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My name's Steve Backshall and this is Deadly Art. | 0:00:00 | 0:00:03 | |
I'm lucky enough to travel the world, tracking deadly animals. | 0:00:07 | 0:00:11 | |
But in this show, my team of artists take my killer moment... | 0:00:11 | 0:00:16 | |
..and turn it into art. | 0:00:19 | 0:00:21 | |
And we'll reveal another unique creation. | 0:00:22 | 0:00:26 | |
Along the way, you'll get to pick up some tips, tricks and techniques | 0:00:26 | 0:00:29 | |
so you can make some art yourself. | 0:00:29 | 0:00:33 | |
This is no ordinary art show. This is Deadly Art! | 0:00:33 | 0:00:37 | |
'Coming up on Deadly Art... I meet a real giant of the Pacific Ocean.' | 0:00:41 | 0:00:44 | |
It feels like it could rip my arm out of its socket! | 0:00:44 | 0:00:48 | |
'The Deadly Artists get in a tentacle tangle.' | 0:00:48 | 0:00:50 | |
BOTH: Octopus attack! | 0:00:50 | 0:00:53 | |
'And grab your pencils for another Deadly Doodle.' | 0:00:53 | 0:00:56 | |
So what are we looking at today? | 0:00:57 | 0:00:59 | |
Today's deadly animal is a giant of the sea. | 0:00:59 | 0:01:02 | |
With cunning camouflage, strength that's second to none, | 0:01:02 | 0:01:06 | |
and because it has no hard body parts, | 0:01:06 | 0:01:08 | |
the ability to cram itself into the tiniest of spaces, | 0:01:08 | 0:01:12 | |
the Giant Pacific Octopus. | 0:01:12 | 0:01:15 | |
This is the largest octopus on earth, | 0:01:15 | 0:01:17 | |
and they can reach an enormous size. Three times longer than I am high. | 0:01:17 | 0:01:22 | |
So who's taking on the Deadly Art challenge today? | 0:01:24 | 0:01:28 | |
I'm Michelle and I just love working with different materials. | 0:01:28 | 0:01:32 | |
I'm all about getting stuck in. | 0:01:32 | 0:01:34 | |
I'm Nicola. I'm a power-tool queen. | 0:01:36 | 0:01:39 | |
Nicola and Michelle are representing the Deadly Art team, | 0:01:39 | 0:01:42 | |
who are always up for a challenge. | 0:01:42 | 0:01:44 | |
Here's our killer moment, to inspire their art work. | 0:01:44 | 0:01:47 | |
The Giant Pacific Octopus is the largest octopus in the world. | 0:01:47 | 0:01:52 | |
-This needs to be our biggest art ever. -Absolutely. | 0:01:52 | 0:01:55 | |
With giant tentacles and huge suckers. | 0:01:55 | 0:01:58 | |
How are we going to make this piece of art? | 0:01:58 | 0:02:00 | |
With the deadliest power-tool of all. The sewing machine. | 0:02:00 | 0:02:03 | |
This is going to be interesting. | 0:02:03 | 0:02:06 | |
We're going to make a massive inflatable for our octopus, | 0:02:06 | 0:02:08 | |
which means we need loads of material. | 0:02:08 | 0:02:11 | |
There's going to be a lot of sewing. | 0:02:11 | 0:02:13 | |
Our suckers have been drawn out on the computer | 0:02:13 | 0:02:16 | |
and will be printed off on to fabric. | 0:02:16 | 0:02:18 | |
I'm going to show you another technique to create the same effect, | 0:02:18 | 0:02:22 | |
that you might possibly want to try at home. Stencilling. | 0:02:22 | 0:02:25 | |
Every octopus needs its suckers and to make those, I'm creating stencils | 0:02:25 | 0:02:30 | |
by drawing a series of circles, like this, | 0:02:30 | 0:02:33 | |
a smaller one in the centre. And now I'm going to cut those out | 0:02:33 | 0:02:37 | |
and that will enable us to spray those suckers on. | 0:02:37 | 0:02:40 | |
