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My name's Steve Backshall and this is Deadly Art. | 0:00:02 | 0:00:05 | |
I'm lucky enough to travel the world tracking deadly animals. | 0:00:07 | 0:00:11 | |
But in this show, my team of artists take my killer moment... | 0:00:13 | 0:00:17 | |
..and turn it into art. | 0:00:20 | 0:00:22 | |
We'll reveal another unique creation. | 0:00:22 | 0:00:26 | |
Along the way, you'll get to pick up some tips, tricks and techniques | 0:00:26 | 0:00:30 | |
so you can make some art yourself. | 0:00:30 | 0:00:33 | |
This is no ordinary art show, this is Deadly Art. | 0:00:33 | 0:00:37 | |
Coming up on Deadly Art, I take on a tough challenge | 0:00:40 | 0:00:43 | |
to see if I can compete with today's deadly animal. | 0:00:43 | 0:00:46 | |
I'm never going to make it! | 0:00:46 | 0:00:48 | |
The artists recreate a killer piece of art using glass. | 0:00:48 | 0:00:52 | |
With a simple bend, the glass breaks. | 0:00:52 | 0:00:55 | |
And we'll show you how to draw another deadly doodle | 0:00:55 | 0:00:59 | |
to impress your friends. | 0:00:59 | 0:01:01 | |
What if I was to tell you that today's animal had superpowers | 0:01:01 | 0:01:05 | |
just like Spiderman, | 0:01:05 | 0:01:07 | |
with stick-on feet that enable it to climb any horizontal wall, | 0:01:07 | 0:01:12 | |
excellent night vision and amazing agility and speed? | 0:01:12 | 0:01:16 | |
This is the Tokay gecko. | 0:01:16 | 0:01:19 | |
Its name comes from the very loud call it makes at night. | 0:01:19 | 0:01:24 | |
"Tokay! Tokay!" | 0:01:24 | 0:01:25 | |
Especially when it's out on a hunt. | 0:01:25 | 0:01:28 | |
Many geckos are content to snack on things like moths and mosquitoes, | 0:01:28 | 0:01:33 | |
but the Tokay is so large, it's capable of eating | 0:01:33 | 0:01:36 | |
the largest of insects and even other lizards. | 0:01:36 | 0:01:39 | |
Found in the jungles and cities of Asia, this is no ordinary gecko. | 0:01:39 | 0:01:43 | |
But, then again, this is no ordinary art show. Time to meet our artists. | 0:01:43 | 0:01:49 | |
So, who's taking on the Deadly Art challenge today? | 0:01:49 | 0:01:53 | |
I'm Michelle and I love working with different materials. | 0:01:53 | 0:01:57 | |
I'm all about getting stuck in. | 0:01:57 | 0:02:00 | |
I'm Jo. I'm a painter, sculptor and a general mess-maker. | 0:02:00 | 0:02:06 | |
Michelle and Jo will be representing the Deadly Art team, | 0:02:06 | 0:02:09 | |
who are always up for a challenge. | 0:02:09 | 0:02:12 | |
Here's today's killer moment to inspire the artwork - | 0:02:12 | 0:02:15 | |
when a gecko catapults itself in a display of super-strength | 0:02:15 | 0:02:20 | |
and stick-on stealth. | 0:02:20 | 0:02:23 | |
For me, it's the feet. I love the way they stick to walls. | 0:02:27 | 0:02:31 | |
The claws will work really well in stained glass. | 0:02:31 | 0:02:34 | |
It's something we've not done before. | 0:02:34 | 0:02:36 | |
It's going to be tricky, but really beautiful. | 0:02:36 | 0:02:40 | |
Time for some more Deadly Art. | 0:02:40 | 0:02:42 | |
This is a design for the stained-glass window. | 0:02:47 | 0:02:49 | |
I need to divide it into sections to show where the glass will go. | 0:02:49 | 0:02:54 | |
The head will be in five sections. | 0:02:54 | 0:02:56 | |
We've got orange glass for the eyes and green for the body. | 0:02:56 | 0:03:00 | |
Using glass is a first for our art team, | 0:03:02 | 0:03:04 | |
so let's hope it comes together. | 0:03:04 | 0:03:07 | |
One of the great things about travelling | 0:03:07 | 0:03:09 | |
is that some animals aren't hard to find. | 0:03:09 | 0:03:11 | |
The Tokay gecko is found all over Asia in forests and cities. | 0:03:11 | 0:03:15 | |
It's their climbing ability | 0:03:15 | 0:03:17 | |
that makes them worthy of | 0:03:17 | 0:03:19 | |
a place on the Deadly 60. | 0:03:19 | 0:03:21 | |
Let's get a closer look at the feet that are clamping down on my thumb. | 0:03:21 | 0:03:25 | |
