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I'm Steve Backshall, and this is Deadly Art. | 0:00:02 | 0:00:04 | |
I'm lucky enough to travel the world tracking deadly animals. | 0:00:07 | 0:00:11 | |
But in this show, I'm picking 25 of my favourites. | 0:00:13 | 0:00:16 | |
I'm challenging my team of deadly artists to recreate a killer moment. | 0:00:21 | 0:00:25 | |
You'll get to make some art yourself. | 0:00:27 | 0:00:29 | |
And in the final show, my team and I are going to choose which animals | 0:00:29 | 0:00:32 | |
will make it into my Deadly Art gallery. | 0:00:32 | 0:00:35 | |
This is no ordinary art show, this is Deadly Art. | 0:00:35 | 0:00:39 | |
On today's Deadly Art, | 0:00:42 | 0:00:43 | |
I get in the water with one of the planet's most lethal fish. | 0:00:43 | 0:00:47 | |
I'm in piranha-infested waters! | 0:00:47 | 0:00:49 | |
My team of artists recreate another killer piece of art. | 0:00:49 | 0:00:53 | |
Mike, check out this tail. | 0:00:53 | 0:00:55 | |
And you can get creative too. | 0:00:55 | 0:00:57 | |
So, what are we looking at today? | 0:00:57 | 0:00:59 | |
These frenzied feeders have a fearsome reputation. | 0:01:02 | 0:01:05 | |
They've even starred in Hollywood blockbuster movies. | 0:01:05 | 0:01:08 | |
Meet the piranha. | 0:01:08 | 0:01:10 | |
A predatory fish with a deadly bite and large razor-sharp teeth, | 0:01:10 | 0:01:14 | |
they can be up to 30cm in length, | 0:01:14 | 0:01:17 | |
and have been known to attack almost anything | 0:01:17 | 0:01:19 | |
they find struggling in their waters. | 0:01:19 | 0:01:21 | |
So, can our artists capture the deadly nature | 0:01:21 | 0:01:23 | |
of this ferocious fish? | 0:01:23 | 0:01:25 | |
Time to meet today's team. | 0:01:26 | 0:01:28 | |
Hey, I'm Mike. I'm a cartoon artist, | 0:01:30 | 0:01:32 | |
and there's nothing I like more than turning my drawings into stencils | 0:01:32 | 0:01:35 | |
and making them deadly. | 0:01:35 | 0:01:36 | |
I'm Michelle, and I just love being creative. | 0:01:39 | 0:01:42 | |
I'm all about getting stuck in and making stuff. | 0:01:42 | 0:01:44 | |
In a moment, the Deadly crew and I go searching for piranhas | 0:01:46 | 0:01:49 | |
in the wetlands of Argentina. | 0:01:49 | 0:01:51 | |
But first, here's the killer moment I want our artists to capture. | 0:01:51 | 0:01:55 | |
No prizes for guessing what the first of my essential elements are. | 0:01:55 | 0:01:58 | |
Teeth. The piranhas' teeth are set in powerful jaws, | 0:01:58 | 0:02:02 | |
and their top and bottom set interlock, | 0:02:02 | 0:02:04 | |
giving it the ability to tear and rip flesh. | 0:02:04 | 0:02:07 | |
Shoals. Piranhas attack in fierce and frenzied groups. | 0:02:07 | 0:02:11 | |
They send out signals and copy each other's actions. | 0:02:11 | 0:02:14 | |
They could be considered the deadliest fish in the world, | 0:02:14 | 0:02:17 | |
as they can take on animals much larger than themselves. | 0:02:17 | 0:02:20 | |
And finally, speed. | 0:02:20 | 0:02:22 | |
It's often said that a large shoal of piranhas | 0:02:22 | 0:02:25 | |
can tear apart a cow in minutes. | 0:02:25 | 0:02:26 | |
So along with their teeth and teamwork, | 0:02:26 | 0:02:29 | |
this superb speed is one of their main weapons. | 0:02:29 | 0:02:32 | |
So, Mike and Michelle, good luck! | 0:02:32 | 0:02:35 | |
