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So, the most important thing about DNN is... | 0:00:02 | 0:00:04 | |
-BOTH: -Me. | 0:00:04 | 0:00:05 | |
Serious journalism. | 0:00:05 | 0:00:07 | |
The people! | 0:00:07 | 0:00:08 | |
The people in Newcastle! Howay! | 0:00:08 | 0:00:10 | |
That it's live! | 0:00:10 | 0:00:12 | |
Aaggh! Hiding places! | 0:00:12 | 0:00:14 | |
Oh, my wow - it's totally the being on the telly! | 0:00:14 | 0:00:16 | |
But also the getting paid. But then maybe it's the meeting celebs. | 0:00:16 | 0:00:19 | |
And DNN is...what again? | 0:00:19 | 0:00:21 | |
Let me rephrase that. | 0:00:21 | 0:00:23 | |
What is the one thing that DNN can't do without? | 0:00:23 | 0:00:26 | |
ALL TALK AT ONCE | 0:00:26 | 0:00:28 | |
Right! Right, that's it. | 0:00:31 | 0:00:35 | |
To get you lot to pull together, we're going to do a job swap. | 0:00:35 | 0:00:38 | |
You will all do each other's jobs | 0:00:38 | 0:00:40 | |
and see what it's like to walk a mile in someone else's shoes. | 0:00:40 | 0:00:43 | |
What's this? | 0:00:43 | 0:00:44 | |
Note from my mum - I'm not allowed to wear other people's shoes | 0:00:44 | 0:00:47 | |
because I've got the gluefoot. | 0:00:47 | 0:00:49 | |
Hello and Welcome to DNN, I'm the hoity-toity Felicity Bond... | 0:00:59 | 0:01:04 | |
-Seriously? That's what we're doing? Really? -Yeah! | 0:01:04 | 0:01:07 | |
OK. I'm the human chimp Bob Roberts. | 0:01:07 | 0:01:10 | |
Bit harsh... | 0:01:10 | 0:01:12 | |
And these are the headlines... | 0:01:12 | 0:01:14 | |
The Post Office shows off a new machine for licking stamps. | 0:01:14 | 0:01:17 | |
The star of a new shampoo advert says it's because I'm "WOOF" it. | 0:01:21 | 0:01:26 | |
# Hold your body close to mine... # | 0:01:27 | 0:01:31 | |
And a miracle cat denies he has a small vocabulary. | 0:01:31 | 0:01:35 | |
Hey. Hey. | 0:01:35 | 0:01:38 | |
So in other news... No, hang on, you should say that. | 0:01:38 | 0:01:42 | |
OK. And in other news... | 0:01:42 | 0:01:43 | |
-Then I interrupt you to say something stupid. -Right. -Bogey! | 0:01:43 | 0:01:47 | |
THEY LAUGH | 0:01:47 | 0:01:48 | |
And I say, "Bob, what are you doing?" | 0:01:48 | 0:01:52 | |
Bob and Felicity! This is not what I meant! | 0:01:52 | 0:01:54 | |
You're supposed to swap jobs with one of the team - | 0:01:54 | 0:01:57 | |
not just clothes and chairs! | 0:01:57 | 0:01:59 | |
Well, you should have been more specific, Henry. | 0:01:59 | 0:02:01 | |
I'd never say "specific". Too many...syllaberries. | 0:02:01 | 0:02:04 | |
I'd just pull a face and fall off my chair. | 0:02:04 | 0:02:06 | |
Good job, fake Bob. | 0:02:06 | 0:02:07 | |
So, it's time for the part of the show where DNN attempts to | 0:02:10 | 0:02:13 | |
solve your problems. | 0:02:13 | 0:02:15 | |
Yes, but instead of the people's champion Phil Tyme, we've got | 0:02:15 | 0:02:18 | |
human loudspeaker Davina Wave - and the fantastic, mysterious, | 0:02:18 | 0:02:23 | |
magnificent Map. Are you there, Mappy? | 0:02:23 | 0:02:26 | |
Haway, yous two! Davina Wave here - | 0:02:26 | 0:02:28 | |
I'm nae people's champion, I'm just champion! | 0:02:28 | 0:02:33 | |
Sorry, sorry, Davina - where's Mappy? That woman is not Mappy! | 0:02:33 | 0:02:36 | |
All right, weird Bob, dinnae have a radgie - | 0:02:36 | 0:02:39 | |
Mappy's working the camera today! | 0:02:39 | 0:02:41 | |
Say hello, Mappy. | 0:02:41 | 0:02:43 | |
Right, that could be anyone. Do the other hand. | 0:02:43 | 0:02:46 | |
Ha! The Glove! Mappy's glove! | 0:02:46 | 0:02:49 | |
-He's amazing!! -What are you looking into today, Davina? | 0:02:49 | 0:02:52 | |
Well, Flicky, this is Stephanie. | 0:02:52 | 0:02:54 | |
Say hello, Stephanie, man. | 0:02:54 | 0:02:56 | |
I have a serious bathroom situation. | 0:02:56 | 0:02:58 | |
Urgh! Why didn't you go earlier, then, man? | 0:02:58 | 0:03:01 | |
No, I mean my bathroom is ruined. | 0:03:01 | 0:03:03 | |
I hired these builders and they've made a total pig's ear of it. | 0:03:03 | 0:03:06 | |
I mean, the light switch now rings the doorbell... | 0:03:06 | 0:03:08 | |
DOORBELL RINGS | 0:03:08 | 0:03:10 | |
..the toilet flushes up instead of down... | 0:03:10 | 0:03:13 | |
TOILET FLUSHES | 0:03:13 | 0:03:15 | |
