | 0:04:23 | |
And chomping jaws to despatch their prey in seconds. | 0:04:23 | 0:04:28 | |
All of this makes our predator a pretty scary prospect. | 0:04:29 | 0:04:33 | |
What does our prey animal have to counter? | 0:04:33 | 0:04:36 | |
Damselflies are also hunters, | 0:04:36 | 0:04:38 | |
so have similar weapons to the dragonfly. | 0:04:38 | 0:04:41 | |
But today, they'll need those weapons for defence. | 0:04:41 | 0:04:44 | |
Their vision enables them to see nearly 360 degrees. | 0:04:44 | 0:04:48 | |
They can also hit some superfast speeds through the air themselves, | 0:04:48 | 0:04:52 | |
and they're nimble, able to twist and turn their way out of danger. | 0:04:52 | 0:04:56 | |
With two such talented animals, | 0:04:57 | 0:05:00 | |
this hunt is going to be a close-run thing. Let's see what happens. | 0:05:00 | 0:05:04 | |
The sun has only just come up and it's cold, | 0:05:06 | 0:05:09 | |
so the first thing the emperor dragonfly does is sunbathe, | 0:05:09 | 0:05:12 | |
while shivering its flight muscles. | 0:05:12 | 0:05:14 | |
It needs to warm these muscles up before it can take off. | 0:05:14 | 0:05:19 | |
The damselflies are smaller than the dragonfly | 0:05:19 | 0:05:22 | |
and can warm up their flight muscles faster, | 0:05:22 | 0:05:25 | |
therefore get going earlier. | 0:05:25 | 0:05:26 | |
That gives them a real headstart over the dragonfly. | 0:05:26 | 0:05:29 | |
So let's catch up with what they're up to. | 0:05:29 | 0:05:31 | |
It's the damselfly breeding season. This male tries to impress his girl. | 0:05:31 | 0:05:36 | |
But there are others trying to get her attention. Time for a battle. | 0:05:36 | 0:05:40 | |
But a gentlemanly one, involving synchronised ballet. | 0:05:40 | 0:05:44 | |
The most agile flier has the best flight muscles. | 0:05:44 | 0:05:47 | |
Something the female wants to pass on to her offspring | 0:05:47 | 0:05:49 | |
to give them the best chance of survival. | 0:05:49 | 0:05:52 | |
This battle may look like a simple bit of flying, | 0:05:52 | 0:05:55 | |
but it's extremely tiring work and requires his undivided attention. | 0:05:55 | 0:06:00 | |
Our emperor dragonfly is nearly at optimum temperature. | 0:06:00 | 0:06:04 | |
He's warming up his flight muscles and almost ready to fly. | 0:06:04 | 0:06:07 | |
And when he does, he'll have a whole host of weapons at his disposal. | 0:06:07 | 0:06:11 | |
Let's check them out here in Deadly HQ. | 0:06:11 | 0:06:13 | |
So, this is an emperor dragonfly. | 0:06:15 | 0:06:18 | |
It's the largest species of dragonfly found in Europe, | 0:06:18 | 0:06:21 | |
one of the largest in the world, and it really is packed with weapons. | 0:06:21 | 0:06:25 | |
At the front, you can see the mouth parts are actually quite complex. | 0:06:25 | 0:06:30 | |
It has different plates for munching, crushing and mashing. | 0:06:30 | 0:06:34 | |
And these legs, covered with hairs, | 0:06:34 | 0:06:37 | |
are perfect for catching prey on the wing. | 0:06:37 | 0:06:39 | |
The hairs actually serve as extra grip. | 0:06:39 | 0:06:43 | |
This section here is called the thorax. | 0:06:43 | 0:06:46 | |
You can see it's very large. | 0:06:46 | 0:06:47 | |
That's because it houses the wing muscles, which power its flight. | 0:06:47 | 0:06:51 | |
Those muscles make up two thirds of its bodyweight, | 0:06:51 | 0:06:55 | |
which is just extraordinary and shows how important | 0:06:55 | 0:06:57 | |
powered flight is to the dragonfly. | 0:06:57 | 0:07:00 | |
So let's see all of these in full effect. | 0:07:00 | 0:07:02 | |
The emperor's flight muscles are warmed up. Time for takeoff. | 0:07:05 | 0:07:09 | |
And the first thing it needs to do | 0:07:09 | 0:07:11 | |
is get high up into the air using those large flight muscles | 0:07:11 | 0:07:14 | |
