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My name's Steve Backshall, | 0:00:02 | 0:00:04 | |
and this is my search for the Deadly 60. | 0:00:04 | 0:00:09 | |
Amazing! | 0:00:10 | 0:00:11 | |
That's not just animals that are deadly to me, but that are deadly | 0:00:11 | 0:00:15 | |
in their own world. | 0:00:15 | 0:00:17 | |
My crew and I are travelling the planet, and you're coming with me | 0:00:17 | 0:00:21 | |
every step of the way! | 0:00:21 | 0:00:23 | |
This time on Deadly 60, we're on my home turf in the British Isles. | 0:00:30 | 0:00:34 | |
We're covering an enormous amount of terrain | 0:00:34 | 0:00:36 | |
and seeing animals that hunt in a variety of different habitats - | 0:00:36 | 0:00:39 | |
down on the ground, under water, up here in the tree tops, | 0:00:39 | 0:00:44 | |
even the skies above us. | 0:00:44 | 0:00:47 | |
The British Isles has oodles of different habitats | 0:00:47 | 0:00:50 | |
and if you know where to look, they're full of deadly animals. | 0:00:50 | 0:00:54 | |
First up, though, it's a trip | 0:00:54 | 0:00:55 | |
over the countryside to see what's lurking in Britain's fresh waters. | 0:00:55 | 0:01:00 | |
Every environment has its predators, and our waterways are no different. | 0:01:00 | 0:01:04 | |
In fact, this lake is home to the most fearsome fish in the UK. | 0:01:04 | 0:01:09 | |
It doesn't only hunt other fish, it'll even snatch water birds | 0:01:09 | 0:01:12 | |
from beneath the surface. | 0:01:12 | 0:01:14 | |
Our lakes and rivers might look pretty, | 0:01:16 | 0:01:18 | |
but they hide a murky secret. | 0:01:18 | 0:01:20 | |
If you live in one, almost everything is out to get you, | 0:01:20 | 0:01:23 | |
from these tiny water fleas... | 0:01:23 | 0:01:26 | |
..to little fish... | 0:01:28 | 0:01:30 | |
and even savage invertebrates like this dragonfly larvae. | 0:01:30 | 0:01:36 | |
It's a complete war zone down there, and as long as there's something | 0:01:36 | 0:01:41 | |
bigger than you, it's only a matter of time until you get munched. | 0:01:41 | 0:01:46 | |
Something has to be at the top of the food chain, | 0:01:46 | 0:01:49 | |
an animal big enough and mean enough to take on all comers - | 0:01:49 | 0:01:53 | |
the pike. | 0:01:53 | 0:01:56 | |
But to get down into the world of this fearsome fish hunter, I'm going | 0:01:56 | 0:01:59 | |
to need all of this kit - scuba tanks and this massive camera | 0:01:59 | 0:02:05 | |
which weighs more than our actual cameraman. | 0:02:05 | 0:02:07 | |
With our kit assembled and our safety checks complete, it's time | 0:02:21 | 0:02:25 | |
to take the plunge and begin the hunt for our murky monster. | 0:02:25 | 0:02:29 | |
'The bottom of the lake contains numerous old wrecks | 0:02:40 | 0:02:43 | |
'which can contain excellent hunting grounds for our pike. | 0:02:43 | 0:02:46 | |
'So even if it is a little spooky, they're definitely worth exploring.' | 0:02:50 | 0:02:55 | |
The water in here is incredibly murky. You really can't see | 0:02:57 | 0:03:03 | |
more than two or three metres in any direction. | 0:03:03 | 0:03:06 | |
But obviously, that works very much on the side of an ambush hunter. | 0:03:07 | 0:03:12 | |
There's just an infinite amount of places to hide. | 0:03:12 | 0:03:16 | |
They could be anywhere. | 0:03:16 | 0:03:17 | |
'That won't make them easy to find. | 0:03:20 | 0:03:22 | |
'Pike may be big, but they generally live solitary lives and don't need | 0:03:22 | 0:03:27 | |
'to feed very often. Just seeing one will be a real treat.' | 0:03:27 | 0:03:31 | |
I thought I'd come across an enormous pike, but it's not at all. | 0:03:32 | 0:03:37 | |
It's a big old carp. | 0:03:38 | 0:03:40 | |
This stripy fish is a perch. | 0:03:45 | 0:03:50 | |
They're actually predators in their own right. | 0:03:50 | 0:03:53 | |