..and now the shower has a mind of its own. | 0:03:15 | 0:03:18 | |
CLANKING AND SPRAYING | 0:03:18 | 0:03:21 | |
See! | 0:03:23 | 0:03:24 | |
She won't even make us a cup of tea. | 0:03:24 | 0:03:25 | |
That's because you all take 12 sugars. | 0:03:25 | 0:03:28 | |
THEY ARGUE OVER EACH OTHER | 0:03:28 | 0:03:30 | |
Ha-way! | 0:03:32 | 0:03:34 | |
Chill the mint oot, man. | 0:03:34 | 0:03:36 | |
You know, there's an old saying in Newcastle, | 0:03:36 | 0:03:39 | |
if you can't stop your belly aching, | 0:03:39 | 0:03:41 | |
I'll chuck yous in the Tyne, man! | 0:03:41 | 0:03:43 | |
Reet, Stephanie, gan make a cup of tea, will you? | 0:03:43 | 0:03:47 | |
OK, you, can you not just fix the combobulator with like, | 0:03:47 | 0:03:51 | |
I don't know, a whirlswig or summat? | 0:03:51 | 0:03:53 | |
Hadn't thought of that. I'll try. | 0:03:53 | 0:03:56 | |
SQUEAKING | 0:03:56 | 0:03:59 | |
Shower sorted! | 0:04:00 | 0:04:02 | |
Reet, you, what if you parry the flush at a 720 degree whirl | 0:04:02 | 0:04:06 | |
or something? | 0:04:06 | 0:04:07 | |
-I don't know. -That might work. | 0:04:07 | 0:04:09 | |
SCREECHING | 0:04:09 | 0:04:11 | |
TOILET FLUSHES | 0:04:11 | 0:04:14 | |
Mint. You over there, tap that radiator three times. Howay. | 0:04:14 | 0:04:18 | |
THREE TAPS | 0:04:18 | 0:04:21 | |
That's incredible! | 0:04:21 | 0:04:23 | |
I don't believe it! | 0:04:23 | 0:04:24 | |
You're the greatest people's champion of the world. | 0:04:24 | 0:04:27 | |
I know. I know. | 0:04:27 | 0:04:28 | |
It's like I say, if your problem's a screamer, call Auntie Davina. | 0:04:28 | 0:04:33 | |
Howay! Hoo! | 0:04:33 | 0:04:35 | |
Thanks, Davina. | 0:04:35 | 0:04:37 | |
You know, there might actually be something in this job swap idea. | 0:04:37 | 0:04:41 | |
Mappy is the best cameraman ever. | 0:04:41 | 0:04:42 | |
He didn't even drop it ONCE. I would have dropped it. | 0:04:42 | 0:04:45 | |
Following on from that unexpected triumph - let's get the traffic | 0:04:51 | 0:04:54 | |
and travel news - not with Bea Rhodes, but with Phil Tyme. | 0:04:54 | 0:04:57 | |
Phil! What's the traffic like? | 0:04:57 | 0:05:00 | |
Well, I'm "live" | 0:05:00 | 0:05:01 | |
as usual, and I don't know why Bea makes such a big | 0:05:01 | 0:05:04 | |
fuss about the travel, to be honest. | 0:05:04 | 0:05:07 | |
It's quiet as a librarian's grave, Bob. | 0:05:07 | 0:05:09 | |
Er, Felicity, Phil... | 0:05:09 | 0:05:11 | |
-Oh, yeah. Felicity. Sorry. -Er, what road are you on, Phil? | 0:05:11 | 0:05:15 | |
I haven't got a Scooby Doo where we are. | 0:05:15 | 0:05:17 | |
We just parked the van and went for a wander. | 0:05:17 | 0:05:19 | |
How about the traffic news around the country, Phil? | 0:05:19 | 0:05:23 | |
You'll love this, Bob. | 0:05:23 | 0:05:25 | |
Get ready! | 0:05:25 | 0:05:26 | |
A lorry's spilt a load of snooker equipment on the A39. | 0:05:26 | 0:05:31 | |
So I guess you could expect long "cues"! | 0:05:31 | 0:05:35 | |
Cues, geddit? | 0:05:35 | 0:05:36 | |
Please yourselves. | 0:05:36 | 0:05:38 | |
On the B1331, apparently a time portal has opened up. | 0:05:38 | 0:05:43 | |
Delays are expected there until last week. | 0:05:43 | 0:05:45 | |
That was Terry's that one. | 0:05:46 | 0:05:49 | |
Don't look so pleased with yourself, | 0:05:49 | 0:05:51 | |
that joke should come with an instruction manual. | 0:05:51 | 0:05:54 | |
Hang on, Phil, are you saying you're making up this traffic news? | 0:05:54 | 0:05:57 | |
-Um, is that not what Bea does? -I have no idea. | 0:05:57 | 0:06:00 | |
-No! -Well, I had to fill the airtime with something - | 0:06:00 | 0:06:03 | |
there's nowt else going on, look. | 0:06:03 | 0:06:04 | |
Well, that's where you're wrong, Phil - | 0:06:04 | 0:06:06 | |
we've tracked your phone and I'm hearing there's a major traffic | 0:06:06 | 0:06:10 | |
jam developing only a few streets from where you are right now. | 0:06:10 | 0:06:13 | |
Aha! And you want me to discover what's causing the hold-up? | 0:06:13 | 0:06:17 | |
Well, have no fear, pretty version of Bob - | 0:06:17 | 0:06:20 | |
investigative travel reporter Phil Tyme is on the case! | 0:06:20 | 0:06:24 | |
Come on - let's go and find out what the hold-up is, | 0:06:24 | 0:06:27 | |
