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Hoopla! | 0:00:02 | 0:00:03 | |
# Fire up the van and hit the open road | 0:00:03 | 0:00:05 | |
# We're putting on a show from a travelling abode | 0:00:05 | 0:00:09 | |
# Fabulous feats that are crazy and colourful | 0:00:09 | 0:00:11 | |
# Prepare to be amazed by the weird and the wonderful | 0:00:11 | 0:00:14 | |
# Hoopla | 0:00:14 | 0:00:16 | |
# Everybody shout Hoopla | 0:00:16 | 0:00:19 | |
# All together now Hoopla | 0:00:19 | 0:00:21 | |
# Everybody loves Hoopla | 0:00:21 | 0:00:25 | |
# There'll be magic mayhem mystery suspense | 0:00:25 | 0:00:29 | |
# Prizes surprises it's going to be immense | 0:00:29 | 0:00:31 | |
# From Matlock to Margate Pontefract to Perth | 0:00:31 | 0:00:35 | |
# It's simply going to be the greatest show on Earth | 0:00:35 | 0:00:37 | |
# Hoopla | 0:00:37 | 0:00:39 | |
# Everybody shout Hoopla | 0:00:39 | 0:00:42 | |
# All together now Hoopla | 0:00:42 | 0:00:45 | |
# Everybody loves Hoopla. # | 0:00:45 | 0:00:49 | |
WIND WHISTLES | 0:00:51 | 0:00:52 | |
TYRES SCREECH | 0:01:02 | 0:01:03 | |
-Hoopla! AUDIENCE: -Hoopla. | 0:01:08 | 0:01:12 | |
APPLAUSE | 0:01:12 | 0:01:16 | |
DRUM ROLL | 0:01:16 | 0:01:20 | |
XYLOPHONE MUSIC | 0:01:23 | 0:01:28 | |
SILENCE! | 0:01:40 | 0:01:42 | |
COUGHING | 0:01:42 | 0:01:43 | |
FANFARE AND APPLAUSE | 0:01:49 | 0:01:52 | |
Hoopla! | 0:01:52 | 0:01:54 | |
Hello, one and all, and welcome to the show! | 0:01:54 | 0:01:57 | |
-This week coming to you live from the town of... -Live-ish! | 0:01:57 | 0:02:02 | |
From the town of Badsisters! | 0:02:02 | 0:02:04 | |
CHEERS | 0:02:04 | 0:02:06 | |
Welcome to the fairground! | 0:02:06 | 0:02:08 | |
This week again, somebody's going to be leaving with the solid gold | 0:02:08 | 0:02:11 | |
Hoopla trophy, and it's made out of solid gold chewing gum wrappers! | 0:02:11 | 0:02:14 | |
-AUDIENCE: Ooh! -Oh! And crank it up, Rodney! | 0:02:14 | 0:02:18 | |
And we have got some of THE best acts on the planet | 0:02:18 | 0:02:22 | |
for your delectation and delight. | 0:02:22 | 0:02:23 | |
You're going to love Matt Pang... | 0:02:23 | 0:02:26 | |
It looks like I'm going to fall on you... I am. | 0:02:26 | 0:02:30 | |
We've also got Slightly Fat Features... | 0:02:30 | 0:02:33 | |
You're all looking at us like this... | 0:02:33 | 0:02:37 | |
And, ask your mum and dad about them, cos they're a great band, | 0:02:37 | 0:02:40 | |
they're still with us, it's the Brotherhood Of Man! | 0:02:40 | 0:02:44 | |
# Kisses for me | 0:02:44 | 0:02:45 | |
# Save all your kisses for me... # | 0:02:45 | 0:02:48 | |
But now, whatever you do, don't try and copy this next act. | 0:02:48 | 0:02:52 | |
It's time to release the Disco Clown! | 0:02:52 | 0:02:55 | |
APPLAUSE | 0:02:55 | 0:02:57 | |
MUSIC: "Le Freak" by Chic | 0:02:57 | 0:03:00 | |
# Freak out! | 0:03:00 | 0:03:02 | |
# Have you heard about the new dance craze? | 0:03:05 | 0:03:08 | |
# Listen to us, I'm sure you'll be amazed | 0:03:08 | 0:03:13 | |
# Big fun to be had by everyone | 0:03:13 | 0:03:16 | |
# Allow us, we'll show you the way | 0:03:16 | 0:03:21 | |
# Oh, freak out! # | 0:03:21 | 0:03:22 | |
MUSIC: "Don't Stop 'Til You Get Enough" by Michael Jackson | 0:03:22 | 0:03:25 | |
# Keep on with the force don't stop | 0:03:29 | 0:03:31 | |
# Don't stop 'til you get enough | 0:03:31 | 0:03:33 | |
# Keep on with the force don't stop | 0:03:33 | 0:03:35 | |
# Don't stop 'til you get enough | 0:03:35 | 0:03:37 | |
# Ooh! # | 0:03:43 | 0:03:45 | |
MUSIC: "Stayin' Alive" by Bee Gees | 0:03:45 | 0:03:47 | |
# Stayin' alive | 0:03:47 | 0:03:48 | |
# Stayin' alive | 0:03:48 | 0:03:50 | |
# Feel the city breakin' and everybody shakin' | 0:03:50 | 0:03:52 | |
# And we're stayin' alive, | 0:03:52 | 0:03:53 | |
# Stayin' alive | 0:03:53 | 0:03:54 | |
# Ah, ha, ha, ha, stayin' alive | 0:03:54 | 0:03:56 | |
# Stayin' alive | 0:03:57 | 0:03:59 | |
# Ah, ha, ha, ha... # | 0:03:59 | 0:04:01 | |
MUSIC: "Disco Inferno" by The Trammps | 0:04:01 | 0:04:03 | |
# Disco inferno | 0:04:03 | 0:04:05 | |
# Burn baby burn | 0:04:05 | 0:04:07 | |
# Burn that mama down | 0:04:07 | 0:04:09 | |
# Burn baby burn | 0:04:09 | 0:04:11 | |
# Disco inferno | 0:04:11 | 0:04:12 | |
# Burn baby burn... # | 0:04:12 | 0:04:14 | |
MUSIC: "Boogie Wonderland" by Earth, Wind and Fire | 0:04:14 | 0:04:16 | |
# Dance | 0:04:16 | 0:04:17 | |
# Boogie Wonderland | 0:04:18 | 0:04:22 | |
# Hey, hey | 0:04:22 | 0:04:23 | |
# Dance | 0:04:23 | 0:04:25 | |
# Boogie Wonderland. # | 0:04:27 | 0:04:31 | |
APPLAUSE | 0:04:31 | 0:04:34 | |
Here. Come on! Ten seconds to tell us what you thought about that. | 0:04:46 | 0:04:52 | |
That was amazing. | 0:04:52 | 0:04:53 | |
Ha ha. | 0:04:53 | 0:04:54 | |
That doesn't concern you! Don't look at that. | 0:04:54 | 0:04:56 | |
-DICK MAKES CHOKING NOISES -What else? | 0:04:56 | 0:05:01 | |
Fantastic. | 0:05:01 | 0:05:02 | |
Can someone tell me what's going on? | 0:05:02 | 0:05:04 | |
Now it's time for this. | 0:05:04 | 0:05:05 | |
The road to the Finaleval starts here. | 0:05:05 | 0:05:08 | |
It's time for our first game - the Hand of Cackamanga! | 0:05:08 | 0:05:13 | |
APPLAUSE | 0:05:13 | 0:05:14 | |
One of these fine people could be winning another golden Hoopla hoop, | 0:05:14 | 0:05:18 | |
as long as they keep away from the... | 0:05:18 | 0:05:20 | |
BOTH: Hand of Cackamangaaaaa! | 0:05:20 | 0:05:28 | |
Yes, all over my bulbous, | 0:05:29 | 0:05:32 | |
swollen red hand is Dick's Cackamanga juice. | 0:05:32 | 0:05:36 | |
Dick has been in the pantry for four hours, | 0:05:36 | 0:05:38 | |
squeezing the Cackamanga fruit to provide you, the viewer, | 0:05:38 | 0:05:42 | |
-with Cackamanga juice for this game. -Lovely. | 0:05:42 | 0:05:45 | |
If you get smeared with it, or marked by it, you're out, OK? Are you ready? | 0:05:45 | 0:05:50 | |
ALL: Leave us alone! | 0:05:50 | 0:05:53 | |
The last one standing wins. | 0:05:53 | 0:05:57 | |
BOTH: Cackamanga! | 0:05:57 | 0:06:00 | |
# Where's that splodgy hand going to land? | 0:06:00 | 0:06:04 | |
# We don't know Ca-Cackamanga | 0:06:04 | 0:06:07 | |
# Drive that dodgem till the sun goes down | 0:06:07 | 0:06:09 | |
# Drive it good or you'll get Cackamanga'ed | 0:06:09 | 0:06:12 | |
# They'll progress if they just accelerate | 0:06:12 | 0:06:15 | |
# Oh! You've been Cackamanga'ed | 0:06:15 | 0:06:18 | |
# Kapow, you're going to get a splat | 0:06:18 | 0:06:21 | |
# So deal with that, you're out | 0:06:21 | 0:06:23 | |
# Cackamanga | 0:06:23 | 0:06:24 | |
# Ca-Ca-Cackamanga-manga | 0:06:24 | 0:06:28 | |
# Racing along at four miles an hour | 0:06:30 | 0:06:33 | |
# Pulling G on this titan of power | 0:06:33 | 0:06:36 | |
# Come on, we've only got an hour | 0:06:36 | 0:06:39 | |
# You've been Ca-Cackamanga'ed | 0:06:39 | 0:06:41 | |
# Ca-Cackamanga | 0:06:41 | 0:06:45 | |
# Kapow, you've had a splat | 0:06:48 | 0:06:50 | |
# So deal with that, you're out | 0:06:50 | 0:06:53 | |
# Come on let's get Cackamanga'ed | 0:06:53 | 0:06:56 | |
# Yeah, Cack Yeah, Cack | 0:06:56 | 0:06:59 | |
# Yeeeah! | 0:06:59 | 0:07:01 | |
# Reload that goo, oh reload that goo | 0:07:03 | 0:07:06 | |
# Reload that goo | 0:07:06 | 0:07:08 | |
# Yeah, yeah, reload that goo | 0:07:08 | 0:07:10 | |
# There's the Cacker's yard | 0:07:12 | 0:07:14 | |
# Who's on their way? | 0:07:14 | 0:07:15 | |
# It's not very hard | 0:07:15 | 0:07:17 | |
# Oh my goodness, say au revoir | 0:07:17 | 0:07:20 | |
# He-haw he-haw, le main de Cackamanga | 0:07:20 | 0:07:23 | |
# Take a bow, it's all in the now | 0:07:25 | 0:07:28 | |
# Your life is ruined by Cackamanga | 0:07:28 | 0:07:31 | |
# Kerblat, kersplash, splish-splash | 0:07:31 | 0:07:34 | |
# Only two cars left | 0:07:36 | 0:07:38 | |
# Who's going to go? | 0:07:38 | 0:07:39 | |
# It's like they're trying to take it to Monaco | 0:07:39 | 0:07:41 | |
# We have a winn-e-e-e-er | 0:07:41 | 0:07:45 | |
# Cackamanga-a-a-a. # | 0:07:45 | 0:07:49 | |
The winner! | 0:07:49 | 0:07:52 | |
It's Jasmine! Yeah! | 0:07:57 | 0:08:00 | |
APPLAUSE | 0:08:00 | 0:08:03 | |
You're going through to the Finaleval | 0:08:03 | 0:08:05 | |
at the end of the show, to win prizes that money can't buy. | 0:08:05 | 0:08:08 | |
-Prizes. -Believe me, money can't buy them. Right! | 0:08:08 | 0:08:11 | |
There's your golden Hoopla hoop. Three, two, one, Hoopla! | 0:08:11 | 0:08:15 | |
HOOPLA JINGLE | 0:08:15 | 0:08:18 | |
Da da da daaa! | 0:08:32 | 0:08:34 | |
Ooh! | 0:08:35 | 0:08:36 | |
SQUELCH | 0:08:36 | 0:08:38 | |
Ha ha ha! You won anyway, don't worry. | 0:08:38 | 0:08:40 | |
