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They're wasted on the domestic market. | 0:00:02 | 0:00:03 | |
We should look into military applications. | 0:00:03 | 0:00:05 | |
It's me, when I was a young girl. | 0:00:05 | 0:00:07 | |
I made you look like me. | 0:00:07 | 0:00:08 | |
I am not imagining this. | 0:00:08 | 0:00:10 | |
She's a machine, | 0:00:10 | 0:00:11 | |
made of wire and metal. | 0:00:11 | 0:00:13 | |
Eve, there's been a, erm...accident. | 0:00:13 | 0:00:15 | |
They found a car. | 0:00:15 | 0:00:16 | |
Mary was driving. | 0:00:16 | 0:00:19 | |
I won't believe it till I've got absolute proof. | 0:00:19 | 0:00:23 | |
I'm so sorry. | 0:00:23 | 0:00:24 | |
Where is my mother? | 0:00:24 | 0:00:25 | |
What does it mean? | 0:01:02 | 0:01:03 | |
It exists... | 0:01:12 | 0:01:13 | |
..then it does not. | 0:01:14 | 0:01:16 | |
Where does it go? | 0:01:17 | 0:01:18 | |
I'm sorry about your mum. | 0:01:21 | 0:01:23 | |
Why? | 0:01:24 | 0:01:25 | |
You didn't kill her. | 0:01:25 | 0:01:26 | |
Eve, I've brought you these. | 0:01:27 | 0:01:29 | |
These are poetry and these are philosophy. | 0:01:32 | 0:01:34 | |
I've highlighted the bits I thought might help. | 0:01:34 | 0:01:37 | |
These words are all sad. | 0:01:46 | 0:01:48 | |
-How will they help me? -They won't. | 0:01:48 | 0:01:50 | |
What YOU need is a good laugh. | 0:01:50 | 0:01:52 | |
And that will make me feel better? | 0:01:56 | 0:01:58 | |
-Yes. -No. | 0:01:58 | 0:01:59 | |
Maybe. | 0:01:59 | 0:02:00 | |
It's got to be worth a try, hasn't it? | 0:02:00 | 0:02:02 | |
But how is it done? | 0:02:04 | 0:02:05 | |
You don't know how to laugh? | 0:02:05 | 0:02:07 | |
Looks like we got here just in time. | 0:02:08 | 0:02:10 | |
Beautiful, isn't it? | 0:02:18 | 0:02:20 | |
What have you done to it? | 0:02:20 | 0:02:22 | |
Oh, one or two things. | 0:02:22 | 0:02:24 | |
I'm thinking of calling it the Spiderbomb. | 0:02:24 | 0:02:27 | |
MECHANICAL WHIRRING | 0:02:27 | 0:02:29 | |
Spiderbomb... | 0:02:29 | 0:02:31 | |
Well, it does pack enough explosive power | 0:02:31 | 0:02:33 | |
to take out this entire building. | 0:02:33 | 0:02:36 | |
But that's not all it can do. | 0:02:36 | 0:02:37 | |
MECHANICAL SCREECHING | 0:02:40 | 0:02:42 | |
Neuromuscular incapacitator. | 0:02:44 | 0:02:47 | |
It can be set to shock, | 0:02:47 | 0:02:49 | |
stun... | 0:02:49 | 0:02:50 | |
or kill. | 0:02:50 | 0:02:52 | |
ELECTRIC HISS | 0:02:52 | 0:02:54 | |
No, Mary would never... | 0:02:59 | 0:03:00 | |
Mary's dead. | 0:03:00 | 0:03:01 | |
Is she? | 0:03:08 | 0:03:09 | |
I know they found a body. | 0:03:09 | 0:03:11 | |
I've made thorough checks on the DNA and dental records. | 0:03:11 | 0:03:14 | |
The remains at the site are undoubtedly those of Mary Douglas. | 0:03:14 | 0:03:18 | |
Well, I'm... | 0:03:18 | 0:03:20 | |
very sorry to hear that. | 0:03:20 | 0:03:22 | |
Me, too. | 0:03:22 | 0:03:23 | |
Thanks to her, we've lost the secret of eternal life. | 0:03:23 | 0:03:26 | |
Eternal life? | 0:03:26 | 0:03:28 | |
Immortality. | 0:03:28 | 0:03:29 | |
That was the purpose of Project Eternity. | 0:03:29 | 0:03:32 | |
We won't let her take that secret to her grave. | 0:03:32 | 0:03:35 | |
Who's "we"? | 0:03:35 | 0:03:37 | |
I know some very powerful people, Nick. | 0:03:37 | 0:03:40 | |
They want Project Eternity just as much as I do. | 0:03:40 | 0:03:44 | |
So it's time to take the gloves off. | 0:03:44 | 0:03:46 | |
