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I'm Steve Backshall and this is Deadly Art. | 0:00:02 | 0:00:04 | |
I'm lucky enough to travel the world, tracking deadly animals. | 0:00:07 | 0:00:11 | |
But in this show, I'm picking 25 of my favourites... | 0:00:13 | 0:00:16 | |
Then challenging my team of deadly artists to recreate a killer moment. | 0:00:21 | 0:00:25 | |
You'll get to make some art yourself and, in the final show, | 0:00:27 | 0:00:30 | |
we'll choose which animals make it into my Deadly Art gallery. | 0:00:30 | 0:00:35 | |
This is no ordinary art show. This is Deadly Art. | 0:00:35 | 0:00:39 | |
On today's Deadly Art, | 0:00:42 | 0:00:44 | |
I come face-to-face with the largest reptile on earth... | 0:00:44 | 0:00:48 | |
That is just packed with muscle. | 0:00:48 | 0:00:51 | |
..my team of artists take on a colossal creative challenge... | 0:00:51 | 0:00:54 | |
A huge croc head with all those teeth in it. | 0:00:54 | 0:00:57 | |
..and you can make your own deadly art at home, too. | 0:00:57 | 0:01:00 | |
Today's deadly contender is one of the most ancient animals on earth. | 0:01:04 | 0:01:07 | |
They've been around for more than 200 million years | 0:01:07 | 0:01:10 | |
and, with 64 teeth in their mouths, they're one of the only animals | 0:01:10 | 0:01:15 | |
that will hunt AND eat a human being. | 0:01:15 | 0:01:17 | |
This is the saltwater crocodile. | 0:01:17 | 0:01:20 | |
Time to meet today's team. | 0:01:21 | 0:01:23 | |
I'm Mike. I'm a cartoon artist. | 0:01:25 | 0:01:27 | |
I like turning my drawings into stencils | 0:01:27 | 0:01:30 | |
and making them deadly! | 0:01:30 | 0:01:31 | |
I'm Deevina. I'm a graphic artist and I use a computer | 0:01:34 | 0:01:37 | |
to create things like this. | 0:01:37 | 0:01:39 | |
In just a moment, they'll join me to look for crocs in Australia. | 0:01:39 | 0:01:43 | |
If you need more proof of how deadly they can be, take a look at this. | 0:01:43 | 0:01:48 | |
With a lethal combination of immense strength, power and a bite | 0:01:48 | 0:01:52 | |
that can tear chunks out of its prey, | 0:01:52 | 0:01:54 | |
the Australian saltwater crocodile is a serious deadly contender. | 0:01:54 | 0:01:58 | |
This is today's killer moment. | 0:01:59 | 0:02:02 | |
These are the three elements I'd like my artists to focus on. | 0:02:02 | 0:02:05 | |
Saltwater crocs are the largest reptile on earth. | 0:02:05 | 0:02:09 | |
They can grow to seven metres long and weigh over a ton. | 0:02:09 | 0:02:12 | |
They have huge jaws, with massive, powerful muscles to drive them | 0:02:12 | 0:02:16 | |
giving them one of the fiercest bite forces of any animal. | 0:02:16 | 0:02:19 | |
Croc are famous for their death roll. They grab their prey | 0:02:19 | 0:02:22 | |
then spin around on their axis, allowing them to tear chunks | 0:02:22 | 0:02:26 | |
out of their prey, or to overcome or drown animals. | 0:02:26 | 0:02:29 | |
Nice. | 0:02:29 | 0:02:31 | |
Another important element is the croc's scaly skin. | 0:02:31 | 0:02:34 | |
They're covered in bony plates and bumps called scoots, | 0:02:34 | 0:02:37 | |
which give them a real prehistoric look. | 0:02:37 | 0:02:40 | |
Those are the essential elements. Mike and Deevina, over to you! | 0:02:40 | 0:02:44 | |
Whoa! Look at that guy! He's ferocious! Look how big he is! | 0:02:44 | 0:02:47 | |
