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# You gotta watch this | 0:00:03 | 0:00:05 | |
# You gotta watch this | 0:00:06 | 0:00:09 | |
# You gotta watch this! | 0:00:09 | 0:00:11 | |
# My, my, my, my programme hits you | 0:00:12 | 0:00:15 | |
# So hard, makes me say, oh my word | 0:00:15 | 0:00:17 | |
# Thank you for watching me | 0:00:17 | 0:00:19 | |
# It's telly but not what you normally see | 0:00:19 | 0:00:21 | |
# It feels good There's out-takes too | 0:00:21 | 0:00:23 | |
# Comedy, guests and clips It's true | 0:00:23 | 0:00:25 | |
# So sit back, don't eat too much | 0:00:25 | 0:00:27 | |
# This is the show you can't touch | 0:00:27 | 0:00:29 | |
-# -Stop! -Hacker time! # | 0:00:29 | 0:00:31 | |
Thank you. | 0:00:31 | 0:00:32 | |
Hello! I'm Hacker, and this is Hacker Time. | 0:00:34 | 0:00:39 | |
It's a right good show, you know. | 0:00:39 | 0:00:41 | |
Coming up, we've got this, | 0:00:41 | 0:00:44 | |
this, | 0:00:44 | 0:00:46 | |
and these. | 0:00:46 | 0:00:48 | |
It's going to be a great show. | 0:00:48 | 0:00:50 | |
Nothing can possibly go wrong. | 0:00:50 | 0:00:52 | |
Huh! | 0:00:54 | 0:00:56 | |
Herman! | 0:00:58 | 0:00:59 | |
-Herman! -HERMAN SNORES | 0:00:59 | 0:01:01 | |
Why have you sped up the music? | 0:01:01 | 0:01:03 | |
Herman! | 0:01:03 | 0:01:05 | |
No-o-o! | 0:01:05 | 0:01:07 | |
Oh, budgies. That was supposed to be my big posh beginning bit. | 0:01:13 | 0:01:18 | |
Derek! Play the first tape! | 0:01:18 | 0:01:20 | |
Ooh, heck. Uh, running them! | 0:01:20 | 0:01:23 | |
I'm livid here. Ooh, me spinal column. | 0:01:23 | 0:01:26 | |
Ow! | 0:01:26 | 0:01:28 | |
So what have the boys got to do? | 0:01:30 | 0:01:32 | |
-Right, today, the boys... -THEY LAUGH | 0:01:32 | 0:01:34 | |
Let them have a minute. | 0:01:34 | 0:01:36 | |
'This lot have all got the giggles! Look at them!' | 0:01:36 | 0:01:39 | |
THEY ALL LAUGH | 0:01:43 | 0:01:47 | |
It's his fault! | 0:01:47 | 0:01:49 | |
Ooh. Ha-ha-ha-ha! | 0:01:49 | 0:01:51 | |
Ho-ho-ho-ho. | 0:01:53 | 0:01:55 | |
MUSIC: "Smile" by The Supernaturals | 0:01:57 | 0:02:01 | |
Are you all right? | 0:02:12 | 0:02:15 | |
I can't believe I did that. | 0:02:15 | 0:02:17 | |
Ha-ha-ha, what a load of nonsense! | 0:02:20 | 0:02:23 | |
More hilarious LOLs like that later. | 0:02:23 | 0:02:25 | |
WALTZING MUSIC | 0:02:25 | 0:02:27 | |
Left-two-three, right two-three... | 0:02:27 | 0:02:29 | |
Wally, you've got two left feet when it comes to dancing, you heffalump! | 0:02:29 | 0:02:32 | |
Hacker! Your guest's here! | 0:02:32 | 0:02:36 | |
You're going to like this. It's today's guest! | 0:02:36 | 0:02:39 | |
Although he doesn't know it yet. | 0:02:39 | 0:02:41 | |
SCARY MUSIC | 0:02:41 | 0:02:42 | |
Ooh, sequinned shirt? Brilliant! | 0:02:44 | 0:02:50 | |
Ladies and gentlemen, please welcome today's very special guest, | 0:02:51 | 0:02:56 | |
Strictly Come Dancing's Anton Du Beke. | 0:02:56 | 0:02:59 | |
Special guest? | 0:03:02 | 0:03:04 | |
I'm here for the sequinned shirt sale. | 0:03:04 | 0:03:06 | |
-Hello, Anton! -Oh, hello, young lady. | 0:03:06 | 0:03:09 | |
Lady? How dare you? I've got boy bits. | 0:03:09 | 0:03:13 | |
I'm sorry. Are you running the sequinned shirt sale? | 0:03:13 | 0:03:16 | |
Because I could do with a few new spangly numbers. | 0:03:16 | 0:03:18 | |
I was thinking maybe something purple or orange. | 0:03:18 | 0:03:21 | |
Look, Anthony, I'm not going to lie to you. | 0:03:21 | 0:03:23 | |
There are no sequinned shirts. | 0:03:23 | 0:03:25 | |
No sequinned shirts? | 0:03:25 | 0:03:27 | |
It's all been a clever and elaborate ruse to get you here. | 0:03:27 | 0:03:30 | |
Lock the doors, Derek! | 0:03:30 | 0:03:32 | |
I'm Hacker the dog, and you're going to be today's guest on my show. | 0:03:34 | 0:03:38 | |
-Your show? Will I... will I be on camera? -Yeah. | 0:03:38 | 0:03:42 | |