On the end of every one of those toes is a sharp claw, | 0:03:26 | 0:03:31 | |
almost like the talon of a bird of prey, | 0:03:31 | 0:03:34 | |
and that'll cling to tiny imperfections in bark or in bricks. | 0:03:34 | 0:03:38 | |
But, even better than that, | 0:03:38 | 0:03:40 | |
every one of those toes...is lined with something even more miraculous. | 0:03:40 | 0:03:46 | |
Each toe is covered with fine hairs you can only see under a microscope. | 0:03:46 | 0:03:52 | |
They allow it to cling to vertical surfaces or even overhanging ones. | 0:03:52 | 0:03:56 | |
The Tokay gecko is, to my mind, | 0:03:56 | 0:03:59 | |
the finest climbing insect killer in the world. | 0:03:59 | 0:04:03 | |
That on its own ought to be enough to get on my list, | 0:04:03 | 0:04:06 | |
but we don't just tell you how cool animals are, we like to show you. | 0:04:06 | 0:04:11 | |
Our Tokay gecko is munching its way through the local moth population | 0:04:11 | 0:04:16 | |
up there. So I'm going to go and join him. | 0:04:16 | 0:04:20 | |
I'm going to climb that building later. | 0:04:20 | 0:04:23 | |
Back to Michelle and Jo in the Deadly Art studio. | 0:04:23 | 0:04:27 | |
Cutting glass is easier than you think. | 0:04:27 | 0:04:29 | |
I've drawn a shape onto the glass | 0:04:29 | 0:04:31 | |
and now, I'm using a scorer to go along the line. | 0:04:31 | 0:04:36 | |
Although you can't really see the score mark... | 0:04:37 | 0:04:40 | |
..with a simple bend, the glass breaks. | 0:04:42 | 0:04:45 | |
I love how easily that glass snaps, but remember, | 0:04:45 | 0:04:49 | |
Michelle has been trained and is wearing protective gear. | 0:04:49 | 0:04:52 | |
-You mustn't try this at home. -Fits perfectly. | 0:04:52 | 0:04:55 | |
-Is that ready to go? -Yeah. | 0:04:55 | 0:04:57 | |
I'm going to take off the sharp edges using a polishing machine. | 0:04:57 | 0:05:00 | |
When I've finished, they'll fit in the frame. | 0:05:00 | 0:05:03 | |
It wouldn't be Deadly Art without using machinery. | 0:05:03 | 0:05:06 | |
Now Jo's going to show you a Deadly doodle. | 0:05:06 | 0:05:09 | |
This Deadly doodle is a colourful Tokay gecko. | 0:05:09 | 0:05:14 | |
As always, we're going to start with the basic shapes. | 0:05:16 | 0:05:20 | |
Our first one is an oval. | 0:05:20 | 0:05:22 | |
And then, from the bottom of that, | 0:05:22 | 0:05:24 | |
a large curve, which will be the bottom of the gecko's jaw. | 0:05:24 | 0:05:28 | |
Coming out the top of that oval will be a big C shape for its body, | 0:05:28 | 0:05:34 | |
all the way around to the tip of its tail and then back up again. | 0:05:34 | 0:05:39 | |
And for its legs, I'm going to put in arrow shapes. | 0:05:39 | 0:05:43 | |
And then, for its feet, they are just circles | 0:05:48 | 0:05:51 | |
with little circles around them where his toes are going to go. | 0:05:51 | 0:05:55 | |
On to the big round eyes. This one that's close to us is just a circle, | 0:05:55 | 0:06:00 | |
but the one further away is more of an oval shape. | 0:06:00 | 0:06:03 | |
And then, to add some detailing to its mouth. | 0:06:03 | 0:06:06 | |
Its jaw comes down, and then another curve under like that, | 0:06:06 | 0:06:09 | |
and then put in his tongue. | 0:06:09 | 0:06:11 | |
OK, now I'm going to go over it with a marker pen. Let's get some eyelids. | 0:06:12 | 0:06:18 | |
And those reptilian pupils. | 0:06:19 | 0:06:22 | |
I'm going to put two lines coming down... | 0:06:25 | 0:06:27 | |
to his nose and some tiny little nostrils. | 0:06:27 | 0:06:30 | |
Around his head. I'm just going over the guidelines I already made. | 0:06:30 | 0:06:34 | |
Now the back of his body, and he's got ridges going all the way along. | 0:06:34 | 0:06:38 | |
Right up to the tail. | 0:06:38 | 0:06:40 | |
And where those circles are for his toes, | 0:06:40 | 0:06:43 | |
I'm going up and around, up and around, in a big wiggly line. | 0:06:43 | 0:06:48 | |
And then over to those spiky claws. | 0:06:48 | 0:06:51 | |