in order to scour its patch for potential meals. | 0:07:14 | 0:07:17 | |
Not good news for the damselfly, who's burning up valuable energy | 0:07:17 | 0:07:21 | |
and tiring out its flight muscles trying to impress the female. | 0:07:21 | 0:07:25 | |
This distraction means he's unaware the dragonfly is hunting him down | 0:07:25 | 0:07:29 | |
using its incredible vision. | 0:07:29 | 0:07:31 | |
Check out those eyes. | 0:07:32 | 0:07:34 | |
They are some of the most impressive found in the whole natural world. | 0:07:34 | 0:07:38 | |
They cover pretty much the entire head. | 0:07:38 | 0:07:41 | |
And each compound eye has about 28,000 lenses. | 0:07:41 | 0:07:45 | |
It means they can see their prey from as much as 15 metres away. | 0:07:45 | 0:07:49 | |
Which might not sound like much, | 0:07:49 | 0:07:51 | |
but if you scale it up to my size, | 0:07:51 | 0:07:53 | |
it would mean I could spot a pizza from 350 metres away. | 0:07:53 | 0:07:56 | |
Which I like the sound of! | 0:07:56 | 0:07:58 | |
But unlike a pizza, the damselfly is no easy meal. | 0:08:01 | 0:08:04 | |
With its four wings, | 0:08:04 | 0:08:06 | |
it can weave through the air at incredible speeds. | 0:08:06 | 0:08:10 | |
But the dragonfly has the manoeuvrability of a helicopter | 0:08:10 | 0:08:13 | |
and speed of a jetfighter. | 0:08:13 | 0:08:14 | |
He can fly forwards, backwards, even hover on the spot. | 0:08:14 | 0:08:19 | |
Let me show you how he does it. | 0:08:19 | 0:08:21 | |
OK, let's get a closer look at those wings. | 0:08:23 | 0:08:25 | |
So, at the base of each one is a flexible pivot, | 0:08:25 | 0:08:28 | |
which means each wing can be moved independently. | 0:08:28 | 0:08:30 | |
Secondly, they can drive those wings in a figure-of-eight shape, | 0:08:30 | 0:08:35 | |
which allows them to hover in one spot. | 0:08:35 | 0:08:38 | |
And thirdly, at the end of each wing | 0:08:38 | 0:08:40 | |
is a weight called a pterostigma. | 0:08:40 | 0:08:43 | |
This counterbalances the wings and drives them with more momentum, | 0:08:43 | 0:08:46 | |
allowing them to fly at a faster cruising speed. | 0:08:46 | 0:08:49 | |
So they're very well equipped | 0:08:49 | 0:08:51 | |
to deal with their smaller damselfly cousin. | 0:08:51 | 0:08:54 | |
But damselflies are put together in a fairly similar way. | 0:08:54 | 0:08:57 | |
Let's find out how. | 0:08:57 | 0:08:59 | |
Dragonflies and damselflies are very closely related | 0:09:01 | 0:09:04 | |
and have a similar bodyplan, but there are subtle differences. | 0:09:04 | 0:09:08 | |
If you look at the head of the damselfly, | 0:09:08 | 0:09:10 | |
you can see it's proportionally smaller than that of the dragonfly. | 0:09:10 | 0:09:14 | |
And more of the eyes are exposed. | 0:09:14 | 0:09:16 | |
This gives it a broader field of vision, | 0:09:16 | 0:09:19 | |
so it's equally good at zoning in on its prey, | 0:09:19 | 0:09:22 | |
but it's also very, very good at looking behind it | 0:09:22 | 0:09:25 | |
at things that might be attacking. | 0:09:25 | 0:09:27 | |
Things like its relative, the dragonfly. | 0:09:27 | 0:09:29 | |
The damselfly, distracted by his courtship dance, | 0:09:32 | 0:09:35 | |
has only just spotted the dragonfly, | 0:09:35 | 0:09:37 | |
so starts his bid for freedom immediately. | 0:09:37 | 0:09:41 | |
The dragonfly spots the flickering wings | 0:09:41 | 0:09:43 | |
and switches into full-hunt mode, diving down to hit top speed. | 0:09:43 | 0:09:46 | |
But the damselfly twists out of the dragonfly's path. | 0:09:46 | 0:09:50 | |
The emperor quickly turns back on track. | 0:09:50 | 0:09:53 | |
Exhausted from all the showing off, | 0:09:53 | 0:09:55 | |
the damselfly is beginning to tire. | 0:09:55 | 0:09:58 | |
The dragonfly's gaining and... | 0:09:58 | 0:10:01 | |