cos this traffic "jam" is "toast". | 0:06:27 | 0:06:31 | |
See, Terry? Keep it simple. We'll see you in a bit. | 0:06:31 | 0:06:34 | |
Phil will be back with more traffic news later in the show...when | 0:06:35 | 0:06:38 | |
he finds some traffic. | 0:06:38 | 0:06:39 | |
Gah! I've got a ladder in my tights. | 0:06:39 | 0:06:41 | |
No-one can see it under the desk, Bob. | 0:06:41 | 0:06:43 | |
But it's uncomfortable! | 0:06:43 | 0:06:45 | |
Oh, that's better. | 0:06:45 | 0:06:46 | |
Although I am concerned where the roofer has gone. | 0:06:46 | 0:06:49 | |
Showbiz now... | 0:06:55 | 0:06:57 | |
Oh, you know talking in your stupid voice has given me | 0:06:57 | 0:07:00 | |
a new-found admiration for you. | 0:07:00 | 0:07:01 | |
Showbiz now, so let's go over to not Kelly Fornia, but Jahmene Mann. | 0:07:01 | 0:07:06 | |
What do you make of it so far, Jahmers? | 0:07:06 | 0:07:08 | |
I'll be straight with you... Boblicity. It's pretty bad. | 0:07:08 | 0:07:12 | |
You should know, Jahmene - there's no such thing as bad Boblicity. | 0:07:12 | 0:07:16 | |
Yeah, there is and I'm looking at it. | 0:07:16 | 0:07:19 | |
And I'm looking at you... | 0:07:19 | 0:07:21 | |
Right. Showbiz news! | 0:07:21 | 0:07:23 | |
Finn from Emmerdale contracts "Bart Simpson hand". | 0:07:23 | 0:07:27 | |
It might be my last one here. | 0:07:27 | 0:07:28 | |
I've been shortlisted for a job. | 0:07:28 | 0:07:30 | |
Young Dracula goes...live! | 0:07:30 | 0:07:33 | |
Vampiress liberation! | 0:07:34 | 0:07:35 | |
ALL: Vampiress Liberation. | 0:07:35 | 0:07:39 | |
And on EastEnders, Shirley suddenly remembers | 0:07:39 | 0:07:41 | |
the fourth letter of the alphabet. | 0:07:41 | 0:07:43 | |
Dee! | 0:07:47 | 0:07:49 | |
So get ready for my first showbiz report. | 0:07:49 | 0:07:52 | |
A new era dawns - let's meet the stars! | 0:07:52 | 0:07:56 | |
Yes, it still works! | 0:07:56 | 0:07:58 | |
Hello, Britain. | 0:07:58 | 0:08:00 | |
So, as I'm new to this, I want a guide to doing the perfect | 0:08:00 | 0:08:03 | |
interview, and helping me is Britain's best - Chris Johnson. | 0:08:03 | 0:08:07 | |
-It's Chris Johnson, everyone! -Thanks, Jahmene. | 0:08:07 | 0:08:10 | |
It's a pleasure to be here. | 0:08:10 | 0:08:11 | |
Chris, you've done loads of interviews, | 0:08:11 | 0:08:13 | |
what advice can you give me? | 0:08:13 | 0:08:15 | |
Very important, first off, you need to make sure... | 0:08:15 | 0:08:17 | |
Chris, do we have to do this interview inside? | 0:08:17 | 0:08:19 | |
It's just... I'm a lot more comfortable outdoors. | 0:08:19 | 0:08:22 | |
I suppose we could... | 0:08:22 | 0:08:23 | |
Great. If you could just hurry up, cos the walls are closing in. | 0:08:23 | 0:08:26 | |
So, tips? | 0:08:28 | 0:08:29 | |
-For starters, I'd lose the sign. -Why? | 0:08:29 | 0:08:32 | |
It's not necessary, Jahmene. | 0:08:32 | 0:08:34 | |
-I'll just take that from you. -No! Get off! | 0:08:34 | 0:08:37 | |
-My sign! -You're embarrassing yourself. | 0:08:37 | 0:08:39 | |
-It's mine. -Just give me the sign! | 0:08:39 | 0:08:41 | |
-Get off! -Let me have it! | 0:08:41 | 0:08:43 | |
-So, what else? -Well, I'd say it's very important to... | 0:08:43 | 0:08:47 | |
Chris, this feels weird. | 0:08:47 | 0:08:49 | |
I'm used to people air-guitaring or doing impressions | 0:08:49 | 0:08:52 | |
when I talk to them. | 0:08:52 | 0:08:53 | |
-I could air-guitar for a bit, if that would help. -Brilliant, yeah. | 0:08:53 | 0:08:56 | |
There we go. Cheers, Chris. So, more tips. | 0:08:56 | 0:08:58 | |
It's important to listen - don't interrupt... | 0:08:58 | 0:09:01 | |
I'm not really feeling this. | 0:09:01 | 0:09:02 | |
Could you maybe be Britain's best hip shaker as well? | 0:09:02 | 0:09:05 | |
-What, like...? -Yeah, that's it, yeah. | 0:09:05 | 0:09:07 | |
-But don't stop air-guitaring. -At the same time? | 0:09:07 | 0:09:10 | |
Yeah. So, what are the big interview no-nos? | 0:09:10 | 0:09:13 | |
Biggest one for me would be | 0:09:13 | 0:09:15 | |
to never make your guests feel ridiculous about themselves. | 0:09:15 | 0:09:17 | |
Could you do your best monkey impression? | 0:09:17 | 0:09:19 | |
I'd really rather not. | 0:09:19 | 0:09:20 | |
It'll be perfect. I'll do it with you. Look! | 0:09:20 | 0:09:23 | |
