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I'm Steve Backshall, and this is Deadly Art. | 0:00:02 | 0:00:04 | |
I'm lucky enough to travel the world, | 0:00:07 | 0:00:09 | |
tracking deadly animals. | 0:00:09 | 0:00:11 | |
ROARING | 0:00:11 | 0:00:13 | |
But in this show, I'm picking 25 of my favourites... | 0:00:13 | 0:00:16 | |
ROARING | 0:00:17 | 0:00:18 | |
..and challenging my team of deadly artists | 0:00:21 | 0:00:23 | |
to recreate a killer moment. | 0:00:23 | 0:00:25 | |
You'll get to make some art, | 0:00:27 | 0:00:28 | |
and in the final show, my team and I are going to choose which animals | 0:00:28 | 0:00:32 | |
will make it into my Deadly Art Gallery. | 0:00:32 | 0:00:35 | |
This is no ordinary art show, this is Deadly Art! | 0:00:35 | 0:00:38 | |
On today's Deadly Art... | 0:00:43 | 0:00:44 | |
I meet a curious creature who's seriously snappy. | 0:00:44 | 0:00:48 | |
The head snaps out like that. | 0:00:48 | 0:00:50 | |
My team of deadly artists recreate a killer moment.. | 0:00:50 | 0:00:54 | |
We need to do something really big. | 0:00:54 | 0:00:56 | |
..and you can make your own Deadly Art at home too. | 0:00:56 | 0:00:58 | |
Here's today's chosen animal. | 0:01:00 | 0:01:02 | |
This ruthless reptile lives underwater. | 0:01:02 | 0:01:05 | |
It's been around for millions of years | 0:01:05 | 0:01:07 | |
-and with a bite that's -TURTLEY -awesome, | 0:01:07 | 0:01:10 | |
he's a true monster of the deep. | 0:01:10 | 0:01:11 | |
Any guesses? | 0:01:11 | 0:01:13 | |
Well, the monster in question is... | 0:01:13 | 0:01:16 | |
the alligator snapping turtle. | 0:01:16 | 0:01:18 | |
Yes, I know. It is a bit of a weird name. | 0:01:18 | 0:01:21 | |
The alligator snapping turtle spends its time | 0:01:21 | 0:01:23 | |
sat on the bottom of a swamp, looking a bit like a log. | 0:01:23 | 0:01:27 | |
But the clever thing is, | 0:01:27 | 0:01:29 | |
he gets his lunch to come to him with a cunning con. | 0:01:29 | 0:01:32 | |
On the end of its tongue is a lure that looks a bit like a worm | 0:01:32 | 0:01:35 | |
And makes its prey swim right inside. | 0:01:35 | 0:01:38 | |
It's going to be a challenge to recreate this monster. | 0:01:38 | 0:01:41 | |
Time to meet the artists who are waiting for their mission. | 0:01:41 | 0:01:44 | |
I'm Nicola. I'm an ice sculptress and a power tool queen. | 0:01:44 | 0:01:49 | |
CHAINSAW REVS | 0:01:49 | 0:01:50 | |
I'm Jo. I like using gloss paint, human hair - | 0:01:51 | 0:01:54 | |
all sorts of different materials but most of all, I like making a mess. | 0:01:54 | 0:01:57 | |
In a moment, you'll join me and the Deadly 60 crew | 0:01:59 | 0:02:01 | |
in the Deep South of the USA on a hunt for alligator snapping turtles. | 0:02:01 | 0:02:05 | |
First, let's take a look at the killer shot | 0:02:05 | 0:02:08 | |
I'd like my artists to recreate. | 0:02:08 | 0:02:09 | |
-CAMERA WHIRS -Snap! | 0:02:10 | 0:02:12 | |
And their art has to include these three essential elements. | 0:02:12 | 0:02:15 | |
Size. With its spiked shell, | 0:02:15 | 0:02:17 | |
beak-like jaws and thick-scaled tail, | 0:02:17 | 0:02:21 | |
this species is often called the dinosaur of the turtle world. | 0:02:21 | 0:02:24 | |
They can grow up to 113kg. | 0:02:24 | 0:02:27 | |
That's the weight of three 12-year-olds. | 0:02:27 | 0:02:30 | |
The shell. Turtles evolved around 200 million years ago. | 0:02:30 | 0:02:33 | |
Snapping turtles have long ridges along their back, | 0:02:33 | 0:02:36 | |