..grabs a hold with those hairy legs! | 0:10:03 | 0:10:05 | |
The dragonfly takes a perch and gets stuck in | 0:10:06 | 0:10:10 | |
with its mighty mouth parts. | 0:10:10 | 0:10:12 | |
They can slice horizontally and vertically | 0:10:12 | 0:10:15 | |
and it gets stuck into the flight muscles first | 0:10:15 | 0:10:18 | |
because it knows these are the most nutritious. | 0:10:18 | 0:10:21 | |
In the warmer months, dragonflies are a common sight around us | 0:10:21 | 0:10:24 | |
and it's easy to underestimate these animals. | 0:10:24 | 0:10:27 | |
That's a mistake. | 0:10:27 | 0:10:28 | |
Dragonflies are one of the most complete aerial assassins. | 0:10:28 | 0:10:32 | |
The damselfly displays its acrobatic flying, | 0:10:32 | 0:10:35 | |
powerful flight muscles and excellent vision. | 0:10:35 | 0:10:38 | |
But got distracted by a female. | 0:10:38 | 0:10:41 | |
The large emperor dragonfly with its massive flight muscles, | 0:10:41 | 0:10:45 | |
faster acrobatic wings and munching jaws demonstrated the perfect hunt. | 0:10:45 | 0:10:50 | |
Now onto our next pair of hunters locked in a battle for survival. | 0:10:50 | 0:10:55 | |
This predator twists and turns through the forest in the night. | 0:10:55 | 0:10:59 | |
It's the daubenton's bat. | 0:10:59 | 0:11:01 | |
Up against it is this, | 0:11:01 | 0:11:05 | |
the yellow underwing moth. | 0:11:05 | 0:11:08 | |
Which has the edge in the race for life. It's time to go Deadly 360. | 0:11:08 | 0:11:14 | |
We join the action just before the critical moment | 0:11:17 | 0:11:20 | |
the bat is speeding through the trees in pursuit of its meal. | 0:11:20 | 0:11:24 | |
The moth is also trying to evade capture. | 0:11:24 | 0:11:27 | |
The yellow underwing moth is flapping all his might | 0:11:27 | 0:11:31 | |
but at a fraction of the size of the moth, | 0:11:31 | 0:11:33 | |
its fate seems inevitable. | 0:11:33 | 0:11:35 | |
There is a lot more to a hunt than just the final strike. | 0:11:35 | 0:11:41 | |
What about the hidden factors that'll influence | 0:11:41 | 0:11:44 | |
what happens in the next few seconds? | 0:11:44 | 0:11:46 | |
To find out, we have to wind back to the start and dissect the action. | 0:11:46 | 0:11:50 | |
We're heading to the UK to a piece of woodland in the countryside. | 0:11:52 | 0:11:58 | |
The forest near a water source near this river | 0:11:58 | 0:12:03 | |
are where the daubenton's bat lives | 0:12:03 | 0:12:05 | |
as there are holes in trees and buildings to roost in. | 0:12:05 | 0:12:08 | |
The trees and plants provide the food required | 0:12:08 | 0:12:11 | |
for the bats' favourite meal, moths, which are plentiful. | 0:12:11 | 0:12:15 | |
Which is just as well as a daubenton's bat | 0:12:16 | 0:12:19 | |
can eat 60% of its body weight in just one hour. | 0:12:19 | 0:12:24 | |
What special weapons has the bat got to help it catch a meal? | 0:12:25 | 0:12:29 | |
First up, sharp claws at the end of its legs | 0:12:29 | 0:12:32 | |
and a mouth crammed with 38 needle-like teeth | 0:12:32 | 0:12:36 | |
make short work of any prey. | 0:12:36 | 0:12:39 | |
And they have a super power. | 0:12:39 | 0:12:41 | |
They can use sound to see at night but I'll explain that later. | 0:12:41 | 0:12:46 | |
All of that makes our predator a pretty scary prospect. | 0:12:48 | 0:12:52 | |
But what does our prey have to counter? | 0:12:52 | 0:12:55 | |
That stocky body is packed with flight muscles to help it escape. | 0:12:56 | 0:13:00 | |
They have hearing that is far more sensitive than our own. | 0:13:00 | 0:13:04 | |
They are dazzling in flight. Able to keep any predator on their toes. | 0:13:07 | 0:13:11 | |
So, well-equipped for evading capture. | 0:13:11 | 0:13:14 | |
Right, back to the hunt. | 0:13:14 | 0:13:16 | |