They're very strong and very fast, | 0:03:53 | 0:03:57 | |
but they're no match for a pike. | 0:03:57 | 0:03:59 | |
In fact, these perch would be exactly the kind of thing | 0:03:59 | 0:04:03 | |
that pike would be feeding on. | 0:04:03 | 0:04:05 | |
That's probably why they're hiding down in the weeds. | 0:04:06 | 0:04:10 | |
'Finding one of our pike's favourite fishy foods is a really good sign, | 0:04:10 | 0:04:15 | |
'for where there's food, there's often a predator not far away.' | 0:04:15 | 0:04:19 | |
So...this is the fearsome water wolf | 0:04:19 | 0:04:23 | |
that we've come into this lake to find. | 0:04:23 | 0:04:28 | |
It's a pike, | 0:04:28 | 0:04:29 | |
and an absolute beauty! | 0:04:29 | 0:04:33 | |
This is actually a really good size for a pike in British waters, | 0:04:34 | 0:04:38 | |
but it's by no means as big as they actually really get. | 0:04:38 | 0:04:42 | |
The biggest females ever caught have | 0:04:42 | 0:04:44 | |
been one and a half metres long, so about half as big again as this one. | 0:04:44 | 0:04:50 | |
It's hard to believe that an awesome predator like this is just hanging | 0:04:50 | 0:04:55 | |
beneath the surface, | 0:04:55 | 0:04:57 | |
possibly every time you go out onto a stream | 0:04:57 | 0:04:59 | |
or a lake or a river here in the UK. | 0:04:59 | 0:05:01 | |
The pike is shaped more like a torpedo than your everyday fish, | 0:05:03 | 0:05:07 | |
with a long, muscular body | 0:05:07 | 0:05:09 | |
perfectly adapted for quick bursts of speed. | 0:05:09 | 0:05:12 | |
The small fins on the bottom are | 0:05:12 | 0:05:13 | |
used for fine adjustments, allowing the pike to hide almost motionless. | 0:05:13 | 0:05:18 | |
The big ones are like engines at the back | 0:05:18 | 0:05:20 | |
and with a powerful flick of the tail, | 0:05:20 | 0:05:23 | |
give the pike its incredible acceleration. | 0:05:23 | 0:05:25 | |
So whether you're a fellow fish, small bird | 0:05:25 | 0:05:28 | |
or even a fluffy water vole, | 0:05:28 | 0:05:30 | |
you'll end up getting sucked into those mighty jaws and impaled | 0:05:30 | 0:05:35 | |
on a mass of spiky pike teeth. | 0:05:35 | 0:05:38 | |
When I was a kid, I used to think that, if I went into | 0:05:39 | 0:05:44 | |
a lake or a river, I'd get munched by a pike. | 0:05:44 | 0:05:48 | |
There's another one in here, look. Just a smaller one. | 0:05:48 | 0:05:52 | |
'I can't believe I've seen two pike in one dive. | 0:05:56 | 0:05:59 | |
'That's fantastic! | 0:05:59 | 0:06:01 | |
'But then, through the gloom, I spot something even bigger.' | 0:06:01 | 0:06:05 | |
It's huge! Look at the size of it! | 0:06:06 | 0:06:09 | |
'This is really exciting, but we're going to have | 0:06:11 | 0:06:14 | |
'to take great care not to startle it.' | 0:06:14 | 0:06:16 | |
This would certainly have to be | 0:06:23 | 0:06:25 | |
the biggest pike I've seen so far. | 0:06:25 | 0:06:29 | |
She's absolutely gigantic, and just sitting waiting, | 0:06:29 | 0:06:36 | |
absolutely motionless. | 0:06:36 | 0:06:38 | |
Look at that! | 0:06:38 | 0:06:40 | |
Nose to nose | 0:06:40 | 0:06:42 | |
with the largest predatory fish in Britain's fresh waters. | 0:06:42 | 0:06:47 | |
With that stillness and the colouration down the side of | 0:06:47 | 0:06:50 | |
her body, she totally disappears, | 0:06:50 | 0:06:54 | |
but any small fish that swims too close to those mighty jaws | 0:06:54 | 0:06:59 | |
with their spiky, backward-pointing teeth is in big trouble. | 0:06:59 | 0:07:04 | |
You are utterly incredible! | 0:07:07 | 0:07:09 | |
They really are a nightmare fish | 0:07:12 | 0:07:14 | |
and they're really not frightened of anything. | 0:07:14 | 0:07:19 | |
Who would've believed that you could have such a dramatic | 0:07:26 | 0:07:31 | |
wildlife encounter in a murky green lake in the middle of England? | 0:07:31 | 0:07:35 | |