And now for something truly... | 0:08:40 | 0:08:42 | |
-Amazing. -Do you want to taste it? -No. | 0:08:42 | 0:08:45 | |
Amamanamana... | 0:08:45 | 0:08:48 | |
Hey! | 0:08:49 | 0:08:50 | |
Amanama baba manamana ba. | 0:08:54 | 0:08:56 | |
Phwoar! There's something funny round here. | 0:08:58 | 0:09:01 | |
What is it? Oh, it's you. | 0:09:01 | 0:09:05 | |
Come on, sit down. | 0:09:05 | 0:09:06 | |
You're going to have the truth told about you, and put on record. | 0:09:06 | 0:09:10 | |
Please don't sit too close to me, I've just had me breakfast. | 0:09:10 | 0:09:13 | |
Thank you. | 0:09:13 | 0:09:14 | |
# Who put salt in the sugar bowl? | 0:09:14 | 0:09:17 | |
# Who put fireworks in the coal? | 0:09:17 | 0:09:19 | |
# Who put a real-life toad in the hole? | 0:09:19 | 0:09:22 | |
# My mother | 0:09:22 | 0:09:24 | |
# Who put jam in brother's shoe? | 0:09:24 | 0:09:27 | |
# Who made real caterpillar stew? | 0:09:27 | 0:09:30 | |
# Who locked Granddad in the loo? | 0:09:30 | 0:09:32 | |
# My mother | 0:09:32 | 0:09:35 | |
# My mother said it wasn't she | 0:09:35 | 0:09:37 | |
# Who put shampoo in Grandma's tea | 0:09:37 | 0:09:40 | |
# My mother said that it was me | 0:09:40 | 0:09:43 | |
# My mother's rotten | 0:09:43 | 0:09:45 | |
# Who squeezed toothpaste round the hall? | 0:09:45 | 0:09:48 | |
# Who put soot in the baby's ball? | 0:09:48 | 0:09:51 | |
# Who drew things on the garden wall? | 0:09:51 | 0:09:54 | |
# My mother | 0:09:54 | 0:09:56 | |
# Whose pet mouse made Grandma shriek? | 0:09:56 | 0:09:59 | |
# Who ate glue and couldn't speak? | 0:09:59 | 0:10:01 | |
# What clever-dick was sick for a week? | 0:10:01 | 0:10:04 | |
# My mother | 0:10:04 | 0:10:07 | |
# Who keeps maggots in a tin? | 0:10:07 | 0:10:09 | |
# Plays the Twist on a violin? | 0:10:09 | 0:10:12 | |
# Who's been getting at the gin? | 0:10:12 | 0:10:15 | |
# My mother | 0:10:15 | 0:10:17 | |
# She looks just like a chimney sweep | 0:10:17 | 0:10:20 | |
# Though dirt, they say, is just skin-deep | 0:10:20 | 0:10:24 | |
# I know she's good when she's asleep... # | 0:10:24 | 0:10:30 | |
But you don't know what she's dreaming about, do you? | 0:10:30 | 0:10:33 | |
# My lovely, lovely mother. # | 0:10:33 | 0:10:36 | |
Come on, let's get you out of here before you fall down | 0:10:36 | 0:10:39 | |
the hole in the middle. | 0:10:39 | 0:10:40 | |
Come on, take me hand, we're going for a walk. | 0:10:40 | 0:10:43 | |
'Ere, what've you had in your hand? | 0:10:43 | 0:10:45 | |
'Ave you? Phwoar. | 0:10:48 | 0:10:50 | |
APPLAUSE | 0:10:52 | 0:10:54 | |
If you think that's bad, | 0:10:59 | 0:11:00 | |
you should see what she did in the burger van. | 0:11:00 | 0:11:03 | |
Ooh. Now, ladies and gentlemen, it's time for this. | 0:11:03 | 0:11:07 | |
It's Hoopla game number two. | 0:11:07 | 0:11:09 | |
The Finaleval winner awaits the brave winner of... | 0:11:09 | 0:11:12 | |
The Impossible Assault Course of Doom! | 0:11:12 | 0:11:15 | |
APPLAUSE | 0:11:15 | 0:11:19 | |
Yeah. Yeah! | 0:11:19 | 0:11:22 | |
Your chance to win another golden Hoopla hoop | 0:11:22 | 0:11:24 | |
and get your place in the Finaleval at the end of the show. | 0:11:24 | 0:11:27 | |
And here we are, look at this, this Assault Course of Doom, | 0:11:27 | 0:11:30 | |
it's all there, and it is the most difficult assault course | 0:11:30 | 0:11:33 | |
in the entire world. | 0:11:33 | 0:11:34 | |
-So these are my players. Who are you? -Molly. -Who are you? -Michael. | 0:11:34 | 0:11:38 | |
Hello, Molly and Michael. Welcome. This is Sergeant Tony Jamaica. | 0:11:38 | 0:11:43 | |
And I'm going to go down the course with him now, | 0:11:43 | 0:11:45 | |
so you can see what you're going to be doing. | 0:11:45 | 0:11:47 | |
-Pay attention. -Mind the step! | 0:11:47 | 0:11:48 | |
And then you've got to get round these jammy rods. | 0:11:48 | 0:11:50 | |
Then you've got to do the buzzy wire, don't touch, | 0:11:50 | 0:11:53 | |
cos if you do you get a 30-second time penalty. | 0:11:53 | 0:11:55 | |
The candle's burning the rope, it could chop your head off. | 0:11:55 | 0:11:58 | |
Get under the taps - don't touch the taps, cos you'll get wet. | 0:11:58 | 0:12:01 | |
Mind the punchbag, get round it, through the Cackamanga juice, | 0:12:01 | 0:12:03 | |
and that is the end. Lovely. | 0:12:03 | 0:12:05 | |
Well, it's going to be even more difficult, | 0:12:05 | 0:12:07 | |
cos we're going to blindfold you as well. | 0:12:07 | 0:12:09 | |
The person that's the fastest will be the winner. | 0:12:09 | 0:12:12 | |
-How many fingers am I holding up? -She can't see nothing. | 0:12:12 | 0:12:14 | |
-OK. -Completely blindfolded. -Right then. | 0:12:14 | 0:12:16 | |
And now, just to disorientate you, | 0:12:16 | 0:12:18 | |
we're going to spin you round a little bit. | 0:12:18 | 0:12:20 | |
And the audience are going to delight to Sergeant Jamaica dancing. | 0:12:20 | 0:12:24 | |
MUSIC: "Jingle Bells" ON ELECTRIC GUITAR | 0:12:24 | 0:12:31 | |
Oh, lovely. Very nice. | 0:12:40 | 0:12:42 | |
Don't worry, Molly, don't worry, Michael, you didn't miss much. | 0:12:45 | 0:12:48 | |
OK, so come over here, Molly. | 0:12:48 | 0:12:49 | |
So, go over the - oops! There's the step. | 0:12:49 | 0:12:51 | |
-Come over the step. OK, now... -Remember, looking for good effort. | 0:12:51 | 0:12:55 | |
OK? Good effort. | 0:12:55 | 0:12:56 | |
-All right. So, what was the first thing? Do you remember? -Um... | 0:12:56 | 0:13:00 | |
-You have to go and weave... -The jammy rods. OK, that's a good start. | 0:13:00 | 0:13:03 | |
-Your time starts now. -Right, OK. | 0:13:03 | 0:13:06 | |
Come on, let's see you work your way through! | 0:13:06 | 0:13:08 | |
Come on, get on with it, show some motivation! | 0:13:08 | 0:13:11 | |
Get through! Work your way round! | 0:13:11 | 0:13:13 | |
Get on with it, what are you doing? | 0:13:13 | 0:13:16 | |
If you don't want to do it you should've joined the RAF. | 0:13:16 | 0:13:19 | |
Come on, get here. Hold the rod, hold the rod. | 0:13:19 | 0:13:22 | |
Remember, try not to touch the iron bar, | 0:13:22 | 0:13:24 | |
otherwise you'll get an electrocuted penalty point. | 0:13:24 | 0:13:27 | |
30-second penalty point if you touch it. You've touched it! | 0:13:27 | 0:13:29 | |
What are you doing?! Is there something wrong with you? | 0:13:29 | 0:13:34 | |
-All right, go on, move. On the floor. -Guillotine. -Get on! | 0:13:34 | 0:13:38 | |
Get your knees up! | 0:13:38 | 0:13:40 | |
-Oh! -All right, keep moving. | 0:13:40 | 0:13:43 | |
Get up. | 0:13:43 | 0:13:44 | |
Now remember, what's next is all the pipes, and the shower, OK? | 0:13:44 | 0:13:47 | |
So don't touch the taps. | 0:13:47 | 0:13:48 | |
Right, on the floor. Going to crawl it. On the floor, get down. | 0:13:48 | 0:13:52 | |
-Go. -Get your head down. | 0:13:52 | 0:13:53 | |
Keep moving. No, don't touch the taps! | 0:13:53 | 0:13:56 | |
What is wrong with you? | 0:13:56 | 0:13:59 | |
-You horrible little girl, lie down! -OK, watch out for the punchbag. | 0:13:59 | 0:14:02 | |
-Punchbag. Watch out. Quick. -Keep going! | 0:14:02 | 0:14:07 | |
-Oh! -Right. -Over the Cackamanga juice. -The Cackamanga juice! -Ready? | 0:14:07 | 0:14:11 | |
Stop the clock! | 0:14:11 | 0:14:12 | |
GONG | 0:14:12 | 0:14:13 | |
APPLAUSE | 0:14:13 | 0:14:15 | |
She did really well, she did really well! | 0:14:16 | 0:14:19 | |
Well, she was quite slow, Michael. It was 1 minute 36 seconds. | 0:14:19 | 0:14:23 | |
So come with me. Mind the step, mind the step! Get your leg over the step. | 0:14:23 | 0:14:26 | |
Onto the assault course, right, there you go. | 0:14:26 | 0:14:29 | |
OK, Michael, looking for good strong effort, OK? | 0:14:29 | 0:14:32 | |
-Get motivated, let me see your war-face! -Yeah! | 0:14:32 | 0:14:36 | |
That's it, come on, right! | 0:14:36 | 0:14:37 | |
Remember, you're right in front of the jammy rods. | 0:14:37 | 0:14:39 | |
-Your time starts now, go! -Right, go. | 0:14:39 | 0:14:41 | |
Get on with it, come on, get yourself through, good. | 0:14:41 | 0:14:43 | |
That is moving, keep moving! | 0:14:43 | 0:14:46 | |
-Right. -Let me give you... There's your rod! | 0:14:46 | 0:14:48 | |
There's the rod, but don't touch the... | 0:14:48 | 0:14:50 | |
BUZZ | 0:14:50 | 0:14:52 | |
Aah, you touched it! 30-second penalty. Right, under the... | 0:14:52 | 0:14:54 | |
Keep going, this is good! No, what are you doing? | 0:14:54 | 0:14:58 | |
You got the guillotine. | 0:14:58 | 0:15:00 | |
-Get on the floor. -Right. -Get on the floor now! -Get under the taps. | 0:15:00 | 0:15:04 | |