The bat's busy searching for food, | 0:13:19 | 0:13:22 | |
but nocturnal bats have poor eyesight, | 0:13:22 | 0:13:24 | |
so, how can it hunt at night? | 0:13:24 | 0:13:26 | |
Well, it relies on hearing to locate its prey. | 0:13:26 | 0:13:30 | |
Using something called echolocation. Here's how it works. | 0:13:30 | 0:13:34 | |
As the bat's flying, it's emitting a series of ultrasonic clicks. | 0:13:34 | 0:13:38 | |
These are too high for a human ear to hear, | 0:13:38 | 0:13:40 | |
but they bounce back off all the objects in front of the bat. | 0:13:40 | 0:13:44 | |
It could be a tree, it could be potential prey. | 0:13:44 | 0:13:47 | |
The clicks then travel back to the bat | 0:13:47 | 0:13:49 | |
and are channelled down into the inner ear. | 0:13:49 | 0:13:52 | |
The change in vibrations and frequency allows the bat | 0:13:52 | 0:13:55 | |
to build up a three-dimensional picture of the world around it, | 0:13:55 | 0:13:58 | |
and also to zone in on potential prey. | 0:13:58 | 0:14:02 | |
The bat is flying towards the moth, | 0:14:04 | 0:14:07 | |
avoiding the many trees and other obstacles in its way | 0:14:07 | 0:14:11 | |
using echolocation. | 0:14:11 | 0:14:12 | |
It twists and turns, reacting in a split-second | 0:14:14 | 0:14:17 | |
to the information it receives. | 0:14:17 | 0:14:19 | |
The hope is that despite the moth's excellent flying skills, | 0:14:19 | 0:14:22 | |
the bat's reactions will mean the moth gets munched. | 0:14:22 | 0:14:26 | |
We're lucky enough to have an exquisite horseshoe bat skeleton. | 0:14:28 | 0:14:33 | |
It's 100 years old and very fragile, so I won't touch it, | 0:14:33 | 0:14:36 | |
but you don't need to to see what makes it so incredible. | 0:14:36 | 0:14:40 | |
Bats are the only truly flying mammals. | 0:14:40 | 0:14:44 | |
So they're distantly related to ourselves. | 0:14:44 | 0:14:46 | |
We probably shared a common ancestor maybe 18-million years ago. | 0:14:46 | 0:14:50 | |
When you go beneath the fur and the flesh, | 0:14:50 | 0:14:52 | |
it's remarkable how similar their skeleton is to our own. | 0:14:52 | 0:14:56 | |
The bones are in different proportions, | 0:14:56 | 0:14:59 | |
but we've got feet, legs, a pelvis, a complete ribcage, | 0:14:59 | 0:15:02 | |
a skull full of viciously-sharp teeth | 0:15:02 | 0:15:04 | |
for chomping through exoskeletons of insects, and this here. | 0:15:04 | 0:15:09 | |
This is the most remarkable bit for me - the wings. | 0:15:09 | 0:15:11 | |
This is essentially an arm and a hand. | 0:15:11 | 0:15:15 | |
We've got the radius and the ulna, which are the forearm bones, | 0:15:15 | 0:15:18 | |
a wrist, and these are fingers. | 0:15:18 | 0:15:20 | |
The wing membrane that goes between those is just a flap of skin. | 0:15:20 | 0:15:24 | |
But it's so efficient that it's enabled this animal | 0:15:24 | 0:15:27 | |
to become really the second-best flier in the world after the birds. | 0:15:27 | 0:15:32 | |
Let's see one in action. | 0:15:32 | 0:15:34 | |
With the bat speeding towards its meal, | 0:15:36 | 0:15:38 | |
we reveal another essential adaptation of its ear. | 0:15:38 | 0:15:41 | |
OK, so it's pretty incredible that these animals can build up | 0:15:41 | 0:15:45 | |
a picture of their world using ultrasonic echoes, | 0:15:45 | 0:15:48 | |
but it gets even more mind-blowing. Check this out. | 0:15:48 | 0:15:51 | |
Right, because those ultrasonic clicks are so intense, | 0:15:51 | 0:15:55 | |
they could shatter the inner-ear bones. | 0:15:55 | 0:15:58 | |
10 milliseconds before it calls, it disengages them from the eardrum, | 0:15:58 | 0:16:03 | |
going temporarily deaf. | 0:16:03 | 0:16:04 | |
It re-engages them again in order to take in the vital information | 0:16:04 | 0:16:08 | |