HE IMITATES A MONKEY | 0:09:23 | 0:09:26 | |
Listen, this isn't for me. | 0:09:26 | 0:09:28 | |
Good luck, and thank you for your time, but I'm done. | 0:09:28 | 0:09:31 | |
Chris, don't leave. Waggh! | 0:09:31 | 0:09:34 | |
Man down. | 0:09:35 | 0:09:37 | |
Thanks, Jahmene! | 0:09:37 | 0:09:38 | |
Showbiz isn't for you, but I'm sure you will find your niche. | 0:09:38 | 0:09:42 | |
His niche? She's probably down at the shwingsh. | 0:09:42 | 0:09:45 | |
Now it's time for us to meet the street - | 0:09:45 | 0:09:47 | |
and doing that this week is Britain's Best... | 0:09:47 | 0:09:49 | |
THEY WHISPER | 0:09:49 | 0:09:51 | |
..high-visibility jacket wearer. It's Beatrice Rhodes! | 0:09:51 | 0:09:56 | |
-Bea? -ARGH! Sorry! Is it safe to come out now? | 0:09:56 | 0:09:59 | |
So Bea, what was it like leaving traffic behind? | 0:09:59 | 0:10:02 | |
Unfortunately, Bob, I didn't. | 0:10:02 | 0:10:04 | |
Argh! Graphic! | 0:10:04 | 0:10:06 | |
Today, I'm looking for members of the...public... | 0:10:06 | 0:10:09 | |
Oh, I don't like it! | 0:10:09 | 0:10:11 | |
..who can do Britain's best...transport noises?! | 0:10:11 | 0:10:15 | |
-SHE SCREAMS -Please don't make me! | 0:10:15 | 0:10:17 | |
-Honk! -BEA SQUEALS | 0:10:21 | 0:10:22 | |
THEY IMITATE TRAIN | 0:10:22 | 0:10:24 | |
-Beep-beep! -Argh! | 0:10:24 | 0:10:26 | |
Helicopter! | 0:10:26 | 0:10:27 | |
-Choo! Choo! -Argh! | 0:10:27 | 0:10:30 | |
Argh, motorbike! | 0:10:30 | 0:10:31 | |
Broom! Broom! Broom! | 0:10:31 | 0:10:33 | |
-ALL: Nya-ow! -They're swarming! | 0:10:33 | 0:10:35 | |
-Nee-naw, nee-naw, nee-naw...! -Argh! | 0:10:35 | 0:10:38 | |
-Tickets, please. -Oh, I don't like buses! | 0:10:38 | 0:10:41 | |
SHE WHIMPERS | 0:10:41 | 0:10:43 | |
-Argh! -Ah! Sorry, sorry! | 0:10:43 | 0:10:46 | |
I'm hoping you can't impersonate a vehicle for me! | 0:10:46 | 0:10:48 | |
I'm terrified of... | 0:10:48 | 0:10:49 | |
-HE WHIMPERS -..vehicles. -Are you? | 0:10:49 | 0:10:51 | |
-Oh, thank goodness! -Yes. | 0:10:51 | 0:10:53 | |
-They're almost as scary as...BEARS! -Argh! | 0:10:53 | 0:10:56 | |
-BEARS! -WHERE?! -THEY SCREAM | 0:10:56 | 0:10:58 | |
Ah! Stop screaming! | 0:10:58 | 0:11:00 | |
-Bears can sense fear! -Stop being so scared, you're scaring me! | 0:11:00 | 0:11:03 | |
I know, sorry, but you're scaring me and that's scaring you and that's... | 0:11:03 | 0:11:06 | |
-attracting the bears! -Argh! | 0:11:06 | 0:11:09 | |
THEY SCREAM AND WHIMPER | 0:11:09 | 0:11:11 | |
Oh, that's... That's much better, thank you. | 0:11:11 | 0:11:13 | |
Beep! Beep! THEY SCREAM | 0:11:13 | 0:11:15 | |
-So, Bea... -Argh! Sorry, I wasn't ready. | 0:11:15 | 0:11:18 | |
Has doing the job swap made you think of, oh, I don't know, | 0:11:18 | 0:11:22 | |
maybe a change of career? | 0:11:22 | 0:11:23 | |
Change! Oh, I don't like it! | 0:11:23 | 0:11:26 | |
I've got the perfect career for you, Bea. | 0:11:26 | 0:11:28 | |
-Really? -Oh, yes, really. | 0:11:28 | 0:11:31 | |
A bomb disposal expert! | 0:11:31 | 0:11:33 | |
Argh! Bomb! Aagh! | 0:11:33 | 0:11:36 | |
SHE SCREAMS If you're any good at it, | 0:11:36 | 0:11:38 | |
there'll be no loud bangs. | 0:11:38 | 0:11:41 | |
That's not a real bomb, is it? | 0:11:41 | 0:11:43 | |
No, it's the fake one you gave me for Christmas. | 0:11:43 | 0:11:47 | |
BOOM! | 0:11:47 | 0:11:48 | |
So we have to go to a break now, but we'll be back after these messages. | 0:11:50 | 0:11:53 | |
We need to talk, mister. | 0:11:53 | 0:11:55 | |
OK, everyone, we're on a break, um, thing. | 0:11:57 | 0:12:00 | |
Thanks, Steve. Where's Steve? | 0:12:00 | 0:12:02 | |
-Job swap. -Oh. | 0:12:02 | 0:12:04 | |
And how do you walk in these things? I feel like Mr Tumnus. | 0:12:04 | 0:12:07 | |
OK, everyone, can I have a word please? | 0:12:07 | 0:12:09 | |
-ALL: Pointless. -Yes, yes, very good. | 0:12:09 | 0:12:10 | |
I think this is giving us all some wonderful insight into each... | 0:12:10 | 0:12:13 | |
-Henry, two things. -Yes, Nellie. | 0:12:13 | 0:12:15 | |
One - I really don't think you should have swapped | 0:12:15 | 0:12:17 | |
-the make-up artist and the cleaner. -It's just the tip of my...nose! | 0:12:17 | 0:12:20 | |