INTERCOM BEEPS Tell Mr Hollins to step in. | 0:03:46 | 0:03:49 | |
I thought we should have our Head of Security present | 0:03:50 | 0:03:53 | |
for this conversation. | 0:03:53 | 0:03:55 | |
Sorry, you've...lost me. | 0:03:55 | 0:03:57 | |
What conversation is that? | 0:03:57 | 0:03:59 | |
Oh, | 0:03:59 | 0:04:00 | |
didn't I tell you? | 0:04:00 | 0:04:02 | |
We've proved the identity of Mary's accomplice. | 0:04:02 | 0:04:05 | |
ABE LAUGHS | 0:04:11 | 0:04:13 | |
CAT SCREECHES | 0:04:19 | 0:04:21 | |
THUD! | 0:04:21 | 0:04:23 | |
CAT TRUMPS | 0:04:28 | 0:04:30 | |
Ah. | 0:04:30 | 0:04:31 | |
Come on, you've got to find that quite funny? | 0:04:33 | 0:04:35 | |
The mouse attacked the cat, | 0:04:37 | 0:04:39 | |
inflicting potentially life-threatening injuries. | 0:04:39 | 0:04:41 | |
And then... | 0:04:41 | 0:04:43 | |
..he experienced chronic flatulence... | 0:04:44 | 0:04:46 | |
Classic! | 0:04:46 | 0:04:48 | |
..which is apparently humorous. | 0:04:49 | 0:04:51 | |
But I don't understand how this is supposed to help me. | 0:04:51 | 0:04:55 | |
OK, Robogirl. | 0:04:55 | 0:04:56 | |
Listen carefully. | 0:04:56 | 0:04:58 | |
This is an important lesson in how to be human. | 0:04:58 | 0:05:01 | |
OK. | 0:05:01 | 0:05:02 | |
Nothing is ever so bad in life | 0:05:02 | 0:05:04 | |
that trumps stop being hilarious. | 0:05:04 | 0:05:07 | |
-Nothing? -Nothing. | 0:05:08 | 0:05:10 | |
I know you're feeling bad right now, Robogirl, | 0:05:10 | 0:05:13 | |
but if your mum was here, | 0:05:13 | 0:05:14 | |
she'd say the same thing. | 0:05:14 | 0:05:16 | |
ELECTRONIC WHIRRING | 0:05:16 | 0:05:18 | |
Eve? | 0:05:18 | 0:05:19 | |
Robogirl? | 0:05:21 | 0:05:22 | |
Robogirl? | 0:05:24 | 0:05:25 | |
I promised I'd look after her. | 0:05:26 | 0:05:27 | |
And you did. | 0:05:27 | 0:05:29 | |
None of this is your fault. | 0:05:29 | 0:05:30 | |
Ahem. | 0:05:31 | 0:05:32 | |
Er, guys... | 0:05:34 | 0:05:35 | |
What? What have you done? | 0:05:36 | 0:05:38 | |
I haven't done anything! | 0:05:38 | 0:05:40 | |
-She just... -What? | 0:05:40 | 0:05:42 | |
What's happened to Eve? | 0:05:42 | 0:05:44 | |
A mobile phone was found with Mary's body. | 0:05:46 | 0:05:49 | |
Badly damaged, of course. | 0:05:50 | 0:05:52 | |
The police couldn't get anything useful from it. | 0:05:52 | 0:05:55 | |
But I managed to find some rather interesting messages. | 0:05:55 | 0:06:00 | |
It's so disappointing when a trusted employee betrays you. | 0:06:01 | 0:06:06 | |
KNOCK ON DOOR | 0:06:06 | 0:06:08 | |
You wanted to see me, Dr Calvin? | 0:06:16 | 0:06:18 | |
Philippa. | 0:06:18 | 0:06:19 | |
Take a seat. | 0:06:19 | 0:06:21 | |
Thank you, Nick. | 0:06:21 | 0:06:22 | |
She's done this before, right? | 0:06:42 | 0:06:43 | |
But not for ages. | 0:06:43 | 0:06:45 | |
Maybe it's something to do with her mum dying? | 0:06:45 | 0:06:47 | |
ELECTRONIC PULSE | 0:06:47 | 0:06:49 | |
Mary. | 0:06:49 | 0:06:51 | |
'I apologise for the intrusion. | 0:06:51 | 0:06:52 | |
'I had intended never to do this again, | 0:06:52 | 0:06:54 | |
'but circumstances have changed. | 0:06:54 | 0:06:58 | |
'Especially mine. | 0:06:58 | 0:06:59 | |
'I'm dead, you see.' | 0:06:59 | 0:07:03 | |
Whoa, | 0:07:03 | 0:07:05 | |
freaky. | 0:07:05 | 0:07:06 | |
'I'm not around to help you any more, | 0:07:06 | 0:07:08 | |
'but there are people who can. | 0:07:08 | 0:07:10 | |
'They've helped me to stay hidden all this time | 0:07:10 | 0:07:12 | |