Can I get to do some dancing? | 0:03:42 | 0:03:44 | |
-Oh, if you must. -How about that? | 0:03:44 | 0:03:46 | |
Will you sit down, please. | 0:03:46 | 0:03:47 | |
Now, Anton, | 0:03:47 | 0:03:49 | |
I thought I'd give the viewers at home a chance to find out | 0:03:49 | 0:03:52 | |
if there's more to you than fancy dancing outfits. | 0:03:52 | 0:03:55 | |
So I made this fact file. Have a look. Push that red lever. | 0:03:55 | 0:03:58 | |
'Anton Du Beke is a dancer on Strictly Come Dancing. | 0:03:58 | 0:04:02 | |
'It's a show where he takes ladies who can't dance | 0:04:02 | 0:04:05 | |
'and teaches them how to dance a tiny weeny bit better. | 0:04:05 | 0:04:09 | |
'He always looks very graceful. Look! | 0:04:09 | 0:04:12 | |
'And here! | 0:04:12 | 0:04:14 | |
'And here...no, oh well. | 0:04:14 | 0:04:16 | |
'At least he's always well-dressed. | 0:04:16 | 0:04:19 | |
'What the budgies? | 0:04:19 | 0:04:20 | |
'Oh, it's Anton Du Beke.' | 0:04:20 | 0:04:22 | |
You wear some strange clobber, don't you? | 0:04:22 | 0:04:25 | |
I rather like it, actually. | 0:04:25 | 0:04:28 | |
It's hideous. | 0:04:28 | 0:04:29 | |
Now, Anton, you think you're pretty good at dancing, don't you? | 0:04:29 | 0:04:33 | |
Well, yes, I do think that, yes. | 0:04:33 | 0:04:36 | |
You've got a lot to learn, Mr Beak. I can make you even betterer. | 0:04:36 | 0:04:41 | |
You? | 0:04:41 | 0:04:42 | |
Yeah. Watch and learn, dear boy, watch and indeed learn. | 0:04:42 | 0:04:46 | |
Blue lever! | 0:04:46 | 0:04:48 | |
Welcome to the Betterer Arena! | 0:04:49 | 0:04:51 | |
Today I'll show you how to become the bettererest dancer | 0:04:51 | 0:04:55 | |
in a few simple steps. | 0:04:55 | 0:04:57 | |
Step one is simple. To dance, you have to look cool. | 0:05:00 | 0:05:04 | |
I'll just go and get ready. | 0:05:04 | 0:05:06 | |
Hello? Hello, dogface? | 0:05:07 | 0:05:09 | |
I'm here for the dancing. | 0:05:09 | 0:05:11 | |
Not dressed like that, you're not. Get out of it! | 0:05:11 | 0:05:15 | |
Oh, but it's silken. | 0:05:15 | 0:05:17 | |
Y'all right? Let's get this disco started. | 0:05:17 | 0:05:20 | |
-I'm the party animal and I'm ready to be let off the leash. -Sorry, Gary. | 0:05:20 | 0:05:24 | |
The uncool party for uncool people is next door. | 0:05:24 | 0:05:28 | |
Is it? Right, I'll go there, then. | 0:05:28 | 0:05:31 | |
Yo! | 0:05:31 | 0:05:32 | |
Forget the sequins and the fake tan, | 0:05:32 | 0:05:34 | |
this is what makes me the ultimate dancer. | 0:05:34 | 0:05:36 | |
Hit it! | 0:05:36 | 0:05:37 | |
MUSIC: "Bob The Builder" theme | 0:05:37 | 0:05:39 | |
What are you doing with that? | 0:05:39 | 0:05:40 | |
This is not my music. Turn that off! It's not mine! | 0:05:40 | 0:05:43 | |
Stupid DJ! Right, so I look the part now. | 0:05:45 | 0:05:49 | |
It's time to get me a dream dance partner. | 0:05:49 | 0:05:52 | |
Yes, just waiting for my dancing partner to arrive... | 0:05:52 | 0:05:55 | |
Oh, I'm sorry, Mrs Crab-Fossay, can you move on, please? | 0:05:55 | 0:05:59 | |
I'm waiting for a dream dance partner. | 0:05:59 | 0:06:01 | |
-Why? I am your ultimate dance partner, little pup. -What? | 0:06:01 | 0:06:05 | |
-But look at the state of you! -Now, now. Let's dance. Hit it! | 0:06:05 | 0:06:09 | |
MUSIC PLAYS | 0:06:09 | 0:06:11 | |
Ow! Get off me! Fossay! Crab-Fossay! | 0:06:11 | 0:06:13 | |
-You're going to stand on me foot! -CRUNCH | 0:06:13 | 0:06:16 | |
-Ah! Get off me! -Oh, nonsense. Don't be such a softy. | 0:06:16 | 0:06:19 | |
-Come on, I'll swing you around a bit. -No, you won't! | 0:06:19 | 0:06:22 | |
Ow, get off me! | 0:06:22 | 0:06:26 | |
No! Crab-Fossay! | 0:06:26 | 0:06:28 | |
CRASH | 0:06:28 | 0:06:29 | |
Whoopsie! | 0:06:29 | 0:06:32 | |
Right, step three. Let's go extreme. | 0:06:34 | 0:06:37 | |