And two - I can't believe you want a journalist of my stature | 0:12:20 | 0:12:24 | |
to tell you if it's going to rain or not. | 0:12:24 | 0:12:25 | |
Everyone takes part in job swap, Nellie. No exceptions. | 0:12:25 | 0:12:28 | |
Who are you swapping with, then? | 0:12:28 | 0:12:29 | |
I'm the boss, Nellie. That would be appropriate. | 0:12:29 | 0:12:32 | |
No exceptions, Henry. Teamwork, remember! | 0:12:32 | 0:12:36 | |
You can swap with me! | 0:12:36 | 0:12:37 | |
Fine. I will swap jobs with you, then, Bob. | 0:12:37 | 0:12:39 | |
You all heard that! No givesies-backsies! | 0:12:39 | 0:12:41 | |
And now I'm in charge, I can make you do someone else's job. | 0:12:41 | 0:12:45 | |
And have I got a treat for you. Make-up! | 0:12:45 | 0:12:47 | |
Oh, now, hang on! | 0:12:47 | 0:12:48 | |
Don't worry, Henry. She's surprisingly gentle. | 0:12:48 | 0:12:51 | |
I'm afraid you missed a bit. | 0:12:51 | 0:12:52 | |
And we're back on in ten... Oh, no, in five, four... | 0:12:52 | 0:12:54 | |
Oh, now! | 0:12:54 | 0:12:56 | |
Hello and welcome back to DNN. | 0:12:59 | 0:13:01 | |
Hang on, where's Bob gone? | 0:13:01 | 0:13:02 | |
Oh, no, I'm here. | 0:13:02 | 0:13:04 | |
It's fine, Bob, I can present the show on my own. | 0:13:04 | 0:13:07 | |
I practically do anyway. | 0:13:07 | 0:13:08 | |
Don't be ridiculous, He-licity. | 0:13:08 | 0:13:11 | |
It takes two people to drive a car. | 0:13:11 | 0:13:12 | |
And that is why no-one gives you rides any more, Bob. | 0:13:12 | 0:13:16 | |
Gary! Go and sit next to "Bob", would you? | 0:13:16 | 0:13:18 | |
Yep! Right! | 0:13:18 | 0:13:20 | |
So, let's get on with the show and... | 0:13:20 | 0:13:22 | |
Do I read Bob's bits or Felicity's bits? | 0:13:22 | 0:13:24 | |
-You read Felicity's lines. -But you're Felicity. | 0:13:24 | 0:13:27 | |
No, Gary, I'm Felicity. | 0:13:27 | 0:13:29 | |
And I'm Bob. | 0:13:29 | 0:13:31 | |
I'm really confused. | 0:13:31 | 0:13:32 | |
No change there. | 0:13:32 | 0:13:33 | |
So it's time now for our special report. | 0:13:33 | 0:13:36 | |
Recently, the world's most expensive stamp was put up for auction | 0:13:36 | 0:13:39 | |
with a predicted price tag of up to £12 million. | 0:13:39 | 0:13:43 | |
For that money, I'd want my letter to go somewhere really far away, | 0:13:43 | 0:13:46 | |
like Spain. | 0:13:46 | 0:13:48 | |
Anyway, apparently, you can buy all sorts of things at auction - | 0:13:48 | 0:13:51 | |
cows, furniture, more cows. | 0:13:51 | 0:13:53 | |
To find out more, we sent the woman with an eye for a bargain | 0:13:53 | 0:13:56 | |
and a mouth for a talking, Kelly Fornia. | 0:13:56 | 0:13:58 | |
Over to you, Kelly. | 0:13:58 | 0:14:00 | |
Hi, besties! | 0:14:02 | 0:14:04 | |
Here I am doing a total serious-face report | 0:14:04 | 0:14:07 | |
from one of Britain's awesomest auction houses! | 0:14:07 | 0:14:11 | |
This is Wendy Kitchen. | 0:14:11 | 0:14:13 | |
-She's one of the auctioneers. -POSH ACCENT: -Hello, Kelly. | 0:14:13 | 0:14:15 | |
The thing I uber-heart about auctioneer voices | 0:14:15 | 0:14:18 | |
is that you talk really, really, really fast | 0:14:18 | 0:14:20 | |
and it's amazing, like you're on times 12 or times 30 or something. | 0:14:20 | 0:14:22 | |
It's a total speed-fest. Can you teach me how to do it? | 0:14:22 | 0:14:25 | |
I don't think that's really necessary, do you, Kelly? | 0:14:25 | 0:14:27 | |
You're so, so nice, thank you. | 0:14:27 | 0:14:29 | |
Anyway, Kelly, things have been rather tricky around here recently, | 0:14:29 | 0:14:32 | |
as not many buyers have been coming in. | 0:14:32 | 0:14:35 | |
Therefore, we're selling things very, very cheaply. | 0:14:35 | 0:14:39 | |
Yay, bargain balls! | 0:14:39 | 0:14:40 | |
-Er, no, Kelly. It means we're going out of business. -For reals? | 0:14:40 | 0:14:45 | |
Ooh, sad face. | 0:14:45 | 0:14:46 | |
OK, besties, investigation time. | 0:14:46 | 0:14:49 | |
Let's go shopping! | 0:14:49 | 0:14:50 | |
Oh, my wow! | 0:14:55 | 0:14:57 | |
Sparse-o-rama! | 0:14:57 | 0:14:58 | |
There's totally no-one here. | 0:14:58 | 0:15:00 | |
This is lot 139. | 0:15:01 | 0:15:03 | |
Portrait of a young man by Sandro Botticelli. | 0:15:03 | 0:15:06 | |
This is rather a special piece, | 0:15:06 | 0:15:08 | |