-That's insane! -Look at those teeth! | 0:02:47 | 0:02:50 | |
That's what we have to do. A model, larger than life, extra deadly. | 0:02:50 | 0:02:55 | |
A huge croc head with all those teeth in it. | 0:02:55 | 0:02:57 | |
Let's get a block of polystyrene, cut a shape out of it. | 0:02:57 | 0:03:00 | |
-Let's start with a template. -Let's go. | 0:03:00 | 0:03:02 | |
The jaws of the crocodile are absolutely massive. | 0:03:05 | 0:03:09 | |
I'll start by drawing a template of the upper jaw. | 0:03:09 | 0:03:11 | |
Now we cut it out. | 0:03:16 | 0:03:18 | |
Another extreme art, requiring power tools. | 0:03:18 | 0:03:21 | |
Our artists are trained professionals. | 0:03:21 | 0:03:23 | |
Don't even attempt to do anything you see in our big crocodile art. | 0:03:23 | 0:03:27 | |
That's coming on nicely. They're making a real aquatic terror! | 0:03:27 | 0:03:31 | |
Over to Australia, and I'm searching for a croc that's causing trouble. | 0:03:36 | 0:03:40 | |
In Australia's Northern Territory, the rivers genuinely are | 0:03:40 | 0:03:43 | |
full of big crocodiles. | 0:03:43 | 0:03:44 | |
The locals have learnt how to deal with it - it's rarely a problem. | 0:03:44 | 0:03:48 | |
Every once in a while, a crocodile associates people with food. | 0:03:48 | 0:03:52 | |
Then that's a problem and it needs to be moved. | 0:03:52 | 0:03:55 | |
I'm here with local rangers to help them out | 0:03:55 | 0:03:58 | |
and to get as close as you possibly can in the wild to a saltwater croc. | 0:03:58 | 0:04:02 | |
Tonight we're hunting a particular croc that has been taking | 0:04:02 | 0:04:06 | |
a bit too much of an interest in some fishermen on the river bank. | 0:04:06 | 0:04:10 | |
Jonathan's in charge of getting hold of the croc once we get close to it, | 0:04:10 | 0:04:14 | |
using these prongs, which will go into the really hard scales | 0:04:14 | 0:04:20 | |
on the back of the crocodile's neck. | 0:04:20 | 0:04:22 | |
That might seem cruel, but these creatures are so strong, | 0:04:22 | 0:04:27 | |
so hardy, that'll be little more than a pin prick is to us. | 0:04:27 | 0:04:30 | |
It'll be enough to draw the croc close to the boat, | 0:04:30 | 0:04:32 | |
where we can get control. | 0:04:32 | 0:04:34 | |
After several hours of searching, | 0:04:36 | 0:04:38 | |
one of the rangers thinks he's spotted our croc. | 0:04:38 | 0:04:41 | |
I think we've got him. | 0:04:55 | 0:04:57 | |
Dramatic stuff! | 0:04:57 | 0:04:58 | |
We'll return to Australia soon, but back to the Deadly Art studio. | 0:04:58 | 0:05:01 | |
We've got Deevina's template on the side of a block of polystyrene. | 0:05:01 | 0:05:06 | |
Now we have to cut it out. | 0:05:06 | 0:05:09 | |
Using hot wires to cut the polystyrene | 0:05:09 | 0:05:12 | |
is like a knife through butter. | 0:05:12 | 0:05:13 | |
This mega-croc requires a lot of skill. | 0:05:16 | 0:05:20 | |
Now it's your turn. Here's Deevina with a deadly doodle. | 0:05:20 | 0:05:23 | |
This doodle's all about letters. | 0:05:23 | 0:05:25 | |
We'll start with a C - the head of the crocodile. | 0:05:25 | 0:05:29 | |
We'll add another C for the body. | 0:05:29 | 0:05:32 | |
Another one for the body again. | 0:05:32 | 0:05:34 | |
Once you've done that, add smaller Cs for the legs. | 0:05:34 | 0:05:38 | |
Now add a Z for the mouth. Make sure you get it really big. | 0:05:40 | 0:05:44 | |