Do not try this at home! I am a professional. Hit it! | 0:06:37 | 0:06:41 | |
Here we go, stand by. | 0:06:41 | 0:06:44 | |
Here's the back flip! | 0:06:44 | 0:06:46 | |
And now the legendary cartwheel. | 0:06:47 | 0:06:49 | |
And now, the extreme ice cube flip 4000! | 0:06:52 | 0:06:55 | |
CRASH | 0:06:56 | 0:06:57 | |
See that, Du Beke? I am a betterer dancer than you. | 0:06:57 | 0:07:02 | |
So you meant to hurt yourself there, did you? | 0:07:02 | 0:07:05 | |
Dear man, that was merely an expression of my inner anguish | 0:07:05 | 0:07:08 | |
through the power of dance and that. | 0:07:08 | 0:07:10 | |
I'm glad you're here, Anton, because I need to ask you about Len Goodman, | 0:07:10 | 0:07:15 | |
that judge man off Strictly Come Dancing. | 0:07:15 | 0:07:17 | |
Oh, yeah. Lenny. | 0:07:17 | 0:07:19 | |
He's a good judge, but he's not got a lot to say for himself, has he? | 0:07:19 | 0:07:23 | |
Oh, yes, he has. | 0:07:23 | 0:07:25 | |
Well, he's always on about the same stuff, in my experience. | 0:07:25 | 0:07:28 | |
Watch this, I'll give him a ring. | 0:07:28 | 0:07:31 | |
Hello? Hello, Len. | 0:07:31 | 0:07:33 | |
-Leonard, yeah, it's Hacker. -Put it on speakerphone. | 0:07:33 | 0:07:36 | |
Hi Len, I just phoned for a little chat, you all right? | 0:07:38 | 0:07:42 | |
What time shall we meet for dinner tonight? | 0:07:42 | 0:07:44 | |
-Seven. -Ooh. How many people are you bringing with you? | 0:07:44 | 0:07:48 | |
-Seven. -Crikey, that's a lot. -It is a lot. | 0:07:48 | 0:07:51 | |
How many courses are we eating? | 0:07:51 | 0:07:53 | |
-Seven. -Oh, wowser! -He must be hungry. | 0:07:53 | 0:07:56 | |
Yeah, he's starving. Hey, can you pick me up, Len? | 0:07:56 | 0:07:58 | |
Do you remember what number I live at? | 0:07:58 | 0:08:00 | |
-Seven. -Yeah, that's right. | 0:08:00 | 0:08:02 | |
While we're here, I've got a few more questions for you. | 0:08:02 | 0:08:05 | |
What's your favourite number? | 0:08:05 | 0:08:07 | |
-Seven. -What's half of 14? | 0:08:07 | 0:08:09 | |
-Seven. -How many days are there in a week? | 0:08:09 | 0:08:11 | |
-Seven. -What time was dinner again? | 0:08:11 | 0:08:13 | |
-Seven. -Do you want me to bring Anton with me? | 0:08:13 | 0:08:16 | |
No. | 0:08:16 | 0:08:18 | |
PHONE GOES DEAD | 0:08:18 | 0:08:20 | |
He must have hung up. | 0:08:20 | 0:08:21 | |
-That's a bit...rude. -Bit harsh that, wasn't it? -Bit harsh. | 0:08:21 | 0:08:24 | |
Anyway, Anton, let's talk about you. | 0:08:24 | 0:08:27 | |
I want to find out more about dancing. | 0:08:27 | 0:08:29 | |
Do you want me to show you some of my brilliant ballroom moves? | 0:08:29 | 0:08:32 | |
Er, yeah, later. I've got some questions for you first. | 0:08:32 | 0:08:35 | |
-OK. -What is your favourite dance to do? Mine is the macarena. | 0:08:35 | 0:08:40 | |
Ah-ah-ah-ah-ah, oo-oo-ooh. | 0:08:40 | 0:08:42 | |
I think I'd like to join you in one of those, actually. | 0:08:42 | 0:08:47 | |
That was rather good. | 0:08:47 | 0:08:48 | |
You also do that Hole In The Wall show, don't you? | 0:08:48 | 0:08:50 | |
-Brilliant. -What are your top three walls? | 0:08:50 | 0:08:53 | |
I like... I like a small wall at the end of the garden. | 0:08:53 | 0:08:57 | |
I like a blindfolded wall, | 0:08:57 | 0:09:00 | |
and I like a Perspex wall. | 0:09:00 | 0:09:02 | |
Odd. | 0:09:02 | 0:09:03 | |
Anton, do you weigh...an ton? | 0:09:03 | 0:09:06 | |
No. | 0:09:08 | 0:09:09 | |
Ha-ha, I like that. Now, how long have you... Oh, excuse me a minute. | 0:09:09 | 0:09:13 | |
How long have you been... | 0:09:13 | 0:09:15 | |
How long have you... | 0:09:15 | 0:09:17 | |
WILL YOU STOP IT, TIMMY? | 0:09:17 | 0:09:19 | |
Oh, Hacker, stop upsetting Anton with your stupid questions. | 0:09:20 | 0:09:24 | |
Hey, look at the new dance I learnt. | 0:09:24 | 0:09:27 | |
First you go that way, then you go that way, and then you... | 0:09:27 | 0:09:31 | |