That was absolutely brilliant. | 0:07:35 | 0:07:38 | |
I don't think I'm going to have to sell pike to you as being menacing. | 0:07:38 | 0:07:43 | |
I mean, they just look like trouble. | 0:07:43 | 0:07:45 | |
But one thing is for absolute certain - | 0:07:45 | 0:07:48 | |
pike are... | 0:07:48 | 0:07:50 | |
What are they? | 0:07:50 | 0:07:52 | |
On the Deadly 60! | 0:07:52 | 0:07:54 | |
Back of the net! | 0:07:55 | 0:07:57 | |
A supreme camouflaged killer that melts into the murky waters | 0:07:59 | 0:08:04 | |
with a muscular tail that unleashes ferocious acceleration | 0:08:04 | 0:08:08 | |
and a mouth full of needle-like teeth that would scare the stuffing | 0:08:08 | 0:08:12 | |
out of a pincushion. | 0:08:12 | 0:08:13 | |
Moving from England's fresh-water war zones, | 0:08:18 | 0:08:21 | |
we're taking to the Scottish skies and to where the eagle is king. | 0:08:21 | 0:08:26 | |
And not just any eagle. | 0:08:26 | 0:08:29 | |
This is a white-tailed sea eagle, and it's huge. | 0:08:29 | 0:08:31 | |
This aerial master can have a wingspan of up to eight feet. | 0:08:31 | 0:08:35 | |
That's as tall as me standing with my hands in the air. | 0:08:35 | 0:08:39 | |
It uses those remarkable wings to soar high above its coastal range, | 0:08:39 | 0:08:43 | |
while its super-sharp eyesight | 0:08:43 | 0:08:45 | |
can scan the seas looking for its favourite food - | 0:08:45 | 0:08:48 | |
fish. When it's not plucking | 0:08:48 | 0:08:50 | |
fish from the water or squabbling over leftovers, | 0:08:50 | 0:08:53 | |
it'll happily use those ferocious talons to snatch sea birds | 0:08:53 | 0:08:57 | |
from their cliff-top homes, or even chase down the occasional rabbit. | 0:08:57 | 0:09:01 | |
It'll then take its catch to dry land or back to its hungry chicks, | 0:09:01 | 0:09:06 | |
where that menacing, meat-cleaver-shaped beak | 0:09:06 | 0:09:09 | |
will rip and tear the flesh into manageable tasty chunks. | 0:09:09 | 0:09:13 | |
But none of this would be possible without that | 0:09:13 | 0:09:15 | |
sensational flying ability. | 0:09:15 | 0:09:17 | |
I want to examine that further, but it'd be near impossible | 0:09:17 | 0:09:21 | |
to do that out in the wild, so I'm in a studio in Bristol. | 0:09:21 | 0:09:26 | |
There's a sound man down there. | 0:09:26 | 0:09:28 | |
This is, though, a very special studio, | 0:09:28 | 0:09:30 | |
and I've got with me a very special actor. | 0:09:30 | 0:09:33 | |
This is Sasha. He's a tawny eagle that's found in Africa or Asia. | 0:09:33 | 0:09:38 | |
To be honest, if we tried to get a white-tailed eagle in here, | 0:09:38 | 0:09:41 | |
I think it would probably have savaged all of us, | 0:09:41 | 0:09:44 | |
and it might have been a bit too big, but he is absolutely perfect. | 0:09:44 | 0:09:48 | |
You see, Sasha is very well trained indeed. He's been in movies | 0:09:48 | 0:09:52 | |
and music videos, and he's exactly right for what I want to show you. | 0:09:52 | 0:09:56 | |
So how am I going to use a film-star bird | 0:09:57 | 0:10:00 | |
and a television studio to show you how eagles fly? | 0:10:00 | 0:10:05 | |
Well, I haven't actually told you the full story. | 0:10:05 | 0:10:09 | |
This here is a wind tunnel, and any second now, someone's going to press | 0:10:09 | 0:10:14 | |
a green button and wind is going to start racing through here at about | 0:10:14 | 0:10:18 | |
20-25mph, and Sasha here is going to show us what eagles do best. | 0:10:18 | 0:10:25 | |
OK, Mike, let her rip. | 0:10:25 | 0:10:27 | |
And I can just feel the wind beginning to build now, | 0:10:31 | 0:10:34 | |
and the first thing that Sasha does is go from sitting vertically on | 0:10:34 | 0:10:40 | |
my fist to her body going horizontal and the wings spreading. | 0:10:40 | 0:10:45 | |
OK, now what we're seeing really is | 0:10:45 | 0:10:48 | |
