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I'm Steve Backshall. This is Deadly Art. | 0:00:02 | 0:00:03 | |
I'm lucky enough to travel the world tracking deadly animals. | 0:00:07 | 0:00:10 | |
But in this show, my team of artists take my killer moments... | 0:00:13 | 0:00:16 | |
..and turn it into art. | 0:00:19 | 0:00:21 | |
And we'll reveal another unique creation. | 0:00:21 | 0:00:26 | |
Along the way, you'll pick up some tips, tricks and techniques, | 0:00:26 | 0:00:29 | |
so you can make some art yourself. | 0:00:29 | 0:00:33 | |
This is no ordinary art show, this is Deadly Art. | 0:00:33 | 0:00:37 | |
'Coming up on Deadly Art, | 0:00:40 | 0:00:42 | |
'I come across a flamboyant fish | 0:00:42 | 0:00:45 | |
'with a lethal strike.' | 0:00:45 | 0:00:46 | |
Oh, unbelievable! | 0:00:46 | 0:00:50 | |
'The deadly artists recreate another killer moment.' | 0:00:50 | 0:00:52 | |
-You can imagine it about to gobble us up in one gulp... -Wah! -Agh! | 0:00:52 | 0:00:56 | |
'And you can get creative too. | 0:00:56 | 0:01:00 | |
'What are we looking at today?' | 0:01:00 | 0:01:01 | |
Red means danger, | 0:01:01 | 0:01:03 | |
especially for the victims of today's | 0:01:03 | 0:01:06 | |
colourfully calculating creature. Meet the lionfish. | 0:01:06 | 0:01:09 | |
With its extendable fins, like a lion's mane, | 0:01:09 | 0:01:13 | |
you can see where it gets its name from. | 0:01:13 | 0:01:15 | |
This fishy predator looks stunning to us | 0:01:15 | 0:01:18 | |
and very obvious when it's out in the open. | 0:01:18 | 0:01:20 | |
But those striking stripes | 0:01:20 | 0:01:21 | |
help to break up its outline against the reef, | 0:01:21 | 0:01:25 | |
so they work as camouflage. | 0:01:25 | 0:01:27 | |
Not only that, but those super sharp spines are linked to venom glands. | 0:01:27 | 0:01:32 | |
This is a fish with a sting. | 0:01:32 | 0:01:34 | |
I can't wait to see what our team | 0:01:34 | 0:01:36 | |
will make of this deceptively deadly creature. | 0:01:36 | 0:01:39 | |
So who is taking on the Deadly Art challenge today? | 0:01:40 | 0:01:44 | |
I'm Jo, I'm a painter and a general mess maker. | 0:01:44 | 0:01:49 | |
I'm Mike, a cartoon artist, and I'm up for today's Deadly Art. | 0:01:49 | 0:01:53 | |
Mike and Jo are representing the Deadly Art team, | 0:01:53 | 0:01:56 | |
who are always up for a challenge, | 0:01:56 | 0:01:58 | |
and this is today's killer moment to inspire the artwork. | 0:01:58 | 0:02:02 | |
The lionfish is such a good candidate | 0:02:02 | 0:02:04 | |
because of those amazing stripes. | 0:02:04 | 0:02:07 | |
And it's alien-like, but so beautiful at the same time. | 0:02:07 | 0:02:10 | |
-Let's get on with our... -BOTH: Massive sculpture! | 0:02:10 | 0:02:13 | |
Chicken wire and wood is going to form the basis | 0:02:13 | 0:02:17 | |
of our lionfish sculpture. | 0:02:17 | 0:02:19 | |
We've got the skeleton of a lionfish drawn out. | 0:02:19 | 0:02:22 | |
I'm just finishing off those deadly spines. | 0:02:22 | 0:02:25 | |
Now for the fun bit, cutting it out. | 0:02:25 | 0:02:27 | |
Well, it is Deadly Art, so it's got to include the use of power tools. | 0:02:27 | 0:02:31 | |