Jump for your life! Yaah! | 0:09:31 | 0:09:32 | |
I'm not so sure about the last bit. | 0:09:32 | 0:09:36 | |
-Ow! -Ah! Stop it! Oh, that's got it. | 0:09:36 | 0:09:40 | |
So how long have you been... | 0:09:40 | 0:09:42 | |
Um, oh, forgotten the question. Never mind, eh? | 0:09:42 | 0:09:46 | |
Let's do something else. | 0:09:46 | 0:09:48 | |
Shall we watch some people falling over dancing? | 0:09:48 | 0:09:50 | |
Or we could see some of my amazing dancing moves. | 0:09:50 | 0:09:55 | |
Later, Anthony, I've told you that. Now press that thing! | 0:09:55 | 0:09:58 | |
MUSIC: "Better The Devil You Know" by Kylie Minogue | 0:10:01 | 0:10:06 | |
'Nice dance routine here, yeah. All looking good.' | 0:10:06 | 0:10:09 | |
-SMACK -'Oh! Right in the thumbsquadge.' | 0:10:09 | 0:10:12 | |
PIANO MUSIC | 0:10:14 | 0:10:16 | |
'Very graceful, very elegant. | 0:10:16 | 0:10:18 | |
'Oi! Watch it, love! | 0:10:18 | 0:10:20 | |
'Ooh, what a good dancer he is, ain't he, in his skates there. | 0:10:22 | 0:10:26 | |
'Ooh, look!' | 0:10:26 | 0:10:28 | |
MUSIC: "Hot Hot Hot" by Arrow | 0:10:30 | 0:10:33 | |
'Oh, Strictly Come Dancing. They never go wrong on this. Never. | 0:10:37 | 0:10:43 | |
'Hang on a minute, what's going on here? | 0:10:43 | 0:10:46 | |
'Oh, his microphone's gone adrift. | 0:10:46 | 0:10:48 | |
Hold on, just a minute. Whoa, whoa, wait. Hold it. | 0:10:51 | 0:10:56 | |
I'm so sorry! | 0:10:56 | 0:10:58 | |
-Can we have another go? Please can we have another go? -The microphone... | 0:10:58 | 0:11:02 | |
Please, please, please! | 0:11:02 | 0:11:04 | |
The microphone came off. | 0:11:04 | 0:11:05 | |
OK, get the microphone in the right place or get rid of the damn thing. | 0:11:05 | 0:11:09 | |
Who's this? Who are you? | 0:11:09 | 0:11:12 | |
LAUGHTER AND APPLAUSE | 0:11:20 | 0:11:21 | |
OK! | 0:11:21 | 0:11:24 | |
Let us know when you're ready, my darlings. Don't worry. | 0:11:24 | 0:11:27 | |
When something happens like that, that's show business. | 0:11:27 | 0:11:30 | |
What a load of Charlies. | 0:11:33 | 0:11:35 | |
Right, Du Beke, | 0:11:35 | 0:11:36 | |
I have some more questions for you. | 0:11:36 | 0:11:38 | |
-Fire away. -And take them seriously! This is the proper educational bit. | 0:11:38 | 0:11:43 | |
Lights, please, Herman! | 0:11:43 | 0:11:45 | |
Y'awroight, Hacker. | 0:11:45 | 0:11:46 | |
Bust your ultimate dance move. | 0:11:49 | 0:11:52 | |
-I've got this one for you. Ready? -Yeah. | 0:11:52 | 0:11:55 | |
Needs a bit of work. Right, sit down. | 0:11:56 | 0:11:59 | |
Right, what score would you give this dance move? | 0:11:59 | 0:12:02 | |
Very excitable! | 0:12:05 | 0:12:08 | |
-I'd give you...two! -Oh, I'll take that, that's all right. | 0:12:08 | 0:12:11 | |
And who would you most like to have your last dance with? | 0:12:11 | 0:12:15 | |
Oh... | 0:12:15 | 0:12:17 | |
It's got to be the lovely Tess Daly. | 0:12:17 | 0:12:18 | |
Ah, Tess Daly from Strictly. | 0:12:18 | 0:12:20 | |
HOOTER BLOWS | 0:12:20 | 0:12:21 | |
Well, that's what you think, Anton. | 0:12:21 | 0:12:24 | |
But take a look at what me and some real people got up to the other day | 0:12:24 | 0:12:27 | |
when we talked dance. | 0:12:27 | 0:12:29 | |
Hit the old switcheroo. | 0:12:29 | 0:12:30 | |
-Hello! -Hi. | 0:12:32 | 0:12:34 | |
-Who would you most like to dance with? -You. -Me? | 0:12:34 | 0:12:37 | |
We can make that happen for you. | 0:12:37 | 0:12:39 | |
Grab my hand, since we're dancing. Ready? | 0:12:39 | 0:12:42 | |
Ah-ah-ee, ooh-ah-ah-ah... | 0:12:42 | 0:12:44 | |
-Hello! -Hello. -Who would you most like to dance with? | 0:12:44 | 0:12:48 | |
-My brother. -Your brother, is he a good dancer? -Not really. | 0:12:48 | 0:12:51 | |
-I'm a good dancer, ain't I? -Yeah, you're quite good, aren't you? | 0:12:51 | 0:12:54 | |