as the ultrasonic clicks come back to it. | 0:16:08 | 0:16:11 | |
That is just crazy! | 0:16:11 | 0:16:13 | |
The bat has picked up the moth's location and heads straight for it. | 0:16:16 | 0:16:20 | |
But the yellow underwing has a counterattack. | 0:16:20 | 0:16:24 | |
A simple ear on its body tuned to the bat's ultrasonic clicks. | 0:16:24 | 0:16:28 | |
This gives it a head start as it races for cover. | 0:16:28 | 0:16:32 | |
Mind you, in a flat race, | 0:16:32 | 0:16:34 | |
there is no way they're going to outpace the bat. | 0:16:34 | 0:16:37 | |
What they need to do is outmanoeuvre it. | 0:16:37 | 0:16:41 | |
If it's a hot day and you fan yourself down with your hand, | 0:16:41 | 0:16:44 | |
what you're effectively doing is creating a localised wind. | 0:16:44 | 0:16:48 | |
And that is what happens when a bat flies. | 0:16:48 | 0:16:51 | |
Its wings create a change in air pressure, | 0:16:51 | 0:16:54 | |
which the moth can detect. | 0:16:54 | 0:16:56 | |
Its body is covered in tiny hairs, | 0:16:56 | 0:16:58 | |
and those minute changes in air pressure and wind direction | 0:16:58 | 0:17:01 | |
are picked up by the hairs | 0:17:01 | 0:17:03 | |
and it's enough for the moth to sense where the bat's coming from. | 0:17:03 | 0:17:06 | |
Now, let's see how this drama plays out. | 0:17:06 | 0:17:09 | |
The bat has locked onto the moth, | 0:17:13 | 0:17:15 | |
which is desperately trying to find cover. | 0:17:15 | 0:17:17 | |
As the bat gets closer, it sends faster, high-pitched clicks, | 0:17:18 | 0:17:23 | |
focussing on the moth's precise location. | 0:17:23 | 0:17:26 | |
It's in striking distance and swings those deadly feet forward, | 0:17:26 | 0:17:31 | |
but...it's missed it! | 0:17:31 | 0:17:34 | |
Oh! That's got to be worth another watch. | 0:17:34 | 0:17:38 | |
You can see the bat really thinks it's got its prey. | 0:17:38 | 0:17:41 | |
It swings the feet forward, ready to catch it and...misses! | 0:17:41 | 0:17:45 | |
The moth simply drops out of the sky. | 0:17:45 | 0:17:47 | |
There's various things going on. | 0:17:47 | 0:17:49 | |
First of all, those tiny hairs | 0:17:49 | 0:17:51 | |
have picked up the change in air pressure as the bat gets close. | 0:17:51 | 0:17:54 | |
And also, that ear has heard the change in frequency | 0:17:54 | 0:17:58 | |
of the bat's ultrasonic cores. | 0:17:58 | 0:18:00 | |
When that happens, the flight muscles of the moth | 0:18:00 | 0:18:02 | |
simply go into spasm. They seize up and the moth drops out of the sky. | 0:18:02 | 0:18:07 | |
It's a fairly extreme reaction, but it's kept the moth alive. | 0:18:07 | 0:18:11 | |
This time at least, the moth outwitted the bat, | 0:18:13 | 0:18:16 | |
which is an extraordinary outcome. | 0:18:16 | 0:18:18 | |
But this is only one of hundreds of hunts that will take place tonight. | 0:18:18 | 0:18:22 | |
I don't think this bat will go back to its roost hungry. | 0:18:22 | 0:18:25 | |
The Daubenton's bat is a faster flier, | 0:18:27 | 0:18:29 | |
with echolocation and clawed feet for catching moths. | 0:18:29 | 0:18:32 | |
But the yellow underwing moth's tiny hairs, | 0:18:34 | 0:18:37 | |
hearing and fast-reacting flight muscles saved its life. | 0:18:37 | 0:18:40 | |
This is our last Deadly duo locked in a battle for life or death. | 0:18:42 | 0:18:46 | |
This is the common kestrel. | 0:18:46 | 0:18:49 | |
A small, but perfectly formed bird of prey. | 0:18:49 | 0:18:51 | |
And up against it is this - the speedy field vole. | 0:18:51 | 0:18:57 | |
Which has the edge in the race for life? | 0:18:58 | 0:19:01 | |
This is Deadly 360. | 0:19:01 | 0:19:03 | |
We join the action just before the critical moment of impact. | 0:19:07 | 0:19:11 | |
The kestrel is hovering 15 metres above its target. | 0:19:11 | 0:19:15 | |