the kind of classic pose of an eagle gliding. | 0:10:48 | 0:10:52 | |
The wings are almost at full stretch now. | 0:10:52 | 0:10:54 | |
You can see the flight feathers, | 0:10:54 | 0:10:57 | |
the primary flight feathers, | 0:10:57 | 0:10:59 | |
almost like fingers at the end of the wings. | 0:10:59 | 0:11:02 | |
These feathers here called alula feathers. | 0:11:02 | 0:11:04 | |
They're the ones making the micro-adjustments to keep him stable | 0:11:04 | 0:11:08 | |
so he has to use no force, no effort at all. | 0:11:08 | 0:11:12 | |
He hasn't even once had to flap his wings to keep in this position. | 0:11:12 | 0:11:17 | |
And now, even though I've still got a hold of him, | 0:11:17 | 0:11:20 | |
he's totally weightless. | 0:11:20 | 0:11:23 | |
Right, let's see him in action. | 0:11:24 | 0:11:27 | |
Whether it's gliding, accelerating or swooping to snatch those fish | 0:11:29 | 0:11:33 | |
from the water, those wings do it all. | 0:11:33 | 0:11:37 | |
I want to see a white-tailed sea eagle hunting in the wild, | 0:11:40 | 0:11:43 | |
and for that, the Deadly 60 team and I are going to head north, | 0:11:43 | 0:11:47 | |
right up north to the Isle of Mull off the coast of Scotland. | 0:11:47 | 0:11:51 | |
We're heading to the local harbour with eagle expert Dave from the RSPB | 0:11:51 | 0:11:56 | |
when we spot what we think is an eagle high up in the trees. | 0:11:56 | 0:11:59 | |
Oh, yeah. | 0:12:05 | 0:12:08 | |
The thing that really sets this bird apart | 0:12:08 | 0:12:12 | |
from the other birds of prey you find in this area is just | 0:12:12 | 0:12:15 | |
the scale, the size of the beak. | 0:12:15 | 0:12:18 | |
And the colour as well. I mean, it is really dramatic. | 0:12:20 | 0:12:23 | |
Gives it the look of a... | 0:12:23 | 0:12:25 | |
almost a cartoon eagle. | 0:12:25 | 0:12:28 | |
It just doesn't look real. | 0:12:28 | 0:12:31 | |
'And as if one wasn't enough...' | 0:12:31 | 0:12:33 | |
Oh, that is just spectacular. | 0:12:33 | 0:12:36 | |
THEY CALL | 0:12:36 | 0:12:38 | |
-Do you like that? -Absolutely brilliant, yep. | 0:12:38 | 0:12:43 | |
-That's a yes. -A real duet. | 0:12:43 | 0:12:45 | |
What a great opportunity to get a look | 0:12:45 | 0:12:48 | |
at that menacing beak and talons. | 0:12:48 | 0:12:50 | |
But I need to see them in action, and we've got a boat to catch. | 0:12:50 | 0:12:54 | |
Something about this place looks oddly familiar. | 0:12:56 | 0:12:59 | |
So what's the story, guys? | 0:12:59 | 0:13:01 | |
Wouldn't you like to know?! | 0:13:01 | 0:13:02 | |
# What's the story in Balamory Where would you like to go? # | 0:13:02 | 0:13:06 | |
That's right, I'm in Balamory. | 0:13:07 | 0:13:10 | |
Well, in real life, it's actually called Tobermory. | 0:13:10 | 0:13:13 | |
Anyway, our fishing boat's arrived, so with no time to waste, | 0:13:14 | 0:13:18 | |
we kit up and head out onto the water to find our eagles. | 0:13:18 | 0:13:21 | |
# Just don't let me down | 0:13:21 | 0:13:24 | |
# Hold onto your kite and just don't let me down. # | 0:13:24 | 0:13:27 | |
OK, so we have seen our first eagle, but let's face it, | 0:13:27 | 0:13:30 | |
the real place that you want to come across a sea eagle is at sea. | 0:13:30 | 0:13:34 | |
I guess this is the most perfect backdrop you could ever hope for, | 0:13:34 | 0:13:38 | |
and it's not just me. Everybody else in the crew has got | 0:13:38 | 0:13:42 | |
their fingers crossed that we see one. | 0:13:42 | 0:13:44 | |
We've come to a spot where we know that there's a sea-eagle nest | 0:13:46 | 0:13:49 | |
and in fact, up in these trees up here, we've already spotted with | 0:13:49 | 0:13:53 | |
our binoculars two adult birds and one fairly young chick. | 0:13:53 | 0:13:58 | |
In order to see them hunting, we need to attract their attention, | 0:13:58 | 0:14:01 | |