-Not that way! -Get under... -You stupid man. Not that way! -This way! | 0:15:04 | 0:15:08 | |
-That way! -Right, under the taps. -Keep moving. | 0:15:08 | 0:15:11 | |
-Get right under, down more, down more! -Mind the taps. | 0:15:11 | 0:15:15 | |
-Oh, the taps. Oh! -Come on! -The punchbag, come on! | 0:15:15 | 0:15:21 | |
-Come back here! Get up on your feet! -Round the punchbag. | 0:15:21 | 0:15:26 | |
-Come round the punchbag. -Round the punchbag! | 0:15:26 | 0:15:29 | |
Ha ha ha ha! | 0:15:29 | 0:15:32 | |
-Stop! -Ah, you've done it! | 0:15:32 | 0:15:33 | |
GONG | 0:15:33 | 0:15:34 | |
APPLAUSE | 0:15:34 | 0:15:36 | |
-OK. -I think you two deserve to see the assault course, | 0:15:39 | 0:15:41 | |
so lift off the blindfolds, have a look at your assault course. | 0:15:41 | 0:15:44 | |
That is what you have just done. | 0:15:44 | 0:15:47 | |
Lovely. | 0:15:47 | 0:15:48 | |
It was a joke! It was a joke! Did you like the joke? | 0:15:48 | 0:15:51 | |
Right, the joke took ages. | 0:15:51 | 0:15:53 | |
But actually, what we REALLY want you to do is take your shoe off | 0:15:53 | 0:15:55 | |
and put it on your head, first one to do it is the winner. Go! | 0:15:55 | 0:15:58 | |
-Go. -Come on, get your shoe on your head! What are you doing? | 0:15:58 | 0:16:02 | |
Put it on your head, you idiot! Keep going! Get it on your head! | 0:16:02 | 0:16:05 | |
-Hooray, Michael! -He still wins anyway. | 0:16:05 | 0:16:08 | |
-Oh, fantastic. -Lovely. Marvellous. | 0:16:08 | 0:16:09 | |
So there we go, here's your golden Hoopla. | 0:16:09 | 0:16:12 | |
You won the pointless competition. Put that on. | 0:16:12 | 0:16:14 | |
Ladies and gentlemen, Michael will... | 0:16:14 | 0:16:17 | |
-Hoopla! -HOOPLA JINGLE | 0:16:17 | 0:16:19 | |
Get it moving round your hips! You stupid little man. | 0:16:19 | 0:16:22 | |
If you cannot put in the effort you should've joined the RAF, | 0:16:22 | 0:16:24 | |
you idiot! | 0:16:24 | 0:16:26 | |
What is wrong with you? | 0:16:26 | 0:16:28 | |
I will give you a year in pokey if you don't get this done! Pick it up! | 0:16:28 | 0:16:33 | |
Pick it up, you idiot! What is wrong? Do it better! | 0:16:33 | 0:16:37 | |
Get it round you. | 0:16:37 | 0:16:39 | |
-Yeah, there we are. -Take him away. -Take him away. See you later. | 0:16:39 | 0:16:44 | |
-End of the show. -Bye-bye. Off you go. | 0:16:44 | 0:16:47 | |
And now, I know you're particularly excited about this, aren't you? | 0:16:47 | 0:16:50 | |
Ladies and gentlemen, it's Grunway Thom. | 0:16:50 | 0:16:52 | |
APPLAUSE | 0:16:52 | 0:16:55 | |
Hello, my name is Grunway Thom. | 0:16:58 | 0:17:01 | |
My fist name is Grunway, | 0:17:01 | 0:17:03 | |
it's like an airport runway with a G at the front, like G-runway. | 0:17:03 | 0:17:07 | |
And today we're going to show you a classic of street magic. | 0:17:07 | 0:17:11 | |
It's called Find the Lady. | 0:17:11 | 0:17:14 | |
AUDIENCE: Ooh! | 0:17:14 | 0:17:15 | |
It's very simple. Over here, on my right, | 0:17:15 | 0:17:19 | |
I have nothing. | 0:17:19 | 0:17:20 | |
Over here, on my left, nothing. | 0:17:20 | 0:17:22 | |
However, in the middle, I have... | 0:17:22 | 0:17:25 | |
A lady. There she is. | 0:17:25 | 0:17:27 | |
-AUDIENCE: Ooh! -Now, these buckets can move around. | 0:17:27 | 0:17:30 | |
And by moving them around like that, | 0:17:30 | 0:17:32 | |
you'll leave the lady where she was a moment ago, in the middle. | 0:17:32 | 0:17:36 | |
Now, you're asking yourself... | 0:17:36 | 0:17:38 | |
What would've happened if I left the lady over here on my right? Simple. | 0:17:38 | 0:17:41 | |
That's where she would've been. | 0:17:41 | 0:17:43 | |
Or she could've been in the middle, which is where she was a moment ago. | 0:17:43 | 0:17:46 | |
Or she can be over here on my left hand side, | 0:17:46 | 0:17:49 | |
which is where she is now. | 0:17:49 | 0:17:51 | |
But let's not complicate things, | 0:17:51 | 0:17:52 | |
let's leave her where she started, in the middle. | 0:17:52 | 0:17:55 | |
Thank you. | 0:17:55 | 0:17:56 | |
Good. I've...ha! You're all looking at us like this... | 0:17:56 | 0:18:00 | |
LAUGHTER | 0:18:00 | 0:18:02 | |
Um, sir, over here, man over here, man looking scared. Hello, sir. | 0:18:02 | 0:18:05 | |
-What's your name, sir? -Andy. -Andy. | 0:18:05 | 0:18:07 | |
Andy, have you ever played Find the Lady before? | 0:18:07 | 0:18:09 | |
-Not that I can think of. -Not that you can think of. OK, Andy. | 0:18:09 | 0:18:12 | |
-We're going to play now, OK? -OK. | 0:18:12 | 0:18:14 | |
Andy, at the moment, where is the lady? | 0:18:14 | 0:18:16 | |
-In the middle. -In the middle, there she is. | 0:18:16 | 0:18:18 | |
Now, Andy, we're going to move the lady around, nice and slowly, | 0:18:18 | 0:18:21 | |
first time, OK? | 0:18:21 | 0:18:22 | |
OK, nice and slow. | 0:18:22 | 0:18:23 | |
-Andy, where is the lady? -On the right. -On the right. My right? -Yeah. | 0:18:26 | 0:18:31 | |
My right, here. Give Andy a round of applause, he's found the lady! | 0:18:31 | 0:18:34 | |
APPLAUSE | 0:18:34 | 0:18:35 | |
Well done, Andy. OK, Andy, | 0:18:35 | 0:18:37 | |
we're going to go a little bit faster, OK, | 0:18:37 | 0:18:39 | |
a little bit faster for you, Andy. | 0:18:39 | 0:18:40 | |
-Andy, where's the lady now? -On your left. -On the left. On my left? | 0:18:41 | 0:18:46 | |
Sorry, that's a man. We're not playing Find the Man. | 0:18:46 | 0:18:49 | |
We're playing Find the Lady. | 0:18:49 | 0:18:51 | |
The lady is still over here | 0:18:51 | 0:18:52 | |
on my right, OK, Andy? | 0:18:52 | 0:18:54 | |
-So, where's the lady, Andy? -On your right. | 0:18:54 | 0:18:56 | |
On my right, well done, there she is. | 0:18:56 | 0:18:58 | |
And over here on my left? | 0:18:58 | 0:18:59 | |
-Was a man. -A man? There he is. OK. | 0:18:59 | 0:19:01 | |
LAUGHTER | 0:19:01 | 0:19:03 | |
-In the middle? -Nothing. | 0:19:03 | 0:19:05 | |
No, we've got both, lady and a boy. | 0:19:05 | 0:19:06 | |
OK, brilliant. | 0:19:06 | 0:19:08 | |
Now, we'll go one more time, this is the last one, Andy. | 0:19:08 | 0:19:10 | |
This is the final one. Andy... | 0:19:10 | 0:19:12 | |
Where is the lady? | 0:19:12 | 0:19:14 | |
-In the middle. -Ha ha, in the middle? | 0:19:14 | 0:19:17 | |
Let's have a look. | 0:19:17 | 0:19:18 | |
Give Andy a round of applause, he's found the lady! | 0:19:18 | 0:19:21 | |
APPLAUSE | 0:19:21 | 0:19:23 | |
But we... | 0:19:24 | 0:19:25 | |
We are Slightly Fat Features, and this is Dick and Dom's Hoopla, | 0:19:25 | 0:19:30 | |
so we've got a lady over here... | 0:19:30 | 0:19:32 | |
And we've got a lady over there. | 0:19:32 | 0:19:35 | |
And that is Slightly Fat Features' Find the Lady! | 0:19:35 | 0:19:40 | |
APPLAUSE | 0:19:40 | 0:19:43 | |
Oh. Right. | 0:19:44 | 0:19:46 | |
Er, right, OK, young man. | 0:19:46 | 0:19:47 | |
You have ten seconds to review the act you have just seen, | 0:19:47 | 0:19:51 | |
but you must sing it, all right? | 0:19:51 | 0:19:52 | |
-Sing your review. -Here we go. | 0:19:52 | 0:19:54 | |
Um... | 0:19:54 | 0:19:56 | |
-# Da doo be doo... -Doo be doo... | 0:19:56 | 0:19:58 | |
# Ba doobie doo-doo | 0:20:00 | 0:20:01 | |
# Da-doobie-doo-doo. # | 0:20:03 | 0:20:05 | |
I think you'd all agree that was very moving. | 0:20:05 | 0:20:08 | |
Now, let's see what else is on today's show. | 0:20:08 | 0:20:10 | |
Yes, plenty more tip-top Big Top Top Hat entertainment to come from | 0:20:10 | 0:20:15 | |
Brotherhood Of Man and Matt Pang! | 0:20:15 | 0:20:18 | |
Plus, loads more Hoopla-style games, | 0:20:18 | 0:20:20 | |
leading to that all important Finaleval, | 0:20:20 | 0:20:22 | |
where one lucky winner will receive a prize money cannot buy. | 0:20:22 | 0:20:26 | |
But first... | 0:20:26 | 0:20:28 | |
# We were very happy | 0:20:29 | 0:20:31 | |
# Well, at least I thought we were | 0:20:32 | 0:20:34 | |
# Can somebody tell me | 0:20:35 | 0:20:38 | |
# What got into her | 0:20:38 | 0:20:41 | |
# We had a house, a home and a family | 0:20:41 | 0:20:44 | |
# And a man that loved her so | 0:20:45 | 0:20:47 | |
# Who'd believe she'd leave us to join a HOOPLA show? | 0:20:49 | 0:20:54 | |
# Say has anybody seen my Sweet Gypsy Rose? | 0:20:57 | 0:21:02 | |
# Here's her picture when she was my Sweet Mary Jo | 0:21:02 | 0:21:08 | |
# Now she's got rings on her fingers | 0:21:08 | 0:21:10 | |
# And bells on her toes | 0:21:10 | 0:21:12 | |
# Say has anybody seen my Sweet Gypsy Rose? # | 0:21:12 | 0:21:18 | |
Here I am! | 0:21:18 | 0:21:21 | |
Do you like that? | 0:21:21 | 0:21:22 | |
Hiya! All right, everyone? I'm Gypsy Rose Dick. | 0:21:22 | 0:21:27 | |
Some people like to call me GYPsy Rose Dick. | 0:21:27 | 0:21:30 | |