so I'll be starting the bidding at £5,000. | 0:15:08 | 0:15:11 | |
£5,000 to the gentleman with the glasses. | 0:15:11 | 0:15:13 | |
Oh, my wow! Is THAT what you're bidding on? | 0:15:13 | 0:15:15 | |
£6,000 to the lady with the camera crew. | 0:15:15 | 0:15:17 | |
£7,000. | 0:15:17 | 0:15:18 | |
Do I have 8,000, £8,000? | 0:15:18 | 0:15:20 | |
-You're so winning! -That's 8,000. Do I have 9? | 0:15:20 | 0:15:22 | |
-9,000? -It almost looks like J Biebs. | 0:15:22 | 0:15:24 | |
10,000, do I have 11,000? | 0:15:24 | 0:15:26 | |
£11,000. | 0:15:26 | 0:15:27 | |
-The Biebster. -12, and that's £12,000. 13. | 0:15:27 | 0:15:31 | |
-Bieber the diva. -£14,000. | 0:15:31 | 0:15:32 | |
15,000. | 0:15:32 | 0:15:33 | |
-And the price just keeps on going up! -16,000. | 0:15:33 | 0:15:37 | |
17,000 to the man with the glasses. | 0:15:37 | 0:15:39 | |
-This is awesome. -18,000 to the lady with the camera crew, thank you... | 0:15:39 | 0:15:43 | |
-Amazing! -£80,000. -Grr! | 0:15:43 | 0:15:44 | |
-£90,000. -You're so going to win! -£100,000. -Grr! -Going once... | 0:15:44 | 0:15:48 | |
Oh, no, wait! | 0:15:49 | 0:15:51 | |
Going twice. | 0:15:51 | 0:15:52 | |
-This is the best bit. -Sold... to the lady with the camera crew. | 0:15:52 | 0:15:54 | |
Yay! | 0:15:54 | 0:15:56 | |
Oh, wait. What, me? | 0:15:57 | 0:15:59 | |
Anyways, for the second part of my special report, | 0:15:59 | 0:16:03 | |
I'm going to investigate what happens when you, like, | 0:16:03 | 0:16:06 | |
buy something at an auction | 0:16:06 | 0:16:08 | |
and then try to get away with not paying for it, | 0:16:08 | 0:16:10 | |
because that's an interesting question | 0:16:10 | 0:16:12 | |
and I'm a serious journalist. Ser-ournalist, new word! | 0:16:12 | 0:16:15 | |
Er, madam! | 0:16:15 | 0:16:17 | |
BOING! | 0:16:17 | 0:16:19 | |
Time now for the sports news. | 0:16:21 | 0:16:23 | |
Yes, so let's cross over to a sports legend in his own goal - | 0:16:23 | 0:16:26 | |
it's Gary Ogden. | 0:16:26 | 0:16:29 | |
Hang on, that's me! | 0:16:29 | 0:16:30 | |
Thanks, Gary. Oh! | 0:16:32 | 0:16:33 | |
My pleasure, Gary. | 0:16:34 | 0:16:36 | |
Hang on. | 0:16:36 | 0:16:37 | |
No, no, it's my pleasure, Gary. | 0:16:37 | 0:16:39 | |
-BREATHLESSLY: -No, it's my pleasure, Gary. | 0:16:39 | 0:16:42 | |
Don't worry, Gary, mate, I've got this. | 0:16:42 | 0:16:44 | |
Yes, I'm not Gary Ogden. I'm Bob Roberts. | 0:16:44 | 0:16:47 | |
I mean, Felicity Bond... Or am I Henry Smart? | 0:16:47 | 0:16:51 | |
It's so crowded in here! | 0:16:51 | 0:16:53 | |
Anyway, this is the DNN Sports Locker | 0:16:53 | 0:16:55 | |
and these are the headlines. | 0:16:55 | 0:16:56 | |
The first entry into next year's Grand National | 0:16:56 | 0:16:59 | |
looks unlikely to win. | 0:16:59 | 0:17:00 | |
MUSIC: "Baby Elephant Walk" by Henry Mancini | 0:17:00 | 0:17:04 | |
The England cricket team's new fielder is still an improvement. | 0:17:04 | 0:17:08 | |
MUSIC: "O Fortuna" by Carl Orff | 0:17:08 | 0:17:11 | |
And there is a sporty Narnia sequel in the works | 0:17:18 | 0:17:21 | |
called The Lion, The Witch And The Paddling Pool. | 0:17:21 | 0:17:23 | |
Whoa! | 0:17:23 | 0:17:25 | |
So, what is the sport report today, Bob? | 0:17:28 | 0:17:30 | |
-Not a clue! -Well, Felicity... Bob, as you are no doubt aware, | 0:17:30 | 0:17:34 | |
the British Olympics, or Commonwealth Games | 0:17:34 | 0:17:37 | |
as they are known, are coming to Glasgow next week. | 0:17:37 | 0:17:40 | |
-I sent Gary Ogden to find out more. -Well, hang on, Gary! | 0:17:40 | 0:17:44 | |
-Aren't you supposed to swap jobs with somebody? -I have! | 0:17:44 | 0:17:47 | |
-I'm Out-And-About Gary. I have job swapped with Studio Gary. -Oh, right! | 0:17:47 | 0:17:52 | |
Well, that explains it. What?! | 0:17:52 | 0:17:53 | |
Over to you, Studio Gary. | 0:17:53 | 0:17:56 | |
Thanks, Out-And-About Gary. | 0:17:56 | 0:17:58 | |
Yes, today I'm finding out about the exciting world of long jumping, | 0:17:58 | 0:18:02 | |
or as it is known down my way, extreme beach kangarooing. | 0:18:02 | 0:18:06 | |
And to help me, I'm joined | 0:18:06 | 0:18:07 | |
by Commonwealth Gameser and close personal friend | 0:18:07 | 0:18:10 | |
Chris Tomlinson. | 0:18:10 | 0:18:12 | |
I don't think we've met. | 0:18:12 | 0:18:14 | |