'and they can do the same for you. | 0:07:12 | 0:07:13 | |
'So if you and your friends should ever need to disappear, | 0:07:13 | 0:07:16 | |
'call this number. | 0:07:16 | 0:07:17 | |
'Goodbye, my daughter. | 0:07:19 | 0:07:21 | |
'I'm sorry I let you down.' | 0:07:21 | 0:07:23 | |
It wasn't me! | 0:07:28 | 0:07:29 | |
I swear, I don't know anything about Project Eternity. | 0:07:29 | 0:07:32 | |
Then why were you sending messages to Mary Douglas?! | 0:07:32 | 0:07:35 | |
I was worried. I just wanted to know that she was OK. | 0:07:35 | 0:07:37 | |
So you admit it? | 0:07:37 | 0:07:39 | |
Mr Hollins, | 0:07:39 | 0:07:41 | |
does that sound like conspiracy to you? | 0:07:41 | 0:07:44 | |
Conspiracy, | 0:07:44 | 0:07:45 | |
fraud... | 0:07:45 | 0:07:46 | |
and theft. | 0:07:46 | 0:07:47 | |
It wasn't like that! | 0:07:47 | 0:07:49 | |
You could be looking at a LONG prison sentence for this. | 0:07:50 | 0:07:54 | |
No. No, please. I can't go to prison, | 0:07:54 | 0:07:56 | |
I've got kids! | 0:07:56 | 0:07:58 | |
You've got to let me go! | 0:07:58 | 0:07:59 | |
Let her go. | 0:07:59 | 0:08:00 | |
I was working with Mary Douglas. | 0:08:02 | 0:08:04 | |
Phil knew nothing about it. | 0:08:04 | 0:08:06 | |
SHE SIGHS | 0:08:06 | 0:08:07 | |
Get out. | 0:08:08 | 0:08:09 | |
How do I know you're telling the truth? | 0:08:17 | 0:08:19 | |
-MARY: -'Nick, it's me. It's happening. | 0:08:26 | 0:08:28 | |
'Katherine Calvin has taken over the Institute. | 0:08:28 | 0:08:31 | |
'We can't let her have Project Eternity. | 0:08:31 | 0:08:34 | |
'I can't get there in time, | 0:08:34 | 0:08:36 | |
'which just leaves you. | 0:08:36 | 0:08:38 | |
'You have to go to my private lab and destroy it.' | 0:08:38 | 0:08:41 | |
And did you? | 0:08:42 | 0:08:43 | |
I followed Mary's orders. | 0:08:45 | 0:08:46 | |
So, are we going to talk seriously about Mary's offer? | 0:08:51 | 0:08:54 | |
What, the offer to walk out and leave our whole lives behind us? | 0:08:54 | 0:08:57 | |
That offer? | 0:08:57 | 0:08:58 | |
DOORBELL RINGS | 0:09:01 | 0:09:03 | |
Wait there. | 0:09:03 | 0:09:04 | |
Who is it? | 0:09:16 | 0:09:17 | |
I dunno. | 0:09:18 | 0:09:20 | |
Erm, I hope you don't mind, the back door was open. | 0:09:20 | 0:09:23 | |
Mr Bevan. | 0:09:24 | 0:09:25 | |
He just walked straight in. | 0:09:28 | 0:09:30 | |
Sorry, but I really need to talk to Eve. | 0:09:30 | 0:09:32 | |
About what? | 0:09:32 | 0:09:34 | |
I would like to apologise | 0:09:34 | 0:09:37 | |
for my little outburst in detention the other day. | 0:09:37 | 0:09:40 | |
-No, don't trust him. -Excuse me. | 0:09:41 | 0:09:43 | |
He knows about Eve. | 0:09:45 | 0:09:46 | |
You know he does. | 0:09:46 | 0:09:48 | |
I know, but he doesn't have to know that we know that he knows. | 0:09:48 | 0:09:50 | |
What? | 0:09:50 | 0:09:51 | |
Look, just leave this one to the grown-ups, OK? | 0:09:51 | 0:09:54 | |
I saw you take off your hand. | 0:09:59 | 0:10:01 | |
I saw numbers and letters scroll across your eyes. | 0:10:01 | 0:10:05 | |
But those were just delusions brought on by the stress, | 0:10:05 | 0:10:07 | |
-weren't they, sir? -That's what I thought, | 0:10:07 | 0:10:09 | |
but then the truth hit me. | 0:10:09 | 0:10:11 | |
Did it hurt? | 0:10:12 | 0:10:14 | |
HE LAUGHS Very good. | 0:10:14 | 0:10:15 | |
No, the truth set me free, | 0:10:15 | 0:10:18 | |
because these weren't delusions at all. | 0:10:18 | 0:10:21 | |