But today I'm feeling all right. Mike Pooh, however... | 0:21:30 | 0:21:35 | |
SPLOSH | 0:21:35 | 0:21:37 | |
He's not so good. | 0:21:37 | 0:21:38 | |
The lunch here at the fairground is not the best. | 0:21:38 | 0:21:41 | |
These are my Cards of Fate. | 0:21:41 | 0:21:43 | |
Someone at the end of this, their fortune will be told. | 0:21:43 | 0:21:45 | |
This is a golden Hoopla hoop | 0:21:47 | 0:21:48 | |
and one of those people are going to be winning it. | 0:21:48 | 0:21:52 | |
-AUDIENCE: -Woo. | 0:21:52 | 0:21:53 | |
-Show the hoop some respect! AUDIENCE: -Sorry. | 0:21:53 | 0:21:56 | |
It's all right. | 0:21:56 | 0:21:58 | |
Kiss the hoop! | 0:21:58 | 0:22:00 | |
That's better. Right, let's meet the victims, I mean, the contestants. | 0:22:00 | 0:22:05 | |
Come on up, you two. Give them a round-of-applause. | 0:22:05 | 0:22:08 | |
It's like bare bottoms hitting a marble staircase. | 0:22:08 | 0:22:12 | |
Ollie and Sophie. All right? Good. Sophie, you're going to go first. | 0:22:12 | 0:22:16 | |
But first let me do my rhyme. | 0:22:16 | 0:22:18 | |
Cards, cards, don't be a fluke, if you do, might puke, poo or puke. | 0:22:19 | 0:22:23 | |
SPLOSH | 0:22:23 | 0:22:25 | |
-Got anything nice? -Pate de foie gras. -Lovely. Sophie, pick your card. | 0:22:25 | 0:22:31 | |
It's cold baked beans first, Ollie. | 0:22:31 | 0:22:35 | |
Here they are. Get your spoon and your ten seconds start now. | 0:22:35 | 0:22:41 | |
Lovely. One... | 0:22:43 | 0:22:44 | |
two there, duck. You all right, Mike? | 0:22:44 | 0:22:47 | |
It's not a nice sight, is it? | 0:22:47 | 0:22:49 | |
-Oh... -STOP IT! | 0:22:49 | 0:22:52 | |
Did he get three? I thing he did. But is he going to swallow it? | 0:22:52 | 0:22:55 | |
Go on, Ollie. Get it down you. It's only cold baked beans, son. Come on! | 0:22:57 | 0:23:01 | |
It's not that's bad! | 0:23:01 | 0:23:05 | |
Get it down you! | 0:23:05 | 0:23:07 | |
Is it gone? | 0:23:07 | 0:23:08 | |
Yes! | 0:23:08 | 0:23:09 | |
Right, that means that you get three of them in your lush pint. | 0:23:09 | 0:23:13 | |
Pretty, isn't it? | 0:23:14 | 0:23:17 | |
Right then, Ollie, your turn to pick. Let me do me rhyme. | 0:23:17 | 0:23:20 | |
Cards, cards, don't be a fluke. If you do, I might poo or puke. | 0:23:20 | 0:23:24 | |
RUMBLING | 0:23:24 | 0:23:25 | |
All right? Ollie, pick your card. | 0:23:25 | 0:23:28 | |
Show everyone at home what you've got. | 0:23:28 | 0:23:30 | |
Pickle! | 0:23:30 | 0:23:32 | |
I know how much you like pickles, Sophie. There you are. | 0:23:32 | 0:23:35 | |
There's your spoon. Ten seconds start now. | 0:23:35 | 0:23:39 | |
Sweet, tangy... | 0:23:40 | 0:23:44 | |
That's three. | 0:23:44 | 0:23:45 | |
Can she swallow the three? | 0:23:45 | 0:23:47 | |
-Your time is up. -STOP IT! | 0:23:47 | 0:23:50 | |
Can you swallow it, love? | 0:23:50 | 0:23:53 | |
It's not that bad. | 0:23:53 | 0:23:54 | |
It's better with cheese. Get it down there. | 0:23:54 | 0:23:58 | |
Is it gone? | 0:23:58 | 0:23:59 | |
It's all them blocks, isn't it? There you are, three of them. | 0:24:00 | 0:24:03 | |
One, two, three - mixes nicely with water that. Lovely. | 0:24:04 | 0:24:07 | |
Have you swallowed it yet? | 0:24:08 | 0:24:10 | |
We haven't got all day. | 0:24:12 | 0:24:13 | |
We've got all this to eat yet. | 0:24:13 | 0:24:15 | |
Right, Sophie, you can pick a card. | 0:24:15 | 0:24:17 | |
Cards, cards, please don't fluke... Wait! | 0:24:17 | 0:24:20 | |
If you do fluke, Mike Pooh will puke. | 0:24:21 | 0:24:24 | |
SPLOSH | 0:24:24 | 0:24:26 | |
-Anything nice, Mike? -Duck a l'orange. -Lovely. Pick a card, Sophie. | 0:24:26 | 0:24:30 | |
Show what you've got. WET CHIPS! Ah, wet chips. | 0:24:31 | 0:24:36 | |
They've been soaking in me special juice all night. | 0:24:36 | 0:24:39 | |
Ten seconds start now. | 0:24:39 | 0:24:40 | |
All wet and soggy. One mouthful. | 0:24:40 | 0:24:43 | |
That's two. | 0:24:43 | 0:24:45 | |
That's three. | 0:24:45 | 0:24:46 | |
-Four. Can you do five? -STOP IT! | 0:24:46 | 0:24:52 | |
Can you swallow them, love? | 0:24:52 | 0:24:53 | |
I don't think we've got five spoonfuls left, he enjoyed them | 0:24:54 | 0:24:57 | |
so much. I'll just chuck the lot in. | 0:24:57 | 0:24:59 | |
There you are. | 0:24:59 | 0:25:01 | |
Have the lot, Sophie. Back to the cards. | 0:25:01 | 0:25:02 | |
Cards, cards, please don't puke. If you do I Mike Pooh will puke. | 0:25:02 | 0:25:07 | |
RUMBLING The cards have puked. | 0:25:07 | 0:25:10 | |
Mike Pooh's all right. Ollie, pick a card. | 0:25:10 | 0:25:13 | |
What you got? | 0:25:13 | 0:25:15 | |
Show it to everyone. Yeast extract! | 0:25:16 | 0:25:18 | |
Have you ever eaten yeast extract before? I'm sure you'll love it. | 0:25:18 | 0:25:23 | |
That's it. Yeast paste. It's Dirty Norris. | 0:25:23 | 0:25:27 | |
We haven't seen that for a while. | 0:25:27 | 0:25:29 | |
Get it down the neck. Ten seconds start now. | 0:25:29 | 0:25:31 | |
One... | 0:25:32 | 0:25:33 | |
two... | 0:25:33 | 0:25:35 | |
three. She likes yeast extract. | 0:25:35 | 0:25:39 | |
-Four... -STOP IT! | 0:25:39 | 0:25:42 | |
Can you swallow that? | 0:25:42 | 0:25:43 | |
Get that Dirty Norris down your neck. | 0:25:45 | 0:25:47 | |
Is it going to go in? She's done it. | 0:25:47 | 0:25:49 | |
-How many was it, though? How many, Mike? Three or four? -Three. | 0:25:49 | 0:25:54 | |
You can have four. | 0:25:54 | 0:25:56 | |
Have a wet chip in as well - that will make it taste better. | 0:25:56 | 0:25:59 | |
Sophie, you can pick now. Cards, cards, please don't puke. | 0:25:59 | 0:26:02 | |
If you do Mike Pooh will puke. You're all puking. | 0:26:02 | 0:26:05 | |
SPLOSH | 0:26:05 | 0:26:08 | |
-Pick a card. -Raspberry Pavlova. | 0:26:08 | 0:26:10 | |
What you picked, then, Sophie? | 0:26:10 | 0:26:11 | |
Rice pudding! Not too bad. Where's the rice pudding? | 0:26:13 | 0:26:15 | |
This is going to be easy. | 0:26:15 | 0:26:17 | |
Ten seconds start now. | 0:26:17 | 0:26:19 | |
I like cold rice pudding. | 0:26:20 | 0:26:21 | |
It's actually quite nice. | 0:26:21 | 0:26:23 | |
Three...oh. | 0:26:24 | 0:26:27 | |
He's not happy about it, is he? | 0:26:27 | 0:26:29 | |
STOP IT! | 0:26:29 | 0:26:30 | |
Can he get the four down his neck? | 0:26:32 | 0:26:34 | |
Come on, lad! | 0:26:35 | 0:26:36 | |
Come on, encourage him. | 0:26:36 | 0:26:39 | |
-AUDIENCE: -Come on! | 0:26:39 | 0:26:40 | |
It's not easy. Nice one. One, two, three, four. | 0:26:40 | 0:26:44 | |
What do you think about that, Sophie? Do you like that? | 0:26:44 | 0:26:49 | |
Card, cards, please don't fluke. If you do, Mike Pooh might puke. | 0:26:49 | 0:26:53 | |
No, he's all right. | 0:26:53 | 0:26:55 | |
Go on, Ollie. | 0:26:55 | 0:26:57 | |
What you got? | 0:26:57 | 0:26:58 | |
Squirty cream. | 0:26:58 | 0:26:59 | |
I hope it's not been in here too long. | 0:27:01 | 0:27:03 | |
Oh, actually. I think we had tuna in there yesterday. | 0:27:05 | 0:27:08 | |
Ten seconds start now. | 0:27:08 | 0:27:10 | |
One, two... | 0:27:11 | 0:27:14 | |
-AUDIENCE: -Go on, Sophie! | 0:27:14 | 0:27:15 | |
Four... | 0:27:15 | 0:27:19 | |
-five... -STOP IT! | 0:27:19 | 0:27:21 | |
Six! | 0:27:21 | 0:27:22 | |
Sophie, there is nothing left in there! | 0:27:22 | 0:27:25 | |
No, I'm not going to make you do that. You know what I was thinking. | 0:27:25 | 0:27:28 | |
We're not going to put it out your mouth. We'll try and get as much as | 0:27:28 | 0:27:31 | |
-we can in there. That's a nice topping. -Yeah. | 0:27:31 | 0:27:33 | |
We're going to remind you what you've got in your pint, before we start. | 0:27:33 | 0:27:37 | |
Sophie, in your pint, you've beans, wet chips and rice pudding. | 0:27:39 | 0:27:43 | |
Isn't that nice? Lovely. | 0:27:43 | 0:27:44 | |
Ollie, in yours you got pickle, yeast extract and squirty cream. | 0:27:44 | 0:27:49 | |
I don't know whose sounds better. | 0:27:49 | 0:27:50 | |
So let me get me...actually, would you like to do the honours, Mike? | 0:27:50 | 0:27:55 | |
-Oh, all right. -Whisk them up. I'll hold the pints. | 0:27:55 | 0:27:58 | |
I'll hold them tight and you whisk them. Off you go. | 0:27:58 | 0:28:00 | |
Top speed, that's it, Mike. | 0:28:00 | 0:28:02 | |
Here we go. | 0:28:02 | 0:28:04 | |
BUZZING | 0:28:04 | 0:28:06 | |
Don't spill it, Mike. | 0:28:06 | 0:28:07 | |
That'll do. Stop. | 0:28:09 | 0:28:10 | |
That's not very fair. | 0:28:11 | 0:28:13 | |
She's got... So we'll put a bit of that in there, | 0:28:13 | 0:28:15 | |
so they've both got... There you go. | 0:28:15 | 0:28:18 | |
Half/half each. | 0:28:18 | 0:28:19 | |
