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My name's Steve Backshall... | 0:00:02 | 0:00:04 | |
'..and this is my search for the Deadly 60.' | 0:00:06 | 0:00:08 | |
Amazing! | 0:00:10 | 0:00:12 | |
That's not just animals that are deadly to me, | 0:00:12 | 0:00:14 | |
but that are deadly in their own world. | 0:00:14 | 0:00:17 | |
'My crew and I are travelling the planet...' | 0:00:17 | 0:00:19 | |
And you're coming with me every step of the way. | 0:00:19 | 0:00:23 | |
'A quest to find deadly animals from around the globe may sound | 0:00:31 | 0:00:33 | |
'like the greatest job ever. And it is. | 0:00:33 | 0:00:36 | |
'But sometimes, it's harder than it looks. | 0:00:36 | 0:00:39 | |
'Some animals practically leap out at you. | 0:00:39 | 0:00:41 | |
'Others have to be tracked down by the signs they leave behind.' | 0:00:41 | 0:00:45 | |
No matter where you go in the world, | 0:00:45 | 0:00:47 | |
there will always be wild animals out there, | 0:00:47 | 0:00:49 | |
whether you see them or not. | 0:00:49 | 0:00:51 | |
The trick is learning to read the story they leave behind. | 0:00:51 | 0:00:54 | |
This edition of Deadly 60 is going to help you read those signs. | 0:00:54 | 0:00:57 | |
Tracks and signs, our very own wildlife CSI. | 0:01:01 | 0:01:05 | |
There's a knuckle print. | 0:01:05 | 0:01:07 | |
Its claws on the trunk here. | 0:01:07 | 0:01:09 | |
Outside is absolutely littered with bones. | 0:01:09 | 0:01:12 | |
The bark's been completely rubbed off this tree. | 0:01:13 | 0:01:16 | |
You can even see the bits of hair that it's left behind. | 0:01:16 | 0:01:19 | |
That is lion dung. | 0:01:19 | 0:01:21 | |
I can smell it. It's very fresh, believe me! Don't step in that. | 0:01:21 | 0:01:25 | |
'To find the clues, we need to use our three main senses. | 0:01:29 | 0:01:32 | |
'That's sight, sound... | 0:01:32 | 0:01:34 | |
'and smell. | 0:01:34 | 0:01:38 | |
'These help us to locate the animals, see what they've been doing | 0:01:38 | 0:01:41 | |
'and even learn about their deadly lifestyle. | 0:01:41 | 0:01:43 | |
'First up, we need to use our eyes to look out for visual clues. | 0:01:45 | 0:01:48 | |
'Perhaps the most awesome predator in Namibia is the lion. | 0:01:48 | 0:01:54 | |
'Huge, ferocious felines. | 0:01:54 | 0:01:56 | |
'But not always that easy to spot. | 0:01:56 | 0:01:58 | |
'Time to get tracking.' | 0:01:58 | 0:02:01 | |
There is absolutely oodles going on around here. | 0:02:03 | 0:02:06 | |
I mean, looking down at the ground, there's... | 0:02:06 | 0:02:10 | |
Well, that's oryx droppings. | 0:02:10 | 0:02:12 | |
These are blue wildebeest. | 0:02:15 | 0:02:18 | |
There is so much going on. But this... | 0:02:20 | 0:02:24 | |
is the real deal. | 0:02:24 | 0:02:26 | |
That is the biggest carnivore poo you'll find around here. | 0:02:26 | 0:02:32 | |
Full of hair. | 0:02:33 | 0:02:35 | |
Kind of black and tarry and stinky. | 0:02:35 | 0:02:38 | |
That is lion dung. | 0:02:38 | 0:02:40 | |
Oh, have a look at this. | 0:02:43 | 0:02:45 | |
Wow! | 0:02:52 | 0:02:54 | |
Feathers everywhere. | 0:02:54 | 0:02:57 | |
'These feathers belong to an avian undertaker - the vulture. | 0:02:57 | 0:03:01 | |
'Chances are an animal has met its end nearby.' | 0:03:01 | 0:03:04 | |
And...one very dead oryx. | 0:03:06 | 0:03:10 | |
Somewhere round here, lions have been at work | 0:03:12 | 0:03:15 | |
and had their meal. | 0:03:15 | 0:03:17 | |
'So we've clear evidence that lions have been here. | 0:03:21 | 0:03:24 | |
'But the carcass and dung were several days old. | 0:03:24 | 0:03:27 | |
'We need fresher signs. | 0:03:27 | 0:03:28 | |
'We set up camp nearby, with the hope of getting back on their trail | 0:03:29 | 0:03:33 | |
'in the morning. | 0:03:33 | 0:03:35 | |