and we're going to do that using this. | 0:14:01 | 0:14:04 | |
Now, I know that eagles don't eat bread but gulls do. | 0:14:04 | 0:14:07 | |
When the gulls come in and start feeding on it, | 0:14:07 | 0:14:09 | |
hopefully that'll bring in our eagles. | 0:14:09 | 0:14:12 | |
'They're pretty crafty creatures. Within minutes we're being mobbed | 0:14:13 | 0:14:18 | |
'by greedy gulls eager to snatch a free meal.' | 0:14:18 | 0:14:21 | |
-Shall I get some fish in? -Yeah. | 0:14:25 | 0:14:27 | |
'Hopefully the commotion will have got our eagles' attention, | 0:14:27 | 0:14:30 | |
'so now we throw in some of their favourite food.' | 0:14:30 | 0:14:33 | |
Their sight might be as much as eight times | 0:14:35 | 0:14:37 | |
more powerful than ours, so to be able to see all this commotion, | 0:14:37 | 0:14:40 | |
all these gulls, all the food from there is pretty easy for an eagle. | 0:14:40 | 0:14:44 | |
Now all we have to do is hope that he can see the fish. | 0:14:44 | 0:14:49 | |
'Through our binoculars, we can see that they're interested, | 0:14:49 | 0:14:52 | |
'but not enough to take to the air. | 0:14:52 | 0:14:54 | |
'What's more, all our fish are getting gobbled up by those gulls. | 0:14:54 | 0:15:00 | |
'Just one thing left to try.' | 0:15:00 | 0:15:02 | |
This is our last opportunity. | 0:15:04 | 0:15:07 | |
Surely no hungry eagle can resist a fish supper that big. | 0:15:08 | 0:15:13 | |
He's coming, he's coming. The eagle's coming. | 0:15:16 | 0:15:18 | |
-Got him, Mark? -Got him. | 0:15:18 | 0:15:21 | |
He's got that fish in his sights. | 0:15:21 | 0:15:23 | |
-Where are we looking, then? -Above the dead trees. Very close now. | 0:15:23 | 0:15:27 | |
Yes. Oh, I see, I see. | 0:15:27 | 0:15:28 | |
Oh, there is an incredible purpose about his movement now, actually. | 0:15:31 | 0:15:36 | |
Look at the size of it! | 0:15:36 | 0:15:38 | |
-Here he comes. -Whoa, wow, look at that! | 0:15:40 | 0:15:43 | |
Yes! | 0:15:43 | 0:15:45 | |
Amazing! | 0:15:45 | 0:15:47 | |
Just snatched a piece of fish right off the surface of the water, | 0:15:47 | 0:15:51 | |
the classic sea-eagle catch. | 0:15:51 | 0:15:55 | |
Have you got it? | 0:16:01 | 0:16:04 | |
'Not many people can say that they've seen that. | 0:16:04 | 0:16:06 | |
'The white-tailed eagle has officially earned its place | 0:16:06 | 0:16:09 | |
'on my Deadly 60.' | 0:16:09 | 0:16:10 | |
Those incredible wings enable it to effortlessly | 0:16:12 | 0:16:15 | |
pluck fish from the water. | 0:16:15 | 0:16:16 | |
An enormous meat cleaver shaped beak | 0:16:16 | 0:16:19 | |
and incredible eyesight, | 0:16:19 | 0:16:21 | |
eight times more powerful than ours. | 0:16:21 | 0:16:24 | |
Next stop on our Deadly 60 whirlwind tour. | 0:16:30 | 0:16:33 | |
We're in the beautiful British countryside, | 0:16:33 | 0:16:35 | |
but what could possibly be deadly here? | 0:16:35 | 0:16:37 | |
People often ask me what the number-one predator in the world is. | 0:16:39 | 0:16:42 | |
If you're talking statistics, there's one creature | 0:16:42 | 0:16:45 | |
that wins hands down. They eat more than any other carnivore. | 0:16:45 | 0:16:49 | |
The weight of insects that they eat in one year is about | 0:16:49 | 0:16:52 | |
the same as the weight of the whole human population of England. | 0:16:52 | 0:16:56 | |
If you're wondering why I'm thrashing around | 0:16:56 | 0:16:59 | |
with this crazy white net, well... | 0:16:59 | 0:17:02 | |
I'll show you. | 0:17:02 | 0:17:04 | |
Have a look at this. | 0:17:04 | 0:17:05 | |
I think I've probably got | 0:17:05 | 0:17:09 | |
maybe ten, fifteen different species of spider in here, | 0:17:09 | 0:17:13 | |
but that is absolutely nothing. | 0:17:13 | 0:17:16 | |
Here in England, we have about 700 different species of spiders, | 0:17:16 | 0:17:19 | |