The first one to down it | 0:28:19 | 0:28:21 | |
and stick the empty glass on their head will be the winner. Go! | 0:28:21 | 0:28:25 | |
She's holding her nose. Oh! Look at...oh! | 0:28:25 | 0:28:30 | |
Ollie's not happy. | 0:28:30 | 0:28:31 | |
Oh, we've got a winner! | 0:28:34 | 0:28:36 | |
Look - he's still got wet chips in it. | 0:28:38 | 0:28:41 | |
He's still got wet chips in it. So has Sophie! | 0:28:41 | 0:28:45 | |
It's badly mixed, Mike. | 0:28:45 | 0:28:47 | |
First one to put their shoe on their head will be the winner. Go! | 0:28:47 | 0:28:51 | |
Still Ollie! | 0:28:52 | 0:28:53 | |
You've got it, Ollie. Thank you very much, Sophie. You were great. | 0:28:53 | 0:28:57 | |
That means that you, Ollie, are going to join us later... | 0:28:59 | 0:29:02 | |
Don't worry about your shoe. | 0:29:02 | 0:29:04 | |
We haven't got time for that. | 0:29:04 | 0:29:05 | |
In the corner here. | 0:29:05 | 0:29:07 | |
You're coming to the Finaleval later... Where you going?! | 0:29:07 | 0:29:09 | |
Get back here! | 0:29:09 | 0:29:11 | |
You haven't done your duties yet. | 0:29:11 | 0:29:13 | |
20 seconds to Hoopla. | 0:29:13 | 0:29:14 | |
You all right, Mike? | 0:29:16 | 0:29:17 | |
LAUGHTER Looking a bit green, aren't you? | 0:29:18 | 0:29:22 | |
A bit green today, love. | 0:29:24 | 0:29:27 | |
That were lovely. See you in the Finaleval. | 0:29:35 | 0:29:38 | |
The Clown Kid's going to take you off. Off you go. You can go now. | 0:29:38 | 0:29:40 | |
Yes you can. | 0:29:40 | 0:29:42 | |
-You'll never guess who's out there. -Who? -Providing us with music. -Who? | 0:29:43 | 0:29:47 | |
It's... | 0:29:47 | 0:29:49 | |
-..Brotherhood Of Man! -SPLOSH | 0:29:50 | 0:29:54 | |
MUSIC: "Save Your Kisses" by Brotherhood of Man | 0:29:54 | 0:29:57 | |
# Though it hurts to go away It's impossible to stay | 0:29:59 | 0:30:04 | |
# But there's one thing I must say before I go | 0:30:04 | 0:30:08 | |
-# I love you -I love you | 0:30:09 | 0:30:12 | |
# You know | 0:30:12 | 0:30:13 | |
# I'll be thinking of you in most everything I do | 0:30:14 | 0:30:19 | |
# Now the time is moving on And I really should be gone | 0:30:19 | 0:30:24 | |
# But you keep me hanging on for one more smile | 0:30:24 | 0:30:28 | |
-# I love you -I love you | 0:30:30 | 0:30:32 | |
# All the while | 0:30:32 | 0:30:35 | |
# With your cute little wave will you promise that you'll save | 0:30:35 | 0:30:40 | |
# Your kisses for me Save all your kisses for me | 0:30:40 | 0:30:46 | |
# Bye-bye baby Bye-bye | 0:30:46 | 0:30:50 | |
# Don't cry honey Don't cry | 0:30:52 | 0:30:56 | |
# Going to walk out the door But I'll soon be back for more | 0:30:56 | 0:31:02 | |
# Kisses for me Save all your kisses for me | 0:31:02 | 0:31:06 | |
# So long honey So long | 0:31:07 | 0:31:11 | |
# Hang on baby Hang on | 0:31:12 | 0:31:17 | |
# Don't you dare me to stay cos you know I'll have to say | 0:31:17 | 0:31:22 | |
# That I've got to work each day And that's why I go away | 0:31:22 | 0:31:27 | |
# But I count the seconds till I'm home with you | 0:31:27 | 0:31:31 | |
-# I love you -I love you | 0:31:32 | 0:31:35 | |
# It's true | 0:31:35 | 0:31:37 | |
# You're so cute honey, gee won't you save them up for me | 0:31:37 | 0:31:43 | |
# Your kisses for me Save all your kisses for me | 0:31:43 | 0:31:50 | |
# Bye-bye baby Bye-bye | 0:31:50 | 0:31:53 | |
# Don't cry honey Don't cry | 0:31:55 | 0:31:59 | |
# Going to walk out the door but I'll soon be back for more | 0:31:59 | 0:32:05 | |
# Kisses for me Save all your kisses for me | 0:32:05 | 0:32:09 | |
# So long honey So long | 0:32:10 | 0:32:13 | |
# Hang on baby Hang on | 0:32:15 | 0:32:19 | |
# Won't you save them for me even though you're only three. # | 0:32:19 | 0:32:26 | |
AUDIENCE CHEERS | 0:32:28 | 0:32:30 | |
Here, that was all right. | 0:32:39 | 0:32:41 | |
I've written a song myself. Took me three years. | 0:32:41 | 0:32:43 | |
# Took the wife to Spain in '72 | 0:32:43 | 0:32:46 | |
# We just got married, Mike and Valerie Pooh. # | 0:32:46 | 0:32:49 | |
I feel a bit sick again. | 0:32:50 | 0:32:51 | |
BLEURGH! SPLOSH | 0:32:51 | 0:32:54 | |
Who'll be joining Jiggly Jasmine, Manic Michael | 0:32:54 | 0:32:58 | |
and Oscillating Ollie in our spectacular Finaleval? | 0:32:58 | 0:33:00 | |
Who will it be? Hmm? Answer me that. | 0:33:00 | 0:33:02 | |
Let's find out as we try to survive Roger Malcolm's Hat Full of Fear! | 0:33:02 | 0:33:06 | |
Hello again to you out there in television land. | 0:33:09 | 0:33:12 | |
It's me, Roger Malcolm, and my terrifying ghost train. | 0:33:12 | 0:33:16 | |
Let's move straight on and meet today's contestant. | 0:33:16 | 0:33:18 | |
What's your name, please? | 0:33:18 | 0:33:19 | |
-Ryan. -Ryan, do you spook easily? -No. | 0:33:19 | 0:33:23 | |
What if you saw a knee-mounted monkey dribbling acid banana juice? | 0:33:23 | 0:33:27 | |
-No. -All right, let's test out if what you say is true. | 0:33:27 | 0:33:32 | |
Oh, oh, oh, oh. Ah, ah, ah, ah! | 0:33:32 | 0:33:36 | |
-Did that spook you? -No. | 0:33:36 | 0:33:38 | |
Let's see how you fare in my ghost train of terror. | 0:33:38 | 0:33:42 | |
You're here to play for the exciting Golden Hoopla, | 0:33:42 | 0:33:45 | |
hoping for the chance to win some prizes in our Finaleval. | 0:33:45 | 0:33:48 | |
-Does that excite you? -Yes. -Oh, good. | 0:33:48 | 0:33:52 | |
The rules are very simple. You're wearing a hat full of fear. | 0:33:52 | 0:33:54 | |
Fear is represented by red juice. | 0:33:54 | 0:33:56 | |
You mustn't spill the red juice as you rally round my exciting | 0:33:56 | 0:33:59 | |
and terrifying ghost train. | 0:33:59 | 0:34:01 | |
Whatever happens when you're in there... | 0:34:01 | 0:34:04 | |
-don't touch your helmet! All right? -Yeah. | 0:34:04 | 0:34:07 | |
All right, you understand the rules. | 0:34:08 | 0:34:11 | |
I can't let you go without a ding, so... | 0:34:11 | 0:34:14 | |
-# Gimme, gimme, gimme that ding. # -DING | 0:34:14 | 0:34:17 | |
A bit out of key but quite fun. Off you go. Shove off! | 0:34:17 | 0:34:20 | |
He's splattered. | 0:34:23 | 0:34:25 | |
ROAR | 0:34:25 | 0:34:27 | |
CACKLING | 0:34:27 | 0:34:29 | |
They mustn't touch their helmets - that would be cheating. | 0:34:31 | 0:34:34 | |
I don't tolerate cheats. | 0:34:34 | 0:34:35 | |
MAN: Argh! | 0:34:38 | 0:34:39 | |
He's coming. | 0:34:42 | 0:34:44 | |
He's coming back. | 0:34:45 | 0:34:46 | |
Right. | 0:34:50 | 0:34:52 | |
Very well done. | 0:34:52 | 0:34:53 | |
Very carefully step out of my ghost train. | 0:34:53 | 0:34:56 | |
Come along...we're only on air for one hour. | 0:34:56 | 0:34:59 | |
I don't know what he's messing about at. | 0:34:59 | 0:35:01 | |
Right, very slowly, here we go. That's nice. Be careful. | 0:35:01 | 0:35:05 | |
I like your shoes, they're very fancy. Where did you get them from? | 0:35:05 | 0:35:08 | |
But was he cheating? Gabriel, was he cheating inside there? | 0:35:08 | 0:35:11 | |
-No, Roger, he's a very good boy. He never cheated. -Oh, very good, Ryan. | 0:35:11 | 0:35:16 | |
Well, let's find out how much you've scored by measuring your juice. | 0:35:16 | 0:35:19 | |
Oh, a very good score. Four of your Earth centimetres. Well done, Ryan. | 0:35:21 | 0:35:27 | |
Let's have a big round of applause for Ryan. | 0:35:27 | 0:35:29 | |
APPLAUSE | 0:35:29 | 0:35:30 | |
Little bit more. It's not over until the fat lady sings, | 0:35:32 | 0:35:35 | |
so we need to have another contestant. | 0:35:35 | 0:35:37 | |
We call her contestant number two, simply because she is the second. | 0:35:37 | 0:35:40 | |
-Hello there. What's your name? -Alesha. | 0:35:40 | 0:35:43 | |
Alesha, like the television celebrity Alesha Dixon. | 0:35:43 | 0:35:45 | |
Is she spooky, or is she nice? | 0:35:45 | 0:35:47 | |
-Nice. -She's nice. Well, there's no nice here, Alesha. | 0:35:47 | 0:35:51 | |
Do you spook easily? | 0:35:51 | 0:35:52 | |
-No. -No, you say no now. But you know the rules. | 0:35:53 | 0:35:56 | |
You've got this headgear here, the Hat Full of Fear, | 0:35:56 | 0:35:59 | |
don't let the juice spill out of the tray. | 0:35:59 | 0:36:01 | |
It would be awfully messy and very bad | 0:36:01 | 0:36:03 | |
because you wouldn't win a place in the Finaleval a little bit later on. | 0:36:03 | 0:36:06 | |
Before I push you off, I've got to have a little sing-song. So... | 0:36:06 | 0:36:10 | |
# Gimme, gimme, gimme that ding.# | 0:36:10 | 0:36:11 | |
A little bit closer, but still totally incorrect. Shove off. | 0:36:11 | 0:36:15 | |
Don't touch your helmet in there, young lady Alesha. | 0:36:18 | 0:36:21 | |