Draw a sideways V to connect the mouth. | 0:05:44 | 0:05:49 | |
I'll draw my curvy tail now. | 0:05:49 | 0:05:52 | |
Now I'm adding the ridges. | 0:05:54 | 0:05:56 | |
This is like a road going down the hills. | 0:05:57 | 0:06:01 | |
It's getting slightly bigger as you come towards the head. | 0:06:01 | 0:06:05 | |
This helps you locate the eye, in the centre of the road. | 0:06:05 | 0:06:08 | |
That's my sketch done. | 0:06:08 | 0:06:10 | |
Now the secret to a good doodle is being bold with your pen. | 0:06:10 | 0:06:14 | |
I'm filling in the detail of the tail. | 0:06:14 | 0:06:16 | |
Getting the bold lines in there. | 0:06:16 | 0:06:19 | |
Drawing through the legs. | 0:06:21 | 0:06:23 | |
Adding in the V shapes for the foot. | 0:06:23 | 0:06:27 | |
Make sure you keep them nice and sharp. | 0:06:27 | 0:06:29 | |
Getting in his claws there. | 0:06:29 | 0:06:31 | |
Adding the body. | 0:06:32 | 0:06:33 | |
Getting the other leg in there. | 0:06:33 | 0:06:35 | |
Making sure the lines are very jaggedy | 0:06:35 | 0:06:38 | |
to emphasize the rough, scaly texture of the crocodile's skin. | 0:06:38 | 0:06:43 | |
Getting the last claw there. | 0:06:43 | 0:06:45 | |
Into the deadly part of the mouth now. | 0:06:45 | 0:06:48 | |
That crocodile looks like it's been in a fight! | 0:06:48 | 0:06:51 | |
It has a brilliant character already! | 0:06:51 | 0:06:53 | |
Right, now I think it's time for the best bit - the teeth. | 0:06:53 | 0:06:57 | |
I'm going to add some nice, sharp teeth in here. | 0:07:00 | 0:07:02 | |
I'm adding a bold, thick line to emphasise the shadow | 0:07:04 | 0:07:07 | |
underneath the jaw. | 0:07:07 | 0:07:09 | |
To make the eyes look mean, I'm adding in lines above the eyes | 0:07:11 | 0:07:15 | |
for shading and definition. And more lines underneath, | 0:07:15 | 0:07:20 | |
to make it look really angry. | 0:07:20 | 0:07:21 | |
Nice work, Deevina, it looks so realistic! | 0:07:21 | 0:07:24 | |
I'm adding in texture here. I'm doing some scales | 0:07:26 | 0:07:30 | |
to get a nice, rough look. | 0:07:30 | 0:07:31 | |
That's one scary crocodile. Check him out! | 0:07:35 | 0:07:39 | |
Now, that's a croc I'd like to meet! Back to our big art. | 0:07:39 | 0:07:43 | |
So now it's down to scrubbing in all the details | 0:07:43 | 0:07:46 | |
to make sure we get those jaw muscles to really stand out | 0:07:46 | 0:07:49 | |
and the ridges on the head. Go for it! | 0:07:49 | 0:07:51 | |
That looks like great fun! | 0:07:53 | 0:07:55 | |
OK. So we've finished our big crocodile's head. | 0:07:58 | 0:08:01 | |
We've got both the top and bottom of our jaw, all carved and sanded out. | 0:08:01 | 0:08:04 | |
And we've interlocked them with our big, powerful jaw muscle. | 0:08:04 | 0:08:08 | |
Now, before we even start to think about painting it, | 0:08:08 | 0:08:11 | |
we have to add in the prehistoric skin. | 0:08:11 | 0:08:13 | |
That's one of our essential elements. | 0:08:13 | 0:08:15 | |
Yeah, and for that we've got this latex sheeting. | 0:08:15 | 0:08:17 | |
We're going to cover the whole of the head with it. | 0:08:17 | 0:08:20 | |
And extra thick latex shapes for those individual scales. | 0:08:20 | 0:08:23 | |
Great work, guys. | 0:08:23 | 0:08:25 | |
Let's head back to Australia, where we found our troublesome croc. | 0:08:25 | 0:08:29 | |