'Only a fool would sleep out in lion country without any protection. | 0:03:35 | 0:03:39 | |
'For us, it's a makeshift fence, made from thorn bushes. | 0:03:39 | 0:03:42 | |
'Locals call this protective fence a boma. | 0:03:42 | 0:03:45 | |
'It's enough to put off all but the most determined of predators. | 0:03:45 | 0:03:49 | |
'These acacia trees have spines like big needles.' | 0:03:49 | 0:03:52 | |
But it's these spines that we're going to use as our protection | 0:03:52 | 0:03:55 | |
in the walls of our boma. | 0:03:55 | 0:03:57 | |
'The signs in the sand told us there are dangerous animals around here. | 0:04:00 | 0:04:04 | |
'So we should take the right precautions. | 0:04:04 | 0:04:06 | |
'Reading the signs around you could save your life.' | 0:04:06 | 0:04:09 | |
It's a good job we built that boma. | 0:04:10 | 0:04:12 | |
Makes you think, tonight we're going to have to be very vigilant. | 0:04:12 | 0:04:16 | |
Make sure we're on the lookout all the time. | 0:04:16 | 0:04:19 | |
'At night, human eyesight is dulled by darkness. | 0:04:20 | 0:04:24 | |
'It's time to feed up and then sleep. | 0:04:24 | 0:04:26 | |
'But for animals that see well in the dark, | 0:04:26 | 0:04:29 | |
'it's feeding time. | 0:04:29 | 0:04:31 | |
'Our night vision's poor but you can still read wild signs by listening.' | 0:04:31 | 0:04:35 | |
HYENAS CALL | 0:04:37 | 0:04:39 | |
It's about two o'clock in the morning | 0:04:39 | 0:04:41 | |
and I've just been woken up by the sound of spotted hyena calling. | 0:04:41 | 0:04:46 | |
Just off in the distance that way. | 0:04:46 | 0:04:48 | |
It's very exciting and a little bit spooky, | 0:04:48 | 0:04:53 | |
knowing that just beyond the walls of our boma, | 0:04:53 | 0:04:57 | |
there could be just about anything wandering about. | 0:04:57 | 0:05:00 | |
ROAR | 0:05:00 | 0:05:02 | |
There's a lion. There's a lion calling off in the distance, | 0:05:02 | 0:05:05 | |
off that way. It's quite a way away. | 0:05:05 | 0:05:09 | |
But they can travel huge distances in the night. | 0:05:09 | 0:05:13 | |
No reason why he couldn't come past here. | 0:05:15 | 0:05:17 | |
'A lion's roar is like language, saying, | 0:05:20 | 0:05:22 | |
'"This is my territory, don't mess with me." | 0:05:22 | 0:05:25 | |
'Or, "I feel like hunting." If you learn their language, | 0:05:25 | 0:05:28 | |
'you can suss what they're up to without ever seeing them.' | 0:05:28 | 0:05:31 | |
When you're looking for tracks, | 0:05:31 | 0:05:33 | |
the first and probably most important thing | 0:05:33 | 0:05:35 | |
is the ground that they're laid down in. | 0:05:35 | 0:05:37 | |
Certain kinds of ground will hold a track much better than others. | 0:05:37 | 0:05:40 | |
For example, the soft banks of a river... | 0:05:40 | 0:05:42 | |
..or snow. | 0:05:44 | 0:05:46 | |
But sand is also wonderful. | 0:05:48 | 0:05:51 | |
And look at those prints. | 0:05:51 | 0:05:54 | |
You will never get better than that. | 0:05:54 | 0:05:56 | |
'These tracks are super-fresh.' | 0:06:00 | 0:06:03 | |
So once you've found your print, | 0:06:05 | 0:06:07 | |
the next thing is to try and work out what kind of animal left them. | 0:06:07 | 0:06:10 | |
That there... | 0:06:12 | 0:06:13 | |
is about the size of my hand. | 0:06:13 | 0:06:17 | |
So we're talking about a good-sized animal. | 0:06:17 | 0:06:20 | |
We've got four very clear, rounded front toes. | 0:06:20 | 0:06:26 | |
And a pad at the back. | 0:06:26 | 0:06:28 | |
Now, this is an absolutely perfect cat print. | 0:06:28 | 0:06:32 | |
The way I can tell it's a cat and not a dog is that there are | 0:06:32 | 0:06:37 | |
no visible claws at the front of each toe. | 0:06:37 | 0:06:41 | |
All of the big cats apart from cheetahs can retract their claws | 0:06:41 | 0:06:46 | |