While Nicola and Michelle get on, in British Columbia, | 0:02:40 | 0:02:43 | |
the Deadly 60 crew and I were on the search for a Giant Pacific Octopus. | 0:02:43 | 0:02:48 | |
I think through this hole... Oh, my goodness, yes! I see one! | 0:02:48 | 0:02:53 | |
Oh, wow! | 0:02:53 | 0:02:55 | |
Now that is a big octopus. | 0:02:57 | 0:03:00 | |
Apparently, these octopus are so curious | 0:03:02 | 0:03:07 | |
that if they sense the warmth of your hand, | 0:03:07 | 0:03:13 | |
they will actually come out to try and get a closer feel of it. | 0:03:13 | 0:03:17 | |
I just hope I don't get introduced to its vicious biting beak. | 0:03:18 | 0:03:22 | |
Oh, wow! Its tentacles are gripping my fingers. That's amazing! | 0:03:24 | 0:03:29 | |
Come on, then. Wow! What a grip! | 0:03:30 | 0:03:34 | |
That's phenomenal! | 0:03:36 | 0:03:38 | |
They have amazing suction power. | 0:03:39 | 0:03:43 | |
Woah! Oh, my goodness! | 0:03:43 | 0:03:46 | |
It feels like it could rip my arm out of its socket! | 0:03:46 | 0:03:49 | |
Join me later, | 0:03:49 | 0:03:50 | |
on my second attempt to get closer to one of those giants. | 0:03:50 | 0:03:54 | |
Over to Nicola. | 0:03:54 | 0:03:55 | |
These suckers look amazing already, don't they? | 0:03:55 | 0:03:58 | |
Now it's just about spraying over the top of it | 0:03:58 | 0:04:01 | |
to give that natural, shaded effect. | 0:04:01 | 0:04:03 | |
Because spray paint can be toxic, | 0:04:03 | 0:04:05 | |
Nicola is wearing a protective facemask when she spray paints. | 0:04:05 | 0:04:09 | |
It's good to see how other techniques can work too. | 0:04:09 | 0:04:12 | |
These spray-painted suckers look just like | 0:04:12 | 0:04:14 | |
the professionally computer drawn ones. Over to Michelle. | 0:04:14 | 0:04:17 | |
This piece of material has been put facedown on to another piece, | 0:04:17 | 0:04:20 | |
and they've been attached together with pins. | 0:04:20 | 0:04:23 | |
Next, I need to sew all the way round the edges | 0:04:23 | 0:04:25 | |
and once that's done, I can pull the material the right way round | 0:04:25 | 0:04:28 | |
so the suckers are on the outside. | 0:04:28 | 0:04:30 | |
Later, when we inflate the tentacle, no air will escape. | 0:04:30 | 0:04:34 | |
While Michelle gets on with the sewing sections, | 0:04:34 | 0:04:37 | |
it's time for you to get involved. | 0:04:37 | 0:04:39 | |
Nicola is taking time out to show you a Deadly Doodle. | 0:04:39 | 0:04:43 | |
This is the Deadly Doodle of the octopus. | 0:04:43 | 0:04:46 | |
I'll show you how to draw it. | 0:04:46 | 0:04:48 | |
And as usual we start with some really simple guidelines. | 0:04:48 | 0:04:51 | |
Begin by drawing a big oval at the top of your page. | 0:04:51 | 0:04:56 | |
Just below that, add on a slightly smaller circle, | 0:04:56 | 0:05:00 | |
and in this dent here, you need another oval for his eye | 0:05:00 | 0:05:03 | |
and a second one right in the middle, just there. | 0:05:03 | 0:05:07 | |
Now it's time for his legs. | 0:05:07 | 0:05:09 | |
He's got eight of them so it could get a bit complicated, | 0:05:09 | 0:05:12 | |
we'll take it one at a time. | 0:05:12 | 0:05:13 | |
Starting here, just below his eye, do a big wiggly line | 0:05:13 | 0:05:18 | |
and then double back on yourself, | 0:05:18 | 0:05:21 | |