But our artists are trained professionals, | 0:02:31 | 0:02:34 | |
so don't try anything you see in our big art. | 0:02:34 | 0:02:37 | |
Mike and Jo's lionfish | 0:02:37 | 0:02:39 | |
will look fantastic | 0:02:39 | 0:02:40 | |
just like the ones I met in Borneo. | 0:02:40 | 0:02:44 | |
Night time is perfect | 0:02:44 | 0:02:45 | |
for these stealthy predators | 0:02:45 | 0:02:47 | |
to come out and hunt, | 0:02:47 | 0:02:48 | |
and I wanted to take a closer look. | 0:02:48 | 0:02:50 | |
Huge fins held out to the side | 0:02:50 | 0:02:54 | |
and the spines go down to the tip. | 0:02:54 | 0:02:59 | |
They are all super sharp, | 0:02:59 | 0:03:02 | |
and at the base of them | 0:03:02 | 0:03:04 | |
is a venom gland filled with poison. | 0:03:04 | 0:03:06 | |
When chasing its prey, | 0:03:06 | 0:03:09 | |
it just relies on speed. | 0:03:09 | 0:03:12 | |
Oh, dear, there's a small fish over here | 0:03:13 | 0:03:18 | |
which doesn't know the trouble | 0:03:18 | 0:03:20 | |
it's getting itself into. | 0:03:20 | 0:03:23 | |
The lionfish has spotted it, | 0:03:23 | 0:03:25 | |
this could be trouble. | 0:03:25 | 0:03:29 | |
It's moving in. | 0:03:30 | 0:03:32 | |
Oh! Oh! | 0:03:32 | 0:03:36 | |
Unbelievable! | 0:03:36 | 0:03:39 | |
Did you see the speed of that strike? | 0:03:40 | 0:03:43 | |
That is so cool. | 0:03:48 | 0:03:50 | |
Oh, look, it's going to happen again. | 0:03:51 | 0:03:54 | |
I have a feeling | 0:03:57 | 0:03:58 | |
it could well be dinner time. | 0:03:58 | 0:04:02 | |
Oh, don't do it... | 0:04:02 | 0:04:05 | |
It did it again! | 0:04:07 | 0:04:09 | |
This is the most | 0:04:11 | 0:04:13 | |
astounding display of feeding | 0:04:13 | 0:04:15 | |
I think I've ever seen. | 0:04:15 | 0:04:18 | |
That was a phenomenal experience. | 0:04:18 | 0:04:20 | |
Let's see how Mike and Jo are getting on. | 0:04:20 | 0:04:22 | |
Our wooden skeleton's cut out and fitted together, | 0:04:22 | 0:04:25 | |
bulked out with chicken wire to give our lionfish some shape, | 0:04:25 | 0:04:29 | |
and now I'm attaching the front section. | 0:04:29 | 0:04:32 | |
Our lionfish will be massive. | 0:04:32 | 0:04:34 | |
All lionfish have unique fins. For ours, | 0:04:36 | 0:04:39 | |
I'm wrapping some armature wire around our skeleton | 0:04:39 | 0:04:43 | |
so when they stick out, | 0:04:43 | 0:04:44 | |
it creates a movement at the side of our sculpture. | 0:04:44 | 0:04:47 | |
Now we need to make a covering for our lionfish. | 0:04:47 | 0:04:50 | |
I'll show you a really cool technique | 0:04:50 | 0:04:53 | |
you might have heard of - tie-dye. | 0:04:53 | 0:04:55 | |
We've taken some plain white fabric, rolled it up, | 0:04:55 | 0:04:58 | |
tied it off into sections. | 0:04:58 | 0:05:00 | |
I'm going to dip it into this brown fabric dye. | 0:05:00 | 0:05:05 | |
Really let it soak in. | 0:05:05 | 0:05:07 | |
That needs a few minutes. | 0:05:09 | 0:05:11 | |
This one has already been soaking for a while, and I'll show you | 0:05:11 | 0:05:15 | |
when you take the string off it, | 0:05:15 | 0:05:18 | |
you're left with a really nice white stripe. | 0:05:18 | 0:05:23 | |
Just like the markings on the lionfish. | 0:05:23 | 0:05:25 | |