into their toes, as they're walking along. | 0:06:46 | 0:06:48 | |
Which protects them and keeps them sharp. | 0:06:48 | 0:06:51 | |
'So we have droppings, | 0:06:51 | 0:06:53 | |
'an old carcass, calls...' | 0:06:53 | 0:06:56 | |
There's a lion calling off in the distance, off that way. | 0:06:56 | 0:07:00 | |
'..And now, crisp, fresh tracks.' | 0:07:00 | 0:07:02 | |
These are the prints of a lion. | 0:07:02 | 0:07:06 | |
OK, once you've figured out which animal the prints belong to, | 0:07:06 | 0:07:10 | |
next you can figure out other things by looking at the prints closely. | 0:07:10 | 0:07:14 | |
First of all, the direction it's travelling in. | 0:07:14 | 0:07:16 | |
The toes at the front, here... | 0:07:16 | 0:07:18 | |
..and at the front here, | 0:07:21 | 0:07:22 | |
so this animal's been going in this direction. | 0:07:22 | 0:07:24 | |
And this animal's been going this way. | 0:07:24 | 0:07:26 | |
Once you start to look carefully, | 0:07:26 | 0:07:28 | |
you can figure out what speed they've been travelling at, | 0:07:28 | 0:07:31 | |
how many animals there are, possibly even how old they are, | 0:07:31 | 0:07:34 | |
just by looking at the prints. | 0:07:34 | 0:07:35 | |
There's a whole wonderful drama that can unfold down here in the sand. | 0:07:35 | 0:07:39 | |
Oh, look at those tracks! | 0:07:43 | 0:07:46 | |
'The clarity of the tracks means they were made very recently. | 0:07:46 | 0:07:50 | |
'Follow a fresh track and you may find what made it.' | 0:07:50 | 0:07:53 | |
(Look at that.) | 0:07:58 | 0:08:00 | |
(Oh, that's some purpose.) | 0:08:00 | 0:08:03 | |
Looks like they've spotted something. | 0:08:04 | 0:08:07 | |
(There's a couple of warthog off to our left.) | 0:08:07 | 0:08:10 | |
Our lions have spotted them. | 0:08:10 | 0:08:14 | |
And this is the perfect time for things to start happening. | 0:08:14 | 0:08:18 | |
The warthog are getting closer, they don't realise what they're doing. | 0:08:20 | 0:08:23 | |
This one here's moving forward with purpose. | 0:08:23 | 0:08:26 | |
It's going to happen. | 0:08:30 | 0:08:31 | |
One down... No, he's got away. He got away! | 0:08:36 | 0:08:39 | |
Scattered in completely different directions. | 0:08:39 | 0:08:42 | |
And one over there... | 0:08:42 | 0:08:43 | |
Unfortunately it's just met its end in the thicket just over there. | 0:08:43 | 0:08:48 | |
The others all escaped. | 0:08:48 | 0:08:50 | |
WARTHOG SQUEALS | 0:08:50 | 0:08:52 | |
That would have to be one of the quickest, | 0:08:52 | 0:08:56 | |
most completely perfect hunts I think I've ever seen. | 0:08:56 | 0:09:00 | |
'Becoming aware of what's been going on in the wild world around you | 0:09:06 | 0:09:09 | |
'can lead to unforgettable encounters. | 0:09:09 | 0:09:11 | |
'And it's not just large mammals that leave tracks. | 0:09:11 | 0:09:14 | |
'In the Namibian deserts, | 0:09:14 | 0:09:16 | |
'we were looking for a different kind of predator. | 0:09:16 | 0:09:19 | |
'Sand dunes are exhausting to get around in. | 0:09:19 | 0:09:22 | |
'so desert creatures have very specialised ways of moving | 0:09:22 | 0:09:25 | |
'and leave distinctive marks behind.' | 0:09:25 | 0:09:27 | |
We're out looking for the absolute master hunter of the desert. | 0:09:27 | 0:09:32 | |
This is the Peringuey's adder, otherwise known as the sidewinder. | 0:09:32 | 0:09:36 | |
Now, they're only very small, but they are very, very deadly | 0:09:37 | 0:09:41 | |
and we've got an ENORMOUS amount of dunes to cover. | 0:09:41 | 0:09:46 | |
So, what I suggest is that we all spread out in a line | 0:09:46 | 0:09:50 | |
and we're looking for a sign... | 0:09:50 | 0:09:52 | |
..that looks something...like this. | 0:09:54 | 0:09:58 | |
As I've mentioned before, sand holds a track really well. | 0:10:01 | 0:10:04 | |