getting bigger as you come closer to the body. | 0:05:21 | 0:05:24 | |
The next one, right the way around, same again, double up and back. | 0:05:24 | 0:05:30 | |
A third one just here. | 0:05:30 | 0:05:33 | |
As you go behind a leg, just skip over the line | 0:05:33 | 0:05:36 | |
and join it back to where it comes from. | 0:05:36 | 0:05:39 | |
We'll add two more down here, | 0:05:39 | 0:05:43 | |
filling the page as much as you possibly can | 0:05:43 | 0:05:46 | |
to make it look really dramatic. | 0:05:46 | 0:05:48 | |
Now, he needs three more | 0:05:48 | 0:05:50 | |
and they can just fill in any of the spaces you've got left. | 0:05:50 | 0:05:54 | |
And finally, we'll slip one right in the back, just there. | 0:05:54 | 0:06:01 | |
Now it's time to take the marker pen and define those lines. | 0:06:01 | 0:06:06 | |
From the top of his eye, go all the way around - | 0:06:06 | 0:06:09 | |
you may notice there's a slight dip in the top of the octopus' head. | 0:06:09 | 0:06:13 | |
Now we'll fill in the eyes. | 0:06:13 | 0:06:15 | |
Go all the way around the eye, and then draw in the number six | 0:06:15 | 0:06:19 | |
for his pupil, with the same again on the other eye. | 0:06:19 | 0:06:24 | |
Now we'll fill in the legs, and that's very easy, | 0:06:24 | 0:06:28 | |
you just go all the way over | 0:06:28 | 0:06:30 | |
all of those lines you've already created. | 0:06:30 | 0:06:33 | |
That's all of his legs done. | 0:06:36 | 0:06:37 | |
Now he just needs some suckers and for that I'm going to change pens, | 0:06:37 | 0:06:41 | |
because they're quite fine details, so I'm going to use a fine pen. | 0:06:41 | 0:06:46 | |
Add on some really small circles, | 0:06:46 | 0:06:49 | |
all the way along the base of each leg, or tentacle. | 0:06:49 | 0:06:54 | |
You might see the entire circle | 0:06:54 | 0:06:56 | |
and sometimes they might just be poking out the edge. | 0:06:56 | 0:07:00 | |
The last thing to do is rub out those pencil lines. | 0:07:01 | 0:07:04 | |
And there he is, your Deadly Giant Octopus. | 0:07:07 | 0:07:11 | |
What a magnificent octopus! | 0:07:11 | 0:07:13 | |
So how did some of you get on, drawing this doodle? | 0:07:13 | 0:07:17 | |
We went to Glasgow on a Deadly Day Out | 0:07:17 | 0:07:19 | |
and here's all the action from the Deadly Art tent. | 0:07:19 | 0:07:22 | |
ALL: Deadly! | 0:07:22 | 0:07:25 | |
I'm Ewan and this is my Deadly Doodle. | 0:07:25 | 0:07:27 | |
ALL: Here's our Deadly Doodles. | 0:07:28 | 0:07:32 | |
I don't normally do doodles like this at home | 0:07:32 | 0:07:34 | |
and I think I will try to do more. | 0:07:34 | 0:07:37 | |
Let's get back to the Deadly Art studio. | 0:07:37 | 0:07:40 | |
We've got so much material. | 0:07:40 | 0:07:43 | |
I'm just attaching one of the tentacles to the rest of the body. | 0:07:43 | 0:07:47 | |
This octopus is going to be massive. | 0:07:47 | 0:07:49 | |
Imagine, this is just one of his tentacles | 0:07:49 | 0:07:52 | |
and there are eight of these bad boys. | 0:07:52 | 0:07:54 | |
It's not long now till our Giant Octopus comes to life. | 0:07:54 | 0:07:57 | |
Can't wait to see it! | 0:07:57 | 0:07:59 | |
But for now, it's back to British Columbia, | 0:07:59 | 0:08:02 | |
and our Giant Pacific Octopus. | 0:08:02 | 0:08:03 | |
Look at the way the mantle, the head, | 0:08:03 | 0:08:06 | |