-Like that. -Yeah, perfect. | 0:12:54 | 0:12:57 | |
-And who would you most like to dance with? -Beyonce. | 0:12:58 | 0:13:01 | |
-Justin Bieber. -Justin Timberlake. | 0:13:01 | 0:13:03 | |
-Diversity. -Madonna. -Beyonce. | 0:13:03 | 0:13:06 | |
-Dodge. -Dodge? | 0:13:06 | 0:13:08 | |
My brother Dodge? Why do you want to dance with him and not me? | 0:13:08 | 0:13:11 | |
-Because he's more funky. -He's got nothing on me! | 0:13:11 | 0:13:15 | |
This lot know a lot about dancing, | 0:13:15 | 0:13:17 | |
so I'm going to show them my best dance move, | 0:13:17 | 0:13:20 | |
and these three are going to judge me using their fabulous scorecards. | 0:13:20 | 0:13:23 | |
-Are you ready? -Yeah. -Are you ready? -Yeah. -Ready? -Yeah. | 0:13:23 | 0:13:27 | |
Right, I'm going to dance for you now. | 0:13:27 | 0:13:30 | |
Yeah! | 0:13:38 | 0:13:40 | |
-One. -One? That's rubbish, why one? Was I no good? | 0:13:40 | 0:13:44 | |
-No. -But I've been practising that dance since the day I was born. | 0:13:44 | 0:13:49 | |
-A one. -One? How come a measly one? -Cos you're just all over the place. | 0:13:49 | 0:13:54 | |
-Five. -Five? Why? | 0:13:54 | 0:13:57 | |
Because it was all over the place and it was crazy. | 0:13:57 | 0:14:00 | |
I am classically trained. I won't stand for this nonsense! | 0:14:00 | 0:14:04 | |
-Number ten. -A ten? Oh, why a ten? | 0:14:04 | 0:14:07 | |
Because you were just so fast and good. | 0:14:07 | 0:14:11 | |
Yes, I was, so if you add them all up...ten plus one... | 0:14:11 | 0:14:14 | |
That is 100! I get 100 points! Huzzah! | 0:14:14 | 0:14:18 | |
-Hello. -Hello. | 0:14:18 | 0:14:20 | |
-Would you stand up, please, and bust your best dance move? -OK. | 0:14:20 | 0:14:25 | |
MUSIC PLAYS | 0:14:25 | 0:14:27 | |
Very good. | 0:14:27 | 0:14:30 | |
Got dandruff? | 0:14:32 | 0:14:34 | |
That's very good. What do you call that dance move? | 0:14:46 | 0:14:49 | |
-I don't know its name. -The Windscreen Wipers, I call that. | 0:14:49 | 0:14:54 | |
There we have it. We've learned lots of great dance moves. | 0:14:54 | 0:14:58 | |
Some of them I'll put into practice next time I go to the discotheque. | 0:14:58 | 0:15:02 | |
Thank you. | 0:15:04 | 0:15:05 | |
Wasn't that a LOL? | 0:15:05 | 0:15:07 | |
ANTON CHUCKLES | 0:15:07 | 0:15:08 | |
Right, Mr Anthony Du Beak, you are a dancer on Strictly Come Dancing. | 0:15:08 | 0:15:13 | |
Have there ever been | 0:15:13 | 0:15:14 | |
any of the celebrity dancing people that you didn't like? | 0:15:14 | 0:15:18 | |
Of course they were all lovely people. | 0:15:18 | 0:15:21 | |
Kara Tointon and Matt Baker and lovely Ann Widdecombe. | 0:15:21 | 0:15:26 | |
They're all so nice. | 0:15:26 | 0:15:28 | |
Likes the sound of his own voice, that one. | 0:15:28 | 0:15:31 | |
Look at that! A button. | 0:15:31 | 0:15:33 | |
Oh, do not push? Spoils all my fun. | 0:15:33 | 0:15:37 | |
Doesn't say do not press, though. | 0:15:37 | 0:15:40 | |
Pressing is different to pushing. Give it an innocent press. | 0:15:40 | 0:15:45 | |
Ha! | 0:15:45 | 0:15:46 | |
BOOM! | 0:15:46 | 0:15:48 | |
SIRENS WAIL | 0:15:52 | 0:15:54 | |
Oh, that's not ideal, is it? | 0:15:54 | 0:15:56 | |
-I couldn't bear him. Explosive stuff, eh? -I didn't explode anything! | 0:15:58 | 0:16:04 | |
It wasn't me. I've been sat here all along. You can't prove anything! | 0:16:04 | 0:16:09 | |
-Prove what? -The building that just exploded. I didn't push the button. | 0:16:09 | 0:16:14 | |
Um, nothing. Not a thing, no. | 0:16:14 | 0:16:17 | |
-What a strange creature you are. -Oh, thank you. | 0:16:17 | 0:16:21 | |
-I've got some good news for you. -Is it time for my dancing? | 0:16:21 | 0:16:25 | |
-In a minute, Anthony. Warm up or something. -I'll just... | 0:16:25 | 0:16:28 | |
Mind your hamstring or whatever it is. | 0:16:28 | 0:16:31 | |