He's a good size! | 0:08:29 | 0:08:31 | |
The croc's rolling. This is... part of the way it feeds. | 0:08:32 | 0:08:37 | |
He's using... clamping down those massive jaws | 0:08:37 | 0:08:41 | |
then using its bulk to tear its prey apart | 0:08:41 | 0:08:43 | |
but it's also using that now to try and escape the noose. | 0:08:43 | 0:08:46 | |
It takes quite some shifting. | 0:08:46 | 0:08:49 | |
OK... watch! | 0:08:50 | 0:08:51 | |
I mean, look at the size of the tail down there, | 0:08:52 | 0:08:55 | |
next to Mark the cameraman. | 0:08:55 | 0:08:57 | |
I mean, that is just packed with muscle. | 0:08:57 | 0:09:00 | |
He's absolutely magnificent, as close to a living dragon | 0:09:01 | 0:09:05 | |
as you'll ever get. | 0:09:05 | 0:09:07 | |
Fancy making your own living dragon? | 0:09:07 | 0:09:09 | |
Here's Mike with the DIY. | 0:09:09 | 0:09:11 | |
I'm going to show you how to make this deadly, snapping crocodile. | 0:09:11 | 0:09:15 | |
First you need to start with a hinge for a mouth | 0:09:15 | 0:09:18 | |
and for that, I decided a CD case would be perfect. | 0:09:18 | 0:09:21 | |
It's basically already a mouth. | 0:09:21 | 0:09:23 | |
Let's start with the bottom jaw. Take half of your CD case. | 0:09:23 | 0:09:27 | |
Now, to get that curved shape in the mouth, | 0:09:27 | 0:09:30 | |
you need to take half of a cereal box. | 0:09:30 | 0:09:33 | |
I've covered mine in black sticky-backed plastic. | 0:09:33 | 0:09:37 | |
You could also paint yours. This is just to help with the skin texture. | 0:09:37 | 0:09:40 | |
With double-sided tape, and some black tape, secure it in place. | 0:09:40 | 0:09:45 | |
All right, that's half of your mouth finished. | 0:09:49 | 0:09:53 | |
To get that skin texture, bubble wrap is perfect. | 0:09:53 | 0:09:56 | |
Get yourself a piece of it. | 0:09:56 | 0:09:58 | |
Now we're going to paint it with a mix of PVA glue and green paint. | 0:09:58 | 0:10:03 | |
Give it a good mix. | 0:10:05 | 0:10:06 | |
The PVA glue helps the paint to stick to the plastic. | 0:10:07 | 0:10:09 | |
If you don't use PVA glue, your paint will flake right off. | 0:10:09 | 0:10:13 | |
Give it two coats, then let it dry | 0:10:16 | 0:10:18 | |
and you'll get this. I've added different shades of paint here | 0:10:18 | 0:10:21 | |
to make the skin more realistic. | 0:10:21 | 0:10:23 | |
Now you just have to stick this to your mouth. | 0:10:23 | 0:10:26 | |
Peel off our double-sided tape. | 0:10:26 | 0:10:28 | |
Make sure you leave extra at the end so we can wrap it around | 0:10:28 | 0:10:31 | |
and make the end of the mouth nice and neat. Tape it on one half. | 0:10:31 | 0:10:35 | |
Stick in it place. | 0:10:35 | 0:10:36 | |
To create the end of the mouth, we'll use a tucking technique. | 0:10:38 | 0:10:41 | |
Fold in the sides. | 0:10:41 | 0:10:43 | |
-Bring this up to the middle. -Just like wrapping up a present. | 0:10:44 | 0:10:47 | |
Take a piece of tape, secure it in place. | 0:10:47 | 0:10:50 | |
To hide your piece of tape, get yourself a bit of red card. | 0:10:52 | 0:10:56 | |
Peel off your double-sided tape again. | 0:10:56 | 0:10:58 | |
Place that down on top. | 0:10:59 | 0:11:01 | |
There's half of your mouth. | 0:11:02 | 0:11:03 | |
What would a crocodile be without deadly teeth. For those, you'll need | 0:11:03 | 0:11:07 | |
three pieces of foam board. | 0:11:07 | 0:11:10 | |