and in Westonbirt Arboretum where I am now there could be | 0:17:19 | 0:17:22 | |
as many as 1,200 million spiders. | 0:17:22 | 0:17:26 | |
That's an awful lot of creatures catching insects. | 0:17:26 | 0:17:29 | |
Whether you like it or not, | 0:17:29 | 0:17:31 | |
spiders are all around you, from your garden flower beds to | 0:17:31 | 0:17:35 | |
the nooks and crannies in your house. | 0:17:35 | 0:17:37 | |
As you go about your business, they peer through your plug-holes and | 0:17:37 | 0:17:41 | |
scuttle around under your sofas. | 0:17:41 | 0:17:43 | |
They're everywhere and, lucky for us, all of them are | 0:17:43 | 0:17:46 | |
experts at one thing - catching, killing and eating insects. | 0:17:46 | 0:17:52 | |
Spiders employ loads of weird and wonderful methods to do this. | 0:17:52 | 0:17:56 | |
Some sit and wait until something strays a little too close... | 0:17:56 | 0:17:59 | |
..others have bizarre mouth parts that work like glue guns, | 0:18:03 | 0:18:06 | |
firing out sticky threads to ensnare their prey, | 0:18:06 | 0:18:10 | |
while many more will simply use brute strength. | 0:18:10 | 0:18:14 | |
The variety is both beautiful and amazing, but I've chosen two | 0:18:14 | 0:18:18 | |
of the best as contenders for my list. | 0:18:18 | 0:18:21 | |
One's a web-weaving master, but first up is the king of camouflage. | 0:18:21 | 0:18:27 | |
And getting you close is going to require some specialist kit. | 0:18:30 | 0:18:36 | |
Spiders have a huge variety of methods for catching their prey, | 0:18:36 | 0:18:40 | |
but the crab spider uses camouflage. | 0:18:40 | 0:18:44 | |
She'll sit in the centre of a flower like this, using the small rear legs | 0:18:44 | 0:18:47 | |
to hold her in position and the front two legs to grab a hold | 0:18:47 | 0:18:50 | |
of prey that comes too close. | 0:18:50 | 0:18:52 | |
Flowers are a perfect place for her to hide, | 0:18:52 | 0:18:55 | |
not just because she's camouflaged in the same colours, | 0:18:55 | 0:18:58 | |
but they also attract insects like butterflies, bees and wasps. | 0:18:58 | 0:19:02 | |
As soon as they come too close, she'll grab them, pin them down | 0:19:02 | 0:19:05 | |
and fill them with venom, and then it's all over. | 0:19:05 | 0:19:09 | |
Get a load of this. | 0:19:09 | 0:19:10 | |
Crab spiders have taken camouflage to a whole new level | 0:19:13 | 0:19:17 | |
to fool their prey. | 0:19:17 | 0:19:18 | |
Insects see the world quite differently to us, | 0:19:18 | 0:19:20 | |
and many flowers will attract them by using bright lines and patches | 0:19:20 | 0:19:24 | |
that we can only see with the help of an ultraviolet camera. | 0:19:24 | 0:19:29 | |
The bees get a tasty nectar meal and the plants get their pollen | 0:19:29 | 0:19:33 | |
spread about from flower to flower. | 0:19:33 | 0:19:36 | |
As our bee-vision camera shows, the canny crab spider's bright bottom | 0:19:38 | 0:19:43 | |
actually attracts the bees. | 0:19:43 | 0:19:45 | |
They fix their eight eyes on the approaching target and then... | 0:19:45 | 0:19:50 | |
Bang! | 0:19:50 | 0:19:51 | |
They grab the bee with their front legs | 0:19:53 | 0:19:55 | |
and sink their fangs into the body. | 0:19:55 | 0:19:57 | |
The venom works quickly, leaving our spider with a juicy bee breakfast. | 0:19:57 | 0:20:04 | |
The crab spider... | 0:20:06 | 0:20:08 | |
crafty, cunning, camouflaged killer, and definitely on the Deadly 60. | 0:20:08 | 0:20:13 | |
It's the camouflage king of the garden, | 0:20:14 | 0:20:18 | |
with a bright bottom to fool the busiest of bees, | 0:20:18 | 0:20:21 | |
powerful front legs to snap up its prey, | 0:20:21 | 0:20:24 | |
and a venom-loaded bite. | 0:20:24 | 0:20:27 | |
Spider number two is probably nature's finest architect. | 0:20:35 | 0:20:38 | |
Their handiwork is all around us, and I've found a perfect example. | 0:20:38 | 0:20:43 | |