very similar to those on an alligator. | 0:02:36 | 0:02:38 | |
That's part of the reason they got their name, | 0:02:38 | 0:02:41 | |
along with their amazing snap action. | 0:02:41 | 0:02:43 | |
Prey is enticed in to their mouth, thinking they're getting a meal. | 0:02:43 | 0:02:46 | |
What they get is one of the fiercest bites in the world. | 0:02:46 | 0:02:49 | |
So, Jo and Nicola, get stuck in to your Deadly Art. | 0:02:49 | 0:02:52 | |
That is the weirdest thing I have seen. | 0:02:52 | 0:02:54 | |
But that worm is part of the killer moment, | 0:02:54 | 0:02:56 | |
so we have to get it in. | 0:02:56 | 0:02:58 | |
OK. Look at his head! | 0:02:58 | 0:02:59 | |
It's huge! It's almost out of proportion to his body | 0:02:59 | 0:03:02 | |
It looks prehistoric. It's like a dinosaur. | 0:03:02 | 0:03:04 | |
We need to do something big. | 0:03:04 | 0:03:06 | |
His skin is so rough and rugged looking. | 0:03:06 | 0:03:09 | |
I tell you what's good for that - sand! | 0:03:09 | 0:03:11 | |
We're going to need a lot of it. | 0:03:11 | 0:03:13 | |
Jo and Nicola are using their brute strength. | 0:03:13 | 0:03:16 | |
I think this could get a bit messy. | 0:03:16 | 0:03:18 | |
Right. We've got masses of sand for our turtle. | 0:03:18 | 0:03:22 | |
Let's get compacting. | 0:03:22 | 0:03:23 | |
Boof! Boof! | 0:03:26 | 0:03:29 | |
Snapping turtles love dark, murky, fresh water. | 0:03:29 | 0:03:32 | |
So, we're heading to the Black Bayou Wetlands | 0:03:32 | 0:03:35 | |
in the US southern state of Louisiana. | 0:03:35 | 0:03:38 | |
To help find one, I've enlisted the help of an expert. | 0:03:38 | 0:03:41 | |
This is Mitch. | 0:03:41 | 0:03:43 | |
He's studying the turtles. | 0:03:43 | 0:03:44 | |
The Black Bayou is pretty vast. | 0:03:47 | 0:03:49 | |
And the water is, as you can see, pretty murky. | 0:03:49 | 0:03:51 | |
So our chances of just happening across the animal | 0:03:51 | 0:03:54 | |
we're looking for, are pretty slender. | 0:03:54 | 0:03:56 | |
We put out these hoop net traps... | 0:03:58 | 0:04:01 | |
..and there's fresh fish bait inside. | 0:04:03 | 0:04:05 | |
I'm really hoping... | 0:04:06 | 0:04:08 | |
..that we've caught something special. | 0:04:09 | 0:04:11 | |
We actually have three. | 0:04:15 | 0:04:17 | |
I don't believe it! | 0:04:17 | 0:04:20 | |
Look at the size of the head on that one! | 0:04:20 | 0:04:23 | |
Stick around because I'll get closer | 0:04:23 | 0:04:25 | |
to these turtles in just a moment. | 0:04:25 | 0:04:27 | |
But how are Jo and Nicola getting on in the Deadly Art studio? | 0:04:27 | 0:04:30 | |
Because I want the jaws of the turtle to be wide open | 0:04:30 | 0:04:34 | |
so we can see the insides of his mouth, | 0:04:34 | 0:04:36 | |
it needs to be extremely strong so that it can hold its own weight. | 0:04:36 | 0:04:40 | |
That's why I've got a box, loads of sand, loads of water, | 0:04:40 | 0:04:43 | |
and I'm going to use machinery to compact this sand down, | 0:04:43 | 0:04:46 | |
so it becomes really, really strong. | 0:04:46 | 0:04:48 | |
I'm loving how extreme Deadly Art can be. | 0:04:48 | 0:04:51 | |
Now Jo's going to show you how to do a portrait | 0:04:51 | 0:04:54 | |
of the snapping turtle. | 0:04:54 | 0:04:55 | |
First off, a big square in the middle of my page. | 0:04:57 | 0:05:01 | |
And an oval coming down here... | 0:05:01 | 0:05:04 | |
which will be his leg. | 0:05:04 | 0:05:06 | |