Come on, Tommo, Tom-Tom Bongo. | 0:18:14 | 0:18:16 | |
I was there when you won your silver medal. You must remember. | 0:18:16 | 0:18:19 | |
It was the day I invented the Mobot. | 0:18:19 | 0:18:22 | |
You were probably distracted by winning a silver medal. Some friend! | 0:18:24 | 0:18:29 | |
What do I say when I jump? Geronimo? To infinity and beyond? | 0:18:29 | 0:18:33 | |
-You don't say anything. -OK, I'll just go with the classic, then. | 0:18:33 | 0:18:36 | |
O-O-O-O-O-O-O-O-O-O-O-O-O-O-G... | 0:18:36 | 0:18:40 | |
DEN! | 0:18:40 | 0:18:42 | |
-How's that?! -Well, that's my mark down there. | 0:18:42 | 0:18:44 | |
Yeah, but I did a star jump, mate, so points for artistic flair. | 0:18:44 | 0:18:48 | |
It's actually just for distance, Gary. | 0:18:48 | 0:18:50 | |
Chris, trust me, I've been long jumping for over 15 minutes now. | 0:18:50 | 0:18:53 | |
It's about style as well. Watch and learn, mate. | 0:18:53 | 0:18:56 | |
'And here comes Ogden with The Superman. | 0:18:56 | 0:18:59 | |
'Closely followed by The Super Egyptian. | 0:18:59 | 0:19:01 | |
'Oh, and he has pulled out The Pirate.' | 0:19:02 | 0:19:04 | |
AAAARGH! | 0:19:04 | 0:19:06 | |
'And I've got no idea what that one is!' | 0:19:06 | 0:19:08 | |
That's what I call the Beatrice Rhodes. | 0:19:10 | 0:19:12 | |
So, Chris, what do you think? | 0:19:12 | 0:19:14 | |
Bye, Gary. | 0:19:14 | 0:19:15 | |
Yes! I got a bye! | 0:19:15 | 0:19:18 | |
So, Studio Gary goes straight to the finals on his first go. | 0:19:18 | 0:19:22 | |
Take that, the Commonwealth! Back to you, Out-And-About Gary. | 0:19:22 | 0:19:25 | |
Thanks, Studio Gary. My pleasure, Out-And-About Gary. | 0:19:25 | 0:19:29 | |
-BOTH: -And that is it for Sports Locker this week. Oh! | 0:19:29 | 0:19:33 | |
I am so sorry, Out-And-About Gary What am I like? | 0:19:33 | 0:19:36 | |
Well, me! | 0:19:36 | 0:19:37 | |
THEY LAUGH | 0:19:37 | 0:19:39 | |
-BOTH: -Back to you two. Oh! | 0:19:39 | 0:19:42 | |
Oh, you silly sausage! | 0:19:42 | 0:19:43 | |
Thanks, Gary. | 0:19:43 | 0:19:45 | |
Now it's time for the weather, but instead of Davina, | 0:19:45 | 0:19:48 | |
we've got the woman who is always under a cloud, | 0:19:48 | 0:19:50 | |
-it's Nellie Osmond. -Thank you, Robert. | 0:19:50 | 0:19:52 | |
Yes, of all the jobs on DNN for which I am hugely overqualified, | 0:19:52 | 0:19:55 | |
today I have been assigned the role which is most beneath me - | 0:19:55 | 0:19:57 | |
-the weather. -I think you'll find the weather is above you, Nellie. | 0:19:57 | 0:20:00 | |
That is how weather works. | 0:20:00 | 0:20:01 | |
And what record will you be setting today, Nellie? | 0:20:01 | 0:20:04 | |
Davina's records will be pretty hard to top. | 0:20:04 | 0:20:06 | |
It's not hard to SET a record, Felicity. | 0:20:06 | 0:20:09 | |
You just do something no-one has ever tried before. | 0:20:09 | 0:20:11 | |
I have picked something which Davina has never tried before. | 0:20:11 | 0:20:14 | |
Radical! Well, to spice up things even more, | 0:20:19 | 0:20:22 | |
I've sent you a sidekick. Look, it's Flappy! Ha-ha! | 0:20:22 | 0:20:25 | |
I put him in my personal Mappy commemorative suit. | 0:20:25 | 0:20:28 | |
Why do you have a Mappy suit, Bob? | 0:20:28 | 0:20:30 | |
I think the question is, why don't you? | 0:20:30 | 0:20:32 | |
-I can't feel my cheeks. -Which cheeks? -Any of them! | 0:20:32 | 0:20:35 | |
No talking, Flappy! OK, Nellie, in three, seven... Go! | 0:20:35 | 0:20:40 | |
We start in Southampton, where it will be sunny. | 0:20:40 | 0:20:42 | |
Go away! | 0:20:42 | 0:20:44 | |
Kent will be cold, Bristol boiling. | 0:20:44 | 0:20:46 | |
It will be roasting in Rotherham and Morecambe will be muggy. | 0:20:46 | 0:20:49 | |
Seriously, get off the screen, I'm trying to do a job of work here. | 0:20:49 | 0:20:52 | |
-Buxton, breezy. Winchester, windy. -Come on, Flappy! More arms! | 0:20:52 | 0:20:56 | |
-More legs! More flap! -Stop interrupting, Robert. | 0:20:56 | 0:20:59 | |
Gales in Hale, hail in Hull. Sleet in Fleet and Derby will be dull. | 0:20:59 | 0:21:03 | |
In London, it will be drizzly, which brings us to Edinburgh, | 0:21:03 | 0:21:08 | |
which might be my home, | 0:21:08 | 0:21:09 | |