This is the web of the orb-weaver spider. | 0:20:43 | 0:20:48 | |
At the moment, she's scuttling around her web, | 0:20:48 | 0:20:52 | |
I think repairing it, | 0:20:52 | 0:20:54 | |
putting in a sticky thread which is used to catch insects on the wing. | 0:20:54 | 0:20:58 | |
It's an incredibly difficult, complex task | 0:20:58 | 0:21:01 | |
which takes about an hour | 0:21:01 | 0:21:04 | |
and, at the moment, you can see her moving up and down the spokes | 0:21:04 | 0:21:08 | |
and just trailing behind her | 0:21:08 | 0:21:10 | |
a sticky thread which is forming a perfect spiral. | 0:21:10 | 0:21:15 | |
That trap will catch any insect that flies into it. | 0:21:15 | 0:21:20 | |
Yes, look at that! This has to be one of the most perfect | 0:21:22 | 0:21:27 | |
hunting methods you'll ever see | 0:21:27 | 0:21:30 | |
and, personally, I think it needs a little bit more examination. | 0:21:30 | 0:21:34 | |
It'd be easy for us to take spiders' webs for granted. | 0:21:38 | 0:21:41 | |
We see them pretty much every day, and it takes a spider | 0:21:41 | 0:21:44 | |
less than an hour to make one. | 0:21:44 | 0:21:46 | |
But we don't take anything in the natural world for granted, | 0:21:46 | 0:21:50 | |
so I'm going to try and build one of these miracles of nature | 0:21:50 | 0:21:53 | |
myself right here in this woodland. | 0:21:53 | 0:21:55 | |
It takes a spider nothing more than her own spinnerets | 0:21:55 | 0:21:58 | |
and some silk to do her web. | 0:21:58 | 0:21:59 | |
For me, it's going to take all of this kit | 0:21:59 | 0:22:03 | |
and it's going to take rather more than an hour. | 0:22:03 | 0:22:06 | |
Spiders don't learn how to build their webs. | 0:22:07 | 0:22:10 | |
It's completely instinctive. Even the smallest of spiderlings | 0:22:10 | 0:22:13 | |
can still build an absolutely perfect web, but that doesn't mean | 0:22:13 | 0:22:17 | |
it's not still a very complex and intricate process. | 0:22:17 | 0:22:20 | |
But it starts very simply. | 0:22:20 | 0:22:21 | |
Our female spider simply gets herself up high. | 0:22:21 | 0:22:25 | |
So, for our spider, the first part of the process is to get up into | 0:22:32 | 0:22:35 | |
a really high vantage point and then just let silk drift | 0:22:35 | 0:22:39 | |
out from her spinnerets. The wind will carry it, and hopefully it'll | 0:22:39 | 0:22:43 | |
fix onto something good and strong. | 0:22:43 | 0:22:46 | |
Obviously I can't do that, but I have got the world's best catapult. | 0:22:46 | 0:22:50 | |
I'm going to try and fire this line across to that other tree, | 0:22:50 | 0:22:55 | |
and hopefully that can be our starting point. | 0:22:55 | 0:22:58 | |
OK... here goes. | 0:22:58 | 0:23:01 | |
Yes! | 0:23:04 | 0:23:06 | |
Bull's eye! | 0:23:06 | 0:23:07 | |
I am the catapult master! | 0:23:07 | 0:23:11 | |
Now, obviously this thin thread isn't strong enough to hold my | 0:23:11 | 0:23:15 | |
body weight. What I need to do is to get a much stronger line | 0:23:15 | 0:23:19 | |
across there, and once that's done we can start on the framework. | 0:23:19 | 0:23:23 | |
So our spider's made herself | 0:23:23 | 0:23:28 | |
the first main structural thread of the web. | 0:23:28 | 0:23:32 | |
Next thing she does is come back out to the centre point of it | 0:23:32 | 0:23:36 | |
and head down to the ground. | 0:23:36 | 0:23:38 | |
OK. | 0:23:46 | 0:23:48 | |
The main structural, strongest part of the web | 0:23:48 | 0:23:53 | |
is almost like the spokes on a bicycle wheel, | 0:23:53 | 0:23:58 | |
and it starts with this Y-shaped structure | 0:23:58 | 0:24:02 | |
right here in the centre. | 0:24:02 | 0:24:04 | |
And now we have to put in all the other spokes. | 0:24:04 | 0:24:08 | |
That's no mean feat, I can assure you, | 0:24:08 | 0:24:11 | |