bubbles up with these tiny projections and changes in colour, | 0:08:06 | 0:08:10 | |
so that he blends in with his background... | 0:08:10 | 0:08:13 | |
..moving across the bottom, | 0:08:15 | 0:08:17 | |
with that beautiful stretching out of the tentacles, | 0:08:17 | 0:08:22 | |
just feeling his way through his environment. | 0:08:22 | 0:08:27 | |
He is the weirdest, | 0:08:27 | 0:08:29 | |
most majestic creature I've seen in these seas. | 0:08:29 | 0:08:34 | |
He is utterly phenomenal. | 0:08:34 | 0:08:37 | |
At first it's kind of tentative, | 0:08:37 | 0:08:39 | |
but the power when they actually pull back | 0:08:39 | 0:08:42 | |
and decide to really pull towards their beak-like mouth parts, | 0:08:42 | 0:08:47 | |
it's actually very frightening. | 0:08:47 | 0:08:49 | |
Particularly when you consider | 0:08:51 | 0:08:53 | |
that this is actually quite a small Pacific Octopus. | 0:08:53 | 0:08:57 | |
I mean, they could get to be, wait for it, nine metres in width. | 0:08:57 | 0:09:03 | |
So if you could try and imagine | 0:09:04 | 0:09:07 | |
an octopus that has an arm-span like a truck, | 0:09:07 | 0:09:13 | |
I think you'll have the idea. | 0:09:13 | 0:09:15 | |
Such a breathtaking experience. | 0:09:15 | 0:09:18 | |
Now Michelle's got a super fun inspired DIY for you. | 0:09:18 | 0:09:22 | |
I'm going to show you how to make this Giant Octopus | 0:09:22 | 0:09:24 | |
using an old umbrella. | 0:09:24 | 0:09:27 | |
Now, an octopus has eight tentacles | 0:09:27 | 0:09:29 | |
and an umbrella has eight segments, so it's perfect for this make. | 0:09:29 | 0:09:33 | |
I want to give my octopus a lovely bright blue colour, | 0:09:33 | 0:09:37 | |
so for that I'm using some blue foam. | 0:09:37 | 0:09:39 | |
You can get this from any craft store. | 0:09:39 | 0:09:41 | |
What I've done here, is cut out a large triangle, | 0:09:41 | 0:09:45 | |
and you'll see that this fits onto a segment of the umbrella. | 0:09:45 | 0:09:49 | |
You need to repeat this all the way around, | 0:09:49 | 0:09:52 | |
sticking it down to each segment. Let's make the tentacle now. | 0:09:52 | 0:09:56 | |
Again, I've got a large piece of blue foam | 0:09:56 | 0:09:59 | |
and I've just drawn a tentacle shape on it with a black marker pen. | 0:09:59 | 0:10:02 | |
This is almost like a wavy row that tapers at the end. | 0:10:02 | 0:10:06 | |
Once it's drawn on, you just need to cut it out. | 0:10:06 | 0:10:09 | |
The foam's really easy to cut through. | 0:10:09 | 0:10:12 | |
Take care when you use scissors! | 0:10:12 | 0:10:15 | |
There we go, one large tentacle. | 0:10:15 | 0:10:17 | |
Now for the inner part of it, I've just drawn the same shape, | 0:10:17 | 0:10:21 | |
but slightly smaller, and I'm going to stick the two together. | 0:10:21 | 0:10:25 | |
Now that's all stuck down, I'm going to move on to those amazing suckers. | 0:10:28 | 0:10:32 | |
All I need to do, is draw some large circles on top of the foam. | 0:10:32 | 0:10:37 | |
Once you've got your circles, you just need to cut them out. | 0:10:40 | 0:10:43 | |
The suckers look great because they pop out against the white tentacle. | 0:10:45 | 0:10:49 | |
To create this effect, all you need to do | 0:10:49 | 0:10:51 | |
is draw a line from the centre of the circle to the edge, | 0:10:51 | 0:10:55 | |
and then just snip into it with your scissors. | 0:10:55 | 0:10:59 | |