Here we have a rectangle. | 0:05:06 | 0:05:07 | |
And then a triangle down here and a triangle down here. | 0:05:08 | 0:05:14 | |
Now we have to join it up. | 0:05:14 | 0:05:15 | |
So I'm doing quite jaggedy lines... | 0:05:17 | 0:05:19 | |
..because he's got such gnarly skin. | 0:05:25 | 0:05:28 | |
Up here, I'm going to do | 0:05:28 | 0:05:30 | |
these triangular shapes which is just to hint | 0:05:30 | 0:05:34 | |
at where his ridges on his back will be. | 0:05:34 | 0:05:36 | |
Those claws look fierce, Jo! | 0:05:38 | 0:05:40 | |
Now I've got to put in where his mouth's going to be. | 0:05:40 | 0:05:43 | |
I'm going to have a line going right down the centre | 0:05:43 | 0:05:46 | |
of that square that I drew. | 0:05:46 | 0:05:47 | |
And that's going to be the far edge of his mouth. | 0:05:50 | 0:05:52 | |
The alligator snapping turtle has got lots of ridges around his neck | 0:05:52 | 0:05:57 | |
which I'm going to draw in. | 0:05:57 | 0:05:59 | |
OK. I mustn't forget that little wriggly worm inside his mouth. | 0:05:59 | 0:06:03 | |
I'll pop that in now. | 0:06:03 | 0:06:05 | |
The more shading you do, the more intricate the drawing will be. | 0:06:05 | 0:06:09 | |
so, I'm just going to start off around the edges. | 0:06:09 | 0:06:12 | |
OK, I'm going to go into the mouth now. | 0:06:17 | 0:06:19 | |
Really build up those layers | 0:06:19 | 0:06:22 | |
to get that really dark, cavernous jaw. | 0:06:22 | 0:06:25 | |
Don't forget to leave out the worm. | 0:06:25 | 0:06:28 | |
So, now I'm going to go back into it, just with a rubber. | 0:06:35 | 0:06:39 | |
This will really bring it out and highlight certain areas. | 0:06:39 | 0:06:42 | |
It makes a more 3D drawing and makes it much more realistic. | 0:06:42 | 0:06:46 | |
Rubbing along those tough ridges. | 0:06:46 | 0:06:48 | |
My Deadly Doodle alligator snapping turtle. | 0:06:48 | 0:06:52 | |
Nice portrait, Jo! | 0:06:52 | 0:06:53 | |
Now, back to our huge sand sculpture. | 0:06:53 | 0:06:56 | |
There we go. | 0:06:58 | 0:06:59 | |
Lovely. | 0:06:59 | 0:07:01 | |
So, we've got one part for the body and one block for the head. | 0:07:01 | 0:07:04 | |
The sand's compacted, ready for sculpting. | 0:07:04 | 0:07:07 | |
This is my outline for the profile of the turtle. | 0:07:08 | 0:07:13 | |
This mark here is going to be where his mouth is. | 0:07:13 | 0:07:15 | |
As you can see, his jaws are going to be wide open. | 0:07:15 | 0:07:18 | |
That's why I needed a strong block of sand. | 0:07:18 | 0:07:20 | |
OK, so I've made two spikes on the turtle shell. | 0:07:28 | 0:07:31 | |
And the way I've been doing that is by getting this lovely mud... | 0:07:31 | 0:07:34 | |
..making a pancake, slapping it down hard. | 0:07:35 | 0:07:38 | |
And then, putting some dry sand over the top. | 0:07:38 | 0:07:42 | |
Patting it down a bit more. | 0:07:44 | 0:07:46 | |
And we're just layering it up. | 0:07:46 | 0:07:47 | |
That's the biggest mud pie I've ever seen! | 0:07:47 | 0:07:51 | |
I think that's high enough. | 0:07:51 | 0:07:52 | |
OK, we'll leave Jo making a mess and travel back to Louisiana | 0:07:54 | 0:07:58 | |
to get close to our three alligator snapping turtles. | 0:07:58 | 0:08:01 | |
Right. | 0:08:01 | 0:08:02 | |
Good job, man. Good job. You got him. | 0:08:02 | 0:08:05 | |
Woo-hoo! | 0:08:05 | 0:08:06 | |
That is a big turtle. | 0:08:06 | 0:08:09 | |
Look at the size of that head! | 0:08:10 | 0:08:13 | |