but with a few helpers and a bit of TV magic... | 0:24:11 | 0:24:14 | |
easy! | 0:24:14 | 0:24:16 | |
Right, now the fun bit begins. | 0:24:16 | 0:24:19 | |
The next part of the build is that characteristic spiral | 0:24:19 | 0:24:23 | |
that you see running round and round and round the web. | 0:24:23 | 0:24:26 | |
Our spider will do that several times. | 0:24:26 | 0:24:28 | |
The first one is like a scaffolding spiral, and the next | 0:24:28 | 0:24:31 | |
two times are going to be the sticky, glue-covered thread | 0:24:31 | 0:24:34 | |
that's going to actually catch insects. | 0:24:34 | 0:24:37 | |
If I tried to do it three times, | 0:24:37 | 0:24:38 | |
I would be here all week, so I'm just going to do it once, | 0:24:38 | 0:24:41 | |
and that on its own, I think's going to take me all day. | 0:24:41 | 0:24:44 | |
As I get towards the outside of the web, it will take me | 0:24:52 | 0:24:55 | |
probably ten or fifteen minutes just to do one spoke, | 0:24:55 | 0:24:59 | |
and that would be enough | 0:24:59 | 0:25:00 | |
for our orb-weaver to actually put a spiral through her entire web. | 0:25:00 | 0:25:05 | |
I have to say I'm feeling quite proud of myself. | 0:25:26 | 0:25:29 | |
It's taken 900 metres of rope, | 0:25:29 | 0:25:33 | |
two whole days of sweat and effort, | 0:25:33 | 0:25:37 | |
but finally my epic spider web's done. | 0:25:37 | 0:25:40 | |
Of course, for our orb-weaver spider, this whole process | 0:25:40 | 0:25:43 | |
takes less than an hour and next to no effort at all. | 0:25:43 | 0:25:46 | |
As soon as she's finished she heads to a spot | 0:25:46 | 0:25:49 | |
where she can sense the tiniest vibration on the web, | 0:25:49 | 0:25:52 | |
and quite often that's right slap bang in the centre. | 0:25:52 | 0:25:55 | |
With trap set, the orb-weaver spreads her legs out over the spokes | 0:25:56 | 0:26:00 | |
and waits for vibrations rippling across her silk. | 0:26:00 | 0:26:04 | |
These tiny tremors travel up her legs and are detected | 0:26:04 | 0:26:07 | |
in special sense organs. | 0:26:07 | 0:26:10 | |
This fly's days are probably numbered. | 0:26:10 | 0:26:14 | |
Struggling not only alerts the hungry female but makes it | 0:26:14 | 0:26:17 | |
more entangled in her trap. | 0:26:17 | 0:26:19 | |
Our spider comes in to inspect her lunch. | 0:26:19 | 0:26:23 | |
She injects a paralysing venom and then produces a new type of thread | 0:26:23 | 0:26:28 | |
in which to wrap it up. | 0:26:28 | 0:26:29 | |
It's like a strong silken shroud | 0:26:30 | 0:26:33 | |
and entombs the insect into a neat packed lunch. | 0:26:33 | 0:26:37 | |
It's not pretty but there's no doubt it's deadly. | 0:26:39 | 0:26:43 | |
Orb-weaver spiders are creatures that surround us | 0:26:44 | 0:26:47 | |
almost all the time but you barely ever notice them. | 0:26:47 | 0:26:50 | |
They're just going quietly about their job of hunting, | 0:26:50 | 0:26:53 | |
killing and eating. | 0:26:53 | 0:26:55 | |
It's all down to the wonders of their web, | 0:26:55 | 0:26:57 | |
the greatest insect trap on the planet. | 0:26:57 | 0:27:01 | |
Orb-weaver spiders are on the Deadly 60. | 0:27:01 | 0:27:04 | |
Using its sticky web to ensnare its prey, | 0:27:06 | 0:27:10 | |
with super-sensitive legs to pick up the tiniest tremors, | 0:27:10 | 0:27:14 | |
she pumps her prey full of venom and saves it for later. | 0:27:14 | 0:27:18 | |
'Join me next time...' | 0:27:24 | 0:27:26 | |
Look at that mouth! '.. for the Deadly 60.' | 0:27:26 | 0:27:29 | |
If I allow that to continue, | 0:27:29 | 0:27:30 | |
it will probably start breaking my hand bones. Ow! | 0:27:30 | 0:27:33 | |
Look at that! | 0:27:33 | 0:27:35 | |
They are tearing the meat to shreds. | 0:27:35 | 0:27:39 | |
Argh! | 0:27:39 | 0:27:40 | |
Subtitles by Red Bee Media Ltd | 0:27:51 | 0:27:54 | |
E-mail [email protected] | 0:27:54 | 0:27:57 |