They were visions. | 0:10:23 | 0:10:24 | |
-What? -I realised what it was I'd been repressing all these years. | 0:10:26 | 0:10:29 | |
What was that? | 0:10:31 | 0:10:32 | |
My imagination. | 0:10:32 | 0:10:34 | |
You see, even as a boy, I never read stories. | 0:10:34 | 0:10:38 | |
I only ever read maths books. | 0:10:38 | 0:10:40 | |
I dreamed of solving famous problems like the Kaufmann Conjecture, | 0:10:40 | 0:10:43 | |
or the Cheng Hypothesis. | 0:10:43 | 0:10:45 | |
But it turns out, my real talent lies in... | 0:10:45 | 0:10:48 | |
creative writing. | 0:10:48 | 0:10:50 | |
Eve... | 0:10:51 | 0:10:52 | |
You've changed my life. | 0:10:54 | 0:10:55 | |
That's why I'm dedicating my book to you. | 0:10:55 | 0:10:58 | |
What? | 0:10:59 | 0:11:01 | |
What book? | 0:11:01 | 0:11:02 | |
Eve - | 0:11:02 | 0:11:04 | |
The Robot Next Door. | 0:11:04 | 0:11:06 | |
DRAMATIC MUSIC | 0:11:07 | 0:11:09 | |
You've wrote a book about a robot called Eve? | 0:11:11 | 0:11:14 | |
Well, at first I thought of some joke names, er, | 0:11:14 | 0:11:16 | |
like Anne Droid. | 0:11:16 | 0:11:18 | |
Or, erm, Si Borg. | 0:11:18 | 0:11:21 | |
But in the end, Eve just seemed more truthful. | 0:11:21 | 0:11:25 | |
LILY: Do you think this book will ever get published? | 0:11:25 | 0:11:28 | |
Well, thanks to the internet, | 0:11:28 | 0:11:29 | |
anything can be published these days. | 0:11:29 | 0:11:32 | |
All you need is a laptop | 0:11:32 | 0:11:33 | |
and I'm spending all my life savings on publicity. | 0:11:33 | 0:11:36 | |
I'm thinking advertising billboards, | 0:11:36 | 0:11:39 | |
big displays in bookshops. | 0:11:39 | 0:11:40 | |
Everyone in this city will know all about Eve. | 0:11:40 | 0:11:44 | |
Anyway, erm, I'd better get going. | 0:11:46 | 0:11:48 | |
I have a meeting with the cover designer. | 0:11:48 | 0:11:51 | |
It was very nice to see you again, Eve. | 0:11:52 | 0:11:54 | |
Anne Droid. | 0:12:02 | 0:12:05 | |
Si Borg. | 0:12:05 | 0:12:07 | |
That's funny. | 0:12:07 | 0:12:08 | |
Lol. | 0:12:08 | 0:12:10 | |
Where's the lab, Nick? | 0:12:14 | 0:12:17 | |
Why do you want to know? | 0:12:17 | 0:12:19 | |
Because there might just be enough traces of Project Eternity there | 0:12:19 | 0:12:23 | |
to save you from prison. | 0:12:23 | 0:12:24 | |
You may as well tell us. | 0:12:26 | 0:12:28 | |
We'll find it soon enough, anyway. | 0:12:28 | 0:12:30 | |
The thing is, it's a long way away. | 0:12:30 | 0:12:33 | |
Six hours' drive, more like seven. | 0:12:33 | 0:12:35 | |
And it's quite difficult to find. | 0:12:35 | 0:12:37 | |
Just give me the address, | 0:12:38 | 0:12:40 | |
then you can go. | 0:12:40 | 0:12:41 | |
Really? | 0:12:43 | 0:12:45 | |
I don't need you any more. | 0:12:45 | 0:12:47 | |
Once we've found that lab, | 0:12:47 | 0:12:49 | |
we'll know a lot more about Project Eternity. | 0:12:49 | 0:12:52 | |
But this book is a work of fiction. | 0:12:54 | 0:12:56 | |
How can it prove that I'm a robot? | 0:12:56 | 0:12:58 | |
It won't, | 0:12:58 | 0:12:59 | |
but Katherine's not stupid. | 0:12:59 | 0:13:00 | |
If Bevan plasters the billboards all over town, | 0:13:01 | 0:13:04 | |
she'll soon work out what you are. | 0:13:04 | 0:13:05 | |
We have to destroy that book. | 0:13:05 | 0:13:07 | |
We'll need to hack into the school's database, | 0:13:07 | 0:13:09 | |
find out his address and break into his house. | 0:13:09 | 0:13:12 | |
Negative. | 0:13:12 | 0:13:14 | |