Mike, check this out. For such a small animal, these guys are fierce. | 0:02:36 | 0:02:40 | |
And the way they hunt in packs, you have to represent that shoal. | 0:02:40 | 0:02:43 | |
And somehow show that feeding frenzy of those ferocious teeth. | 0:02:43 | 0:02:46 | |
How about we have some meat that they're shredding? | 0:02:46 | 0:02:49 | |
-That would be deadly. I like it! -Let's do it. -OK. | 0:02:49 | 0:02:52 | |
Time for some more Deadly Art. | 0:02:52 | 0:02:53 | |
How about we use metal as our main material? | 0:02:53 | 0:02:56 | |
Yeah, that could be good for the scales and the sharp teeth. | 0:02:56 | 0:02:59 | |
Brilliant. | 0:02:59 | 0:03:00 | |
If we're going to use metal, these nails will be useful. | 0:03:00 | 0:03:03 | |
Now, this metal's great cos you can cut it, | 0:03:07 | 0:03:10 | |
you can bend it into different shapes to create the 3D models. | 0:03:10 | 0:03:14 | |
Yeah, but first we need to draw our individual body shapes | 0:03:14 | 0:03:17 | |
on a bit of paper, then transfer to the metal later. | 0:03:17 | 0:03:20 | |
-Cool, I'll start with the head. -I'll start with the body. | 0:03:20 | 0:03:22 | |
I'm thinking, if we're going to do bending, | 0:03:26 | 0:03:29 | |
we might need to do lots of tabs and slots, is that right? | 0:03:29 | 0:03:32 | |
These teeth will look so ferocious, especially with the metal. | 0:03:33 | 0:03:37 | |
-They'll look razor-sharp. -Definite. | 0:03:37 | 0:03:39 | |
It's all going to come together brilliantly, I'm sure. But now, | 0:03:39 | 0:03:42 | |
let's go to Argentina where I'll get uncomfortably close to a piranha. | 0:03:42 | 0:03:46 | |
Yay, good catch! | 0:03:46 | 0:03:48 | |
I'm now about to show you one of the most awesome sets of gnashers | 0:03:48 | 0:03:52 | |
you'll ever see in the animal kingdom. | 0:03:52 | 0:03:54 | |
Hopefully, without losing one of my fingers. | 0:03:54 | 0:03:58 | |
Oh, ooh! | 0:03:58 | 0:03:59 | |
Ah, look at those! | 0:04:01 | 0:04:05 | |
The teeth are fiercely, fiercely sharp. | 0:04:06 | 0:04:09 | |
They interlock with the teeth on the upper jaw, here, | 0:04:09 | 0:04:16 | |
forming a vicious...trap | 0:04:16 | 0:04:20 | |
that it uses to munch into other fish | 0:04:20 | 0:04:23 | |
and animals that are unlucky enough to be struggling in these waters. | 0:04:23 | 0:04:28 | |
'To show you just how sharp their teeth are...watch this.' | 0:04:28 | 0:04:32 | |
Did you see how it went through that? | 0:04:36 | 0:04:38 | |
That was like a chainsaw through chocolate. | 0:04:38 | 0:04:41 | |
That's what I call sharp. | 0:04:42 | 0:04:43 | |
More piranha chomping later. | 0:04:43 | 0:04:46 | |
How are Mike and Michelle getting on with their piranha art? | 0:04:46 | 0:04:48 | |
Now that we have all of our paper templates cut out, | 0:04:48 | 0:04:52 | |
we're using a sharpened nail to score our shapes onto the metal. | 0:04:52 | 0:04:56 | |
Remember, our artists are trained professionals. | 0:04:56 | 0:04:58 | |
Don't attempt any of the techniques you see in this big art challenge. | 0:04:58 | 0:05:01 | |
You know what's great about cutting out these individual body parts? | 0:05:01 | 0:05:04 | |
It'll make our piranhas flexible, which will help us | 0:05:04 | 0:05:07 | |
-when we make our shoal later. -They'll look fantastic. | 0:05:07 | 0:05:10 | |
I think so. | 0:05:10 | 0:05:12 | |