The vole is busy feeding on grass | 0:19:16 | 0:19:18 | |
and its brown fur gives it excellent camouflage. | 0:19:18 | 0:19:21 | |
But the kestrel has spotted movement | 0:19:21 | 0:19:23 | |
and is dropping out of the sky towards its target. | 0:19:23 | 0:19:26 | |
It looks like the vole's days are numbered. | 0:19:28 | 0:19:31 | |
Well, not for sure. | 0:19:31 | 0:19:34 | |
As you've probably gathered, | 0:19:34 | 0:19:36 | |
things don't really work that easily on Deadly 360. | 0:19:36 | 0:19:39 | |
So, let's rewind the action and see how things really unfold. | 0:19:39 | 0:19:43 | |
The hunt takes place here, in the United Kingdom. | 0:19:47 | 0:19:50 | |
And more specifically, here, on the verge of a busy motorway. | 0:19:50 | 0:19:54 | |
Motorway verges and surrounding farmland | 0:19:54 | 0:19:57 | |
make the perfect home for the field vole. Food is plentiful, | 0:19:57 | 0:20:01 | |
but grass is low in energy. The vole has to constantly forage for food, | 0:20:01 | 0:20:05 | |
despite dangers from above. | 0:20:05 | 0:20:07 | |
So, we've set the scene. | 0:20:07 | 0:20:09 | |
But how do these animals operate in this environment? | 0:20:09 | 0:20:12 | |
What attributes do they have, in particular, | 0:20:12 | 0:20:14 | |
that might tip the balance in their favour? | 0:20:14 | 0:20:17 | |
Let's have a look at some of the kestrel's killer weapons. | 0:20:19 | 0:20:23 | |
The talons. | 0:20:23 | 0:20:24 | |
They have minute bumps on the undersurface to help grasp prey. | 0:20:24 | 0:20:27 | |
The beak. Perfect for tearing through the flesh | 0:20:29 | 0:20:32 | |
of anything unlucky enough to end up as lunch. | 0:20:32 | 0:20:35 | |
And there's its eyesight. | 0:20:35 | 0:20:37 | |
But more on that later. | 0:20:37 | 0:20:39 | |
So, with all that to help it hunt, | 0:20:40 | 0:20:43 | |
you'd think that our predator would have no trouble making a kill. | 0:20:43 | 0:20:46 | |
But our prey also has some special means of defence. | 0:20:46 | 0:20:50 | |
It's sound, rather than sight, that the vole uses as a key defence. | 0:20:54 | 0:20:59 | |
In this dark, covered world, they need acute hearing to sense danger. | 0:20:59 | 0:21:03 | |
But the key to voles' survival is knowing which way to run | 0:21:03 | 0:21:06 | |
through its maze of tunnels. | 0:21:06 | 0:21:07 | |
And it does that by following its sensitive nose. | 0:21:07 | 0:21:10 | |
If it senses danger, it can shift at high speed, | 0:21:10 | 0:21:12 | |
covering over three metres in just a second. | 0:21:12 | 0:21:15 | |
Scaled up, that's like me running at over 120mph. | 0:21:15 | 0:21:20 | |
Right, back to the hunt. | 0:21:20 | 0:21:21 | |
The kestrel is out looking for food. | 0:21:22 | 0:21:25 | |
Using that fixed glare and extremely keen eyesight, | 0:21:25 | 0:21:29 | |
any prey should keep well hidden | 0:21:29 | 0:21:31 | |
because those eyes can spot tiny movements. Here's how they work. | 0:21:31 | 0:21:35 | |
There are several differences in a bird of prey's eyes. | 0:21:35 | 0:21:39 | |
We have just one focal point and see clearly what's in front of us. | 0:21:39 | 0:21:43 | |
Everything else is blurred. | 0:21:43 | 0:21:45 | |
A bird of prey has two focal points, so can have sharp focus | 0:21:45 | 0:21:48 | |
on absolutely anything inside their field of vision. | 0:21:48 | 0:21:52 | |
To scour a sufficient area for a potential meal using its sight, | 0:21:55 | 0:21:59 | |
the kestrel climbs high above the ground. | 0:21:59 | 0:22:02 | |
The higher it climbs, the more area it can scan. | 0:22:02 | 0:22:05 | |
Once it sees telltale movement, it turns into the wind. | 0:22:05 | 0:22:08 | |
But surely it must be harder to fly into the wind? | 0:22:08 | 0:22:11 | |
The kestrel's doing this deliberately. | 0:22:11 | 0:22:14 | |