Our snake doesn't leave a footprint, | 0:10:04 | 0:10:07 | |
but its body leaves a flick mark as it sidewinds. | 0:10:07 | 0:10:10 | |
The long shadows of dawn and dusk make tracks much easier to spot, | 0:10:13 | 0:10:17 | |
so these are the best times to go out tracking. | 0:10:17 | 0:10:19 | |
When the sun's directly overhead, the tracks barely stand out at all. | 0:10:19 | 0:10:22 | |
Sidewinders usually move by night, | 0:10:27 | 0:10:29 | |
which means we have to find one fast, | 0:10:29 | 0:10:31 | |
before his tracks are blown away by the wind. | 0:10:31 | 0:10:33 | |
WHISTLING Over here! | 0:10:35 | 0:10:37 | |
-What have you got? -Sidewinder tracks. -Woo! | 0:10:38 | 0:10:43 | |
Our camouflage killer has been busted by his slithering signs. | 0:10:43 | 0:10:47 | |
Did you spot them, Mark? | 0:10:47 | 0:10:50 | |
I have, mate. I have got the tracks. | 0:10:50 | 0:10:54 | |
-Did I hear right? Did someone shout "sidewinder"? -Tracks. | 0:10:54 | 0:10:59 | |
-Just running up the face of that dune? -Yes. | 0:10:59 | 0:11:01 | |
Yes! You beauty! | 0:11:01 | 0:11:05 | |
They start down here... And look at that! | 0:11:05 | 0:11:11 | |
That is just perfect. | 0:11:11 | 0:11:14 | |
-Which way is he going? -Actually, he's going this way. | 0:11:14 | 0:11:16 | |
I don't know, mate. | 0:11:16 | 0:11:19 | |
So, all we need to do is follow the tracks. | 0:11:19 | 0:11:22 | |
Sidewinders bury themselves | 0:11:24 | 0:11:26 | |
in the soft sand at the base of grasses like these. | 0:11:26 | 0:11:29 | |
I've got him! I've got him. | 0:11:29 | 0:11:31 | |
Yes! | 0:11:32 | 0:11:33 | |
I can see his head. | 0:11:33 | 0:11:35 | |
Just down there. | 0:11:36 | 0:11:38 | |
And you probably can't even see him, but if I take my snake hook... | 0:11:38 | 0:11:43 | |
..and you follow the line directly down from the end of that... | 0:11:44 | 0:11:47 | |
See him? | 0:11:47 | 0:11:49 | |
All that pokes above the sand is a well-hidden snout and tiny eyes. | 0:11:50 | 0:11:54 | |
Imagine trying to find that in all this desert | 0:11:54 | 0:11:57 | |
without finding the trail first. | 0:11:57 | 0:11:59 | |
Thick, leather gloves. | 0:11:59 | 0:12:00 | |
Oh-ho-ho-ho! Look at that! | 0:12:03 | 0:12:06 | |
What an utterly beautiful little snake. | 0:12:09 | 0:12:14 | |
This is the master of the dunes. | 0:12:14 | 0:12:18 | |
But the thing that makes the snake so special | 0:12:18 | 0:12:20 | |
is what left that track over there. | 0:12:20 | 0:12:23 | |
Sidewinding. It's its method of moving on these soft shifting sands. | 0:12:23 | 0:12:28 | |
We're hopefully about to see one of the most remarkable ways | 0:12:28 | 0:12:32 | |
of getting around in the animal kingdom. | 0:12:32 | 0:12:34 | |
Look at that! | 0:12:39 | 0:12:41 | |
This is such an efficient way | 0:12:42 | 0:12:44 | |
of moving across sand. | 0:12:44 | 0:12:45 | |
He just throws one coil of the body forward, | 0:12:45 | 0:12:48 | |
anchors it and throws the next one forward. | 0:12:48 | 0:12:51 | |
And he's moving across very soft sand here. That is brilliant. | 0:12:51 | 0:12:57 | |
Using this method, he can go up the steepest dunes | 0:12:57 | 0:13:00 | |
and look at the track he's leaving behind. | 0:13:00 | 0:13:03 | |
And, hopefully, when he gets some soft sand, he'll bury himself. | 0:13:03 | 0:13:07 | |
Here he goes. | 0:13:08 | 0:13:09 | |
Just gently worming the body in, easing himself down into the sand | 0:13:10 | 0:13:16 | |
and then those camouflage colours are going to come into play. | 0:13:16 | 0:13:19 | |
And he will disappear. | 0:13:19 | 0:13:22 | |
HE CHUCKLES | 0:13:25 | 0:13:27 | |
That is utterly remarkable. | 0:13:28 | 0:13:32 | |
Sidewinder...on the Deadly 60. | 0:13:32 | 0:13:34 | |
One of the best-camouflaged creatures in the world, | 0:13:35 | 0:13:38 | |