It's totally out of proportion to the whole of the rest of the body | 0:08:13 | 0:08:16 | |
and most of that is just pure muscle power driving that jaw. | 0:08:16 | 0:08:21 | |
It's almost like a great big curved kitchen knife. | 0:08:21 | 0:08:25 | |
Looking at the shape of the head and the body | 0:08:25 | 0:08:28 | |
it's very irregular. | 0:08:28 | 0:08:30 | |
The colour's quite dark and he blends in really, really well | 0:08:30 | 0:08:34 | |
with all the vegetation at the bottom of the water here. | 0:08:34 | 0:08:38 | |
And then as soon as a fish gets too close, the head snaps | 0:08:38 | 0:08:42 | |
out like that. | 0:08:42 | 0:08:44 | |
The jaws clamp shut incredibly quickly, | 0:08:44 | 0:08:46 | |
and the fish is history. | 0:08:46 | 0:08:48 | |
The snapping turtle's head was huge | 0:08:48 | 0:08:50 | |
and our big sand sculpture looks just as deadly. | 0:08:50 | 0:08:53 | |
I've got the main body of his head already carved in now. | 0:08:53 | 0:08:57 | |
And now I'm working on inside his mouth | 0:08:57 | 0:09:00 | |
and I want this bit to look dramatic | 0:09:00 | 0:09:02 | |
so I'm going to carve underneath | 0:09:02 | 0:09:05 | |
so it really looks like it's got that curly, wiggly shape. | 0:09:05 | 0:09:10 | |
Jo's on to the legs. | 0:09:10 | 0:09:12 | |
So, I've four mounds of sand | 0:09:12 | 0:09:14 | |
and I'm packing these down really, really tightly, | 0:09:14 | 0:09:17 | |
just like with the body. | 0:09:17 | 0:09:18 | |
And then in with the trowel. | 0:09:19 | 0:09:21 | |
I never knew sand sculpting could look so detailed and intricate. | 0:09:22 | 0:09:26 | |
This looks superb! | 0:09:26 | 0:09:27 | |
Nicola's using her muscles again. | 0:09:32 | 0:09:34 | |
Sand sculpting may look hard work, | 0:09:37 | 0:09:39 | |
but if you're at the beach this summer or have a sandpit, | 0:09:39 | 0:09:42 | |
here's how you can make one too. | 0:09:42 | 0:09:44 | |
Over to Nicola. | 0:09:44 | 0:09:45 | |
The compacting process is really important, | 0:09:45 | 0:09:48 | |
just like with our big turtle. | 0:09:48 | 0:09:50 | |
We need to apply loads of pressure. | 0:09:50 | 0:09:52 | |
Just start smacking it down. | 0:09:52 | 0:09:54 | |
And you can start to see the shape of his shell already. | 0:09:54 | 0:09:59 | |
Next, we need those all-important ridges. | 0:10:01 | 0:10:04 | |
And for that I'm going to use some of this sand | 0:10:04 | 0:10:07 | |
and lots of water to make this really gooey, disgusting mud stuff. | 0:10:07 | 0:10:15 | |
Then, taking small amounts at a time, | 0:10:16 | 0:10:18 | |
you can start to pinch on his central ridge. | 0:10:18 | 0:10:23 | |
Now, he has three ridges on his back. | 0:10:23 | 0:10:25 | |
One on the top | 0:10:25 | 0:10:26 | |
and two either side. | 0:10:26 | 0:10:28 | |
Much better than making sand castles! | 0:10:28 | 0:10:30 | |
Now, he also has a lip all the way around. | 0:10:30 | 0:10:34 | |
So, using your hands, | 0:10:34 | 0:10:36 | |
you can pinch a shape | 0:10:36 | 0:10:38 | |
around the entire shell. | 0:10:38 | 0:10:40 | |
Now to add his head. | 0:10:42 | 0:10:44 | |
Take some spare sand and just dump it in a pile in the top. | 0:10:44 | 0:10:47 | |
Add some water. | 0:10:47 | 0:10:48 | |
OK. | 0:10:49 | 0:10:50 | |
Now, his head has got a little ridge in it | 0:10:50 | 0:10:54 | |
so I'm just going to create that using my hand. | 0:10:54 | 0:10:57 | |
Take away the excess sand that we don't need... | 0:10:57 | 0:11:00 | |