It's turned into the headwind to generate lift. | 0:22:14 | 0:22:17 | |
Now it can use the fluttering movements of the wings and the tail | 0:22:17 | 0:22:21 | |
to make micro adjustments so the head can stay perfectly still. | 0:22:21 | 0:22:25 | |
In fact, it'll move no more than half a centimetre in any direction | 0:22:25 | 0:22:29 | |
and stay fixated on the ground. | 0:22:29 | 0:22:32 | |
So, this is a kestrel in the flesh. | 0:22:35 | 0:22:38 | |
It's a male and I guess the first thing you notice | 0:22:38 | 0:22:40 | |
is just how surprisingly small he is. | 0:22:40 | 0:22:43 | |
He's got the classic falcon shape. | 0:22:43 | 0:22:46 | |
The long, thin tail, | 0:22:46 | 0:22:48 | |
these wings are swept back and very pointy-ended. | 0:22:48 | 0:22:52 | |
Can you just see those out wide? | 0:22:52 | 0:22:53 | |
That's a little bit like the motion you might see as he's hovering. | 0:22:53 | 0:22:58 | |
If I can get him to settle down... and focus on my finger... | 0:22:58 | 0:23:02 | |
Look over here. | 0:23:02 | 0:23:03 | |
..then shift the body very slightly, you can see | 0:23:03 | 0:23:06 | |
the head stays in exactly the same place, | 0:23:06 | 0:23:09 | |
just like it does when he's hovering. Can you see that? | 0:23:09 | 0:23:11 | |
That's extraordinary. | 0:23:11 | 0:23:13 | |
Look how lightweight this bird is. | 0:23:13 | 0:23:16 | |
He's easily held on my little finger. | 0:23:16 | 0:23:20 | |
This is an animal that has to kill using precision. | 0:23:20 | 0:23:23 | |
It's not like a golden eagle that can use force, power and weight, | 0:23:23 | 0:23:27 | |
he has to be unbelievably accurate when he's catching his prey. | 0:23:27 | 0:23:30 | |
Once he has, he has a very special extra weapon, which is in the beak. | 0:23:30 | 0:23:35 | |
You can see a little notch there. | 0:23:35 | 0:23:37 | |
You come back from the hooked point of the beak there | 0:23:37 | 0:23:40 | |
and you can just see that notch, | 0:23:40 | 0:23:42 | |
which is actually used to dispatch its prey | 0:23:42 | 0:23:44 | |
by biting clean through the back of the neck. | 0:23:44 | 0:23:48 | |
And it can kill them almost instantaneously. | 0:23:48 | 0:23:51 | |
He is a swift assassin. Let's see all of that in action. | 0:23:51 | 0:23:55 | |
The kestrel's hovering, searching for the vole, | 0:23:59 | 0:24:02 | |
which is busy feeding on low-energy grass above ground. | 0:24:02 | 0:24:06 | |
So, surely, it's in danger. | 0:24:06 | 0:24:09 | |
Fortunately, most of its runways are covered by vegetation, | 0:24:09 | 0:24:12 | |
keeping it safe from beady eyes above. | 0:24:12 | 0:24:14 | |
But it's just broken cover. | 0:24:16 | 0:24:18 | |
The kestrel has spotted movement. | 0:24:18 | 0:24:20 | |
Launching an attack from this height | 0:24:20 | 0:24:22 | |
would give the vole too long to escape. | 0:24:22 | 0:24:25 | |
So, it drops down to about 15 metres to fine-tune the attack. | 0:24:25 | 0:24:29 | |
The perfect balance between field of vision and time to reach the vole. | 0:24:29 | 0:24:33 | |
But the vole never hangs around in open space for long, | 0:24:33 | 0:24:36 | |
and disappears into its maze of pathways. | 0:24:36 | 0:24:39 | |
While the kestrel resets, | 0:24:39 | 0:24:41 | |
let's take a closer look at how the vole knows which paths to follow. | 0:24:41 | 0:24:45 | |
As they move, they leave scent trails of urine. | 0:24:47 | 0:24:50 | |
These serve as a warning to other voles to stay away. | 0:24:50 | 0:24:53 | |
But they also function to provide that vole | 0:24:53 | 0:24:56 | |
with its own scented signpost | 0:24:56 | 0:24:57 | |
of a direction of how it can move around inside its own territory. | 0:24:57 | 0:25:01 | |
So in the presence of a predator, | 0:25:01 | 0:25:03 | |