given away by a simple slither. | 0:13:38 | 0:13:41 | |
Look at those prints. | 0:13:47 | 0:13:50 | |
The marks animals leave when they move around are just the beginning. | 0:13:50 | 0:13:54 | |
Look at that! | 0:13:54 | 0:13:56 | |
These tracks can get blown away... | 0:13:56 | 0:13:59 | |
..stepped on, | 0:14:01 | 0:14:02 | |
washed out, | 0:14:02 | 0:14:04 | |
or even melt. | 0:14:04 | 0:14:05 | |
However, there's something else they leave behind. | 0:14:05 | 0:14:09 | |
Poo. | 0:14:09 | 0:14:11 | |
OK. Now, you don't want to be too squeamish. | 0:14:11 | 0:14:15 | |
If you pull it apart, particularly if it's a herbivore - | 0:14:16 | 0:14:20 | |
that is, an animal that feeds exclusively on plant matter - | 0:14:20 | 0:14:23 | |
it's not going to do you any harm. | 0:14:23 | 0:14:25 | |
You can really get a sense of what this animal's been eating. | 0:14:25 | 0:14:28 | |
And, inside here, we've got lots of the indigestible bits of plants. | 0:14:28 | 0:14:34 | |
So there's the stems and the stalks from things like this. | 0:14:34 | 0:14:39 | |
There's also the midribs from the leaves, | 0:14:39 | 0:14:41 | |
and it's all clustered together in quite a fresh lump. | 0:14:41 | 0:14:45 | |
A good smell...will actually tell me that this is quite old. | 0:14:45 | 0:14:50 | |
This has been here for a while. | 0:14:50 | 0:14:51 | |
So you can learn an awful lot about an animal, | 0:14:51 | 0:14:54 | |
just by looking at its poo. | 0:14:54 | 0:14:55 | |
Very important, though - wash your hands afterwards. | 0:14:55 | 0:14:58 | |
Oh, and in case you're wondering, this comes from a forest elephant. | 0:14:58 | 0:15:02 | |
The first place you should learn to track is your home patch. | 0:15:05 | 0:15:09 | |
You might be surprised what's going on in your local woodlands, | 0:15:09 | 0:15:12 | |
if you take the time to look. | 0:15:12 | 0:15:13 | |
For human beings, going to the toilet | 0:15:15 | 0:15:17 | |
is just all about getting waste products out of your body. | 0:15:17 | 0:15:20 | |
But for some animals, it's a whole means of communication. | 0:15:20 | 0:15:23 | |
They actually save up their poo and do it all together in one spot, | 0:15:23 | 0:15:27 | |
called a latrine, and around me now are loads of little lumps. | 0:15:27 | 0:15:32 | |
Dung tells you what an animal's been eating | 0:15:32 | 0:15:35 | |
and can be a big clue as to what it might be. | 0:15:35 | 0:15:38 | |
This one is really fresh. | 0:15:38 | 0:15:40 | |
That one there is from last night. | 0:15:40 | 0:15:45 | |
Still very, very sticky. | 0:15:45 | 0:15:47 | |
Quite highly-scented, but not unpleasant, actually. | 0:15:48 | 0:15:51 | |
And if you look closely, | 0:15:51 | 0:15:53 | |
I can actually do a proper animal CSI right here, | 0:15:53 | 0:15:57 | |
because those little white dots there are eggs from a fly. | 0:15:57 | 0:16:03 | |
And the fact that they haven't even | 0:16:03 | 0:16:05 | |
started hatching out into maggots yet | 0:16:05 | 0:16:07 | |
means that this is within the day that they've laid their eggs | 0:16:07 | 0:16:10 | |
and it was probably last night that this dung was left. | 0:16:10 | 0:16:13 | |
The poo was also full of beetle wing casings. | 0:16:14 | 0:16:17 | |
Let's find some other signs and see if you can guess what left it. | 0:16:19 | 0:16:22 | |
Despite this being a particularly beautiful patch of woodland, | 0:16:24 | 0:16:28 | |
it does look like someone's been through here | 0:16:28 | 0:16:31 | |
with an industrial digger, just turning up the ground. | 0:16:31 | 0:16:34 | |
All of this here is material that's been dug out from deep in there. | 0:16:34 | 0:16:39 | |
And that's been done by a very, very powerful animal, | 0:16:39 | 0:16:43 | |
an absolute digging machine. | 0:16:43 | 0:16:45 | |