For his back leg, I'm just going to give him a little curve | 0:06:53 | 0:06:57 | |
and another little wiggly line for a few toes and claws. | 0:06:57 | 0:07:03 | |
-Let's give it some colour. -This is the fun bit. | 0:07:03 | 0:07:06 | |
Jo's using a wax crayon to draw the dots. | 0:07:06 | 0:07:09 | |
All the markings are so individual, you can do whatever you want. | 0:07:09 | 0:07:14 | |
Now, for his eyes, I'm going to go for the bright yellow. | 0:07:14 | 0:07:17 | |
And then brush it all over with watered-down paint. | 0:07:17 | 0:07:22 | |
There we have it. A lovely, spotty Tokay gecko. | 0:07:23 | 0:07:26 | |
Great gecko, Jo! | 0:07:26 | 0:07:28 | |
We visited Port Talbot in Wales on a Deadly day out. | 0:07:28 | 0:07:31 | |
Here's how some of you got on with this doodle. | 0:07:31 | 0:07:34 | |
Our first shape is an oval shape. | 0:07:34 | 0:07:37 | |
Now for those legs. | 0:07:38 | 0:07:39 | |
-ALL: -Deadly Art! | 0:07:39 | 0:07:43 | |
I enjoyed drawing the claws | 0:07:43 | 0:07:45 | |
because that's my favourite part in animal bodies. | 0:07:45 | 0:07:49 | |
I liked drawing the spikes because they're like the top of the castle. | 0:07:49 | 0:07:53 | |
-ALL: -We love geckos! | 0:07:53 | 0:07:55 | |
You're all budding Deadly artists. Very impressed. | 0:07:55 | 0:07:59 | |
Remember to keep on doodling. | 0:07:59 | 0:08:01 | |
Let's get back to the studio and our stained-glass window. | 0:08:01 | 0:08:05 | |
We're fixing the shapes into the frame using a method called leading. | 0:08:05 | 0:08:10 | |
This is lead cane and it's used to join the glass together. | 0:08:10 | 0:08:14 | |
First, I cut it to the right length... It is a really soft metal. | 0:08:14 | 0:08:18 | |
..and bend it around the glass. | 0:08:18 | 0:08:21 | |
That is the eye and it's ready to slot into place. | 0:08:22 | 0:08:26 | |
When the glass and lead are in place, they're ready to be glued together. | 0:08:28 | 0:08:33 | |
I'm using a soldering iron and lead - the soldering iron melts the lead | 0:08:33 | 0:08:38 | |
and when it cools down, it's fused together. | 0:08:38 | 0:08:41 | |
In Thailand, it was time for my | 0:08:41 | 0:08:43 | |
Tokay gecko climbing challenge. | 0:08:43 | 0:08:45 | |
Let's see how the best of British, me, | 0:08:45 | 0:08:48 | |
compares to the wizard of the wall, the Tokay gecko. | 0:08:48 | 0:08:51 | |
My first problem is balance. | 0:08:56 | 0:09:00 | |
Something the gecko solves easily with its tail. | 0:09:00 | 0:09:05 | |
And I can't get my fingers into the cracks | 0:09:05 | 0:09:09 | |
between these bricks. They're just too small. | 0:09:09 | 0:09:12 | |
Fingernails on the end of every toe for the gecko, | 0:09:12 | 0:09:15 | |
perfect for hooking into imperfections in bricks. | 0:09:15 | 0:09:19 | |
I'm never going to make it! | 0:09:19 | 0:09:22 | |
That's one small victory, at least. | 0:09:23 | 0:09:27 | |
Yay! Thank you very much. | 0:09:27 | 0:09:30 | |
My next problem is sweat. | 0:09:32 | 0:09:34 | |
I've got sweat getting into my fingers, stopping me gripping, | 0:09:34 | 0:09:38 | |
and the gecko doesn't have to deal with that at all. | 0:09:38 | 0:09:42 | |
This is the really hard bit. Up over the top. | 0:09:44 | 0:09:48 | |
Geckos cling effortlessly | 0:09:50 | 0:09:52 | |
to overhangs. | 0:09:52 | 0:09:53 | |
For me, it's near impossible. | 0:09:53 | 0:09:56 | |
Look at that! There's a little gecko | 0:09:58 | 0:10:00 | |
climbing right alongside me. | 0:10:00 | 0:10:02 | |
That's just showing off! | 0:10:02 | 0:10:05 | |
Almost there. | 0:10:06 | 0:10:07 | |
Woo-hoo! | 0:10:08 | 0:10:10 | |
I did it in about four minutes, | 0:10:10 | 0:10:12 | |
compared to the super gecko, | 0:10:12 | 0:10:13 | |
who does it in around 30 seconds. | 0:10:13 | 0:10:17 | |
Over to Michelle, who has a cool gecko DIY for you. | 0:10:17 | 0:10:21 | |
I'm going to show you how to make your very own gecko fridge magnet. | 0:10:22 | 0:10:26 | |