We've a lot of covering to do, so I'd better get on. | 0:05:25 | 0:05:29 | |
Nice one, Jo. Over to Mike, it's Deadly Doodle time. | 0:05:29 | 0:05:32 | |
This is one of the simplest doodles we've ever done. | 0:05:32 | 0:05:36 | |
It starts from the centre of our paper. | 0:05:36 | 0:05:39 | |
I'm going to start with the big egg, for the body, | 0:05:39 | 0:05:42 | |
do a circle for one of the eyes, | 0:05:42 | 0:05:44 | |
a backwards C for the other eye, on the other side of the body. | 0:05:44 | 0:05:47 | |
My favourite part of this drawing - | 0:05:47 | 0:05:50 | |
a little hotdog for the mouth. To add in the fins, | 0:05:50 | 0:05:52 | |
draw a line, coming from the body to each corner of your paper. | 0:05:52 | 0:05:58 | |
For the tail, | 0:05:58 | 0:05:59 | |
draw a wiggly line coming down. | 0:05:59 | 0:06:03 | |
Then add in your spines, | 0:06:03 | 0:06:05 | |
just like a Mohawk down the middle of his back. | 0:06:05 | 0:06:09 | |
And draw in two antennae. | 0:06:10 | 0:06:12 | |
0K. That's our pencil sketch done. | 0:06:14 | 0:06:16 | |
Take a black marker and add some details. | 0:06:16 | 0:06:19 | |
Go back over those lines for the fins | 0:06:19 | 0:06:22 | |
and just keep going back out to points | 0:06:22 | 0:06:25 | |
and back in towards the body with wavy lines. | 0:06:25 | 0:06:28 | |
Kind of drawing a leaf shape of a plant. | 0:06:28 | 0:06:30 | |
Same again on the other side. | 0:06:30 | 0:06:34 | |
Part of the reason this is so simple is that each lionfish is different, | 0:06:35 | 0:06:39 | |
so it doesn't matter how you draw it, it'll look great every time. | 0:06:39 | 0:06:43 | |
Same with the spines, add in spikes at the top | 0:06:43 | 0:06:46 | |
going over those lines you did earlier for his Mohawk, | 0:06:46 | 0:06:49 | |
but adding sharp little points at the top. | 0:06:49 | 0:06:53 | |
For the tail, go back over your line | 0:06:53 | 0:06:56 | |
and just draw a few wiggly lines coming back towards the body. | 0:06:56 | 0:07:01 | |
That's his tail fin. Go back over the antennae. | 0:07:01 | 0:07:05 | |
Now we'll add details for the eyes. | 0:07:05 | 0:07:08 | |
Here's a great little tip - to do a fish eye, just draw the number six. | 0:07:08 | 0:07:14 | |
Do that for both pupils. | 0:07:14 | 0:07:17 | |
For the hot dog mouth, | 0:07:17 | 0:07:20 | |
split it in half, add a little bit of opening, | 0:07:20 | 0:07:24 | |
colour that in. Go round the body one more time. | 0:07:24 | 0:07:27 | |
Now all you have to do is colour it in. | 0:07:29 | 0:07:32 | |
Draw in some spines for the body. | 0:07:32 | 0:07:35 | |
This is how the fins are held to the fish. | 0:07:35 | 0:07:38 | |
Finally, you can add in some markings. | 0:07:39 | 0:07:42 | |
All right. How's that for a Deadly Doodle? | 0:07:46 | 0:07:49 | |
I love that cartoony lionfish. | 0:07:49 | 0:07:51 | |
So how did some of you get on drawing this doodle? | 0:07:51 | 0:07:55 | |
We went to Swindon on a Deadly day out, and here's all the action. | 0:07:55 | 0:07:58 | |
Lines going down our back... to mark out the spine. | 0:08:00 | 0:08:04 | |
Deadly! | 0:08:10 | 0:08:13 | |
I'm Zoe, and this is my Deadly Doodle. | 0:08:13 | 0:08:16 | |