Well, I've scored all my shapes so it's time to start cutting. | 0:05:12 | 0:05:16 | |
That's what we like. | 0:05:19 | 0:05:21 | |
Deadly Art's all about extreme power tool action. | 0:05:21 | 0:05:25 | |
I'm sure it'll look fearsome. Now here's Mike, | 0:05:25 | 0:05:28 | |
with some art work you can do at home. | 0:05:28 | 0:05:30 | |
As ever, this is all about shapes. | 0:05:30 | 0:05:32 | |
So grab your pencil, and let's start with a big half-circle | 0:05:32 | 0:05:35 | |
in the middle of our page. | 0:05:35 | 0:05:37 | |
Add in a triangle for the top fin, for the side fin, | 0:05:37 | 0:05:41 | |
and one last triangle at the bottom. | 0:05:41 | 0:05:43 | |
Add in a big eye, a big circle in the middle. | 0:05:43 | 0:05:46 | |
Another half-circle for the other eye. In the middle, | 0:05:46 | 0:05:48 | |
just below our eye, we're going to add in one line, bring it back. | 0:05:48 | 0:05:53 | |
That's the jaw. We'll switch to our black marker | 0:05:53 | 0:05:56 | |
and add in all the deadly details. | 0:05:56 | 0:05:58 | |
Go back over the pencil line, give it a wave shape. | 0:05:58 | 0:06:01 | |
Add in a few spines. | 0:06:01 | 0:06:03 | |
Do the same thing for this side fin. | 0:06:03 | 0:06:06 | |
At the bottom, we'll add in a zig-zag scratchy line | 0:06:06 | 0:06:10 | |
and colour it in. | 0:06:10 | 0:06:12 | |
OK, let's go over to the eye. Nice big thick black line | 0:06:12 | 0:06:15 | |
around the eye. We'll colour in the pupil with a little C. | 0:06:15 | 0:06:18 | |
Now we're going to add in the razor-sharp teeth. | 0:06:20 | 0:06:24 | |
Zig-zag line for that, on the top. | 0:06:24 | 0:06:27 | |
And again for the bottom. Go back over our pencil shape | 0:06:27 | 0:06:31 | |
to finish that off. | 0:06:31 | 0:06:33 | |
Colour in a little bit of black. | 0:06:33 | 0:06:35 | |
Add a few details around the eye. | 0:06:35 | 0:06:37 | |
One last thing - you've got to add in the mean eyebrows. | 0:06:37 | 0:06:40 | |
There you have a totally simple, totally deadly piranha. | 0:06:42 | 0:06:46 | |
'Nice one, Mike. Over to Michelle.' | 0:06:48 | 0:06:51 | |
All the body parts are cut out and the best thing about this metal | 0:06:51 | 0:06:55 | |
is you can bend it into loads of different shapes. | 0:06:55 | 0:06:58 | |
I'm focusing on the swishy tail. | 0:06:58 | 0:07:01 | |
'If it's all about bending metal and bolting stuff together, | 0:07:01 | 0:07:05 | |
'I wouldn't mind having a go myself!' | 0:07:05 | 0:07:08 | |
Mike, check out this tail. | 0:07:08 | 0:07:10 | |
You can really see the movement, as if it was swimming to catch its prey. | 0:07:10 | 0:07:15 | |
I've finished bending now. I've also drilled two holes in the jaw. | 0:07:16 | 0:07:21 | |
I can line those holes up... | 0:07:21 | 0:07:23 | |
and start bolting the jaw together. | 0:07:23 | 0:07:26 | |
Finished the head now and you can | 0:07:30 | 0:07:31 | |
see how using metal makes these teeth look really deadly and sharp. | 0:07:31 | 0:07:35 | |
'Totally cybernetic!' | 0:07:35 | 0:07:38 | |
Wow, our show is really coming to life. | 0:07:43 | 0:07:46 | |
Yeah, now you can see how the individual body parts have given us | 0:07:46 | 0:07:49 | |
-flexible movement. -It's looking good! | 0:07:49 | 0:07:52 | |
'Excellent stuff. | 0:07:55 | 0:07:56 | |
'Back in the wetlands of Argentina, | 0:07:56 | 0:07:58 | |