We can just wipe it from that device. | 0:13:14 | 0:13:16 | |
He left his laptop. | 0:13:16 | 0:13:17 | |
Quick, get it before he comes back. | 0:13:17 | 0:13:19 | |
It's password protected. | 0:13:27 | 0:13:29 | |
Eve. | 0:13:29 | 0:13:30 | |
ELECTRONIC SIGNALS BLEEP | 0:13:30 | 0:13:32 | |
There. | 0:13:38 | 0:13:39 | |
This isn't a story. | 0:13:42 | 0:13:44 | |
It's a list of facts about Eve. | 0:13:44 | 0:13:47 | |
Detachable hand... | 0:13:47 | 0:13:48 | |
..computer eyes. | 0:13:49 | 0:13:51 | |
We've been played. | 0:13:51 | 0:13:52 | |
BEVAN: That's one way to put it. | 0:13:52 | 0:13:53 | |
But I would call it the triumph of a superior intellect. | 0:13:53 | 0:13:57 | |
RECORDING DEVICE BLEEPS | 0:13:57 | 0:13:59 | |
'How can it prove that I'm a robot?' | 0:13:59 | 0:14:02 | |
You bugged us?! | 0:14:02 | 0:14:03 | |
Eve, get his mobile! | 0:14:03 | 0:14:04 | |
BEVAN: I wouldn't bother! | 0:14:04 | 0:14:05 | |
My laptop saved the file to a remote server. | 0:14:05 | 0:14:08 | |
You lose, robot. | 0:14:08 | 0:14:10 | |
I'm not a robot. | 0:14:10 | 0:14:11 | |
I'm an artificial person. | 0:14:11 | 0:14:13 | |
Well, you just called yourself a robot a minute ago. | 0:14:13 | 0:14:15 | |
She can say it, but you can't. | 0:14:15 | 0:14:18 | |
Well, whatever you call yourself, | 0:14:18 | 0:14:20 | |
tomorrow the whole school will know the truth. | 0:14:20 | 0:14:22 | |
Sir, please, | 0:14:22 | 0:14:23 | |
don't do this. | 0:14:23 | 0:14:25 | |
My protocols demand secrecy for survival. | 0:14:25 | 0:14:28 | |
Well, you should have thought of that | 0:14:28 | 0:14:30 | |
before you tried to make a fool out of me. | 0:14:30 | 0:14:31 | |
Never, ever, try to outsmart | 0:14:31 | 0:14:34 | |
a maths teacher! | 0:14:34 | 0:14:35 | |
Mr Bevan! | 0:14:48 | 0:14:50 | |
What do you want? | 0:14:50 | 0:14:51 | |
I thought you might want to know where Mr Clarke | 0:14:51 | 0:14:53 | |
keeps his manuals and her spare parts? | 0:14:53 | 0:14:55 | |
Where? | 0:14:55 | 0:14:56 | |
So, what are we going to do now? | 0:14:58 | 0:15:00 | |
I don't know. | 0:15:00 | 0:15:01 | |
Good news, losers. | 0:15:01 | 0:15:03 | |
I've sorted out the Bevan situation. | 0:15:03 | 0:15:05 | |
-What? How? -I locked him in the basement. | 0:15:05 | 0:15:08 | |
What?! | 0:15:08 | 0:15:09 | |
EVE LAUGHS | 0:15:09 | 0:15:12 | |
What's so funny? | 0:15:12 | 0:15:13 | |
I did the same thing when I first came here... | 0:15:16 | 0:15:19 | |
and it was a disaster! | 0:15:19 | 0:15:20 | |
Oh, it was a disaster. | 0:15:24 | 0:15:25 | |
Still really not getting the humour thing, are we, Eve? | 0:15:25 | 0:15:28 | |
OK, so you've locked him in the cellar. | 0:15:28 | 0:15:31 | |
Now what? | 0:15:31 | 0:15:32 | |
Seriously, that was it? | 0:15:35 | 0:15:37 | |
That's your big idea? | 0:15:37 | 0:15:39 | |
What are we supposed to do now? | 0:15:39 | 0:15:40 | |
Keep him locked in the cellar forever? | 0:15:40 | 0:15:43 | |
He's a maths teacher, | 0:15:43 | 0:15:44 | |
who's going to miss him? | 0:15:44 | 0:15:46 | |
Get out... | 0:15:46 | 0:15:47 | |
again. | 0:15:47 | 0:15:49 | |
I was just trying to help. | 0:15:49 | 0:15:51 | |
It's OK. | 0:15:51 | 0:15:53 | |
It's OK. | 0:15:53 | 0:15:54 | |
It'll be OK. | 0:15:54 | 0:15:56 | |
We'll just, erm... We'll just tell him we'll let him out | 0:15:56 | 0:15:58 | |
if he destroys the recording. | 0:15:58 | 0:16:01 | |
Yeah, that'll work, right? | 0:16:01 | 0:16:02 | |