it knows exactly which escape route to take. | 0:25:03 | 0:25:06 | |
With this as a defence, how will our kestrel manage to locate the vole? | 0:25:06 | 0:25:09 | |
The kestrel knows there's food in this general area, | 0:25:14 | 0:25:17 | |
but the vole has moved undercover and it's too hard to pinpoint. | 0:25:17 | 0:25:20 | |
But the kestrel has one final weapon to help hunt down its prey. | 0:25:20 | 0:25:25 | |
The smelly trails that the vole leaves behind could be its undoing. | 0:25:25 | 0:25:31 | |
There are chemicals inside its wee | 0:25:31 | 0:25:32 | |
which will glow under ultraviolet light. | 0:25:32 | 0:25:35 | |
Humans can't see into the ultraviolet spectrum, | 0:25:35 | 0:25:38 | |
but if we could, there would be a faint glow | 0:25:38 | 0:25:41 | |
which would look a little bit like this. | 0:25:41 | 0:25:44 | |
Not so invisible now, is it? And guess what? | 0:25:44 | 0:25:47 | |
The kestrel can see into ultraviolet light. | 0:25:47 | 0:25:51 | |
When it's seen from overhead, it must look like this. | 0:25:51 | 0:25:54 | |
All of the tracks and trails made by the vole are clearly visible. | 0:25:54 | 0:25:58 | |
And the kestrel can zone in on them and go straight to its prey. | 0:25:58 | 0:26:02 | |
It swoops down to take a closer look. | 0:26:03 | 0:26:05 | |
Far from the safety of its burrow, | 0:26:07 | 0:26:09 | |
the vole's defence strategy is to sit still, | 0:26:09 | 0:26:11 | |
hoping the kestrel will move on. | 0:26:11 | 0:26:14 | |
But nothing escapes the kestrel's ever-vigilant gaze. | 0:26:14 | 0:26:17 | |
Sensing the impending danger, | 0:26:17 | 0:26:20 | |
the vole now uses a burst of speed to try and outrun the kestrel. | 0:26:20 | 0:26:23 | |
But its reactions are too late. Let's see that again in slow-motion. | 0:26:25 | 0:26:29 | |
We can see the kestrel's wings fold in, | 0:26:29 | 0:26:31 | |
allowing the bird to drop down on a perfect trajectory towards its prey. | 0:26:31 | 0:26:36 | |
At the last second, the talons open up and punch into that vole. | 0:26:36 | 0:26:41 | |
Once they're in, they are definitely not coming out. | 0:26:41 | 0:26:44 | |
Now he finishes it off with his beak and starts feeding. | 0:26:44 | 0:26:48 | |
The kestrel's hovering method of hunting | 0:26:48 | 0:26:51 | |
might seem like an awful lot of effort to go to, | 0:26:51 | 0:26:53 | |
but scientists reckon it's 10-15 times more effective | 0:26:53 | 0:26:56 | |
than if it was to launch its attack | 0:26:56 | 0:26:58 | |
from an elevated position, like a branch or a telegraph pole. | 0:26:58 | 0:27:02 | |
Using this method, it's successful in one out of three hunts, | 0:27:02 | 0:27:05 | |
which are pretty good odds. | 0:27:05 | 0:27:07 | |
The vole has superb hearing, | 0:27:08 | 0:27:11 | |
a sensitive nose to follow smelly tracks and it's pretty speedy. | 0:27:11 | 0:27:14 | |
But it was outdone by the kestrel's deadly talons, hovering skills | 0:27:16 | 0:27:20 | |
and eyesight that meant it could zone in to land a winning blow. | 0:27:20 | 0:27:24 | |
Usually on Deadly 360, | 0:27:27 | 0:27:28 | |
we concentrate on one family of animals. | 0:27:28 | 0:27:31 | |
But this time, we looked at a bat, a bird and an insect. | 0:27:31 | 0:27:34 | |
They could not have been more different. | 0:27:34 | 0:27:37 | |
Bt what they have in common is that they all use | 0:27:37 | 0:27:40 | |
the power of flight to Deadly advantage. | 0:27:40 | 0:27:42 | |
That's all we've got time for. | 0:27:43 | 0:27:45 | |
Join us next time as three more pairs of animals go head-to-head | 0:27:45 | 0:27:48 | |
and we analyse the action Deadly 360 style. | 0:27:48 | 0:27:51 | |
Subtitles by Red Bee Media Ltd | 0:27:52 | 0:27:54 | |
E-mail [email protected] | 0:27:54 | 0:27:56 |