'I've hatched a really cunning plan. | 0:07:58 | 0:08:00 | |
'I've got a wetsuit and gloves to act as a sort of armour, | 0:08:03 | 0:08:07 | |
'and a big bit of steak for bait.' | 0:08:07 | 0:08:08 | |
OK... | 0:08:08 | 0:08:10 | |
I'm in piranha-infested waters! | 0:08:10 | 0:08:13 | |
'With the bait in place, and a | 0:08:13 | 0:08:15 | |
'camera underwater, we'll see anything that comes to investigate. | 0:08:15 | 0:08:18 | |
'It took less than five seconds for | 0:08:18 | 0:08:21 | |
'the first piranhas to find our steak.' | 0:08:21 | 0:08:24 | |
Look at the size of that one! | 0:08:24 | 0:08:26 | |
Yahay! It's starting to happen. | 0:08:26 | 0:08:29 | |
OK, once we get a few of those showing interest, | 0:08:29 | 0:08:33 | |
all of its fellow piranhas will pick up the signals, | 0:08:33 | 0:08:37 | |
and they'll come in and feed. | 0:08:37 | 0:08:39 | |
That's when it'll start getting spectacular. | 0:08:39 | 0:08:41 | |
'The piranha picks up vibrations with a row of tiny hair cells - | 0:08:41 | 0:08:45 | |
'called a lateral line. | 0:08:45 | 0:08:47 | |
'Vibrations, coupled with the scent of blood, acts like a dinner bell | 0:08:47 | 0:08:51 | |
'to others in the area.' | 0:08:51 | 0:08:53 | |
Look at that! | 0:08:53 | 0:08:55 | |
They're going absolutely crazy. | 0:08:55 | 0:08:58 | |
This is just one of the phenomenal displays of predatory behaviour | 0:08:58 | 0:09:05 | |
you'll ever see! | 0:09:05 | 0:09:07 | |
The water is thick with fish. | 0:09:07 | 0:09:09 | |
'Only three minutes later...' | 0:09:12 | 0:09:14 | |
Look at this! | 0:09:14 | 0:09:17 | |
Look what's left of our meat. | 0:09:17 | 0:09:19 | |
They've totally destroyed it. | 0:09:19 | 0:09:21 | |
'Deadly or what?! | 0:09:21 | 0:09:24 | |
'Talking of which, it's time for Deadly DIY with Michelle.' | 0:09:24 | 0:09:27 | |
I'll show you how to make your very own snapping piranha head - | 0:09:27 | 0:09:30 | |
using a piece of paper and spray paints. | 0:09:30 | 0:09:33 | |
First, get a square piece of paper. | 0:09:33 | 0:09:37 | |
Make a series of folds. | 0:09:37 | 0:09:39 | |
You need some diagonal folds. | 0:09:42 | 0:09:44 | |
And again, | 0:09:44 | 0:09:46 | |
the other way. | 0:09:46 | 0:09:49 | |
Once you have those folds, bring in the corners to the centre. | 0:09:49 | 0:09:53 | |
Turn it over. | 0:09:57 | 0:09:59 | |
Again, bring these corners into the centre. | 0:09:59 | 0:10:02 | |
Once you've done that, | 0:10:08 | 0:10:10 | |
fold this in half. You'll see | 0:10:10 | 0:10:13 | |
flaps on either side. | 0:10:13 | 0:10:16 | |
Put your fingers in there... | 0:10:16 | 0:10:18 | |
and on the other side, | 0:10:18 | 0:10:21 | |
this is going to be the head. | 0:10:21 | 0:10:23 | |
Now we've got our piranha head but | 0:10:23 | 0:10:26 | |
to keep it secure I'll use double- sided sticky tape here and here. | 0:10:26 | 0:10:30 | |
Just to keep it nice and tight. | 0:10:30 | 0:10:33 | |
You can see we've got the mouth now. | 0:10:33 | 0:10:36 | |
Of course we want to add colour. It's a bit pale. | 0:10:36 | 0:10:39 | |
'You must have supervision if you're using spray paint.' | 0:10:39 | 0:10:42 | |
So, I'll start by using red for the inside of the mouth. | 0:10:42 | 0:10:47 | |
This will make it look really vicious. | 0:10:47 | 0:10:50 | |
'Normal paint will work just as well.' | 0:10:50 | 0:10:53 | |
Check that out! | 0:10:53 | 0:10:55 | |