They're badgers. | 0:16:45 | 0:16:46 | |
Somewhere under the ground around us now is a whole clan, | 0:16:46 | 0:16:50 | |
a big extended family of badgers. They're nocturnal. | 0:16:50 | 0:16:53 | |
During the daytime, they'll be fast asleep. | 0:16:53 | 0:16:55 | |
But come dusk, come the early evening, they'll come out to forage. | 0:16:55 | 0:16:59 | |
But that doesn't mean that during the daytime, | 0:16:59 | 0:17:01 | |
there isn't plenty of sign of what they've been up to. | 0:17:01 | 0:17:04 | |
It may seem strange that creatures of the woodland use paths, | 0:17:10 | 0:17:14 | |
like we do, but they definitely do, | 0:17:14 | 0:17:16 | |
partially because they're creatures of habit, partially for ease. | 0:17:16 | 0:17:20 | |
You can see through here, | 0:17:20 | 0:17:21 | |
all of these bluebells are flattened down low and some definite evidence | 0:17:21 | 0:17:27 | |
that we've got badgers coming through here. | 0:17:27 | 0:17:29 | |
A fox or a deer would just daintily step over the top of these trees, | 0:17:29 | 0:17:33 | |
but you can see that low-slung badgers | 0:17:33 | 0:17:36 | |
have actually worn off the moss with their bodies. | 0:17:36 | 0:17:40 | |
Oh, and look at this as well. | 0:17:44 | 0:17:46 | |
That...is a badger hair. | 0:17:48 | 0:17:51 | |
Our culprit is definitely close by. | 0:17:53 | 0:17:56 | |
Though badgers build their homes | 0:17:58 | 0:18:00 | |
and lead a lot of their lives in woodlands like this, | 0:18:00 | 0:18:04 | |
these fields are wonderful places for them to go out at night | 0:18:04 | 0:18:07 | |
and go looking for food, particularly earthworms, | 0:18:07 | 0:18:10 | |
insects, insect larvae, which they can dig down for in the soft ground. | 0:18:10 | 0:18:14 | |
So places like here, where the woodland meets the field | 0:18:14 | 0:18:17 | |
and they're going to have to move under fences like this... | 0:18:17 | 0:18:21 | |
you quite often see signs that they've been here. | 0:18:21 | 0:18:25 | |
Look at all that badger fur, white and black. | 0:18:25 | 0:18:29 | |
With their thick coats, they barely notice | 0:18:29 | 0:18:32 | |
that they were scraping by under this fence, but it's a sure sign | 0:18:32 | 0:18:35 | |
that the badgers have been moving through here. | 0:18:35 | 0:18:38 | |
The joy of tracking is that you can learn about | 0:18:39 | 0:18:43 | |
the lives of the animals around you even when you can't see them. | 0:18:43 | 0:18:47 | |
Hair and dung are choice clues for the animal detective, | 0:18:57 | 0:19:02 | |
but some signs are even more dramatic. | 0:19:02 | 0:19:05 | |
Searching for leopard in Namibia, we came across a cave | 0:19:06 | 0:19:10 | |
with a dark secret. | 0:19:10 | 0:19:11 | |
This is really exciting. | 0:19:16 | 0:19:17 | |
There's a small cave entrance here, | 0:19:17 | 0:19:21 | |
and the outside is absolutely littered with bones. | 0:19:21 | 0:19:26 | |
There's a strong smell coming from inside. | 0:19:31 | 0:19:33 | |
There's something living in here. | 0:19:33 | 0:19:35 | |
Charlie, can I have the camera? | 0:19:35 | 0:19:38 | |
OK... | 0:19:42 | 0:19:43 | |
I'm going to tread carefully, because... | 0:19:43 | 0:19:46 | |
it could be a hyena or a leopard, | 0:19:46 | 0:19:49 | |
but I think it's something else. | 0:19:49 | 0:19:51 | |
Yes! | 0:19:54 | 0:19:56 | |
I'm going to be quite cautious. | 0:19:56 | 0:19:59 | |
Wow. | 0:19:59 | 0:20:00 | |
This is a properly eerie place. | 0:20:00 | 0:20:04 | |
Someone is living inside. | 0:20:04 | 0:20:07 | |
Just sitting quietly in the corner up here... | 0:20:07 | 0:20:11 | |
is a porcupine. | 0:20:11 | 0:20:13 | |
He's watching me very closely, but... | 0:20:13 | 0:20:16 | |
what I really don't want is for him to back up and charge me | 0:20:16 | 0:20:20 | |