The good news is the show's not over yet. Derek, run the menu. | 0:16:31 | 0:16:36 | |
Oh, yeah. | 0:16:38 | 0:16:39 | |
Still to come today - this, | 0:16:39 | 0:16:42 | |
this, | 0:16:42 | 0:16:44 | |
and this... Who's he? He's not in it! | 0:16:44 | 0:16:47 | |
Quick, Derek, play some Howlers. | 0:16:47 | 0:16:50 | |
Hey, look at them dancing. | 0:16:52 | 0:16:54 | |
Strictly fell down, eh? | 0:16:55 | 0:16:57 | |
Ha ha! What's he doing? | 0:16:58 | 0:17:00 | |
Oh, no. | 0:17:00 | 0:17:02 | |
Oops. Look. | 0:17:02 | 0:17:04 | |
Ha ha. | 0:17:05 | 0:17:06 | |
Oh, she slipped. | 0:17:06 | 0:17:08 | |
It's not nice. | 0:17:08 | 0:17:10 | |
Oh, madam. | 0:17:10 | 0:17:11 | |
Ooh! | 0:17:11 | 0:17:13 | |
No, he's fine. | 0:17:13 | 0:17:15 | |
Ha ha. She fell down. | 0:17:17 | 0:17:19 | |
Play that guitar. | 0:17:19 | 0:17:22 | |
Look at 'em showing off. | 0:17:22 | 0:17:25 | |
Ha ha. | 0:17:26 | 0:17:27 | |
Oh, damage to the staging! | 0:17:27 | 0:17:30 | |
Ladies and gentlemen, you're watching Hacker Time. | 0:17:34 | 0:17:37 | |
Now, performing his big dance number, | 0:17:37 | 0:17:40 | |
will Anton du Beke please take to the floor? | 0:17:40 | 0:17:43 | |
-You could have got me one that fitted! -Ha ha! | 0:17:43 | 0:17:48 | |
Hit it! | 0:17:48 | 0:17:49 | |
TANGO MUSIC PLAYS | 0:17:49 | 0:17:51 | |
Is that it, du Beke? Out the way, move out. | 0:17:55 | 0:17:58 | |
Hit it! | 0:17:58 | 0:17:59 | |
# If it hadn't been for Cotton Eye Joe | 0:17:59 | 0:18:01 | |
# I'd be married long time ago | 0:18:01 | 0:18:02 | |
# Where did you come from? Where did you go? | 0:18:02 | 0:18:04 | |
# Where did you come from... # | 0:18:04 | 0:18:06 | |
-That's rubbish. -What? -Hit it! | 0:18:06 | 0:18:08 | |
LIFT MUSIC PLAYS | 0:18:08 | 0:18:10 | |
Right, get out of it. I'm the dancer round here. Hit it! | 0:18:13 | 0:18:17 | |
# If it hadn't been for Cotton Eye Joe | 0:18:17 | 0:18:19 | |
# I'd be married long time ago | 0:18:19 | 0:18:21 | |
# Where did you come from? Where did you go? Where... # | 0:18:21 | 0:18:24 | |
-Take a hike, dog breath. -Cheeky. | 0:18:24 | 0:18:26 | |
Hit it! | 0:18:27 | 0:18:29 | |
BIG BAND MUSIC PLAYS | 0:18:29 | 0:18:31 | |
Stop showing off and move on. I'll show you. Hit it! | 0:18:35 | 0:18:39 | |
# If it hadn't been for Cotton Eye Joe | 0:18:39 | 0:18:40 | |
# I'd be married long time ago | 0:18:40 | 0:18:42 | |
# Where did you come from? Where did you go? | 0:18:42 | 0:18:44 | |
# Where did you come from Cotton Eye Joe? # | 0:18:44 | 0:18:46 | |
Exhausted! I don't know if I can keep this up... | 0:18:46 | 0:18:50 | |
CRASH! | 0:18:51 | 0:18:53 | |
Is that it? | 0:18:54 | 0:18:56 | |
Aye, that's proper good dancing. | 0:18:56 | 0:18:59 | |
That was rubbish. | 0:18:59 | 0:19:02 | |
-Even my pet ferret can dance better than that. -Have very dare you? | 0:19:02 | 0:19:06 | |
Derek, bring on the wall. | 0:19:06 | 0:19:09 | |
HE CHUCKLES | 0:19:11 | 0:19:13 | |
What a nonsense. | 0:19:13 | 0:19:14 | |
While he sorts himself out, here's some glamorous posh stuff to watch. | 0:19:14 | 0:19:19 | |
There's not enough dogs on telly - don't you agree, Anton? | 0:19:19 | 0:19:23 | |
What ever you say, Hacker. | 0:19:23 | 0:19:25 | |
Good, he agrees. | 0:19:25 | 0:19:27 | |
Me and Dodge have made our own doggy TV show. Wey-hey! Have a look. | 0:19:27 | 0:19:31 | |
It's called Downstairs Abbey. It's right good. | 0:19:31 | 0:19:35 | |
'I, Dogtina, am in love, and even though I'm just a little maid, | 0:19:43 | 0:19:48 | |
'I'm in love with a lord - my master, Lord Percy.' | 0:19:48 | 0:19:53 | |
-DOGTINA SIGHS -Lord Percy! | 0:19:53 | 0:19:56 | |
Dogtina, you can't be in love with Lord Percy. I love him. | 0:19:56 | 0:20:02 | |
I'm the one who cuts his toenails. | 0:20:02 | 0:20:04 | |
I cut them too. I've kept some in a jar. | 0:20:04 | 0:20:06 | |