Cut them into nice, angular sharp teeth. | 0:11:10 | 0:11:13 | |
Again, peel off your double-sided tape. | 0:11:13 | 0:11:15 | |
And the last one, the front teeth. | 0:11:18 | 0:11:21 | |
That's your bottom jaw finished. You'll do another one | 0:11:26 | 0:11:29 | |
for your top jaw, but for this one, | 0:11:29 | 0:11:32 | |
I've done a pinch and fold technique to make the nostrils. | 0:11:32 | 0:11:35 | |
We're going to use the CD case again. | 0:11:35 | 0:11:36 | |
Clip it in place, and there you have your working jaw. | 0:11:36 | 0:11:41 | |
The last thing you need to add are those cold, staring eyes. | 0:11:42 | 0:11:46 | |
Get yourself a polystyrene ball. You can buy this at any craft store. | 0:11:46 | 0:11:50 | |
I've cut mine in half, painted it yellow, one for each eye. | 0:11:50 | 0:11:53 | |
Now you need to take another bit of your bubble wrap | 0:11:55 | 0:11:58 | |
that you painted like skin, | 0:11:58 | 0:12:00 | |
place it on top, | 0:12:00 | 0:12:02 | |
wrap it around and tape it in place. | 0:12:02 | 0:12:04 | |
Two more pieces of tape to outline the eye. | 0:12:08 | 0:12:11 | |
To draw that angry look, draw your pupil just off centre. | 0:12:14 | 0:12:18 | |
And there you have your deadly snapping crocodile! | 0:12:23 | 0:12:26 | |
Nice DIY! | 0:12:26 | 0:12:28 | |
Back to Deevina with our big crocodile mouth. | 0:12:28 | 0:12:31 | |
Wow! | 0:12:31 | 0:12:32 | |
I'm painting the inside of the mouth a really lovely, fleshy colour. | 0:12:32 | 0:12:36 | |
The powerful bite of the crocodile can tear apart its large prey | 0:12:39 | 0:12:42 | |
in no time, and that's because of these bad boys. | 0:12:42 | 0:12:46 | |
It's time to place the teeth. | 0:12:46 | 0:12:47 | |
ROARING | 0:12:53 | 0:12:55 | |
And our croc mouth is ready for display. | 0:12:55 | 0:12:58 | |
Look at our model - it's absolutely huge! | 0:12:58 | 0:13:00 | |
You can understand how any prey who saw that coming at them | 0:13:00 | 0:13:03 | |
-would be very scared. -The strength, the jaws, they look so powerful. | 0:13:03 | 0:13:08 | |
And the skin. These guys have been around since the dinosaur age. | 0:13:08 | 0:13:11 | |
The way we layered up the latex | 0:13:11 | 0:13:13 | |
has definitely given our croc a prehistoric look. | 0:13:13 | 0:13:16 | |
So it's time for the big reveal. | 0:13:16 | 0:13:19 | |
Remember, this is the killer moment I challenged my artists | 0:13:19 | 0:13:22 | |
to recreate. | 0:13:22 | 0:13:23 | |
So let's take a look at our finished art. | 0:13:23 | 0:13:26 | |
ROARING | 0:13:26 | 0:13:27 | |
Whoa! | 0:13:27 | 0:13:28 | |
Look at that! | 0:13:28 | 0:13:29 | |
Look at the way the crocodile is smashing its way | 0:13:29 | 0:13:32 | |
through the Deadly Art studio's concrete floor! | 0:13:32 | 0:13:35 | |
This has definitely recreated my killer moment. | 0:13:35 | 0:13:38 | |
The teeth look sharp and fierce, and the scaley skin is so realistic | 0:13:38 | 0:13:42 | |
this contender's got to be high on my list to the Deadly Art gallery. | 0:13:42 | 0:13:46 | |
That's a top Deadly rating from me, | 0:13:46 | 0:13:48 | |
but will it make it into my Deadly gallery? | 0:13:48 | 0:13:51 | |
Maybe. See you next time for more Deadly Art. | 0:13:51 | 0:13:54 | |
Subtitles by Red Bee Media Ltd | 0:14:08 | 0:14:11 | |
E-mail [email protected] | 0:14:11 | 0:14:14 |