with those quills. | 0:20:20 | 0:20:22 | |
That's the weapon that he'll use | 0:20:22 | 0:20:25 | |
to drive off animals as big as lions. | 0:20:25 | 0:20:27 | |
He's great! | 0:20:29 | 0:20:31 | |
Porcupines are actually well known for dragging... | 0:20:33 | 0:20:36 | |
the bones from disused carcasses | 0:20:36 | 0:20:39 | |
up to the places they're sleeping. That's not to say that | 0:20:39 | 0:20:43 | |
a hyena or a leopard hasn't used this cave before, | 0:20:43 | 0:20:46 | |
but at the moment, | 0:20:46 | 0:20:47 | |
this little fella lives here. | 0:20:47 | 0:20:50 | |
He's great! | 0:20:51 | 0:20:53 | |
OK, let's leave him be. | 0:20:55 | 0:20:58 | |
That big bone pile could have pointed to a messy predator, | 0:20:59 | 0:21:04 | |
but it was always more likely to be a porcupine. | 0:21:04 | 0:21:08 | |
They chew on bones to get vital minerals. | 0:21:08 | 0:21:11 | |
You can track animals from discarded bits of food... | 0:21:11 | 0:21:15 | |
even underwater. | 0:21:15 | 0:21:16 | |
On a mission in British Columbia, in Canada, we were on the trail of | 0:21:17 | 0:21:22 | |
what can be best described as an eight-legged sea monster. | 0:21:22 | 0:21:25 | |
It looks like John's found something cool! | 0:21:25 | 0:21:29 | |
I'm not sure what it is, | 0:21:29 | 0:21:31 | |
but he seems quite excited. | 0:21:31 | 0:21:33 | |
This pile of discarded shellfish is evidence of a local hunter | 0:21:33 | 0:21:38 | |
with a big appetite. | 0:21:38 | 0:21:40 | |
Oh, wow, look at this! | 0:21:40 | 0:21:43 | |
There's a large area... | 0:21:45 | 0:21:49 | |
of scattered shells... | 0:21:49 | 0:21:50 | |
..big chunks of dead crab. | 0:21:53 | 0:21:57 | |
Up here, we've got the, er... | 0:21:59 | 0:22:02 | |
the carapace of a dead crab. This is definitely the work... | 0:22:02 | 0:22:08 | |
..of the super-predator that we've come here to find. | 0:22:10 | 0:22:14 | |
Now, all we need to do is find the animal itself. | 0:22:16 | 0:22:18 | |
The giant creature we're looking for is a specialist at | 0:22:21 | 0:22:24 | |
dismembering its armoured prey. But even it doesn't eat the shells, | 0:22:24 | 0:22:30 | |
and they lead us right to its den. | 0:22:30 | 0:22:32 | |
It's a Giant Pacific Octopus. | 0:22:32 | 0:22:36 | |
And I think they're in this hole... Oh, my goodness, yes, I see one! | 0:22:36 | 0:22:41 | |
Oh, wow! | 0:22:42 | 0:22:44 | |
Now, that is a big octopus! | 0:22:44 | 0:22:47 | |
We gently coax him out into the open. | 0:22:47 | 0:22:51 | |
Oh, my goodness! | 0:22:54 | 0:22:56 | |
He's absolutely monstrous. | 0:22:56 | 0:22:59 | |
And I thought this was a small one! | 0:23:01 | 0:23:03 | |
Whoa! | 0:23:07 | 0:23:09 | |
Oh, my goodness! | 0:23:09 | 0:23:11 | |
It feels like it could rip my arm out of its socket! | 0:23:11 | 0:23:14 | |
Oh! | 0:23:14 | 0:23:16 | |
Those bits of shell were the undersea equivalent of a skeleton | 0:23:17 | 0:23:21 | |
lying on the African plains. | 0:23:21 | 0:23:23 | |
They were a sure sign that a predator | 0:23:23 | 0:23:26 | |
was feeding nearby. | 0:23:26 | 0:23:27 | |
So, we've shown you how spotting footprints | 0:23:30 | 0:23:32 | |
can help you track down animals... Smell. | 0:23:32 | 0:23:35 | |
..and finding droppings, or signs like hair and bones, can act | 0:23:35 | 0:23:39 | |
as clues to where they've been, or where they're hiding. | 0:23:39 | 0:23:43 | |
When you're tracking wildlife, it's very tempting to just use your eyes | 0:23:47 | 0:23:51 | |
and forget about your other senses, and that's a big mistake, | 0:23:51 | 0:23:54 | |
particularly your hearing can open a whole new wild world | 0:23:54 | 0:23:59 | |
of things that are going on around you but you might not see. | 0:23:59 | 0:24:02 | |
Zeroing in on a song, call, or noises from movement | 0:24:02 | 0:24:05 | |