SPOOKY LAUGHTER | 0:36:28 | 0:36:31 | |
ALESHA SCREAMS | 0:36:34 | 0:36:36 | |
Here she comes. | 0:36:41 | 0:36:42 | |
What is going on? | 0:36:43 | 0:36:45 | |
-Now come here. -She had a little accident, Roger. | 0:36:49 | 0:36:53 | |
What do you mean, Gabriel? | 0:36:53 | 0:36:54 | |
She got very frightened and it all came out of her helmet. | 0:36:54 | 0:36:57 | |
Oh, well, that's very exciting. | 0:36:57 | 0:37:00 | |
Alisha, very gently, come out of the doo-dah. | 0:37:00 | 0:37:03 | |
Do you think the top celebrity | 0:37:03 | 0:37:04 | |
Alesha Dixon would play this game with us? | 0:37:04 | 0:37:06 | |
-Yes, I think she would. -I think she would. | 0:37:06 | 0:37:08 | |
Hold on a minute, I need my ruler, Gabriel. | 0:37:08 | 0:37:10 | |
Sit down, step down, Alisha. | 0:37:10 | 0:37:13 | |
Was there any cheating then, Gabriel, in conclusion? | 0:37:13 | 0:37:15 | |
-Well, Reggie, there was a little bit of helmet-touching. -Oh, was there? | 0:37:15 | 0:37:19 | |
Hang on a minute, Alesha. Just bear with me a moment. | 0:37:19 | 0:37:23 | |
That's about enough for cheating today, cos you're a nice girl. | 0:37:23 | 0:37:26 | |
Right, let's have a look at the ruler of fate. | 0:37:26 | 0:37:28 | |
2.5 of your Earth centimetres. Oh, dearie me. | 0:37:28 | 0:37:34 | |
Well, that means that unfortunately you have not won the race. | 0:37:35 | 0:37:39 | |
If you will step over there to my west. | 0:37:39 | 0:37:42 | |
And you, Ryan, if you could stand on the Pants of Egbetmar, | 0:37:42 | 0:37:45 | |
the King Of All Things Spooky. | 0:37:45 | 0:37:47 | |
And what you're going to do is do the Hoopla hoopla. | 0:37:48 | 0:37:50 | |
Do you think that is a good idea? I do, I think it sounds super. | 0:37:50 | 0:37:54 | |
All right then, are you ready? Don't hold your helmet, right, OK. | 0:37:54 | 0:37:58 | |
Here we go. Music, please. | 0:37:58 | 0:38:00 | |
# Gimme that, gimme that Gimme, gimme, gimme that, gimme that | 0:38:00 | 0:38:03 | |
# Gimme, gimme that Gimme, gimme that ding. # | 0:38:03 | 0:38:09 | |
That was lovely. Clown kids. Clown kids. | 0:38:09 | 0:38:13 | |
Right, we've got to get on. | 0:38:14 | 0:38:17 | |
It's very exciting. | 0:38:17 | 0:38:18 | |
Now we welcome you to the amazing world of Matt Pang. Pang! | 0:38:18 | 0:38:22 | |
Oh, it's frightening. | 0:38:22 | 0:38:24 | |
Thanks very much, thank you. I'm just a little bit tied up. | 0:38:25 | 0:38:28 | |
I'm going to be performing for you today a straitjacket escape. | 0:38:28 | 0:38:31 | |
AUDIENCE: Oooh! | 0:38:31 | 0:38:33 | |
Oh, yes. | 0:38:33 | 0:38:34 | |
Now, a straitjacket escape by itself is quite difficult, OK. | 0:38:34 | 0:38:37 | |
But I like to challenge myself, so to make this slightly more | 0:38:37 | 0:38:40 | |
difficult, I'm going to attempt it while riding this six-foot unicycle. | 0:38:40 | 0:38:44 | |
AUDIENCE: Oooh! | 0:38:44 | 0:38:45 | |
Now, I'm going to need some help getting up onto the bike, | 0:38:45 | 0:38:48 | |
so I've got some volunteers. | 0:38:48 | 0:38:49 | |
My volunteers, can you come onto the stage? | 0:38:49 | 0:38:51 | |
Can we have applause, as they come onto the stage? | 0:38:51 | 0:38:53 | |
Just make some room for them there, as they come up. | 0:38:53 | 0:38:55 | |
-Hiya. And your name is? -Jason. -We've got Jason. | 0:38:55 | 0:39:00 | |
-Jason, stand on this side for me. And you are? -Eddie. | 0:39:00 | 0:39:03 | |
-Eddie, just stand behind the unicycle for me. And? -Ian. | 0:39:03 | 0:39:06 | |
Ian, just stand on this side for me. Ian, wahey! | 0:39:06 | 0:39:10 | |
Ian, can you just grab the bike for me? | 0:39:10 | 0:39:12 | |
What I'd like you to do is put the wheel | 0:39:12 | 0:39:14 | |
right in the centre of the stage there. | 0:39:14 | 0:39:15 | |
And if you stand on that side of it, put both hands on the bike | 0:39:15 | 0:39:18 | |
and stick your left foot in front of the wheel for me. | 0:39:18 | 0:39:20 | |
-Lovely. Jason, just do the same on this side for me. -OK. | 0:39:20 | 0:39:23 | |
So, what's going to happen is I'm going to run up around the stage. | 0:39:23 | 0:39:26 | |
As I run past the audience, they're going to raise their arms in the | 0:39:26 | 0:39:29 | |
air, like a Mexican wave. | 0:39:29 | 0:39:30 | |
So, I'll run around. They'll do it next time. | 0:39:30 | 0:39:33 | |
I'll get around here, OK, I'm going to put one foot on the wheel. | 0:39:33 | 0:39:35 | |
The other foot on the pedal, OK. | 0:39:35 | 0:39:37 | |
All you have to do, Eddie, is guide my bottom onto the seat. | 0:39:37 | 0:39:41 | |
AUDIENCE: Oooh! | 0:39:41 | 0:39:42 | |
You get the best job. Here we go. OK, here we go. | 0:39:42 | 0:39:46 | |
I'm going to take the run-up. | 0:39:46 | 0:39:47 | |
When my bum hits that seat, | 0:39:47 | 0:39:48 | |
what I'd like is a really big round of applause, OK? | 0:39:48 | 0:39:51 | |
It might take a little while, but here we go. | 0:39:51 | 0:39:53 | |
Get ready with those arms. Here we go. 3, 2, 1, up! | 0:39:53 | 0:39:56 | |
One foot, the other foot, sorry. | 0:39:57 | 0:40:00 | |
AUDIENCE LAUGHS | 0:40:00 | 0:40:02 | |
-You all right, Ian? -Yeah, fine. -How are you, Jason? -I'm very good. | 0:40:02 | 0:40:06 | |
Glad you're not on this side. OK, you're really tall, aren't you, Ian? | 0:40:06 | 0:40:11 | |
You're going to have to duck, mate. I've got cramp. | 0:40:12 | 0:40:15 | |
OK, foot is on the pedal. OK...Eddie, can you smell the fear? | 0:40:16 | 0:40:21 | |
AUDIENCE LAUGHS | 0:40:21 | 0:40:24 | |
Don't answer that. Here we go. Guys, just lean the bike forward a touch. | 0:40:24 | 0:40:28 | |
Stop there, perfect. Back a bit, back a bit. OK, Eddie, here we go. | 0:40:28 | 0:40:31 | |
Very gently, not too hard. 3, 2, 1, hey. | 0:40:31 | 0:40:35 | |
Stand over there, mate. Stand over there. | 0:40:37 | 0:40:39 | |
Can we have a big round of applause for Eddie? Thanks very much. | 0:40:39 | 0:40:42 | |
Your job is done. | 0:40:42 | 0:40:44 | |
OK, what I'm going to ask you to do after three is remove your feet. | 0:40:44 | 0:40:47 | |
OK, just the feet after three. | 0:40:47 | 0:40:49 | |
Can we just lean it towards Jason a touch? | 0:40:49 | 0:40:50 | |
Stop there, perfect. After three. Here we go, 1,2,3...go. | 0:40:50 | 0:40:53 | |
If you are in the front, just be aware, OK. | 0:40:55 | 0:40:57 | |
If it looks like I'm going to fall on you, I am. | 0:40:57 | 0:41:01 | |
All together and 5, 4, 3, 2, 1. Go, guys, go. | 0:41:03 | 0:41:08 | |
Thank you very much for your help, thanks, guys. | 0:41:10 | 0:41:12 | |
MUSIC: "Mission Impossible" THEME | 0:41:12 | 0:41:14 | |
OK, phase one is to work one arm up over my head. | 0:41:14 | 0:41:16 | |
As you can see, I'm working my right arm up | 0:41:16 | 0:41:19 | |
and currently it's around my neck. | 0:41:19 | 0:41:21 | |
Hold on. Oh, it's a boy. Hold on, here it comes. | 0:41:21 | 0:41:27 | |
Yes! OK, hold on. Hold on. | 0:41:27 | 0:41:32 | |
OK, so what I'm going to try to do is work the right hand out. Whee. | 0:41:33 | 0:41:37 | |
OK, and when you see a hand, | 0:41:37 | 0:41:38 | |
what I'd like is a really big cheer from the audience. | 0:41:38 | 0:41:41 | |
OK, here we go. | 0:41:41 | 0:41:42 | |
Yes. | 0:41:44 | 0:41:46 | |
AUDIENCE CHEERS | 0:41:46 | 0:41:47 | |
Oh, my goodness. Hold on, here's the real one. Hey. | 0:41:47 | 0:41:51 | |
The next stage is to get the other arm out. | 0:41:52 | 0:41:55 | |
That's the halfway point, when the other arm is out. Here we go. | 0:41:55 | 0:41:57 | |
Anytime now. | 0:41:57 | 0:41:59 | |
Yes. | 0:42:02 | 0:42:03 | |
AUDIENCE CHEERS | 0:42:03 | 0:42:05 | |
OK, can everyone just start a slow hand clap. Slow hand clap. | 0:42:05 | 0:42:10 | |
Great, lovely. Lovely. Get it going. Get it going. | 0:42:12 | 0:42:16 | |
Here we go. Here we go, here we go. Come on. | 0:42:16 | 0:42:21 | |
Yeah! | 0:42:23 | 0:42:25 | |
Have a great day, thank you. | 0:42:25 | 0:42:26 | |
Shut up. Ten seconds to tell us what you thought about that. | 0:42:36 | 0:42:39 | |
It was amazing. I didn't think he would do it, but he did. | 0:42:39 | 0:42:41 | |
It was brilliant. Thank you. | 0:42:41 | 0:42:45 | |
-Mmmm. Come on. -It's great. -Enough. | 0:42:45 | 0:42:49 | |
And now it's time for this. | 0:42:49 | 0:42:52 | |
Ladies and gentlemen, it's here, it's coming. It's the... | 0:42:52 | 0:42:58 | |
Ladies and gentlemen, in the game you are about to see, no men, | 0:42:58 | 0:43:01 | |
women, children, clowns or ferrets were harmed. | 0:43:01 | 0:43:04 | |
Not even a little teeny bit. Enjoy. | 0:43:04 | 0:43:07 | |
Finaleval! | 0:43:07 | 0:43:09 | |