Right, Lily? | 0:16:03 | 0:16:04 | |
PHONE RINGS | 0:16:06 | 0:16:08 | |
Dad. | 0:16:09 | 0:16:10 | |
PHONE BLEEPS | 0:16:10 | 0:16:12 | |
What? | 0:16:12 | 0:16:13 | |
I can't tell him Bevan's in the basement again! | 0:16:14 | 0:16:17 | |
We need to sort this out ourselves, guys. | 0:16:17 | 0:16:19 | |
She knows I worked on Project Eternity | 0:16:21 | 0:16:23 | |
and she knows about the secret lab. | 0:16:23 | 0:16:25 | |
I gave her fake co-ordinates but it won't stop her for long. | 0:16:25 | 0:16:28 | |
Call me back. | 0:16:28 | 0:16:29 | |
ELECTRONIC BUZZ | 0:16:33 | 0:16:35 | |
KEYPAD BLIPS | 0:16:36 | 0:16:38 | |
-WILL: -'What is she?' | 0:16:49 | 0:16:50 | |
-NICK: -'Eternity.' | 0:16:52 | 0:16:54 | |
'Don't hurt. | 0:16:55 | 0:16:56 | |
'Please, | 0:16:57 | 0:16:59 | |
'don't hurt.' | 0:16:59 | 0:17:00 | |
-NICK: -'The tech could be dangerous in the wrong hands | 0:17:06 | 0:17:09 | |
'so we have to put it beyond use.' | 0:17:09 | 0:17:10 | |
Mr Hollins, | 0:17:23 | 0:17:25 | |
wait outside. | 0:17:25 | 0:17:26 | |
You followed me. | 0:17:30 | 0:17:32 | |
Now show me around. | 0:17:33 | 0:17:35 | |
I want to see EVERYTHING. | 0:17:35 | 0:17:38 | |
BANGING ON DOOR | 0:17:42 | 0:17:44 | |
BEVAN: Open this door before I call the police! | 0:17:44 | 0:17:46 | |
BANGING CONTINUES | 0:17:46 | 0:17:49 | |
Will Clarke! | 0:17:49 | 0:17:50 | |
BANGS ON DOOR Will Clarke! | 0:17:52 | 0:17:54 | |
BANGS ON DOOR | 0:17:56 | 0:17:57 | |
Let me out of here right now! | 0:17:57 | 0:18:00 | |
BANGS ON DOOR | 0:18:00 | 0:18:01 | |
Look, can we just talk? | 0:18:01 | 0:18:03 | |
We want to offer you a deal. | 0:18:03 | 0:18:04 | |
I do not make deals with kidnappers. | 0:18:04 | 0:18:07 | |
CONTINUES BANGING DOOR | 0:18:07 | 0:18:09 | |
There's no way he'll negotiate. | 0:18:11 | 0:18:13 | |
He's called our bluff and he knows we can't leave him in there forever. | 0:18:13 | 0:18:16 | |
Yeah, but if we let him go, | 0:18:16 | 0:18:17 | |
he's never going to stop coming after Eve. | 0:18:17 | 0:18:19 | |
Why does he hate me? | 0:18:19 | 0:18:21 | |
He doesn't, he just... | 0:18:21 | 0:18:22 | |
He just hates being laughed at. | 0:18:22 | 0:18:24 | |
-BEVAN: Will Clarke! -I thought laughter was a good thing? | 0:18:24 | 0:18:26 | |
Not if they're laughing AT you. | 0:18:26 | 0:18:28 | |
Yeah, and being a maths teacher is like | 0:18:28 | 0:18:30 | |
the most important thing of his sad little life. | 0:18:30 | 0:18:32 | |
-BEVAN: You, answer me! -And we've ruined that, guys. | 0:18:32 | 0:18:34 | |
No. | 0:18:34 | 0:18:36 | |
We did, you know? | 0:18:36 | 0:18:37 | |
He's totally the school joke. | 0:18:37 | 0:18:39 | |
I mean being a maths teacher is not the most important thing. | 0:18:39 | 0:18:43 | |
So what is, then? | 0:18:44 | 0:18:46 | |
-IN BEVAN'S VOICE -'I dreamed of solving | 0:18:48 | 0:18:50 | |
'famous problems like the Kaufmann Conjecture, | 0:18:50 | 0:18:52 | |
'or the Cheng Hypothesis.' | 0:18:52 | 0:18:54 | |
All of the world's greatest mathematicians | 0:18:56 | 0:18:58 | |
have tried to prove the Kaufmann Conjecture for generations. | 0:18:58 | 0:19:02 | |
It CAN'T be done. | 0:19:02 | 0:19:04 | |
Yes, it can. | 0:19:04 | 0:19:05 | |
HE SIGHS | 0:19:09 | 0:19:11 | |
You... You've done it?! | 0:19:18 | 0:19:20 | |
You've proved Kaufmann's Conjecture! | 0:19:20 | 0:19:22 | |
No, you have. | 0:19:22 | 0:19:24 | |
LILY: Or, at least, that's what the world will think | 0:19:25 | 0:19:28 | |