I've grabbed Jo's doodle, stuck it to the back of some cardboard | 0:10:26 | 0:10:31 | |
and cut around it. | 0:10:31 | 0:10:33 | |
This is going to make our fridge magnet sturdy. | 0:10:33 | 0:10:36 | |
Next, separate the top half of the head from the bottom half. | 0:10:36 | 0:10:39 | |
I'm going to use a scalpel. You can also use scissors. | 0:10:39 | 0:10:43 | |
Very carefully, you're going to cut around the top half of the head. | 0:10:43 | 0:10:48 | |
You must have adult supervision to do this. | 0:10:48 | 0:10:51 | |
Just following those lines of the doodle all the way around. | 0:10:51 | 0:10:56 | |
That should nice and simply pop out. | 0:10:57 | 0:11:00 | |
I've got a small piece of card. | 0:11:00 | 0:11:02 | |
I'm going to stick the remaining part of the body on to this card. | 0:11:02 | 0:11:06 | |
I've got some glue here. | 0:11:06 | 0:11:09 | |
Very carefully stick it down. | 0:11:13 | 0:11:17 | |
Once that's stuck, we need to build up the rest of the gecko's mouth. | 0:11:17 | 0:11:22 | |
As you can see, | 0:11:22 | 0:11:24 | |
you've got the nice black bit and the red around the edges. | 0:11:24 | 0:11:28 | |
Michelle is using a wax crayon to colour the inside of the mouth. | 0:11:28 | 0:11:33 | |
There you have the inside of the gecko's mouth. | 0:11:33 | 0:11:37 | |
All you do next is cut round the rest of this white cardboard. | 0:11:37 | 0:11:42 | |
Now you've got rid of the excess cardboard, | 0:11:43 | 0:11:46 | |
you're going to get a clothes peg | 0:11:46 | 0:11:48 | |
and stick this to the back of the gecko's mouth. | 0:11:48 | 0:11:52 | |
You can use craft glue, but it takes a little bit longer to dry. | 0:11:52 | 0:11:57 | |
You're going to run a thin strip of glue along the top part of the peg, | 0:11:57 | 0:12:01 | |
grab the top part of the gecko's face and stick it on the top. | 0:12:01 | 0:12:06 | |
Give it a little press. | 0:12:06 | 0:12:08 | |
This is really clever, because the gecko's mouth can open and close, | 0:12:08 | 0:12:13 | |
so you can put different notes inside or reminders - it's wicked. | 0:12:13 | 0:12:17 | |
We need it to stick to something, | 0:12:17 | 0:12:19 | |
so we're going to get some magnetic strips, | 0:12:19 | 0:12:22 | |
which you can get from any craft store, and stick these on the back. | 0:12:22 | 0:12:27 | |
And there you have your very cool, very funky gecko fridge magnet. | 0:12:29 | 0:12:34 | |
I'm going to put a little note inside that one. I love geckos! | 0:12:34 | 0:12:38 | |
Back to our stained-glass window, | 0:12:43 | 0:12:45 | |
and Jo and Michelle are racing to the finish, | 0:12:45 | 0:12:49 | |
sealing the lead into place with solder and painting those dots. | 0:12:49 | 0:12:54 | |
This was a really different way of representing a killer moment | 0:12:56 | 0:13:00 | |
and that gecko looks like it's walking up the glass. | 0:13:00 | 0:13:04 | |
The colours really show off the gecko's skin. | 0:13:04 | 0:13:07 | |
-Let's hope it looks impressive with a light shining behind it. -It will. | 0:13:07 | 0:13:11 | |
So it's nearly time for the big reveal. | 0:13:11 | 0:13:13 | |
I asked the team to recreate this killer moment and turn it into art. | 0:13:13 | 0:13:18 | |
Let's take a look at the finished result. | 0:13:18 | 0:13:21 | |
Oh, that is glorious! | 0:13:21 | 0:13:23 | |
The spots really stand out | 0:13:23 | 0:13:25 | |
and the feet just seem to be sticking to the glass. | 0:13:25 | 0:13:28 | |
I love the way this window lives in the vertical world, | 0:13:28 | 0:13:32 | |
the same way a gecko does. | 0:13:32 | 0:13:34 | |
It's actually very beautiful, but let's not forget, deadly. | 0:13:34 | 0:13:39 | |
Well done, team. | 0:13:39 | 0:13:40 | |
What an incredible creation! Make sure you try the doodle and the DIY | 0:13:40 | 0:13:44 | |
and we'll see you next time for more Deadly Art. | 0:13:44 | 0:13:47 | |
Subtitles by Red Bee Media Ltd | 0:13:57 | 0:14:00 | |
E-mail [email protected] | 0:14:00 | 0:14:02 |