As you can see, I'm just folding one side over the other, | 0:10:59 | 0:11:02 | |
and it creates a cone shape. | 0:11:02 | 0:11:04 | |
Next, all I'm going to do is stick these two sides down, | 0:11:04 | 0:11:08 | |
so it's nice and secure. | 0:11:08 | 0:11:10 | |
I've got a load of suckers here, | 0:11:12 | 0:11:14 | |
and I'm going to start sticking them all over the tentacle. | 0:11:14 | 0:11:18 | |
This is the fun bit. | 0:11:18 | 0:11:20 | |
That's my suckers stuck on, | 0:11:25 | 0:11:26 | |
so now I'm going to start building up the umbrella. | 0:11:26 | 0:11:29 | |
As you can see from this one we made earlier, | 0:11:29 | 0:11:32 | |
there's one last tentacle to put on, | 0:11:32 | 0:11:34 | |
on one last segment of triangular foam. | 0:11:34 | 0:11:37 | |
I'll just bring it over, it's pretty big. | 0:11:37 | 0:11:40 | |
First, I'll attach that last segment of foam at the top. | 0:11:40 | 0:11:44 | |
That looks brilliant! | 0:11:49 | 0:11:52 | |
Next up, the last tentacle. | 0:11:52 | 0:11:55 | |
I'm just going to put some glue along the top of it here, and stick it in. | 0:11:55 | 0:12:01 | |
And for the finishing touches we need some deadly eyes. | 0:12:01 | 0:12:05 | |
For that, I've got a polystyrene ball and cut it in half, | 0:12:05 | 0:12:08 | |
and then I've got some black foam and cut out the number six | 0:12:08 | 0:12:11 | |
for the pupils, so I'm just going to stick these on. | 0:12:11 | 0:12:15 | |
There we go, my new umbrella. And he's an octopus! | 0:12:18 | 0:12:24 | |
He doesn't mind getting wet. | 0:12:24 | 0:12:26 | |
Brilliant brolly, Michelle! Back to the Big Art | 0:12:26 | 0:12:29 | |
and it's inflatable time. | 0:12:29 | 0:12:32 | |
Isn't it amazing that a lot of material, | 0:12:32 | 0:12:34 | |
stitching and a load of air, can make a creature come to life? | 0:12:34 | 0:12:38 | |
We've had so much fun making this one and it is just so big, | 0:12:42 | 0:12:46 | |
it literally takes over the whole of the Deadly Art studio. | 0:12:46 | 0:12:50 | |
He is incredible. | 0:12:50 | 0:12:51 | |
You definitely can't argue with the scale of this, he's awesome, | 0:12:51 | 0:12:56 | |
and I think the entire Deadly Art team deserves a big congratulations. | 0:12:56 | 0:13:00 | |
-They really, really do. -What do you think? | 0:13:00 | 0:13:02 | |
BOTH: Octopus attack! | 0:13:02 | 0:13:05 | |
I asked the Deadly Art team to recreate this killer moment | 0:13:05 | 0:13:08 | |
and turn it into art. | 0:13:08 | 0:13:11 | |
So let's take a look at the finished work of art. | 0:13:11 | 0:13:14 | |
This is great! | 0:13:14 | 0:13:16 | |
I cannot think of any more perfect way to represent an octopus. | 0:13:16 | 0:13:21 | |
The way the body and arms move, is just perfect. | 0:13:21 | 0:13:25 | |
There are no hard parts in an octopus' body, apart from its beak. | 0:13:27 | 0:13:31 | |
And you can't think of any better way of representing that | 0:13:31 | 0:13:34 | |
than in this kind of model. | 0:13:34 | 0:13:36 | |
Nice work, team. Art doesn't get any deadlier than this! | 0:13:36 | 0:13:42 | |
What an incredible creation! | 0:13:42 | 0:13:45 | |
Make sure you try the doodle and the DIY | 0:13:45 | 0:13:47 | |
and we'll see you next time for more Deadly Art. | 0:13:47 | 0:13:50 | |
Subtitles by Red Bee Media Ltd | 0:14:01 | 0:14:04 |