-can lead you straight to an animal. -HE WHISTLES | 0:24:05 | 0:24:08 | |
WAILING | 0:24:08 | 0:24:10 | |
ROARING, THEN SQUEAKING | 0:24:10 | 0:24:11 | |
-Woof-woof! -HOWLING | 0:24:11 | 0:24:14 | |
-BUZZING -Tok-tokay! | 0:24:14 | 0:24:15 | |
WAILING, THEN SQUEAKING | 0:24:15 | 0:24:16 | |
-HISSING -Ooh! | 0:24:16 | 0:24:17 | |
WHISTLING, THEN BELLOWING | 0:24:17 | 0:24:19 | |
-BUZZING -Owww! | 0:24:19 | 0:24:20 | |
GURGLING, THEN SQUEAKING | 0:24:20 | 0:24:22 | |
-HOWLING, THEN BELLOWING -Ha-ha, ha-ha, ha-ha! | 0:24:22 | 0:24:25 | |
In the jungles of Madagascar, we tracked | 0:24:26 | 0:24:29 | |
one of the noisiest animals around. | 0:24:29 | 0:24:32 | |
We kept moving in the direction we thought the sounds were coming from, | 0:24:32 | 0:24:37 | |
then when the sounds seemed quieter, | 0:24:37 | 0:24:38 | |
we listened again and changed direction. | 0:24:38 | 0:24:42 | |
DISTANT ANIMAL CALLS | 0:24:42 | 0:24:47 | |
That is the sound of the animal we're trying to find this morning. | 0:24:47 | 0:24:52 | |
They're still quite a way off. | 0:24:52 | 0:24:54 | |
It's the Indri, the largest species of lemur... | 0:24:54 | 0:24:58 | |
-CALLING CONTINUES -..and what a sound. | 0:24:58 | 0:25:01 | |
MORE DISTANT CALLING | 0:25:04 | 0:25:06 | |
After trekking deep into the forest, | 0:25:09 | 0:25:11 | |
following the haunting calls of the Indri, | 0:25:11 | 0:25:14 | |
we're finally rewarded with our first glimpse. | 0:25:14 | 0:25:16 | |
LOUD CALLING | 0:25:18 | 0:25:21 | |
I think there might be two... Yeah, there's two over there. | 0:25:23 | 0:25:27 | |
-There's one there... -CALLING CONTINUES | 0:25:27 | 0:25:31 | |
It's one of the loudest, completely natural noises I've ever heard. | 0:25:40 | 0:25:43 | |
The Indris are calling to mark out their territory. | 0:25:49 | 0:25:52 | |
They're making sure that other Indris around know where they are, | 0:25:52 | 0:25:57 | |
that this is their patch and they shouldn't come any closer. | 0:25:57 | 0:26:00 | |
CALLING CONTINUES | 0:26:00 | 0:26:06 | |
Totally eerie and weird. | 0:26:13 | 0:26:16 | |
Like some bizarre trumpet call. | 0:26:17 | 0:26:19 | |
And there are other Indris off in the distance singing back as well. | 0:26:24 | 0:26:28 | |
DISTANT CALLING | 0:26:28 | 0:26:30 | |
He's sat so close, I feel like I could reach out | 0:26:35 | 0:26:39 | |
and take him by the hand, just eating. | 0:26:39 | 0:26:42 | |
When animals are eating in front of you, | 0:26:42 | 0:26:44 | |
it means they're comfortable | 0:26:44 | 0:26:46 | |
it means they're not stressed out. | 0:26:46 | 0:26:48 | |
And they're that comfortable, | 0:26:48 | 0:26:50 | |
these inquisitive creatures come right in | 0:26:50 | 0:26:52 | |
to have a closer look at us. | 0:26:52 | 0:26:55 | |
Boing! | 0:26:55 | 0:26:57 | |
Oh, wow, they're so bouncy! | 0:27:00 | 0:27:04 | |
It's like one big rubber ball full of stored-up energy. | 0:27:04 | 0:27:09 | |
And those long limbs... | 0:27:09 | 0:27:12 | |
What would you give to be able to do that? | 0:27:12 | 0:27:15 | |
Boing! | 0:27:20 | 0:27:22 | |
Eyes, ears and a nose for a story could all help you find | 0:27:22 | 0:27:25 | |
wild wonders you might otherwise miss. | 0:27:25 | 0:27:27 | |
Wow! | 0:27:27 | 0:27:29 | |
Now, it's your turn. Become a wildlife detective | 0:27:29 | 0:27:31 | |
and look at the world around you with your eyes wide open. | 0:27:31 | 0:27:35 | |
Join me next time, | 0:27:37 | 0:27:38 | |
as I continue my search for the Deadly 60. | 0:27:38 | 0:27:41 | |
He just stuck his tongue in my eye. | 0:27:41 | 0:27:43 | |
Look! | 0:27:43 | 0:27:44 | |
How good is that?! | 0:27:46 | 0:27:48 | |
Subtitles by Red Bee Media Ltd | 0:27:52 | 0:27:55 | |
E-mail [email protected] | 0:27:55 | 0:27:58 |