I like the eyelids and the stripes. | 0:08:16 | 0:08:19 | |
I'm Sam, and this is my Deadly Doodle. | 0:08:19 | 0:08:22 | |
Deadly Art rocks! | 0:08:22 | 0:08:25 | |
Keep on doodling. Let's get back to the Deadly Art studio. | 0:08:25 | 0:08:29 | |
A lionfish's stripes | 0:08:29 | 0:08:30 | |
are perfect camouflage. I'm painting on these stripes | 0:08:30 | 0:08:34 | |
so that they match the contours of the body. | 0:08:34 | 0:08:37 | |
The tie-dye material is nice and dry | 0:08:41 | 0:08:43 | |
and as you can see, the face has been moulded out of chicken wire. | 0:08:43 | 0:08:47 | |
All that's left to do is to lay this over, | 0:08:47 | 0:08:52 | |
then tuck into and around the eye, | 0:08:52 | 0:08:55 | |
folding around the eyebrows, | 0:08:55 | 0:08:57 | |
down to those big lionfish lips. | 0:08:57 | 0:09:01 | |
And if you like the lionfish's gulping mouth, check out this DIY. | 0:09:01 | 0:09:05 | |
I'm going to show you a DIY of | 0:09:05 | 0:09:08 | |
a lionfish with a deadly bite. | 0:09:08 | 0:09:10 | |
Yum, yum, yum! | 0:09:10 | 0:09:11 | |
Starting off with that beautiful fin, | 0:09:11 | 0:09:14 | |
I'm taking a thick wax crayon | 0:09:14 | 0:09:17 | |
and I'll cut some notches out of it. | 0:09:17 | 0:09:19 | |
If you're doing this at home, get an adult to help you. | 0:09:19 | 0:09:24 | |
I've got some cream card here. | 0:09:27 | 0:09:29 | |
I'm going to start off by making an arc like a rainbow. | 0:09:29 | 0:09:33 | |
All the way up, beautiful markings. | 0:09:33 | 0:09:38 | |
I'll go with the darker red | 0:09:38 | 0:09:40 | |
to draw in between those lines. Great. | 0:09:40 | 0:09:44 | |
The next thing I'll do is concertina it all together | 0:09:44 | 0:09:47 | |
and make a fan. | 0:09:47 | 0:09:48 | |
We start off by folding it in half, | 0:09:48 | 0:09:51 | |
just lots of folding, | 0:09:51 | 0:09:54 | |
always working towards the centre. | 0:09:54 | 0:09:57 | |
Keep folding until you get all the way to the end of the card. | 0:09:58 | 0:10:03 | |
Then you have a nice fan, | 0:10:03 | 0:10:06 | |
and using those upper creases as a guide, | 0:10:06 | 0:10:08 | |
we're going to cut out those lovely spiny fin shapes. | 0:10:08 | 0:10:12 | |
So that's our side fin, | 0:10:15 | 0:10:18 | |
and I've got another one for the other side, | 0:10:18 | 0:10:22 | |
then two smaller ones for these top and bottom spines. | 0:10:22 | 0:10:26 | |
For the body, I've got some foam board | 0:10:26 | 0:10:29 | |
and stuck some same colour paper on it. | 0:10:29 | 0:10:32 | |
Then we're going to go and draw a large egg shape. | 0:10:32 | 0:10:36 | |
And using the same technique, | 0:10:36 | 0:10:39 | |
I'll just go straight up and down for the markings. | 0:10:39 | 0:10:43 | |
Then a little bit of dark red to make it a bit more interesting. | 0:10:43 | 0:10:49 | |
Now we just need to cut it out. | 0:10:49 | 0:10:52 | |
It goes over here, and I need to make a hole for that snappy mouth. | 0:10:52 | 0:10:56 | |
That mouth is going to be made out of a binder clip. | 0:10:56 | 0:11:00 | |
What we are going to do is get the ends of it, | 0:11:00 | 0:11:03 | |
just make a mark which will show us where to cut out. | 0:11:03 | 0:11:06 | |