It's the Finaleval! | 0:43:11 | 0:43:13 | |
Yes, that's right. | 0:43:15 | 0:43:17 | |
We are nearly at a point where we are going to be giving away | 0:43:17 | 0:43:19 | |
the Golden Hoopla Trophy, but who's it going to go to? | 0:43:19 | 0:43:23 | |
Here are the Finalevalists. | 0:43:23 | 0:43:25 | |
On the end, we've got Ollie. There's Michael. Not forgetting Ryan. | 0:43:25 | 0:43:32 | |
And Jasmine. | 0:43:32 | 0:43:35 | |
Well done, stand behind your podiums. Take your hoops with you. | 0:43:36 | 0:43:40 | |
Because we are ready to start round one. | 0:43:40 | 0:43:43 | |
Hold on, can we just stop proceedings for a moment, because look, Dom. | 0:43:43 | 0:43:47 | |
We'll have an armpit each. We've got a bit of a problem here. | 0:43:47 | 0:43:50 | |
The podium...is hiding her. | 0:43:50 | 0:43:55 | |
-But we can lift her, like that. Put her back. There you go. -There you go. | 0:43:56 | 0:43:59 | |
-Can you see her? -Right, what happens in round one? | 0:43:59 | 0:44:01 | |
I'll tell you what happens, it's called Brush Your Teeth. | 0:44:01 | 0:44:04 | |
You've got 30 seconds to brush your teeth, the best you can. | 0:44:04 | 0:44:06 | |
Points will be awarded for wrist action, | 0:44:06 | 0:44:08 | |
you really got to get your back into it for frothy bits and white stuff. | 0:44:08 | 0:44:12 | |
White foamy bits, as well. All right? | 0:44:12 | 0:44:14 | |
Don't forget, the more effort you put into this, | 0:44:14 | 0:44:18 | |
the more points you're going to get from our esteemed | 0:44:18 | 0:44:21 | |
panel of judges over there. | 0:44:21 | 0:44:23 | |
Headed by Mr Mike Pooh. Hello, Mike. | 0:44:23 | 0:44:26 | |
-What? -Mike, what would you like to say about the judges that | 0:44:26 | 0:44:29 | |
you've got here? | 0:44:29 | 0:44:30 | |
-Obviously, you've hand-picked them. -Get on with it. | 0:44:30 | 0:44:33 | |
Your 30 seconds start now. Go! | 0:44:33 | 0:44:35 | |
-Come on. -Come on. -Put the paste on. | 0:44:36 | 0:44:39 | |
-Brush! Brush! -As hard as you possibly can. | 0:44:39 | 0:44:43 | |
Come on, put your back into it, man. Are you a man or a mouse? | 0:44:43 | 0:44:48 | |
Brush, come on, Michael. Who's going to win? Cheer on your partner. | 0:44:50 | 0:44:54 | |
Look at Jasmine. | 0:44:56 | 0:44:58 | |
Brush! | 0:45:02 | 0:45:04 | |
-Time's up. Stop brushing. -Put your brushes down. | 0:45:06 | 0:45:10 | |
And we will now find out, from our judges, how many points you get. | 0:45:10 | 0:45:14 | |
-So, let's start off with Ollie. Your points, please, for Ollie. -Hurry up. | 0:45:14 | 0:45:20 | |
-Here we go. -19, 24, 31 points. Well done, Ollie. Good score. | 0:45:20 | 0:45:26 | |
Now, we move on to Michael. Your points for Michael, please. | 0:45:28 | 0:45:33 | |
-OK, here we go. Now. -Eight, eight, sixteen, er... | 0:45:33 | 0:45:39 | |
33 points for Michael. | 0:45:39 | 0:45:42 | |
-Not bad, mate. -Now your points. He looks like he's going to vomit. | 0:45:44 | 0:45:48 | |
It's Ryan. Have you got it? | 0:45:48 | 0:45:52 | |
-Yes, here we go... -Oh, 24. | 0:45:52 | 0:45:55 | |
So, at the moment, Ryan, you're at the bottom of the pile. | 0:45:55 | 0:46:00 | |
Now, look at little Jasmine everybody. She's on her tiptoes. | 0:46:00 | 0:46:03 | |
Hello. | 0:46:03 | 0:46:04 | |
Aw! Wait for it. If you've got under 24, you will leave. | 0:46:04 | 0:46:10 | |
-If you got 24 or over, you will stay. -It's all to play for, Jasmine. | 0:46:12 | 0:46:16 | |
Please, the score for Jasmine. | 0:46:16 | 0:46:18 | |
-Right. -33 points for Jasmine. | 0:46:18 | 0:46:21 | |
So, that means the contestant to leave the Finaleval is... | 0:46:24 | 0:46:29 | |
Ryan. | 0:46:30 | 0:46:32 | |
Off you go, Ryan. | 0:46:32 | 0:46:33 | |
The kid clowns are going to take you away, | 0:46:33 | 0:46:36 | |
and you've got to go ride the lion with no pride. | 0:46:36 | 0:46:39 | |
He just couldn't put his back into it. | 0:46:39 | 0:46:42 | |
He couldn't get enough froth going. | 0:46:42 | 0:46:44 | |
Look at Ryan, everyone. He's on the lion with no pride. | 0:46:46 | 0:46:50 | |
APPLAUSE | 0:46:50 | 0:46:51 | |
Waay! | 0:46:55 | 0:46:56 | |
It's an endangered species. | 0:46:58 | 0:47:00 | |
Enough of that nonsense. | 0:47:00 | 0:47:02 | |
-It's time for... -Round two. | 0:47:02 | 0:47:04 | |
Come forward, Michael. Come forward, Ollie. Come forward, little Jasmine. | 0:47:07 | 0:47:10 | |
Hang on. Jasmine, you haven't wiped your face. | 0:47:10 | 0:47:13 | |
-Look at the state of your face. -Here. -Here. -That's better. | 0:47:13 | 0:47:17 | |
Right, this one's called I'm The Best In THE world. | 0:47:17 | 0:47:20 | |
You're going to hear some music in some instrumental bits. | 0:47:20 | 0:47:22 | |
We're going to tell you to do something. | 0:47:22 | 0:47:24 | |
You've got to do it to your best of your ability. | 0:47:24 | 0:47:26 | |
Right, Jasmine, come forward a little bit. Marvellous. | 0:47:26 | 0:47:28 | |
Right, Ollie, let's play. | 0:47:28 | 0:47:30 | |
# I am the best in the world the best in the world | 0:47:30 | 0:47:34 | |
# The very best at... # | 0:47:34 | 0:47:36 | |
Like you're in the presence of the Queen. | 0:47:36 | 0:47:39 | |
Hang on. Hang on... Stop the music. | 0:47:42 | 0:47:45 | |
-Yeah. We've definitely got to stop here. -Ollie, what are you doing? | 0:47:45 | 0:47:50 | |
Dunno. | 0:47:50 | 0:47:51 | |
What-what...? You did this, like a guinea pig or a gerbil | 0:47:51 | 0:47:54 | |
and did that. If the Queen walked on this stage, would you do that? | 0:47:54 | 0:47:58 | |
AUDIENCE LAUGHS | 0:47:58 | 0:48:00 | |
All right. Well, if that's what you want to do, that's fine. | 0:48:00 | 0:48:02 | |
Right. Next. Your turn, Michael. | 0:48:02 | 0:48:04 | |
Act like you're in the presence of the Queen. | 0:48:04 | 0:48:07 | |
Oh! Oh! | 0:48:07 | 0:48:09 | |
-That's better. That's more regal, isn't it? Next! Jasmine? -Oh! | 0:48:09 | 0:48:11 | |
Curtsy! Curtsy! | 0:48:11 | 0:48:14 | |
Very pretty. | 0:48:15 | 0:48:17 | |
Lovely. | 0:48:17 | 0:48:18 | |
# I am the best in the world the best in the world | 0:48:18 | 0:48:22 | |
# The very best at... # | 0:48:22 | 0:48:25 | |
Laughing your head off, Ollie. | 0:48:25 | 0:48:26 | |
There's no sound, he does silent laughing. | 0:48:28 | 0:48:30 | |
Can I do sound? | 0:48:30 | 0:48:32 | |
-I've got a feeling that he feels a bit silly. -Yes. | 0:48:32 | 0:48:36 | |
-Laugh your head off! -Michael. | 0:48:38 | 0:48:41 | |
-Oh! -It's the Queen... It's the Queen of England. | 0:48:41 | 0:48:45 | |
-He's good. Good. Next. -Next! Jasmine. | 0:48:47 | 0:48:50 | |
Oh, crazed laugh. | 0:48:51 | 0:48:52 | |
No. You... You look demonic. | 0:48:53 | 0:48:57 | |
-I like it, a lot. -Well done. | 0:48:57 | 0:48:58 | |
# I am the best in the world the best in the world | 0:48:58 | 0:49:03 | |
# The very best at...# | 0:49:03 | 0:49:05 | |
Being extremely scary. | 0:49:05 | 0:49:07 | |
What are you doing? Poking his own eyes out. | 0:49:11 | 0:49:14 | |
-What? -Hang on a minute. Wait. Shh! Stop. | 0:49:14 | 0:49:17 | |
-I think he still feels a little bit silly. -Yes. | 0:49:17 | 0:49:21 | |
-Carry on. -Next! | 0:49:21 | 0:49:23 | |
-Oh. -Glasses are off. -Good lad. | 0:49:23 | 0:49:26 | |
-Here he goes. -Oh. | 0:49:26 | 0:49:28 | |
Look at that... | 0:49:28 | 0:49:30 | |
He belongs with Roger Malcolm, to be totally honest. | 0:49:30 | 0:49:33 | |
Next! She's doing it again! Your head's going to blow up. Stop! | 0:49:33 | 0:49:37 | |
# I was the best in the world | 0:49:37 | 0:49:40 | |
# The best thing ever The best thing ever | 0:49:40 | 0:49:44 | |
# The best thing in the world...# | 0:49:44 | 0:49:46 | |
Were you the best in the world, though? | 0:49:47 | 0:49:48 | |
We're going to find out now. Over to the judges | 0:49:48 | 0:49:51 | |
for the points for Ollie, please. | 0:49:51 | 0:49:53 | |
Up we go. | 0:49:53 | 0:49:54 | |
So that's 9, 10... So utter, utter nonsense. | 0:49:54 | 0:49:57 | |
Well done, Ollie. So 16 points for Ollie. | 0:49:58 | 0:50:01 | |
I think he'll be pleased to leave, to be honest. | 0:50:01 | 0:50:03 | |
OK. Over to Michael. Points for Michael, please. | 0:50:03 | 0:50:05 | |
Right. Hurry up. | 0:50:05 | 0:50:07 | |
-7, 8... -23. 32. | 0:50:08 | 0:50:11 | |
-32 points for Michael, everybody. -Good lad. | 0:50:11 | 0:50:13 | |
APPLAUSE | 0:50:13 | 0:50:15 | |
But I wonder... I just wonder what Jasmine can do with the points. | 0:50:15 | 0:50:19 | |
-Let's find out. -Here we go. | 0:50:19 | 0:50:22 | |
She's got to beat 16, and she's done it! Well done. | 0:50:22 | 0:50:25 | |
So that means we all know Ollie leaves. Off you go, Ollie. | 0:50:25 | 0:50:28 | |