but unlike Davina and her unprofessional obsession, | 0:21:09 | 0:21:12 | |
I will treat Edinburgh like any other place, | 0:21:12 | 0:21:15 | |
even if it is Europe's most beautiful city. | 0:21:15 | 0:21:17 | |
I mean, it's the home of Holyrood Palace, the Festival and the Tattoo. | 0:21:17 | 0:21:21 | |
Birthplace of Sir Walter Scott, Sir Arthur Conan Doyle, | 0:21:21 | 0:21:25 | |
-magnificent Edinburgh! -Time's up, Nellie! | 0:21:25 | 0:21:27 | |
Jewel of the north! | 0:21:27 | 0:21:28 | |
# And I would walk 500 miles... | 0:21:28 | 0:21:31 | |
-Can you hear us? Nellie! -# And I would walk 500 more | 0:21:31 | 0:21:36 | |
-# Just to be the man who... # -Nellie! | 0:21:36 | 0:21:38 | |
And in Edinburgh, it will be overcast. And that's the weather. | 0:21:39 | 0:21:43 | |
-Thanks, Nellie. Want to know how you did? -No. | 0:21:44 | 0:21:48 | |
-Want to know how you did, Flappy? -Bob, I am not Flappy! | 0:21:48 | 0:21:51 | |
Don't spoil it, Henry, I had just started to respect you. | 0:21:51 | 0:21:53 | |
So, let's return to Phil Tyme with traffic news. Phil, go! | 0:21:58 | 0:22:02 | |
Thank you, studio. | 0:22:02 | 0:22:03 | |
It is an absolute log jam here and listen to those horns! | 0:22:03 | 0:22:07 | |
I've never known anything to honk this much | 0:22:07 | 0:22:09 | |
since the power went dead on Terry's Scotch egg fridge. | 0:22:09 | 0:22:13 | |
Gross, Phil! | 0:22:13 | 0:22:15 | |
You are welcome, Felici-bob. | 0:22:15 | 0:22:16 | |
Now, this lot might be content to sit in their vehicles, tooting away, | 0:22:16 | 0:22:20 | |
but someone has got find out what is causing this mayhem | 0:22:20 | 0:22:23 | |
and that someone is Philip Tyme, the people's travel champion. | 0:22:23 | 0:22:28 | |
-Sir, how long have you been sat here? -It's been well over an hour! | 0:22:28 | 0:22:31 | |
I'm supposed to be at a very important business meeting | 0:22:31 | 0:22:34 | |
right now and, as you can see, everyone is getting very cross! | 0:22:34 | 0:22:38 | |
I tell you, I feel very sorry for whoever has caused this | 0:22:38 | 0:22:41 | |
because this lot are going to give him a right good hiding. | 0:22:41 | 0:22:43 | |
And as we reach the front of the jam, you can understand why. | 0:22:43 | 0:22:47 | |
There is a vehicle abandoned in the middle of the road | 0:22:47 | 0:22:51 | |
and no-one can get past it. | 0:22:51 | 0:22:52 | |
I mean, what bean-brained moron would think it's OK | 0:22:52 | 0:22:56 | |
to park their stupid news van... | 0:22:56 | 0:22:58 | |
right in the middle... of a busy road. | 0:22:58 | 0:23:01 | |
Cheese and crackers, Terry! It's ours! Quick, get in! | 0:23:01 | 0:23:04 | |
Oh, no! | 0:23:04 | 0:23:06 | |
-Phil! -Yes, Felicity, not my fault. | 0:23:06 | 0:23:10 | |
Terry, you told me it was a long, thin car park, you wazzock. | 0:23:10 | 0:23:13 | |
Oh, look! A very determined autograph hunter. | 0:23:13 | 0:23:17 | |
We are very flattered, but we are in a rush, yeah? Take him back, Terry. | 0:23:17 | 0:23:21 | |
Floor it! Floor it! | 0:23:21 | 0:23:23 | |
-Take him back! -TYRES SCREECH | 0:23:23 | 0:23:25 | |
And that is all we have time for on this strange, strange day. | 0:23:25 | 0:23:29 | |
So, job-swap day. What do you say, team? Shall we do it again? | 0:23:29 | 0:23:32 | |
-No! -No! | 0:23:32 | 0:23:33 | |
-No! -ALL: No! | 0:23:33 | 0:23:35 | |
-Totally, but in no way. -No. | 0:23:35 | 0:23:38 | |
Ah, but it worked! | 0:23:38 | 0:23:39 | |
See, Henry, the whole team has pulled together | 0:23:39 | 0:23:42 | |
and agreed that job swap is the stupidest idea ever. | 0:23:42 | 0:23:47 | |
Well, at least we didn't see your don't-look-at-me hat. | 0:23:47 | 0:23:49 | |
-Don't look at me! Say goodbye, Bob. -Goodbye, Bob. | 0:23:49 | 0:23:53 | |
That actually worked. Jahmene, which of us is the better Felicity? | 0:23:53 | 0:23:57 | |
-I AM Felicity, Bob! -And I'm the upgrade! Come on, Jahmene! Choose! | 0:23:57 | 0:24:02 | |
-Fine. Choose, Jahmene. -I feel really uncomfortable. | 0:24:02 | 0:24:05 | |
This is just like the whole iOS/Android thing all over again. | 0:24:05 | 0:24:08 | |
Would it kill you to tell me for once that I am beautiful?! | 0:24:08 | 0:24:11 | |
Don't look at me! | 0:24:12 | 0:24:14 |