That is weird. | 0:20:08 | 0:20:10 | |
BELL RINGS | 0:20:10 | 0:20:12 | |
-Oh, Lord Percy, Lord Percy. I'll go. -No, I'll go. | 0:20:12 | 0:20:15 | |
Stop it! | 0:20:15 | 0:20:16 | |
Ah, girls. I've got some exciting news. | 0:20:18 | 0:20:21 | |
I'm going to throw a big party | 0:20:21 | 0:20:23 | |
and I shall invite the lovely Lady Sarah. | 0:20:23 | 0:20:26 | |
-Ooh, a party. -I've got nothing to wear. | 0:20:26 | 0:20:30 | |
No, you won't be coming. But you will be doing all the work. | 0:20:30 | 0:20:34 | |
I need you to write the invitations, | 0:20:34 | 0:20:37 | |
send invitations, tidy up, mop, dust, buy party food, | 0:20:37 | 0:20:40 | |
cook party food, buy decorations, choose music | 0:20:40 | 0:20:44 | |
and then prepare party games. | 0:20:44 | 0:20:46 | |
Let's go and get a milky brew. | 0:20:46 | 0:20:49 | |
< Where have you gone?! | 0:20:49 | 0:20:51 | |
What about the party? | 0:20:51 | 0:20:53 | |
There isn't going to be a party! Ha ha ha! | 0:20:53 | 0:20:57 | |
-COUGHS -Hold on. | 0:20:57 | 0:20:59 | |
-So, Lord Percy, who is here? -Why, Lady Sarah, | 0:21:02 | 0:21:05 | |
I have invited dozens of the finest people from all over the county. | 0:21:05 | 0:21:10 | |
Behold! | 0:21:10 | 0:21:12 | |
Y'all right? | 0:21:13 | 0:21:16 | |
What? Where is everyone? Who are you? | 0:21:16 | 0:21:18 | |
-I'm just a humble penniless tramp. -I didn't invite you. | 0:21:18 | 0:21:23 | |
I heard there was a party, so I came in off the street. | 0:21:23 | 0:21:26 | |
Where are those vol-au-vents? | 0:21:26 | 0:21:28 | |
-Get out. -Charming. | 0:21:28 | 0:21:30 | |
HACKERELLA! DOGTINA! | 0:21:30 | 0:21:33 | |
Where is everyone? This is a disaster. | 0:21:33 | 0:21:37 | |
At least Lady Sarah is still here. | 0:21:37 | 0:21:39 | |
-I'm going, Lord Percy. -What? | 0:21:39 | 0:21:42 | |
I've fallen for the musky charm of this handsome gentleman. | 0:21:42 | 0:21:46 | |
-We plan to elope together. -Yeah, what she said. Ta ra! | 0:21:46 | 0:21:51 | |
Lady Sarah! | 0:21:51 | 0:21:53 | |
Oh, she's gone. Cruel, fickle woman. | 0:21:53 | 0:21:56 | |
Why can't I find someone sensible? | 0:21:56 | 0:22:00 | |
Sensible like you, Hackerella. | 0:22:00 | 0:22:02 | |
In fact, Hackerella, do you...? | 0:22:02 | 0:22:06 | |
Do I...? | 0:22:06 | 0:22:07 | |
ROMANTIC MUSIC PLAYS | 0:22:07 | 0:22:10 | |
Do you...know anyone? There's no-one round here. | 0:22:15 | 0:22:19 | |
Oh, budgies. | 0:22:19 | 0:22:22 | |
Oh, what brilliant acting I did then. | 0:22:25 | 0:22:29 | |
-Brilliant. -Thanks for being on my show. | 0:22:29 | 0:22:32 | |
You've done well for yourself. | 0:22:32 | 0:22:34 | |
Thanks. I had a lovely time, apart from that nasty wall incident. | 0:22:34 | 0:22:39 | |
We'll just skim over that. | 0:22:39 | 0:22:41 | |
Time to see if the judges thought you were a good guest. | 0:22:41 | 0:22:45 | |
Your scores for Anton du Beak. | 0:22:45 | 0:22:47 | |
-Du Beke. -Bless you. | 0:22:47 | 0:22:49 | |
Ladies and gentlemen, the judges' scores. Craig Revel Horwood. | 0:22:49 | 0:22:53 | |
2! | 0:22:53 | 0:22:54 | |
CROWD GROANS | 0:22:54 | 0:22:55 | |
I'll see to this. Come here, Revel Horwood. | 0:22:56 | 0:22:59 | |
You're a disgrace, Revel Horwood. | 0:22:59 | 0:23:02 | |
Ooh! | 0:23:02 | 0:23:04 | |
Don't get any ideas - there's more where that came from. | 0:23:04 | 0:23:08 | |
And tidy up round here! It's a pigsty. | 0:23:08 | 0:23:11 | |
You won't have a problem now. Judges, have another go. | 0:23:13 | 0:23:17 | |
Craig Revel Horwood. | 0:23:17 | 0:23:18 | |
10! | 0:23:18 | 0:23:19 | |
CROWD CHEERS | 0:23:19 | 0:23:21 | |
Yeah! Thanks, Hacker. | 0:23:21 | 0:23:22 | |
Let's see how that puts you on my guest leader board. | 0:23:22 | 0:23:26 | |
Oh, look, you're at the top. Well done, Anton. | 0:23:26 | 0:23:31 | |
The door's over there. Goodbye. | 0:23:31 | 0:23:33 | |