Then close it up. For the outside, I'm using green. | 0:10:55 | 0:11:01 | |
All the way round. | 0:11:04 | 0:11:07 | |
Then, to add extra effects, I'll put some black over... | 0:11:07 | 0:11:11 | |
just bits and pieces to add speckles. | 0:11:11 | 0:11:15 | |
Once your colour is done it's time to add teeth. | 0:11:20 | 0:11:23 | |
I've got some more paper - | 0:11:23 | 0:11:26 | |
and cut out some razor-sharp teeth. | 0:11:26 | 0:11:29 | |
I've got some double-sided sticky tape on the back. | 0:11:29 | 0:11:33 | |
That will simply fit in the bottom of its mouth. | 0:11:33 | 0:11:39 | |
Again, I've done the same. | 0:11:39 | 0:11:42 | |
Stick this at the top. | 0:11:42 | 0:11:45 | |
You'll see it's looking vicious already. | 0:11:45 | 0:11:48 | |
We want it to come alive so, for the eyes, | 0:11:48 | 0:11:51 | |
I've cut in half a polystyrene ball, you can also use ping pong balls. | 0:11:51 | 0:11:55 | |
I've coloured them yellow and got a black marker pen to make the pupils. | 0:11:55 | 0:12:01 | |
Stick these on either side. | 0:12:01 | 0:12:05 | |
There you have your very own deadly, snapping piranha. | 0:12:05 | 0:12:10 | |
'Snappy!' | 0:12:10 | 0:12:12 | |
We're just hanging our piranha shoal | 0:12:15 | 0:12:17 | |
but I think the teeth could use improvement. | 0:12:17 | 0:12:20 | |
Fortunately, I've got an idea. | 0:12:20 | 0:12:22 | |
In keeping with the metal theme, | 0:12:22 | 0:12:25 | |
I've got copper paint. | 0:12:25 | 0:12:26 | |
This will make the teeth glint and look extra deadly. | 0:12:26 | 0:12:30 | |
-What do you think? -That's really good. | 0:12:30 | 0:12:33 | |
-Give us a brush, then. -There you go. | 0:12:33 | 0:12:35 | |
There's just one thing missing. | 0:12:43 | 0:12:46 | |
-We need to find them something to eat. -Good point. | 0:12:46 | 0:12:49 | |
-Yeah, these piranhas look vicious. -I loved working with the metal. | 0:12:53 | 0:12:56 | |
It was so easy to cut and bend it into shapes, | 0:12:56 | 0:12:59 | |
and quickly create a whole shoal. | 0:12:59 | 0:13:01 | |
And the teeth look deadly. | 0:13:01 | 0:13:02 | |
Yeah, I liked how we positioned it into the speedy feeding frenzy. | 0:13:02 | 0:13:05 | |
Steve was close to the real thing. I hope he likes what we've done. | 0:13:05 | 0:13:09 | |
I don't know where you got that bone | 0:13:09 | 0:13:11 | |
from, but those piranhas are making mincemeat of that thing. | 0:13:11 | 0:13:14 | |
So, it's time for the big reveal. | 0:13:16 | 0:13:18 | |
Remember, this is the killer moment I challenged my artists to recreate. | 0:13:18 | 0:13:21 | |
So, let's take a look at our finished art. | 0:13:21 | 0:13:25 | |
Wow! | 0:13:25 | 0:13:27 | |
This piranha art really does recreate their frenzied feeding | 0:13:27 | 0:13:32 | |
in my killer moment. Look at those sharp teeth! | 0:13:32 | 0:13:35 | |
They are just as scary as the real thing! | 0:13:35 | 0:13:37 | |
They look very deadly indeed. | 0:13:37 | 0:13:39 | |
Well done, team, art doesn't get any deadlier than this. | 0:13:39 | 0:13:43 | |
That's a top deadly rating from me | 0:13:43 | 0:13:45 | |
but will it make it into my Deadly Gallery? | 0:13:45 | 0:13:47 | |
Maybe. See you next time for more Deadly Art. | 0:13:47 | 0:13:51 | |
Subtitles by Red Bee Media Ltd | 0:13:56 | 0:13:59 | |
E-mail [email protected] | 0:13:59 | 0:14:02 |