..until you've got your base shape to work with. | 0:11:01 | 0:11:04 | |
His mouth is just an S-shape. | 0:11:05 | 0:11:08 | |
So, starting at his beak, | 0:11:08 | 0:11:09 | |
just cut a nice, smooth S. | 0:11:09 | 0:11:14 | |
You could use your spade to carve out the detail. | 0:11:14 | 0:11:16 | |
You can start to see his mouth. | 0:11:16 | 0:11:18 | |
I'll do the same on the other side. | 0:11:18 | 0:11:20 | |
Round his head. | 0:11:22 | 0:11:23 | |
I'm just going to cut here for his eyes. | 0:11:25 | 0:11:28 | |
Just grab a small ball... | 0:11:28 | 0:11:30 | |
..and stick it on. | 0:11:31 | 0:11:32 | |
Now for his feet. | 0:11:34 | 0:11:36 | |
So, he's going to have one there, one here. | 0:11:36 | 0:11:39 | |
Give them a sprinkling of water, just to make them easy to use. | 0:11:43 | 0:11:48 | |
There we go. | 0:11:50 | 0:11:51 | |
Now to shape them. | 0:11:51 | 0:11:53 | |
Just mould them in to position. | 0:11:53 | 0:11:55 | |
So, cutting those leg shapes. | 0:11:58 | 0:12:00 | |
For his claws, just score in some toes. | 0:12:04 | 0:12:09 | |
And last, but not least, his tail. | 0:12:09 | 0:12:13 | |
And there you have it - | 0:12:16 | 0:12:18 | |
your deadly snapping alligator turtle. | 0:12:18 | 0:12:22 | |
Looking great, Nicola! | 0:12:22 | 0:12:23 | |
And our huge sand sculpture's complete too. | 0:12:23 | 0:12:26 | |
Well, for the sheer scale of it, | 0:12:26 | 0:12:28 | |
it has prehistoric portions, so I think we've got that one. | 0:12:28 | 0:12:32 | |
Well, that's the dimensions sorted. | 0:12:32 | 0:12:34 | |
I love what you did with the shell. | 0:12:34 | 0:12:35 | |
Those spikes give it that deadly dinosaur feel. | 0:12:35 | 0:12:38 | |
And what do you reckon to his mouth? | 0:12:38 | 0:12:41 | |
Can you see why they call it the alligator snapping turtle? | 0:12:41 | 0:12:44 | |
Oh, yeah. With the fish being lured in by that worm. | 0:12:44 | 0:12:47 | |
That is the killer moment! | 0:12:47 | 0:12:49 | |
-Definitely. -Yeah. | 0:12:49 | 0:12:50 | |
So, it's time for the big reveal. | 0:12:51 | 0:12:53 | |
Remember this is the killer moment I challenged my artists to recreate. | 0:12:53 | 0:12:57 | |
So, let's take a look at our finished art. | 0:12:57 | 0:13:01 | |
Look at that! | 0:13:01 | 0:13:03 | |
Amazing! This is truly deadly | 0:13:03 | 0:13:05 | |
and represents all the qualities I asked Nicola and Jo to include. | 0:13:05 | 0:13:09 | |
A sand sculpture may not have been an obvious choice, | 0:13:09 | 0:13:12 | |
but it really works. | 0:13:12 | 0:13:14 | |
The dimensions of this dinosaur-like turtle | 0:13:14 | 0:13:17 | |
are magnificent! | 0:13:17 | 0:13:18 | |
The head and the mouth are really prominent | 0:13:18 | 0:13:21 | |
and it's easy to get a sense of the primitive nature of this creature | 0:13:21 | 0:13:24 | |
that's been around for millions of years. | 0:13:24 | 0:13:26 | |
I love the shell. | 0:13:29 | 0:13:31 | |
The Deadly team have really captured my killer moment | 0:13:31 | 0:13:34 | |
even down to its open beak mouth, waiting to snap at any passing fish. | 0:13:34 | 0:13:39 | |
Art definitely doesn't get any deadlier than this. | 0:13:39 | 0:13:42 | |
That's a top deadly rating from me | 0:13:45 | 0:13:47 | |
but will it make it into my Deadly Gallery? | 0:13:47 | 0:13:49 | |
Maybe. See you next time for more Deadly Art. | 0:13:49 | 0:13:53 | |
Subtitles by Red Bee Media Ltd | 0:14:04 | 0:14:07 | |
E-mail [email protected] | 0:14:07 | 0:14:10 |