Thank you very much. Going to ride the lion with no pride. | 0:50:28 | 0:50:30 | |
Argh! | 0:50:30 | 0:50:32 | |
Give him a big cheer, as he goes to the lion. | 0:50:32 | 0:50:35 | |
APPLAUSE | 0:50:35 | 0:50:36 | |
There we go. | 0:50:42 | 0:50:45 | |
He definitely feels self-conscious now. | 0:50:45 | 0:50:48 | |
Do you feel self-conscious now? | 0:50:48 | 0:50:50 | |
That's enough. | 0:50:58 | 0:50:59 | |
This is the moment. It's the final of the Finaleval. | 0:50:59 | 0:51:04 | |
APPLAUSE | 0:51:04 | 0:51:06 | |
Yes, here are the Finaleval. | 0:51:11 | 0:51:13 | |
We've got Michael and, over there, little Jasmine. | 0:51:13 | 0:51:16 | |
One of them is going to be leaving here today with the coveted | 0:51:16 | 0:51:19 | |
Hoopla trophy. Yes! | 0:51:19 | 0:51:20 | |
Now you'll see, you two, behind you there are eight bins. | 0:51:23 | 0:51:25 | |
In this those bins, in those seven bins, | 0:51:25 | 0:51:27 | |
are the best prizes on British television. | 0:51:27 | 0:51:30 | |
Just out of interest, think of any prize you would really like or | 0:51:30 | 0:51:34 | |
that you need to enrich your current life on this Earth. | 0:51:34 | 0:51:38 | |
-What would it be? -A motorbike. | 0:51:38 | 0:51:41 | |
-Oh. -A motorbike, ladies and gentlemen. | 0:51:41 | 0:51:43 | |
Ladies and gentlemen, that could well be in the bins. | 0:51:43 | 0:51:47 | |
Jasamina, if you could have anything in those bins to make you | 0:51:47 | 0:51:50 | |
-happier than you currently are now, what would it be? -A rabbit. | 0:51:50 | 0:51:55 | |
A rabbit, ladies and gentlemen. | 0:51:55 | 0:51:57 | |
Now listen, clearly we haven't got a real rabbit in the bin, | 0:51:57 | 0:52:00 | |
but who knows? There might be an envelope with that inside. | 0:52:00 | 0:52:04 | |
One of those bins won't make you happy, because in one of those | 0:52:04 | 0:52:07 | |
bins is Cyril, who's a clown, and he's very, very wrong. | 0:52:07 | 0:52:11 | |
So the one with the most points in the last round was Jasmine. | 0:52:11 | 0:52:16 | |
So, Jasmine, you come hither. | 0:52:16 | 0:52:18 | |
Stand here. Now, think very carefully. | 0:52:18 | 0:52:22 | |
In most of the bins are schatzes, treasure, | 0:52:22 | 0:52:24 | |
things to improve your life. But which bin isn't Cyril in? | 0:52:24 | 0:52:29 | |
Number two. | 0:52:30 | 0:52:31 | |
Jasmine...good luck. | 0:52:32 | 0:52:36 | |
-Ooh! -Ooh! | 0:52:41 | 0:52:42 | |
-What's inside? -What you got? -What's inside? -Marbles. | 0:52:43 | 0:52:47 | |
Marbles! | 0:52:47 | 0:52:49 | |
Ladies and gentlemen, she's got marbles. | 0:52:50 | 0:52:53 | |
Well done. Michael, come forward, please. | 0:52:54 | 0:52:57 | |
You want a motorbike. Let's see what we can do for you. | 0:52:57 | 0:53:00 | |
Remember, you don't want to find that clown Cyril, | 0:53:00 | 0:53:03 | |
or you lose. Which bin isn't Cyril in? | 0:53:03 | 0:53:05 | |
Number three. | 0:53:05 | 0:53:07 | |
-Number three. OK, Michael. -Good luck. | 0:53:07 | 0:53:11 | |
-In your own time. -Oh... | 0:53:11 | 0:53:13 | |
-What's in there? -What you got? -It's a brush. | 0:53:15 | 0:53:18 | |
A brush! | 0:53:18 | 0:53:20 | |
So, Jasmine, you've got a bag of glass marbles, | 0:53:21 | 0:53:26 | |
but which bin isn't Cyril in? | 0:53:26 | 0:53:30 | |
Number five. | 0:53:30 | 0:53:31 | |
Number five, ladies and gentlemen. | 0:53:33 | 0:53:36 | |
Good luck. | 0:53:36 | 0:53:37 | |
-Jasmine, stop! -Oh! Stop! | 0:53:39 | 0:53:41 | |
-How old are you? -Seven. -Are you? Carry on. | 0:53:41 | 0:53:45 | |
Carry on. | 0:53:45 | 0:53:46 | |
What is it? Show everyone what you've got. | 0:53:49 | 0:53:52 | |
-Wool. -A ball of wool. | 0:53:52 | 0:53:55 | |
Whatever happens today, that is yours to keep. | 0:53:56 | 0:54:00 | |
It's schatze heaven in here today, Michael. | 0:54:00 | 0:54:03 | |
Right. Which bin isn't he in? | 0:54:03 | 0:54:05 | |
-Number seven. -Number seven. | 0:54:05 | 0:54:07 | |
OK, Michael. | 0:54:07 | 0:54:09 | |
Oh... | 0:54:09 | 0:54:12 | |
Show everyone what you've got. | 0:54:14 | 0:54:16 | |
-Tell them what it is. -It's a washing-up brush. -Oh! | 0:54:16 | 0:54:19 | |
OK. So...Jasmine, which bin isn't Cyril in? | 0:54:23 | 0:54:28 | |
-Number four. -Number four. | 0:54:28 | 0:54:30 | |
Here, you've got a ball of wool, you've got some marbles, | 0:54:30 | 0:54:33 | |
what could possibly be...? No, no, take them with you. | 0:54:33 | 0:54:35 | |
Cos you don't want to ever lose them. | 0:54:35 | 0:54:37 | |
They're too precious. | 0:54:38 | 0:54:40 | |
Argh! | 0:54:40 | 0:54:41 | |
What is it? What is it? | 0:54:42 | 0:54:45 | |
-Show everyone. -Washing-up gloves. | 0:54:45 | 0:54:47 | |
A washing-up glove. | 0:54:47 | 0:54:49 | |
Michael, you too could be getting some washing-up gloves, | 0:54:49 | 0:54:52 | |
or something even better. | 0:54:52 | 0:54:53 | |
-Which bin isn't Cyril in? -Number one. | 0:54:53 | 0:54:56 | |
Number one. Go on, Michael, open the lid. Let's see what he's got. | 0:54:56 | 0:54:59 | |
Lift the lid. | 0:54:59 | 0:55:00 | |
Oh! What is it? Hold it up. | 0:55:00 | 0:55:05 | |
-Hold it tight... -It's a horn. It's a horn. | 0:55:05 | 0:55:08 | |
It's a toy horn. | 0:55:08 | 0:55:09 | |
Michael. | 0:55:10 | 0:55:12 | |
This is literally...life... life-changing schatze. | 0:55:12 | 0:55:19 | |
Which bin isn't Cyril in? | 0:55:20 | 0:55:23 | |
Number eight. | 0:55:23 | 0:55:24 | |
Number eight, ladies and gentlemen. | 0:55:24 | 0:55:26 | |
AUDIENCE BOOS | 0:55:26 | 0:55:28 | |
Oh, unpopular with the audience. | 0:55:28 | 0:55:30 | |
Anything can happen. You've got two left. | 0:55:30 | 0:55:32 | |
One contains Cyril, one contains the schatze. | 0:55:32 | 0:55:34 | |
You've gone for eight. What's in there? | 0:55:34 | 0:55:37 | |
Jasmine! | 0:55:37 | 0:55:40 | |
What is it? | 0:55:40 | 0:55:40 | |
What is it?! | 0:55:43 | 0:55:44 | |
-A fan. -It's a fan, everybody. | 0:55:44 | 0:55:47 | |
A fan. | 0:55:47 | 0:55:49 | |
Lovely. Michael, I wonder what's in bin number six. | 0:55:49 | 0:55:53 | |
I dread to think, I really worry. | 0:55:53 | 0:55:54 | |
I mean, is it going to be the motorbike? | 0:55:54 | 0:55:57 | |
Oh, I don't think so. | 0:55:57 | 0:55:58 | |
-Will it be some more rubber gloves? -No, I don't think so. | 0:55:58 | 0:56:00 | |
It might be a plastic cone or a pen or a pencil. | 0:56:00 | 0:56:03 | |
Whatever it is, Michael, | 0:56:03 | 0:56:04 | |
it's definitely going to change your life for ever. | 0:56:04 | 0:56:07 | |
Lift that lid, Michael! | 0:56:07 | 0:56:09 | |
DICK AND DOM SCREAM | 0:56:09 | 0:56:12 | |
CLOWN LAUGHS HYSTERICALLY | 0:56:13 | 0:56:17 | |
Sorry about that, ladies and gentlemen. | 0:56:32 | 0:56:34 | |
So...the good news is, we have a champion. | 0:56:34 | 0:56:37 | |
Jasmine is the master of the hoop, the winner of Hoopla. | 0:56:37 | 0:56:42 | |
She's got marbles, she's got a ball of wool, | 0:56:42 | 0:56:44 | |
she's got washing-up gloves, and the trophy. | 0:56:44 | 0:56:47 | |
Jasmine...well done. | 0:56:47 | 0:56:51 | |
She's the new master of the hoop. How do you feel, Jasmine? | 0:56:51 | 0:56:55 | |
-Brilliant. -Brilliant? -Yeah. | 0:56:55 | 0:56:58 | |
Oh. Now listen, you go home with all your treat and...argh! | 0:56:58 | 0:57:03 | |
CLOWN LAUGHS HYSTERICALLY | 0:57:05 | 0:57:07 | |
You broke the cup! | 0:57:07 | 0:57:09 | |
She's lost her marbles! | 0:57:09 | 0:57:11 | |
Oh no, look, Jasmine's been turned into a kid clown. | 0:57:15 | 0:57:20 | |
Hey! You know what, though? | 0:57:20 | 0:57:21 | |
Jasmine, seeing as you've been turned into a clown, | 0:57:21 | 0:57:26 | |
you might as well join our Hoopla carnival - | 0:57:26 | 0:57:30 | |
for ever! | 0:57:30 | 0:57:32 | |
Thank you to everyone that's been on the show today, | 0:57:32 | 0:57:34 | |
including all our variety and comedy acts, | 0:57:34 | 0:57:37 | |
and all that great music we've had, too. | 0:57:37 | 0:57:39 | |
-Thank you so much. -Thank you very much, | 0:57:39 | 0:57:41 | |
to the Pooh Brothers, to all of the kid clowns, | 0:57:41 | 0:57:44 | |
but, most of all, to you people. | 0:57:44 | 0:57:47 | |
That's you lot. Thank you, thank you, thank you. | 0:57:47 | 0:57:51 | |
Join us next time and who knows? | 0:57:51 | 0:57:53 | |
The Hoopla carnival might be coming to a town near you. | 0:57:53 | 0:57:56 | |
Hoopla! | 0:57:56 | 0:57:57 | |
Dick and Dom would like to point out that Michael survived | 0:58:00 | 0:58:02 | |
his encounter with Cyril and is now training to be a hairdresser. | 0:58:02 | 0:58:06 | |
Subtitles By Red Bee Media Ltd | 0:58:08 | 0:58:10 |