Then cut out a little rectangle | 0:11:06 | 0:11:10 | |
for that mouth to fit into. | 0:11:10 | 0:11:12 | |
OK. | 0:11:14 | 0:11:16 | |
Now we need to cover the mouth. | 0:11:16 | 0:11:18 | |
I've got the same piece of paper as before, | 0:11:18 | 0:11:20 | |
and I've drawn round it to create a T-shape. | 0:11:20 | 0:11:23 | |
I'm using double-sided tape to cover that clip. | 0:11:23 | 0:11:27 | |
I've got another bit of paper | 0:11:29 | 0:11:31 | |
that should just cover up that top bit. | 0:11:31 | 0:11:34 | |
There you have your little snappy mouth. | 0:11:38 | 0:11:41 | |
We'll put all those elements together, | 0:11:41 | 0:11:44 | |
gluing this one to the front | 0:11:44 | 0:11:47 | |
and the other side to the back. | 0:11:47 | 0:11:50 | |
Now we can turn it over, | 0:11:53 | 0:11:55 | |
put his mouth in. | 0:11:55 | 0:11:57 | |
I've got some googly eyes that you can get from a craft store, | 0:11:59 | 0:12:04 | |
which I'm going to stick on. | 0:12:04 | 0:12:07 | |
One last thing - I'm going to give him some antennae. | 0:12:07 | 0:12:11 | |
For that, I've got two orange straws. | 0:12:11 | 0:12:13 | |
I'm going to cut them at a little angle. | 0:12:13 | 0:12:17 | |
I've got two polyballs which I'll glue to the end. | 0:12:17 | 0:12:21 | |
Because I've cut them at an angle, they're quite sharp, | 0:12:21 | 0:12:24 | |
so they should just push straight into the side of our foam board. | 0:12:24 | 0:12:29 | |
So there we have our beautiful snappy lionfish. | 0:12:31 | 0:12:35 | |
Is that deadly enough for you? | 0:12:35 | 0:12:37 | |
Love the idea of using a clip for a mouth. | 0:12:37 | 0:12:40 | |
Back to the Big Art, and it's all coming together. | 0:12:40 | 0:12:44 | |
That's it, they've finished. | 0:12:48 | 0:12:51 | |
So, another Big Art complete. | 0:12:54 | 0:12:56 | |
The dying works so well for these markings. | 0:12:56 | 0:12:59 | |
It shows off the striking stripes on these extendable fins. | 0:12:59 | 0:13:02 | |
-You can imagine it about to gobble us up in one gulp... -Wah! -Agh! | 0:13:02 | 0:13:06 | |
Definitely deadly, Mike! | 0:13:06 | 0:13:08 | |
I asked the Deadly Art team | 0:13:08 | 0:13:10 | |
to recreate these killer shots | 0:13:10 | 0:13:11 | |
and turn them into art. | 0:13:11 | 0:13:13 | |
So let's take a look at the finished work of art. | 0:13:13 | 0:13:16 | |
This lionfish is enormous! | 0:13:17 | 0:13:21 | |
The lionfish's bright colours make it | 0:13:21 | 0:13:23 | |
like a swimming ninja in stripy pyjamas, | 0:13:23 | 0:13:26 | |
and this model is exactly the same. | 0:13:26 | 0:13:29 | |
The dorsal fins that run down its back, | 0:13:29 | 0:13:32 | |
they're the ones that deliver the venom, | 0:13:32 | 0:13:35 | |
and here, they are truly massive. | 0:13:35 | 0:13:38 | |
A true venomous killer of the seabed | 0:13:38 | 0:13:41 | |
and definitely deadly. | 0:13:41 | 0:13:43 | |
Nice work, team. | 0:13:43 | 0:13:45 | |
What an incredible creation! | 0:13:45 | 0:13:47 | |
Make sure you try the Doodle and the DIY, | 0:13:47 | 0:13:50 | |
and we'll see you next time for more Deadly Art. | 0:13:50 | 0:13:53 | |
Subtitles by Red Bee Media Ltd | 0:14:03 | 0:14:07 |