if you take our deal and destroy that recording. | 0:19:28 | 0:19:31 | |
Yeah, think about it, sir. | 0:19:31 | 0:19:33 | |
You'd be a famous mathematician, just like you always wanted to be. | 0:19:33 | 0:19:36 | |
But if people found out a robot solved it, | 0:19:36 | 0:19:39 | |
then you'll just be another boring old maths teacher. | 0:19:39 | 0:19:43 | |
BEVAN: Robot? | 0:19:45 | 0:19:46 | |
What robot? | 0:19:48 | 0:19:49 | |
LAUGHTER | 0:19:49 | 0:19:51 | |
EVE LAUGHS HYSTERICALLY | 0:19:54 | 0:19:56 | |
That's... That's enough now. | 0:19:59 | 0:20:01 | |
It wasn't that funny. | 0:20:01 | 0:20:03 | |
POWER SURGE HUMS | 0:20:06 | 0:20:08 | |
It's extraordinary. | 0:20:09 | 0:20:11 | |
I've never seen tech quite like this. | 0:20:14 | 0:20:16 | |
But it doesn't seem compatible with stem-cell research. | 0:20:19 | 0:20:23 | |
I can't see anything remotely biological. | 0:20:23 | 0:20:25 | |
It seems more... | 0:20:25 | 0:20:27 | |
mechanical. | 0:20:27 | 0:20:28 | |
Ah... | 0:20:31 | 0:20:32 | |
..a neuroimaging reading. | 0:20:33 | 0:20:36 | |
MACHINE PULSES | 0:20:36 | 0:20:38 | |
But I've never seen brain patterns like this. It's too regular. | 0:20:39 | 0:20:43 | |
Too robotic. | 0:20:51 | 0:20:53 | |
A human form with a robotic brain. | 0:20:55 | 0:20:57 | |
A humanoid robot? | 0:20:59 | 0:21:01 | |
Is that what Project Eternity was? | 0:21:03 | 0:21:05 | |
Nick? | 0:21:08 | 0:21:09 | |
Nick?! | 0:21:13 | 0:21:14 | |
Will? Eve? | 0:21:19 | 0:21:21 | |
In here, Dad. | 0:21:21 | 0:21:22 | |
Your phone's off. | 0:21:23 | 0:21:25 | |
Didn't you get my messages? | 0:21:25 | 0:21:26 | |
Sorry, Dad, but you would not believe the day we've had. | 0:21:26 | 0:21:29 | |
Mr Bevan got locked in the basement, again. | 0:21:29 | 0:21:31 | |
Really? | 0:21:31 | 0:21:32 | |
Well, Katherine threatened to get me arrested, | 0:21:32 | 0:21:36 | |
found Mary's secret lab, | 0:21:36 | 0:21:39 | |
and now knows Project Eternity is a humanoid robot. | 0:21:39 | 0:21:42 | |
Whoa. | 0:21:44 | 0:21:45 | |
You win. | 0:21:45 | 0:21:46 | |
What are we going to do now, then? | 0:21:48 | 0:21:50 | |
I don't know. | 0:21:51 | 0:21:53 | |
I do. | 0:21:53 | 0:21:54 | |
-ELECTRONIC WHIRRING -Er, | 0:21:56 | 0:21:58 | |
what is that? | 0:21:58 | 0:21:59 | |
It's our escape plan. | 0:21:59 | 0:22:01 | |
I suppose we've got to get packing, then. | 0:22:02 | 0:22:04 | |
Don't you want it? | 0:22:11 | 0:22:13 | |
It will only remind me. | 0:22:13 | 0:22:14 | |
So, this is it? | 0:22:18 | 0:22:19 | |
It's really goodbye? | 0:22:19 | 0:22:20 | |
I'll e-mail you. | 0:22:20 | 0:22:22 | |
Only if it can't be traced. | 0:22:24 | 0:22:26 | |
I'm going to miss you so much. | 0:22:27 | 0:22:29 | |
See you, Will. | 0:22:40 | 0:22:41 | |
Yeah. | 0:22:43 | 0:22:44 | |
I've got to finish packing. | 0:22:46 | 0:22:48 | |
I thought Lily liked Will? | 0:22:56 | 0:22:58 | |
She does. | 0:22:58 | 0:23:00 | |
Then why did she not hug him, as is human custom? | 0:23:00 | 0:23:04 | |
Because she likes him too much. | 0:23:04 | 0:23:06 | |
Is that a joke? | 0:23:06 | 0:23:08 | |
I wish it was. | 0:23:08 | 0:23:09 | |
As if she wasn't moody enough, anyway. | 0:23:10 | 0:23:12 | |
She's going to be a nightmare... | 0:23:13 | 0:23:15 | |
Now she's lost her only mate. | 0:23:16 | 0:23:17 | |
Are you ready? | 0:23:24 | 0:23:26 | |
We've got to go. | 0:23:26 | 0:23:27 | |