-Is that it, then? -Yep, that's about enough of you. See you. | 0:23:33 | 0:23:37 | |
-Oh, I'll... Exit music. OK. -Derek, unlock the doors. | 0:23:37 | 0:23:43 | |
-Bye, then. -Off you pop. | 0:23:43 | 0:23:46 | |
-Bye. -Mind your head. -Bye. | 0:23:46 | 0:23:48 | |
-And shut the door. It's freezing in here. -Bye. -Thank you. | 0:23:48 | 0:23:53 | |
I thought he was never going to go. | 0:23:53 | 0:23:55 | |
Right, it's time now for some of my favourite LOLs from round the world. | 0:23:55 | 0:24:00 | |
It's Hacker's Top 5 Dancing Howlers! | 0:24:00 | 0:24:04 | |
At 5, this dog is nearly as good at dancing as me - look. | 0:24:06 | 0:24:11 | |
# Too cold | 0:24:11 | 0:24:12 | |
# Ice, ice, baby | 0:24:12 | 0:24:14 | |
# Too cold | 0:24:14 | 0:24:16 | |
# Ice, ice, baby. # | 0:24:16 | 0:24:18 | |
Ha ha. What a mover. He's not as good as this, though. | 0:24:18 | 0:24:22 | |
# Too cold | 0:24:22 | 0:24:24 | |
# Ice, ice, baby. # | 0:24:24 | 0:24:26 | |
At 4, these musical pop-star types are larking about on treadmills. | 0:24:28 | 0:24:33 | |
Look. | 0:24:33 | 0:24:34 | |
MUSIC: "Here It Goes" by OK Go | 0:24:34 | 0:24:36 | |
They'll get fit if they keep that up. | 0:25:12 | 0:25:15 | |
In at 3, in't breakdancing impressive? | 0:25:17 | 0:25:20 | |
Well, it's even more betterer when it's done by fingers. Look. | 0:25:20 | 0:25:24 | |
DANCE MUSIC PLAYS | 0:25:24 | 0:25:27 | |
Ha ha. Look. He's got shoes on his fingers! | 0:25:27 | 0:25:30 | |
I normally think weddings are dead boring and grown-up, | 0:25:47 | 0:25:51 | |
but look at what they got up to at the reception. | 0:25:51 | 0:25:54 | |
# Butterfly kisses at night... # | 0:25:54 | 0:25:59 | |
RECORD SCRATCHES | 0:25:59 | 0:26:01 | |
You might be missing some of the benefits of stereo. | 0:26:01 | 0:26:05 | |
# YMCA | 0:26:05 | 0:26:07 | |
# It's fun to stay at the YMCA | 0:26:07 | 0:26:11 | |
# They have everything for young men to enjoy | 0:26:11 | 0:26:15 | |
# You can hang out with all the boys. # | 0:26:15 | 0:26:18 | |
Well done, sir. You were marvellous. | 0:26:18 | 0:26:21 | |
And at 1, dancing is good, trombones are good, | 0:26:24 | 0:26:27 | |
but look what happens when you put them both together. | 0:26:27 | 0:26:32 | |
What's he like? | 0:26:50 | 0:26:52 | |
That's all I've got time for today. | 0:27:02 | 0:27:05 | |
CBBC probably want to put another episode of Tracy Beaker on. | 0:27:05 | 0:27:09 | |
Thanks to that dancing mad man Anton du Beke for coming in. | 0:27:09 | 0:27:13 | |
We've just got time for my brilliant song. | 0:27:13 | 0:27:16 | |
Ba-ba, da-da! | 0:27:16 | 0:27:18 | |
# That is it for now The end of the show | 0:27:21 | 0:27:24 | |
# I need the lav so I'm going to go | 0:27:24 | 0:27:26 | |
# I'll see you next time on this show of mine | 0:27:26 | 0:27:29 | |
# Put it in your diary It's called Hacker Time | 0:27:29 | 0:27:31 | |
# We've had a LOL or two watching some clips | 0:27:31 | 0:27:33 | |
# I laughed so hard that I nearly was sick | 0:27:33 | 0:27:36 | |
# I'll show you more funny stuff when I'm next on | 0:27:36 | 0:27:38 | |
# Who needs other telly shows? Mine's the best one | 0:27:38 | 0:27:40 | |
# Thanks to my special guest The dancer, Anton du Beke | 0:27:40 | 0:27:45 | |
# He's quite good at dancing and that | 0:27:45 | 0:27:48 | |
# But everyone knows that I'm the best | 0:27:48 | 0:27:51 | |
# That is it for now The end of the show | 0:27:51 | 0:27:53 | |
# I need the lav-lav so I'm going to go | 0:27:53 | 0:27:55 | |
# I'll see you next time on this show of mine | 0:27:55 | 0:27:57 | |
# Put it in your diary It's called Hacker Time | 0:27:57 | 0:28:00 | |
# Put it in your diary It's called Hacker Time | 0:28:00 | 0:28:02 | |
# That is the end of today's Hacker Time! # | 0:28:02 | 0:28:06 | |
Thank you! | 0:28:06 | 0:28:07 |