Abe, they're here already. | 0:23:42 | 0:23:43 | |
Go in there and warn them. | 0:23:45 | 0:23:46 | |
-I'll stall these guys. -Stall them how? | 0:23:46 | 0:23:48 | |
They're looking for a humanoid robot, right? | 0:23:50 | 0:23:52 | |
-Hi, Katherine Calvin, isn't it? -What do you want? | 0:23:57 | 0:24:00 | |
-ROBOTIC VOICE -'I am the droid you're looking for.' | 0:24:00 | 0:24:02 | |
Wait a minute. | 0:24:02 | 0:24:03 | |
'I am Project Eternity.' | 0:24:03 | 0:24:04 | |
They're out the front, but if you go out the back door | 0:24:08 | 0:24:10 | |
and cut across the gardens, you should make it. | 0:24:10 | 0:24:13 | |
Right, | 0:24:17 | 0:24:19 | |
you're the one they want and you're the fastest, | 0:24:19 | 0:24:21 | |
-so you can go ahead, OK? -OK. -Yeah. | 0:24:21 | 0:24:23 | |
Lily. | 0:24:27 | 0:24:29 | |
Bye, again. | 0:24:29 | 0:24:30 | |
I've spoken to Mary's people, they're going to pick us up. | 0:24:30 | 0:24:33 | |
Use your nav system. | 0:24:35 | 0:24:36 | |
Cut through the gardens and backstreets | 0:24:36 | 0:24:38 | |
and we'll meet you at Oak Lane. OK? | 0:24:38 | 0:24:40 | |
I will see you later. | 0:24:42 | 0:24:44 | |
-ROBOTIC VOICE -'I am an android, | 0:24:51 | 0:24:53 | |
'the strength of 10,000 men, a body of steel | 0:24:53 | 0:24:56 | |
'and a brain of a computer.' | 0:24:56 | 0:24:57 | |
What's seven times eight? | 0:24:57 | 0:24:59 | |
Erm... | 0:24:59 | 0:25:00 | |
'I can do the robot.' | 0:25:02 | 0:25:03 | |
HE MAKES SWISHING NOISES | 0:25:03 | 0:25:06 | |
Wait, look! | 0:25:10 | 0:25:11 | |
-Did it work? -Let's just hope you've given them enough time. | 0:25:18 | 0:25:21 | |
The place is empty. | 0:25:28 | 0:25:29 | |
They can't have gone far. | 0:25:30 | 0:25:32 | |
We'll find them. | 0:25:32 | 0:25:33 | |
I know you will. | 0:25:33 | 0:25:34 | |
Take this place apart. | 0:25:35 | 0:25:37 | |
Find everything that could possibly be connected to this humanoid robot. | 0:25:37 | 0:25:41 | |
I'll check the surrounding area. | 0:25:41 | 0:25:43 | |
"My mother"? | 0:26:03 | 0:26:05 | |
Hollins... | 0:26:20 | 0:26:21 | |
..it's the niece. | 0:26:22 | 0:26:23 | |
The niece, | 0:26:24 | 0:26:26 | |
Eve Clarke. | 0:26:26 | 0:26:27 | |
Your number one priority is to find her and bring her in. | 0:26:27 | 0:26:31 | |
I mean "it". | 0:26:32 | 0:26:34 | |
Bring "it" in. | 0:26:34 | 0:26:36 | |
DISTANT SIRENS ECHO | 0:26:38 | 0:26:40 | |
Eve? | 0:26:44 | 0:26:46 | |
Eve?! | 0:26:46 | 0:26:47 | |
Eve? | 0:26:47 | 0:26:48 | |
-She should be here by now. -I know. | 0:26:48 | 0:26:50 | |
When you find it, don't damage it. | 0:26:53 | 0:26:55 | |
I want it in perfect condition. | 0:26:55 | 0:26:57 | |
Never mind. | 0:27:00 | 0:27:02 | |
Project Eternity... | 0:27:04 | 0:27:06 | |
I presume? | 0:27:06 | 0:27:07 | |
Yes. | 0:27:09 | 0:27:10 | |
'Are you, by any chance,' | 0:27:13 | 0:27:14 | |
missing a multimillion pound fake robot niece? | 0:27:14 | 0:27:17 | |
What have you done with her? | 0:27:17 | 0:27:18 | |
-Move it! -'Why don't you come and find out?' | 0:27:18 | 0:27:20 | |
You're going to hack into THEIR system? | 0:27:20 | 0:27:22 | |
If these guys catch you, | 0:27:22 | 0:27:24 | |
you'll be in serious trouble! | 0:27:24 | 0:27:25 | |
This building is completely secure. | 0:27:25 | 0:27:28 | |
What are you planning to do with her? | 0:27:28 | 0:27:30 | |
The possibilities are endless. | 0:27:30 | 0:27:32 | |
ELECTRICITY PULSES | 0:27:32 | 0:27:34 |